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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260403T161701
DTEND;TZID=America/Halifax:20230107T180000
DTSTAMP:20260403T161701
CREATED:20230109T180703Z
LAST-MODIFIED:20230109T180703Z
UID:101329-0-1673114400@artinamericaguide.com
SUMMARY:Joanne Freeman: New York Conversation
DESCRIPTION:Kathryn Markel Fine Arts is thrilled to announce New York Conversation\, an upcoming exhibition of new work by Joanne Freeman. New York Conversation is Freeman’s third solo exhibition with the gallery. The show will be accompanied by a group show curated by Freeman titled Betty and Veronica. They will run concurrently from January 5th – February 11th\, 2023. \n  \n“New York Conversation references my studio process\, and metaphorically describes the random thoughts\, snippets of conversation\, lyrics and memories that ebb and flow over the course of a painting. Visual signs\, nostalgia and the emotional residue of color\, guide my aesthetic choices\,” Freeman says. While intuitive\, Freeman’s stencil-like forms and irregular hard-edge curves harken Modernism and minimalist sensibilities. This is heightened by a palette of saturated primary colors\, or monochromatic works.   “My paintings reference forms found in architecture and design\,” she says.  “I create compositions based on loose geometry and layered saturated colors. The hard edge process of cutting shapes and layering color onto treated raw linen\, recalls qualities of mid-century low-tech graphics\, color field painting and collage\,” she continues.  \n  \nThe forms are hard-edged while still breathy and organic.  The subtle transparencies at the edges of the forms and the contrast of the brushstrokes across the tooth of linen reveal the artist’s hand. “When applying oil paint to linen I try to accentuate the inherent qualities of both mediums\,” she says. “ I consider both the transparency and opacity of the colors\, how they abut and overlap\, and how they respond to the textured tooth of the linen.” She is mindful of each medium’s materiality when painting.  Her saturated colors in either gouache or oil paint are absorbed by the handmade paper or linen\, enhancing the modernist flatness of her forms and use of space. “My reductive abstract paintings are about the beauty of singular color\, the impact of pure abstract forms and the quiet order that cuts through the noise\,” Freeman says.  \n  \nJoanne Freeman has had solo exhibitions in galleries around the United States\, and shown at The Queens Museum\, Zillman Art Museum University of Maine\, The Painting Center\, and the Cape Cod Museum of Art. She’s a 2021 recipient of the Pollock-Krasner Foundation Grant\, and the Vice President of the American Abstract Artists organization. She has her M.A in Studio Art from New York University\, and lives and works in New York City. \n  Save  
URL:https://artinamericaguide.com/event/joanne-freeman-new-york-conversation/
LOCATION:Kathryn Markel Fine Arts\, 529 West 20th\, Suite 6W\, New York\, NY\, 10011\, United States
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ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
GEO:40.9365358;-72.3040792
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Kathryn Markel Fine Arts 529 West 20th Suite 6W New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=529 West 20th\, Suite 6W:geo:-72.3040792,40.9365358
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260403T161701
DTEND;TZID=America/Halifax:20230128T180000
DTSTAMP:20260403T161701
CREATED:20230109T180750Z
LAST-MODIFIED:20230109T180750Z
UID:101313-0-1674928800@artinamericaguide.com
SUMMARY:2023 Winter Juried Exhibitions
DESCRIPTION:BLUE MOUNTAIN GALLERY is pleased to present the work of 47 artists\, 51 pieces of artwork\, selected by Eric Holzman for this year’s winter juried exhibition. The artists\, drawn from over two hundred applicants from across the country\, work in a wide range of media\, including oil\, acrylic\, pastel\, gouache\, photography and mixed media.  \n​Heidi Alamanda \, Marilyn Allen\, Hilary Houston Bachelder\, James Baker\, Nina Kardon Baran\, Bob Barnett\, Raymond Berry\, Leslie Blackmon\, Pam Bowers\, Nancy Breakstone\, Karina Cavat\, Audrey Cohn-Ganz\, Elizabeth Courtney\, Anne Delaney\, Stephanie DeManuelle\, Kiran K Dhaliwal\, Janine Dunn Wade\, Melanie Essex\, Tom Fitzharris\, Meghan Fleming\, Nancy Granda\, Theresa Heidig Rooney\, Teresa Jade Jarzynski\, Moishe Kampin\, Sam Kelly\, Michele King\, Laura Levine\, Pattie Lipman\, Aaron Lubrick\, Manuel Alejandro Macarrulla\, James McKenna\, Elizabeth Meyersohn\, Mark. Milroy\, Blake Morgan\, Arnaldo J Rivera Rivera\, Gail Rodney\, Rebecca Gray Rolke\, Roxy Rubell\, Alyssa Schmidt\, Abbey Stace\, Leslie Ross Stephens\, Yuri Tayshete\, Preston Trombly\, Laura Vahlberg\, Ekaterina Vanovskaya\, Aidan White and Lenore Wolf. \n​Juror ERIC HOLZMAN has been painting and searching for connection in nature and other representational genres all his life. He is a romantic and a classicist who looks into the inner nature of things and tries to walk “The Beauty Way.” He was educated at Tyler School of Art\, Yale\, Skowhegan and the New York Studio School. Eric has taught at Pratt\, the New York Studio School\, and Bard College among others. He is a National Academician and has exhibited twice at the American Academy\, winning awards from both institutions.  Eric has also shown work at Lori Bookstein\, Tibor de Nagy\, Sideshow and Artist Equity\, all in NYC\, and at Gremillion Fine Art and Ellio Fine Art in Houston\, Texas. He has received many honors\, including grants and fellowships from the Guggenheim Foundation\, the NEA\, the Pollock Krasner Foundation\, the Gottlieb Foundation and the Louis Comfort Tiffany Foundation. Website: www.ericholzman.com \n\n  Save  
URL:https://artinamericaguide.com/event/2023-winter-juried-exhibitions/
LOCATION:Blue Mountain Gallery\, 547 W 27th St\, Suite 200\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/01/2023-artists-rectangle.jpg
ORGANIZER;CN="Blue Mountan Gallery":MAILTO:info@bluemountaingallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T161701
DTEND;TZID=America/New_York:20250920T170000
DTSTAMP:20260403T161701
CREATED:20250722T184747Z
LAST-MODIFIED:20250722T184747Z
UID:114023-0-1758387600@artinamericaguide.com
SUMMARY:August-September @ Art Works!
DESCRIPTION:Throughout August Art Works is open to the public\, offering a variety of engaging exhibits. Adam and Anita Bradley present life-size figurative sculptures and paintings capturing a chaotic world. Mike Bily’s exhibit investigates ecosystems; Sharon Denmark captures light flowing through glass. Rachel Rowden exhibit is a portal of mysteries and Rebecca Visger provides a view from behind the wheel. Blake Bottoms exhibit is featured in the Community Bridge Project. \n  \nJoin us for a fun-filled scavenger hunt with prizes\, perfect for both the young and the young at heart. The activity culminates with prizes for all who participate. We also offer figure drawing sessions on the 1st and 3rd Sundays and Queer Life Drawing at Gold Lion Community Café on August 20th.  \n  \nBradley + Bradley: The Weight of Vanishing Shadows \nAdam and Anita Bradley explore the human condition through their unique mediums. Adam presents life-sized figurative sculptures in wood\, steel\, ceramics\, and smaller bronze pieces\, reflecting themes of anxiety\, loss\, and grief. Anita complements this with layered paintings and mixed media collages\, capturing the struggle for order in a chaotic world. Their intertwined approaches invite contemplation of deep human experiences. \n  \nThe exhibition will be in the Jane Sandelin Gallery at Art Works and will continue through September 20\, 2025. \n  \n  \nArtifacts by Anne Chamblin \nAnne Chamblin’s work is about merging sight and feeling. For her\, painting is a way to process what she experiences. She brings spaces\, places\, and faces to life on canvas\, turning bodies into landscapes and using layers to hint at the passage of time. Anne constantly reworks her paintings\, always keeping a bit of the past to shape the present. Her journey is grounded in everyday experiences\, resulting in unique\, relatable art. \n  \nThe exhibit will be in the Centre Gallery at Art Works through September 20\, 2025. \n  \n  \n  \n  \n  \nBetween Worlds by Hannah Anderson \n  \nAmerican abstract artist Hannah Anderson (b. 1953)\, raised in the simplicity of a Quaker household\, rediscovered her love for painting in 1990 with a Crayon watercolor set. Self-taught and inspired by contemporary artists\, her work reflects the light and dark periods of her life\, blending elements of nature and archetypal symbols from healing traditions. Her debut exhibit\, Between Worlds\, explores the liminal space between worlds and relationships. Hannah resides in Richmond\, Virginia\, and finds inspiration in Taos\, New Mexico. \n  \nThe exhibit will be in the Corner Gallery at Art Works through September 20\, 2025. \n  \n\nMental Health Matters: Celebrating Resilience Through Art All Media Show\nThis exhibit is a focal point of all Art Works’ openings. It is a juried show with cash prizes for 1st\, 2nd and 3rd place. The show is open to all artists and all mediums. \n  \nIn August the theme is Mental Health Matters: Celebrating Resilience Through Art. The community has donated terrific items that we will be auctioning to benefit NAMI\, and Art Works will donate the sales from the All Media Show to NAMI. \nWonJung Choi an international artist and educator\, will be the juror for the exhibit. Wonjung Choi is a Korean-born\, Virginia-based artist whose multidisciplinary work delves into the complexities of identity formation in a globalized world. See more on WonJung’s website: Click here. \n  \nCall for entries is July 15  – August 10\, 2025\, and may be submitted through the online form. The exhibit will be in the Port Gallery at Art Works through September 18\, 2025. Check our website for details on submitting artwork:  Call for Entries \n  Save  
URL:https://artinamericaguide.com/event/august-september-art-works-2/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
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ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T161701
DTEND;TZID=America/New_York:20250926T200000
DTSTAMP:20260403T161701
CREATED:20250903T144946Z
LAST-MODIFIED:20250903T144946Z
UID:114439-0-1758916800@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Opening Reception @ Art Works!
