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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260404T054429
DTEND;TZID=America/New_York:20250920T170000
DTSTAMP:20260404T054429
CREATED:20250722T184747Z
LAST-MODIFIED:20250722T184747Z
UID:114023-0-1758387600@artinamericaguide.com
SUMMARY:August-September @ Art Works!
DESCRIPTION:Throughout August Art Works is open to the public\, offering a variety of engaging exhibits. Adam and Anita Bradley present life-size figurative sculptures and paintings capturing a chaotic world. Mike Bily’s exhibit investigates ecosystems; Sharon Denmark captures light flowing through glass. Rachel Rowden exhibit is a portal of mysteries and Rebecca Visger provides a view from behind the wheel. Blake Bottoms exhibit is featured in the Community Bridge Project. \n  \nJoin us for a fun-filled scavenger hunt with prizes\, perfect for both the young and the young at heart. The activity culminates with prizes for all who participate. We also offer figure drawing sessions on the 1st and 3rd Sundays and Queer Life Drawing at Gold Lion Community Café on August 20th.  \n  \nBradley + Bradley: The Weight of Vanishing Shadows \nAdam and Anita Bradley explore the human condition through their unique mediums. Adam presents life-sized figurative sculptures in wood\, steel\, ceramics\, and smaller bronze pieces\, reflecting themes of anxiety\, loss\, and grief. Anita complements this with layered paintings and mixed media collages\, capturing the struggle for order in a chaotic world. Their intertwined approaches invite contemplation of deep human experiences. \n  \nThe exhibition will be in the Jane Sandelin Gallery at Art Works and will continue through September 20\, 2025. \n  \n  \nArtifacts by Anne Chamblin \nAnne Chamblin’s work is about merging sight and feeling. For her\, painting is a way to process what she experiences. She brings spaces\, places\, and faces to life on canvas\, turning bodies into landscapes and using layers to hint at the passage of time. Anne constantly reworks her paintings\, always keeping a bit of the past to shape the present. Her journey is grounded in everyday experiences\, resulting in unique\, relatable art. \n  \nThe exhibit will be in the Centre Gallery at Art Works through September 20\, 2025. \n  \n  \n  \n  \n  \nBetween Worlds by Hannah Anderson \n  \nAmerican abstract artist Hannah Anderson (b. 1953)\, raised in the simplicity of a Quaker household\, rediscovered her love for painting in 1990 with a Crayon watercolor set. Self-taught and inspired by contemporary artists\, her work reflects the light and dark periods of her life\, blending elements of nature and archetypal symbols from healing traditions. Her debut exhibit\, Between Worlds\, explores the liminal space between worlds and relationships. Hannah resides in Richmond\, Virginia\, and finds inspiration in Taos\, New Mexico. \n  \nThe exhibit will be in the Corner Gallery at Art Works through September 20\, 2025. \n  \n\nMental Health Matters: Celebrating Resilience Through Art All Media Show\nThis exhibit is a focal point of all Art Works’ openings. It is a juried show with cash prizes for 1st\, 2nd and 3rd place. The show is open to all artists and all mediums. \n  \nIn August the theme is Mental Health Matters: Celebrating Resilience Through Art. The community has donated terrific items that we will be auctioning to benefit NAMI\, and Art Works will donate the sales from the All Media Show to NAMI. \nWonJung Choi an international artist and educator\, will be the juror for the exhibit. Wonjung Choi is a Korean-born\, Virginia-based artist whose multidisciplinary work delves into the complexities of identity formation in a globalized world. See more on WonJung’s website: Click here. \n  \nCall for entries is July 15  – August 10\, 2025\, and may be submitted through the online form. The exhibit will be in the Port Gallery at Art Works through September 18\, 2025. Check our website for details on submitting artwork:  Call for Entries \n  Save  
URL:https://artinamericaguide.com/event/august-september-art-works-2/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/07/PR-2025.08-Anne-Chamblin-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260404T054429
DTEND;TZID=America/New_York:20250926T200000
DTSTAMP:20260404T054429
CREATED:20250903T144946Z
LAST-MODIFIED:20250903T144946Z
UID:114439-0-1758916800@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Opening Reception @ Art Works!
