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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260404T045915
DTEND;TZID=America/Halifax:20230107T180000
DTSTAMP:20260404T045915
CREATED:20230109T180703Z
LAST-MODIFIED:20230109T180703Z
UID:101329-0-1673114400@artinamericaguide.com
SUMMARY:Joanne Freeman: New York Conversation
DESCRIPTION:Kathryn Markel Fine Arts is thrilled to announce New York Conversation\, an upcoming exhibition of new work by Joanne Freeman. New York Conversation is Freeman’s third solo exhibition with the gallery. The show will be accompanied by a group show curated by Freeman titled Betty and Veronica. They will run concurrently from January 5th – February 11th\, 2023. \n  \n“New York Conversation references my studio process\, and metaphorically describes the random thoughts\, snippets of conversation\, lyrics and memories that ebb and flow over the course of a painting. Visual signs\, nostalgia and the emotional residue of color\, guide my aesthetic choices\,” Freeman says. While intuitive\, Freeman’s stencil-like forms and irregular hard-edge curves harken Modernism and minimalist sensibilities. This is heightened by a palette of saturated primary colors\, or monochromatic works.   “My paintings reference forms found in architecture and design\,” she says.  “I create compositions based on loose geometry and layered saturated colors. The hard edge process of cutting shapes and layering color onto treated raw linen\, recalls qualities of mid-century low-tech graphics\, color field painting and collage\,” she continues.  \n  \nThe forms are hard-edged while still breathy and organic.  The subtle transparencies at the edges of the forms and the contrast of the brushstrokes across the tooth of linen reveal the artist’s hand. “When applying oil paint to linen I try to accentuate the inherent qualities of both mediums\,” she says. “ I consider both the transparency and opacity of the colors\, how they abut and overlap\, and how they respond to the textured tooth of the linen.” She is mindful of each medium’s materiality when painting.  Her saturated colors in either gouache or oil paint are absorbed by the handmade paper or linen\, enhancing the modernist flatness of her forms and use of space. “My reductive abstract paintings are about the beauty of singular color\, the impact of pure abstract forms and the quiet order that cuts through the noise\,” Freeman says.  \n  \nJoanne Freeman has had solo exhibitions in galleries around the United States\, and shown at The Queens Museum\, Zillman Art Museum University of Maine\, The Painting Center\, and the Cape Cod Museum of Art. She’s a 2021 recipient of the Pollock-Krasner Foundation Grant\, and the Vice President of the American Abstract Artists organization. She has her M.A in Studio Art from New York University\, and lives and works in New York City. \n  Save  
URL:https://artinamericaguide.com/event/joanne-freeman-new-york-conversation/
LOCATION:Kathryn Markel Fine Arts\, 529 West 20th\, Suite 6W\, New York\, NY\, 10011\, United States
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ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
GEO:40.9365358;-72.3040792
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Kathryn Markel Fine Arts 529 West 20th Suite 6W New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=529 West 20th\, Suite 6W:geo:-72.3040792,40.9365358
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260404T045915
DTEND;TZID=America/Halifax:20230128T180000
DTSTAMP:20260404T045915
CREATED:20230109T180750Z
LAST-MODIFIED:20230109T180750Z
UID:101313-0-1674928800@artinamericaguide.com
SUMMARY:2023 Winter Juried Exhibitions
DESCRIPTION:BLUE MOUNTAIN GALLERY is pleased to present the work of 47 artists\, 51 pieces of artwork\, selected by Eric Holzman for this year’s winter juried exhibition. The artists\, drawn from over two hundred applicants from across the country\, work in a wide range of media\, including oil\, acrylic\, pastel\, gouache\, photography and mixed media.  \n​Heidi Alamanda \, Marilyn Allen\, Hilary Houston Bachelder\, James Baker\, Nina Kardon Baran\, Bob Barnett\, Raymond Berry\, Leslie Blackmon\, Pam Bowers\, Nancy Breakstone\, Karina Cavat\, Audrey Cohn-Ganz\, Elizabeth Courtney\, Anne Delaney\, Stephanie DeManuelle\, Kiran K Dhaliwal\, Janine Dunn Wade\, Melanie Essex\, Tom Fitzharris\, Meghan Fleming\, Nancy Granda\, Theresa Heidig Rooney\, Teresa Jade Jarzynski\, Moishe Kampin\, Sam Kelly\, Michele King\, Laura Levine\, Pattie Lipman\, Aaron Lubrick\, Manuel Alejandro Macarrulla\, James McKenna\, Elizabeth Meyersohn\, Mark. Milroy\, Blake Morgan\, Arnaldo J Rivera Rivera\, Gail Rodney\, Rebecca Gray Rolke\, Roxy Rubell\, Alyssa Schmidt\, Abbey Stace\, Leslie Ross Stephens\, Yuri Tayshete\, Preston Trombly\, Laura Vahlberg\, Ekaterina Vanovskaya\, Aidan White and Lenore Wolf. \n​Juror ERIC HOLZMAN has been painting and searching for connection in nature and other representational genres all his life. He is a romantic and a classicist who looks into the inner nature of things and tries to walk “The Beauty Way.” He was educated at Tyler School of Art\, Yale\, Skowhegan and the New York Studio School. Eric has taught at Pratt\, the New York Studio School\, and Bard College among others. He is a National Academician and has exhibited twice at the American Academy\, winning awards from both institutions.  Eric has also shown work at Lori Bookstein\, Tibor de Nagy\, Sideshow and Artist Equity\, all in NYC\, and at Gremillion Fine Art and Ellio Fine Art in Houston\, Texas. He has received many honors\, including grants and fellowships from the Guggenheim Foundation\, the NEA\, the Pollock Krasner Foundation\, the Gottlieb Foundation and the Louis Comfort Tiffany Foundation. Website: www.ericholzman.com \n\n  Save  
URL:https://artinamericaguide.com/event/2023-winter-juried-exhibitions/
LOCATION:Blue Mountain Gallery\, 547 W 27th St\, Suite 200\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/01/2023-artists-rectangle.jpg
ORGANIZER;CN="Blue Mountan Gallery":MAILTO:info@bluemountaingallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260404T045915
DTEND;TZID=America/New_York:20250920T170000
DTSTAMP:20260404T045915
CREATED:20250722T184747Z
LAST-MODIFIED:20250722T184747Z
UID:114023-0-1758387600@artinamericaguide.com
SUMMARY:August-September @ Art Works!
DESCRIPTION:Throughout August Art Works is open to the public\, offering a variety of engaging exhibits. Adam and Anita Bradley present life-size figurative sculptures and paintings capturing a chaotic world. Mike Bily’s exhibit investigates ecosystems; Sharon Denmark captures light flowing through glass. Rachel Rowden exhibit is a portal of mysteries and Rebecca Visger provides a view from behind the wheel. Blake Bottoms exhibit is featured in the Community Bridge Project. \n  \nJoin us for a fun-filled scavenger hunt with prizes\, perfect for both the young and the young at heart. The activity culminates with prizes for all who participate. We also offer figure drawing sessions on the 1st and 3rd Sundays and Queer Life Drawing at Gold Lion Community Café on August 20th.  \n  \nBradley + Bradley: The Weight of Vanishing Shadows \nAdam and Anita Bradley explore the human condition through their unique mediums. Adam presents life-sized figurative sculptures in wood\, steel\, ceramics\, and smaller bronze pieces\, reflecting themes of anxiety\, loss\, and grief. Anita complements this with layered paintings and mixed media collages\, capturing the struggle for order in a chaotic world. Their intertwined approaches invite contemplation of deep human experiences. \n  \nThe exhibition will be in the Jane Sandelin Gallery at Art Works and will continue through September 20\, 2025. \n  \n  \nArtifacts by Anne Chamblin \nAnne Chamblin’s work is about merging sight and feeling. For her\, painting is a way to process what she experiences. She brings spaces\, places\, and faces to life on canvas\, turning bodies into landscapes and using layers to hint at the passage of time. Anne constantly reworks her paintings\, always keeping a bit of the past to shape the present. Her journey is grounded in everyday experiences\, resulting in unique\, relatable art. \n  \nThe exhibit will be in the Centre Gallery at Art Works through September 20\, 2025. \n  \n  \n  \n  \n  \nBetween Worlds by Hannah Anderson \n  \nAmerican abstract artist Hannah Anderson (b. 1953)\, raised in the simplicity of a Quaker household\, rediscovered her love for painting in 1990 with a Crayon watercolor set. Self-taught and inspired by contemporary artists\, her work reflects the light and dark periods of her life\, blending elements of nature and archetypal symbols from healing traditions. Her debut exhibit\, Between Worlds\, explores the liminal space between worlds and relationships. Hannah resides in Richmond\, Virginia\, and finds inspiration in Taos\, New Mexico. \n  \nThe exhibit will be in the Corner Gallery at Art Works through September 20\, 2025. \n  \n\nMental Health Matters: Celebrating Resilience Through Art All Media Show\nThis exhibit is a focal point of all Art Works’ openings. It is a juried show with cash prizes for 1st\, 2nd and 3rd place. The show is open to all artists and all mediums. \n  \nIn August the theme is Mental Health Matters: Celebrating Resilience Through Art. The community has donated terrific items that we will be auctioning to benefit NAMI\, and Art Works will donate the sales from the All Media Show to NAMI. \nWonJung Choi an international artist and educator\, will be the juror for the exhibit. Wonjung Choi is a Korean-born\, Virginia-based artist whose multidisciplinary work delves into the complexities of identity formation in a globalized world. See more on WonJung’s website: Click here. \n  \nCall for entries is July 15  – August 10\, 2025\, and may be submitted through the online form. The exhibit will be in the Port Gallery at Art Works through September 18\, 2025. Check our website for details on submitting artwork:  Call for Entries \n  Save  
URL:https://artinamericaguide.com/event/august-september-art-works-2/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
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ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260404T045915
DTEND;TZID=America/New_York:20250926T200000
DTSTAMP:20260404T045915
CREATED:20250903T144946Z
LAST-MODIFIED:20250903T144946Z
UID:114439-0-1758916800@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Opening Reception @ Art Works!