DESCRIPTION:4th Friday September 26th at Art Works \n  \nJoin us on September 26\, 2025 from 6 p.m. to 8 p.m. for an exciting opening reception of our new exhibits at Art Works. Meet the talented artists\, and enjoy live music\, refreshments\, and libations sponsored by RVA Thriving Artists.  The featured artists are Adam Reinhart\, Jen Cook-Asaro\, Sarah Miller\, Tatiana Grace\, Kenneth Lee\, and experiment with interactive art by RVA Game Jams. \n  \nThis event is free and open to the public. Convenient and free parking is available. The exhibits will continue through October 18\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-opening-reception-art-works-56/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/PR-2025.09-Game-Jam-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T161701
DTEND;TZID=America/New_York:20250927T180000
DTSTAMP:20260403T161701
CREATED:20250811T200044Z
LAST-MODIFIED:20250811T200044Z
UID:114212-0-1758996000@artinamericaguide.com
SUMMARY:Heather Stivison\, “Ebb & Flow”\, a Solo Exhibition
DESCRIPTION:In this her third New York City solo exhibition\, Heather Stivison explores the intersection of environmental science and visual art with a series of immersive paintings of the ocean. \nStivison paintings capture the essence of water—something clear and colorless\, with its shape formed entirely by the external forces of objects\, land\, wind\, gravity. Searching for water’s most primary qualities\, she uses light\, color\, form\, shape\, line\, to engender a sense of water. Fluidity\, reflections\, rhythms are evident in her ocean surface paintings. Stivison is fascinated by the reflections and patterns created by the coastal ocean surface. She paints variations on patterns\, exploring how much she can change them and still maintain the sense that the subject is surface water. \nCurator and director of Manhattan Arts International Renee Phillips writes: \n“Stivison ventures beyond nature’s physical boundaries into abstraction with the profusion of free-flowing biomorphic patterns and tonal ranges. In her paintings the innate attributes of water evolve into metaphors\, symbolism and visual poetry.” \nThe exhibition includes a massive 110-inch quadriptych that explores the sense of weightlessness and mystery that she finds in the imagining unknown ocean depths. Other paintings explore surface water patterns as abstract design. \nIndependent curator Kathy Imlay writes: \n“Stivison’s paintings have a luminous glow—accomplished by the artist building up layer upon layer of viscous paint\, which she pours\, smears\, scrapes and otherwise manipulates to create fields of color that conjure the watery depths of the ocean or intergalactic space\, depending on the palette.” \nSome of the paintings on view are the result of her multi-year\, grant funded collaboration with Noah Germolus\, a scientist at Woods Hole Oceanographic Institute who was researching ocean chemistry. Stivison created two paintings about him and his work\, and four five-foot paintings that interpret his research data in paint. \nThe collaboration led to a unique special feature of this exhibition. After Stivison interpreted his data in paint\, he in turn\, interpreted four of her paintings in music. The exhibition includes an on-demand sound installation of original jazz music composed and performed by Germolus. \n  Save  
URL:https://artinamericaguide.com/event/heather-stivison-ebb-flow-a-solo-exhibition/
LOCATION:Pleiades Gallery\, 547 W 27th St. Suite 304\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/stivison-heather_Coastal-Surface-Community_48x60_Oil-over-Acrylic-on-Canvas.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T161701
DTEND;TZID=America/New_York:20251018T170000
DTSTAMP:20260403T161701
CREATED:20250903T144946Z
LAST-MODIFIED:20250903T144946Z
UID:114443-0-1760806800@artinamericaguide.com
SUMMARY:September - October Exhibits @ Art Works!
DESCRIPTION:Now showing six new exhibits. The featured artists are Adam Reinhart\, Jen Cook-Asaro\, Sarah Miller\, Tatiana Grace\, Kenneth Lee\, and experiment with interactive art by RVA Game Jams. Also see 80+ working artist studios. \nVisit us Tuesdays through Sundays 11am- 5pm. Admission is free and open to the public. Convenient and free parking is available. The exhibits will continue through October 18\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/september-october-exhibits-art-works-4/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/PR-2025.09-Game-Jam-1-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T161701
DTEND;TZID=America/New_York:20251122T170000
DTSTAMP:20260403T161701
CREATED:20250908T192551Z
LAST-MODIFIED:20250908T192551Z
UID:114572-0-1763830800@artinamericaguide.com
SUMMARY:October - November Exhibits @ Art Works!
DESCRIPTION:Now showing six new exhibits. The featured artists are Blake Seals\, Felicia L. Reed\, Adam Reinhard\, Sorvino\, and Tobi Holtslag. Also see 80+ working artist studios. \nVisit us Tuesdays through Sundays 11am- 5pm. Admission is free and open to the public. Convenient and free parking is available. The exhibits will continue through November 22nd 2025. \n  Save  
URL:https://artinamericaguide.com/event/october-november-exhibits-art-works-5/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/09/PR-2025.10-Chris-Semtner-3-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:jessie@artworksrva.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T161701
DTEND;TZID=America/New_York:20260221T180000
DTSTAMP:20260403T161701
CREATED:20260120T172859Z
LAST-MODIFIED:20260120T172859Z
UID:115685-0-1771696800@artinamericaguide.com
SUMMARY:Robert Braczyk: Cardinal Directions
DESCRIPTION:Exhibition Dates: January 27 – February 21\, 2026\nOpening Reception: Thurs.\, January 29\, 2026\, 5PM-8PM\nArtist Talk: Saturday\, February 14\, 2026\, 3PM-4PM\nGallery Hours: Tuesday – Saturday\, 11AM-6PM \nBowery Gallery is pleased to present “Cardinal Directions\,” an exhibition of new sculpture by Robert Braczyk.  \nFor many years a prize-winning figurative sculptor\, in recent years Braczyk has turned to abstraction. In his new work—most about 24 inches high—he assembles various tree elements into vertical compositions that echo figural forms\, but whose abstract vocabulary of open volumes and discontinuous contours suggests the possibility of multiple allusions. Each work evinces a powerful spatial tension between the cardinal point from which it is begun and the complex three-dimensional image that Braczyk builds with primary thrust\, axis\, and meridian.  \nBraczyk’s trajectory from figure to abstract figure may be seen as a temporal through line connecting the events of a life. The artist’s comment that he brings all his life’s experiences into the studio reminds us that in the long arc of his career\, the spatial and temporal are never far apart. \nView the exhibition website. \n  \nBowery Gallery\n547 W. 27th Street\, Suite 508\nNew York\, NY 10001 \n  Save  
URL:https://artinamericaguide.com/event/robert-braczyk-cardinal-directions/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/Braczyk_Reel_for_eVite-and_Web_landing-page-scaled.jpg
ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bowery Gallery 547 W 27TH ST Suite 508 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=547 W 27TH ST Suite 508:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20121022
DTEND;VALUE=DATE:20220101
DTSTAMP:20260403T161701
CREATED:20210527T152347Z
LAST-MODIFIED:20210527T152507Z
UID:81363-1350864000-1640995199@artinamericaguide.com
SUMMARY:LEO VILLAREAL: COSMOS
DESCRIPTION:An homage to the late Cornell astronomy professor Carl Sagan\, Cosmos is a site-specific installation by New York–based artist Leo Villareal (born 1967)\, a pioneer in the use of light-emitting diodes (LEDs) and computer-driven imagery. His signature pieces explore complex movement and dazzling patterns created by points of light using his own computer software. \n \nVillareal – Cosmos – Johnson Museum – Cornell final from Walter Patrick Smith\, AIA LEED A on Vimeo. \nPlanning for Cosmos began in November 2010\, when Villareal—along with the project architect\, Walter Smith\, and donors Lisa and Richard Baker—worked with Johnson Museum staff to determine the optimal location for the installation. The ceiling of the Sherry and Joel Mallin Sculpture Court was chosen for its high visibility not only on campus but also from the city of Ithaca. After studying the Museum’s architectural plans and considering structural and aesthetic aspects of the installation\, the artist’s team returned to Cornell in April 2012 to install a nine-foot-square mock-up. Installation of the final piece took several weeks\, with twelve thousand energy-efficient LEDs on a gridded framework attached to the ceiling of the sculpture court. A zero gravity bench was designed by the artist for viewers to fully immerse themselves in the viewing experience and to foster a more communal involvement with his installation. Villareal gave a public lecture to mark the opening of the installation. \nVillareal’s works reinterpret fundamental components of such twentieth-century art movements as pop\, minimalism\, conceptual\, and post-painterly abstraction while responding to the ingenuity and imagination that defines technology in the twenty-first century. Among his most notable site-specific works are the illumination of the exterior of the Brooklyn Academy of Music (2006)\, Multiverse in the Concourse walkway between the East and West Buildings at the National Gallery of Art (2008)\, and Sky at the Tampa Museum of Art (2009). His largest installation to date is The Bay Lights\, illuminating the West Span of the San Francisco Bay Bridge for its 75th anniversary in 2013. \nAndrea Inselmann\nCurator of Modern and Contemporary Art \n\nImage:\nLeo Villareal\nCosmos\, 2012\nWhite LED Lights\, custom software\, and electrical hardware; site-specific installation.\nAcquired through the generosity of Richard Baker\, Class of 1988\, and Lisa Baker.\n2012.056\nPhoto: James Ewing \n\n  Save  
