BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Art in America Guide - ECPv6.7.0//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://artinamericaguide.com
X-WR-CALDESC:Events for Art in America Guide
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE

END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260403T182909
DTEND;TZID=America/Halifax:20230107T180000
DTSTAMP:20260403T182909
CREATED:20230109T180703Z
LAST-MODIFIED:20230109T180703Z
UID:101329-0-1673114400@artinamericaguide.com
SUMMARY:Joanne Freeman: New York Conversation
DESCRIPTION:Kathryn Markel Fine Arts is thrilled to announce New York Conversation\, an upcoming exhibition of new work by Joanne Freeman. New York Conversation is Freeman’s third solo exhibition with the gallery. The show will be accompanied by a group show curated by Freeman titled Betty and Veronica. They will run concurrently from January 5th – February 11th\, 2023. \n  \n“New York Conversation references my studio process\, and metaphorically describes the random thoughts\, snippets of conversation\, lyrics and memories that ebb and flow over the course of a painting. Visual signs\, nostalgia and the emotional residue of color\, guide my aesthetic choices\,” Freeman says. While intuitive\, Freeman’s stencil-like forms and irregular hard-edge curves harken Modernism and minimalist sensibilities. This is heightened by a palette of saturated primary colors\, or monochromatic works.   “My paintings reference forms found in architecture and design\,” she says.  “I create compositions based on loose geometry and layered saturated colors. The hard edge process of cutting shapes and layering color onto treated raw linen\, recalls qualities of mid-century low-tech graphics\, color field painting and collage\,” she continues.  \n  \nThe forms are hard-edged while still breathy and organic.  The subtle transparencies at the edges of the forms and the contrast of the brushstrokes across the tooth of linen reveal the artist’s hand. “When applying oil paint to linen I try to accentuate the inherent qualities of both mediums\,” she says. “ I consider both the transparency and opacity of the colors\, how they abut and overlap\, and how they respond to the textured tooth of the linen.” She is mindful of each medium’s materiality when painting.  Her saturated colors in either gouache or oil paint are absorbed by the handmade paper or linen\, enhancing the modernist flatness of her forms and use of space. “My reductive abstract paintings are about the beauty of singular color\, the impact of pure abstract forms and the quiet order that cuts through the noise\,” Freeman says.  \n  \nJoanne Freeman has had solo exhibitions in galleries around the United States\, and shown at The Queens Museum\, Zillman Art Museum University of Maine\, The Painting Center\, and the Cape Cod Museum of Art. She’s a 2021 recipient of the Pollock-Krasner Foundation Grant\, and the Vice President of the American Abstract Artists organization. She has her M.A in Studio Art from New York University\, and lives and works in New York City. \n  Save  
URL:https://artinamericaguide.com/event/joanne-freeman-new-york-conversation/
LOCATION:Kathryn Markel Fine Arts\, 529 West 20th\, Suite 6W\, New York\, NY\, 10011\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/01/install5-scaled.jpg
ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
GEO:40.9365358;-72.3040792
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Kathryn Markel Fine Arts 529 West 20th Suite 6W New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=529 West 20th\, Suite 6W:geo:-72.3040792,40.9365358
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260403T182909
DTEND;TZID=America/Halifax:20230128T180000
DTSTAMP:20260403T182909
CREATED:20230109T180750Z
LAST-MODIFIED:20230109T180750Z
UID:101313-0-1674928800@artinamericaguide.com
SUMMARY:2023 Winter Juried Exhibitions
DESCRIPTION:BLUE MOUNTAIN GALLERY is pleased to present the work of 47 artists\, 51 pieces of artwork\, selected by Eric Holzman for this year’s winter juried exhibition. The artists\, drawn from over two hundred applicants from across the country\, work in a wide range of media\, including oil\, acrylic\, pastel\, gouache\, photography and mixed media.  \n​Heidi Alamanda \, Marilyn Allen\, Hilary Houston Bachelder\, James Baker\, Nina Kardon Baran\, Bob Barnett\, Raymond Berry\, Leslie Blackmon\, Pam Bowers\, Nancy Breakstone\, Karina Cavat\, Audrey Cohn-Ganz\, Elizabeth Courtney\, Anne Delaney\, Stephanie DeManuelle\, Kiran K Dhaliwal\, Janine Dunn Wade\, Melanie Essex\, Tom Fitzharris\, Meghan Fleming\, Nancy Granda\, Theresa Heidig Rooney\, Teresa Jade Jarzynski\, Moishe Kampin\, Sam Kelly\, Michele King\, Laura Levine\, Pattie Lipman\, Aaron Lubrick\, Manuel Alejandro Macarrulla\, James McKenna\, Elizabeth Meyersohn\, Mark. Milroy\, Blake Morgan\, Arnaldo J Rivera Rivera\, Gail Rodney\, Rebecca Gray Rolke\, Roxy Rubell\, Alyssa Schmidt\, Abbey Stace\, Leslie Ross Stephens\, Yuri Tayshete\, Preston Trombly\, Laura Vahlberg\, Ekaterina Vanovskaya\, Aidan White and Lenore Wolf. \n​Juror ERIC HOLZMAN has been painting and searching for connection in nature and other representational genres all his life. He is a romantic and a classicist who looks into the inner nature of things and tries to walk “The Beauty Way.” He was educated at Tyler School of Art\, Yale\, Skowhegan and the New York Studio School. Eric has taught at Pratt\, the New York Studio School\, and Bard College among others. He is a National Academician and has exhibited twice at the American Academy\, winning awards from both institutions.  Eric has also shown work at Lori Bookstein\, Tibor de Nagy\, Sideshow and Artist Equity\, all in NYC\, and at Gremillion Fine Art and Ellio Fine Art in Houston\, Texas. He has received many honors\, including grants and fellowships from the Guggenheim Foundation\, the NEA\, the Pollock Krasner Foundation\, the Gottlieb Foundation and the Louis Comfort Tiffany Foundation. Website: www.ericholzman.com \n\n  Save  
URL:https://artinamericaguide.com/event/2023-winter-juried-exhibitions/
LOCATION:Blue Mountain Gallery\, 547 W 27th St\, Suite 200\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/01/2023-artists-rectangle.jpg
ORGANIZER;CN="Blue Mountan Gallery":MAILTO:info@bluemountaingallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T182909
DTEND;TZID=America/New_York:20250920T170000
DTSTAMP:20260403T182909
CREATED:20250722T184747Z
LAST-MODIFIED:20250722T184747Z
UID:114023-0-1758387600@artinamericaguide.com
SUMMARY:August-September @ Art Works!
