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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260403T135553
DTEND;TZID=America/Halifax:20230107T180000
DTSTAMP:20260403T135553
CREATED:20230109T180703Z
LAST-MODIFIED:20230109T180703Z
UID:101329-0-1673114400@artinamericaguide.com
SUMMARY:Joanne Freeman: New York Conversation
DESCRIPTION:Kathryn Markel Fine Arts is thrilled to announce New York Conversation\, an upcoming exhibition of new work by Joanne Freeman. New York Conversation is Freeman’s third solo exhibition with the gallery. The show will be accompanied by a group show curated by Freeman titled Betty and Veronica. They will run concurrently from January 5th – February 11th\, 2023. \n  \n“New York Conversation references my studio process\, and metaphorically describes the random thoughts\, snippets of conversation\, lyrics and memories that ebb and flow over the course of a painting. Visual signs\, nostalgia and the emotional residue of color\, guide my aesthetic choices\,” Freeman says. While intuitive\, Freeman’s stencil-like forms and irregular hard-edge curves harken Modernism and minimalist sensibilities. This is heightened by a palette of saturated primary colors\, or monochromatic works.   “My paintings reference forms found in architecture and design\,” she says.  “I create compositions based on loose geometry and layered saturated colors. The hard edge process of cutting shapes and layering color onto treated raw linen\, recalls qualities of mid-century low-tech graphics\, color field painting and collage\,” she continues.  \n  \nThe forms are hard-edged while still breathy and organic.  The subtle transparencies at the edges of the forms and the contrast of the brushstrokes across the tooth of linen reveal the artist’s hand. “When applying oil paint to linen I try to accentuate the inherent qualities of both mediums\,” she says. “ I consider both the transparency and opacity of the colors\, how they abut and overlap\, and how they respond to the textured tooth of the linen.” She is mindful of each medium’s materiality when painting.  Her saturated colors in either gouache or oil paint are absorbed by the handmade paper or linen\, enhancing the modernist flatness of her forms and use of space. “My reductive abstract paintings are about the beauty of singular color\, the impact of pure abstract forms and the quiet order that cuts through the noise\,” Freeman says.  \n  \nJoanne Freeman has had solo exhibitions in galleries around the United States\, and shown at The Queens Museum\, Zillman Art Museum University of Maine\, The Painting Center\, and the Cape Cod Museum of Art. She’s a 2021 recipient of the Pollock-Krasner Foundation Grant\, and the Vice President of the American Abstract Artists organization. She has her M.A in Studio Art from New York University\, and lives and works in New York City. \n  Save  
URL:https://artinamericaguide.com/event/joanne-freeman-new-york-conversation/
LOCATION:Kathryn Markel Fine Arts\, 529 West 20th\, Suite 6W\, New York\, NY\, 10011\, United States
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ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
GEO:40.9365358;-72.3040792
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Kathryn Markel Fine Arts 529 West 20th Suite 6W New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=529 West 20th\, Suite 6W:geo:-72.3040792,40.9365358
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260403T135553
DTEND;TZID=America/Halifax:20230128T180000
DTSTAMP:20260403T135553
CREATED:20230109T180750Z
LAST-MODIFIED:20230109T180750Z
UID:101313-0-1674928800@artinamericaguide.com
SUMMARY:2023 Winter Juried Exhibitions
DESCRIPTION:BLUE MOUNTAIN GALLERY is pleased to present the work of 47 artists\, 51 pieces of artwork\, selected by Eric Holzman for this year’s winter juried exhibition. The artists\, drawn from over two hundred applicants from across the country\, work in a wide range of media\, including oil\, acrylic\, pastel\, gouache\, photography and mixed media.  \n​Heidi Alamanda \, Marilyn Allen\, Hilary Houston Bachelder\, James Baker\, Nina Kardon Baran\, Bob Barnett\, Raymond Berry\, Leslie Blackmon\, Pam Bowers\, Nancy Breakstone\, Karina Cavat\, Audrey Cohn-Ganz\, Elizabeth Courtney\, Anne Delaney\, Stephanie DeManuelle\, Kiran K Dhaliwal\, Janine Dunn Wade\, Melanie Essex\, Tom Fitzharris\, Meghan Fleming\, Nancy Granda\, Theresa Heidig Rooney\, Teresa Jade Jarzynski\, Moishe Kampin\, Sam Kelly\, Michele King\, Laura Levine\, Pattie Lipman\, Aaron Lubrick\, Manuel Alejandro Macarrulla\, James McKenna\, Elizabeth Meyersohn\, Mark. Milroy\, Blake Morgan\, Arnaldo J Rivera Rivera\, Gail Rodney\, Rebecca Gray Rolke\, Roxy Rubell\, Alyssa Schmidt\, Abbey Stace\, Leslie Ross Stephens\, Yuri Tayshete\, Preston Trombly\, Laura Vahlberg\, Ekaterina Vanovskaya\, Aidan White and Lenore Wolf. \n​Juror ERIC HOLZMAN has been painting and searching for connection in nature and other representational genres all his life. He is a romantic and a classicist who looks into the inner nature of things and tries to walk “The Beauty Way.” He was educated at Tyler School of Art\, Yale\, Skowhegan and the New York Studio School. Eric has taught at Pratt\, the New York Studio School\, and Bard College among others. He is a National Academician and has exhibited twice at the American Academy\, winning awards from both institutions.  Eric has also shown work at Lori Bookstein\, Tibor de Nagy\, Sideshow and Artist Equity\, all in NYC\, and at Gremillion Fine Art and Ellio Fine Art in Houston\, Texas. He has received many honors\, including grants and fellowships from the Guggenheim Foundation\, the NEA\, the Pollock Krasner Foundation\, the Gottlieb Foundation and the Louis Comfort Tiffany Foundation. Website: www.ericholzman.com \n\n  Save  
URL:https://artinamericaguide.com/event/2023-winter-juried-exhibitions/
LOCATION:Blue Mountain Gallery\, 547 W 27th St\, Suite 200\, New York\, NY\, 10001\, United States
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ORGANIZER;CN="Blue Mountan Gallery":MAILTO:info@bluemountaingallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T135553
DTEND;TZID=America/New_York:20250920T170000
DTSTAMP:20260403T135553
CREATED:20250722T184747Z
LAST-MODIFIED:20250722T184747Z
UID:114023-0-1758387600@artinamericaguide.com
SUMMARY:August-September @ Art Works!