URL:https://artinamericaguide.com/event/leo-villareal-cosmos/
LOCATION:Herbert F. Johnson Museum of Art\, Cornell University\, 114 Central Avenue\, Cornell University\, Ithaca\, NY\, 14853\, United States
CATEGORIES:Exhibition
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GEO:42.4507153;-76.4862114
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Herbert F. Johnson Museum of Art Cornell University 114 Central Avenue Cornell University Ithaca NY 14853 United States;X-APPLE-RADIUS=500;X-TITLE=114 Central Avenue\, Cornell University:geo:-76.4862114,42.4507153
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190207T180000
DTEND;TZID=America/Halifax:20190425T170000
DTSTAMP:20260403T161701
CREATED:20190409T173430Z
LAST-MODIFIED:20190409T173430Z
UID:48860-1549562400-1556211600@artinamericaguide.com
SUMMARY:Rive by Jon Verney
DESCRIPTION:RIVE: A PHOTOGRAPHY EXHIBITION \nJon Verney a photographer whose work engages in manipulated found imagery\, an interplay between the images of forgotten amateur photographers and the powerful sensation of abstract colors and fractal patterns and reticulation of the original. \nHis work is a reiteration of the dadaist practice of found objects and their subsequent metamorphoses after entering his possession. Using the contemporary material that is a Polaroid and subjecting them to methods of tangible and controllable manipulation of the photographic emulsion\, Verney draws out of them the untapped potential that lay dormant. \nHe sources his materials\, the Polaroids\, from flea markets\, shops\, or bought in bulk online. Blowing these small personal images up to a large scale reinvents the originals into something unintended at their initial creation\, giving a commentary on personal versus public. \nThe disassociation with the subjects and the original photographers’\, whose work allows Verney the ability to create his work\, mirrors that of Jacqui Kenny or Doug Rickard and their respective use of Google Street View\, a global resource allowing those two photographers to create artwork from the comfort of their own homes using the resources of our modern society. \nThe subject of this body of work\, Rive\, engages in the theme of a schism\, a fault line\, a separation of two worlds that butt up against one another\, like the waves of the ocean lapping against the shore. The banal common-place nature of these amateur photographs is at the same time both obscured behind\, and obscuring the organic blooms of his manipulations\, giving the sensation of a reciprocity between reality and surreality. \nJoin us for the Opening Reception! \nThursday\, February 7\, 2019 from 6:00-8:00pm \nMake sure to also stop by the Artist Talk! \nThursday\, April 18\, 2019 from 6:00-7:00pm \nJon Verney is a visual artist whose practice interweaves the materiality of painting\, photography\, and film. After earning a BFA with Distinction in Painting from Massachusetts College of Art and Design in 2010\, he relocated to Florence\, Italy\, where he attended SACI’s Post-Baccalaureate studio program. He was afterwards awarded a SACI Photo/Media Teaching Assistantship and remained at the school for two more years as a TA and darkroom technician. Upon returning to the United States\, he received his MFA from the Stamps School of Art & Design at the University of Michigan in 2016. Verney has exhibited his work nationally and internationally and has attended artist residencies at the Vermont Studio Center\, the Studios at MASS MoCA\, Penland School of Craft\, and the Independent Imaging Retreat in Ontario\, Canada. His studio practice is based in North Adams\, Massachusetts. \n  Save  
URL:https://artinamericaguide.com/event/rive-by-jon-verney/
LOCATION:SACI Gallery\, 454 W 19th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Art Fair,Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/01/Jon_Verney_Diver.jpg
ORGANIZER;CN="SACI NY Gallery":MAILTO:nygallery@saci-florence.edu
GEO:40.7449342;-74.0056949
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=SACI Gallery 454 W 19th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=454 W 19th Street:geo:-74.0056949,40.7449342
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190301T100000
DTEND;TZID=America/Halifax:20190616T170000
DTSTAMP:20260403T161701
CREATED:20190418T204932Z
LAST-MODIFIED:20190509T150450Z
UID:51711-1551434400-1560704400@artinamericaguide.com
SUMMARY:Matthew Barney: Redoubt
DESCRIPTION:In his first major exhibition at his alma mater\, the renowned and provocative contemporary artist Matthew Barney\, B.A. 1989\, presents his latest work\, including a new feature-length film titled Redoubt. In addition to the film\, the exhibition features pieces in other media that demonstrate casting and electroplating techniques developed by Barney. Touching on themes of artistic creation\, ecology\, and dance\, Matthew Barney: Redoubt showcases the artist’s trademark interdisciplinary and multimedia approach. \nhttps://artgallery.yale.edu/exhibitions/exhibition/matthew-barney-redoubt \n  Save  
URL:https://artinamericaguide.com/event/matthew-barney-redoubt/
LOCATION:Yale University Art Gallery\, 1111 Chapel St\, New Haven\, CT\, 06510\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2019/04/twovirgins-barney.png
ORGANIZER;CN="Yale University Art Gallery":MAILTO:artgalleryinfo@yale.edu
GEO:41.30839;-72.930958
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Yale University Art Gallery 1111 Chapel St New Haven CT 06510 United States;X-APPLE-RADIUS=500;X-TITLE=1111 Chapel St:geo:-72.930958,41.30839
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190307
DTEND;VALUE=DATE:20190505
DTSTAMP:20260403T161701
CREATED:20190409T210735Z
LAST-MODIFIED:20190409T210735Z
UID:50934-1551916800-1557014399@artinamericaguide.com
SUMMARY:Jan-Ole Schiemann: A Different Pose
DESCRIPTION:Kasmin is pleased to present A Different Pose\, the gallery’s first solo exhibition of new paintings by Cologne-based artist Jan-Ole Schiemann. Schiemann’s paintings are grounded in both gestural abstraction and the history of 20th-century animation\, aspects that combine to imbue his work with a rare sense of kinetic energy. Half-formed\, simultaneously disappearing and reappearing shapes suggest that somewhere amidst the lines\, there are figures tumbling\, colliding\, or fighting obscured by clouds of smoke. As a result of Schiemann’s meticulous\, layered application of charcoal\, oilstick\, ink and acrylic\, the works have the illusion of both a sculptural and a digital depth. The artist’s first solo exhibition at Kasmin will be comprised of new medium-scale and monumental paintings\, as well as the debut of a new series of works on paper. \nSchiemann’s process begins with the collection of references—cut-outs from cartoon strips\, elements from his own drawing process—which the artist then collages onto transparencies and projects against the canvas. Using primarily ink on the unprimed surface\, Schiemann uses sweeping gestures to build the dynamic base of the picture plane before moving on to more precise\, illustrative detailing. The works are then built up to fruition carefully\, introducing exuberant color and spontaneity as Schiemann reimagines the projected configurations. \nThe series of works on paper demonstrates Schiemann’s commitment to drawing\, and its fundamental place in his oeuvre. Appearing as a consolidation of fragments of many sketches bought together into balanced coherence\, the works give further insight into Schiemann’s process and highlight the strength of his forms. \nJan-Ole Schiemann has mounted solo shows recently at CHOI&LAGER Gallery\, Seoul\, South Korea (2018); Nino Mier Gallery\, Los Angeles (2017\, 2015) and Half Gallery\, New York\, (2015). Schiemann was also included in curated exhibitions such as Cliché\, Almine Rech Gallery\, New York (2018); Abstract/Not Abstract\, curated by Jeffrey Deitch and Larry Gagosian\, Moore Building\, Miami (2017); Prinz – the Ghosts are Outside\, Kreuzberg Pavilion\, Berlin (2015); and 17 Abstract Paintings\, Warhus Rittershaus\, Cologne (2014) amongst others.  He is a graduate of the Kunstakademie Düsseldorf under Albert Oehlen and Andreas Schulze (2007-2013) and currently lives and works in Cologne\, Germany. \n  Save  
URL:https://artinamericaguide.com/event/jan-ole-schiemann-a-different-pose/
LOCATION:Kasmin Gallery\, 297\, 297 10th Ave\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2019/04/jan-ole.png
ORGANIZER;CN="Kasmin Gallery":MAILTO:info@kasmingallery.com
GEO:40.7504018;-74.0024557
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Kasmin Gallery 297 297 10th Ave New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=297 10th Ave:geo:-74.0024557,40.7504018
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190309T103000
DTEND;TZID=America/Halifax:20190427T180000
DTSTAMP:20260403T161701
CREATED:20190419T175325Z
LAST-MODIFIED:20190420T191737Z