DESCRIPTION:4th Friday September 26th at Art Works \n  \nJoin us on September 26\, 2025 from 6 p.m. to 8 p.m. for an exciting opening reception of our new exhibits at Art Works. Meet the talented artists\, and enjoy live music\, refreshments\, and libations sponsored by RVA Thriving Artists.  The featured artists are Adam Reinhart\, Jen Cook-Asaro\, Sarah Miller\, Tatiana Grace\, Kenneth Lee\, and experiment with interactive art by RVA Game Jams. \n  \nThis event is free and open to the public. Convenient and free parking is available. The exhibits will continue through October 18\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-opening-reception-art-works-56/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/PR-2025.09-Game-Jam-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260404T045915
DTEND;TZID=America/New_York:20250927T180000
DTSTAMP:20260404T045915
CREATED:20250811T200044Z
LAST-MODIFIED:20250811T200044Z
UID:114212-0-1758996000@artinamericaguide.com
SUMMARY:Heather Stivison\, “Ebb & Flow”\, a Solo Exhibition
DESCRIPTION:In this her third New York City solo exhibition\, Heather Stivison explores the intersection of environmental science and visual art with a series of immersive paintings of the ocean. \nStivison paintings capture the essence of water—something clear and colorless\, with its shape formed entirely by the external forces of objects\, land\, wind\, gravity. Searching for water’s most primary qualities\, she uses light\, color\, form\, shape\, line\, to engender a sense of water. Fluidity\, reflections\, rhythms are evident in her ocean surface paintings. Stivison is fascinated by the reflections and patterns created by the coastal ocean surface. She paints variations on patterns\, exploring how much she can change them and still maintain the sense that the subject is surface water. \nCurator and director of Manhattan Arts International Renee Phillips writes: \n“Stivison ventures beyond nature’s physical boundaries into abstraction with the profusion of free-flowing biomorphic patterns and tonal ranges. In her paintings the innate attributes of water evolve into metaphors\, symbolism and visual poetry.” \nThe exhibition includes a massive 110-inch quadriptych that explores the sense of weightlessness and mystery that she finds in the imagining unknown ocean depths. Other paintings explore surface water patterns as abstract design. \nIndependent curator Kathy Imlay writes: \n“Stivison’s paintings have a luminous glow—accomplished by the artist building up layer upon layer of viscous paint\, which she pours\, smears\, scrapes and otherwise manipulates to create fields of color that conjure the watery depths of the ocean or intergalactic space\, depending on the palette.” \nSome of the paintings on view are the result of her multi-year\, grant funded collaboration with Noah Germolus\, a scientist at Woods Hole Oceanographic Institute who was researching ocean chemistry. Stivison created two paintings about him and his work\, and four five-foot paintings that interpret his research data in paint. \nThe collaboration led to a unique special feature of this exhibition. After Stivison interpreted his data in paint\, he in turn\, interpreted four of her paintings in music. The exhibition includes an on-demand sound installation of original jazz music composed and performed by Germolus. \n  Save  
URL:https://artinamericaguide.com/event/heather-stivison-ebb-flow-a-solo-exhibition/
LOCATION:Pleiades Gallery\, 547 W 27th St. Suite 304\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/stivison-heather_Coastal-Surface-Community_48x60_Oil-over-Acrylic-on-Canvas.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260404T045915
DTEND;TZID=America/New_York:20251018T170000
DTSTAMP:20260404T045915
CREATED:20250903T144946Z
LAST-MODIFIED:20250903T144946Z
UID:114443-0-1760806800@artinamericaguide.com
SUMMARY:September - October Exhibits @ Art Works!
DESCRIPTION:Now showing six new exhibits. The featured artists are Adam Reinhart\, Jen Cook-Asaro\, Sarah Miller\, Tatiana Grace\, Kenneth Lee\, and experiment with interactive art by RVA Game Jams. Also see 80+ working artist studios. \nVisit us Tuesdays through Sundays 11am- 5pm. Admission is free and open to the public. Convenient and free parking is available. The exhibits will continue through October 18\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/september-october-exhibits-art-works-4/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/PR-2025.09-Game-Jam-1-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260404T045915
DTEND;TZID=America/New_York:20251122T170000
DTSTAMP:20260404T045915
CREATED:20250908T192551Z
LAST-MODIFIED:20250908T192551Z
UID:114572-0-1763830800@artinamericaguide.com
SUMMARY:October - November Exhibits @ Art Works!