DESCRIPTION:Throughout August Art Works is open to the public\, offering a variety of engaging exhibits. Adam and Anita Bradley present life-size figurative sculptures and paintings capturing a chaotic world. Mike Bily’s exhibit investigates ecosystems; Sharon Denmark captures light flowing through glass. Rachel Rowden exhibit is a portal of mysteries and Rebecca Visger provides a view from behind the wheel. Blake Bottoms exhibit is featured in the Community Bridge Project. \n  \nJoin us for a fun-filled scavenger hunt with prizes\, perfect for both the young and the young at heart. The activity culminates with prizes for all who participate. We also offer figure drawing sessions on the 1st and 3rd Sundays and Queer Life Drawing at Gold Lion Community Café on August 20th.  \n  \nBradley + Bradley: The Weight of Vanishing Shadows \nAdam and Anita Bradley explore the human condition through their unique mediums. Adam presents life-sized figurative sculptures in wood\, steel\, ceramics\, and smaller bronze pieces\, reflecting themes of anxiety\, loss\, and grief. Anita complements this with layered paintings and mixed media collages\, capturing the struggle for order in a chaotic world. Their intertwined approaches invite contemplation of deep human experiences. \n  \nThe exhibition will be in the Jane Sandelin Gallery at Art Works and will continue through September 20\, 2025. \n  \n  \nArtifacts by Anne Chamblin \nAnne Chamblin’s work is about merging sight and feeling. For her\, painting is a way to process what she experiences. She brings spaces\, places\, and faces to life on canvas\, turning bodies into landscapes and using layers to hint at the passage of time. Anne constantly reworks her paintings\, always keeping a bit of the past to shape the present. Her journey is grounded in everyday experiences\, resulting in unique\, relatable art. \n  \nThe exhibit will be in the Centre Gallery at Art Works through September 20\, 2025. \n  \n  \n  \n  \n  \nBetween Worlds by Hannah Anderson \n  \nAmerican abstract artist Hannah Anderson (b. 1953)\, raised in the simplicity of a Quaker household\, rediscovered her love for painting in 1990 with a Crayon watercolor set. Self-taught and inspired by contemporary artists\, her work reflects the light and dark periods of her life\, blending elements of nature and archetypal symbols from healing traditions. Her debut exhibit\, Between Worlds\, explores the liminal space between worlds and relationships. Hannah resides in Richmond\, Virginia\, and finds inspiration in Taos\, New Mexico. \n  \nThe exhibit will be in the Corner Gallery at Art Works through September 20\, 2025. \n  \n\nMental Health Matters: Celebrating Resilience Through Art All Media Show\nThis exhibit is a focal point of all Art Works’ openings. It is a juried show with cash prizes for 1st\, 2nd and 3rd place. The show is open to all artists and all mediums. \n  \nIn August the theme is Mental Health Matters: Celebrating Resilience Through Art. The community has donated terrific items that we will be auctioning to benefit NAMI\, and Art Works will donate the sales from the All Media Show to NAMI. \nWonJung Choi an international artist and educator\, will be the juror for the exhibit. Wonjung Choi is a Korean-born\, Virginia-based artist whose multidisciplinary work delves into the complexities of identity formation in a globalized world. See more on WonJung’s website: Click here. \n  \nCall for entries is July 15  – August 10\, 2025\, and may be submitted through the online form. The exhibit will be in the Port Gallery at Art Works through September 18\, 2025. Check our website for details on submitting artwork:  Call for Entries \n  Save  
URL:https://artinamericaguide.com/event/august-september-art-works-2/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/07/PR-2025.08-Anne-Chamblin-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T182909
DTEND;TZID=America/New_York:20250926T200000
DTSTAMP:20260403T182909
CREATED:20250903T144946Z
LAST-MODIFIED:20250903T144946Z
UID:114439-0-1758916800@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Opening Reception @ Art Works!