UID:51755-1552127400-1556388000@artinamericaguide.com
SUMMARY:Ivan Plusch: The Promise of Eternal Life
DESCRIPTION:Ivan Plusch \nThe Promise of Eternal Life \nMarch 9 to April 27\, 2019 \nOpening Reception: Saturday\, March 9th\, 6:00 to 8:00 pm \n  \nDeborah Colton Gallery is pleased to present Ivan Plusch: The Promise of Eternal Life\, a solo exhibition featuring accomplished\, young Russian artist\, Ivan Plusch. This exhibition is the first solo exhibition of Ivan Plusch’s work in the United States. The exhibition opens Saturday\, March 9th\, with a public reception from 6:00 pm until 8:00 pm. Ivan Plusch will be attending the reception and greeting our guests. \nIvan Plusch\, born in 1981\, is a young Russian artist on the rise and is part of the Nepokorionnye Group. He is based in St. Petersburg and has studied in various art schools including the State Academy of Art and Design\, the Roerich Art School and the PRO ARTE Institute. Ivan Plusch’s work has been exhibited throughout Russia and worldwide including in France\, Italy\, the Netherlands\, South Korea\, the United Kingdom and the Balkans. His work is in prestigious private and public collections world-wide. \nIvan Plusch finds the visual interpretation of eternal life as a phenomenon in his works. His characters appear to be in the ordinary reality\, which is depicted mechanically through the creation of sponge pattern or monotonous destruction of the background. These characters become the flow of paintings which is symbolizing the moving of time and impossibility to stay in one place or in one moment forever. He suggests that humans who are able to create around them their own\, imaginary protective world that takes them from the ordinary reality to the virtual space have the hope to live in this vision forever\, whereby they can remain in one point in time and may they may feel the promise of eternal life. \nStruggling with mild autism since childhood\, Plusch has a special perception on life that is original and inspiring. His success as an artist reveals that we all can identify with how important it is to slow down and appreciate each interaction\, each moment and cherish our best memories in our hearts forever. \n  \nDeborah Colton Gallery is founded on being an innovative showcase for ongoing presentation and promotion of strong historical and visionary contemporary artists worldwide\, whose diverse practices include painting\, works on paper\, sculpture\, video\, photography\, performance\, conceptual future media and public space installations. The gallery aspires to provide a forum through connecting Texas\, national and international artists to make positive change. \n  Save  
URL:https://artinamericaguide.com/event/the-promise-of-eternal-life/
LOCATION:Deborah Colton Gallery\, 2445 North Boulevard\, Houston\, 77098\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/Effect-1.jpg
ORGANIZER;CN="Deborah Colton Gallery":MAILTO:info@deborahcoltongallery.com
GEO:29.7276234;-95.4166597
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Deborah Colton Gallery 2445 North Boulevard Houston 77098 United States;X-APPLE-RADIUS=500;X-TITLE=2445 North Boulevard:geo:-95.4166597,29.7276234
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190313
DTEND;VALUE=DATE:20190505
DTSTAMP:20260403T161701
CREATED:20190409T211104Z
LAST-MODIFIED:20190409T211104Z
UID:50938-1552435200-1557014399@artinamericaguide.com
SUMMARY:Naama Tsabar: Dedicated
DESCRIPTION:Naama Tsabar employs performance\, sculpture\, and photography to subvert the gender roles historically associated with musicianship. In her second exhibition at Kasmin\, Dedicated\, Tsabar further explores these themes by expanding the borders of movement of the female body. For the duration of the exhibition\, Tsabar and a group of female musicians will explore a new vocabulary of movement and sound\, culminating in a performance with Tsabar and her collaborators on the exhibition’s closing night\, May 4\, between 4-6pm. This will be her first performance in New York City since 2017. \nThe exhibition presents three bodies of work that weave together iconic actions and objects from rock music with a more intimate portrayal of the artist’s body and its movement through\, within\, and into the surrounding architecture. Tsabar transforms the gallery space into a site-specific sculptural and sonic installation featuring the broken remains of guitars on the floor\, Melodies of Certain Damage\, connected to the wall-based canvases\, Transitions\, that double as amplifiers. In a series of adjacent photographs\, a female body penetrates and intertwines with walls in the artist’s studio. The motifs of femininity\, gender\, disruption\, destruction\, and reconstruction recur throughout the exhibition. Melodies of Certain Damage takes as its starting point the moment after the climatic break of the electric guitar. By attending to the aftermath\, rather than the destructive act itself\, Tsabar interrogates structures of power\, and reworks the violent act into a new sculptural and performative order. In the quiet of her studio\, Tsabar smashes the bodies of the guitars\, and\, engaging a Dada-esque sense of randomness and play\, maps out the broken pieces where they fall\, affixes the shattered parts to the floor\, and then attaches new strings to reinstate the sculpture’s musical functionality. \nWith the works installed in the gallery\, each Melody is plugged into one of the Transition canvases\, works that Tsabar has repurposed the internal and external components of the amplifier—wires\, speaker\, circuit board—to create a new formal visual experience whilst retaining the object’s ability to broadcast sound. Tsabar then invites a group of female musicians to collaboratively compose a unique composition on the sculptures. Activating the Melodies requires the performers to insert their bodies\, either sitting or lying\, into the spaces between the fragments. By dispersing the centralized phallic order of the objects and the position of the body in relation\, Tsabar and the performers assume the reclining physical position as an act of sensual\, creative and non-hierarchical power. \n  Save  
URL:https://artinamericaguide.com/event/naama-tsabar-dedicated/
LOCATION:Kasmin Gallery\, 293\, 293 10th Ave\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2019/04/naama.png
ORGANIZER;CN="Kasmin Gallery":MAILTO:info@kasmingallery.com
GEO:40.7502176;-74.0027053
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Kasmin Gallery 293 293 10th Ave New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=293 10th Ave:geo:-74.0027053,40.7502176
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190314
DTEND;VALUE=DATE:20190428
DTSTAMP:20260403T161701
CREATED:20190404T125038Z
LAST-MODIFIED:20190404T125038Z
UID:50232-1552521600-1556409599@artinamericaguide.com
SUMMARY:Pipo Nguyen-duy\, “(My) East of Eden”
DESCRIPTION:ClampArt is pleased to announce “(My) East of Eden\,” Pipo Nguyen-duy’s second solo show with the gallery. \n  \n  Save  
URL:https://artinamericaguide.com/event/pipo-nguyen-duy-my-east-of-eden/
LOCATION:ClampArt\, 247 W. 29th St\, Ground Fl\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/03/Nguyen-duy_Harvest_2013-980.jpg
GEO:40.7488306;-73.9947334
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=ClampArt 247 W. 29th St Ground Fl New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=247 W. 29th St\, Ground Fl:geo:-73.9947334,40.7488306
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190314
DTEND;VALUE=DATE:20190428
DTSTAMP:20260403T161701
CREATED:20190404T125108Z
LAST-MODIFIED:20190404T125108Z
UID:50238-1552521600-1556409599@artinamericaguide.com
SUMMARY:Pipo Nguyen-duy\, "Hotel Window"
DESCRIPTION:ClampArt is proud to present “Hotel Window\,” Pipo Nguyen-duy’s newest body of work. The exhibition coincides with “(My) East of Eden\,” an earlier series presented in the gallery’s main space. \n  Save  
URL:https://artinamericaguide.com/event/pipo-nguyen-duy-hotel-window/
LOCATION:ClampArt\, 247 W. 29th St\, Ground Fl\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/03/Nguyen-duy_Light-Trail_2016-980.jpg
GEO:40.7488306;-73.9947334
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=ClampArt 247 W. 29th St Ground Fl New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=247 W. 29th St\, Ground Fl:geo:-73.9947334,40.7488306
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190314
DTEND;VALUE=DATE:20190428
DTSTAMP:20260403T161701
CREATED:20190409T211426Z
LAST-MODIFIED:20190409T211426Z
UID:50946-1552521600-1556409599@artinamericaguide.com
SUMMARY:David Wiseman: Plants\, Minerals\, And Animals