DESCRIPTION:Now showing six new exhibits. The featured artists are Blake Seals\, Felicia L. Reed\, Adam Reinhard\, Sorvino\, and Tobi Holtslag. Also see 80+ working artist studios. \nVisit us Tuesdays through Sundays 11am- 5pm. Admission is free and open to the public. Convenient and free parking is available. The exhibits will continue through November 22nd 2025. \n  Save  
URL:https://artinamericaguide.com/event/october-november-exhibits-art-works-5/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/09/PR-2025.10-Chris-Semtner-3-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:jessie@artworksrva.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260404T045915
DTEND;TZID=America/New_York:20260221T180000
DTSTAMP:20260404T045915
CREATED:20260120T172859Z
LAST-MODIFIED:20260120T172859Z
UID:115685-0-1771696800@artinamericaguide.com
SUMMARY:Robert Braczyk: Cardinal Directions
DESCRIPTION:Exhibition Dates: January 27 – February 21\, 2026\nOpening Reception: Thurs.\, January 29\, 2026\, 5PM-8PM\nArtist Talk: Saturday\, February 14\, 2026\, 3PM-4PM\nGallery Hours: Tuesday – Saturday\, 11AM-6PM \nBowery Gallery is pleased to present “Cardinal Directions\,” an exhibition of new sculpture by Robert Braczyk.  \nFor many years a prize-winning figurative sculptor\, in recent years Braczyk has turned to abstraction. In his new work—most about 24 inches high—he assembles various tree elements into vertical compositions that echo figural forms\, but whose abstract vocabulary of open volumes and discontinuous contours suggests the possibility of multiple allusions. Each work evinces a powerful spatial tension between the cardinal point from which it is begun and the complex three-dimensional image that Braczyk builds with primary thrust\, axis\, and meridian.  \nBraczyk’s trajectory from figure to abstract figure may be seen as a temporal through line connecting the events of a life. The artist’s comment that he brings all his life’s experiences into the studio reminds us that in the long arc of his career\, the spatial and temporal are never far apart. \nView the exhibition website. \n  \nBowery Gallery\n547 W. 27th Street\, Suite 508\nNew York\, NY 10001 \n  Save  
URL:https://artinamericaguide.com/event/robert-braczyk-cardinal-directions/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/Braczyk_Reel_for_eVite-and_Web_landing-page-scaled.jpg
ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bowery Gallery 547 W 27TH ST Suite 508 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=547 W 27TH ST Suite 508:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20121022
DTEND;VALUE=DATE:20220101
DTSTAMP:20260404T045915
CREATED:20210527T152347Z
LAST-MODIFIED:20210527T152507Z
UID:81363-1350864000-1640995199@artinamericaguide.com
SUMMARY:LEO VILLAREAL: COSMOS
DESCRIPTION:An homage to the late Cornell astronomy professor Carl Sagan\, Cosmos is a site-specific installation by New York–based artist Leo Villareal (born 1967)\, a pioneer in the use of light-emitting diodes (LEDs) and computer-driven imagery. His signature pieces explore complex movement and dazzling patterns created by points of light using his own computer software. \n \nVillareal – Cosmos – Johnson Museum – Cornell final from Walter Patrick Smith\, AIA LEED A on Vimeo. \nPlanning for Cosmos began in November 2010\, when Villareal—along with the project architect\, Walter Smith\, and donors Lisa and Richard Baker—worked with Johnson Museum staff to determine the optimal location for the installation. The ceiling of the Sherry and Joel Mallin Sculpture Court was chosen for its high visibility not only on campus but also from the city of Ithaca. After studying the Museum’s architectural plans and considering structural and aesthetic aspects of the installation\, the artist’s team returned to Cornell in April 2012 to install a nine-foot-square mock-up. Installation of the final piece took several weeks\, with twelve thousand energy-efficient LEDs on a gridded framework attached to the ceiling of the sculpture court. A zero gravity bench was designed by the artist for viewers to fully immerse themselves in the viewing experience and to foster a more communal involvement with his installation. Villareal gave a public lecture to mark the opening of the installation. \nVillareal’s works reinterpret fundamental components of such twentieth-century art movements as pop\, minimalism\, conceptual\, and post-painterly abstraction while responding to the ingenuity and imagination that defines technology in the twenty-first century. Among his most notable site-specific works are the illumination of the exterior of the Brooklyn Academy of Music (2006)\, Multiverse in the Concourse walkway between the East and West Buildings at the National Gallery of Art (2008)\, and Sky at the Tampa Museum of Art (2009). His largest installation to date is The Bay Lights\, illuminating the West Span of the San Francisco Bay Bridge for its 75th anniversary in 2013. \nAndrea Inselmann\nCurator of Modern and Contemporary Art \n\nImage:\nLeo Villareal\nCosmos\, 2012\nWhite LED Lights\, custom software\, and electrical hardware; site-specific installation.\nAcquired through the generosity of Richard Baker\, Class of 1988\, and Lisa Baker.\n2012.056\nPhoto: James Ewing \n\n  Save  
URL:https://artinamericaguide.com/event/leo-villareal-cosmos/
LOCATION:Herbert F. Johnson Museum of Art\, Cornell University\, 114 Central Avenue\, Cornell University\, Ithaca\, NY\, 14853\, United States
CATEGORIES:Exhibition
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Herbert F. Johnson Museum of Art Cornell University 114 Central Avenue Cornell University Ithaca NY 14853 United States;X-APPLE-RADIUS=500;X-TITLE=114 Central Avenue\, Cornell University:geo:-76.4862114,42.4507153
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190207T180000
DTEND;TZID=America/Halifax:20190425T170000
DTSTAMP:20260404T045915
CREATED:20190409T173430Z
LAST-MODIFIED:20190409T173430Z
UID:48860-1549562400-1556211600@artinamericaguide.com
SUMMARY:Rive by Jon Verney
DESCRIPTION:RIVE: A PHOTOGRAPHY EXHIBITION \nJon Verney a photographer whose work engages in manipulated found imagery\, an interplay between the images of forgotten amateur photographers and the powerful sensation of abstract colors and fractal patterns and reticulation of the original. \nHis work is a reiteration of the dadaist practice of found objects and their subsequent metamorphoses after entering his possession. Using the contemporary material that is a Polaroid and subjecting them to methods of tangible and controllable manipulation of the photographic emulsion\, Verney draws out of them the untapped potential that lay dormant. \nHe sources his materials\, the Polaroids\, from flea markets\, shops\, or bought in bulk online. Blowing these small personal images up to a large scale reinvents the originals into something unintended at their initial creation\, giving a commentary on personal versus public. \nThe disassociation with the subjects and the original photographers’\, whose work allows Verney the ability to create his work\, mirrors that of Jacqui Kenny or Doug Rickard and their respective use of Google Street View\, a global resource allowing those two photographers to create artwork from the comfort of their own homes using the resources of our modern society. \nThe subject of this body of work\, Rive\, engages in the theme of a schism\, a fault line\, a separation of two worlds that butt up against one another\, like the waves of the ocean lapping against the shore. The banal common-place nature of these amateur photographs is at the same time both obscured behind\, and obscuring the organic blooms of his manipulations\, giving the sensation of a reciprocity between reality and surreality. \nJoin us for the Opening Reception! \nThursday\, February 7\, 2019 from 6:00-8:00pm \nMake sure to also stop by the Artist Talk! \nThursday\, April 18\, 2019 from 6:00-7:00pm \nJon Verney is a visual artist whose practice interweaves the materiality of painting\, photography\, and film. After earning a BFA with Distinction in Painting from Massachusetts College of Art and Design in 2010\, he relocated to Florence\, Italy\, where he attended SACI’s Post-Baccalaureate studio program. He was afterwards awarded a SACI Photo/Media Teaching Assistantship and remained at the school for two more years as a TA and darkroom technician. Upon returning to the United States\, he received his MFA from the Stamps School of Art & Design at the University of Michigan in 2016. Verney has exhibited his work nationally and internationally and has attended artist residencies at the Vermont Studio Center\, the Studios at MASS MoCA\, Penland School of Craft\, and the Independent Imaging Retreat in Ontario\, Canada. His studio practice is based in North Adams\, Massachusetts. \n  Save  
URL:https://artinamericaguide.com/event/rive-by-jon-verney/
LOCATION:SACI Gallery\, 454 W 19th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Art Fair,Event,Exhibition
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ORGANIZER;CN="SACI NY Gallery":MAILTO:nygallery@saci-florence.edu
GEO:40.7449342;-74.0056949
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=SACI Gallery 454 W 19th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=454 W 19th Street:geo:-74.0056949,40.7449342
