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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260403T173214
DTEND;TZID=America/Halifax:20230107T180000
DTSTAMP:20260403T173214
CREATED:20230109T180703Z
LAST-MODIFIED:20230109T180703Z
UID:101329-0-1673114400@artinamericaguide.com
SUMMARY:Joanne Freeman: New York Conversation
DESCRIPTION:Kathryn Markel Fine Arts is thrilled to announce New York Conversation\, an upcoming exhibition of new work by Joanne Freeman. New York Conversation is Freeman’s third solo exhibition with the gallery. The show will be accompanied by a group show curated by Freeman titled Betty and Veronica. They will run concurrently from January 5th – February 11th\, 2023. \n  \n“New York Conversation references my studio process\, and metaphorically describes the random thoughts\, snippets of conversation\, lyrics and memories that ebb and flow over the course of a painting. Visual signs\, nostalgia and the emotional residue of color\, guide my aesthetic choices\,” Freeman says. While intuitive\, Freeman’s stencil-like forms and irregular hard-edge curves harken Modernism and minimalist sensibilities. This is heightened by a palette of saturated primary colors\, or monochromatic works.   “My paintings reference forms found in architecture and design\,” she says.  “I create compositions based on loose geometry and layered saturated colors. The hard edge process of cutting shapes and layering color onto treated raw linen\, recalls qualities of mid-century low-tech graphics\, color field painting and collage\,” she continues.  \n  \nThe forms are hard-edged while still breathy and organic.  The subtle transparencies at the edges of the forms and the contrast of the brushstrokes across the tooth of linen reveal the artist’s hand. “When applying oil paint to linen I try to accentuate the inherent qualities of both mediums\,” she says. “ I consider both the transparency and opacity of the colors\, how they abut and overlap\, and how they respond to the textured tooth of the linen.” She is mindful of each medium’s materiality when painting.  Her saturated colors in either gouache or oil paint are absorbed by the handmade paper or linen\, enhancing the modernist flatness of her forms and use of space. “My reductive abstract paintings are about the beauty of singular color\, the impact of pure abstract forms and the quiet order that cuts through the noise\,” Freeman says.  \n  \nJoanne Freeman has had solo exhibitions in galleries around the United States\, and shown at The Queens Museum\, Zillman Art Museum University of Maine\, The Painting Center\, and the Cape Cod Museum of Art. She’s a 2021 recipient of the Pollock-Krasner Foundation Grant\, and the Vice President of the American Abstract Artists organization. She has her M.A in Studio Art from New York University\, and lives and works in New York City. \n  Save  
URL:https://artinamericaguide.com/event/joanne-freeman-new-york-conversation/
LOCATION:Kathryn Markel Fine Arts\, 529 West 20th\, Suite 6W\, New York\, NY\, 10011\, United States
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ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
GEO:40.9365358;-72.3040792
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Kathryn Markel Fine Arts 529 West 20th Suite 6W New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=529 West 20th\, Suite 6W:geo:-72.3040792,40.9365358
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260403T173214
DTEND;TZID=America/Halifax:20230128T180000
DTSTAMP:20260403T173214
CREATED:20230109T180750Z
LAST-MODIFIED:20230109T180750Z
UID:101313-0-1674928800@artinamericaguide.com
SUMMARY:2023 Winter Juried Exhibitions
DESCRIPTION:BLUE MOUNTAIN GALLERY is pleased to present the work of 47 artists\, 51 pieces of artwork\, selected by Eric Holzman for this year’s winter juried exhibition. The artists\, drawn from over two hundred applicants from across the country\, work in a wide range of media\, including oil\, acrylic\, pastel\, gouache\, photography and mixed media.  \n​Heidi Alamanda \, Marilyn Allen\, Hilary Houston Bachelder\, James Baker\, Nina Kardon Baran\, Bob Barnett\, Raymond Berry\, Leslie Blackmon\, Pam Bowers\, Nancy Breakstone\, Karina Cavat\, Audrey Cohn-Ganz\, Elizabeth Courtney\, Anne Delaney\, Stephanie DeManuelle\, Kiran K Dhaliwal\, Janine Dunn Wade\, Melanie Essex\, Tom Fitzharris\, Meghan Fleming\, Nancy Granda\, Theresa Heidig Rooney\, Teresa Jade Jarzynski\, Moishe Kampin\, Sam Kelly\, Michele King\, Laura Levine\, Pattie Lipman\, Aaron Lubrick\, Manuel Alejandro Macarrulla\, James McKenna\, Elizabeth Meyersohn\, Mark. Milroy\, Blake Morgan\, Arnaldo J Rivera Rivera\, Gail Rodney\, Rebecca Gray Rolke\, Roxy Rubell\, Alyssa Schmidt\, Abbey Stace\, Leslie Ross Stephens\, Yuri Tayshete\, Preston Trombly\, Laura Vahlberg\, Ekaterina Vanovskaya\, Aidan White and Lenore Wolf. \n​Juror ERIC HOLZMAN has been painting and searching for connection in nature and other representational genres all his life. He is a romantic and a classicist who looks into the inner nature of things and tries to walk “The Beauty Way.” He was educated at Tyler School of Art\, Yale\, Skowhegan and the New York Studio School. Eric has taught at Pratt\, the New York Studio School\, and Bard College among others. He is a National Academician and has exhibited twice at the American Academy\, winning awards from both institutions.  Eric has also shown work at Lori Bookstein\, Tibor de Nagy\, Sideshow and Artist Equity\, all in NYC\, and at Gremillion Fine Art and Ellio Fine Art in Houston\, Texas. He has received many honors\, including grants and fellowships from the Guggenheim Foundation\, the NEA\, the Pollock Krasner Foundation\, the Gottlieb Foundation and the Louis Comfort Tiffany Foundation. Website: www.ericholzman.com \n\n  Save  
URL:https://artinamericaguide.com/event/2023-winter-juried-exhibitions/
LOCATION:Blue Mountain Gallery\, 547 W 27th St\, Suite 200\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/01/2023-artists-rectangle.jpg
ORGANIZER;CN="Blue Mountan Gallery":MAILTO:info@bluemountaingallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T173214
DTEND;TZID=America/New_York:20250920T170000
DTSTAMP:20260403T173214
CREATED:20250722T184747Z
LAST-MODIFIED:20250722T184747Z
UID:114023-0-1758387600@artinamericaguide.com
SUMMARY:August-September @ Art Works!