DESCRIPTION:Kasmin is pleased to present a major exhibition of new work by artist and designer David Wiseman (b. 1981). Plants\, Minerals\, and Animals is Wiseman’s first solo presentation at the gallery and will be on view at 515 West 27th Street between March 14 – April 27\, 2019. Bringing together designs conceived and forged in the artist’s Los Angeles studio over the course of the last fifteen years\, the exhibition acts as a culmination of Wiseman’s career thus far. \nWiseman’s work draws inspiration from his fascination with the natural world\, global decorative arts traditions\, and a reverence for honoring timeless craft techniques. Far from reproducing historic design\, however\, he breathes new life into interiors and environments. Porcelain cherry blossom ceilings\, bronze patterned filigree folding screens\, and polished marble and terrazzo inlay furniture affirm and perpetuate the relevance ornament and beauty can play in contemporary architecture and life. \nRooted in an imagined world of drawing\, Wiseman’s creations blossom outward from the page to become sculpture. A deep respect for process\, cultivated during his studies at the Rhode Island School of Design\, demands that Wiseman is intensely involved in every aspect of the production from the initial sketches to bronze casting\, porcelain sculpting\, firing and glazing\, and handmade terrazzo\, all of which happen in the studio in an organic flurry of activity. \nMany of the works are developed with Wiseman working on instinct to configure the pieces by drawing from an encyclopedic collection of prior-made casts formed from the natural world and sculpted forms. Acting as an index of Wiseman’s vocabulary and interest\, Five Panel Screen (2018)\, a large bronze folding screen\, collages nature in varying degrees of abstraction: microscopic forms transmute into sea waves that meld into a trellis of macrame rope\, held together by patterns inspired by traditional Japanese drawings. Lost Valley Mirror (2019)\, an impressive standing mirror\, features a sleeping Capuchin-like monkey resting on its peak\, is framed by a slender twisting tree trunk—an imagined hybrid that integrates several plant and fungi species from Wiseman’s native Los Angeles. \nElsewhere in the exhibition\, Cloud Garden Canopy (2019)\, a ceiling-mounted light sculpture\, depicts an inverted bed of delicately crafted porcelain and dramatic rock crystal. It hangs above the Large Lattice Vortex Dining Table(2019)\, a new design realized in bronze and glass that employs the organic hexagonal and pentagonal patterns that recur as motifs throughout the exhibition. These abstracted forms\, simultaneously surface and structure\, are balanced by the figuration of works such as Bowerbird Table (2019)\, which takes the eccentric Western New Guinea species as its starting point and reimagines the bird’s mating ritual of collecting forest treasures. Playfully including trinkets that could be gathered from within the studio—a sterling silver frog\, blackberries\, seed pods\, geraniums\, and jali patterns—the work demonstrates both the startling intricacy and devotion to nature that combine to characterize Wiseman’s practice. \n  Save  
URL:https://artinamericaguide.com/event/david-wiseman-plants-minerals-and-animals/
LOCATION:Kasmin Gallery\, 515\, 515 W 27th St\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2019/04/david-wiseman.png
ORGANIZER;CN="Kasmin Gallery":MAILTO:info@kasmingallery.com
GEO:40.7507917;-74.0030972
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Kasmin Gallery 515 515 W 27th St New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=515 W 27th St:geo:-74.0030972,40.7507917
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190314T110000
DTEND;TZID=America/Halifax:20190504T180000
DTSTAMP:20260403T161701
CREATED:20190419T211924Z
LAST-MODIFIED:20190420T001842Z
UID:51845-1552561200-1556992800@artinamericaguide.com
SUMMARY:Jess: Secret Compartments
DESCRIPTION:Opening Reception: Saturday\, March 16\, 2019 | 3 – 6 pm \n  Save  
URL:https://artinamericaguide.com/event/jess-secret-compartments/
LOCATION:Anglim Gilbert Gallery\, 1275 Minnesota Street\, San Francisco\, CA\, 94107\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/jess_xrysxr.jpg
GEO:37.7542518;-122.389425
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Anglim Gilbert Gallery 1275 Minnesota Street San Francisco CA 94107 United States;X-APPLE-RADIUS=500;X-TITLE=1275 Minnesota Street:geo:-122.389425,37.7542518
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190314T120000
DTEND;TZID=America/Halifax:20190608T160000
DTSTAMP:20260403T161701
CREATED:20190403T145641Z
LAST-MODIFIED:20190403T145641Z
UID:50664-1552564800-1560009600@artinamericaguide.com
SUMMARY:The Artist Collects: Highlights from the James Reed Collection
DESCRIPTION:This exhibition celebrates the transformative gift of the James Reed Collection of Old Master\, 19th-century\, and modern prints to the Fairfield University Art Museum. Assembled over several decades by artist\, collector and Master Printer James Reed\, the collection comprises more than 1\,500 prints spanning the 16th through the early 21st centuries. The exhibition presents highlights from the three great strengths of the Reed Collection: 19th-century French etching and lithography; German Expressionist woodcuts and lithographs; and modern and contemporary prints. \nAmong the 19th-century French artists represented in the exhibition are Eugène Delacroix\, Honoré Daumier\, Gustave Doré\, Odilon Redon\, and Henri Fantin-Latour. Works by Emil Nolde\, Ernst Ludwig Kirchner\, Max Beckmann\, and other German Expressionist artists will also be on view\, as will prints\, rare artists’ books\, and artists’ multiples by modern and contemporary artists including Claes Oldenburg\, Jasper Johns\, Damien Hirst\, and Jim Dine. \n  Save  
URL:https://artinamericaguide.com/event/the-artist-collects-highlights-from-the-james-reed-collection/
LOCATION:Quick Center for the Arts\, 200 Barlow Road\, Fairfield\, CT\, 06824
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/JzDi0z38.jpeg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Quick Center for the Arts 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190316
DTEND;VALUE=DATE:20190428
DTSTAMP:20260403T161701
CREATED:20201214T152125Z
LAST-MODIFIED:20201214T152125Z
UID:79219-1552694400-1556409599@artinamericaguide.com
SUMMARY:Rushern Baker IV: Post-World
DESCRIPTION:Rushern Baker IV seeks to capture the frenetic energy created by today’s socio-political malaise. This energy manifests itself in his paintings through layers of digital collage\, resin\, ceramic tile adhesive and paint. The various media are interwoven\, at odds\, and chaotic\, slowly revealing compositions of destruction. There are hints of collapsing columns\, drones shot down from the sky\, Soviet propaganda posters\, comic books\, fallen structures\, fire\, rocks\, and finally\, ash. At times\, Baker delivers a break in the rubble\, leaving us with a moment to exhale\, observe and ask\, “is this the beginning or the end?” \nFascinated by political theater and the socio-economic ramifications of domestic and foreign policy\, Baker cites structural breakdown as a recurring theme within his practice. If these paintings can engage with the world today\, it is through the complex feeling of vulnerability stirring everywhere\, every minute. Outside of societal unrest\, Baker is heavily influenced by Octavia Butler’s Afrofuturist novels\, most notably Parable of the Sower. He has linked his work to Black abstraction and artists such as Sam Gilliam\, Felrath Hines\, and Jack Whitten. Each canvas serves as a new edition of an ongoing battle\, a commonly shared saga of conflict and discontent. \n\n\nRushern Baker IV (American\, b. 1987) has exhibited his work both nationally and internationally\, including solo exhibitions at Scaramouche Gallery and The Cooper Union in New York City\, Honfleur Gallery in Washington DC\, and in group shows at The Third Line Gallery in Dubai\, The Harvey B. Gantt Center in Charlotte\, NC\, Bowie State University\, MOCADA in Brooklyn\, NY\, Koki Arts in Tokyo\, and Yale University. He received a BFA from The Cooper Union for Advancement of Science and Art in 2009 where he received the Jack Stewart Memorial Prize for Excellence in Painting\, and an MFA from Yale University in 2012\, where he received the Elizabeth Canfield Hicks Award for outstanding achievement in drawing or painting from nature. This is his first solo exhibition with HEMPHILL Fine Arts. \n\n  Save  
URL:https://artinamericaguide.com/event/rushern-baker-iv-post-world/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/12/RBaker-Hemphill-Install.-003-scaled.jpg
ORGANIZER;CN="HEMPHILL":MAILTO:gallery@hemphillfinearts.com
GEO:38.910305;-77.0315939
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=HEMPHILL 1515 14th Street NW Washington DC 20005 United States;X-APPLE-RADIUS=500;X-TITLE=1515 14th Street NW:geo:-77.0315939,38.910305
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190321
DTEND;VALUE=DATE:20190428
DTSTAMP:20260403T161701
CREATED:20190404T125207Z
LAST-MODIFIED:20190404T125207Z
UID:50228-1553126400-1556409599@artinamericaguide.com
SUMMARY:"20th Anniversary Show-Part I (Photography)"
DESCRIPTION:The gallery celebrates 20 years with a group show of works by represented and featured artists\, each of whom pushes the boundaries of photography. \n  Save  
URL:https://artinamericaguide.com/event/20th-anniversary-show-part-i-photography/
LOCATION:MIYAKO YOSHINAGA\, 547 West 27th Street 2nd Floor\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/03/20th-Anniversary-Part-I.jpg
GEO:40.751259;-74.0043461
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=MIYAKO YOSHINAGA 547 West 27th Street 2nd Floor New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=547 West 27th Street 2nd Floor:geo:-74.0043461,40.751259
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190321
DTEND;VALUE=DATE:20190519
DTSTAMP:20260403T161701
CREATED:20190409T211726Z
LAST-MODIFIED:20190409T211726Z
UID:50958-1553126400-1558223999@artinamericaguide.com
SUMMARY:Sheer Presence: Monumental Paintings By Robert Motherwell
DESCRIPTION:  Save  
URL:https://artinamericaguide.com/event/sheer-presence-monumental-paintings-by-robert-motherwell/