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190221
DTEND;VALUE=DATE:20190414
DTSTAMP:20260404T045915
CREATED:20190402T150456Z
LAST-MODIFIED:20190402T152234Z
UID:50471-1550707200-1555199999@artinamericaguide.com
SUMMARY:Drawing for Print: Mind Fucks\, Kultur Klashes\, Pulp Fiction & Pulp Fact by the Illustrious R. Crumb
DESCRIPTION:David Zwirner is pleased to present an exhibition organized by Robert Storr that examines the mind and career of R. Crumb. The  exhibition will feature a wide array of printed matter culled from the artist’s archive: tear sheets of drawings  and comics\, taken directly from the publications where the works first appeared\, as well as related ephemera. These often fragile works on paper will be installed across the walls of the gallery’s 519 West 19th Street space in New York. Further illuminating Crumb’s practice\, the show will also feature a selection of rare sketchbooks and original drawings by the artist. \nImage: Installation view\, Drawing for Print: Mind Fucks\, Kultur Klashes\, Pulp Fiction & Pulp Fact by the Illustrious R. Crumb\, David Zwirner\, New York\, 2019 \n  Save  
URL:https://artinamericaguide.com/event/drawing-for-print-mind-fucks-kultur-klashes-pulp-fiction-pulp-fact-by-the-illustrious-r-crumb/
LOCATION:David Zwirner\, 525 West 19th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2019/04/r.-crumb.png
ORGANIZER;CN="David Zwirner":MAILTO:newyork@davidzwirner.com
GEO:40.7458819;-74.007014
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=David Zwirner 525 West 19th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=525 West 19th Street:geo:-74.007014,40.7458819
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190221
DTEND;VALUE=DATE:20190414
DTSTAMP:20260404T045915
CREATED:20190402T151006Z
LAST-MODIFIED:20190402T152410Z
UID:50485-1550707200-1555199999@artinamericaguide.com
SUMMARY:The Young and Evil
DESCRIPTION:David Zwirner is pleased to present The Young and Evil\, a group exhibition curated by Jarrett Earnest\, at the gallery’s 533 West 19th Street location in New York. The exhibition will feature significant works from the first half of the twentieth century by Paul Cadmus\, Fidelma Cadmus Kirstein\, Charles Henri Ford\, Jared French\, Margaret Hoening French\, George Platt Lynes\, Bernard Perlin\, Pavel Tchelitchew\, George Tooker\, Jensen Yow\, and their circle. This group of artists and writers looked away from abstraction toward older sources and models—classical and archaic forms of figuration and Renaissance techniques. What might be seen as a reactionary aesthetic maneuver was made in the service of radical content—endeavoring to depict their own lives. \nDrawn from important public and private collections\, key works include a painting from Paul Cadmus’s infamous sailor trilogy\, Shore Leave (1933)\, on loan from the Whitney Museum of American Art; a major canvas by Pavel Tchelitchew featuring vignettes of George Platt Lynes at work; rare paintings by Margaret French and works on paper by Fidelma Cadmus Kirstein; and never-before-seen erotic drawings and photographs from the Kinsey Institute at Indiana University. On the occasion of the exhibition\, a fully illustrated\, comprehensive catalogue featuring new scholarship by art historians Ann Reynolds and Kenneth E. Silver is forthcoming from David Zwirner Books. \nKindly note that some material in the exhibition may not be suitable for children. \nImage: Installation view\, The Young and Evil\, David Zwirner\, New York\, 2019 \n  Save  
URL:https://artinamericaguide.com/event/the-young-and-evil/
LOCATION:David Zwirner\, 525 West 19th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2019/04/the-young-and-evil.png
ORGANIZER;CN="David Zwirner":MAILTO:newyork@davidzwirner.com
GEO:40.7458819;-74.007014
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=David Zwirner 525 West 19th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=525 West 19th Street:geo:-74.007014,40.7458819
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190221
DTEND;VALUE=DATE:20190421
DTSTAMP:20260404T045915
CREATED:20190404T125335Z
LAST-MODIFIED:20190404T125335Z
UID:50257-1550707200-1555804799@artinamericaguide.com
SUMMARY:Jonathan Gardner\, "Desert Wind"
DESCRIPTION:Jonathan Gardner presents fantastical\, layered tableaus of the quotidian for Desert Wind\, his second exhibition at Casey Kaplan. Oil paint is rendered in bizarre\, flattened compositions that are suspended between art historical motifs culled from a variety of sources\, and uncanny manifestations of the artist’s mind.\n  Save  
URL:https://artinamericaguide.com/event/jonathan-gardner-desert-wind/
LOCATION:Casey Kaplan\, 121 W. 27th St\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/03/Casey-Kaplan_Jonathan-Gardner_Desert-Wind_022019_0003-1.jpg
GEO:40.7460684;-73.9919615
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Casey Kaplan 121 W. 27th St New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=121 W. 27th St:geo:-73.9919615,40.7460684
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190222
DTEND;VALUE=DATE:20190421
DTSTAMP:20260404T045915
CREATED:20190402T190849Z
LAST-MODIFIED:20190402T190849Z
UID:50594-1550793600-1555804799@artinamericaguide.com
SUMMARY:Magic Ben Big Boy: Lutz Bacher\, Nayland Blake\, Vincent Fecteau
DESCRIPTION:Matthew Marks is pleased to announce Magic Ben Big Boy: Lutz Bacher\, Nayland Blake\, Vincent Fecteau\, the next exhibition in his gallery at 526 West 22nd Street. \nConceived by Vincent Fecteau\, the exhibition centers on a re-creation of the artist’s first one-person show\, “Ben\,” originally presented twenty-five years ago at Kiki\, a short-lived but influential artist-run gallery in San Francisco’s Mission District. The title “Ben” comes from a 1972 movie and its theme song of the same name\, sung by Michael Jackson. A love song from a boy to his pet rat\, it became a #1 hit single and was nominated for an Academy Award. The works in the exhibition include collages of found photographs of cats\, sculptures made from old shoeboxes\, and eggshells painted to look like eyes. \nTwo important works made in San Francisco a few years earlier by Nayland Blake and Lutz Bacher are installed in the adjacent galleries. Bacher’s sculpture Big Boy (1992) replicates an anatomically detailed stuffed doll\, like those used in child-abuse assessments\, but expands it to larger than human size. Blake’s Magic (1990–91) is an assemblage featuring Madame\, the puppet star of Wayland Flowers’s 1980s sitcom Madame’s Place. At the time of “Ben\,” Fecteau was working as an assistant in Blake’s studio. “Magic is one of my favorite pieces from that period of Nayland’s work\,” says Fecteau. “Nayland also introduced me to Lutz when she approached him about finding someone to help fabricate Big Boy.” Fecteau worked on Bacher’s sculpture in his bedroom for several months before it was finished with help from a costume designer for the San Francisco Opera. \nLutz Bacher lives and works in New York. Bacher’s work has been the subject of one-person museum exhibitions in Düsseldorf\, Vienna\, and New York\, and has been included in three Whitney Biennials. \nNayland Blake (b.1960) lives and works in New York. Blake’s work has been the subject of one-person museum exhibitions in San Francisco\, Houston\, and New York\, and been included in the Whitney Biennial and the Venice Biennale. In September the most comprehensive survey of Blake’s work to date will open at the Institute of Contemporary Art\, Los Angeles. \nVincent Fecteau (b.1969) lives and works in San Francisco. Fecteau’s work has been the subject of several one-person museum exhibitions\, most recently in Vienna and Basel\, and has been included in the Carnegie International and two Whitney Biennials. In 2016 Fecteau was awarded a MacArthur prize. \nMagic Ben Big Boy: Lutz Bacher\, Nayland Blake\, Vincent Fecteau is on view at 526 West 22nd Street from February 22 to April 20\, 2019\, Tuesday through Saturday\, from 10:00 AM to 6:00 PM. \nFor additional information\, please contact Ted Turner at 212-243-0200 or ted@matthewmarks.com. \n  Save  
URL:https://artinamericaguide.com/event/magic-ben-big-boy-lutz-bacher-nayland-blake-vincent-fecteau/
LOCATION:Matthew Marks Gallery 526\, 526 West 22nd Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2019/04/45118_0210.png
ORGANIZER;CN="Matthew Marks Gallery NY":MAILTO:info@matthewmarks.com
GEO:40.747344;-74.006027
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Matthew Marks Gallery 526 526 West 22nd Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=526 West 22nd Street:geo:-74.006027,40.747344
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190226
DTEND;VALUE=DATE:20190414
DTSTAMP:20260404T045916
CREATED:20190402T151327Z
LAST-MODIFIED:20190402T151327Z
UID:50487-1551139200-1555199999@artinamericaguide.com
SUMMARY:Alice Neel: Freedom