DESCRIPTION:Throughout August Art Works is open to the public\, offering a variety of engaging exhibits. Adam and Anita Bradley present life-size figurative sculptures and paintings capturing a chaotic world. Mike Bily’s exhibit investigates ecosystems; Sharon Denmark captures light flowing through glass. Rachel Rowden exhibit is a portal of mysteries and Rebecca Visger provides a view from behind the wheel. Blake Bottoms exhibit is featured in the Community Bridge Project. \n  \nJoin us for a fun-filled scavenger hunt with prizes\, perfect for both the young and the young at heart. The activity culminates with prizes for all who participate. We also offer figure drawing sessions on the 1st and 3rd Sundays and Queer Life Drawing at Gold Lion Community Café on August 20th.  \n  \nBradley + Bradley: The Weight of Vanishing Shadows \nAdam and Anita Bradley explore the human condition through their unique mediums. Adam presents life-sized figurative sculptures in wood\, steel\, ceramics\, and smaller bronze pieces\, reflecting themes of anxiety\, loss\, and grief. Anita complements this with layered paintings and mixed media collages\, capturing the struggle for order in a chaotic world. Their intertwined approaches invite contemplation of deep human experiences. \n  \nThe exhibition will be in the Jane Sandelin Gallery at Art Works and will continue through September 20\, 2025. \n  \n  \nArtifacts by Anne Chamblin \nAnne Chamblin’s work is about merging sight and feeling. For her\, painting is a way to process what she experiences. She brings spaces\, places\, and faces to life on canvas\, turning bodies into landscapes and using layers to hint at the passage of time. Anne constantly reworks her paintings\, always keeping a bit of the past to shape the present. Her journey is grounded in everyday experiences\, resulting in unique\, relatable art. \n  \nThe exhibit will be in the Centre Gallery at Art Works through September 20\, 2025. \n  \n  \n  \n  \n  \nBetween Worlds by Hannah Anderson \n  \nAmerican abstract artist Hannah Anderson (b. 1953)\, raised in the simplicity of a Quaker household\, rediscovered her love for painting in 1990 with a Crayon watercolor set. Self-taught and inspired by contemporary artists\, her work reflects the light and dark periods of her life\, blending elements of nature and archetypal symbols from healing traditions. Her debut exhibit\, Between Worlds\, explores the liminal space between worlds and relationships. Hannah resides in Richmond\, Virginia\, and finds inspiration in Taos\, New Mexico. \n  \nThe exhibit will be in the Corner Gallery at Art Works through September 20\, 2025. \n  \n\nMental Health Matters: Celebrating Resilience Through Art All Media Show\nThis exhibit is a focal point of all Art Works’ openings. It is a juried show with cash prizes for 1st\, 2nd and 3rd place. The show is open to all artists and all mediums. \n  \nIn August the theme is Mental Health Matters: Celebrating Resilience Through Art. The community has donated terrific items that we will be auctioning to benefit NAMI\, and Art Works will donate the sales from the All Media Show to NAMI. \nWonJung Choi an international artist and educator\, will be the juror for the exhibit. Wonjung Choi is a Korean-born\, Virginia-based artist whose multidisciplinary work delves into the complexities of identity formation in a globalized world. See more on WonJung’s website: Click here. \n  \nCall for entries is July 15  – August 10\, 2025\, and may be submitted through the online form. The exhibit will be in the Port Gallery at Art Works through September 18\, 2025. Check our website for details on submitting artwork:  Call for Entries \n  Save  
URL:https://artinamericaguide.com/event/august-september-art-works-2/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
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ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T135553
DTEND;TZID=America/New_York:20250926T200000
DTSTAMP:20260403T135553
CREATED:20250903T144946Z
LAST-MODIFIED:20250903T144946Z
UID:114439-0-1758916800@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Opening Reception @ Art Works!
DESCRIPTION:4th Friday September 26th at Art Works \n  \nJoin us on September 26\, 2025 from 6 p.m. to 8 p.m. for an exciting opening reception of our new exhibits at Art Works. Meet the talented artists\, and enjoy live music\, refreshments\, and libations sponsored by RVA Thriving Artists.  The featured artists are Adam Reinhart\, Jen Cook-Asaro\, Sarah Miller\, Tatiana Grace\, Kenneth Lee\, and experiment with interactive art by RVA Game Jams. \n  \nThis event is free and open to the public. Convenient and free parking is available. The exhibits will continue through October 18\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-opening-reception-art-works-56/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/PR-2025.09-Game-Jam-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T135553
DTEND;TZID=America/New_York:20250927T180000
DTSTAMP:20260403T135553
CREATED:20250811T200044Z
LAST-MODIFIED:20250811T200044Z
UID:114212-0-1758996000@artinamericaguide.com
SUMMARY:Heather Stivison\, “Ebb & Flow”\, a Solo Exhibition
DESCRIPTION:In this her third New York City solo exhibition\, Heather Stivison explores the intersection of environmental science and visual art with a series of immersive paintings of the ocean. \nStivison paintings capture the essence of water—something clear and colorless\, with its shape formed entirely by the external forces of objects\, land\, wind\, gravity. Searching for water’s most primary qualities\, she uses light\, color\, form\, shape\, line\, to engender a sense of water. Fluidity\, reflections\, rhythms are evident in her ocean surface paintings. Stivison is fascinated by the reflections and patterns created by the coastal ocean surface. She paints variations on patterns\, exploring how much she can change them and still maintain the sense that the subject is surface water. \nCurator and director of Manhattan Arts International Renee Phillips writes: \n“Stivison ventures beyond nature’s physical boundaries into abstraction with the profusion of free-flowing biomorphic patterns and tonal ranges. In her paintings the innate attributes of water evolve into metaphors\, symbolism and visual poetry.” \nThe exhibition includes a massive 110-inch quadriptych that explores the sense of weightlessness and mystery that she finds in the imagining unknown ocean depths. Other paintings explore surface water patterns as abstract design. \nIndependent curator Kathy Imlay writes: \n“Stivison’s paintings have a luminous glow—accomplished by the artist building up layer upon layer of viscous paint\, which she pours\, smears\, scrapes and otherwise manipulates to create fields of color that conjure the watery depths of the ocean or intergalactic space\, depending on the palette.” \nSome of the paintings on view are the result of her multi-year\, grant funded collaboration with Noah Germolus\, a scientist at Woods Hole Oceanographic Institute who was researching ocean chemistry. Stivison created two paintings about him and his work\, and four five-foot paintings that interpret his research data in paint. \nThe collaboration led to a unique special feature of this exhibition. After Stivison interpreted his data in paint\, he in turn\, interpreted four of her paintings in music. The exhibition includes an on-demand sound installation of original jazz music composed and performed by Germolus. \n  Save  
URL:https://artinamericaguide.com/event/heather-stivison-ebb-flow-a-solo-exhibition/
LOCATION:Pleiades Gallery\, 547 W 27th St. Suite 304\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/stivison-heather_Coastal-Surface-Community_48x60_Oil-over-Acrylic-on-Canvas.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T135553
DTEND;TZID=America/New_York:20251018T170000
DTSTAMP:20260403T135553
CREATED:20250903T144946Z
LAST-MODIFIED:20250903T144946Z
UID:114443-0-1760806800@artinamericaguide.com
SUMMARY:September - October Exhibits @ Art Works!
DESCRIPTION:Now showing six new exhibits. The featured artists are Adam Reinhart\, Jen Cook-Asaro\, Sarah Miller\, Tatiana Grace\, Kenneth Lee\, and experiment with interactive art by RVA Game Jams. Also see 80+ working artist studios. \nVisit us Tuesdays through Sundays 11am- 5pm. Admission is free and open to the public. Convenient and free parking is available. The exhibits will continue through October 18\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/september-october-exhibits-art-works-4/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/PR-2025.09-Game-Jam-1-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T135553
DTEND;TZID=America/New_York:20251122T170000
DTSTAMP:20260403T135553
CREATED:20250908T192551Z
LAST-MODIFIED:20250908T192551Z
UID:114572-0-1763830800@artinamericaguide.com
SUMMARY:October - November Exhibits @ Art Works!