DESCRIPTION:Throughout August Art Works is open to the public\, offering a variety of engaging exhibits. Adam and Anita Bradley present life-size figurative sculptures and paintings capturing a chaotic world. Mike Bily’s exhibit investigates ecosystems; Sharon Denmark captures light flowing through glass. Rachel Rowden exhibit is a portal of mysteries and Rebecca Visger provides a view from behind the wheel. Blake Bottoms exhibit is featured in the Community Bridge Project. \n  \nJoin us for a fun-filled scavenger hunt with prizes\, perfect for both the young and the young at heart. The activity culminates with prizes for all who participate. We also offer figure drawing sessions on the 1st and 3rd Sundays and Queer Life Drawing at Gold Lion Community Café on August 20th.  \n  \nBradley + Bradley: The Weight of Vanishing Shadows \nAdam and Anita Bradley explore the human condition through their unique mediums. Adam presents life-sized figurative sculptures in wood\, steel\, ceramics\, and smaller bronze pieces\, reflecting themes of anxiety\, loss\, and grief. Anita complements this with layered paintings and mixed media collages\, capturing the struggle for order in a chaotic world. Their intertwined approaches invite contemplation of deep human experiences. \n  \nThe exhibition will be in the Jane Sandelin Gallery at Art Works and will continue through September 20\, 2025. \n  \n  \nArtifacts by Anne Chamblin \nAnne Chamblin’s work is about merging sight and feeling. For her\, painting is a way to process what she experiences. She brings spaces\, places\, and faces to life on canvas\, turning bodies into landscapes and using layers to hint at the passage of time. Anne constantly reworks her paintings\, always keeping a bit of the past to shape the present. Her journey is grounded in everyday experiences\, resulting in unique\, relatable art. \n  \nThe exhibit will be in the Centre Gallery at Art Works through September 20\, 2025. \n  \n  \n  \n  \n  \nBetween Worlds by Hannah Anderson \n  \nAmerican abstract artist Hannah Anderson (b. 1953)\, raised in the simplicity of a Quaker household\, rediscovered her love for painting in 1990 with a Crayon watercolor set. Self-taught and inspired by contemporary artists\, her work reflects the light and dark periods of her life\, blending elements of nature and archetypal symbols from healing traditions. Her debut exhibit\, Between Worlds\, explores the liminal space between worlds and relationships. Hannah resides in Richmond\, Virginia\, and finds inspiration in Taos\, New Mexico. \n  \nThe exhibit will be in the Corner Gallery at Art Works through September 20\, 2025. \n  \n\nMental Health Matters: Celebrating Resilience Through Art All Media Show\nThis exhibit is a focal point of all Art Works’ openings. It is a juried show with cash prizes for 1st\, 2nd and 3rd place. The show is open to all artists and all mediums. \n  \nIn August the theme is Mental Health Matters: Celebrating Resilience Through Art. The community has donated terrific items that we will be auctioning to benefit NAMI\, and Art Works will donate the sales from the All Media Show to NAMI. \nWonJung Choi an international artist and educator\, will be the juror for the exhibit. Wonjung Choi is a Korean-born\, Virginia-based artist whose multidisciplinary work delves into the complexities of identity formation in a globalized world. See more on WonJung’s website: Click here. \n  \nCall for entries is July 15  – August 10\, 2025\, and may be submitted through the online form. The exhibit will be in the Port Gallery at Art Works through September 18\, 2025. Check our website for details on submitting artwork:  Call for Entries \n  Save  
URL:https://artinamericaguide.com/event/august-september-art-works-2/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/07/PR-2025.08-Anne-Chamblin-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T173214
DTEND;TZID=America/New_York:20250926T200000
DTSTAMP:20260403T173214
CREATED:20250903T144946Z
LAST-MODIFIED:20250903T144946Z
UID:114439-0-1758916800@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Opening Reception @ Art Works!
DESCRIPTION:4th Friday September 26th at Art Works \n  \nJoin us on September 26\, 2025 from 6 p.m. to 8 p.m. for an exciting opening reception of our new exhibits at Art Works. Meet the talented artists\, and enjoy live music\, refreshments\, and libations sponsored by RVA Thriving Artists.  The featured artists are Adam Reinhart\, Jen Cook-Asaro\, Sarah Miller\, Tatiana Grace\, Kenneth Lee\, and experiment with interactive art by RVA Game Jams. \n  \nThis event is free and open to the public. Convenient and free parking is available. The exhibits will continue through October 18\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-opening-reception-art-works-56/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/PR-2025.09-Game-Jam-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T173214
DTEND;TZID=America/New_York:20250927T180000
DTSTAMP:20260403T173214
CREATED:20250811T200044Z
LAST-MODIFIED:20250811T200044Z
UID:114212-0-1758996000@artinamericaguide.com
SUMMARY:Heather Stivison\, “Ebb & Flow”\, a Solo Exhibition
DESCRIPTION:In this her third New York City solo exhibition\, Heather Stivison explores the intersection of environmental science and visual art with a series of immersive paintings of the ocean. \nStivison paintings capture the essence of water—something clear and colorless\, with its shape formed entirely by the external forces of objects\, land\, wind\, gravity. Searching for water’s most primary qualities\, she uses light\, color\, form\, shape\, line\, to engender a sense of water. Fluidity\, reflections\, rhythms are evident in her ocean surface paintings. Stivison is fascinated by the reflections and patterns created by the coastal ocean surface. She paints variations on patterns\, exploring how much she can change them and still maintain the sense that the subject is surface water. \nCurator and director of Manhattan Arts International Renee Phillips writes: \n“Stivison ventures beyond nature’s physical boundaries into abstraction with the profusion of free-flowing biomorphic patterns and tonal ranges. In her paintings the innate attributes of water evolve into metaphors\, symbolism and visual poetry.” \nThe exhibition includes a massive 110-inch quadriptych that explores the sense of weightlessness and mystery that she finds in the imagining unknown ocean depths. Other paintings explore surface water patterns as abstract design. \nIndependent curator Kathy Imlay writes: \n“Stivison’s paintings have a luminous glow—accomplished by the artist building up layer upon layer of viscous paint\, which she pours\, smears\, scrapes and otherwise manipulates to create fields of color that conjure the watery depths of the ocean or intergalactic space\, depending on the palette.” \nSome of the paintings on view are the result of her multi-year\, grant funded collaboration with Noah Germolus\, a scientist at Woods Hole Oceanographic Institute who was researching ocean chemistry. Stivison created two paintings about him and his work\, and four five-foot paintings that interpret his research data in paint. \nThe collaboration led to a unique special feature of this exhibition. After Stivison interpreted his data in paint\, he in turn\, interpreted four of her paintings in music. The exhibition includes an on-demand sound installation of original jazz music composed and performed by Germolus. \n  Save  
URL:https://artinamericaguide.com/event/heather-stivison-ebb-flow-a-solo-exhibition/
LOCATION:Pleiades Gallery\, 547 W 27th St. Suite 304\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/stivison-heather_Coastal-Surface-Community_48x60_Oil-over-Acrylic-on-Canvas.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T173214
DTEND;TZID=America/New_York:20251018T170000
DTSTAMP:20260403T173214
CREATED:20250903T144946Z
LAST-MODIFIED:20250903T144946Z
UID:114443-0-1760806800@artinamericaguide.com
SUMMARY:September - October Exhibits @ Art Works!