DESCRIPTION:4th Friday September 26th at Art Works \n  \nJoin us on September 26\, 2025 from 6 p.m. to 8 p.m. for an exciting opening reception of our new exhibits at Art Works. Meet the talented artists\, and enjoy live music\, refreshments\, and libations sponsored by RVA Thriving Artists.  The featured artists are Adam Reinhart\, Jen Cook-Asaro\, Sarah Miller\, Tatiana Grace\, Kenneth Lee\, and experiment with interactive art by RVA Game Jams. \n  \nThis event is free and open to the public. Convenient and free parking is available. The exhibits will continue through October 18\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-opening-reception-art-works-56/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/PR-2025.09-Game-Jam-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260404T054430
DTEND;TZID=America/New_York:20250927T180000
DTSTAMP:20260404T054430
CREATED:20250811T200044Z
LAST-MODIFIED:20250811T200044Z
UID:114212-0-1758996000@artinamericaguide.com
SUMMARY:Heather Stivison\, “Ebb & Flow”\, a Solo Exhibition
DESCRIPTION:In this her third New York City solo exhibition\, Heather Stivison explores the intersection of environmental science and visual art with a series of immersive paintings of the ocean. \nStivison paintings capture the essence of water—something clear and colorless\, with its shape formed entirely by the external forces of objects\, land\, wind\, gravity. Searching for water’s most primary qualities\, she uses light\, color\, form\, shape\, line\, to engender a sense of water. Fluidity\, reflections\, rhythms are evident in her ocean surface paintings. Stivison is fascinated by the reflections and patterns created by the coastal ocean surface. She paints variations on patterns\, exploring how much she can change them and still maintain the sense that the subject is surface water. \nCurator and director of Manhattan Arts International Renee Phillips writes: \n“Stivison ventures beyond nature’s physical boundaries into abstraction with the profusion of free-flowing biomorphic patterns and tonal ranges. In her paintings the innate attributes of water evolve into metaphors\, symbolism and visual poetry.” \nThe exhibition includes a massive 110-inch quadriptych that explores the sense of weightlessness and mystery that she finds in the imagining unknown ocean depths. Other paintings explore surface water patterns as abstract design. \nIndependent curator Kathy Imlay writes: \n“Stivison’s paintings have a luminous glow—accomplished by the artist building up layer upon layer of viscous paint\, which she pours\, smears\, scrapes and otherwise manipulates to create fields of color that conjure the watery depths of the ocean or intergalactic space\, depending on the palette.” \nSome of the paintings on view are the result of her multi-year\, grant funded collaboration with Noah Germolus\, a scientist at Woods Hole Oceanographic Institute who was researching ocean chemistry. Stivison created two paintings about him and his work\, and four five-foot paintings that interpret his research data in paint. \nThe collaboration led to a unique special feature of this exhibition. After Stivison interpreted his data in paint\, he in turn\, interpreted four of her paintings in music. The exhibition includes an on-demand sound installation of original jazz music composed and performed by Germolus. \n  Save  
URL:https://artinamericaguide.com/event/heather-stivison-ebb-flow-a-solo-exhibition/
LOCATION:Pleiades Gallery\, 547 W 27th St. Suite 304\, New York\, NY\, 10001\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260404T054430
DTEND;TZID=America/New_York:20251018T170000
DTSTAMP:20260404T054430
CREATED:20250903T144946Z
LAST-MODIFIED:20250903T144946Z
UID:114443-0-1760806800@artinamericaguide.com
SUMMARY:September - October Exhibits @ Art Works!
DESCRIPTION:Now showing six new exhibits. The featured artists are Adam Reinhart\, Jen Cook-Asaro\, Sarah Miller\, Tatiana Grace\, Kenneth Lee\, and experiment with interactive art by RVA Game Jams. Also see 80+ working artist studios. \nVisit us Tuesdays through Sundays 11am- 5pm. Admission is free and open to the public. Convenient and free parking is available. The exhibits will continue through October 18\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/september-october-exhibits-art-works-4/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/PR-2025.09-Game-Jam-1-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260404T054430
DTEND;TZID=America/New_York:20251122T170000
DTSTAMP:20260404T054430
CREATED:20250908T192551Z
LAST-MODIFIED:20250908T192551Z
UID:114572-0-1763830800@artinamericaguide.com
SUMMARY:October - November Exhibits @ Art Works!
DESCRIPTION:Now showing six new exhibits. The featured artists are Blake Seals\, Felicia L. Reed\, Adam Reinhard\, Sorvino\, and Tobi Holtslag. Also see 80+ working artist studios. \nVisit us Tuesdays through Sundays 11am- 5pm. Admission is free and open to the public. Convenient and free parking is available. The exhibits will continue through November 22nd 2025. \n  Save  
URL:https://artinamericaguide.com/event/october-november-exhibits-art-works-5/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/09/PR-2025.10-Chris-Semtner-3-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:jessie@artworksrva.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260404T054430
DTEND;TZID=America/New_York:20260221T180000