DESCRIPTION:Now showing six new exhibits. The featured artists are Blake Seals\, Felicia L. Reed\, Adam Reinhard\, Sorvino\, and Tobi Holtslag. Also see 80+ working artist studios. \nVisit us Tuesdays through Sundays 11am- 5pm. Admission is free and open to the public. Convenient and free parking is available. The exhibits will continue through November 22nd 2025. \n  Save  
URL:https://artinamericaguide.com/event/october-november-exhibits-art-works-5/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/09/PR-2025.10-Chris-Semtner-3-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:jessie@artworksrva.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T135553
DTEND;TZID=America/New_York:20260221T180000
DTSTAMP:20260403T135553
CREATED:20260120T172859Z
LAST-MODIFIED:20260120T172859Z
UID:115685-0-1771696800@artinamericaguide.com
SUMMARY:Robert Braczyk: Cardinal Directions
DESCRIPTION:Exhibition Dates: January 27 – February 21\, 2026\nOpening Reception: Thurs.\, January 29\, 2026\, 5PM-8PM\nArtist Talk: Saturday\, February 14\, 2026\, 3PM-4PM\nGallery Hours: Tuesday – Saturday\, 11AM-6PM \nBowery Gallery is pleased to present “Cardinal Directions\,” an exhibition of new sculpture by Robert Braczyk.  \nFor many years a prize-winning figurative sculptor\, in recent years Braczyk has turned to abstraction. In his new work—most about 24 inches high—he assembles various tree elements into vertical compositions that echo figural forms\, but whose abstract vocabulary of open volumes and discontinuous contours suggests the possibility of multiple allusions. Each work evinces a powerful spatial tension between the cardinal point from which it is begun and the complex three-dimensional image that Braczyk builds with primary thrust\, axis\, and meridian.  \nBraczyk’s trajectory from figure to abstract figure may be seen as a temporal through line connecting the events of a life. The artist’s comment that he brings all his life’s experiences into the studio reminds us that in the long arc of his career\, the spatial and temporal are never far apart. \nView the exhibition website. \n  \nBowery Gallery\n547 W. 27th Street\, Suite 508\nNew York\, NY 10001 \n  Save  
URL:https://artinamericaguide.com/event/robert-braczyk-cardinal-directions/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
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ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20121022
DTEND;VALUE=DATE:20220101
DTSTAMP:20260403T135553
CREATED:20210527T152347Z
LAST-MODIFIED:20210527T152507Z
UID:81363-1350864000-1640995199@artinamericaguide.com
SUMMARY:LEO VILLAREAL: COSMOS
DESCRIPTION:An homage to the late Cornell astronomy professor Carl Sagan\, Cosmos is a site-specific installation by New York–based artist Leo Villareal (born 1967)\, a pioneer in the use of light-emitting diodes (LEDs) and computer-driven imagery. His signature pieces explore complex movement and dazzling patterns created by points of light using his own computer software. \n \nVillareal – Cosmos – Johnson Museum – Cornell final from Walter Patrick Smith\, AIA LEED A on Vimeo. \nPlanning for Cosmos began in November 2010\, when Villareal—along with the project architect\, Walter Smith\, and donors Lisa and Richard Baker—worked with Johnson Museum staff to determine the optimal location for the installation. The ceiling of the Sherry and Joel Mallin Sculpture Court was chosen for its high visibility not only on campus but also from the city of Ithaca. After studying the Museum’s architectural plans and considering structural and aesthetic aspects of the installation\, the artist’s team returned to Cornell in April 2012 to install a nine-foot-square mock-up. Installation of the final piece took several weeks\, with twelve thousand energy-efficient LEDs on a gridded framework attached to the ceiling of the sculpture court. A zero gravity bench was designed by the artist for viewers to fully immerse themselves in the viewing experience and to foster a more communal involvement with his installation. Villareal gave a public lecture to mark the opening of the installation. \nVillareal’s works reinterpret fundamental components of such twentieth-century art movements as pop\, minimalism\, conceptual\, and post-painterly abstraction while responding to the ingenuity and imagination that defines technology in the twenty-first century. Among his most notable site-specific works are the illumination of the exterior of the Brooklyn Academy of Music (2006)\, Multiverse in the Concourse walkway between the East and West Buildings at the National Gallery of Art (2008)\, and Sky at the Tampa Museum of Art (2009). His largest installation to date is The Bay Lights\, illuminating the West Span of the San Francisco Bay Bridge for its 75th anniversary in 2013. \nAndrea Inselmann\nCurator of Modern and Contemporary Art \n\nImage:\nLeo Villareal\nCosmos\, 2012\nWhite LED Lights\, custom software\, and electrical hardware; site-specific installation.\nAcquired through the generosity of Richard Baker\, Class of 1988\, and Lisa Baker.\n2012.056\nPhoto: James Ewing \n\n  Save  
URL:https://artinamericaguide.com/event/leo-villareal-cosmos/
LOCATION:Herbert F. Johnson Museum of Art\, Cornell University\, 114 Central Avenue\, Cornell University\, Ithaca\, NY\, 14853\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190919
DTEND;VALUE=DATE:20210920
DTSTAMP:20260403T135553
CREATED:20190919T155936Z
LAST-MODIFIED:20200722T160048Z
UID:59826-1568851200-1632095999@artinamericaguide.com
SUMMARY:Heritage of the West: Charles M. Russell
DESCRIPTION:Charles Russell was one of the great painters of the American West. With little formal training but much firsthand experience of his subject\, he captured the western landscape in all of its wild and nostalgic moments. \nIn 1880\, when he was only 16\, Russell went to Montana for the first time to work on a family friend’s ranch. Ranch life was not for Russell\, but he would stay in Montana for two years working for a hunter and trapper. \nHe began to draw and paint animals at this time and learned a great deal about their anatomy. In 1882\, he went to work as a night herder for a group of cowboys called the Judith Basin Roundup\, and on and off for the next 11 years he would work watching cattle by night and painting during the day. \n\nIn 1888\, Russell returned to St. Louis for a short time and submitted some of his art to Harpers Weekly\, where it was published. His work had become very popular in the Montana territory\, and he began to sell pieces and take commissions for works when he returned. \nWith the advent of the railroad to Montana\, the territory became more civilized\, and Russell mostly gave up cowboy life in order to become a full time painter of the life he had known in the West that was now slowly fading. \n\nImage: Charles M. Russell\, Smoking Cattle out of the Breaks\, 1912. Oil on canvas\, 30 1/4 x 33 inches. Wichita Art Museum\, M.C. Naftzger Collection \n  Save  
URL:https://artinamericaguide.com/event/heritage-of-the-west-charles-m-russell/
LOCATION:Wichita Art Museum\, 1400 West Museum Boulevard\, Wichita\, KS\, 67203\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Wichita Art Museum":MAILTO:pr@wichitaartmuseum.org
GEO:37.6949375;-97.3561859
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Wichita Art Museum 1400 West Museum Boulevard Wichita KS 67203 United States;X-APPLE-RADIUS=500;X-TITLE=1400 West Museum Boulevard:geo:-97.3561859,37.6949375
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190919
DTEND;VALUE=DATE:20210920
DTSTAMP:20260403T135554
CREATED:20190919T195116Z
LAST-MODIFIED:20190926T161526Z
UID:59865-1568851200-1632095999@artinamericaguide.com
SUMMARY:Pre-Columbian Art and Artifacts from the Museum’s Collection
DESCRIPTION:Wichita Art Museum’s unique collection of Pre-Columbian art and artifacts was collected by Haig Kurdian between 1954-1959 during expeditions into Mexico and Costa Rica. The collection is mostly pottery\, a few pieces of metal\, carved shells\, and precious stones. \nIn Mesoamerican culture\, pottery was appreciated as an artistic medium–a way people could express emotions and ideas–not solely as a utilitarian material. To make ceramic art\, these ancient peoples gathered clay from local sources and formed shapes using only their hands by pinching or coiling the clay. After shaping the objects\, they were placed in very hot\, open fires and baked until hard. \n“I particularly love that tripod bowl\, from Teotihuacan\, with the square legs. It’s a superb\, beautiful piece. To think that someone made that\, not on a potter’s wheel\, but by piling up coils of clay\, then working it and firing it. And it’s survived at least 2\,500 years. The other tripod bowl I love represents a squash and has parrot legs. That one is from Colima\,” Kurdian said. \n\nThe artifacts originated from various locations in Mexico including Colima\, Veracruz\, Valley of Mexico\, Oaxaca\, Michoacán\, and Guerrero. The collection includes artifacts from Costa Rica: including Atlantic Watershed\, Guanacaste-Nicoya Zone\, and the Diquis Zone. The objects date from 1000 B.C. to 1450 A.D. \nThe collection was given to the Wichita Art Museum by Haig\, Rima\, and Gregory Kurdian in 1977. Then in 1986\, Louise and S.O. Beren offered the Wichita Art Museum a selection of artifacts\, they had earlier received from Haig’s expeditions. \n\nImage: Mexican (Teotihuacan)\, Cylinder Tripod Vessel\, about 450-600 B.C. Terra cotta\, 7 x 6 1/2 inches. Wichita Art Museum\, Gift of Haig\, Rima\, and Gregory Kurdian \n  Save  