DESCRIPTION:Now showing six new exhibits. The featured artists are Adam Reinhart\, Jen Cook-Asaro\, Sarah Miller\, Tatiana Grace\, Kenneth Lee\, and experiment with interactive art by RVA Game Jams. Also see 80+ working artist studios. \nVisit us Tuesdays through Sundays 11am- 5pm. Admission is free and open to the public. Convenient and free parking is available. The exhibits will continue through October 18\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/september-october-exhibits-art-works-4/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/PR-2025.09-Game-Jam-1-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T173214
DTEND;TZID=America/New_York:20251122T170000
DTSTAMP:20260403T173214
CREATED:20250908T192551Z
LAST-MODIFIED:20250908T192551Z
UID:114572-0-1763830800@artinamericaguide.com
SUMMARY:October - November Exhibits @ Art Works!
DESCRIPTION:Now showing six new exhibits. The featured artists are Blake Seals\, Felicia L. Reed\, Adam Reinhard\, Sorvino\, and Tobi Holtslag. Also see 80+ working artist studios. \nVisit us Tuesdays through Sundays 11am- 5pm. Admission is free and open to the public. Convenient and free parking is available. The exhibits will continue through November 22nd 2025. \n  Save  
URL:https://artinamericaguide.com/event/october-november-exhibits-art-works-5/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/09/PR-2025.10-Chris-Semtner-3-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:jessie@artworksrva.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T173214
DTEND;TZID=America/New_York:20260221T180000
DTSTAMP:20260403T173214
CREATED:20260120T172859Z
LAST-MODIFIED:20260120T172859Z
UID:115685-0-1771696800@artinamericaguide.com
SUMMARY:Robert Braczyk: Cardinal Directions
DESCRIPTION:Exhibition Dates: January 27 – February 21\, 2026\nOpening Reception: Thurs.\, January 29\, 2026\, 5PM-8PM\nArtist Talk: Saturday\, February 14\, 2026\, 3PM-4PM\nGallery Hours: Tuesday – Saturday\, 11AM-6PM \nBowery Gallery is pleased to present “Cardinal Directions\,” an exhibition of new sculpture by Robert Braczyk.  \nFor many years a prize-winning figurative sculptor\, in recent years Braczyk has turned to abstraction. In his new work—most about 24 inches high—he assembles various tree elements into vertical compositions that echo figural forms\, but whose abstract vocabulary of open volumes and discontinuous contours suggests the possibility of multiple allusions. Each work evinces a powerful spatial tension between the cardinal point from which it is begun and the complex three-dimensional image that Braczyk builds with primary thrust\, axis\, and meridian.  \nBraczyk’s trajectory from figure to abstract figure may be seen as a temporal through line connecting the events of a life. The artist’s comment that he brings all his life’s experiences into the studio reminds us that in the long arc of his career\, the spatial and temporal are never far apart. \nView the exhibition website. \n  \nBowery Gallery\n547 W. 27th Street\, Suite 508\nNew York\, NY 10001 \n  Save  
URL:https://artinamericaguide.com/event/robert-braczyk-cardinal-directions/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/Braczyk_Reel_for_eVite-and_Web_landing-page-scaled.jpg
ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bowery Gallery 547 W 27TH ST Suite 508 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=547 W 27TH ST Suite 508:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210604T110000
DTEND;TZID=America/Halifax:20220403T180000
DTSTAMP:20260403T173214
CREATED:20220302T164128Z
LAST-MODIFIED:20220302T164128Z
UID:90880-1622804400-1649008800@artinamericaguide.com
SUMMARY:Break + Bleed
DESCRIPTION:Like the break of a line or page and the bleed of various elements beyond the edge or boundary of a certain area\, the artworks in Break + Bleed oscillate between ideas of linearity and geometry and overlapping planes of color and form. Drawn primarily from SJMA’s permanent collection\, the exhibition features artwork by Josef Albers\, Karl Benjamin\, Linda Besemer\, Tony DeLap\, Sam Francis\, Sonia Gechtoff\, Helen Lundeberg\, Brice Marden\, John McLaughlin\, Ted Stamm\, Frank Stella\, Patrick Wilson\, and Leo Valledor\, among others. \n  Save  
URL:https://artinamericaguide.com/event/break-bleed/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/01/SJMA_BB_6-2021_002.jpg
GEO:37.3327419;-121.8905201
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=San Jose Museum of Art 110 S. Market Street San Jose CA 95113 United States;X-APPLE-RADIUS=500;X-TITLE=110 S. Market Street:geo:-121.8905201,37.3327419
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210728T110000
DTEND;TZID=America/Halifax:20220221T180000
DTSTAMP:20260403T173214
CREATED:20210908T152014Z
LAST-MODIFIED:20211110T205920Z
UID:86954-1627470000-1645466400@artinamericaguide.com
SUMMARY:Walter B. Stephen Pottery: Cameo to Crystalline
DESCRIPTION:Artist Walter B. Stephen contributed to Western North Carolina’s identity as a flourishing site for pottery production and craftsmanship in the early 20th century. This exhibition features art pottery and functional vessels from each stage of Stephen’s career\, from his origins discovering the medium alongside his mother in Tennessee to his multi-decade production just outside of Asheville. \nIn Arden\, NC\, Stephen founded his third and last pottery studio\, Pisgah Forest\, which he operated from 1926 until his death in 1961. It was at this studio that the artist perfected the “cameo” decoration technique for which he became best known. His hand-painted images\, achieved with layers of white translucent clay\, often feature American folk imagery\, from covered wagons and livestock to cabins and spinning wheels. A selection of works from the Museum’s Collection showcases his innovation in form and in decorative surface details\, including experimentation with crystalline glazing. \nSupport for this exhibition is provided by the Judy Appleton Memorial Fund and the Michael Lask Fund. This exhibition is organized by the Asheville Art Museum and curated by Alexis Meldrum\, curatorial assistant. \nImage: Pisgah Forest Pottery\, Walter B. Stephen\, Covered Wagon teapot\, creamer and sugar bowl\, 1943\, glazed stoneware\, 4 ⅜ × 9 × 6 ½ (teapot); 3 ¼ × 5 ¼ × 4 ½ (creamer); 4 × 6 ⅝ × 5 ½ (sugar bowl) inches. Asheville Art Museum\, gift of Andrew Glasgow\, 2010.26.03-05. \n  Save  
URL:https://artinamericaguide.com/event/walter-b-stephen-pottery-cameo-to-crystalline/