DESCRIPTION:On view at David Zwirner’s 537 West 20th Street gallery in New York from February 26 through April 13\, 2019\, Alice Neel: Freedom will include a selection of paintings and significant works on paper by Alice Neel (1900–1984). With a range of works spanning her career\, this exhibition focuses primarily on Neel’s portrayal of the nude figure and the ways in which the artist resolutely challenged traditional perceptions of sexuality\, motherhood\, and beauty. \nOne of the foremost American figurative painters of the twentieth century\, Neel was a humanist—she was fascinated by people. She loved to paint them in all their complexities—to penetrate and reveal their fears and anxieties\, their defiance and survival. She also loved to paint the unadorned human figure. Her nudes explore the body with frankness while celebrating the individuality of each of her subjects\, and they exemplify the freedom and courage with which she approached her work and her life. In their mastery of form\, color\, and implied social commentary\, her nudes are as relevant today as when they were painted. \nOrganized by Ginny Neel of The Estate of Alice Neel\, the exhibition will comprise significant loans from museum and private collections. It will be accompanied by a fully illustrated catalogue that will include newly commissioned scholarship by Helen Molesworth\, an introduction by Ginny Neel\, and a contribution by Marlene Dumas. \nImage: Installation view\, Alice Neel: Freedom\, David Zwirner\, New York\, 2019 \n  Save  
URL:https://artinamericaguide.com/event/alice-neel-freedom/
LOCATION:David Zwirner\, 537 West 20th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2019/04/freedom.png
ORGANIZER;CN="David Zwirner 20th Street":MAILTO:newyork@davidzwirner.com
GEO:40.7467702;-74.0072895
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=David Zwirner 537 West 20th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=537 West 20th Street:geo:-74.0072895,40.7467702
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190228
DTEND;VALUE=DATE:20190421
DTSTAMP:20260404T045916
CREATED:20190402T151815Z
LAST-MODIFIED:20190402T151815Z
UID:50489-1551312000-1555804799@artinamericaguide.com
SUMMARY:Sherrie Levine: After Reinhardt
DESCRIPTION:David Zwirner is pleased to present Sherrie Levine: After Reinhardt at the gallery’s 34 East 69th Street location in New York. This will be the artist’s third solo exhibition with the gallery. \nLevine’s work engages many of the core tenets of postmodern art\, in particular challenging notions of originality\, authenticity\, and identity. Levine rose to prominence as a member of the Pictures Generation\, a group of artists based in New York in the late 1970s and 1980s whose work examined the structures of signification underlying mass-circulated images—and\, in many cases\, directly appropriated these images in order to imbue them with new\, critically inflected meaning. Since then\, Levine has created a singular and complex body of work in a variety of media (including photography\, painting\, and sculpture) that often explicitly reproduces artworks and motifs from the Western art-historical canon. \nImage: Installation view\, Sherrie Levine: After Reinhardt\, David Zwirner\, New York\, 2019 \n  Save  
URL:https://artinamericaguide.com/event/sherrie-levine-after-reinhardt/
LOCATION:David Zwirner 69th Street\, 34 East 69th Street\, New York\, NY\, 10021\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2019/04/after-reinhardt.png
ORGANIZER;CN="David Zwirner 69th Street":MAILTO:newyork@davidzwirner.com
GEO:40.769442;-73.966502
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=David Zwirner 69th Street 34 East 69th Street New York NY 10021 United States;X-APPLE-RADIUS=500;X-TITLE=34 East 69th Street:geo:-73.966502,40.769442
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190301
DTEND;VALUE=DATE:20190414
DTSTAMP:20260404T045916
CREATED:20190402T161337Z
LAST-MODIFIED:20190402T161337Z
UID:50506-1551398400-1555199999@artinamericaguide.com
SUMMARY:Adolph Gottlieb: Classic Paintings
DESCRIPTION:Pace Gallery is honored to present an exhibition of paintings by Adolph Gottlieb (1903 – 1974)\, a leader of the New York School and seminal force in abstraction. Drawing together works from the Adolph and Esther Gottlieb Foundation alongside a number of paintings on loan from major institutions—including the Albright-Knox Art Gallery\, the Blanton Museum of Art\, the Jewish Museum\, the Princeton University Art Museum\, the Museum of Modern Art\, the Walker Art Center\, and the Whitney Museum of American Art\, among others—Adolph Gottlieb: Classic Paintings features over 20 large-scale paintings created by Gottlieb from the mid-1950s until his death in 1974.To accompany the exhibition\, Pace will publish a full-color catalogue with a new essay by Dr. Kent Minturn. \nImage: Installation view\, “Adolph Gottlieb: Classic Paintings\,” March 1 – April 13\, 2019\, Pace Gallery\, New York © Adolph and Esther Gottlieb Foundation / Artists Rights Society (ARS)\, New York. \n  Save  
URL:https://artinamericaguide.com/event/adolph-gottlieb-classic-paintings/
LOCATION:Pace Gallery 25th Street\, 540 West 25th Street\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2019/04/adolph.png
ORGANIZER;CN="Pace Gallery 25th Street":MAILTO:info@pacegallery.com
GEO:40.7497336;-74.0051016
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Pace Gallery 25th Street 540 West 25th Street New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=540 West 25th Street:geo:-74.0051016,40.7497336
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190301T100000
DTEND;TZID=America/Halifax:20190616T170000
DTSTAMP:20260404T045916
CREATED:20190418T204932Z
LAST-MODIFIED:20190509T150450Z
UID:51711-1551434400-1560704400@artinamericaguide.com
SUMMARY:Matthew Barney: Redoubt
DESCRIPTION:In his first major exhibition at his alma mater\, the renowned and provocative contemporary artist Matthew Barney\, B.A. 1989\, presents his latest work\, including a new feature-length film titled Redoubt. In addition to the film\, the exhibition features pieces in other media that demonstrate casting and electroplating techniques developed by Barney. Touching on themes of artistic creation\, ecology\, and dance\, Matthew Barney: Redoubt showcases the artist’s trademark interdisciplinary and multimedia approach. \nhttps://artgallery.yale.edu/exhibitions/exhibition/matthew-barney-redoubt \n  Save  
URL:https://artinamericaguide.com/event/matthew-barney-redoubt/
LOCATION:Yale University Art Gallery\, 1111 Chapel St\, New Haven\, CT\, 06510\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2019/04/twovirgins-barney.png
ORGANIZER;CN="Yale University Art Gallery":MAILTO:artgalleryinfo@yale.edu
GEO:41.30839;-72.930958
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Yale University Art Gallery 1111 Chapel St New Haven CT 06510 United States;X-APPLE-RADIUS=500;X-TITLE=1111 Chapel St:geo:-72.930958,41.30839
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190307
DTEND;VALUE=DATE:20190505
DTSTAMP:20260404T045916
CREATED:20190409T210735Z
LAST-MODIFIED:20190409T210735Z
UID:50934-1551916800-1557014399@artinamericaguide.com
SUMMARY:Jan-Ole Schiemann: A Different Pose
DESCRIPTION:Kasmin is pleased to present A Different Pose\, the gallery’s first solo exhibition of new paintings by Cologne-based artist Jan-Ole Schiemann. Schiemann’s paintings are grounded in both gestural abstraction and the history of 20th-century animation\, aspects that combine to imbue his work with a rare sense of kinetic energy. Half-formed\, simultaneously disappearing and reappearing shapes suggest that somewhere amidst the lines\, there are figures tumbling\, colliding\, or fighting obscured by clouds of smoke. As a result of Schiemann’s meticulous\, layered application of charcoal\, oilstick\, ink and acrylic\, the works have the illusion of both a sculptural and a digital depth. The artist’s first solo exhibition at Kasmin will be comprised of new medium-scale and monumental paintings\, as well as the debut of a new series of works on paper. \nSchiemann’s process begins with the collection of references—cut-outs from cartoon strips\, elements from his own drawing process—which the artist then collages onto transparencies and projects against the canvas. Using primarily ink on the unprimed surface\, Schiemann uses sweeping gestures to build the dynamic base of the picture plane before moving on to more precise\, illustrative detailing. The works are then built up to fruition carefully\, introducing exuberant color and spontaneity as Schiemann reimagines the projected configurations. \nThe series of works on paper demonstrates Schiemann’s commitment to drawing\, and its fundamental place in his oeuvre. Appearing as a consolidation of fragments of many sketches bought together into balanced coherence\, the works give further insight into Schiemann’s process and highlight the strength of his forms. \nJan-Ole Schiemann has mounted solo shows recently at CHOI&LAGER Gallery\, Seoul\, South Korea (2018); Nino Mier Gallery\, Los Angeles (2017\, 2015) and Half Gallery\, New York\, (2015). Schiemann was also included in curated exhibitions such as Cliché\, Almine Rech Gallery\, New York (2018); Abstract/Not Abstract\, curated by Jeffrey Deitch and Larry Gagosian\, Moore Building\, Miami (2017); Prinz – the Ghosts are Outside\, Kreuzberg Pavilion\, Berlin (2015); and 17 Abstract Paintings\, Warhus Rittershaus\, Cologne (2014) amongst others.  He is a graduate of the Kunstakademie Düsseldorf under Albert Oehlen and Andreas Schulze (2007-2013) and currently lives and works in Cologne\, Germany. \n  Save  
URL:https://artinamericaguide.com/event/jan-ole-schiemann-a-different-pose/