URL:https://artinamericaguide.com/event/pre-columbian-art-and-artifacts-from-the-museums-collection/
LOCATION:Wichita Art Museum\, 1400 West Museum Boulevard\, Wichita\, KS\, 67203\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Wichita Art Museum":MAILTO:pr@wichitaartmuseum.org
GEO:37.6949375;-97.3561859
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Wichita Art Museum 1400 West Museum Boulevard Wichita KS 67203 United States;X-APPLE-RADIUS=500;X-TITLE=1400 West Museum Boulevard:geo:-97.3561859,37.6949375
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190919
DTEND;VALUE=DATE:20210920
DTSTAMP:20260403T135554
CREATED:20190919T195153Z
LAST-MODIFIED:20190926T161925Z
UID:59861-1568851200-1632095999@artinamericaguide.com
SUMMARY:An American Salon: 19th-century Paintings from the Wichita Art Museum’s Permanent Collection
DESCRIPTION:The term salon style derives from the exhibition of the French Royal Academy of Painting and Sculpture\, which began in 1667 in Paris. \n\nIn order to display work by all the Academy’s students\, the paintings were hung as close as possible from floor to ceiling. In the nineteenth century\, this salon-style hanging became increasingly popular across Europe and in the United States. The gallery has been transformed into an American salon featuring remarkable 19th-century paintings from the museum’s permanent collection. \n\nImage: Titian Ramsay Peale\, Ruffled Grouse in a Landscape\, 1873. Oil on canvas\, 16 x 22 inches. Wichita Art Museum\, Museum purchase\, Wichita Art Museum Members Foundation \n  Save  
URL:https://artinamericaguide.com/event/an-american-salon-19th-century-paintings-from-the-wichita-art-museums-permanent-collection/
LOCATION:Wichita Art Museum\, 1400 West Museum Boulevard\, Wichita\, KS\, 67203\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Wichita Art Museum":MAILTO:pr@wichitaartmuseum.org
GEO:37.6949375;-97.3561859
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Wichita Art Museum 1400 West Museum Boulevard Wichita KS 67203 United States;X-APPLE-RADIUS=500;X-TITLE=1400 West Museum Boulevard:geo:-97.3561859,37.6949375
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190919
DTEND;VALUE=DATE:20210922
DTSTAMP:20260403T135554
CREATED:20190919T155958Z
LAST-MODIFIED:20190926T161719Z
UID:59841-1568851200-1632268799@artinamericaguide.com
SUMMARY:No Idle Hands: Treasures from the Americana Collection at the Wichita Art Museum
DESCRIPTION:No Idle Hands gives museum visitors a chance to view the art and artifacts that reflect daily life in America’s early history. The exhibition features highlights from WAM’s newly acquired collection of more than 450 works of American folk art\, including some of the best furniture\, samplers\, hunting decoys and lures\, and corner store paraphernalia from the new collection. \nIt tells the story of America’s past while also foregrounding the beautiful materials and craftsmanship of many of these objects. \nWichita Art Museum’s curatorial staff organized the exhibition with local architect Dean Bradley\, of Platt\, Bradley\, Adams\, and Associates. As a specialist in residential architecture with a personal passion for history and preservation who also serves on the board of The Wichita-Sedgwick County Historical Museum\, Bradley designed a gallery installation evoking the stores and homes in which the works were originally used and cherished. Shop signs–including iconic striped barber poles–conjure up an image of Main Street. Portraits\, toys\, and miniatures–small\, hand-held portraits sometimes worn as jewelry–reference the life of the family and home. Each object–some rare and precious and others common fare—tells the story of the changes and continuities of daily life in America over the last 200 years. \n  Save  
URL:https://artinamericaguide.com/event/no-idle-hands-treasures-from-the-americana-collection-at-the-wichita-art-museum/
LOCATION:Wichita Art Museum\, 1400 West Museum Boulevard\, Wichita\, KS\, 67203\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Wichita Art Museum":MAILTO:pr@wichitaartmuseum.org
GEO:37.6949375;-97.3561859
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Wichita Art Museum 1400 West Museum Boulevard Wichita KS 67203 United States;X-APPLE-RADIUS=500;X-TITLE=1400 West Museum Boulevard:geo:-97.3561859,37.6949375
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190919T100000
DTEND;TZID=America/Halifax:20210919T170000
DTSTAMP:20260403T135554
CREATED:20190919T195137Z
LAST-MODIFIED:20200716T190252Z
UID:59863-1568887200-1632070800@artinamericaguide.com
SUMMARY:Catching Light: Selections from the Wichita Art Museum's Burnstein Collection
DESCRIPTION:Dr. Robert Burnstein\, a Detroit psychiatrist\, began collecting glass in the 1980s. He was attracted to American glass of the 19th and 20th centuries because\, as he stated\, “it was a time when handcrafted expertise and precision craftsmanship were the benchmarks of the American glass industry.” \nSoon he came to find that among American companies\, the glass produced by Steuben was unsurpassed in quality\, color intensity\, and breadth of design. \nTherefore\, he focused his collecting first on Steuben\, then on candlesticks in particular. He concentrated on candlesticks given their elegance of design and great variety of their colors and decorative techniques. Dr. Burnstein has presented his collection in honor of his parents\, Donald and Arlene Burnstein. \n  \nImage: Pairpoint Glass\, Candlestick (one of a pair)\, about 1920-1925. Blown glass\, 10 1/16 x 5 3/16 inches. Wichita Art Museum\, Gift of Robert S. Burnstein \n  Save  
URL:https://artinamericaguide.com/event/catching-light-selections-from-the-wichita-art-museums-burnstein-collection/
LOCATION:Wichita Art Museum\, 1400 West Museum Boulevard\, Wichita\, KS\, 67203\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/09/pairpoint_candlestick_blue.jpg
ORGANIZER;CN="Wichita Art Museum":MAILTO:pr@wichitaartmuseum.org
GEO:37.6949375;-97.3561859
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Wichita Art Museum 1400 West Museum Boulevard Wichita KS 67203 United States;X-APPLE-RADIUS=500;X-TITLE=1400 West Museum Boulevard:geo:-97.3561859,37.6949375
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210122T080000
DTEND;TZID=America/Halifax:20211031T170000
DTSTAMP:20260403T135554
CREATED:20210201T044953Z
LAST-MODIFIED:20210201T044953Z
UID:79765-1611302400-1635699600@artinamericaguide.com
SUMMARY:The Universe Makers- A Virtual Group Show Curated by Dominique Nahas
DESCRIPTION:Bassmi Ibrahim\, Victoria Lowe\, Anne Marchand\, Dellamarie Parrilli\, and John Lyon Paul are our universe-makers. To place their highly differentiated abstract aesthetic visions together so that they seem to react and inspire each other reminds me that this exhibition of visual persuasions is perhaps like visual chamber music of individual voices\, heard collectively. These individual voices\, passionately unique\, create indelible experiences for the beholder.- Dominique Nahas\, Curator \n  Save  
URL:https://artinamericaguide.com/event/the-universe-makers-a-virtual-group-show-curated-by-dominique-nahas/
LOCATION:Cross Contemporary Partners
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/01/FINAL-for-email-Universe-makers-SMALL.jpg
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210130T130000
DTEND;TZID=America/Halifax:20211031T170000
DTSTAMP:20260403T135554
CREATED:20210201T045021Z
LAST-MODIFIED:20210201T045021Z
UID:79769-1612011600-1635699600@artinamericaguide.com
SUMMARY:Susan Sommer: Plein Air Abstraction
DESCRIPTION:Susan Sommer has a distinct view of the rhythms of nature. Working in one of the more rustic areas of Upstate New York\, she sees the changing seasons and accompanying movements of indigenous species as a constant reminder that nature is the ultimate bringer of stability and change. Instead of making accurate representations\, Sommer sees these fascinating facilities as a jumping-off point to dig deep into the shadows and light. Each and every part of our natural environment can be broken down into a symbiotic network of plants\, animals\, and climate\, but how does one express that with pure light and color. Sommer achieves this elusive outcome with cousin shapes\, complementary hues\, and cohesive compositions that relay holistic harmony to its host of inhabitants.\n– D. Dominick Lombardi \nVisit the exhibition here: http://bit.ly/ccpssommervg \n  Save  