LOCATION:Asheville Art Museum\, 2 South Pack Square\, Asheville\, NC\, 28801\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/09/2010.26.04.82_Walter_B._Stephen.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210731
DTEND;VALUE=DATE:20220214
DTSTAMP:20260403T173214
CREATED:20210812T170831Z
LAST-MODIFIED:20210812T170831Z
UID:84966-1627689600-1644796799@artinamericaguide.com
SUMMARY:Many Wests: Artists Shape an American Idea
DESCRIPTION:Ideas about the American West\, both in the popular imagination and in commonly accepted historical narratives\, are often based on a past that never was\, and fail to take into account important events that actually occurred. At once\, “The West” can conjure images of rugged colonial settlers\, gun-toting-cowboys\, or vacant expanses of natural beauty. Many Wests: Artists Shape an American Idea offers multiple views of “The West” through the perspectives of forty-eight modern and contemporary artists. Their artworks question old and racist clichés\, examine tragic and marginalized histories\, and illuminate the many communities and events that continue to form this region of the United States. The exhibition explores the specific ways artists actively shape our understanding of the life\, history and myths of the American West. \nNational Tour\nMany Wests features artwork from the permanent collections of the Smithsonian American Art Museum and four partner museums located in some of the fastest-growing cities and states in the western region of the United States. The collaborating partner museums are the Boise Art Museum in Idaho; the Jordan Schnitzer Museum of Art in Eugene\, Oregon; the Utah Museum of Fine Arts in Salt Lake City; and the Whatcom Museum in Bellingham\, Washington. It is the culmination of a multi-year\, joint curatorial initiative made possible by the Art Bridges Foundation \n\nImage:\nAngel Rodríguez-Díaz\, The Protagonist of an Endless Story\, 1993\, oil on canvas\, Smithsonian American Art Museum\, Museum purchase made possible in part by the Smithsonian Latino Initiatives Pool and the Smithsonian Institution Collections Acquisition Program\, 1996.19. © 1993\, Angel Rodriguez-Diaz \n\n  Save  
URL:https://artinamericaguide.com/event/many-wests-artists-shape-an-american-idea/
LOCATION:Boise Art Museum\, 670 Julia Davis Drive\, Boise\, ID\, 83702\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/Rodriguez-Diaz-Angel_The-Protagonist.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210806T110000
DTEND;TZID=America/Halifax:20220925T180000
DTSTAMP:20260403T173214
CREATED:20220511T143406Z
LAST-MODIFIED:20220511T143406Z
UID:93525-1628247600-1664128800@artinamericaguide.com
SUMMARY:Hito Steyerl: Factory of the Sun
DESCRIPTION:SJMA presents the landmark installation Hito Steyerl’s Factory of the Sun (2015)\, a joint acquisition between the Hammer Museum in Los Angeles\, the Museum of Contemporary Art in Chicago\, and SJMA. The critically acclaimed\, immersive video debuted at the 2015 Venice Biennale. It is inspired by a quote from Donna Haraway’s Cyborg Manifesto (1985)\, describing machines as “made of pure sunlight.” In the video\, Steyerl explains: “Our machines are made of pure sunlight. Electromagnetic frequencies. Light pumping through fiberglass cables. The sun is our factory.” The premise of machines made of pure sunlight is not a romantic one for the Berlin-based artist. Steyerl has long attuned herself to the power of image and their reproduction\, particularly documentary images\, to manipulate our worldview. \nFactory of the Sun tells a surreal story of workers whose forced dance moves in a motion capture studio are turned into artificial sunshine. The story is based on an actual YouTube phenomenon (her studio assistant’s brother whose viral homemade dance videos were used as a model for Japanese anime characters) and a news story about an experiment at CERN nuclear research facility that claimed to have measured a particle traveling faster than the speed of light. On screen\, Steyerl interweaves fact and fiction; a montage of YouTube dance videos\, drone surveillance footage\, real documentation of recent international student uprisings combines with video game characters\, fake news\, and dancing\, gold lamé-costumed avatars. In this imaginative reality spun from Haraway’s theory\, the motion capture studio’s glowing grid of blue LED lights extends beyond the screen into the gallery\, like a Star Trekkian “holodeck” able to materialize a different world in three dimensions. Modern warfare\, corporate culture\, and anti-capitalist resistance movements are played out by disembodied characters—avatars\, bots\, or proxies for the human viewers who watch the video from the vantage of reclined beach chairs. \n  Save  
URL:https://artinamericaguide.com/event/hito-steyerl-factory-of-the-sun/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/05/51469682663_8f14ba3a57_o.jpeg
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=San Jose Museum of Art 110 S. Market Street San Jose CA 95113 United States;X-APPLE-RADIUS=500;X-TITLE=110 S. Market Street:geo:-121.8905201,37.3327419
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210807
DTEND;VALUE=DATE:20220302
DTSTAMP:20260403T173214
CREATED:20201012T151945Z
LAST-MODIFIED:20220228T173022Z
UID:77177-1628294400-1646179199@artinamericaguide.com
SUMMARY:Nordfeldt Connections in Wichita
DESCRIPTION:Nordfeldt Connections pairs with An American Internationalist: B. J. O. Nordfeldt to highlight this internationally regarded artist’s connections to Wichita in the 1930s. Nordfeldt was tied to our city through local son Ed Davison\, a banker and painter who summered in New Mexico and befriended many notable artists in the art colonies of Taos and Santa Fe. Nordfeldt frequently visited Davison in Wichita\, sometimes on extended stays when he lectured and taught classes. Nordfeldt Connections features work by Nordfeldt himself and his friends Ed Davison\, Birger Sandzen\, and others. \nBror Julius Olsson Nordfeldt was a modernist of international reputation. He was born in Sweden and moved with his family to the United States when 14 years old. He trained at the Art Institute of Chicago as well as the Académie Julien in Paris. Nordfeldt firmly embraced the fiercely independent spirit of modernism\, and he continued to explore different subjects and styles to remain fresh and authentic across his career.\nWith a spirit that sought new locations for new artistic inspiration\, he lived in or near artist colonies in Provincetown in Massachusetts\, Santa Fe in New Mexico\, and New Hope in Pennsylvania. \n\nImage:\nEdmund L. Davison\, Mesa Road\, 1943. Oil on canvas\, 27 x 34 inches. Wichita Art Museum\, Edmund L. and Faye Davison Collection \n\n  Save  