LOCATION:Kasmin Gallery\, 297\, 297 10th Ave\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2019/04/jan-ole.png
ORGANIZER;CN="Kasmin Gallery":MAILTO:info@kasmingallery.com
GEO:40.7504018;-74.0024557
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Kasmin Gallery 297 297 10th Ave New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=297 10th Ave:geo:-74.0024557,40.7504018
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190309T103000
DTEND;TZID=America/Halifax:20190420T173000
DTSTAMP:20260404T045916
CREATED:20190419T175257Z
LAST-MODIFIED:20190420T192155Z
UID:51762-1552127400-1555781400@artinamericaguide.com
SUMMARY:Oleg Dou: Select Works
DESCRIPTION:Oleg Dou \nSelect Works \nMarch 9th through April 20th\, 2019 \nOpening Reception: Saturday\, March 9th\, 6:00 to 8:00 pm. \n  \nDeborah Colton Gallery is pleased to announce Oleg Dou: Select Works\, an exhibition of contemporary multimedia artworks by Russian artist Oleg Dou. The exhibition opens Saturday\, March 9th\, with a public reception from 6:00 pm until 8:00 pm. \nOleg Dou was first shown in Houston during FotoFest 2012’s Focus on Russia\, where his work was featured in exhibitions both at FotoFest and Deborah Colton Gallery. Since this Texas debut\, Deborah Colton Gallery has brought Dou’s work nation-wide\, placing his work in prestigious collections throughout the United States. \nOleg Dou was born in 1983 in Moscow and graduated from the Moscow State Institute of Steel and Alloys in 2006. Since then\, he has worked as an artist in cooperation with art institutions and curators around the world. Dou has won many international awards and has been represented at the photographic festivals\, including the Pingyao International Photography Festival\, China; the Seoul Photo Festival\, Republic of Korea; the FotoFestival Naarden\, Netherlands and the International Photography Awards Festival. His works were exhibited twice at the Kandinsky Prize\, which is the main contemporary art exhibition award in Moscow. Dou had a solo exhibition at the Multimedia Art Museum in Moscow\, titled Another Face and has also shown his works internationally throughout Russia\, France\, Istanbul\, Belgium\, China\, Republic of Korea\, Poland\, Turkey\, Spain and the United States. Dou’s work is in the collections of the Arts Santa Monica\, Barcelona; Centre de Cultura Contemporània de Barcelona\, Barcelona; JeJu Museum of Art\, Republic of Korea; Ekaterina Cultural Foundation\, Moscow; the Moscow Museum of Art and the Samawi Collection – The Royal Family of Dubai\, among many others which also include a number of prominent New York and Texas collections. \nAccording to the July 2012 article in Artprice\, which is one of the leaders in art market information\, Oleg Dou was one of the top three artists under thirty years old world-wide in relation to auction prices of his work. His work has been published in art magazines worldwide and he has released a book with distribution in Europe\, “28. Oleg Dou”. \nDou’s work is continuously inspired by his interest in human individuality and self-expression and the attempts to solve the problem of identity in our times. Visually inspired by the culture of fashion and surrealists\, many of his projects are devoted to the relationship between human’s inner self and their behavior in society and suggest that the expectations of society set the standards of behavior and thought\, in terms of what is appropriate and acceptable. In Dou’s solo exhibition at Deborah Colton Gallery during FotoFest 2016\, titled Broken Mirror\, Oleg Dou reflected on the instability of world order and the clashing of civilizations. Civilizations that are all losing their individual identity\, which will create a world where in some ways all people will be closer and in other ways everyone will be further away from their true human nature. Through this exhibition he also explored his own identity and personal journey. \n  \nDeborah Colton Gallery is founded on being an innovative showcase for ongoing presentation and promotion of strong historical and visionary contemporary artists worldwide\, whose diverse practices include painting\, works on paper\, sculpture\, video\, photography\, performance\, conceptual future media and public space installations. \n  Save  
URL:https://artinamericaguide.com/event/oleg-dou-select-works/
LOCATION:Deborah Colton Gallery\, 2445 North Boulevard\, Houston\, 77098\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2019/04/unicorn.png
ORGANIZER;CN="Deborah Colton Gallery":MAILTO:info@deborahcoltongallery.com
GEO:29.7276234;-95.4166597
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Deborah Colton Gallery 2445 North Boulevard Houston 77098 United States;X-APPLE-RADIUS=500;X-TITLE=2445 North Boulevard:geo:-95.4166597,29.7276234
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190309T103000
DTEND;TZID=America/Halifax:20190427T180000
DTSTAMP:20260404T045916
CREATED:20190419T175325Z
LAST-MODIFIED:20190420T191737Z
UID:51755-1552127400-1556388000@artinamericaguide.com
SUMMARY:Ivan Plusch: The Promise of Eternal Life
DESCRIPTION:Ivan Plusch \nThe Promise of Eternal Life \nMarch 9 to April 27\, 2019 \nOpening Reception: Saturday\, March 9th\, 6:00 to 8:00 pm \n  \nDeborah Colton Gallery is pleased to present Ivan Plusch: The Promise of Eternal Life\, a solo exhibition featuring accomplished\, young Russian artist\, Ivan Plusch. This exhibition is the first solo exhibition of Ivan Plusch’s work in the United States. The exhibition opens Saturday\, March 9th\, with a public reception from 6:00 pm until 8:00 pm. Ivan Plusch will be attending the reception and greeting our guests. \nIvan Plusch\, born in 1981\, is a young Russian artist on the rise and is part of the Nepokorionnye Group. He is based in St. Petersburg and has studied in various art schools including the State Academy of Art and Design\, the Roerich Art School and the PRO ARTE Institute. Ivan Plusch’s work has been exhibited throughout Russia and worldwide including in France\, Italy\, the Netherlands\, South Korea\, the United Kingdom and the Balkans. His work is in prestigious private and public collections world-wide. \nIvan Plusch finds the visual interpretation of eternal life as a phenomenon in his works. His characters appear to be in the ordinary reality\, which is depicted mechanically through the creation of sponge pattern or monotonous destruction of the background. These characters become the flow of paintings which is symbolizing the moving of time and impossibility to stay in one place or in one moment forever. He suggests that humans who are able to create around them their own\, imaginary protective world that takes them from the ordinary reality to the virtual space have the hope to live in this vision forever\, whereby they can remain in one point in time and may they may feel the promise of eternal life. \nStruggling with mild autism since childhood\, Plusch has a special perception on life that is original and inspiring. His success as an artist reveals that we all can identify with how important it is to slow down and appreciate each interaction\, each moment and cherish our best memories in our hearts forever. \n  \nDeborah Colton Gallery is founded on being an innovative showcase for ongoing presentation and promotion of strong historical and visionary contemporary artists worldwide\, whose diverse practices include painting\, works on paper\, sculpture\, video\, photography\, performance\, conceptual future media and public space installations. The gallery aspires to provide a forum through connecting Texas\, national and international artists to make positive change. \n  Save  
URL:https://artinamericaguide.com/event/the-promise-of-eternal-life/
LOCATION:Deborah Colton Gallery\, 2445 North Boulevard\, Houston\, 77098\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/Effect-1.jpg
ORGANIZER;CN="Deborah Colton Gallery":MAILTO:info@deborahcoltongallery.com
GEO:29.7276234;-95.4166597
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Deborah Colton Gallery 2445 North Boulevard Houston 77098 United States;X-APPLE-RADIUS=500;X-TITLE=2445 North Boulevard:geo:-95.4166597,29.7276234
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190313
DTEND;VALUE=DATE:20190505
DTSTAMP:20260404T045916
CREATED:20190409T211104Z
LAST-MODIFIED:20190409T211104Z
UID:50938-1552435200-1557014399@artinamericaguide.com
SUMMARY:Naama Tsabar: Dedicated