LOCATION:Kasmin Gallery\, 509\, 509 W 27th St\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2019/04/sheer-presence.png
ORGANIZER;CN="Kasmin Gallery":MAILTO:info@kasmingallery.com
GEO:40.7506629;-74.0030054
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Kasmin Gallery 509 509 W 27th St New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=509 W 27th St:geo:-74.0030054,40.7506629
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190322T110000
DTEND;TZID=America/Halifax:20190501T170000
DTSTAMP:20260403T161701
CREATED:20190411T215220Z
LAST-MODIFIED:20190411T215220Z
UID:51029-1553252400-1556730000@artinamericaguide.com
SUMMARY:Amsterdam Whitney Gallery's April 2019 Exhibition
DESCRIPTION:AMSTERDAM WHITNEY GALLERY\, 531 West 25th Street- Ground Floor-Chelsea\, New York City\, is proud to showcase in its evanescent MARCH 22-MAY 1\, 2019 Exhibition\, leading Contemporary Master Artists whose work explore the abstract\, figurative and natural world.  Celebrating Springtime\, this special exhibition is highlighted by its 18th Annual “LA DOLCE VITA SPRING SOIREE\,” on Saturday\, MARCH 23\, 2019 from 3:00-5:00 pm.  With spring blooming\, this international exhibition bursts with representational images as well as non-objective forms\, unexpected bold color juxtapositions\, imaginative and dynamic shapes\, which meld into a ground-breaking exhibition. In addition\, Ms. Denise Cummings\, will make her Curatorial Review in “BLENDED\,” a cross-cultural survey which features eight exciting artists whose compositions radiate spirited imagery and fresh creative energy\, resulting in an important gateway to the visual arts. Spanning the continents\, this exhibition renders a global portal of perceptions on contemporary art to art acquisitors and art aficionados alike\n\nOPTYX of NATURE transcends the terrestrial world and shines the spotlight on the divinity and power of nature and wildlife.  Showcasing three masterful women artists who intuitively reflect on the expressive force of the natural kingdom\, their virtuosic compositions explore the legacy we owe to nature as we continue humankind’s profound quest to preserve and honor the beauty in our bountiful terrain\nDENISE CUMMINGS\nPATRICIA NEDEN\nCYNTHIA NEILL\n\nEYEconic VORTEX introduces three distinguished artists whose masterful tableaux provide a visual counterpoint on how we view  the world.. With a unique personal vision\, they offer a fresh and exciting visual perspective to the complexity of the human psyche and their work reverberate with a compelling syntax which contributes to the expressionistic element of the human figure.\nMICHAEL GLEIZER                                         \nNICOLAS LUCO  CIERO\n\n\nCHROMATIC SYNTAX  illuminates a new perspective of panoramic visualization nature with  color-saturated works which exalt the power\, energy and nascent spirituality of the environment.  Celebrating the divinity  of naturescapes\, their masterful compositions visually express the boundless expanses of our universe through an exploration of organic lines\, a spectrum of opulent colors\, and the brilliant energies of nature’s bounty.\nCAROL CARPENTER\nLOLITA CHIN\nAYANO ISHIYAMA \n\nSPECTRAL VISIONS mystifies the senses with a ravishing  abstract compendium of international mixed media paintings whose amalgamation of simple shape arrangements and complexly hued gestural alterations are free of boundaries.  Reflecting tremendous energy and remarkable vision\, these talented global artists capture the complexity of the universe through colorful and vivid minimalist images which provide a rich sensorial experience to the viewer.\nTRACY BARWICK\nBO MI JO\nALINE POUGET   \n  Save  
URL:https://artinamericaguide.com/event/amsterdam-whitney-gallerys-april-2019-exhibition/
LOCATION:Amsterdam Whitney Gallery\, 531 West 25th Street\, Ground Floor\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/APRIL-2019-JUMBO-INVITE-FRONT.jpg
ORGANIZER;CN="Amsterdam Whitney Gallery":MAILTO:amsterdamwhitney@aol.com
GEO:40.7497243;-74.0044044
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amsterdam Whitney Gallery 531 West 25th Street Ground Floor New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=531 West 25th Street\, Ground Floor:geo:-74.0044044,40.7497243
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190328T180000
DTEND;TZID=America/Halifax:20190523T170000
DTSTAMP:20260403T161701
CREATED:20190404T125254Z
LAST-MODIFIED:20190404T125254Z
UID:50117-1553796000-1558630800@artinamericaguide.com
SUMMARY:Anton Ginzburg: VIEWs
DESCRIPTION:Opening Reception: Thursday\, March 28\, 2019 from 6 to 8pm \nArtist-in-Conversation with Meghan Forbes: Saturday\, April 13\, 2019 from 2 – 4 pm \nHelwaser Gallery is pleased to present VIEWs\, the first solo exhibition of works with artist Anton Ginzburg. The exhibition introduces the newest body of works by the artist\, which includes the VIEW painting series\, a site-specific mural\, and ceramic sculptures. VIEWs presents Ginzburg’s engagement with the development of modernist-formal vocabulary in Eastern Europe\, which addresses theories of viewing. Marking the inaugural exhibition at Helwaser Gallery’s new location (833 Madison Avenue\, Third Floor)\, the show will be on view March 28–May 23\, 2019\, with an opening reception to be held Thursday\, March 28\, 2019. The core of the exhibition is the VIEW painting series. Executed on wooden panels of two distinct sizes\, each work references diagrammatic representations of the binocular field of human vision. Based on the shape and geometry of the panels\, abstract compositions are developed through color\, plane\, and line. \nIn smaller-scale works\, different planes of color overlap and intersect with each other\, demonstrating the figure and ground perception within each work. In larger works\, Ginzburg draws on the effects of the movement of color through space. Collectively\, the VIEW series analyzes the act of viewing and demonstrates the process through the material practice of painting. \nAlso on show are Polychrome Columns (2018)\, a pair of multi-colored porcelain sculptures measuring 10 feet in height. Segmented into different colored modules\, which are stacked on top of each other\, the columns introduce a spatial dimension to the exhibition. Accompanying these columns is a site-specific mural\, comprising bands of colored lines with mirrored\, glass pieces superimposed over it. Placed in dialogue with the space of the gallery\, these works create a dynamic viewing process\, allowing visitors to immerse themselves within the works. Also presented in the exhibition\, the artist’s earlier video work Color and Line (2013) echoes this notion of space. A playful interpretation of Suprematist paintings and cinematic structure\, the work was filmed in a laundry room\, in between “cuts” of darkness (achieved by switching on and off the lights)\, creating a continuous sequence of color compositions that vary in placement. Ginzburg’s practice explores the direct relationship between the viewer and the process of observing. Through referencing theories of viewing proposed by two artists of historical avantgarde\, Mikhail Matyushin and Władysław Strzeminski\, Ginzburg applies his own methodology to painting\, sculpture\, and video. \nThis inquiry began three years ago during Ginzburg’s residency in Canada in 2016\, where the artist engaged in visual exercises used in the curriculum of the VkHUTEMAS (a modern art and technical school established by the Soviet Union in 1920). These exercises included color and spatial studies\, photography\, and graphic explorations\, which strived to re-animate the avant-garde methodology of the 20th into the present-day context. \nAbout the artist \nAnton Ginzburg (b. 1974\, St. Petersburg\, Russia) is a New York-based artist\, known for his films\, paintings\, sculptures\, and text-based printed work investigating historical narratives and poetic studies of place\, representation\, and post-Soviet identity. He earned a B.F.A. from Parsons School of Design\, The New School and M.F.A. degree from Bard College\, Milton Avery Graduate School of Arts\, Annandale-on-Hudson\, New York. His work has been shown at the 54th Venice Biennale; the Blaffer Art Museum at the University of Houston; Southern Alberta Art Gallery\, Canada; Palais de Tokyo\, Paris; the San Francisco Museum of Modern Art; White Columns\, New York; Lille 3000\, Euralille\, France; and the first and second Moscow Biennales. His films have been screened at the Whitechapel Gallery\, London; Rotterdam International Film Festival (IFFR); Dallas Symphony Orchestra; Nasher Sculpture Center\, Dallas; Les Rencontres Internationales\, Paris; Haus der Kulturen der Welt\, Berlin; and New York Film Festival/Projections among others. \nwww.antonginzburg.com \nAbout the speaker \nMeghan Forbes is currently the C-MAP Fellow for Central and Eastern Europe at The Museum of Modern Art\, New York and a Visiting Scholar at the Institute for Public Knowledge at New York University. She holds a Ph.D. from the Department of Slavic Languages and Literatures at the University of Michigan\, Ann Arbor. Meghan recently co-curated the exhibition BAUHAUS↔VKhUTEMAS: Intersecting Parallels (2018) in the MoMA Library. She is the sole editor of International Perspectives on Publishing Platforms: Image\, Object\, Text (Routledge\, 2019). Besides her academic publications\, Meghan publishes regularly in venues of wider readership such as Hyperallergic\, Literary Hub\, The Los Angeles Review of Books\, Words Without Borders\, and the Michigan Quarterly Review. \n  Save  