DESCRIPTION:4th Friday September 26th at Art Works \n  \nJoin us on September 26\, 2025 from 6 p.m. to 8 p.m. for an exciting opening reception of our new exhibits at Art Works. Meet the talented artists\, and enjoy live music\, refreshments\, and libations sponsored by RVA Thriving Artists.  The featured artists are Adam Reinhart\, Jen Cook-Asaro\, Sarah Miller\, Tatiana Grace\, Kenneth Lee\, and experiment with interactive art by RVA Game Jams. \n  \nThis event is free and open to the public. Convenient and free parking is available. The exhibits will continue through October 18\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-opening-reception-art-works-56/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/PR-2025.09-Game-Jam-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T182909
DTEND;TZID=America/New_York:20250927T180000
DTSTAMP:20260403T182909
CREATED:20250811T200044Z
LAST-MODIFIED:20250811T200044Z
UID:114212-0-1758996000@artinamericaguide.com
SUMMARY:Heather Stivison\, “Ebb & Flow”\, a Solo Exhibition
DESCRIPTION:In this her third New York City solo exhibition\, Heather Stivison explores the intersection of environmental science and visual art with a series of immersive paintings of the ocean. \nStivison paintings capture the essence of water—something clear and colorless\, with its shape formed entirely by the external forces of objects\, land\, wind\, gravity. Searching for water’s most primary qualities\, she uses light\, color\, form\, shape\, line\, to engender a sense of water. Fluidity\, reflections\, rhythms are evident in her ocean surface paintings. Stivison is fascinated by the reflections and patterns created by the coastal ocean surface. She paints variations on patterns\, exploring how much she can change them and still maintain the sense that the subject is surface water. \nCurator and director of Manhattan Arts International Renee Phillips writes: \n“Stivison ventures beyond nature’s physical boundaries into abstraction with the profusion of free-flowing biomorphic patterns and tonal ranges. In her paintings the innate attributes of water evolve into metaphors\, symbolism and visual poetry.” \nThe exhibition includes a massive 110-inch quadriptych that explores the sense of weightlessness and mystery that she finds in the imagining unknown ocean depths. Other paintings explore surface water patterns as abstract design. \nIndependent curator Kathy Imlay writes: \n“Stivison’s paintings have a luminous glow—accomplished by the artist building up layer upon layer of viscous paint\, which she pours\, smears\, scrapes and otherwise manipulates to create fields of color that conjure the watery depths of the ocean or intergalactic space\, depending on the palette.” \nSome of the paintings on view are the result of her multi-year\, grant funded collaboration with Noah Germolus\, a scientist at Woods Hole Oceanographic Institute who was researching ocean chemistry. Stivison created two paintings about him and his work\, and four five-foot paintings that interpret his research data in paint. \nThe collaboration led to a unique special feature of this exhibition. After Stivison interpreted his data in paint\, he in turn\, interpreted four of her paintings in music. The exhibition includes an on-demand sound installation of original jazz music composed and performed by Germolus. \n  Save  
URL:https://artinamericaguide.com/event/heather-stivison-ebb-flow-a-solo-exhibition/
LOCATION:Pleiades Gallery\, 547 W 27th St. Suite 304\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/stivison-heather_Coastal-Surface-Community_48x60_Oil-over-Acrylic-on-Canvas.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T182909
DTEND;TZID=America/New_York:20251018T170000
DTSTAMP:20260403T182909
CREATED:20250903T144946Z
LAST-MODIFIED:20250903T144946Z
UID:114443-0-1760806800@artinamericaguide.com
SUMMARY:September - October Exhibits @ Art Works!
DESCRIPTION:Now showing six new exhibits. The featured artists are Adam Reinhart\, Jen Cook-Asaro\, Sarah Miller\, Tatiana Grace\, Kenneth Lee\, and experiment with interactive art by RVA Game Jams. Also see 80+ working artist studios. \nVisit us Tuesdays through Sundays 11am- 5pm. Admission is free and open to the public. Convenient and free parking is available. The exhibits will continue through October 18\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/september-october-exhibits-art-works-4/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/PR-2025.09-Game-Jam-1-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T182909
DTEND;TZID=America/New_York:20251122T170000
DTSTAMP:20260403T182909
CREATED:20250908T192551Z
LAST-MODIFIED:20250908T192551Z
UID:114572-0-1763830800@artinamericaguide.com
SUMMARY:October - November Exhibits @ Art Works!
DESCRIPTION:Now showing six new exhibits. The featured artists are Blake Seals\, Felicia L. Reed\, Adam Reinhard\, Sorvino\, and Tobi Holtslag. Also see 80+ working artist studios. \nVisit us Tuesdays through Sundays 11am- 5pm. Admission is free and open to the public. Convenient and free parking is available. The exhibits will continue through November 22nd 2025. \n  Save  
URL:https://artinamericaguide.com/event/october-november-exhibits-art-works-5/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/09/PR-2025.10-Chris-Semtner-3-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:jessie@artworksrva.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T182909
DTEND;TZID=America/New_York:20260221T180000
DTSTAMP:20260403T182909
CREATED:20260120T172859Z
LAST-MODIFIED:20260120T172859Z
UID:115685-0-1771696800@artinamericaguide.com
SUMMARY:Robert Braczyk: Cardinal Directions