URL:https://artinamericaguide.com/event/nordfeldt-connections-in-wichita/
LOCATION:Wichita Art Museum\, 1400 West Museum Boulevard\, Wichita\, KS\, 67203\, United States
CATEGORIES:Exhibition
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GEO:37.6949375;-97.3561859
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Wichita Art Museum 1400 West Museum Boulevard Wichita KS 67203 United States;X-APPLE-RADIUS=500;X-TITLE=1400 West Museum Boulevard:geo:-97.3561859,37.6949375
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210829T080000
DTEND;TZID=America/Halifax:20220531T170000
DTSTAMP:20260403T173214
CREATED:20210830T125339Z
LAST-MODIFIED:20220211T204937Z
UID:85983-1630224000-1654016400@artinamericaguide.com
SUMMARY:Francie Lyshak: Solo Exhibition
DESCRIPTION:Francie Lyshak’s textured oils are discrete objects in and of themselves. The glowing pigment fields in Lyshak’s canvases\, scraped with sculptural marks\, create a surface relief that interacts with the ambient light. Dominique Nahas observies ” These surfaces are replete with strength\, subtlety and nuance…takes into consideration experiential and psychical experiences that converge in the mind’s eye as a pre-verbal type of consciousness.” \nExplore the exhibitions here: https://bit.ly/flyshaksolo \n  Save  
URL:https://artinamericaguide.com/event/francie-lyshak-solo-exhibition/
LOCATION:KTC Affiliated Artists\, New York\, NY\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/cardFrancie-Lyshak-24-x-40-small.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210829T080000
DTEND;TZID=America/Halifax:20220531T170000
DTSTAMP:20260403T173214
CREATED:20210830T125339Z
LAST-MODIFIED:20220211T205038Z
UID:85985-1630224000-1654016400@artinamericaguide.com
SUMMARY:Victoria Lowe: Solo Exhibition
DESCRIPTION:This virtual exhibition of paintings by Victoria Lowe is a survey of her work from the 70’s through more recently. John Mendelsohn writes about Lowe’s work that “In the vast space of these paintings\, we are ultimately left with our own consciousness and with a feeling of unmoored freedom.” \nVisit the exhibition here: https://bit.ly/vlowesoloshow \n  Save  
URL:https://artinamericaguide.com/event/victoria-lowe-solo-exhibition/
LOCATION:KTC Affiliated Artists\, New York\, NY\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2021/08/Screen-Shot-2021-08-27-at-4.58.00-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210829T080000
DTEND;TZID=America/Halifax:20220531T170000
DTSTAMP:20260403T173214
CREATED:20210830T125339Z
LAST-MODIFIED:20220211T205121Z
UID:85989-1630224000-1654016400@artinamericaguide.com
SUMMARY:Martin Weinstein: Solo Exhibition
DESCRIPTION:In the paintings of Martin Weinstein\, D. Dominick Lombardi notes: “Each edge of a flower petal\, every cluster or windswept leaf and each ray of sunlight can be elements that both blend and stand apart as nature observed travels through the air like a refreshing breeze or a sudden apparition. \nVisit the exhibition here: https://bit.ly/mweinsteinsoloshow \n  Save  
URL:https://artinamericaguide.com/event/martin-weinstein-solo-exhibition/
LOCATION:KTC Affiliated Artists\, New York\, NY\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2021/08/Weinstein-Venice-small-card.png
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210830T080000
DTEND;TZID=America/Halifax:20220531T170000
DTSTAMP:20260403T173214
CREATED:20210830T125339Z
LAST-MODIFIED:20220211T205336Z
UID:85993-1630310400-1654016400@artinamericaguide.com
SUMMARY:Robert Mango: Recent Work
DESCRIPTION:Robert Mango is a highly inventive painter whose surreal vision of the human form deconstructs\, then reconstructs. Mango renews and renders the figure in emotion\, light\, color\, and above all\, passion. \nExplore the exhibition here: https://bit.ly/mangosolo \n  Save  
URL:https://artinamericaguide.com/event/robert-mango-recent-work/
LOCATION:KTC Affiliated Artists\, New York\, NY\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/Mango-card.jpg
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210830T080000
DTEND;TZID=America/Halifax:20220531T170000
DTSTAMP:20260403T173214
CREATED:20210830T125339Z
LAST-MODIFIED:20220211T205148Z
UID:85995-1630310400-1654016400@artinamericaguide.com
SUMMARY:Gail Hillow Watkins: Solo Exhibition
DESCRIPTION:“Gail Hillow Watkins’s haunting references to the history of art converge with the pungent pop of comic books. It is just this play of opposites that gives Watkins’s work its particular flavor.” – John Mendelsohn \nVisit the exhibition here: https://bit.ly/ccpghwatkinsolo \n  Save  
URL:https://artinamericaguide.com/event/gail-hillow-watkins-solo-exhibition/
LOCATION:KTC Affiliated Artists\, New York\, NY\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/CARD-Gail-Hillow-Watkins-small-copy.jpeg
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210830T080000
DTEND;TZID=America/Halifax:20220531T170000
DTSTAMP:20260403T173214
CREATED:20210830T125339Z
LAST-MODIFIED:20220211T205216Z
UID:85997-1630310400-1654016400@artinamericaguide.com
SUMMARY:Lou Tavelli: Early Paintings
DESCRIPTION:In spite of the far reaching experiments in style\, this series of Lou Tavelli’s paintings are united by a deep connection to the nature and landscape of the Catskills. Even in the broad brush abstract paintings\, the viewer can sense the solidity of the surrounding mountains and the mists coming off of the lake. \nVisit Lou Tavelli’s solo exhibition here: https://bit.ly/ccpvirtualtavelli \n  Save  
URL:https://artinamericaguide.com/event/lou-tavelli-early-paintings/
LOCATION:KTC Affiliated Artists\, New York\, NY\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/LOU-TAVELLI-CARD-SMALL.jpg
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210830T080000
DTEND;TZID=America/Halifax:20220531T170000
DTSTAMP:20260403T173214
CREATED:20210830T125339Z
LAST-MODIFIED:20220211T205414Z
UID:85991-1630310400-1654016400@artinamericaguide.com
SUMMARY:Bobbie Moline-Kramer: Solo Exhibition
DESCRIPTION:A convergence of figuration and abstraction\, Moline-Kramer’s renderings of natural elements intermingle with abstract-expressionist brushstrokes – blending reality with illusion. \nVisit the exhibition here: https://bit.ly/bmksoloshow \n  Save  