URL:https://artinamericaguide.com/event/anton-ginzburg-views/
LOCATION:Helwaser Gallery\, 833 Madison Avenue\, 3rd Floor\, New York\, NY\, 10021\, United States
CATEGORIES:Event,Exhibition
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ORGANIZER;CN="Helwaser Gallery":MAILTO:info@helwasergallery.com
GEO:40.7700197;-73.9664595
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Helwaser Gallery 833 Madison Avenue 3rd Floor New York NY 10021 United States;X-APPLE-RADIUS=500;X-TITLE=833 Madison Avenue\, 3rd Floor:geo:-73.9664595,40.7700197
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190329T100000
DTEND;TZID=America/Halifax:20190929T170000
DTSTAMP:20260403T161701
CREATED:20190418T204953Z
LAST-MODIFIED:20190509T150353Z
UID:51723-1553853600-1569776400@artinamericaguide.com
SUMMARY:A Nation Reflected: Stories in American Glass
DESCRIPTION:Featuring more than 100 objects drawn from the Yale University Art Gallery’s collection with select loans from the Yale Peabody Museum of Natural History\, A Nation Reflected: Stories in American Glass explores the myriad ways in which glass expresses the cultural\, technological\, and artistic aspirations of those who live and work in the United States. \nhttps://artgallery.yale.edu/exhibitions/exhibition/nation-reflected-stories-american-glass \n  Save  
URL:https://artinamericaguide.com/event/a-nation-reflected-stories-in-american-glass/
LOCATION:Yale University Art Gallery\, 1111 Chapel St\, New Haven\, CT\, 06510\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Yale University Art Gallery":MAILTO:artgalleryinfo@yale.edu
GEO:41.30839;-72.930958
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Yale University Art Gallery 1111 Chapel St New Haven CT 06510 United States;X-APPLE-RADIUS=500;X-TITLE=1111 Chapel St:geo:-72.930958,41.30839
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190330
DTEND;VALUE=DATE:20190624
DTSTAMP:20260403T161701
CREATED:20190404T124815Z
LAST-MODIFIED:20190415T151205Z
UID:50722-1553904000-1561334399@artinamericaguide.com
SUMMARY:Georgia O’Keeffe: Art\, Image\, Style
DESCRIPTION:Through 27 paintings\, 72 portrait photographs\, and 70 original garments\, Georgia O’Keeffe: Art\, Image\, Style inventively shows how this pioneering modern artist developed a fresh style–an artistic voice–that touched everything around her as well as her art. O’Keeffe’s brand of modernism sought simplicity\, distillation\, and clarity. That highly personal aesthetic comes to life in Wichita Art Museum galleries in spring 2019 through comparisons of the artist’s own clothing with striking portraits and stunning artworks. \nGeorgia O’Keeffe: Art\, Image\, Style is organized by the Brooklyn Museum with guest curator Wanda M. Corn\, Robert and Ruth Halperin Professor Emerita in Art History\, Stanford University\, and made possible by the National Endowment for the Arts. \nGeorgia O’Keeffe (American\, 1887-1986)\, Black Pansy & Forget-Me-Nots (Pansy)\, 1926. Oil on canvas\, 27 1/8 x 12 1/4 in. (68.9 x 31.1 cm). Brooklyn Museum\, Gift of Mrs. Alfred S. Rossin\, 28.521. Copyright Georgia O’Keeffe Museum/Artists Rights Society (ARS)\, New York. (Photo: Brooklyn Museum) \n  Save  
URL:https://artinamericaguide.com/event/georgia-okeeffe-art-image-style/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190403
DTEND;VALUE=DATE:20190505
DTSTAMP:20260403T161701
CREATED:20190402T160544Z
LAST-MODIFIED:20190402T162020Z
UID:50502-1554249600-1557014399@artinamericaguide.com
SUMMARY:Richard Learoyd: Curious
DESCRIPTION:Pace and Pace/MacGill are pleased to present an exhibition of recent photographs by Richard Learoyd\, on view on the second and ninth floors of 32 East 57th Street.Marking the British artist’s second solo show with the galleries\, Richard Learoyd: Curious will feature never-before-seen large-scale gelatin silver prints\, as well as unique color images made with a camera obscura. Comprising landscapes\, portraits and still lifes\, among other subjects\, Learoyd’s latest work advances his continued exploration of the technical possibilities of the medium and the limits of photographic expression. The public is invited to attend an opening reception with the artist on Tuesday\, April 2 from 6 to 8 PM. \nImage: Installation view\, “Richard Learoyd: Curious\,” April 3 – May 4\, 2019\, Pace Gallery\, New York © Richard Learoyd. \n  Save  
URL:https://artinamericaguide.com/event/richard-learoyd-curious/
LOCATION:Pace Gallery 57th Street\, 32 East 57th Street\, New York\, NY\, 10022\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Pace Gallery":MAILTO:info@pacegallery.com
GEO:40.7618922;-73.9720405
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Pace Gallery 57th Street 32 East 57th Street New York NY 10022 United States;X-APPLE-RADIUS=500;X-TITLE=32 East 57th Street:geo:-73.9720405,40.7618922
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190404
DTEND;VALUE=DATE:20190519
DTSTAMP:20260403T161701
CREATED:20190403T175025Z
LAST-MODIFIED:20190404T155504Z
UID:50713-1554336000-1558223999@artinamericaguide.com
SUMMARY:Natural History
DESCRIPTION:Alan Magee\, Natural History\, 1997\, acrylic and oil on panel\, 16 x 22 inches \nNew York\, NY – From April 4 to May 18\, 2019\, Forum Gallery presents Natural History\, an exhibition of paintings by Robert Bauer\, Linden Frederick\, Alan Magee\, Alyssa Monks\, Guillermo Muñoz Vera\, Brian Rutenberg and Stephanie Wilde. United by their interest in the complex and multi-layered content inherent in the objective imagery of their individual pasts\, each artist uses paint and canvas in a very different\, and very compelling way. \nRobert Bauer uses the language of portrait and landscape to convey the essential\, emotional response he has to past and present. The objectivity of observation unites with the sensitivity of expression in his highly developed and palpably personal paintings and drawings. \nLinden Frederick paints the iconic buildings of his upstate New York\, small-town upbringing. Tinged with nostalgia but always based in clear\, concise reality\, the paintings\, while specific\, seem to bring each viewer to his own memory and association. \nAlan Magee creates poetic compositions from natural and man-made objects whose history\, in his hands\, is palpable. Beginning with the premise that everything is what it seems and not what it seems\, Magee spins his subjects into seemingly simple\, marvelously complex\, peaceful\, contemplative paintings. \nAlyssa Monks places her sumptuous figures in the natural world\, often combining the verdant landscapes of her memory with the human body\, hers and others. The result is a harmonious integration of man and environment. \n\n\nGuillermo Muñoz Vera examines the world around him from the standpoint of his own history as a Chilean born\, naturalized Spaniard in terms of a larger study of human cultural and geopolitical history and its impact on our world today. \nBrian Rutenberg blends the colors and forms of the landscape of his native coastal Carolina with the excitement and passion of action-packed abstraction; the resulting image is uniquely his. \nStephanie Wilde\, who remains dedicated to environmental imperatives in her self-taught practice\, illuminates the inexorable role of nature to inspire woman’s pursuit of progress in her meticulous and fascinating mixed media works. \n### \nNatural History opens on Thursday\, April 4\, 2019 and will be on view through Saturday\, May 18\, 2019. \nForum Gallery is located at 475 Park Avenue at 57th Street\, New York\, NY 10022. Please visit forumgallery.com/exhibitions/natural-history to view the entire exhibition online. The exhibition begins on April 4\, 2019 and will be on view through May 18\, 2019. Forum Gallery is open Monday through Saturday\, 10am to 5:30pm. \nFor more information\, please contact Kevin Dao\, 212-355-4545; kevin@forumgallery.com \n\n  Save  
URL:https://artinamericaguide.com/event/natural-history/
LOCATION:Forum Gallery\, 475 Park Avenue\, New York\, NY\, 10022\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/Natural-History.jpg
ORGANIZER;CN="Forum Gallery":MAILTO:kevin@forumgallery.com
GEO:40.7619753;-73.9701328
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Forum Gallery 475 Park Avenue New York NY 10022 United States;X-APPLE-RADIUS=500;X-TITLE=475 Park Avenue:geo:-73.9701328,40.7619753
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190404
DTEND;VALUE=DATE:20190512
DTSTAMP:20260403T161701
CREATED:20190415T134138Z
LAST-MODIFIED:20190415T134138Z
UID:51132-1554336000-1557619199@artinamericaguide.com
SUMMARY:Donald Sultan | Mimosa\, PAINTINGS AND DRAWINGS