DTSTAMP:20260404T054430
CREATED:20260120T172859Z
LAST-MODIFIED:20260120T172859Z
UID:115685-0-1771696800@artinamericaguide.com
SUMMARY:Robert Braczyk: Cardinal Directions
DESCRIPTION:Exhibition Dates: January 27 – February 21\, 2026\nOpening Reception: Thurs.\, January 29\, 2026\, 5PM-8PM\nArtist Talk: Saturday\, February 14\, 2026\, 3PM-4PM\nGallery Hours: Tuesday – Saturday\, 11AM-6PM \nBowery Gallery is pleased to present “Cardinal Directions\,” an exhibition of new sculpture by Robert Braczyk.  \nFor many years a prize-winning figurative sculptor\, in recent years Braczyk has turned to abstraction. In his new work—most about 24 inches high—he assembles various tree elements into vertical compositions that echo figural forms\, but whose abstract vocabulary of open volumes and discontinuous contours suggests the possibility of multiple allusions. Each work evinces a powerful spatial tension between the cardinal point from which it is begun and the complex three-dimensional image that Braczyk builds with primary thrust\, axis\, and meridian.  \nBraczyk’s trajectory from figure to abstract figure may be seen as a temporal through line connecting the events of a life. The artist’s comment that he brings all his life’s experiences into the studio reminds us that in the long arc of his career\, the spatial and temporal are never far apart. \nView the exhibition website. \n  \nBowery Gallery\n547 W. 27th Street\, Suite 508\nNew York\, NY 10001 \n  Save  
URL:https://artinamericaguide.com/event/robert-braczyk-cardinal-directions/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/Braczyk_Reel_for_eVite-and_Web_landing-page-scaled.jpg
ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bowery Gallery 547 W 27TH ST Suite 508 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=547 W 27TH ST Suite 508:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211015
DTEND;VALUE=DATE:20230502
DTSTAMP:20260404T054430
CREATED:20210830T210225Z
LAST-MODIFIED:20221026T173030Z
UID:86151-1634256000-1682985599@artinamericaguide.com
SUMMARY:Debut
DESCRIPTION:Opening in fall of 2021\, Debut will feature artwork from the Spencer Museum’s collection that has never been exhibited in our building since it opened in 1978. The eclectic artwork assembled is explored through seven broad thematic sections. Debut will remain on view for the duration of Phase II renovation and the complete reinstall of our fourth-floor collection galleries. As we undergo these transformative changes\, Debut presents previously unseen works in conversation with more familiar art from the collection that is frequently used for teaching and research. This exhibition is supported by Friends of the Art Museum\, KU Student Senate\, and the Linda Inman Bailey Exhibitions Fund. \n  Save  
URL:https://artinamericaguide.com/event/debut/
LOCATION:Spencer Museum of Art\, University of Kansas\, 1301 Mississippi St.\, Lawrence\, KS\, 66045\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/2014.0090.jpg
ORGANIZER;CN="Spencer Museum of Art%2C University of Kansas":MAILTO:spencerart@ku.edu
GEO:38.9596803;-95.244588
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Spencer Museum of Art University of Kansas 1301 Mississippi St. Lawrence KS 66045 United States;X-APPLE-RADIUS=500;X-TITLE=1301 Mississippi St.:geo:-95.244588,38.9596803
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220521T100000
DTEND;TZID=America/Halifax:20230521T170000
DTSTAMP:20260404T054430
CREATED:20220404T171850Z
LAST-MODIFIED:20220404T171850Z
UID:93177-1653127200-1684688400@artinamericaguide.com
SUMMARY:Creative! Growth!
DESCRIPTION:Creative! Growth! will be the first exhibition to consider the history of Creative Growth Art Center in Oakland\, California. \nFounded in 1974 by artist Florence Ludins-Katz (1912–1990) and her psychologist husband Elias Katz (1913–2008)\, Creative Growth emerged from the larger social\, cultural\, and political narratives associated with the Bay Area in the late 1960s and early 1970s—including the women’s\, gay\, and civil rights movements. The arts and disabilities movement\, which championed the civil rights of disabled persons and fought against their marginalization in arts and culture\, flourished during this era. The Katzes were among that movement’s most farsighted and committed advocates. \nCreative! Growth! is curated by Matthew Higgs and will consider the organization’s history and legacy through the lens of the present. Now approaching its fiftieth anniversary\, Creative Growth is the preeminent center for artists with disabilities in the United States\, and has\, in turn\, become a model for similar centers nationally and internationally. At Creative Growth\, the Katzes established a unique and fiercely independent environment where disabled individuals are empowered to explore their creativity at their own pace. \nThe staff at Creative Growth\, almost exclusively practicing artists\, are not teachers in any conventional sense\, as no formal instruction takes place. Rather\, the staff members work alongside the artists with disabilities\, introducing them to new materials and processes\, offering practical and technical assistance where necessary\, and supporting their idiosyncratic approaches to self-expression. \nCreative! Growth! will consider the organization’s history and legacy through the lens of the present. There are a number of discrete solo presentations by key artists who were—or remain—affiliated with Creative Growth\, including Judith Scott (1943–2005)\, Dwight Mackintosh (1906–1999)\, William Scott\, Dan Miller\, Monica Valentine\, Tony Pedemonte\, Nicole Storm\, and John Martin. Photographer and documentary filmmaker Cheryl Dunn will present a selection from her twenty-plus-year archives documenting the artists at Creative Growth. \nhttps://www.jmkac.org/exhibition/creative-growth/ \nImage: Creative Growth studio interior. Courtesy of Creative Growth. Photo: Ben Blackwell. \nTuesday\, Wednesday\, Friday 10 a.m. to 5 p.m.\nThursday 10 a.m. to 8 p.m. extended hours\nSaturday and Sunday 10 a.m. to 4 p.m. \n  Save  
