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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260403T134430
DTEND;TZID=America/Halifax:20230107T180000
DTSTAMP:20260403T134430
CREATED:20230109T180703Z
LAST-MODIFIED:20230109T180703Z
UID:101329-0-1673114400@artinamericaguide.com
SUMMARY:Joanne Freeman: New York Conversation
DESCRIPTION:Kathryn Markel Fine Arts is thrilled to announce New York Conversation\, an upcoming exhibition of new work by Joanne Freeman. New York Conversation is Freeman’s third solo exhibition with the gallery. The show will be accompanied by a group show curated by Freeman titled Betty and Veronica. They will run concurrently from January 5th – February 11th\, 2023. \n  \n“New York Conversation references my studio process\, and metaphorically describes the random thoughts\, snippets of conversation\, lyrics and memories that ebb and flow over the course of a painting. Visual signs\, nostalgia and the emotional residue of color\, guide my aesthetic choices\,” Freeman says. While intuitive\, Freeman’s stencil-like forms and irregular hard-edge curves harken Modernism and minimalist sensibilities. This is heightened by a palette of saturated primary colors\, or monochromatic works.   “My paintings reference forms found in architecture and design\,” she says.  “I create compositions based on loose geometry and layered saturated colors. The hard edge process of cutting shapes and layering color onto treated raw linen\, recalls qualities of mid-century low-tech graphics\, color field painting and collage\,” she continues.  \n  \nThe forms are hard-edged while still breathy and organic.  The subtle transparencies at the edges of the forms and the contrast of the brushstrokes across the tooth of linen reveal the artist’s hand. “When applying oil paint to linen I try to accentuate the inherent qualities of both mediums\,” she says. “ I consider both the transparency and opacity of the colors\, how they abut and overlap\, and how they respond to the textured tooth of the linen.” She is mindful of each medium’s materiality when painting.  Her saturated colors in either gouache or oil paint are absorbed by the handmade paper or linen\, enhancing the modernist flatness of her forms and use of space. “My reductive abstract paintings are about the beauty of singular color\, the impact of pure abstract forms and the quiet order that cuts through the noise\,” Freeman says.  \n  \nJoanne Freeman has had solo exhibitions in galleries around the United States\, and shown at The Queens Museum\, Zillman Art Museum University of Maine\, The Painting Center\, and the Cape Cod Museum of Art. She’s a 2021 recipient of the Pollock-Krasner Foundation Grant\, and the Vice President of the American Abstract Artists organization. She has her M.A in Studio Art from New York University\, and lives and works in New York City. \n  Save  
URL:https://artinamericaguide.com/event/joanne-freeman-new-york-conversation/
LOCATION:Kathryn Markel Fine Arts\, 529 West 20th\, Suite 6W\, New York\, NY\, 10011\, United States
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ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
GEO:40.9365358;-72.3040792
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Kathryn Markel Fine Arts 529 West 20th Suite 6W New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=529 West 20th\, Suite 6W:geo:-72.3040792,40.9365358
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260403T134430
DTEND;TZID=America/Halifax:20230128T180000
DTSTAMP:20260403T134430
CREATED:20230109T180750Z
LAST-MODIFIED:20230109T180750Z
UID:101313-0-1674928800@artinamericaguide.com
SUMMARY:2023 Winter Juried Exhibitions
DESCRIPTION:BLUE MOUNTAIN GALLERY is pleased to present the work of 47 artists\, 51 pieces of artwork\, selected by Eric Holzman for this year’s winter juried exhibition. The artists\, drawn from over two hundred applicants from across the country\, work in a wide range of media\, including oil\, acrylic\, pastel\, gouache\, photography and mixed media.  \n​Heidi Alamanda \, Marilyn Allen\, Hilary Houston Bachelder\, James Baker\, Nina Kardon Baran\, Bob Barnett\, Raymond Berry\, Leslie Blackmon\, Pam Bowers\, Nancy Breakstone\, Karina Cavat\, Audrey Cohn-Ganz\, Elizabeth Courtney\, Anne Delaney\, Stephanie DeManuelle\, Kiran K Dhaliwal\, Janine Dunn Wade\, Melanie Essex\, Tom Fitzharris\, Meghan Fleming\, Nancy Granda\, Theresa Heidig Rooney\, Teresa Jade Jarzynski\, Moishe Kampin\, Sam Kelly\, Michele King\, Laura Levine\, Pattie Lipman\, Aaron Lubrick\, Manuel Alejandro Macarrulla\, James McKenna\, Elizabeth Meyersohn\, Mark. Milroy\, Blake Morgan\, Arnaldo J Rivera Rivera\, Gail Rodney\, Rebecca Gray Rolke\, Roxy Rubell\, Alyssa Schmidt\, Abbey Stace\, Leslie Ross Stephens\, Yuri Tayshete\, Preston Trombly\, Laura Vahlberg\, Ekaterina Vanovskaya\, Aidan White and Lenore Wolf. \n​Juror ERIC HOLZMAN has been painting and searching for connection in nature and other representational genres all his life. He is a romantic and a classicist who looks into the inner nature of things and tries to walk “The Beauty Way.” He was educated at Tyler School of Art\, Yale\, Skowhegan and the New York Studio School. Eric has taught at Pratt\, the New York Studio School\, and Bard College among others. He is a National Academician and has exhibited twice at the American Academy\, winning awards from both institutions.  Eric has also shown work at Lori Bookstein\, Tibor de Nagy\, Sideshow and Artist Equity\, all in NYC\, and at Gremillion Fine Art and Ellio Fine Art in Houston\, Texas. He has received many honors\, including grants and fellowships from the Guggenheim Foundation\, the NEA\, the Pollock Krasner Foundation\, the Gottlieb Foundation and the Louis Comfort Tiffany Foundation. Website: www.ericholzman.com \n\n  Save  
URL:https://artinamericaguide.com/event/2023-winter-juried-exhibitions/
LOCATION:Blue Mountain Gallery\, 547 W 27th St\, Suite 200\, New York\, NY\, 10001\, United States
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ORGANIZER;CN="Blue Mountan Gallery":MAILTO:info@bluemountaingallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T134430
DTEND;TZID=America/New_York:20250920T170000
DTSTAMP:20260403T134430
CREATED:20250722T184747Z
LAST-MODIFIED:20250722T184747Z
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SUMMARY:August-September @ Art Works!