DESCRIPTION:Donald Sultan Mimosa\, PAINTINGS AND DRAWINGS April 4 – May 11\, 2019 Reception: Thursday\, April 4\, 6-8 pm RYAN LEE is pleased to announce Donald Sultan: Mimosa\, PAINTINGS AND DRAWINGS\, an exhibition of new work by the acclaimed artist. Inspired by a gift of mimosa blossoms he received from a friend in the South of France\, Sultan began using the structure of the mimosa plant to continue his interrogation of the space between abstraction and representation\, the organic and the industrial\, as well as the history of modern art. The exhibition includes large-scale drawings and monumental paintings\, ranging from four to eight feet wide\, respectively. This is the first exhibition of Sultan’s Mimosa paintings and the show will be accompanied by a catalogue. Sultan executed the paintings and drawings simultaneously\, and as a result they inform each other. Working out the density of charcoal and conte in the drawings first led Sultan to the paintings in which he uses roofing tar and enamel to create a richly textured surface. He continues his use of industrial materials\, such as Masonite and vinyl along with the tar and enamel\, to construct his paintings\, which in their scale\, heft\, and dimensionality\, are sculptural as well as architectural. Their exposed sides and edges reveal the process of their creation. Unlike prior series in which Sultan carved directly into the surface of the painting to generate his imagery\, in the Mimosas he builds up the surface through a series of layering techniques applied directly to the Masonite. In Mimosa June 14 2018\, a cascade of black and brown leaves washes across the eight-by-eight-foot Masonite surface. The range in depth and luminosity of the dark palette is the result of washing the tar with turpentine after its application—a technique Sultan borrowed from his groundbreaking Disaster paintings of the 1980s. Combining fluid gestural brushwork with the precision of stencils and decals\, Sultan creates a composition that is at once explosive and contained. Color plays an especially prominent role in these new works as exemplified by the lush green foliage in Mimosa With Orange and Green Oct 3 2018. In other paintings\, passages of light blue suggest the sundrenched skies of Southern France\, and Sultan’s mimosa blossoms range in color from dark blue\, to orange\, deep green\, and indigo. The circular forms that Sultan makes use of visualize the interconnectedness across the organic and artificial realms\, and link this new body of work to prior series\, such as the Morning Glories\, Buttons\, and Dominoes of the 1990s. The flattened discs have served as the center of a flower\, the holes in a button\, or in the case of the Mimosas\, an entire blossom. Sultan has said\, “the closer you work from reality the more abstract things can get.” In distilling the mimosa plant into the fundamental geometry of its leaves and blossoms\, it becomes something conceptual. It functions as a vehicle for the exploration of visual ideas— the “armature\,” as Sultan has called it\, for a “gestural thought of leaves in general.” \nDonald Sultan (b. 1951 Asheville\, NC) is an internationally recognized artist best known for elevating the still life tradition through the deconstruction of his subjects into basic forms as well as his use of industrial materials. He studied at the University of North Carolina\, Chapel Hill and later received his MFA from the School of the Art Institute\, Chicago. Sultan rose to prominence in the late 1970s as part of the “New Image” movement\, and his first solo exhibition was mounted in 1977 at Artists Space in New York. He has since exhibited worldwide in solo and group exhibitions\, including the Contemporary Arts Center\, Cincinnati; Corcoran Gallery of Art\, Washington\, DC; Gotlands KonstMuseum\, Sweden; Institute of Contemporary Art\, Tokyo; Los Angeles County Museum of Art; Memphis Brooks Museum\, Memphis; Museum of Modern Art\, New York; Musée d’art Contemporain\, Montreal; Nationalgalerie\, Berlin; Solomon R. Guggenheim Museum\, New York; and Whitney Museum of American Art\, New York. His work is included in the collections of the Art Institute of Chicago; British Museum\, London; Cincinnati Art Museum; Cleveland Art Museum; Dallas Museum of Fine Arts; Detroit Institute of Arts; Fogg Art Museum at Harvard University\, Cambridge; Hirshhorn Museum and Sculpture Garden\, Washington\, DC; Ludwig Museum\, Budapest; the Metropolitan Museum of Art\, New York; Museum of Contemporary Art\, Tokyo; Museum of Fine Arts\, Boston; Museum of Fine Arts\, Houston; Museum of Modern Art\, New York; National Gallery of Australia\, Canberra; Neuberger Museum at SUNY Purchase\, New York; San Francisco Museum of Modern Art; Singapore Museum of Art; the Solomon R. Guggenheim Museum\, New York; Tate Gallery\, London; and Walker Art Center\, Minneapolis. Sultan lives and works in New York City. For press inquiries\, please contact Rosalinda Gonzalez at rosalinda@ryanleegallery.com or (212)397-0742. \n  Save  
URL:https://artinamericaguide.com/event/donald-sultan-mimosa-paintings-and-drawings/
LOCATION:RYAN LEE\, 515 W 26th St\, 3rd Fl\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="RYAN LEE":MAILTO:info@ryanleegallery.com
GEO:40.7500935;-74.0036112
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190404
DTEND;VALUE=DATE:20190505
DTSTAMP:20260403T161701
CREATED:20190424T225015Z
LAST-MODIFIED:20190424T225015Z
UID:52100-1554336000-1557014399@artinamericaguide.com
SUMMARY:Céleste Boursier-Mougenot\, Liz Glynn\, Robert Grosvenor\, Justin Matherly\, Paul Pfeiffer
DESCRIPTION:Opening on April 4th\, 2019 is a group exhibition of major sculpture by Céleste Boursier-Mougenot\, Liz Glynn\, Robert Grosvenor\, Justin Matherly\, and Paul Pfeiffer\, each inhabiting a discrete part of the gallery. Encompassing a range of material and scale\, the works obscure the boundaries of familiar objects\, traditional narratives\, and normative modes. Using techniques of remaking\, rebroadcasting\, and repurposing\, the artists expose the underside of things presumed known. The exhibition will be on view through May 4th\, 2019 at 524 West 26th Street. There will be an opening reception on Thursday\, April 4th from 6 to 8pm. \nExtracting musical potential from the soundtrack of quotidian life\, Céleste Boursier-Mougenot’s index\, v.4 (2005/2009) consists of an unaccompanied Pleyel grand piano\, mysteriously playing without a pianist. Wired to a complex\, live feed\, the piano strikes notes based on a predetermined metric for translating data into pitch\, repetition\, and chord. Concretizing as music\, the piece renders enigmatic and affective the mundane functions of the everyday. Boursier-Mougenot states: “It is not a question of putting a sound object on display\, but rather to show the unfolding of a whole system.” \nLiz Glynn studies the ways in which cultural objects of the past embody or challenge values\, power dynamics\, and social systems. Originally conceived for her major exhibition at SculptureCenter\, Afterimage: Cuzco (Golden Maize)reexamines the Spanish conquest and cultural destruction of the Incan Empire—specifically the 1532 ransom of Incan emperor Atahualpa by Francisco Pizarro. Glynn’s golden corn stalks and maize act as literal and poetic surrogates for the massive sums of precious metals that Pizarro demanded as payment. Through their humble materials and imperfect artisanship\, Glynn’s reproductions question their own authenticity and ultimately the narratives that they denote.1 \nFor his recent sculpture Untitled (2018)\, Robert Grosvenorpresents a vehicular object standing upright in the center of a self-contained space. Illuminated from the rear\, the rectangular receptacle is left open on one end\, revealing a brilliant golden interior. Quietly and strangely punctuating the container\, the central structure asserts a matter-of-fact presence\, its cardinal red body reflecting the suffusive amber light. Resisting interpretation as both a discrete and holistic entity\, the work mines the tension between the familiar and the disaffiliated\, eluding semantic specificity. \nJustin Matherly’s works explore the recrudescence of his 2017 monumental presentation\, titled Nietzsche’s Rock—modeled after a pyramidal boulder in Switzerland\, where Friedrich Nietzsche first formulated his thought of Eternal Recurrence in 1881. For his new works\, Matherly recasts the fragmented molds from his public sculpture\, creating discrete pieces with richly varied surfaces—alternately luminous and alabastrine\, or fissured and stained with nuanced hues. Both spectral and material\, the enigmatic forms evoke Nietzsche’s explanation of Eternal Recurrence as “the heaviest weight\,” whispered by demons as they “steal into your loneliest of loneliness”—but conversely also as the path to supreme affirmation. \nFor Paul Pfeiffer’s new work from his Desiderata series\, the artist rebroadcasts televised excerpts from the American game show\, The Price is Right\, on two miniature screens. Through subtle\, digital manipulations\, Pfeiffer maroons its contestations within the stage set\, keying into their emotional vulnerability. Re-contextualized as a Seussical landscape of brash color and kaleidoscopic proportion\, the absurdity of the stage heightens the isolation of its participants and mirrors the unattainable folly of their consumer desires. Empty shelves and prefabricated props bear evidence of aging and wear\, underscoring a sense of manufactured and systematic false promise. \n\n\nMary Ceruti\, “Liz Glynn: RANSOM ROOM\,” exh. cat.\, SculptureCenter\, Long Island City\, NY (2014)\n\n\n  Save  
URL:https://artinamericaguide.com/event/celeste-boursier-mougenot-liz-glynn-robert-grosvenor-justin-matherly-paul-pfeiffer/
LOCATION:Paula Cooper Gallery\, 524\, 524 W 26th Street\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Paula Cooper Gallery":MAILTO:info@paulacoopergallery.com
GEO:40.7500545;-74.004138
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Paula Cooper Gallery 524 524 W 26th Street New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=524 W 26th Street:geo:-74.004138,40.7500545
END:VEVENT
END:VCALENDAR