URL:https://artinamericaguide.com/event/bobbie-moline-kramer-solo-exhibition/
LOCATION:KTC Affiliated Artists\, New York\, NY\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2021/08/Screen-Shot-2021-08-27-at-4.43.33-PM.png
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210830T080000
DTEND;TZID=America/Halifax:20220531T170000
DTSTAMP:20260403T173214
CREATED:20210830T125340Z
LAST-MODIFIED:20220211T205519Z
UID:85979-1630310400-1654016400@artinamericaguide.com
SUMMARY:John Lyon Paul: Solo Exhibition
DESCRIPTION:“The distinctiveness of John Lyon Paul’s paintings lies in their transitions from element to element and in the evolution of techniques visible within each work: each piece is unique but still related to the others in this series through the contradiction of a flattened surface that yields surprising depth.”\n– Jonathan Goodman \nVisit this virtual galley with the illusion of 12 foot high ceilings and over 200 running feet of wall space here: https://bit.ly/jlpsolo \n  Save  
URL:https://artinamericaguide.com/event/john-lyon-paul-solo-exhibition/
LOCATION:KTC Affiliated Artists\, New York\, NY\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/34.-JLPaul_TurningToLight-.jpg
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210830T080000
DTEND;TZID=America/Halifax:20220531T170000
DTSTAMP:20260403T173214
CREATED:20210830T125340Z
LAST-MODIFIED:20220211T205454Z
UID:85977-1630310400-1654016400@artinamericaguide.com
SUMMARY:Kaethe Kauffman: Solo Exhibition
DESCRIPTION:Kauffman’s practice as an artist is performative and photographic\, creating images of women’s bodies in a series of actions\, including yoga poses. In an expansion of the body’s own “speech” through movement\, the images combine into larger fields of replication and mirroring\, until the individual body is subsumed into a larger vision. Ms. Kauffman’s work is on view in a virtual gallery with the illusions of 18 foot high ceilings and over 25 running feet of wall space. Visit the gallery here: https://bit.ly/ccpkaufsolo \n  Save  
URL:https://artinamericaguide.com/event/kaethe-kauffman-solo-exhibition/
LOCATION:KTC Affiliated Artists\, New York\, NY\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/Neck8Brown-Green10x4-180zigzag-1.jpg
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210831T100000
DTEND;TZID=America/Halifax:20220226T170000
DTSTAMP:20260403T173214
CREATED:20211102T165041Z
LAST-MODIFIED:20211102T165041Z
UID:89714-1630404000-1645894800@artinamericaguide.com
SUMMARY:Neal Ambrose-Smith: Where Are You Going?
DESCRIPTION:With a dual exhibition title in Séliš and English\, artist Neal Ambrose-Smith queries our present\, collective situation and expresses the anxieties and uncertainties of contemporary life. Ambrose-Smith\, a descendent of the Confederated Salish and Kootenai Nations\, created this body of work over the past four years to address the seismic political and cultural shifts that have taken place. His work is typified by fluency in the mediums of printmaking\, painting\, drawing\, sculpture\, and neon\, well as a fluency in the currency of our times—popular culture. Ambrose-Smith wears his humor on his sleeve\, even as his heart is in his throat. He cares deeply about the present state of humanity and manifests this concern through these expressive artworks. Ambrose-Smith says\, “As a nation\, we face a reckoning seen the rise in anger\, racism\, hatred\, destruction of the planet\, and illness. As human beings\, we have to find a way to work together.” \n  \nIn this exhibition\, the artist uses the metaphor of multiple realities (through the use of black light\, references to Alice in Wonderland\, and Star Trek’s map of the known universe) to point out the fundamental problem with fixed solutions. A postmodern artist\, Ambrose-Smith moves between mediums and embodies the postmodern tenants of appropriation\, juxtaposition\, recontextualization\, globalization\, and hybridity. His work mixes concepts of Indigenous identity and pop culture\, with existential questions about contemporary society. He takes on large\, complicated themes such as the arc of human existence\, our interdependence with one another\, and the future direction of the planet in an accessible\, tongue-in-cheek way that connects to audiences. \n  Save  
URL:https://artinamericaguide.com/event/neal-ambrose-smith-where-are-you-going/
LOCATION:Missoula Art Museum\, 335 North Pattee Street\, Missoula\, MT\, 59802\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/11/IMG_0094.jpg
GEO:46.8724608;-113.9924585
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Missoula Art Museum 335 North Pattee Street Missoula MT 59802 United States;X-APPLE-RADIUS=500;X-TITLE=335 North Pattee Street:geo:-113.9924585,46.8724608
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210914T093000
DTEND;TZID=America/Halifax:20220306T163000
DTSTAMP:20260403T173214
CREATED:20210819T143750Z
LAST-MODIFIED:20210819T143750Z
UID:85460-1631611800-1646584200@artinamericaguide.com
SUMMARY:The O'Keeffe Circle: Artist as Gallerist and Collector
DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe found their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-garde painters with whom she showed her newest works. In time\, several artists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\, often moderating his enthusiasms with a dispassionate exactness.\n\nQuoting extensively from her letters\, this small\, two-room exhibition will explore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simple\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Keeffe’s Cedar Tree with Lavender Hills\, 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Charles Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for the support of The Robert and Constance Emken Fund of the Winston-Salem Foundation\n\nIMAGE: Arthur Dove\, Dancing (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art\n  Save  
URL:https://artinamericaguide.com/event/the-okeeffe-circle-artist-as-gallerist-and-collector/
LOCATION:Reynolda House Museum of American Art\, 2250 Reynolda Road\, Winston-Salem\, NC\, 27106\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/Dove.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211001T100000
DTEND;TZID=America/Halifax:20220226T170000
DTSTAMP:20260403T173214
CREATED:20211102T165123Z
LAST-MODIFIED:20211102T165123Z
UID:89716-1633082400-1645894800@artinamericaguide.com