DESCRIPTION:Throughout August Art Works is open to the public\, offering a variety of engaging exhibits. Adam and Anita Bradley present life-size figurative sculptures and paintings capturing a chaotic world. Mike Bily’s exhibit investigates ecosystems; Sharon Denmark captures light flowing through glass. Rachel Rowden exhibit is a portal of mysteries and Rebecca Visger provides a view from behind the wheel. Blake Bottoms exhibit is featured in the Community Bridge Project. \n  \nJoin us for a fun-filled scavenger hunt with prizes\, perfect for both the young and the young at heart. The activity culminates with prizes for all who participate. We also offer figure drawing sessions on the 1st and 3rd Sundays and Queer Life Drawing at Gold Lion Community Café on August 20th.  \n  \nBradley + Bradley: The Weight of Vanishing Shadows \nAdam and Anita Bradley explore the human condition through their unique mediums. Adam presents life-sized figurative sculptures in wood\, steel\, ceramics\, and smaller bronze pieces\, reflecting themes of anxiety\, loss\, and grief. Anita complements this with layered paintings and mixed media collages\, capturing the struggle for order in a chaotic world. Their intertwined approaches invite contemplation of deep human experiences. \n  \nThe exhibition will be in the Jane Sandelin Gallery at Art Works and will continue through September 20\, 2025. \n  \n  \nArtifacts by Anne Chamblin \nAnne Chamblin’s work is about merging sight and feeling. For her\, painting is a way to process what she experiences. She brings spaces\, places\, and faces to life on canvas\, turning bodies into landscapes and using layers to hint at the passage of time. Anne constantly reworks her paintings\, always keeping a bit of the past to shape the present. Her journey is grounded in everyday experiences\, resulting in unique\, relatable art. \n  \nThe exhibit will be in the Centre Gallery at Art Works through September 20\, 2025. \n  \n  \n  \n  \n  \nBetween Worlds by Hannah Anderson \n  \nAmerican abstract artist Hannah Anderson (b. 1953)\, raised in the simplicity of a Quaker household\, rediscovered her love for painting in 1990 with a Crayon watercolor set. Self-taught and inspired by contemporary artists\, her work reflects the light and dark periods of her life\, blending elements of nature and archetypal symbols from healing traditions. Her debut exhibit\, Between Worlds\, explores the liminal space between worlds and relationships. Hannah resides in Richmond\, Virginia\, and finds inspiration in Taos\, New Mexico. \n  \nThe exhibit will be in the Corner Gallery at Art Works through September 20\, 2025. \n  \n\nMental Health Matters: Celebrating Resilience Through Art All Media Show\nThis exhibit is a focal point of all Art Works’ openings. It is a juried show with cash prizes for 1st\, 2nd and 3rd place. The show is open to all artists and all mediums. \n  \nIn August the theme is Mental Health Matters: Celebrating Resilience Through Art. The community has donated terrific items that we will be auctioning to benefit NAMI\, and Art Works will donate the sales from the All Media Show to NAMI. \nWonJung Choi an international artist and educator\, will be the juror for the exhibit. Wonjung Choi is a Korean-born\, Virginia-based artist whose multidisciplinary work delves into the complexities of identity formation in a globalized world. See more on WonJung’s website: Click here. \n  \nCall for entries is July 15  – August 10\, 2025\, and may be submitted through the online form. The exhibit will be in the Port Gallery at Art Works through September 18\, 2025. Check our website for details on submitting artwork:  Call for Entries \n  Save  
URL:https://artinamericaguide.com/event/august-september-art-works-2/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
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ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T134430
DTEND;TZID=America/New_York:20250926T200000
DTSTAMP:20260403T134430
CREATED:20250903T144946Z
LAST-MODIFIED:20250903T144946Z
UID:114439-0-1758916800@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Opening Reception @ Art Works!