DESCRIPTION:Exhibition Dates: January 27 – February 21\, 2026\nOpening Reception: Thurs.\, January 29\, 2026\, 5PM-8PM\nArtist Talk: Saturday\, February 14\, 2026\, 3PM-4PM\nGallery Hours: Tuesday – Saturday\, 11AM-6PM \nBowery Gallery is pleased to present “Cardinal Directions\,” an exhibition of new sculpture by Robert Braczyk.  \nFor many years a prize-winning figurative sculptor\, in recent years Braczyk has turned to abstraction. In his new work—most about 24 inches high—he assembles various tree elements into vertical compositions that echo figural forms\, but whose abstract vocabulary of open volumes and discontinuous contours suggests the possibility of multiple allusions. Each work evinces a powerful spatial tension between the cardinal point from which it is begun and the complex three-dimensional image that Braczyk builds with primary thrust\, axis\, and meridian.  \nBraczyk’s trajectory from figure to abstract figure may be seen as a temporal through line connecting the events of a life. The artist’s comment that he brings all his life’s experiences into the studio reminds us that in the long arc of his career\, the spatial and temporal are never far apart. \nView the exhibition website. \n  \nBowery Gallery\n547 W. 27th Street\, Suite 508\nNew York\, NY 10001 \n  Save  
URL:https://artinamericaguide.com/event/robert-braczyk-cardinal-directions/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/Braczyk_Reel_for_eVite-and_Web_landing-page-scaled.jpg
ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bowery Gallery 547 W 27TH ST Suite 508 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=547 W 27TH ST Suite 508:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210604T110000
DTEND;TZID=America/Halifax:20220403T180000
DTSTAMP:20260403T182909
CREATED:20220302T164128Z
LAST-MODIFIED:20220302T164128Z
UID:90880-1622804400-1649008800@artinamericaguide.com
SUMMARY:Break + Bleed
DESCRIPTION:Like the break of a line or page and the bleed of various elements beyond the edge or boundary of a certain area\, the artworks in Break + Bleed oscillate between ideas of linearity and geometry and overlapping planes of color and form. Drawn primarily from SJMA’s permanent collection\, the exhibition features artwork by Josef Albers\, Karl Benjamin\, Linda Besemer\, Tony DeLap\, Sam Francis\, Sonia Gechtoff\, Helen Lundeberg\, Brice Marden\, John McLaughlin\, Ted Stamm\, Frank Stella\, Patrick Wilson\, and Leo Valledor\, among others. \n  Save  
URL:https://artinamericaguide.com/event/break-bleed/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/01/SJMA_BB_6-2021_002.jpg
GEO:37.3327419;-121.8905201
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=San Jose Museum of Art 110 S. Market Street San Jose CA 95113 United States;X-APPLE-RADIUS=500;X-TITLE=110 S. Market Street:geo:-121.8905201,37.3327419
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210806T110000
DTEND;TZID=America/Halifax:20220925T180000
DTSTAMP:20260403T182909
CREATED:20220511T143406Z
LAST-MODIFIED:20220511T143406Z
UID:93525-1628247600-1664128800@artinamericaguide.com
SUMMARY:Hito Steyerl: Factory of the Sun
DESCRIPTION:SJMA presents the landmark installation Hito Steyerl’s Factory of the Sun (2015)\, a joint acquisition between the Hammer Museum in Los Angeles\, the Museum of Contemporary Art in Chicago\, and SJMA. The critically acclaimed\, immersive video debuted at the 2015 Venice Biennale. It is inspired by a quote from Donna Haraway’s Cyborg Manifesto (1985)\, describing machines as “made of pure sunlight.” In the video\, Steyerl explains: “Our machines are made of pure sunlight. Electromagnetic frequencies. Light pumping through fiberglass cables. The sun is our factory.” The premise of machines made of pure sunlight is not a romantic one for the Berlin-based artist. Steyerl has long attuned herself to the power of image and their reproduction\, particularly documentary images\, to manipulate our worldview. \nFactory of the Sun tells a surreal story of workers whose forced dance moves in a motion capture studio are turned into artificial sunshine. The story is based on an actual YouTube phenomenon (her studio assistant’s brother whose viral homemade dance videos were used as a model for Japanese anime characters) and a news story about an experiment at CERN nuclear research facility that claimed to have measured a particle traveling faster than the speed of light. On screen\, Steyerl interweaves fact and fiction; a montage of YouTube dance videos\, drone surveillance footage\, real documentation of recent international student uprisings combines with video game characters\, fake news\, and dancing\, gold lamé-costumed avatars. In this imaginative reality spun from Haraway’s theory\, the motion capture studio’s glowing grid of blue LED lights extends beyond the screen into the gallery\, like a Star Trekkian “holodeck” able to materialize a different world in three dimensions. Modern warfare\, corporate culture\, and anti-capitalist resistance movements are played out by disembodied characters—avatars\, bots\, or proxies for the human viewers who watch the video from the vantage of reclined beach chairs. \n  Save  
URL:https://artinamericaguide.com/event/hito-steyerl-factory-of-the-sun/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/05/51469682663_8f14ba3a57_o.jpeg
GEO:37.3327419;-121.8905201
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=San Jose Museum of Art 110 S. Market Street San Jose CA 95113 United States;X-APPLE-RADIUS=500;X-TITLE=110 S. Market Street:geo:-121.8905201,37.3327419
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210829T080000
DTEND;TZID=America/Halifax:20220531T170000
DTSTAMP:20260403T182909
CREATED:20210830T125339Z
LAST-MODIFIED:20220211T204937Z
UID:85983-1630224000-1654016400@artinamericaguide.com
SUMMARY:Francie Lyshak: Solo Exhibition
DESCRIPTION:Francie Lyshak’s textured oils are discrete objects in and of themselves. The glowing pigment fields in Lyshak’s canvases\, scraped with sculptural marks\, create a surface relief that interacts with the ambient light. Dominique Nahas observies ” These surfaces are replete with strength\, subtlety and nuance…takes into consideration experiential and psychical experiences that converge in the mind’s eye as a pre-verbal type of consciousness.” \nExplore the exhibitions here: https://bit.ly/flyshaksolo \n  Save  
URL:https://artinamericaguide.com/event/francie-lyshak-solo-exhibition/
LOCATION:KTC Affiliated Artists\, New York\, NY\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/cardFrancie-Lyshak-24-x-40-small.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210829T080000
DTEND;TZID=America/Halifax:20220531T170000
DTSTAMP:20260403T182909
CREATED:20210830T125339Z
LAST-MODIFIED:20220211T205038Z