URL:https://artinamericaguide.com/event/susan-sommer-plein-air-abstraction/
LOCATION:Cross Contemporary Partners
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2021/01/Screen-Shot-2021-01-27-at-2.32.16-PM-1.png
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210226T110000
DTEND;TZID=America/Halifax:20210829T170000
DTSTAMP:20260403T135554
CREATED:20200902T165914Z
LAST-MODIFIED:20200902T165914Z
UID:75926-1614337200-1630256400@artinamericaguide.com
SUMMARY:Future Retrieval: Katie Parker & Guy Michael Davis
DESCRIPTION:Future Retrieval\, the studio collaboration of Cincinnati-based artists Katie Parker and Guy Michael Davis\, appropriates imagery and forms from historical objects to create new art that bears meaning in our twenty-first century world. Their practice is rooted in ceramic art\, but also incorporates a diverse mix of media and techniques combine age-old methods with new technologies. This exhibition will take over two museum galleries as project spaces that look back at the past and move into the future by unconventionally responding to objects “borrow” from the museum’s decorative art and design collection. In pairing their own work with objects from the museum’s collection\, the artists will create an environment and experience that encourage visitors to consider of reconsider aspects of the museum’s historical collections and practices in a new light. \n  Save  
URL:https://artinamericaguide.com/event/future-retrieval-katie-parker-guy-michael-davis/
LOCATION:Cincinnati Art Museum\, 953 Eden Park Dr\, Cincinnati\, OH\, 45202\, United States
CATEGORIES:Exhibition
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GEO:39.1139763;-84.496859
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cincinnati Art Museum 953 Eden Park Dr Cincinnati OH 45202 United States;X-APPLE-RADIUS=500;X-TITLE=953 Eden Park Dr:geo:-84.496859,39.1139763
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210308T080000
DTEND;TZID=America/Halifax:20210831T170000
DTSTAMP:20260403T135554
CREATED:20210309T205446Z
LAST-MODIFIED:20210309T205446Z
UID:80331-1615190400-1630429200@artinamericaguide.com
SUMMARY:Real Abstraction: 5 Painters Beyond the Picture
DESCRIPTION:Five painters- who happen to be women- are curated by Peter Frank in this special virtual art exhibition. Real Abstraction: Five Painters Beyond the Picture asks the questions: “Can we see past what we see? Can we see more than we see? Can we see in a way that not only reveals what we haven’t been seeing\, but has us see a whole different reality?” Featuring the latest work by Sarah Hinckley\, Francie Lyshak\, Susan Sommer\, Francine Tint and Gail Hillow Watkins.\nVisit this online exhibition with the illusion of 20 foot high ceilings and over 250 linear feet of gallery space here: https://bit.ly/ccpreab5 \n  Save  
URL:https://artinamericaguide.com/event/real-abstraction-5-painters-beyond-the-picture/
LOCATION:Cross Contemporary Partners
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2021/03/REAL-ABSTRACTION-small.png
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210309T080000
DTEND;TZID=America/Halifax:20210906T170000
DTSTAMP:20260403T135554
CREATED:20210728T163037Z
LAST-MODIFIED:20210728T163037Z
UID:83705-1615276800-1630947600@artinamericaguide.com
SUMMARY:Lynn Kotula: A Clear Vision
DESCRIPTION:Lynn Kotula 1945-2021\nA Clear Vision\nMarch 9 – April 10\, 2021\nView Bowery Gallery’s Lynn Kotula: A Clear Vision show blog here: https://bowerygallery.wordpress.com/2021/03/06/lynn-kotula-a-clear-vision/\nView the virtual show here: http://www.bowerygallery.org/lynnkotula.html \nLynn Kotula creates a kind of magic that is simultaneously quiet and robust. Completely lacking in pretense or artifice\, her paintings are built on acute sensitivity\, keen analysis\, and deep love for the experience of seeing. They are richly rewarding for those who take the time to look slowly\, allowing each painting to unfold. The online viewer is well-served to refrain from the rapid clicking and scrolling that characterizes so much contemporary experience. As one looks at Kotula’s paintings\, her lemons\, squash and eggplants\, in their various careful arrangements\, take on multiple meanings. The vegetables and kitchen implements become characters\, as if on a stage\, suggesting the possible varieties of human connection. \nKotula’s work is very much admired by her fellow artists:\nA lemon painted by Lynn Kotula is proof that art exists. One can literally count the four or five clear internal tones set against a modest array of equally clear surrounding tones….Notes of color [are] brought alive. —Thaddeus Raddell\, review of “Rooms With a View: Seven Artists at Westbeth Gallery” \n[Kotula] finds a deeper reality in vital forms. Minuets between fruit\, vegetables and tableware capture the interior lives of these ostensibly inanimate objects. —John Goodrich\, review of Kotula’s 2012 Bowery show\, “Animated Conversations” \nKotula’s still life paintings exude a serene beauty that comes from humble searching. One marvels at the light in her nuanced grays….Visually\, the marks come alive describing her love of them and the sheer joy of looking.” —Rita Baragona\, notes on painting \n[Kotula’s] luminous\, intelligent paintings project deep and quiet\, beautiful strength. [They are] gems\, records of her observation\, imagination\, and love. —Kamini Avril\, on Kotula’s painting  \nKotula exhibited regularly at Bowery Gallery since 2012\, and previously at Prince Street Gallery. She also exhibited numerous times with the Zeuxis group.. Kotula’s work has also been shown at Lori Bookstein Fine Art\, Lohin Geduld Gallery\, BCK Fine Arts Gallery (Montauk) and The Painting Center\, among other galleries. \nWorks in this exhibit are not for sale at this time. Sales\, however\, will be considered at a future point. Please direct inquiries to Gallery Manager\, info@bowerygallery.org \n  Save  
URL:https://artinamericaguide.com/event/lynn-kotula-a-clear-vision/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Virtual Events + Viewing Rooms
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ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bowery Gallery 547 W 27TH ST Suite 508 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=547 W 27TH ST Suite 508:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210327
DTEND;VALUE=DATE:20210920
DTSTAMP:20260403T135554
CREATED:20210527T143459Z
LAST-MODIFIED:20210604T145832Z
UID:81357-1616803200-1632095999@artinamericaguide.com
SUMMARY:Eternal Recurrence
DESCRIPTION:In this extensive exhibition\, the works of Jóhannes S. Kjarval (1885-1972) create a thread which connects different periods in time. His art is displayed along with the works of artists who have been prominent on the Icelandic art scene in recent years. \nShortly after Kjarval’s death\, art historian Björn Th. Björnsson (1922-2007) wrote an article where he discusses Kjarval’s contribution to Icelandic art history and says that his work is “never bound to one particular time\, but always contains renascent memories.” This shows the great respect which Icelanders have had for Kjarval’s art\, but also the fact that at any given time\, the viewers bring their own experience and attitude to the viewing. Kjarval’s influence is unquestionable\, and in the exhibition\, the spotlight is on his influence on Icelandic artists. This can manifest in many different ways; be obvious and decisive or appear in a more ambiguous way and without intent. \nKjarval’s most common and beloved subject was Icelandic nature and landscape\, but he also painted many portraits and fantasy images where creatures and figures emerge\, and various nature phenomena are personified. The artworks on display here are created in diverse media\, expressing different approaches to these subjects. \nKjarval plays a large role in the history of Icelandic art and culture\, and he has been a role model and inspiration for generations of artists. His persona and life’s work surrounds us\, for good reason. Kjarval’s work is preserved and examined at Reykjavík Art Museum – Kjarvalsstaðir. Selected pieces are always on display and diverse exhibitions show his career in a wide context\, often with works from the museum collection or with special exhibitions that focus on particular aspects of his creative process. This exhibition places Kjarval’s work in a dialogue with the works of younger\, contemporary artists. Thus\, the exhibition invites us to become better acquainted with one of the greatest Icelandic artists\, but also the works of prominent contemporary artists who have made their mark on the Icelandic and international art scene. \nWe experience a break in the visual field in Ólafur Elíasson’s work. For the first time in Iceland\, a series of paintings which Ragnar Kjartansson painted in Eldhraun – inspired by a Kjarval painting in the artists possession – is on display. The video installation Lava&Moss by Steina is one of the more comprehensive works in the exhibition\, and there are new paintings by Eggert Pétursson. Among other artists who take part in this exhibition are Guðrún Einarsdóttir\, Hrafnkell Sigurðsson\, Kristján Guðmundsson\, Ragna Róbertsdóttir and Sigurður Guðjónsson. \n  Save  