SUMMARY:Below the Bark: Artworks of Disturbance Ecology
DESCRIPTION:Below the Bark exemplifies the Missoula Art Museum’s commitment to exhibits that combine societal and environmental phenomena with art. Three artists and a local scientist from the University of Montana created this exhibit in response to the bark beetle infestation\, deforestation\, and climate change. This infestation has commercial\, recreational\, and environmental impacts within western Montana and the greater North American forest ecosystems. The term “bark beetle” is typically used as a catchall for over 600 species of weevils that bore through the interior bark of trees to feed and reproduce. Tunnels can be “read” like human handwriting and give insight into the lifespan and needs of each individual beetle. This show focuses on pine and spruce bark beetles\, which have destroyed millions of acres of forests in recent years. Shifting climate patterns\, like milder winters\, allow for the proliferation of these beetles to kill off massive swaths of trees. \nThis exhibit is a collaboration between artists Jim Frazer\, Tim Musso\, and Suze Woolf. The works presented are strongly influenced by not only artistic inspiration and practice but by scientific research and philosophy. This exhibit includes linocut and woodcut prints\, photography\, handmade books\, and climate charts. \nThis exhibit is sponsored by the Holiday Inn Downtown. \n  Save  
URL:https://artinamericaguide.com/event/below-the-bark-artworks-of-disturbance-ecology/
LOCATION:Missoula Art Museum\, 335 North Pattee Street\, Missoula\, MT\, 59802\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/11/Vol-29-Codex-genetica-composite.jpg
GEO:46.8724608;-113.9924585
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Missoula Art Museum 335 North Pattee Street Missoula MT 59802 United States;X-APPLE-RADIUS=500;X-TITLE=335 North Pattee Street:geo:-113.9924585,46.8724608
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211001T100000
DTEND;TZID=America/Halifax:20220301T170000
DTSTAMP:20260403T173214
CREATED:20211102T165100Z
LAST-MODIFIED:20211102T165100Z
UID:89718-1633082400-1646154000@artinamericaguide.com
SUMMARY:Jodi Lightner: Gathered Coherence
DESCRIPTION:Billings-based artist Jodi Lightner presents a series of intricate drawings and a 30-foot site-specific installation in the atrium of the museum. Gathered Coherence draws on selections from her MAGDA exhibit Straight There and Back while focusing on her detailed architectural responses. \nJodi Lightner is an associate professor of art and chair of the art department at Montana State University\, Billings where she teaches courses that involve pencils\, paint\, and presses and oversees the foundation courses. She received her MFA in painting from Wichita State University\, Kansas\, and continues her studio practice in Montana while exploring the Northern Rocky Mountains and freeing the wild West. Lightner enjoys artist residencies focused on studio practice and has spent time at the International School of Painting\, Drawing\, and Sculpture in Monte Castello di Vibio\, Italy; Vermont Studio Center in Johnson\, Vermont; Ucross Fellowship\, Wyoming; and as an emerging artist in residency at Penn State Altoona. \n  Save  
URL:https://artinamericaguide.com/event/jodi-lightner-gathered-coherence/
LOCATION:Missoula Art Museum\, 335 North Pattee Street\, Missoula\, MT\, 59802\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/11/IMG_0646-scaled.jpg
GEO:46.8724608;-113.9924585
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Missoula Art Museum 335 North Pattee Street Missoula MT 59802 United States;X-APPLE-RADIUS=500;X-TITLE=335 North Pattee Street:geo:-113.9924585,46.8724608
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211014T090000
DTEND;TZID=America/Halifax:20220417T170000
DTSTAMP:20260403T173214
CREATED:20220214T165511Z
LAST-MODIFIED:20220214T165511Z
UID:92134-1634202000-1650214800@artinamericaguide.com
SUMMARY:Krzysztof Wodiczko: Portrait
DESCRIPTION:Explore the matters and questions of today’s democracy through a commissioned artwork by internationally renowned artist Krzysztof Wodiczko\, presented at the Harvard Art Museums in partnership with the Harvard University Graduate School of Design. \nVideo recordings capturing voices and opinions of students and young people from Harvard and the Boston area will activate the Harvard Art Museums’ iconic portrait of George Washington (c. 1795) by Gilbert Stuart\, fostering an exchange of views and responses at this time of heightened political division. \nIn conjunction with the Portrait commission\, two drawings by Wodiczko that were recently acquired by the museums will also be on display. The works are studies from the artist’s Homeless Vehicles series\, created in the late 1980s to address the emerging needs of individuals experiencing homelessness\, and as a critical response to former U.S. President Ronald Reagan’s economic policies. \nCurated by Mary Schneider Enriquez\, Houghton Curator of Modern and Contemporary Art\, Harvard Art Museums. \nThis exhibition is made possible by the Graham Gund Exhibition Fund\, held jointly by the Harvard Art Museums and the Harvard Graduate School of Design. \nIn its own galleries\, the Graduate School of Design will present a career-spanning look at Wodiczko’s work\, Interrogative Design: Selected Works of Krzysztof Wodiczko\, from October 21\, 2021 through April 8\, 2022. Before visiting\, please visit the GSD’s website for up-to-date information on public access to the school’s galleries. \nShare your experience: #KrzysztofWodiczko #HarvardArtMuseums \n  Save  
URL:https://artinamericaguide.com/event/krzysztof-wodiczko-portrait/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/02/HAM-WODICZKO-ARTS-BOSTON-24.5x49-11-09.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211015
DTEND;VALUE=DATE:20220207
DTSTAMP:20260403T173214
CREATED:20211102T133831Z
LAST-MODIFIED:20211102T133831Z
UID:89705-1634256000-1644191999@artinamericaguide.com
SUMMARY:Budding Earth