UID:85985-1630224000-1654016400@artinamericaguide.com
SUMMARY:Victoria Lowe: Solo Exhibition
DESCRIPTION:This virtual exhibition of paintings by Victoria Lowe is a survey of her work from the 70’s through more recently. John Mendelsohn writes about Lowe’s work that “In the vast space of these paintings\, we are ultimately left with our own consciousness and with a feeling of unmoored freedom.” \nVisit the exhibition here: https://bit.ly/vlowesoloshow \n  Save  
URL:https://artinamericaguide.com/event/victoria-lowe-solo-exhibition/
LOCATION:KTC Affiliated Artists\, New York\, NY\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2021/08/Screen-Shot-2021-08-27-at-4.58.00-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210829T080000
DTEND;TZID=America/Halifax:20220531T170000
DTSTAMP:20260403T182909
CREATED:20210830T125339Z
LAST-MODIFIED:20220211T205121Z
UID:85989-1630224000-1654016400@artinamericaguide.com
SUMMARY:Martin Weinstein: Solo Exhibition
DESCRIPTION:In the paintings of Martin Weinstein\, D. Dominick Lombardi notes: “Each edge of a flower petal\, every cluster or windswept leaf and each ray of sunlight can be elements that both blend and stand apart as nature observed travels through the air like a refreshing breeze or a sudden apparition. \nVisit the exhibition here: https://bit.ly/mweinsteinsoloshow \n  Save  
URL:https://artinamericaguide.com/event/martin-weinstein-solo-exhibition/
LOCATION:KTC Affiliated Artists\, New York\, NY\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2021/08/Weinstein-Venice-small-card.png
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210830T080000
DTEND;TZID=America/Halifax:20220531T170000
DTSTAMP:20260403T182909
CREATED:20210830T125339Z
LAST-MODIFIED:20220211T205414Z
UID:85991-1630310400-1654016400@artinamericaguide.com
SUMMARY:Bobbie Moline-Kramer: Solo Exhibition
DESCRIPTION:A convergence of figuration and abstraction\, Moline-Kramer’s renderings of natural elements intermingle with abstract-expressionist brushstrokes – blending reality with illusion. \nVisit the exhibition here: https://bit.ly/bmksoloshow \n  Save  
URL:https://artinamericaguide.com/event/bobbie-moline-kramer-solo-exhibition/
LOCATION:KTC Affiliated Artists\, New York\, NY\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2021/08/Screen-Shot-2021-08-27-at-4.43.33-PM.png
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210830T080000
DTEND;TZID=America/Halifax:20220531T170000
DTSTAMP:20260403T182909
CREATED:20210830T125339Z
LAST-MODIFIED:20220211T205336Z
UID:85993-1630310400-1654016400@artinamericaguide.com
SUMMARY:Robert Mango: Recent Work
DESCRIPTION:Robert Mango is a highly inventive painter whose surreal vision of the human form deconstructs\, then reconstructs. Mango renews and renders the figure in emotion\, light\, color\, and above all\, passion. \nExplore the exhibition here: https://bit.ly/mangosolo \n  Save  
URL:https://artinamericaguide.com/event/robert-mango-recent-work/
LOCATION:KTC Affiliated Artists\, New York\, NY\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/Mango-card.jpg
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210830T080000
DTEND;TZID=America/Halifax:20220531T170000
DTSTAMP:20260403T182909
CREATED:20210830T125339Z
LAST-MODIFIED:20220211T205148Z
UID:85995-1630310400-1654016400@artinamericaguide.com
SUMMARY:Gail Hillow Watkins: Solo Exhibition
DESCRIPTION:“Gail Hillow Watkins’s haunting references to the history of art converge with the pungent pop of comic books. It is just this play of opposites that gives Watkins’s work its particular flavor.” – John Mendelsohn \nVisit the exhibition here: https://bit.ly/ccpghwatkinsolo \n  Save  
URL:https://artinamericaguide.com/event/gail-hillow-watkins-solo-exhibition/
LOCATION:KTC Affiliated Artists\, New York\, NY\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/CARD-Gail-Hillow-Watkins-small-copy.jpeg
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210830T080000
DTEND;TZID=America/Halifax:20220531T170000
DTSTAMP:20260403T182909
CREATED:20210830T125339Z
LAST-MODIFIED:20220211T205216Z
UID:85997-1630310400-1654016400@artinamericaguide.com
SUMMARY:Lou Tavelli: Early Paintings
DESCRIPTION:In spite of the far reaching experiments in style\, this series of Lou Tavelli’s paintings are united by a deep connection to the nature and landscape of the Catskills. Even in the broad brush abstract paintings\, the viewer can sense the solidity of the surrounding mountains and the mists coming off of the lake. \nVisit Lou Tavelli’s solo exhibition here: https://bit.ly/ccpvirtualtavelli \n  Save  
URL:https://artinamericaguide.com/event/lou-tavelli-early-paintings/
LOCATION:KTC Affiliated Artists\, New York\, NY\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/LOU-TAVELLI-CARD-SMALL.jpg
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210830T080000
DTEND;TZID=America/Halifax:20220531T170000
DTSTAMP:20260403T182909
CREATED:20210830T125340Z
LAST-MODIFIED:20220211T205454Z
UID:85977-1630310400-1654016400@artinamericaguide.com
SUMMARY:Kaethe Kauffman: Solo Exhibition
DESCRIPTION:Kauffman’s practice as an artist is performative and photographic\, creating images of women’s bodies in a series of actions\, including yoga poses. In an expansion of the body’s own “speech” through movement\, the images combine into larger fields of replication and mirroring\, until the individual body is subsumed into a larger vision. Ms. Kauffman’s work is on view in a virtual gallery with the illusions of 18 foot high ceilings and over 25 running feet of wall space. Visit the gallery here: https://bit.ly/ccpkaufsolo \n  Save  
URL:https://artinamericaguide.com/event/kaethe-kauffman-solo-exhibition/
LOCATION:KTC Affiliated Artists\, New York\, NY\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/Neck8Brown-Green10x4-180zigzag-1.jpg
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210830T080000
DTEND;TZID=America/Halifax:20220531T170000
DTSTAMP:20260403T182909
CREATED:20210830T125340Z
LAST-MODIFIED:20220211T205519Z
UID:85979-1630310400-1654016400@artinamericaguide.com
SUMMARY:John Lyon Paul: Solo Exhibition