URL:https://artinamericaguide.com/event/creative-growth/
LOCATION:John Michael Kohler Arts Center\, 608 New York Avenue\, Sheboygan\, WI\, 53081\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/04/ex.cre_.2022.0001-4x3-1.png
ORGANIZER;CN="John Michael Kohler Arts Center":MAILTO:generalinfo@jmkac.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220722T110000
DTEND;TZID=America/New_York:20240804T180000
DTSTAMP:20260404T054430
CREATED:20220622T153511Z
LAST-MODIFIED:20240229T212126Z
UID:94138-1658487600-1722794400@artinamericaguide.com
SUMMARY:Evergreen: Art from the Collection
DESCRIPTION:Evergreen: Art from the Collection celebrates SJMA’s collection as both a gift to and a product of its community. This dedicated gallery space\, which provides long-term access to the Museum’s collection\, honors the community members who rallied together to establish the Museum; the artists who trust us to care for their visions; the generous donors who helped to build the collection; the generations of students who have visited; the volunteers and staff who have contributed; and the breadth of community experiences that give ongoing meaning to the works. \nLocated in the Museum’s historic building—formerly the city’s post office and library—Evergreen highlights the Museum’s growing collection and the numerous San José stories it tells. The gallery features such works as rafa esparza’s Yosi con Abuela (2021)\, a recently acquired portrait on adobe of the East San José poet and activist Yosimar Reyes with his grandmother. Also on view are Resident Alien (1988) by Hung Liu\, the beloved Bay Area artist and longtime friend of SJMA\, and Louise Nevelson’s monumental Sky Cathedral (1957–58)\, a centerpiece of the Museum’s collection. The gallery also includes access points to the free digital collection catalog 50×50: Stories of Visionary Artists from the Collection\, which highlights the stories and impact of artists in the Museum’s collection. \n  Save  
URL:https://artinamericaguide.com/event/evergreen-art-from-the-collection/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220903T110000
DTEND;TZID=America/Halifax:20230423T180000
DTSTAMP:20260404T054430
CREATED:20220511T143406Z
LAST-MODIFIED:20220511T143406Z
UID:93529-1662202800-1682272800@artinamericaguide.com
SUMMARY:Kelly Akashi: Formations
DESCRIPTION:Kelly Akashi is known for her materially hybrid works that are compelling both formally and conceptually. Originally trained in analog photography\, the artist is drawn to fluid\, impressionable materials and old-world craft techniques\, such as glass blowing and casting\, candle making\, bronze and silicone casting\, and rope making. Encompassing a selection of artworks made over the past decade\, Kelly Akashi: Formations is the first major exhibition of the artist’s work\, and will feature a newly commissioned series in which Akashi explores the inherited impact of her family’s imprisonment in a Japanese American incarceration camp during World War II. \nThrough evocative combinations that seem both familiar and strange\, Akashi cultivates relationships among a variety of things to investigate how they can actively convey their histories and potential for change. She often pairs hand-blown glass or wax forms with unique and temporally specific bronze casts of her own hand\, each a unique record of the slow-changing human body. Akashi’s interest in time—embedded in the materiality of many of her processes—has led her to study fossils and botany\, locating humankind within a longer geological timeline. \nKelly Akashi: Formations is the first major exhibition and catalog of Akashi’s work. The exhibition will be on view from September 3\, 2022—April 23\, 2023 in San Jose before touring nationally. \n  Save  
URL:https://artinamericaguide.com/event/kelly-akashi-formations/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220919T103000
DTEND;TZID=America/Halifax:20230702T170000
DTSTAMP:20260404T054430
CREATED:20220922T113428Z
LAST-MODIFIED:20220922T113428Z
UID:98698-1663583400-1688317200@artinamericaguide.com
SUMMARY:Melanie A. Yazzie: Recent works
DESCRIPTION:Melanie Yazzie works a wide range of media that include printmaking\, painting\, sculpting\, and ceramics\, as well as installation art. Her art is accessible to the public on many levels and the main focus is on connecting with people and educating people about the contemporary status of one indigenous woman and hoping that people can learn from her experience. Her subject matter is significant because the serious undertones reference native post-colonial dilemmas. Her work often brings images of women from many indigenous cultures to the forefront. Thus her work references matrilineal systems and points to the possibility of female leadership. “There are many layers to the works and within the story\, many discover that our history is varied and deep. It is made clear that there are many indigenous peoples in the world and we all have different stories and it sometimes has a sad connection to mainstream society. Often misunderstood and overlooked are the ways in which we can all learn from each other and make a better world.” She has been represented by Glenn Green Galleries since 1993. \n  Save  