DESCRIPTION:4th Friday September 26th at Art Works \n  \nJoin us on September 26\, 2025 from 6 p.m. to 8 p.m. for an exciting opening reception of our new exhibits at Art Works. Meet the talented artists\, and enjoy live music\, refreshments\, and libations sponsored by RVA Thriving Artists.  The featured artists are Adam Reinhart\, Jen Cook-Asaro\, Sarah Miller\, Tatiana Grace\, Kenneth Lee\, and experiment with interactive art by RVA Game Jams. \n  \nThis event is free and open to the public. Convenient and free parking is available. The exhibits will continue through October 18\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-opening-reception-art-works-56/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/PR-2025.09-Game-Jam-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T134430
DTEND;TZID=America/New_York:20250927T180000
DTSTAMP:20260403T134430
CREATED:20250811T200044Z
LAST-MODIFIED:20250811T200044Z
UID:114212-0-1758996000@artinamericaguide.com
SUMMARY:Heather Stivison\, “Ebb & Flow”\, a Solo Exhibition
DESCRIPTION:In this her third New York City solo exhibition\, Heather Stivison explores the intersection of environmental science and visual art with a series of immersive paintings of the ocean. \nStivison paintings capture the essence of water—something clear and colorless\, with its shape formed entirely by the external forces of objects\, land\, wind\, gravity. Searching for water’s most primary qualities\, she uses light\, color\, form\, shape\, line\, to engender a sense of water. Fluidity\, reflections\, rhythms are evident in her ocean surface paintings. Stivison is fascinated by the reflections and patterns created by the coastal ocean surface. She paints variations on patterns\, exploring how much she can change them and still maintain the sense that the subject is surface water. \nCurator and director of Manhattan Arts International Renee Phillips writes: \n“Stivison ventures beyond nature’s physical boundaries into abstraction with the profusion of free-flowing biomorphic patterns and tonal ranges. In her paintings the innate attributes of water evolve into metaphors\, symbolism and visual poetry.” \nThe exhibition includes a massive 110-inch quadriptych that explores the sense of weightlessness and mystery that she finds in the imagining unknown ocean depths. Other paintings explore surface water patterns as abstract design. \nIndependent curator Kathy Imlay writes: \n“Stivison’s paintings have a luminous glow—accomplished by the artist building up layer upon layer of viscous paint\, which she pours\, smears\, scrapes and otherwise manipulates to create fields of color that conjure the watery depths of the ocean or intergalactic space\, depending on the palette.” \nSome of the paintings on view are the result of her multi-year\, grant funded collaboration with Noah Germolus\, a scientist at Woods Hole Oceanographic Institute who was researching ocean chemistry. Stivison created two paintings about him and his work\, and four five-foot paintings that interpret his research data in paint. \nThe collaboration led to a unique special feature of this exhibition. After Stivison interpreted his data in paint\, he in turn\, interpreted four of her paintings in music. The exhibition includes an on-demand sound installation of original jazz music composed and performed by Germolus. \n  Save  
URL:https://artinamericaguide.com/event/heather-stivison-ebb-flow-a-solo-exhibition/
LOCATION:Pleiades Gallery\, 547 W 27th St. Suite 304\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/stivison-heather_Coastal-Surface-Community_48x60_Oil-over-Acrylic-on-Canvas.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T134430
DTEND;TZID=America/New_York:20251018T170000
DTSTAMP:20260403T134430
CREATED:20250903T144946Z
LAST-MODIFIED:20250903T144946Z
UID:114443-0-1760806800@artinamericaguide.com
SUMMARY:September - October Exhibits @ Art Works!
DESCRIPTION:Now showing six new exhibits. The featured artists are Adam Reinhart\, Jen Cook-Asaro\, Sarah Miller\, Tatiana Grace\, Kenneth Lee\, and experiment with interactive art by RVA Game Jams. Also see 80+ working artist studios. \nVisit us Tuesdays through Sundays 11am- 5pm. Admission is free and open to the public. Convenient and free parking is available. The exhibits will continue through October 18\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/september-october-exhibits-art-works-4/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/PR-2025.09-Game-Jam-1-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T134430
DTEND;TZID=America/New_York:20251122T170000
DTSTAMP:20260403T134430
CREATED:20250908T192551Z
LAST-MODIFIED:20250908T192551Z
UID:114572-0-1763830800@artinamericaguide.com
SUMMARY:October - November Exhibits @ Art Works!
DESCRIPTION:Now showing six new exhibits. The featured artists are Blake Seals\, Felicia L. Reed\, Adam Reinhard\, Sorvino\, and Tobi Holtslag. Also see 80+ working artist studios. \nVisit us Tuesdays through Sundays 11am- 5pm. Admission is free and open to the public. Convenient and free parking is available. The exhibits will continue through November 22nd 2025. \n  Save  
URL:https://artinamericaguide.com/event/october-november-exhibits-art-works-5/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/09/PR-2025.10-Chris-Semtner-3-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:jessie@artworksrva.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T134430
DTEND;TZID=America/New_York:20260221T180000
DTSTAMP:20260403T134430
CREATED:20260120T172859Z
LAST-MODIFIED:20260120T172859Z
UID:115685-0-1771696800@artinamericaguide.com
SUMMARY:Robert Braczyk: Cardinal Directions
DESCRIPTION:Exhibition Dates: January 27 – February 21\, 2026\nOpening Reception: Thurs.\, January 29\, 2026\, 5PM-8PM\nArtist Talk: Saturday\, February 14\, 2026\, 3PM-4PM\nGallery Hours: Tuesday – Saturday\, 11AM-6PM \nBowery Gallery is pleased to present “Cardinal Directions\,” an exhibition of new sculpture by Robert Braczyk.  \nFor many years a prize-winning figurative sculptor\, in recent years Braczyk has turned to abstraction. In his new work—most about 24 inches high—he assembles various tree elements into vertical compositions that echo figural forms\, but whose abstract vocabulary of open volumes and discontinuous contours suggests the possibility of multiple allusions. Each work evinces a powerful spatial tension between the cardinal point from which it is begun and the complex three-dimensional image that Braczyk builds with primary thrust\, axis\, and meridian.  \nBraczyk’s trajectory from figure to abstract figure may be seen as a temporal through line connecting the events of a life. The artist’s comment that he brings all his life’s experiences into the studio reminds us that in the long arc of his career\, the spatial and temporal are never far apart. \nView the exhibition website. \n  \nBowery Gallery\n547 W. 27th Street\, Suite 508\nNew York\, NY 10001 \n  Save  