DESCRIPTION:“The distinctiveness of John Lyon Paul’s paintings lies in their transitions from element to element and in the evolution of techniques visible within each work: each piece is unique but still related to the others in this series through the contradiction of a flattened surface that yields surprising depth.”\n– Jonathan Goodman \nVisit this virtual galley with the illusion of 12 foot high ceilings and over 200 running feet of wall space here: https://bit.ly/jlpsolo \n  Save  
URL:https://artinamericaguide.com/event/john-lyon-paul-solo-exhibition/
LOCATION:KTC Affiliated Artists\, New York\, NY\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/34.-JLPaul_TurningToLight-.jpg
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210914T093000
DTEND;TZID=America/Halifax:20220306T163000
DTSTAMP:20260403T182909
CREATED:20210819T143750Z
LAST-MODIFIED:20210819T143750Z
UID:85460-1631611800-1646584200@artinamericaguide.com
SUMMARY:The O'Keeffe Circle: Artist as Gallerist and Collector
DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe found their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-garde painters with whom she showed her newest works. In time\, several artists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\, often moderating his enthusiasms with a dispassionate exactness.\n\nQuoting extensively from her letters\, this small\, two-room exhibition will explore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simple\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Keeffe’s Cedar Tree with Lavender Hills\, 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Charles Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for the support of The Robert and Constance Emken Fund of the Winston-Salem Foundation\n\nIMAGE: Arthur Dove\, Dancing (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art\n  Save  
URL:https://artinamericaguide.com/event/the-okeeffe-circle-artist-as-gallerist-and-collector/
LOCATION:Reynolda House Museum of American Art\, 2250 Reynolda Road\, Winston-Salem\, NC\, 27106\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/Dove.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211014T090000
DTEND;TZID=America/Halifax:20220417T170000
DTSTAMP:20260403T182909
CREATED:20220214T165511Z
LAST-MODIFIED:20220214T165511Z
UID:92134-1634202000-1650214800@artinamericaguide.com
SUMMARY:Krzysztof Wodiczko: Portrait
DESCRIPTION:Explore the matters and questions of today’s democracy through a commissioned artwork by internationally renowned artist Krzysztof Wodiczko\, presented at the Harvard Art Museums in partnership with the Harvard University Graduate School of Design. \nVideo recordings capturing voices and opinions of students and young people from Harvard and the Boston area will activate the Harvard Art Museums’ iconic portrait of George Washington (c. 1795) by Gilbert Stuart\, fostering an exchange of views and responses at this time of heightened political division. \nIn conjunction with the Portrait commission\, two drawings by Wodiczko that were recently acquired by the museums will also be on display. The works are studies from the artist’s Homeless Vehicles series\, created in the late 1980s to address the emerging needs of individuals experiencing homelessness\, and as a critical response to former U.S. President Ronald Reagan’s economic policies. \nCurated by Mary Schneider Enriquez\, Houghton Curator of Modern and Contemporary Art\, Harvard Art Museums. \nThis exhibition is made possible by the Graham Gund Exhibition Fund\, held jointly by the Harvard Art Museums and the Harvard Graduate School of Design. \nIn its own galleries\, the Graduate School of Design will present a career-spanning look at Wodiczko’s work\, Interrogative Design: Selected Works of Krzysztof Wodiczko\, from October 21\, 2021 through April 8\, 2022. Before visiting\, please visit the GSD’s website for up-to-date information on public access to the school’s galleries. \nShare your experience: #KrzysztofWodiczko #HarvardArtMuseums \n  Save  
URL:https://artinamericaguide.com/event/krzysztof-wodiczko-portrait/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/02/HAM-WODICZKO-ARTS-BOSTON-24.5x49-11-09.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211015
DTEND;VALUE=DATE:20230502
DTSTAMP:20260403T182909
CREATED:20210830T210225Z
LAST-MODIFIED:20221026T173030Z
UID:86151-1634256000-1682985599@artinamericaguide.com
SUMMARY:Debut
DESCRIPTION:Opening in fall of 2021\, Debut will feature artwork from the Spencer Museum’s collection that has never been exhibited in our building since it opened in 1978. The eclectic artwork assembled is explored through seven broad thematic sections. Debut will remain on view for the duration of Phase II renovation and the complete reinstall of our fourth-floor collection galleries. As we undergo these transformative changes\, Debut presents previously unseen works in conversation with more familiar art from the collection that is frequently used for teaching and research. This exhibition is supported by Friends of the Art Museum\, KU Student Senate\, and the Linda Inman Bailey Exhibitions Fund. \n  Save  
URL:https://artinamericaguide.com/event/debut/
LOCATION:Spencer Museum of Art\, University of Kansas\, 1301 Mississippi St.\, Lawrence\, KS\, 66045\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/2014.0090.jpg
ORGANIZER;CN="Spencer Museum of Art%2C University of Kansas":MAILTO:spencerart@ku.edu
GEO:38.9596803;-95.244588
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Spencer Museum of Art University of Kansas 1301 Mississippi St. Lawrence KS 66045 United States;X-APPLE-RADIUS=500;X-TITLE=1301 Mississippi St.:geo:-95.244588,38.9596803
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211020
DTEND;VALUE=DATE:20220501
DTSTAMP:20260403T182909
CREATED:20210811T191625Z
LAST-MODIFIED:20210811T191625Z
UID:84861-1634688000-1651363199@artinamericaguide.com
SUMMARY:ARTE POVERA / Postwar Italian Art from the Margulies Collection
DESCRIPTION:Drawing on never before seen works from the private collection and new acquisitions\, we will present the story of Italian artists who were subverting traditional methods of making art within the changing culture of Postwar Italy. This will be a notable exhibition for South Florida giving students and visitors an opportunity to explore Italian Art and Culture at the turn of the 20th century. Featuring works by Alighiero Boetti\, Pier Paolo Calzolari\, Luciano Fabro\, Jannis Kounellis\, Giulio Paolini\, Michelangelo Pistoletto and Mario Merz. \n\nImage:\nLuciano Fabro\, Il giorno mi pesa sulla notte I\, 1994 \n\n  Save  