URL:https://artinamericaguide.com/event/melanie-a-yazzie-recent-works/
LOCATION:Glenn Green Galleries + Sculpture Garden\, 136 Tesuque Village Road\, Santa Fe (Tesuque)\, 87506\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Glenn Green Galleries + Sculpture Garden":MAILTO:info@glenngreengalleries.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221014T100000
DTEND;TZID=America/Halifax:20230531T180000
DTSTAMP:20260404T054430
CREATED:20221111T202525Z
LAST-MODIFIED:20221111T202525Z
UID:100404-1665741600-1685556000@artinamericaguide.com
SUMMARY:In the Realm of the Senses: Selected Paintings of Victoria Lowe
DESCRIPTION:Consistent though this body of work is a concern with energy in its many forms and the viewer’s deep emotional response to color. The paintings have their origin in the artist’s childhood experience of stargazing with a telescope\, and the feeling of sublime connectedness to things beyond the physical environment and conscious comprehension. The desire to relive that feeling inspires her to create these painted atmospheres. They are free of narrative or subject matter\, and like poetry offer the viewer a door through which they may enter to experience the depth of their own imagination. \n  Save  
URL:https://artinamericaguide.com/event/in-the-realm-of-the-senses-selected-paintings-of-victoria-lowe/
LOCATION:Steam Gallery at Sacred Heart University’s Discovery Science Center & Planetarium\, 4450 Park Avenue\, Bridgeport\, Connecticut\, 06604
CATEGORIES:Exhibition
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ORGANIZER;CN="Katharine T. Carter &amp%3B Associates":MAILTO:ktc@ktcassoc.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221104T110000
DTEND;TZID=America/Halifax:20230709T180000
DTSTAMP:20260404T054430
CREATED:20220928T173425Z
LAST-MODIFIED:20220928T173425Z
UID:99160-1667559600-1688925600@artinamericaguide.com
SUMMARY:A Point Stretched: Views on Time
DESCRIPTION:A Point Stretched: Views on Time presents artworks that stretch\, warp\, and compact the viewer’s sense of time. By highlighting works that endeavor to conceive of time in unusual\, mutable\, and unfixed ways\, the exhibition challenges the histories we tell and the expectations we hold for the future. From Chitra Ganesh’s work blending truth and fantasy to depict the full range of a woman’s life to Maia Cruz Palileo’s kaleidoscopic representation of Filipino history and Ala Ebtekar’s epic print-based work inspired by the moon\, artists in the exhibition propose timelines without hierarchies of past\, present\, and future. \nMemories\, dreams\, and reality blend in these galleries\, as mold creeps across TV screens\, apple orchards grow among discarded solar panels\, and melting wax measures time. Generational\, ecological\, and cosmic time vibrate concurrently as long-ago ecologies and distant possible futures intertwine. Embracing scales of time from the microbiological to the interstellar\, these artworks position our human existence within broader timescales to challenge our assumptions about human history\, agency\, and possibility in relation to the world—and universe—around us. Drawing from the Museum’s permanent collection and beyond\, the exhibition also includes works by Diana Al-Hadid\, Harold Edgerton\, David Huffman\, Kahlil Robert Irving\, Ranu Mukherjee\, Patrick Nagatani\, Sam Richardson\, and Gail Wight\, among others. \n  Save  
URL:https://artinamericaguide.com/event/a-point-stretched-views-on-time/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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GEO:37.3327419;-121.8905201
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=San Jose Museum of Art 110 S. Market Street San Jose CA 95113 United States;X-APPLE-RADIUS=500;X-TITLE=110 S. Market Street:geo:-121.8905201,37.3327419
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221104T110000
DTEND;TZID=America/Halifax:20230709T180000
DTSTAMP:20260404T054430
CREATED:20221103T194011Z
LAST-MODIFIED:20230612T205936Z
UID:100238-1667559600-1688925600@artinamericaguide.com
SUMMARY:Sky Hopinka: Seeing and Seen
DESCRIPTION:The artworks of Sky Hopinka\, a member of the Ho-Chunk Nation and a descendant of the Pechanga Band of Luiseño Indians\, traverse the legacies of colonial oppression and Native resistance through meditations on the continuities between past and present. A new film by Hopinka was commissioned as part of Visualizing Abolition\, an art initiative of the Institute of the Arts and Sciences at University of California\, Santa Cruz and San José Museum of Art. \n  Save  
URL:https://artinamericaguide.com/event/sky-hopinka-seeing-and-seen/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/Sunflower-Siege-Engine-4.00_08_35_07.Still008.jpg
GEO:37.3327419;-121.8905201
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=San Jose Museum of Art 110 S. Market Street San Jose CA 95113 United States;X-APPLE-RADIUS=500;X-TITLE=110 S. Market Street:geo:-121.8905201,37.3327419