URL:https://artinamericaguide.com/event/robert-braczyk-cardinal-directions/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
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ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20121022
DTEND;VALUE=DATE:20220101
DTSTAMP:20260403T134430
CREATED:20210527T152347Z
LAST-MODIFIED:20210527T152507Z
UID:81363-1350864000-1640995199@artinamericaguide.com
SUMMARY:LEO VILLAREAL: COSMOS
DESCRIPTION:An homage to the late Cornell astronomy professor Carl Sagan\, Cosmos is a site-specific installation by New York–based artist Leo Villareal (born 1967)\, a pioneer in the use of light-emitting diodes (LEDs) and computer-driven imagery. His signature pieces explore complex movement and dazzling patterns created by points of light using his own computer software. \n \nVillareal – Cosmos – Johnson Museum – Cornell final from Walter Patrick Smith\, AIA LEED A on Vimeo. \nPlanning for Cosmos began in November 2010\, when Villareal—along with the project architect\, Walter Smith\, and donors Lisa and Richard Baker—worked with Johnson Museum staff to determine the optimal location for the installation. The ceiling of the Sherry and Joel Mallin Sculpture Court was chosen for its high visibility not only on campus but also from the city of Ithaca. After studying the Museum’s architectural plans and considering structural and aesthetic aspects of the installation\, the artist’s team returned to Cornell in April 2012 to install a nine-foot-square mock-up. Installation of the final piece took several weeks\, with twelve thousand energy-efficient LEDs on a gridded framework attached to the ceiling of the sculpture court. A zero gravity bench was designed by the artist for viewers to fully immerse themselves in the viewing experience and to foster a more communal involvement with his installation. Villareal gave a public lecture to mark the opening of the installation. \nVillareal’s works reinterpret fundamental components of such twentieth-century art movements as pop\, minimalism\, conceptual\, and post-painterly abstraction while responding to the ingenuity and imagination that defines technology in the twenty-first century. Among his most notable site-specific works are the illumination of the exterior of the Brooklyn Academy of Music (2006)\, Multiverse in the Concourse walkway between the East and West Buildings at the National Gallery of Art (2008)\, and Sky at the Tampa Museum of Art (2009). His largest installation to date is The Bay Lights\, illuminating the West Span of the San Francisco Bay Bridge for its 75th anniversary in 2013. \nAndrea Inselmann\nCurator of Modern and Contemporary Art \n\nImage:\nLeo Villareal\nCosmos\, 2012\nWhite LED Lights\, custom software\, and electrical hardware; site-specific installation.\nAcquired through the generosity of Richard Baker\, Class of 1988\, and Lisa Baker.\n2012.056\nPhoto: James Ewing \n\n  Save  
URL:https://artinamericaguide.com/event/leo-villareal-cosmos/
LOCATION:Herbert F. Johnson Museum of Art\, Cornell University\, 114 Central Avenue\, Cornell University\, Ithaca\, NY\, 14853\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20181110T103000
DTEND;TZID=America/Halifax:20190105T173000
DTSTAMP:20260403T134430
CREATED:20190419T201852Z
LAST-MODIFIED:20190419T201852Z
UID:51823-1541845800-1546709400@artinamericaguide.com
SUMMARY:Dick Wray: Select Works
DESCRIPTION:Foundations III: Part 2 \nCosmic Attraction: Works by Dorothy Hood and Don Redman \nBasilios Poulos: A Moment in Time \nDick Wray: Select Works \nNovember 10\, 2018 to January 5\, 2019 \nOpening Reception: Saturday\, November 10\, 2018  5:00 to 8:00 pm \nPlease join us for the second part of our Foundations Series exhibitions this fall season! \n  \nAs one of the early Texas abstract artists\, Dorothy Hood was born in Bryan\, Texas in 1918. Hood was raised in Houston and won a scholarship to the Rhode Island School of Design and then studied at the Art Students League in New York. Moving to Mexico\, Dorothy Hood was front and center in the cultural\, political\, and social activity of Mexico and Latin America during a period of intense creative ferment. She developed close friendships with all the European exiles\, Latin American surrealists\, and Mexican social realists of the time — artists\, composers\, poets\, playwrights\, and revolutionary writers that influenced her art. Upon returning to Houston in 1961\, Hood started to create the epic paintings that evoked the limitless skies and psychic voids of space\, years ahead of NASA images. Over the next four decades\, she became a renowned and highly collected Texas painter whose works were collected across the United States. Her works are included in over 30 major museums throughout the United States\, as well as the collections of many individuals\, corporations and foundations. \nA large-scale exhibition of Hood’s opened in 2016 at the Art Museum of South Texas in Corpus Christi\, which marked the first major retrospective of her artwork and included paintings\, drawings and collages from the 1930s to 2000.  Dorothy Hood’s work is currently being featured in the Museum of Fine Arts – Houston exhibition\, Kindred Spirits: Louise Nevelson & Dorothy Hood. Deborah Colton Gallery re-introduced Hood’s work to Houston in September of 2016 with a magnificent booth featuring Hoods work at the Houston Fine Arts Fair\, then in a solo exhibition of her work at Deborah Colton Gallery in November 2016 to January 2017. Dorothy Hood’s work has also been exhibited in major group exhibitions at Deborah Colton Gallery including Focus on the 70’s and 80’s Houston Foundations II in 2017\, which included 26 well-known artists who contributed to the vibrant Houston art scene during this era.  