URL:https://artinamericaguide.com/event/arte-povera-postwar-italian-art-from-the-margulies-collection/
LOCATION:The Margulies Collection at the Warehouse\, 591 NW 27th Street\, Miami\, FL\, 33127\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/4513c6b7ef5235c80bfd7d7cc61125bf.jpg
GEO:25.8020999;-80.2048973
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Margulies Collection at the Warehouse 591 NW 27th Street Miami FL 33127 United States;X-APPLE-RADIUS=500;X-TITLE=591 NW 27th Street:geo:-80.2048973,25.8020999
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211020T090000
DTEND;TZID=America/Halifax:20220430T170000
DTSTAMP:20260403T182909
CREATED:20210819T145447Z
LAST-MODIFIED:20210819T145447Z
UID:85484-1634720400-1651338000@artinamericaguide.com
SUMMARY:WILL RYMAN / The Situation Room\, 2014
DESCRIPTION:“The Situation Room” by Will Ryman is made of life-size black charcoal figures\, the sculpture depicts the dramatic iconic moment of the assignation attack of Osama Bin Laden\, as President Obama and his security council (including then Vice President Joe Biden and Secretary of State Hillary Clinton) view the secret military operation by satellite in the basement of the West Wing of the White House. \n  \n  Save  
URL:https://artinamericaguide.com/event/will-ryman-the-situation-room-2014/
LOCATION:The Margulies Collection at the Warehouse\, 591 NW 27th Street\, Miami\, FL\, 33127\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/RymanWill-SituationRoom2014.jpeg
GEO:25.8020999;-80.2048973
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Margulies Collection at the Warehouse 591 NW 27th Street Miami FL 33127 United States;X-APPLE-RADIUS=500;X-TITLE=591 NW 27th Street:geo:-80.2048973,25.8020999
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211020T090000
DTEND;TZID=America/Halifax:20220430T170000
DTSTAMP:20260403T182909
CREATED:20210819T145447Z
LAST-MODIFIED:20211018T145423Z
UID:85478-1634720400-1651338000@artinamericaguide.com
SUMMARY:SUSAN PHILIPSZ / Sleep Close and Fast\, 2020
DESCRIPTION:Recipient of the Turner Prize in 2010\, renowned sound artist Susan Philipsz returns to the Warehouse with a new installation of sound art. Sleep Close and Fast features recordings of lullabies sung by the artist\, paired with the rhythmic sound of a drum set to the beat of her own heart. \n  Save  
URL:https://artinamericaguide.com/event/susan-philipsz-sleep-close-and-fast-2020/
LOCATION:The Margulies Collection at the Warehouse\, 591 NW 27th Street\, Miami\, FL\, 33127\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/PhilipszSusan-SleepCloseFast-scaled.jpg
GEO:25.8020999;-80.2048973
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Margulies Collection at the Warehouse 591 NW 27th Street Miami FL 33127 United States;X-APPLE-RADIUS=500;X-TITLE=591 NW 27th Street:geo:-80.2048973,25.8020999
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211020T090000
DTEND;TZID=America/Halifax:20220430T170000
DTSTAMP:20260403T182909
CREATED:20210819T145447Z
LAST-MODIFIED:20210819T145447Z
UID:85476-1634720400-1651338000@artinamericaguide.com
SUMMARY:ANSELM KIEFER / Leviathan und Behemoth (2 x 5 Aufnahmen)\, 2013
DESCRIPTION:A new acquisition of new media by this important European artist\, arguably one of the world’s greatest living artists. The Margulies Collection at the Warehouse contains the largest exhibition of Anselm Kiefer in the United States. This twenty-foot work of photographic emulsion adds a significant extension of the exhibition. \n  Save  
URL:https://artinamericaguide.com/event/anselm-kiefer-leviathan-und-behemoth-2-x-5-aufnahmen-2013/
LOCATION:The Margulies Collection at the Warehouse\, 591 NW 27th Street\, Miami\, FL\, 33127\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2021/08/KieferAnselm_LevithanUnBehemoth01.png
GEO:25.8020999;-80.2048973
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Margulies Collection at the Warehouse 591 NW 27th Street Miami FL 33127 United States;X-APPLE-RADIUS=500;X-TITLE=591 NW 27th Street:geo:-80.2048973,25.8020999
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211020T090000
DTEND;TZID=America/Halifax:20220430T170000
DTSTAMP:20260403T182909
CREATED:20210819T150335Z
LAST-MODIFIED:20210819T150335Z
UID:85486-1634720400-1651338000@artinamericaguide.com
SUMMARY:NEW VISION / European Photographs from the Margulies Collection
DESCRIPTION:A selection of vintage photographs produced in the 1920s and 1930s\, between World War I and World War II. “New Vision” photography emerged in Europe and was seen as an era of alternative approaches to the medium with techniques such as the photogram\, solarization\, close-up and objective images. While the new vision concept extended broadly to many geographic regions\, the exhibition focuses on Germany\, France and Russia. \n  Save  
URL:https://artinamericaguide.com/event/new-vision-european-photographs-from-the-margulies-collection/
LOCATION:The Margulies Collection at the Warehouse\, 591 NW 27th Street\, Miami\, FL\, 33127\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/Albert-Renger-Patsch-Forest-in-Sauorland-1952_edited.jpg
GEO:25.8020999;-80.2048973
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Margulies Collection at the Warehouse 591 NW 27th Street Miami FL 33127 United States;X-APPLE-RADIUS=500;X-TITLE=591 NW 27th Street:geo:-80.2048973,25.8020999
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211030
DTEND;VALUE=DATE:20220321
DTSTAMP:20260403T182909
CREATED:20211102T133915Z
LAST-MODIFIED:20211102T133915Z
UID:89703-1635552000-1647820799@artinamericaguide.com
SUMMARY:Abrakadabra – The Magic of Contemporary Art