URL:https://artinamericaguide.com/event/eternal-recurrence/
LOCATION:Reykjavík Art Museum – Kjarvalsstaðir\, Flókagata 24\, Reykjavík\, 105\, Iceland
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/05/Johannes-S.-Kjarval_Blomaandlit_1940_hq-scaled.jpg
ORGANIZER;CN="Reykjav&iacute%3Bk Art Museum - Kjarvalssta&eth%3Bir":MAILTO:artmuseum@reykjavik.is
GEO:64.1380907;-21.9133539
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Reykjavík Art Museum – Kjarvalsstaðir Flókagata 24 Reykjavík 105 Iceland;X-APPLE-RADIUS=500;X-TITLE=Flókagata 24:geo:-21.9133539,64.1380907
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210327T080000
DTEND;TZID=America/Halifax:20211130T170000
DTSTAMP:20260403T135554
CREATED:20210329T151744Z
LAST-MODIFIED:20210329T151744Z
UID:80600-1616832000-1638291600@artinamericaguide.com
SUMMARY:Sarah Hinckley: Recent Paintings and Works on Paper
DESCRIPTION:The most engaging aspect of Hinckley’s painting is the combination of her attraction for minimal or simplified imagery… realizing the shapes in her art\, which are usually organic in nature\, link her paintings with an esthetic of elegant simplicity. –Jonathan Goodman \nIn 2016\, after almost 30 years in New York City\, Hinckley returned full-time to Cape Cod. She alternates between larger paintings on canvas and smaller watercolors that often serve as studies for her oils. Sarah Hinckley’s artworks have been exhibited widely throughout the United States with exhibitions most recently at the Cape Cod Museum of Art\, Mattatuck Museum\, Calhoon Museum of Contemporary Art\, The Elizabeth Foundation for the Arts\, Littlejohn Contemporary\, Chandra Cerrito Contemporary\, and Lanoue Gallery. Her work can be found in many corporate and private collections\n  Save  
URL:https://artinamericaguide.com/event/sarah-hinckley-recent-paintings-and-works-on-paper/
LOCATION:Cross Contemporary Partners
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2021/03/Screen-Shot-2021-03-26-at-4.20.32-PM.png
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210328T080000
DTEND;TZID=America/Halifax:20211130T170000
DTSTAMP:20260403T135554
CREATED:20210329T151715Z
LAST-MODIFIED:20210329T151715Z
UID:80602-1616918400-1638291600@artinamericaguide.com
SUMMARY:Lee Saloutos: Nevada Mines\, American Prisons
DESCRIPTION:The photographs of Lee Saloutos transport the viewer to locations that\, while usually unidentified\, evoke nonetheless the unending action of the elements and the inexorable passage of time. Even more than this\, they hint at a narrative of national decline\, the gradual weathering of man-made structures and forms seeming to resonate with the collapse of American manufacturing industry and the national crisis in incarceration. \n  Save  
URL:https://artinamericaguide.com/event/lee-saloutos-nevada-mines-american-prisons/
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/03/Hallway-Mansfield-State-Reformatory-Mansfield-OH-3-©-Lee-Saloutos-2011-1.jpg
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210329T080000
DTEND;TZID=America/Halifax:20211130T170000
DTSTAMP:20260403T135554
CREATED:20210329T151612Z
LAST-MODIFIED:20210329T151612Z
UID:80598-1617004800-1638291600@artinamericaguide.com
SUMMARY:Cross Contemporary Partners Inaugural Exhibition Part III
DESCRIPTION:Cross Contemporary Partners launches a third group exhibition of artists in  a virtual art exhibition space dedicated to digital representation of artwork on the internet. The Cross Contemporary Partners Inaugural Exhibition Part III presents ten established artists whose distinguished careers span decades. The artists: London Amara\, Susan Copich\, Michel Goldberg\, Nicki Marx\, Eric Sanders\, James Singelis\, Kathy Sosa\, Gregory Steel\, Lou Tavelli and Francine Tint have all exhibited in museums throughout the United States.  This online exhibition is the first time that these artists have shown their work in a virtual online art gallery space with the illusion of over 650 square feet and 19.5 feet high ceilings. \n  Save  
URL:https://artinamericaguide.com/event/cross-contemporary-partners-inaugural-exhibition-part-iii/
LOCATION:Cross Contemporary Partners
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2021/03/Screen-Shot-2021-03-26-at-11.30.34-AM.png
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210413T080000
DTEND;TZID=America/Halifax:20210906T170000
DTSTAMP:20260403T135554
CREATED:20210728T163038Z
LAST-MODIFIED:20210728T170233Z
UID:83702-1618300800-1630947600@artinamericaguide.com
SUMMARY:Then & Now: Part 1
DESCRIPTION:Then and Now\nPart 1: April 13 – May 15\, 2021\nPart 2: May 18 – June 19\, 2021\nPart 3: June 22- July 24\, 2021 \nThe Bowery Gallery is pleased to present: “Then and Now”\, a three-part online show which features the 36 members and 11 associate members of the gallery. Each artist was asked to consider how their work has changed and evolved over time by selecting one recent and one early work. Artists also wrote a brief statement of reflection to offer the viewer (and themselves) further insight into their artistic journey. \nExamining one’s work through the lens of time can reveal new perspectives and provide a deeper understanding of what makes one do what one does.  In 1908 at the age of 39\, Henri Matisse wrote in “Notes of a Painter”: “I feel very strongly the tie between my earlier and my recent works\, but I do not think exactly the way I thought yesterday. Or rather\, my basic idea has not changed\, but my thought has evolved\, and my modes of expression have followed my thoughts. I do not repudiate any of my paintings but there is not one of them that I would not redo differently if I had it to redo. My destination is always the same\, but I work out a different route to get there.”\nYears later at the age of 82 he reflected again: “There is no separation between my old pictures and my cut-outs\, except that with greater completeness and abstraction\, I have attained a form filtered to its essentials…” \nThe exhibition can be seen online on Artsy (https://www.artsy.net/bowery-gallery) and as a virtual installation on Bowery’s website (www.bowerygallery.org/then_and_now_part1.html).\nPart 1: Martha Armstrong\, Kamini Avril\, Rita Baragona\, Temma Bell\, Monica Bernier\, Robert Braczyk\, David Bradford\, Simon Carr\, Glen Cebulash\, Audrey Cohn-Ganz\, Anne Delaney\, Colleen Franca\, Diana Cabouli\, Barbara Grossman\, Suzanne Guppy and Richard La Presti.\nPart 2: Stephanie Franks\, Dorothy Frey\, John Goodrich\, Janet Gorzegno\, Michael Louis Johnson\, Deborah Kahn\, Lynn Kotula\, Mark Lewis\, Adrianne Lobel\, Lynette Lombard\, Jeremy Long\, Younghee Choi Martin\, Marylou Schuck\, June Silverberg\, Walter Strach and Charles Swisher.\nPart 3: Gael Mooney\, Nagib Nahas\, Naomi Nemtzow\, Iris Osterman\, Hearne Pardee\, Thaddeus Radell\, Deborah Rosenthal\, Dena Schutzer\, Tony Serio\, Rachel Siporin\, Esme Thompson\, Grier Torrence\, Ian Tornay\, Evelyn Twitchell and Carolyn Virgil. \n  Save  
URL:https://artinamericaguide.com/event/then-now-part-1/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/07/Then-Now-Part-1.jpg
ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bowery Gallery 547 W 27TH ST Suite 508 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=547 W 27TH ST Suite 508:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210417T080000
DTEND;TZID=America/Halifax:20210825T170000
DTSTAMP:20260403T135554
CREATED:20201202T181248Z
LAST-MODIFIED:20201202T181248Z
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SUMMARY:Nancy Macko: The Fragile Bee
DESCRIPTION:Nancy Macko’s exhibition includes the installation Honey Teachings: In the Mother Tongue of the Bees\, 2014. This wall installation is composed of 104 hexagonal wooden panels displaying bee imagery. Sometimes statements about the bees are included: “Worker bees are born to serve the greater good.” Installed on the wall\, the individual panels look very much like a hive\, completing the implicit metaphor of the project. Her botanicals are remarkable visions of the hidden intimacies of nature\, while her bee imagery is both beautiful and indicative of a larger purpose. In addition\, also included is an earlier multi-paneled work\, The Honeycomb Wall\, 1994\, comprised of 92 hexagonal panels that include mixed media\, printmaking\,digital images and vinyl phrases. Macko’s works also include fine art prints and her photographs are clearly related to the 2007 suite of etchings entitled In the Garden of the Bee Priestess. These prints combine abstract\, decorative imagery with specific depictions of bees and flora\, thus bridging some of the interests of 1980s Pattern art with a more contemporary view. In Nirvana for the Future: The Divine Reading Lesson Series (2011)\, Macko employs hive imagery and combines it with a regularly appearing image\, an arrow-like shape which stands in for an ancient matriarchal goddess. These prints are highly skilled\, eclectic gatherings of images taken across time\, across cultures and across geographies. \n  Save  