Hood was also included in the 20th anniversary exhibition of Deborah Colton Galley\, DCG Looking Back and Beyond earlier this year. \n  \nDon Redman was born in Houston and spent much of his childhood near the Gulf of Mexico. His father was a ship builder and provided him his first opportunities to work with steel\, while his mother supplied him with stockpiles of wood with which he could carve\, saw and paint. After attending the High School for the Performing and Visual Arts and the Art Institute of San Francisco\, he was fortunate to become the apprentice to several internationally recognized artists; among them Luis Jimenez\, James Surls\, and Salvatore Scarpitta. Over his forty plus years as a sculptor\, his work has grown from a fascination with kinetics to a more subtle utilization of movement created by light. His sculptures are in public\, private\, and corporate art collections throughout the United States and around the world. \nDon Redman was first shown at Deborah Colton Gallery during Focus on the 70’s and 80’s: Houston Foundations II. Since then Redman has also been featured in the 20th anniversary exhibition of Deborah Colton Gallery\, Looking Back and Beyond in February 2018. \n  \nBasilios Poulos came to Houston in 1975 from New York to be Artist-in-Residence at Rice University. He was born in South Carolina and went to the Atlanta School of Art for his BFA and Tulane University for his MFA. His many art career honors include French Government Grant from 1965-1966\, Guggenheim Fellowship 1974\, Artist Residency at the Ecole des Beaux-Arts\, Paris 1983\, and Visiting Professor for the University of Georgia Studies Abroad Program\, Cortona\, Italy 1997. His solo exhibitions in Paris\, Athens\, New York City\, Atlanta\, San Francisco\, New Orleans\, Houston and others comprise forty-eight years of painting. Retiring from teaching at Rice University in 2008\, Poulos has continued to paint in his Houston studio. \nBasilios Poulos first exhibited at Deborah Colton Gallery during September – October 2017 in Focus on the 70’s and 80’s: Houston Foundations II. A Moment in Time is Basilios Poulos’ first solo exhibition at Deborah Colton Gallery and features his works from the 80’s.  These paintings are about mark-making\, whereby Poulos creates singular pictorial imagery that is not about storytelling. The beautiful colors are the carrier of emotion with the acrylic paint applied by brush and squeegee. The painting is the image.  Now and in the past\, Basilios Poulos has always strived to make beautiful and provocative paintings that are open and accessible. \n  \nA native Houstonian born in 1933\, Dick Wray\, was an artist of incomparable talent and personality who played a critical role in the development of Houston’s contemporary art scene since the 1950s.  Often categorized as an Abstract Expressionist\, Wray is best known for his explosive and dynamic abstractions that received numerous accolades from Houston’s critical community as well as notable arts figures across the United States throughout his career.  Wray attended the University of Houston’s School of Architecture followed by the Kunstakademie\, Dusseldorf\, Germany. Returning to Houston in 1959\, he began seriously working as an artist.  Over the next fifty years\, he participated in a large number of important exhibitions nationally\, including his first solo exhibition at the Contemporary Arts Museum Houston in 1975.  Dick Wray was an instructor at the Glassell School of Art from 1968 until 1982.  Wray was awarded the Ford Foundation purchase prize in 1962\, a prestigious Artist’s Grant from the National Endowment for the Arts in 1978 and named Texas Artist of the Year by the Art League of Houston in 2000.  His work is in major collections\, including the Albright Knox Museum\, Buffalo\, National Gallery of Art in Washington\, D.C.\, the Modern Art Museum of Fort Worth\, the Museum of Fine Arts and the Contemporary Art Museum of Houston and the Museum of Modern Art in New York City. \nThe works of Dick Wray were first shown at Deborah Colton Gallery during Focus on the 70’s and 80’s: Houston Foundations II. Dick Wray’s work was also featured in DCG Looking Back and Beyond in 2018.  A comprehensive solo exhibition of Dick Wray’s work will take place at Deborah Colton Gallery in September – October 2019. \n  \nThese three exhibitions are the second part of Deborah Colton Gallery’s Foundation III exhibition\, with the recent Identifiably Houston being the first part. Deborah Colton Gallery is founded on being an innovative showcase for ongoing presentation and promotion of strong historical and visionary contemporary artists world-wide\, whose diverse practices include painting\, works on paper\, sculpture\, video\, photography\, performance\, conceptual future media and public space installations. The Gallery aspires to provide a forum through connecting Texas\, national and international artists to make positive change and to help Houston become a leading destination city of the arts. \nSince 2013 especially\, Deborah Colton Gallery has had a strong focus on establishing HOUSTON FOUNDATIONS\, which reveres our city’s artistic roots. By understanding where we came from\, we can build on this foundation to become an even more dynamic and empowered “City of the Future” in the national and international art world. Deborah Colton Gallery’s Foundations I was Suzanne Paul’s PROOF exhibition in 2016\, which the gallery actually started researching over a decade earlier when it started to house this important archive after Suzanne Paul’s passing. Suzanne Paul’s archives are the most comprehensive photographic documentation of Houston art scene from the 1970’s to 2005.  September – October of 2017\, Deborah Colton Gallery organized and exhibited Foundations II: Focus on the 70’s & 80’s which featured 26 of the most significant artists of that time period who have made a major impact on who we are as an art city today. The Foundations Symposium Series of panels and lectures was part of this exhibition. Deborah Colton Gallery has a permanent Foundations Room in the back of the gallery that highlights Suzanne Paul’s photographs of the Houston art scene plus a video excerpt of our Foundations Symposium Series from 2017. The video was created by Lee Benner. There also is a library of publications on Houston artists. \n  \nFor more information on our Foundations Projects\, please access our website. \n  Save  
URL:https://artinamericaguide.com/event/dick-wray-select-works/