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230117T100000
DTEND;TZID=America/Halifax:20230426T170000
DTSTAMP:20260404T054430
CREATED:20221214T203438Z
LAST-MODIFIED:20221214T203548Z
UID:100929-1673949600-1682528400@artinamericaguide.com
SUMMARY:A Masterpiece in the Making: Joaquín Sorolla’s Gouaches for the Vision of Spain
DESCRIPTION:The National Arts Club is proud to partner with the Hispanic Society Museum and Library in presenting this landmark exhibition commemorating the Valencian master Joaquín Sorolla y Bastida. The exhibition\, which opens during Master Drawings Week\, features the work of the Valencian master Joaquín Sorolla y Bastida—the preeminent artist in Spain at the turn of the 20th century—on the occasion of of the centennial year of his death. On view are Sorolla’s rarely seen preparatory sketches for the paintings in the HSM&L’s Sorolla Gallery\, Vision of Spain.  This is the first time the works are being exhibited in the U.S. \n(Image: Courtesy of The Hispanic Society of America\, New York. Joaquín Sorolla y Bastida\, Sketch for the Provinces of Spain. Sevilla. The Bullfighters\, ca. 1912-1913\, Gouache on paper) \n  Save  
URL:https://artinamericaguide.com/event/a-masterpiece-in-the-making-joaquin-sorollas-gouaches-for-the-vision-of-spain/
LOCATION:The National Arts Club\, 15 Gramercy Park South\, New York\, 10003\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/12/A1521-Navarra-y-Aragon-scaled.jpg
ORGANIZER;CN="The National Arts Club":MAILTO:info@thenationalartsclub.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230128
DTEND;VALUE=DATE:20231002
DTSTAMP:20260404T054430
CREATED:20230123T193027Z
LAST-MODIFIED:20230123T193027Z
UID:101496-1674864000-1696204799@artinamericaguide.com
SUMMARY:Andrea Chung: if they put an iron circle around your neck I will bite it away
DESCRIPTION:In a new multiroom installation\, artist Andrea Chung confronts the legacy and trauma of slavery from the perspective of an Afrofuturist utopia. \nFor this work\, Chung activates the possibility of a new world\, a “Black Atlantis” called Drexciya\, to subvert the horrors of the transatlantic slave trade. Drexciya is an underwater world populated by the amphibious offspring of women thrown from slave ships during the Middle Passage. It was conceived by the eponymous and enigmatic electronic music duo active in Detroit in the 1990s and early 2000s. \nChung’s installation is a meditation on the laws of Black physics. It highlights the ways Black people relate and respond to time and space in order to navigate a world full of dangerous and harmful systems. Within her evocation of this watery realm we can inhabit imagined pasts\, presents\, and futures to craft alternative realities forged by liberation\, adaptation\, resilience\, defiance\, and survival. \nImage: Andrea Chung\, Filthy Water Cannot Be Washed\, 2017; cyanotype and watercolor; 88 x 240 in. Courtesy of the artist. \n  Save  
URL:https://artinamericaguide.com/event/andrea-chung-if-they-put-an-iron-circle-around-your-neck-i-will-bite-it-away/
LOCATION:John Michael Kohler Arts Center\, 608 New York Avenue\, Sheboygan\, WI\, 53081\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/01/ex.chu_.2023.5006.jpg
ORGANIZER;CN="John Michael Kohler Arts Center":MAILTO:generalinfo@jmkac.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230131T110000
DTEND;TZID=America/New_York:20230728T170000
DTSTAMP:20260404T054430
CREATED:20230110T165222Z
LAST-MODIFIED:20230110T165222Z
UID:101392-1675162800-1690563600@artinamericaguide.com
SUMMARY:When We All Stand
DESCRIPTION:The exhibition\, When We All Stand\, focuses on the collective power of the arts to address complex issues in society and demonstrates the ability of art and artists to chart a path for social change.  Artists often lead the charge and expose truths that may otherwise be ignored. The artists in this exhibition take a stand and call out injustices through their art and activism on issues such as immigration\, gender\, reproductive rights\, mass incarceration\, voting rights\, racial bias\, gun violence and promises unfulfilled. They take action by creating national campaigns for justice\, organizing public art protests\, connecting with their local community\, or joining forces with national organizations. Some make demands on government\, politicians\, policies\, or institutions while others make demands on society and individuals to join them in the fight for justice; still others focus on cultural development as a process that cultivates democracy and unity. They all combine the making of art with public service that has a grassroots approach in the hope of mobilizing their communities and the nation to ignite movement\, create awareness\, and inspire others to stand with them.  Artists included in the exhibition are Emma Amos\, Molly Crabapple and the Equal Justice Initiative\, For Freedoms\, Miguel Luciano\, Michele Pred\, Hank Willis Thomas\, and Sophia Victor. \nThe Hofstra University Museum of Art’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \nAdmission is free. \nGallery Hours: \nEmily Lowe Gallery\nBehind Emily Lowe Hall\, South Campus \nTuesday-Friday\, 11 a.m.-4 p.m. • Saturday and Sunday\, noon-4 p.m. \n  Save  
URL:https://artinamericaguide.com/event/when-we-all-stand/