URL:https://artinamericaguide.com/event/nancy-macko-the-fragile-bee-2/
LOCATION:Hilliard Art Museum\, 710 East St. Mary Boulevard\, Lafayette\, LA\, 70503\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Katharine T. Carter &amp%3B Associates":MAILTO:ktc@ktcassoc.com
GEO:30.2092505;-92.0157629
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210513
DTEND;VALUE=DATE:20211004
DTSTAMP:20260403T135554
CREATED:20210518T155206Z
LAST-MODIFIED:20210625T134222Z
UID:81205-1620864000-1633305599@artinamericaguide.com
SUMMARY:As If to Demonstrate an Eclipse
DESCRIPTION:Reykjavík Art Museum – Ásmundarsafn reopens after renovation with Sirra Sigrún Sigurðardóttir’s exhibition of work in dialogue with sculptor Ásmundur Sveinsson and the building itself. \nSirra’s works are cosmical\, often connected to speculations about our position within the inner workings of nature\, physics and the forces that drive the world. Her works often call upon our position as individuals\, our significance and insignificance\, and where the small is placed in the context of the large. Meaning is transformed from one phenomenon to another; a new perception\, new vision. Many of Ásmundur’s works connect to his curiosity in the movement and law of the celestial bodies. In particular\, this appears in abstract works from the sixties and seventies\, that also relate to the general interest in man’s exploration in space at that time. Among works in the exhibition is the well-known Face of the Sun\, an ode to the sun\, our prerequisite for life on earth. This and other works by Ásmundur harmonize deeply in Sirra’s installation. \nUnlike art\, scientific information and data is presented in a reliable\, unequivocal\, and easily understood manner with trustworthy forms such as diagrams\, thermographs\, mathematical models and pie charts\, to name a few. These methods tell us something concrete and definite about our world and human’s position therein. Sirra has repeatedly used the appearance and the gist of these forms in her art. However\, the presentation casts a new light on the information\, and on the disambiguation of information in general\, and creates a distance of sorts. Scientific measuring devices are elevated\, but at the same time\, also questioned. A spin of the artist’s test tube often reveals a different and wider viewpoint\, with more reference and awareness of how impossible it is to communicate anything unambiguously. And the illogical explanations found in art become less unreliable than they appear. \nThe country’s position on the globe causes exaggerated fluctuations in the movements of the sun; the winter sun appears low in the sky for only a few hours\, but the summer sun rises high for most of the solar day. In her exhibition in Ásmundarsafn\, Sirra uses Ásmundur’s largest sculpture\, the building itself\, and reflected sunrays\, to create a massive drawing in the form of an abstract sundial. Ásmundur made various attempts to interpret the laws of nature through the shapes\, lines and materials of his sculptures. Scientific discoveries inspired him to develop new imagery. Sirra’s new work form a dialogue with selected works by Ásmundur and his world of ideas. They nod to his sincere interest in technology and science\, and to his sensitivity to different materials and various approaches\, reflected in the fearlessness with which he changed his style and methods throughout his career. \nSirra Sigrún Sigurðardóttir graduated with a BA from Iceland University of the Arts in 2001\, and an MA in Art Practice from the School of Visual Arts in New York in 2013. She has held solo exhibitions at Reykjavík Art Museum\, The Living Art Museum Reykjavík\, Hafnarborg Culture Centre\, and Kling & Bang\, among other locations\, and has participated in group exhibitions and projects around the world\, including Chinese European Art Center in Xiamen\, China\, Amos Andersons Konstmuseum in Helsinki\, Finland\, and at Tate Modern and Frieze Projects in London\, England. \nSirra is one of the founders of Kling & Bang in Reykjavík. In 2015 Sirra received the Guðmunda Award\, established by the artist Erró in 1997. Sirra was nominated for the Visual Arts Award in 2020 and has been awarded grants and recognitions from various art funds including Dungal\, Leifur Eiríksson\, Svavar Guðnason\, and Guðmunda Andrésdóttir. In 2015\, Sirra was among 24 international artists selected by Modern Painters magazine as worth following in the years to come. \nÁsmundur Sveinson (1893-1982) was a pioneer in Icelandic art. He studied classical sculpture and worked in traditional subjects at the beginning. His subjects were related to the local environment\, working classes\, legends and sagas. In the sixties he deviated from the figurative methods that previously characterized his artistic creation and increasingly began to use abstract imagery. His subjects became more intangible and connected to natural phenomena\, laws and physics. Unconventional material became prominent in his works and often overtook the outcome of individual works; at the same time\, he adopted freer methods by working directly with the material. Ásmundur built his studio and home\, the Dome\, in several stages during the years 1942-59. \nThe exhibition As If to Demonstrate an Eclipse is the first of two exhibitions opening in Ásmundarsafn in 2021. An exhibition with new works by Carl Boutard and Ásmundur’s historic works will open in the autumn. With these exhibitions\, Ásmundarsafn opens after its greatest renovation since opening to the public in 1986. Visitors gain a new perspective on the legacy of the well-known and beloved artist through the lens of two contemporary artists and in the beautiful surroundings that Ásmundarsafn and the park shape. \n  Save  
URL:https://artinamericaguide.com/event/as-if-to-demonstrate-an-eclipse/
LOCATION:Ásmundarsafn\, Sigtún 44\, Reykjavík\, Reykjavík\, 105\, Iceland
CATEGORIES:Exhibition
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ORGANIZER;CN="Reykjav&iacute%3Bk Art Museum - &Aacute%3Bsmundarsafn":MAILTO:artmuseum@reykjavik.is
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210515
DTEND;VALUE=DATE:20211001
DTSTAMP:20260403T135554
CREATED:20210608T134702Z
LAST-MODIFIED:20210608T134839Z
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SUMMARY:The New Woman: Recent Acquisitions at NSU Art Museum
DESCRIPTION:The New Woman: Recent Acquisitions\nOn view through Fall 2021 \n  \nOn the occasion of a recent gift of works by William J. Glackens and his circle by the Sansom Foundation\, NSU Art Museum Fort Lauderdale presents The New Woman. The title refers to the phrase which came to be used in the late 19th century\, to characterize the newly present women of the middle and upper class who were beginning to participate in urban life. At the same moment in time\, Modernism was taking shape in both art and society\, and women were beginning to stake a position in both realms. Glackens and his wife\, artist Edith Dimock\, were very much engaged in this evolution of the role of women\, and actively participated in the Women’s Suffrage movement. Their representation of female figures was shaped by the vantage of their social consciousness. This exhibition depicts women on both ends of the societal spectrum during the Gilded Age of America\, and it is between these two spheres of the domestic and the bohemian\, that the New Woman of the twentieth century would take form. The New Woman is curated by NSU Art Museum Bryant-Taylor Curator Ariella Wolens. \n\nImage: Arthur Bowen Davies\, A Night in Spring\, n.d. Courtesy of the GAJ ARTRUST#2 \n\n  Save  
URL:https://artinamericaguide.com/event/the-new-woman-recent-acquisitions/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210518T080000
DTEND;TZID=America/Halifax:20210906T170000
DTSTAMP:20260403T135554
CREATED:20210728T163038Z
LAST-MODIFIED:20210728T180304Z
UID:83699-1621324800-1630947600@artinamericaguide.com
SUMMARY:Then & Now: Part 2