DESCRIPTION:Naama Tsabar employs performance\, sculpture\, and photography to subvert the gender roles historically associated with musicianship. In her second exhibition at Kasmin\, Dedicated\, Tsabar further explores these themes by expanding the borders of movement of the female body. For the duration of the exhibition\, Tsabar and a group of female musicians will explore a new vocabulary of movement and sound\, culminating in a performance with Tsabar and her collaborators on the exhibition’s closing night\, May 4\, between 4-6pm. This will be her first performance in New York City since 2017. \nThe exhibition presents three bodies of work that weave together iconic actions and objects from rock music with a more intimate portrayal of the artist’s body and its movement through\, within\, and into the surrounding architecture. Tsabar transforms the gallery space into a site-specific sculptural and sonic installation featuring the broken remains of guitars on the floor\, Melodies of Certain Damage\, connected to the wall-based canvases\, Transitions\, that double as amplifiers. In a series of adjacent photographs\, a female body penetrates and intertwines with walls in the artist’s studio. The motifs of femininity\, gender\, disruption\, destruction\, and reconstruction recur throughout the exhibition. Melodies of Certain Damage takes as its starting point the moment after the climatic break of the electric guitar. By attending to the aftermath\, rather than the destructive act itself\, Tsabar interrogates structures of power\, and reworks the violent act into a new sculptural and performative order. In the quiet of her studio\, Tsabar smashes the bodies of the guitars\, and\, engaging a Dada-esque sense of randomness and play\, maps out the broken pieces where they fall\, affixes the shattered parts to the floor\, and then attaches new strings to reinstate the sculpture’s musical functionality. \nWith the works installed in the gallery\, each Melody is plugged into one of the Transition canvases\, works that Tsabar has repurposed the internal and external components of the amplifier—wires\, speaker\, circuit board—to create a new formal visual experience whilst retaining the object’s ability to broadcast sound. Tsabar then invites a group of female musicians to collaboratively compose a unique composition on the sculptures. Activating the Melodies requires the performers to insert their bodies\, either sitting or lying\, into the spaces between the fragments. By dispersing the centralized phallic order of the objects and the position of the body in relation\, Tsabar and the performers assume the reclining physical position as an act of sensual\, creative and non-hierarchical power. \n  Save  
URL:https://artinamericaguide.com/event/naama-tsabar-dedicated/
LOCATION:Kasmin Gallery\, 293\, 293 10th Ave\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Kasmin Gallery":MAILTO:info@kasmingallery.com
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190314
DTEND;VALUE=DATE:20190421
DTSTAMP:20260404T045916
CREATED:20190402T223741Z
LAST-MODIFIED:20190402T223741Z
UID:50268-1552521600-1555804799@artinamericaguide.com
SUMMARY:Judy Fox\, "Garden"
DESCRIPTION:The next exhibition at Nancy Hoffman Gallery is Judy Fox’s inaugural show with this gallery entitled “Garden\,” opening on March 14 and continuing through April 20\, 2019. \n  Save  
URL:https://artinamericaguide.com/event/judy-fox-garden/
LOCATION:Nancy Hoffman Gallery\, 520 W. 27th St\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190314
DTEND;VALUE=DATE:20190428
DTSTAMP:20260404T045916
CREATED:20190404T125038Z
LAST-MODIFIED:20190404T125038Z
UID:50232-1552521600-1556409599@artinamericaguide.com
SUMMARY:Pipo Nguyen-duy\, “(My) East of Eden”
DESCRIPTION:ClampArt is pleased to announce “(My) East of Eden\,” Pipo Nguyen-duy’s second solo show with the gallery. \n  \n  Save  
URL:https://artinamericaguide.com/event/pipo-nguyen-duy-my-east-of-eden/
LOCATION:ClampArt\, 247 W. 29th St\, Ground Fl\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190314
DTEND;VALUE=DATE:20190428
DTSTAMP:20260404T045916
CREATED:20190404T125108Z
LAST-MODIFIED:20190404T125108Z
UID:50238-1552521600-1556409599@artinamericaguide.com
SUMMARY:Pipo Nguyen-duy\, "Hotel Window"
DESCRIPTION:ClampArt is proud to present “Hotel Window\,” Pipo Nguyen-duy’s newest body of work. The exhibition coincides with “(My) East of Eden\,” an earlier series presented in the gallery’s main space. \n  Save  
URL:https://artinamericaguide.com/event/pipo-nguyen-duy-hotel-window/
LOCATION:ClampArt\, 247 W. 29th St\, Ground Fl\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190314
DTEND;VALUE=DATE:20190428
DTSTAMP:20260404T045916
CREATED:20190409T211426Z
LAST-MODIFIED:20190409T211426Z
UID:50946-1552521600-1556409599@artinamericaguide.com
SUMMARY:David Wiseman: Plants\, Minerals\, And Animals
DESCRIPTION:Kasmin is pleased to present a major exhibition of new work by artist and designer David Wiseman (b. 1981). Plants\, Minerals\, and Animals is Wiseman’s first solo presentation at the gallery and will be on view at 515 West 27th Street between March 14 – April 27\, 2019. Bringing together designs conceived and forged in the artist’s Los Angeles studio over the course of the last fifteen years\, the exhibition acts as a culmination of Wiseman’s career thus far. \nWiseman’s work draws inspiration from his fascination with the natural world\, global decorative arts traditions\, and a reverence for honoring timeless craft techniques. Far from reproducing historic design\, however\, he breathes new life into interiors and environments. Porcelain cherry blossom ceilings\, bronze patterned filigree folding screens\, and polished marble and terrazzo inlay furniture affirm and perpetuate the relevance ornament and beauty can play in contemporary architecture and life. \nRooted in an imagined world of drawing\, Wiseman’s creations blossom outward from the page to become sculpture. A deep respect for process\, cultivated during his studies at the Rhode Island School of Design\, demands that Wiseman is intensely involved in every aspect of the production from the initial sketches to bronze casting\, porcelain sculpting\, firing and glazing\, and handmade terrazzo\, all of which happen in the studio in an organic flurry of activity. \nMany of the works are developed with Wiseman working on instinct to configure the pieces by drawing from an encyclopedic collection of prior-made casts formed from the natural world and sculpted forms. Acting as an index of Wiseman’s vocabulary and interest\, Five Panel Screen (2018)\, a large bronze folding screen\, collages nature in varying degrees of abstraction: microscopic forms transmute into sea waves that meld into a trellis of macrame rope\, held together by patterns inspired by traditional Japanese drawings. Lost Valley Mirror (2019)\, an impressive standing mirror\, features a sleeping Capuchin-like monkey resting on its peak\, is framed by a slender twisting tree trunk—an imagined hybrid that integrates several plant and fungi species from Wiseman’s native Los Angeles. \nElsewhere in the exhibition\, Cloud Garden Canopy (2019)\, a ceiling-mounted light sculpture\, depicts an inverted bed of delicately crafted porcelain and dramatic rock crystal. It hangs above the Large Lattice Vortex Dining Table(2019)\, a new design realized in bronze and glass that employs the organic hexagonal and pentagonal patterns that recur as motifs throughout the exhibition. These abstracted forms\, simultaneously surface and structure\, are balanced by the figuration of works such as Bowerbird Table (2019)\, which takes the eccentric Western New Guinea species as its starting point and reimagines the bird’s mating ritual of collecting forest treasures. Playfully including trinkets that could be gathered from within the studio—a sterling silver frog\, blackberries\, seed pods\, geraniums\, and jali patterns—the work demonstrates both the startling intricacy and devotion to nature that combine to characterize Wiseman’s practice. \n  Save  
URL:https://artinamericaguide.com/event/david-wiseman-plants-minerals-and-animals/
LOCATION:Kasmin Gallery\, 515\, 515 W 27th St\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Kasmin Gallery":MAILTO:info@kasmingallery.com
GEO:40.7507917;-74.0030972
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Kasmin Gallery 515 515 W 27th St New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=515 W 27th St:geo:-74.0030972,40.7507917
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190314T110000
DTEND;TZID=America/Halifax:20190504T180000
DTSTAMP:20260404T045916
CREATED:20190419T211924Z
LAST-MODIFIED:20190420T001842Z
UID:51845-1552561200-1556992800@artinamericaguide.com
SUMMARY:Jess: Secret Compartments
DESCRIPTION:Opening Reception: Saturday\, March 16\, 2019 | 3 – 6 pm \n  Save  
URL:https://artinamericaguide.com/event/jess-secret-compartments/
LOCATION:Anglim Gilbert Gallery\, 1275 Minnesota Street\, San Francisco\, CA\, 94107\, United States
CATEGORIES:Exhibition
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GEO:37.7542518;-122.389425
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Anglim Gilbert Gallery 1275 Minnesota Street San Francisco CA 94107 United States;X-APPLE-RADIUS=500;X-TITLE=1275 Minnesota Street:geo:-122.389425,37.7542518
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190314T120000
DTEND;TZID=America/Halifax:20190608T160000
DTSTAMP:20260404T045916
CREATED:20190403T145641Z
LAST-MODIFIED:20190403T145641Z
UID:50664-1552564800-1560009600@artinamericaguide.com
SUMMARY:The Artist Collects: Highlights from the James Reed Collection