LOCATION:Deborah Colton Gallery\, 2445 North Boulevard\, Houston\, 77098\, United States
ORGANIZER;CN="Deborah Colton Gallery":MAILTO:info@deborahcoltongallery.com
GEO:29.7276234;-95.4166597
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20181110T103000
DTEND;TZID=America/Halifax:20190105T173000
DTSTAMP:20260403T134430
CREATED:20190419T201916Z
LAST-MODIFIED:20190420T194311Z
UID:51822-1541845800-1546709400@artinamericaguide.com
SUMMARY:Basilios Poulos: A Moment in Time
DESCRIPTION:Foundations III: Part 2 \nCosmic Attraction: Works by Dorothy Hood and Don Redman \nBasilios Poulos: A Moment in Time \nDick Wray: Select Works \nNovember 10\, 2018 to January 5\, 2019 \nOpening Reception: Saturday\, November 10\, 2018  5:00 to 8:00 pm \nPlease join us for the second part of our Foundations Series exhibitions this fall season! \n  \nAs one of the early Texas abstract artists\, Dorothy Hood was born in Bryan\, Texas in 1918. Hood was raised in Houston and won a scholarship to the Rhode Island School of Design and then studied at the Art Students League in New York. Moving to Mexico\, Dorothy Hood was front and center in the cultural\, political\, and social activity of Mexico and Latin America during a period of intense creative ferment. She developed close friendships with all the European exiles\, Latin American surrealists\, and Mexican social realists of the time — artists\, composers\, poets\, playwrights\, and revolutionary writers that influenced her art. Upon returning to Houston in 1961\, Hood started to create the epic paintings that evoked the limitless skies and psychic voids of space\, years ahead of NASA images. Over the next four decades\, she became a renowned and highly collected Texas painter whose works were collected across the United States. Her works are included in over 30 major museums throughout the United States\, as well as the collections of many individuals\, corporations and foundations. \nA large-scale exhibition of Hood’s opened in 2016 at the Art Museum of South Texas in Corpus Christi\, which marked the first major retrospective of her artwork and included paintings\, drawings and collages from the 1930s to 2000.  Dorothy Hood’s work is currently being featured in the Museum of Fine Arts – Houston exhibition\, Kindred Spirits: Louise Nevelson & Dorothy Hood. Deborah Colton Gallery re-introduced Hood’s work to Houston in September of 2016 with a magnificent booth featuring Hoods work at the Houston Fine Arts Fair\, then in a solo exhibition of her work at Deborah Colton Gallery in November 2016 to January 2017. Dorothy Hood’s work has also been exhibited in major group exhibitions at Deborah Colton Gallery including Focus on the 70’s and 80’s Houston Foundations II in 2017\, which included 26 well-known artists who contributed to the vibrant Houston art scene during this era.  Hood was also included in the 20th anniversary exhibition of Deborah Colton Galley\, DCG Looking Back and Beyond earlier this year. \n  \nDon Redman was born in Houston and spent much of his childhood near the Gulf of Mexico. His father was a ship builder and provided him his first opportunities to work with steel\, while his mother supplied him with stockpiles of wood with which he could carve\, saw and paint. After attending the High School for the Performing and Visual Arts and the Art Institute of San Francisco\, he was fortunate to become the apprentice to several internationally recognized artists; among them Luis Jimenez\, James Surls\, and Salvatore Scarpitta. Over his forty plus years as a sculptor\, his work has grown from a fascination with kinetics to a more subtle utilization of movement created by light. His sculptures are in public\, private\, and corporate art collections throughout the United States and around the world. \nDon Redman was first shown at Deborah Colton Gallery during Focus on the 70’s and 80’s: Houston Foundations II. Since then Redman has also been featured in the 20th anniversary exhibition of Deborah Colton Gallery\, Looking Back and Beyond in February 2018. \n  \nBasilios Poulos came to Houston in 1975 from New York to be Artist-in-Residence at Rice University. He was born in South Carolina and went to the Atlanta School of Art for his BFA and Tulane University for his MFA. His many art career honors include French Government Grant from 1965-1966\, Guggenheim Fellowship 1974\, Artist Residency at the Ecole des Beaux-Arts\, Paris 1983\, and Visiting Professor for the University of Georgia Studies Abroad Program\, Cortona\, Italy 1997. His solo exhibitions in Paris\, Athens\, New York City\, Atlanta\, San Francisco\, New Orleans\, Houston and others comprise forty-eight years of painting. Retiring from teaching at Rice University in 2008\, Poulos has continued to paint in his Houston studio. \nBasilios Poulos first exhibited at Deborah Colton Gallery during September – October 2017 in Focus on the 70’s and 80’s: Houston Foundations II. A Moment in Time is Basilios Poulos’ first solo exhibition at Deborah Colton Gallery and features his works from the 80’s.  These paintings are about mark-making\, whereby Poulos creates singular pictorial imagery that is not about storytelling. The beautiful colors are the carrier of emotion with the acrylic paint applied by brush and squeegee. The painting is the image.  Now and in the past\, Basilios Poulos has always strived to make beautiful and provocative paintings that are open and accessible. \n  \nA native Houstonian born in 1933\, Dick Wray\, was an artist of incomparable talent and personality who played a critical role in the development of Houston’s contemporary art scene since the 1950s.  Often categorized as an Abstract Expressionist\, Wray is best known for his explosive and dynamic abstractions that received numerous accolades from Houston’s critical community as well as notable arts figures across the United States throughout his career.  Wray attended the University of Houston’s School of Architecture followed by the Kunstakademie\, Dusseldorf\, Germany. Returning to Houston in 1959\, he began seriously working as an artist.  Over the next fifty years\, he participated in a large number of important exhibitions nationally\, including his first solo exhibition at the Contemporary Arts Museum Houston in 1975.  Dick Wray was an instructor at the Glassell School of Art from 1968 until 1982.  