DESCRIPTION:In this diverse exhibition\, new works by contemporary artists are presented especially with children and young people in mind. The works are all in the collection of the Reykjavík Art Museum. Presentation\, mediation and education aims to open up the world of art as it appears today for younger audiences. Along with the exhibition\, there is a rich program as well as digital dissemination. “Abrakadabra” is a word deriving from ancient languages that means: What I say becomes a reality. This is a magic word that describes how artists’ ideas become works of art. \nThe Reykjavík Art Museum’s collection houses a large number of works of art\, with about seventeen thousand registered works and sketches of various kinds. When acquiring works of art into the collection\, a choice is made that reflects the diversity of artistic creation at any given time. The exhibition Abrakadabra aims to share the main elements that are found in the creative field of today. What characterizes today’s art? What are the artists’ subjects\, methods\, materials and challenges? \n  Save  
URL:https://artinamericaguide.com/event/abrakadabra-the-magic-of-contemporary-art/
LOCATION:Hafnarhús\, Tryggvagata 17\, Reykjavík\, Reykjavík\, 101\, Iceland
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/gif:https://artinamericaguide.com/wp-content/uploads/2021/11/Abra_Logo_Gif_Web.gif
ORGANIZER;CN="Reykjav&iacute%3Bk Art Museum - Hafnarh&uacute%3Bs":MAILTO:artmuseum@reykjavik.is
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211115T080000
DTEND;TZID=America/Halifax:20220515T170000
DTSTAMP:20260403T182909
CREATED:20210806T210301Z
LAST-MODIFIED:20210806T210301Z
UID:84518-1636963200-1652634000@artinamericaguide.com
SUMMARY:Anne Marchand: Recent Abstractions
DESCRIPTION:The current body of work is a group of 72”x72” paintings that employ a wide variety of materials and processes. These new paintings grow out of an earlier series that was inspired by photographs of galaxies and nebulae seen through the Hubble telescope. The images suggested a connection between deep space and inner space of the human body – it is all the same energy in the macrocosm and the microcosm. \nThe paintings’ abstract appearance reflects a range of perspective: images of deep space\, views from airplanes and automobiles\, perceptions of natural and man-made textures and patterns\, along with their emotional resonances\, all distilled together. During the process of painting a new insight is released\, which the artist relates to the poet Garcia Lorca’s vision of duende\, the soulful response to a work of art\, infused with earthiness\, the irrationality\, and existential vulnerability. \n  Save  
URL:https://artinamericaguide.com/event/anne-marchand-recent-abstractions-2/
LOCATION:Sacred Heart University’s Discovery Science Center & Planetarium\, 4450 Park Ave\, Bridgeport\, CT\, 06604\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2021/08/Screen-Shot-2021-08-06-at-11.22.42-AM.png
ORGANIZER;CN="Katharine T. Carter &amp%3B Associates":MAILTO:ktc@ktcassoc.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211119T110000
DTEND;TZID=America/Halifax:20220314T180000
DTSTAMP:20260403T182909
CREATED:20210913T144820Z
LAST-MODIFIED:20210913T144820Z
UID:87302-1637319600-1647280800@artinamericaguide.com
SUMMARY:A Living Language: Cherokee Syllabary and Contemporary Art
DESCRIPTION:A Living Language: Cherokee Syllabary and Contemporary Art features over 50 works of art in a variety of media by 30+ Eastern Band of Cherokee Indians (EBCI) and Cherokee Nation artists. The exhibition highlights the use of the written Cherokee language\, a syllabary developed by Cherokee innovator Sequoyah (circa 1776–1843). Cherokee syllabary is frequently found in the work of Cherokee artists as a compositional element or the subject matter of the work itself. \nThe Cherokee Syllabary is a system of writing developed by Sequoyah in the early 1800s prior to the Removal period. Through Sequoyah’s innovative work\, Cherokee people embraced the writing system as an expedient form of communication and documentation. During the Removal period\, the syllabary was used as a tactic to combat land dispossession. Cherokee people continue to use the syllabary as a form of cultural expression and pride\, which is showcased in the contemporary artwork of the Cherokee Citizens in this exhibition. \nEastern Band of Cherokee Indians artists include Joshua Adams\, Jody Lipscomb Bradley\, Nathan Bush\, Kane Crowe\, John Henry Gloyne\, Shan Goshorn\, Luzene Hill\, Christy Long\, Louise Bigmeat Maney\, Christopher McCoy\, Tara McCoy\, Joel Queen\, Sean Ross\, Jakeli Swimmer\, Rhiannon Skye Tafoya\, Mary Thompson\, Stan Tooni Jr.\, Alica Wildcatt\, and Fred Wilnoty. \nCherokee Nation artists include Roy Boney Jr.\, Jeff Edwards\, Joseph Erb\, Raychel Foster\, Kenny Glass\, Camilla McGinty\, Jessica Mehta\, America Meredith\, Jane Osti\, Lisa Rutherford\, Janet L. Smith\, Jennifer Thiessen\, and Jennie Wilson. \nThis exhibition is organized by the Asheville Art Museum and Museum of the Cherokee Indian\, and curated by Hilary Schroeder\, assistant curator at the Asheville Art Museum\, with assistance from curatorial consultant Joshua Adams (Eastern Band of Cherokee Indians). Special thanks to S. Dakota Brown\, education director at the Museum of the Cherokee Indian\, and Alexis Meldrum\, curatorial assistant at the Asheville Art Museum\, for their support in the planning of this exhibition. This project is made possible in part by a grant from the Blue Ridge National Heritage Area Partnership\, and sponsored in part by the Cherokee Preservation Foundation and Kevin Click & April Liou in memory of Myron E. Click. \nThe exhibition will first be on view at the Museum of the Cherokee Indian in Cherokee\, NC from June 12\, 2021 to October 31\, 2021. \nImage: Rhiannon Skye Tafoya (Eastern Band of Cherokee Indians)\, Ul’nigid’\, 2020\, letterpress (photopolymer and Bembo & Cherokee Syllabary metal type) printed on handmade & color plan paper with paper-weaving\, closed: 11 × 11 ¼ inches\, assembled: 23 ½ × 11 ¼ × 5 ⁵⁄₈ inches. Courtesy the Artist. © Rhiannon Skye Tafoya\, image Rhiannon Skye Tafoya. \n  Save  
URL:https://artinamericaguide.com/event/a-living-language-cherokee-syllabary-and-contemporary-art/
LOCATION:Asheville Art Museum\, 2 South Pack Square\, Asheville\, NC\, 28801\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/09/20200207_WSW_Rhiannon_Skye_Tafoya_ul_nigid_WEB_027-2.jpg
END:VEVENT
END:VCALENDAR