DESCRIPTION:This exhibition celebrates the transformative gift of the James Reed Collection of Old Master\, 19th-century\, and modern prints to the Fairfield University Art Museum. Assembled over several decades by artist\, collector and Master Printer James Reed\, the collection comprises more than 1\,500 prints spanning the 16th through the early 21st centuries. The exhibition presents highlights from the three great strengths of the Reed Collection: 19th-century French etching and lithography; German Expressionist woodcuts and lithographs; and modern and contemporary prints. \nAmong the 19th-century French artists represented in the exhibition are Eugène Delacroix\, Honoré Daumier\, Gustave Doré\, Odilon Redon\, and Henri Fantin-Latour. Works by Emil Nolde\, Ernst Ludwig Kirchner\, Max Beckmann\, and other German Expressionist artists will also be on view\, as will prints\, rare artists’ books\, and artists’ multiples by modern and contemporary artists including Claes Oldenburg\, Jasper Johns\, Damien Hirst\, and Jim Dine. \n  Save  
URL:https://artinamericaguide.com/event/the-artist-collects-highlights-from-the-james-reed-collection/
LOCATION:Quick Center for the Arts\, 200 Barlow Road\, Fairfield\, CT\, 06824
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ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190314T180000
DTEND;TZID=America/Halifax:20190413T180000
DTSTAMP:20260404T045916
CREATED:20190404T125532Z
LAST-MODIFIED:20190404T125532Z
UID:49394-1552586400-1555178400@artinamericaguide.com
SUMMARY:Norman Bluhm: The '70s
DESCRIPTION:Hollis Taggart is pleased to announce representation of the Estate of Norman Bluhm\, Abstract Expressionist painter (1921-1999). From his early richly-layered canvases to his more structured and vibrant later works\, Bluhm’s paintings are recognized for their compelling evocations of movement and energy. To mark the new collaboration\, Hollis Taggart will present an exhibition focused on Bluhm’s work from the 1970s at its primary Chelsea location at 521 W. 26th Street\, opening on March 14\, 2019. The exhibition\, Norman Bluhm: The ‘70s\, will be accompanied by an essay by the poet and art critic John Yau\, a long-time friend and advocate of Bluhm’s work. \n  \n“Norman Bluhm was an exceptionally gifted painter\, who showed extensively in New York and Europe throughout his career. Despite his artistic achievements\, Bluhm’s full creative trajectory has not garnered the critical evaluation and scholarship it deserves. With the upcoming exhibition—and the others that will follow—we look forward to bringing new audiences and attention to his work\, and in doing so\, supporting a more robust examination and understanding of the artists that participated in and propelled Abstract Expressionism and the movements that have followed\,” said Hollis Taggart. “We have shown Bluhm’s work in numerous group exhibitions over the years\, and are excited for the opportunity to examine and present his work more expansively and with greater focus on his particular vision and techniques.” \n  \nBluhm studied architecture at the Armour Institute of Technology (now the Illinois Institute of Technology) under Mies van der Rohe. Two weeks after Pearl Harbor in 1941\, he enlisted in the United States Army Air Corps and served as a B-26 pilot in World War II. Returning from war\, and no longer interested in architecture\, Bluhm briefly studied fresco painting in Florence. In 1947\, he moved to Paris to study at the Académie de la Grande Chaumière and the École des Beaux Arts under the G.I. Bill. While in Paris he formed relationships with a wide range of artists\, including Alberto Giacometti\, Antonin Artaud\, Sam Francis\, Jean Paul Riopelle\, and Joan Mitchell\, and began following his own artistic path. In 1950\, he married Claude Souvrain\, a French national who was herself a creative spirit. \n  \nHis early work in Paris consisted mostly of delicate line drawings\, depicting still lives\, cathedrals\, rooftops\, nudes and gestural semi-abstract heads. In the early 50s\, he began layering watercolors to create abstract landscapes and seascapes\, and worked with oil on canvas when he could afford it. \n  \nIn 1956\, with little left following the end of his marriage\, Bluhm moved to New York. The following year\, he held his first solo exhibition at Leo Castelli Gallery. During the late 1950s and into the 1960s\, Bluhm showed extensively in solo and group exhibitions in the U.S. and abroad\, and continued to experiment and push the boundaries of free-form expression within his work. In 1961\, he married his second wife\, Cary. \n  \nOver the next three decades\, Bluhm’s work would go through several critical transformations. In the 1970s\, the female form would come to dominate his aesthetic. Strong curving lines and organic forms coalesced with flat fields of color\, ranging from bright violets and pinks to vibrant reds and blues. The mixture of color and form\, along with a flattening of the surface plane\, produced strong sensations of movement\, suggesting in some instances a figure in the throes of metamorphosis and in others a violent collision of elements. “While Bluhm’s earlier works may be better known—perhaps because of their greater visual affinity to Abstract Expressionism—it is these powerful works of the 1970s that capture in particular Bluhm’s tremendous creative vision and capacity. For our first solo presentation of his work\, it seemed fitting that we highlight the aesthetic and conceptual impact and quality of these mid-career paintings\,” Taggart added. \n  \nIn 1969\, Bluhm and his family left New York City\, and a year later settled in Millbrook\, NY\, where they spent the next decade. Pop Art and the social networking of the New York art world pushed him further from the epicenters of activity and some of the acclaim his contemporaries achieved. He continued to show work throughout his life\, however\, and was especially respected in Europe where the tradition of painting remained important. \n  \nIn the 1980s and 1990s\, Bluhm continued to innovate. He incorporated decorative motifs and references to Asian and Indian art in his large-scale triptychs and multi-panel paintings. The last decade of his life he spent in Vermont. His steadfast commitment to gestural and expressive painting remained\, and was now reincarnated within an architectural structure. With every transition in his work he elevated the experience of emotion\, spirituality\, and passion inherent to his nature. \n  \n  Save  
URL:https://artinamericaguide.com/event/norman-bluhm-the-70s/
LOCATION:Hollis Taggart\, 521 West 26th Street\, 1st Floor\,\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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GEO:40.7505732;-74.0028708
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Hollis Taggart 521 West 26th Street 1st Floor New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=521 West 26th Street\, 1st Floor\,:geo:-74.0028708,40.7505732
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190316
DTEND;VALUE=DATE:20190428
DTSTAMP:20260404T045916
CREATED:20201214T152125Z
LAST-MODIFIED:20201214T152125Z
UID:79219-1552694400-1556409599@artinamericaguide.com
SUMMARY:Rushern Baker IV: Post-World
DESCRIPTION:Rushern Baker IV seeks to capture the frenetic energy created by today’s socio-political malaise. This energy manifests itself in his paintings through layers of digital collage\, resin\, ceramic tile adhesive and paint. The various media are interwoven\, at odds\, and chaotic\, slowly revealing compositions of destruction. There are hints of collapsing columns\, drones shot down from the sky\, Soviet propaganda posters\, comic books\, fallen structures\, fire\, rocks\, and finally\, ash. At times\, Baker delivers a break in the rubble\, leaving us with a moment to exhale\, observe and ask\, “is this the beginning or the end?” \nFascinated by political theater and the socio-economic ramifications of domestic and foreign policy\, Baker cites structural breakdown as a recurring theme within his practice. If these paintings can engage with the world today\, it is through the complex feeling of vulnerability stirring everywhere\, every minute. Outside of societal unrest\, Baker is heavily influenced by Octavia Butler’s Afrofuturist novels\, most notably Parable of the Sower. He has linked his work to Black abstraction and artists such as Sam Gilliam\, Felrath Hines\, and Jack Whitten. Each canvas serves as a new edition of an ongoing battle\, a commonly shared saga of conflict and discontent. \n\n\nRushern Baker IV (American\, b. 1987) has exhibited his work both nationally and internationally\, including solo exhibitions at Scaramouche Gallery and The Cooper Union in New York City\, Honfleur Gallery in Washington DC\, and in group shows at The Third Line Gallery in Dubai\, The Harvey B. Gantt Center in Charlotte\, NC\, Bowie State University\, MOCADA in Brooklyn\, NY\, Koki Arts in Tokyo\, and Yale University. He received a BFA from The Cooper Union for Advancement of Science and Art in 2009 where he received the Jack Stewart Memorial Prize for Excellence in Painting\, and an MFA from Yale University in 2012\, where he received the Elizabeth Canfield Hicks Award for outstanding achievement in drawing or painting from nature. This is his first solo exhibition with HEMPHILL Fine Arts. \n\n  Save  
URL:https://artinamericaguide.com/event/rushern-baker-iv-post-world/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="HEMPHILL":MAILTO:gallery@hemphillfinearts.com
GEO:38.910305;-77.0315939
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=HEMPHILL 1515 14th Street NW Washington DC 20005 United States;X-APPLE-RADIUS=500;X-TITLE=1515 14th Street NW:geo:-77.0315939,38.910305
END:VEVENT
END:VCALENDAR