LOCATION:Emily Lowe Gallery at Hofstra University\, 112 Hofstra University\, Hempstead\, NY\, 11549\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/01/When-We-all-Stand-Flyer-1.31.23-7.28.23.png
ORGANIZER;CN="Hofstra University Museum of Art":MAILTO:museum@hofstra.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230202
DTEND;VALUE=DATE:20230523
DTSTAMP:20260404T054430
CREATED:20221118T195037Z
LAST-MODIFIED:20221118T195037Z
UID:100526-1675296000-1684799999@artinamericaguide.com
SUMMARY:The Art of Food
DESCRIPTION:Featuring more than 100 works in a variety of media from the renowned collections of Jordan D. Schnitzer and His Family Foundation\, The Art of Food showcases how some of the most prominent artists of the twentieth and twenty-first centuries have considered this universal subject. Organized thematically\, this exhibition uses an artistic lens to examine food beyond its purpose as body fuel. \nIn its most prosaic sense\, food is a physical necessity for survival\, yet its overall significance transcends beyond mere sustenance. Food is integral to our communities\, relationships\, cultures and languages. People interact with food on varying levels. Some of us grow it; more of us buy it. We transform it by cutting\, cooking and dressing it with spices\, marinades and garnishes. We use food as an intermediary to connect with others through holiday meals\, business lunches\, dates and more. We fight over food. We deny food to others as a tool of suppression and cultural erasure. We fear for our health\, feeding a growing global population and the effects of climate change on food production. \n\n\nThrough the works of artists such as Enrique Chagoya\, Damien Hirst\, Hung Liu\, Analia Saban\, Lorna Simpson and Andy Warhol\, it becomes clear why food is a recurring subject in art\, ever since the spark of human creativity was ignited thousands of years ago. \n\n  Save  
URL:https://artinamericaguide.com/event/the-art-of-food-3/
LOCATION:Oklahoma Contemporary Arts Center\, 11 NW 11th Street\, Oklahoma City\, OK\, 73103\, United States
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230203
DTEND;VALUE=DATE:20230515
DTSTAMP:20260404T054430
CREATED:20230228T161135Z
LAST-MODIFIED:20230228T161135Z
UID:101992-1675382400-1684108799@artinamericaguide.com
SUMMARY:Positive Fragmentation: From the Collections of Jordan D. Schnitzer and His Family Foundation
DESCRIPTION:For many artists\, the act of creation begins with one of destruction as they dissect shape\, color\, perspective\, text\, idea\, or stereotype. For some\, the result is enough: pulling apart and fragmenting images and ideas exposes what lies beneath or heralds the inherent value of each part. Other artists assemble fragments to create a new whole defined by its different parts. This exhibition explores the impulses that drive these creative approaches in the work of contemporary artists. \nPositive Fragmentation: From the Collections of Jordan D. Schnitzer and His Family Foundation includes over 180 prints drawn from the Collections of Jordan D. Schnitzer and His Family Foundation\, each a work by a contemporary artist who employs fragmentation in different ways. \n  Save  
URL:https://artinamericaguide.com/event/positive-fragmentation-from-the-collections-of-jordan-d-schnitzer-and-his-family-foundation/
LOCATION:Taubman Museum of Art\, 110 Salem Avenue SE\, Roanoke\, VA\, 24011\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/02/Positive-Fragmentation-Eskenazi-install-7-2048x1367-1.jpg
GEO:37.272629;-79.938573
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Taubman Museum of Art 110 Salem Avenue SE Roanoke VA 24011 United States;X-APPLE-RADIUS=500;X-TITLE=110 Salem Avenue SE:geo:-79.938573,37.272629
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230211
DTEND;VALUE=DATE:20230701
DTSTAMP:20260404T054430
CREATED:20221118T195037Z
LAST-MODIFIED:20230208T161324Z
UID:100528-1676073600-1688169599@artinamericaguide.com
SUMMARY:Storywork: The Prints of Marie Watt
DESCRIPTION:Marie Watt (Seneca\, b. 1967) is one of the country’s most celebrated contemporary artists whose work draws on personal experience\, indigenous traditions\, proto-feminism\, mythology and art history. Drawing on the collections of Jordan D. Schnitzer and His Family Foundation and the University of San Diego\, Marie Watt Prints will present a mid-career retrospective of Watt’s work as a printmaker\, accompanied by a fully illustrated catalogue. \nOver the course of her career\, residencies at the Crow’s Shadow Institute of the Arts\, the Sitka Center for Art and Ecology\, and the Tamarind Institute have afforded Watt the opportunity to collaborate with master printers in producing ambitious print series. Whether working in lithography\, woodcut\, or etching\, the medium of print has served for Watt as a laboratory for large-scale pieces and concepts. In each of her prints Watt demonstrates a tactile appreciation for the particular qualities of wood\, copper\, or stone\, aiming to achieve in her words a “familiarity and intimacy” with the material that adds a layer of thematic resonance to her work. \n\nImage: Marie Watt\, Skywalker/Skyscraper\n2022\, reclaimed blankets\, reclaimed cedar\, steel I-beam.\n100 x 30 x 30 inches.\nCollection of the Jordan Schnitzer Family Foundation.\nPhoto: Kevin McConnell. \n\n  Save  
URL:https://artinamericaguide.com/event/storywork-the-prints-of-marie-watt-2/