Wray was awarded the Ford Foundation purchase prize in 1962\, a prestigious Artist’s Grant from the National Endowment for the Arts in 1978 and named Texas Artist of the Year by the Art League of Houston in 2000.  His work is in major collections\, including the Albright Knox Museum\, Buffalo\, National Gallery of Art in Washington\, D.C.\, the Modern Art Museum of Fort Worth\, the Museum of Fine Arts and the Contemporary Art Museum of Houston and the Museum of Modern Art in New York City. \nThe works of Dick Wray were first shown at Deborah Colton Gallery during Focus on the 70’s and 80’s: Houston Foundations II. Dick Wray’s work was also featured in DCG Looking Back and Beyond in 2018.  A comprehensive solo exhibition of Dick Wray’s work will take place at Deborah Colton Gallery in September – October 2019. \n  \nThese three exhibitions are the second part of Deborah Colton Gallery’s Foundation III exhibition\, with the recent Identifiably Houston being the first part. Deborah Colton Gallery is founded on being an innovative showcase for ongoing presentation and promotion of strong historical and visionary contemporary artists world-wide\, whose diverse practices include painting\, works on paper\, sculpture\, video\, photography\, performance\, conceptual future media and public space installations. The Gallery aspires to provide a forum through connecting Texas\, national and international artists to make positive change and to help Houston become a leading destination city of the arts. \nSince 2013 especially\, Deborah Colton Gallery has had a strong focus on establishing HOUSTON FOUNDATIONS\, which reveres our city’s artistic roots. By understanding where we came from\, we can build on this foundation to become an even more dynamic and empowered “City of the Future” in the national and international art world. Deborah Colton Gallery’s Foundations I was Suzanne Paul’s PROOF exhibition in 2016\, which the gallery actually started researching over a decade earlier when it started to house this important archive after Suzanne Paul’s passing. Suzanne Paul’s archives are the most comprehensive photographic documentation of Houston art scene from the 1970’s to 2005.  September – October of 2017\, Deborah Colton Gallery organized and exhibited Foundations II: Focus on the 70’s & 80’s which featured 26 of the most significant artists of that time period who have made a major impact on who we are as an art city today. The Foundations Symposium Series of panels and lectures was part of this exhibition. Deborah Colton Gallery has a permanent Foundations Room in the back of the gallery that highlights Suzanne Paul’s photographs of the Houston art scene plus a video excerpt of our Foundations Symposium Series from 2017. The video was created by Lee Benner. There also is a library of publications on Houston artists. \n  \nFor more information on our Foundations Projects\, please access our website. \n  Save  
URL:https://artinamericaguide.com/event/basilios-poulos-a-moment-in-time/
LOCATION:Deborah Colton Gallery\, 2445 North Boulevard\, Houston\, 77098\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20181110T103000
DTEND;TZID=America/Halifax:20190105T173000
DTSTAMP:20260403T134430
CREATED:20190419T201946Z
LAST-MODIFIED:20190419T201946Z
UID:51820-1541845800-1546709400@artinamericaguide.com
SUMMARY:Cosmic Attraction: Works by Dorothy Hood and Don Redman
DESCRIPTION:Foundations III: Part 2 \nCosmic Attraction: Works by Dorothy Hood and Don Redman \nBasilios Poulos: A Moment in Time \nDick Wray: Select Works \nNovember 10\, 2018 to January 5\, 2019 \nOpening Reception: Saturday\, November 10\, 2018  5:00 to 8:00 pm \nPlease join us for the second part of our Foundations Series exhibitions this fall season! \n  \nAs one of the early Texas abstract artists\, Dorothy Hood was born in Bryan\, Texas in 1918. Hood was raised in Houston and won a scholarship to the Rhode Island School of Design and then studied at the Art Students League in New York. Moving to Mexico\, Dorothy Hood was front and center in the cultural\, political\, and social activity of Mexico and Latin America during a period of intense creative ferment. She developed close friendships with all the European exiles\, Latin American surrealists\, and Mexican social realists of the time — artists\, composers\, poets\, playwrights\, and revolutionary writers that influenced her art. Upon returning to Houston in 1961\, Hood started to create the epic paintings that evoked the limitless skies and psychic voids of space\, years ahead of NASA images. Over the next four decades\, she became a renowned and highly collected Texas painter whose works were collected across the United States. Her works are included in over 30 major museums throughout the United States\, as well as the collections of many individuals\, corporations and foundations. \nA large-scale exhibition of Hood’s opened in 2016 at the Art Museum of South Texas in Corpus Christi\, which marked the first major retrospective of her artwork and included paintings\, drawings and collages from the 1930s to 2000.  Dorothy Hood’s work is currently being featured in the Museum of Fine Arts – Houston exhibition\, Kindred Spirits: Louise Nevelson & Dorothy Hood. Deborah Colton Gallery re-introduced Hood’s work to Houston in September of 2016 with a magnificent booth featuring Hoods work at the Houston Fine Arts Fair\, then in a solo exhibition of her work at Deborah Colton Gallery in November 2016 to January 2017. Dorothy Hood’s work has also been exhibited in major group exhibitions at Deborah Colton Gallery including Focus on the 70’s and 80’s Houston Foundations II in 2017\, which included 26 well-known artists who contributed to the vibrant Houston art scene during this era.  