DESCRIPTION:In nature there are endless examples of remarkable design\, where things take form through the interplay of rule\, repetition and deviation. Artist Carl Boutard focuses on these elements in his and Ásmundur Sveinsson‘s exhibition. Carl’s sculptural practice has been shaped by his devotion to the environment\, both natural and man-made. Often situated or created in public space\, his work reflects on the relationship between human beings\, nature and culture. Carl describes himself as a “traditional sculptor” referring to his emphasis on material and form\, and the function of the works to change depending on the point of view from which they are viewed. The works may appear abstract\, but are often drawn from natural forms that can be found in the tiny plant kingdom or in the vast universe. \nMuch of Carl Boutard’s art practice has a counterpart in the lifework of Ásmundur Sveinsson. It is exciting to see the work of these sculptors from different times juxtaposed together. Visitors gain new perspective on the heritage of the well-known and cared for artist through a contemporary lens – within the beautiful environment of Ásmundarsafn and the surrounding garden. Carl presents new sculptures together with selected works by Ásmundur from his extensive career. He brings forward works by Ásmundur that reflect his interest in man’s relationship with nature. Ásmundur often personified nature in human form or semi-abstract figures and he also brought different natural phenomena into abstract form. The exhibition draws its title from a wooden sculpture\, Budding Earth from 1945\, where nature takes the shape of a woman\, but the forms also reflect trees or vegetation reaching form the ground to the sky. \nÁsmundur Sveinson (1893-1982) was a pioneer in Icelandic art. He studied classical sculpture and worked in traditional subjects at the beginning. His subjects were related to the local environment\, nature\, working classes\, legends and sagas. In the sixties he deviated from the figurative methods that previously characterized his artistic creation and increasingly began to use abstract imagery. His subjects became more intangible and connected to natural phenomena\, laws and physics. Unconventional material became prominent in his works and often overtook the outcome of individual works; at the same time\, he adopted freer methods by working directly with the material. Ásmundur built his studio and home\, the Dome\, in several stages during the years 1942-59. \nCarl Boutard\, born 1975 in Kiruna\, has studied at Malmö Art Academy and Iceland University of the Arts\, Reykjavik. In addition\, he has studied architecture at the Royal Institute of Technology in Stockholm. Boutard’s work has been shown at Malmö Art Museum\, Lunds Konsthall\, Sven-Harrys konstmuseum\, Artipelag\, Bonniers Konsthall and Centre Culturel Suédois in Paris. Boutard was awarded the ISCP-scholarship in New York in 2015 and his public commissions include sites in Stockholm\, Uppsala\, Karlstad\, Lund and Heidenheim\, Germany. He is represented in the collections at Malmö Art Museum\, Public Art Agency Sweden and Skissernas Museum – Museum of Artistic Process and Public Art in Lund. Carl is Assistant Professor at the Department of Fine Art at Iceland University of the Arts. \n  Save  
URL:https://artinamericaguide.com/event/budding-earth/
LOCATION:Ásmundarsafn\, Sigtún 44\, Reykjavík\, Reykjavík\, 105\, Iceland
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/11/Brot-af-grenigrein-glerjadur-steinleir-Fragment-of-a-spruce-twig-Celadon-glazed-stoneware-30_1-2021.-scaled.jpg
ORGANIZER;CN="Reykjav&iacute%3Bk Art Museum - &Aacute%3Bsmundarsafn":MAILTO:artmuseum@reykjavik.is
GEO:64.1424435;-21.8879081
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ásmundarsafn Sigtún 44 Reykjavík Reykjavík 105 Iceland;X-APPLE-RADIUS=500;X-TITLE=Sigtún 44:geo:-21.8879081,64.1424435
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211015
DTEND;VALUE=DATE:20230502
DTSTAMP:20260403T173214
CREATED:20210830T210225Z
LAST-MODIFIED:20221026T173030Z
UID:86151-1634256000-1682985599@artinamericaguide.com
SUMMARY:Debut
DESCRIPTION:Opening in fall of 2021\, Debut will feature artwork from the Spencer Museum’s collection that has never been exhibited in our building since it opened in 1978. The eclectic artwork assembled is explored through seven broad thematic sections. Debut will remain on view for the duration of Phase II renovation and the complete reinstall of our fourth-floor collection galleries. As we undergo these transformative changes\, Debut presents previously unseen works in conversation with more familiar art from the collection that is frequently used for teaching and research. This exhibition is supported by Friends of the Art Museum\, KU Student Senate\, and the Linda Inman Bailey Exhibitions Fund. \n  Save  
URL:https://artinamericaguide.com/event/debut/
LOCATION:Spencer Museum of Art\, University of Kansas\, 1301 Mississippi St.\, Lawrence\, KS\, 66045\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/2014.0090.jpg
ORGANIZER;CN="Spencer Museum of Art%2C University of Kansas":MAILTO:spencerart@ku.edu
GEO:38.9596803;-95.244588
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Spencer Museum of Art University of Kansas 1301 Mississippi St. Lawrence KS 66045 United States;X-APPLE-RADIUS=500;X-TITLE=1301 Mississippi St.:geo:-95.244588,38.9596803
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211020
DTEND;VALUE=DATE:20220501
DTSTAMP:20260403T173214
CREATED:20210811T191625Z
LAST-MODIFIED:20210811T191625Z
UID:84861-1634688000-1651363199@artinamericaguide.com
SUMMARY:ARTE POVERA / Postwar Italian Art from the Margulies Collection
DESCRIPTION:Drawing on never before seen works from the private collection and new acquisitions\, we will present the story of Italian artists who were subverting traditional methods of making art within the changing culture of Postwar Italy. This will be a notable exhibition for South Florida giving students and visitors an opportunity to explore Italian Art and Culture at the turn of the 20th century. Featuring works by Alighiero Boetti\, Pier Paolo Calzolari\, Luciano Fabro\, Jannis Kounellis\, Giulio Paolini\, Michelangelo Pistoletto and Mario Merz. \n\nImage:\nLuciano Fabro\, Il giorno mi pesa sulla notte I\, 1994 \n\n  Save  
URL:https://artinamericaguide.com/event/arte-povera-postwar-italian-art-from-the-margulies-collection/
LOCATION:The Margulies Collection at the Warehouse\, 591 NW 27th Street\, Miami\, FL\, 33127\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/4513c6b7ef5235c80bfd7d7cc61125bf.jpg
GEO:25.8020999;-80.2048973
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Margulies Collection at the Warehouse 591 NW 27th Street Miami FL 33127 United States;X-APPLE-RADIUS=500;X-TITLE=591 NW 27th Street:geo:-80.2048973,25.8020999
END:VEVENT
END:VCALENDAR