DESCRIPTION:Then and Now\nPart 1: April 13 – May 15\, 2021\nPart 2: May 18 – June 19\, 2021\nPart 3: June 22- July 24\, 2021 \nThe Bowery Gallery is pleased to present: “Then and Now”\, a three-part online show which features the 36 members and 11 associate members of the gallery. Each artist was asked to consider how their work has changed and evolved over time by selecting one recent and one early work. Artists also wrote a brief statement of reflection to offer the viewer (and themselves) further insight into their artistic journey. \nExamining one’s work through the lens of time can reveal new perspectives and provide a deeper understanding of what makes one do what one does.  In 1908 at the age of 39\, Henri Matisse wrote in “Notes of a Painter”: “I feel very strongly the tie between my earlier and my recent works\, but I do not think exactly the way I thought yesterday. Or rather\, my basic idea has not changed\, but my thought has evolved\, and my modes of expression have followed my thoughts. I do not repudiate any of my paintings but there is not one of them that I would not redo differently if I had it to redo. My destination is always the same\, but I work out a different route to get there.”\nYears later at the age of 82 he reflected again: “There is no separation between my old pictures and my cut-outs\, except that with greater completeness and abstraction\, I have attained a form filtered to its essentials…” \nThe exhibition can be seen online on Artsy (https://www.artsy.net/bowery-gallery) and as a virtual installation on Bowery’s website http://www.bowerygallery.org/then_and_now_part2.html.\nPart 1: Martha Armstrong\, Kamini Avril\, Rita Baragona\, Temma Bell\, Monica Bernier\, Robert Braczyk\, David Bradford\, Simon Carr\, Glen Cebulash\, Audrey Cohn-Ganz\, Anne Delaney\, Colleen Franca\, Diana Cabouli\, Barbara Grossman\, Suzanne Guppy and Richard La Presti.\nPart 2: Stephanie Franks\, Dorothy Frey\, John Goodrich\, Janet Gorzegno\, Michael Louis Johnson\, Deborah Kahn\, Lynn Kotula\, Mark Lewis\, Adrianne Lobel\, Lynette Lombard\, Jeremy Long\, Younghee Choi Martin\, Marylou Schuck\, June Silverberg\, Walter Strach and Charles Swisher.\nPart 3: Gael Mooney\, Nagib Nahas\, Naomi Nemtzow\, Iris Osterman\, Hearne Pardee\, Thaddeus Radell\, Deborah Rosenthal\, Dena Schutzer\, Tony Serio\, Rachel Siporin\, Esme Thompson\, Grier Torrence\, Ian Tornay\, Evelyn Twitchell and Carolyn Virgil. \n  Save  
URL:https://artinamericaguide.com/event/then-now-part-2/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Virtual Events + Viewing Rooms
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ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210603
DTEND;VALUE=DATE:20210814
DTSTAMP:20260403T135554
CREATED:20210519T134518Z
LAST-MODIFIED:20210519T134518Z
UID:81209-1622678400-1628899199@artinamericaguide.com
SUMMARY:Diane Arbus: Curated by Carrie Mae Weems
DESCRIPTION:The thing that’s important to know is that you never know. You’re always sort of feeling your way. —Diane Arbus \nFraenkel Gallery is pleased to present an exhibition of 45 photographs by Diane Arbus\, curated by acclaimed contemporary artist Carrie Mae Weems. A long-time admirer of Arbus’s work\, Weems has selected images spanning Arbus’s fifteen-year career\, from 1956 until her death in 1971. The exhibition will be on view at 49 Geary Street from June 3 to August 13\, 2021\, and will be followed by an exhibition devoted to Weems’s own work in September. \nWeems has cited Arbus\, along with David Hammons\, as artists of paramount importance to her. To inaugurate Fraenkel Gallery’s recently announced representation of Weems\, the artist was invited to curate an exhibition of Arbus’s photographs\, the sole directive being to focus on works that speak powerfully and directly to her. \nWeems’s selection begins with a single preliminary image from 1945\, in which Arbus stands before a mirror\, pregnant with her first child. It then leaps to 1956 when\, at age 33\, Arbus consciously began her career as an artist. The exhibition features three photographs from 1956\, including Carroll Baker on screen in “Baby Doll” (with silhouette)\, N.Y.C. 1956 and Kiss from “Baby Doll\,” N.Y.C. 1956\, among several photographs in the show set in darkened movie theaters. \nWhile the exhibition includes well-known images such as Two boys smoking in Central Park\, N.Y.C.1963 and A young waitress at a nudist camp\, N.J. 1963\, Weems’s selection focuses primarily on lesser-known works. Among them are Woman making a kissy face\, Sammy’s Bowery Follies\, N.Y.C. 1958\, one of the earliest of Arbus’s photographs in which she places her camera strikingly close to her subject’s face\, and Kenneth Hall\, the new Mr. New York City\, at a physique contest\, N.Y.C. 1959\, about whom Arbus noted\, “he can wiggle his chest muscles separately and has developed a muscle on the back of his thighs which no one else has ever developed.” The photographs Weems has selected trace the evolution of Arbus’s technique and encompass a broad cross-section of her interests. The subjects depicted include couples\, children\, transvestites and female impersonators\, nudists\, families\, and celebrities\, often photographed in parks\, bedrooms\, and dance halls\, in New York City and elsewhere. \nDiane Arbus (1923–1971) is one of the most original and influential photographers of the twentieth century. In 1963 and 1966 she was awarded John Simon Guggenheim Fellowships and was one of three photographers whose work was the focus of New Documents\, John Szarkowski’s landmark exhibition at the Museum of Modern Art in 1967. A year after her death\, her work was selected for inclusion in the Venice Biennale\, and from 1972 to 1975\, the Museum of Modern Art hosted a major traveling retrospective. Her photographs are in the collections of numerous institutions around the world\, including the Art Gallery of Ontario\, Canada; the Metropolitan Museum of Art\, New York; the Museum of Modern Art\, New York; and Tate Gallery\, London\, among many others. In 2022\, Fraenkel Gallery and David Zwirner will co-publish Diane Arbus Documents\, a compendium of reviews\, articles\, and other relevant commentary tracing the ways in which the understanding of Arbus’s work has evolved over five decades. \nCarrie Mae Weems (born 1953) is a renowned artist whose work has been featured at museums including the Metropolitan Museum of Art\, New York; the Solomon R. Guggenheim Museum\, New York; and Centro Andaluz de Arte Contemporáneo\, Seville\, Spain. She has won numerous awards\, grants\, and fellowships\, including a MacArthur “Genius” grant\, the Louis Comfort Tiffany Award\, and the Congressional Black Caucus Foundation’s Lifetime Achievement Award\, among others. Recent projects include directing The Baptism\, a film commissioned by Lincoln Center; and Resist COVID/Take 6!\, a public art campaign responding to the impact of COVID-19 on Black\, Latino\, and Indigenous communities. Her work is in the collections of the Metropolitan Museum of Art\, New York; the Museum of Modern Art\, New York; San Francisco Museum of Modern Art; and Tate Gallery\, London\, among many others. \n  Save  
URL:https://artinamericaguide.com/event/diane-arbus-curated-by-carrie-mae-weems/
LOCATION:Fraenkel Gallery\, 49 Geary Street\, San Francisco\, CA\, 94108\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Fraenkel Gallery":MAILTO:mail@fraenkelgallery.com
GEO:37.7876041;-122.4042781
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210603T090000
DTEND;TZID=America/Halifax:20210831T170000
DTSTAMP:20260403T135554
CREATED:20210817T204108Z
LAST-MODIFIED:20210817T204108Z
UID:85362-1622710800-1630429200@artinamericaguide.com
SUMMARY:Represent the Work: New Etchings by Matt Mullican
DESCRIPTION:Crown Point Press announces the release of five new etchings by Matt Mullican. The New York-based artist came to San Francisco to work in the Crown Point studio for two weeks in early January of 2020. The resulting prints\, Mullican explained\, are like pages in a book\, with the first print acting as the title or cover page. The phrase “REPRESENT THE WORK” is printed in capital letters banner-like above and below the central image in each print. As he pointed to a drawing study\, the artist said\, “Represent the work. This is my work. That’s what this is.” Mullican uses signs\, symbols and colors as a system of order to illustrate the relationship between the actual world and its representation\, and to make sense of the world that is around us. The gallery exhibition includes preparatory drawings\, working proofs and ephemera presented together with the five new etchings in a layout designed by Mullican. \n\nImage:\nMatt Mullican\nREPRESENT THE WORK\, Logo\, 2020\nColor aquatint with hard ground and soft ground etching\nImage size: 51 1/2 x 35 1/2 inches; paper size: 56 x 40 inches\nEdition 16\nPublished by Crown Point Press and printed by Courtney Sennish\n$7\,000 inquire \n  Save  
URL:https://artinamericaguide.com/event/represent-the-work-new-etchings-by-matt-mullican/
LOCATION:Crown Point Press\, 20 Hawthorne St.\, San Francisco\, CA\, 94105\, United States
CATEGORIES:Exhibition
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END:VCALENDAR