Hood was also included in the 20th anniversary exhibition of Deborah Colton Galley\, DCG Looking Back and Beyond earlier this year. \n  \nDon Redman was born in Houston and spent much of his childhood near the Gulf of Mexico. His father was a ship builder and provided him his first opportunities to work with steel\, while his mother supplied him with stockpiles of wood with which he could carve\, saw and paint. After attending the High School for the Performing and Visual Arts and the Art Institute of San Francisco\, he was fortunate to become the apprentice to several internationally recognized artists; among them Luis Jimenez\, James Surls\, and Salvatore Scarpitta. Over his forty plus years as a sculptor\, his work has grown from a fascination with kinetics to a more subtle utilization of movement created by light. His sculptures are in public\, private\, and corporate art collections throughout the United States and around the world. \nDon Redman was first shown at Deborah Colton Gallery during Focus on the 70’s and 80’s: Houston Foundations II. Since then Redman has also been featured in the 20th anniversary exhibition of Deborah Colton Gallery\, Looking Back and Beyond in February 2018. \n  \nBasilios Poulos came to Houston in 1975 from New York to be Artist-in-Residence at Rice University. He was born in South Carolina and went to the Atlanta School of Art for his BFA and Tulane University for his MFA. His many art career honors include French Government Grant from 1965-1966\, Guggenheim Fellowship 1974\, Artist Residency at the Ecole des Beaux-Arts\, Paris 1983\, and Visiting Professor for the University of Georgia Studies Abroad Program\, Cortona\, Italy 1997. His solo exhibitions in Paris\, Athens\, New York City\, Atlanta\, San Francisco\, New Orleans\, Houston and others comprise forty-eight years of painting. Retiring from teaching at Rice University in 2008\, Poulos has continued to paint in his Houston studio. \nBasilios Poulos first exhibited at Deborah Colton Gallery during September – October 2017 in Focus on the 70’s and 80’s: Houston Foundations II. A Moment in Time is Basilios Poulos’ first solo exhibition at Deborah Colton Gallery and features his works from the 80’s.  These paintings are about mark-making\, whereby Poulos creates singular pictorial imagery that is not about storytelling. The beautiful colors are the carrier of emotion with the acrylic paint applied by brush and squeegee. The painting is the image.  Now and in the past\, Basilios Poulos has always strived to make beautiful and provocative paintings that are open and accessible. \n  \nA native Houstonian born in 1933\, Dick Wray\, was an artist of incomparable talent and personality who played a critical role in the development of Houston’s contemporary art scene since the 1950s.  Often categorized as an Abstract Expressionist\, Wray is best known for his explosive and dynamic abstractions that received numerous accolades from Houston’s critical community as well as notable arts figures across the United States throughout his career.  Wray attended the University of Houston’s School of Architecture followed by the Kunstakademie\, Dusseldorf\, Germany. Returning to Houston in 1959\, he began seriously working as an artist.  Over the next fifty years\, he participated in a large number of important exhibitions nationally\, including his first solo exhibition at the Contemporary Arts Museum Houston in 1975.  Dick Wray was an instructor at the Glassell School of Art from 1968 until 1982.  Wray was awarded the Ford Foundation purchase prize in 1962\, a prestigious Artist’s Grant from the National Endowment for the Arts in 1978 and named Texas Artist of the Year by the Art League of Houston in 2000.  His work is in major collections\, including the Albright Knox Museum\, Buffalo\, National Gallery of Art in Washington\, D.C.\, the Modern Art Museum of Fort Worth\, the Museum of Fine Arts and the Contemporary Art Museum of Houston and the Museum of Modern Art in New York City. \nThe works of Dick Wray were first shown at Deborah Colton Gallery during Focus on the 70’s and 80’s: Houston Foundations II. Dick Wray’s work was also featured in DCG Looking Back and Beyond in 2018.  A comprehensive solo exhibition of Dick Wray’s work will take place at Deborah Colton Gallery in September – October 2019. \n  \nThese three exhibitions are the second part of Deborah Colton Gallery’s Foundation III exhibition\, with the recent Identifiably Houston being the first part. Deborah Colton Gallery is founded on being an innovative showcase for ongoing presentation and promotion of strong historical and visionary contemporary artists world-wide\, whose diverse practices include painting\, works on paper\, sculpture\, video\, photography\, performance\, conceptual future media and public space installations. The Gallery aspires to provide a forum through connecting Texas\, national and international artists to make positive change and to help Houston become a leading destination city of the arts. \nSince 2013 especially\, Deborah Colton Gallery has had a strong focus on establishing HOUSTON FOUNDATIONS\, which reveres our city’s artistic roots. By understanding where we came from\, we can build on this foundation to become an even more dynamic and empowered “City of the Future” in the national and international art world. Deborah Colton Gallery’s Foundations I was Suzanne Paul’s PROOF exhibition in 2016\, which the gallery actually started researching over a decade earlier when it started to house this important archive after Suzanne Paul’s passing. Suzanne Paul’s archives are the most comprehensive photographic documentation of Houston art scene from the 1970’s to 2005.  September – October of 2017\, Deborah Colton Gallery organized and exhibited Foundations II: Focus on the 70’s & 80’s which featured 26 of the most significant artists of that time period who have made a major impact on who we are as an art city today. The Foundations Symposium Series of panels and lectures was part of this exhibition. Deborah Colton Gallery has a permanent Foundations Room in the back of the gallery that highlights Suzanne Paul’s photographs of the Houston art scene plus a video excerpt of our Foundations Symposium Series from 2017. The video was created by Lee Benner. There also is a library of publications on Houston artists. \n  \nFor more information on our Foundations Projects\, please access our website. \n  Save  
URL:https://artinamericaguide.com/event/cosmic-attraction-works-by-dorothy-hood-and-don-redman/
LOCATION:Deborah Colton Gallery\, 2445 North Boulevard\, Houston\, 77098\, United States
CATEGORIES:Exhibition
ORGANIZER;CN="Deborah Colton Gallery":MAILTO:info@deborahcoltongallery.com
GEO:29.7276234;-95.4166597
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Deborah Colton Gallery 2445 North Boulevard Houston 77098 United States;X-APPLE-RADIUS=500;X-TITLE=2445 North Boulevard:geo:-95.4166597,29.7276234
END:VEVENT
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