LOCATION:Johnson Museum of Art – Cornell University\, 114 Central Ave\, Ithaca\, NY\, 14853\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/11/Watt-Skywalker.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230211T100000
DTEND;TZID=America/Halifax:20230707T170000
DTSTAMP:20260404T054430
CREATED:20230302T190315Z
LAST-MODIFIED:20230302T190315Z
UID:102027-1676109600-1688749200@artinamericaguide.com
SUMMARY:Otis Houston Jr.: My Name is My Word (in response to Jesse Howard)
DESCRIPTION:Otis Houston Jr. (born 1954) is best known for his public performances and installation work on FDR Drive by New York’s East River\, where he has been working since 1997. His site-specific installations and performances include writing\, poetry\, singing\, found objects\, and fruit\, which are used as both props and materials. A series of spray-painted towels and canvases succinctly express Houston’s beliefs and protests. His work often addresses racism\, poverty\, and addiction\, while promoting messages of health\, love\, and self-acceptance. \n  \nClose to a half century prior\, in the 1950s\, a landowner in Fulton\, Missouri\, Jesse Howard (1885–1983)\, began filling twenty acres with hand-painted signs and objects that communicated his views. The signs\, often whitewashed\, present meticulously ruled\, lettered\, and composed biblical verse\, religious and patriotic decrees\, and social commentary. This accumulation of text-based sculptures came to be called Sorehead Hill. Over time\, countless drivers passed the site\, and it became a destination for visitors worldwide. \n  \nDespite the geographic and cultural separations\, both men prioritized free speech\, using signs to communicate their worldviews and concerns. \n  \nHouston’s life in Harlem prompts viewers to understand that their spiritual\, physical\, and emotional health is indivisible from their broader community. In stark contrast\, Howard’s mid-century rural Missouri community led him to a more individualized relationship to religion and politics. The sites chosen and methods of communication implanted by each artist demonstrate a desire to provoke the passerby. \n  \nFrom October 3–7\, 2022\, Houston was at the John Michael Kohler Arts Center\, making new work for his two-part exhibition Otis Houston Jr.: My Name is My Word. While in Sheboygan\, he spent time with Howard’s work. Houston produced several signs in direct response to the encounter\, which are on view in this second iteration of the exhibition. The first iteration of the show was presented at the Arts Center from October 3\, 2022–January 14\, 2023. \nImage: Otis Houston Jr.: My Name is My Word installation view at the Art Preserve\, 2023. \n  Save  
URL:https://artinamericaguide.com/event/otis-houston-jr-my-name-is-my-word-in-response-to-jesse-howard/
LOCATION:John Michael Kohler Arts Center\, 608 New York Avenue\, Sheboygan\, WI\, 53081\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/03/ap.hou_.2023.0004.png
ORGANIZER;CN="John Michael Kohler Arts Center":MAILTO:generalinfo@jmkac.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230211T120000
DTEND;TZID=America/Halifax:20230507T170000
DTSTAMP:20260404T054430
CREATED:20230123T193426Z
LAST-MODIFIED:20230127T160739Z
UID:101523-1676116800-1683478800@artinamericaguide.com
SUMMARY:PRISCILLA HEINE: Buoyant Abandon
DESCRIPTION:Priscilla Heine: Buoyant Abandon opens Saturday February 11\, 2023 at the Southern Vermont Arts Center in Manchester\, Vermont and runs through Sunday May 7\, 2023. \nBending the corners of space with vibrant pigments and tumultuous brushwork\, Priscilla Heine defines the world of memories and shifting dimensions. The power of the whole becomes apparent in the same way that the melody of a single flower embodies the fulsome magic of a botanical orchestra. The sense of blossoming is palpable in Heine’s work and this gradual unspiraling of peace and pleasure evokes a comforting embrace\, a warm meal\, and at times\, an excitement for what is found and a tranquil acceptance for what is gone. \nMore about the artist: www.priscillaheine.com \n  Save  
URL:https://artinamericaguide.com/event/priscilla-heine-buoyant-abandon/
LOCATION:Elizabeth de C. Wilson Museum Southern Vermont Arts Center\, 860 Southern Vermont Arts Center Dr\, Manchester\, VT\, 05255\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/01/Priscila-Heine-2022.jpg
ORGANIZER;CN="Cross Contemporary Art Projects":MAILTO:crosscontemporaryprojects@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230214T110000
DTEND;TZID=America/Halifax:20230616T170000
DTSTAMP:20260404T054430
CREATED:20230110T165222Z
LAST-MODIFIED:20230110T165222Z
UID:101396-1676372400-1686934800@artinamericaguide.com
SUMMARY:The Barack Obama Presidency: Hope and Change
DESCRIPTION:The exhibition focuses on issues and topics from the Obama administration: 2008 and 2012 elections\, Great Recession\, Health Care\, Immigration\, Wars in Afghanistan and Iraq\, Combating Terrorism\, Climate Change and the Environment\, and Race Relations. The exhibition includes photographs\, facsimile documents\, and objects on loan from the National Archives and Records Administration (NARA) and the Barack Obama Presidential Library.  Editorial cartoons by Mike Keefe\, Steve Kelley\, and Signe Wilkinson further illustrate the themes. In addition\, items related to the Presidential Debates at Hofstra University in 2008 and 2012\, on loan from the University Archives\, will be on view. \nThe Hofstra University Museum of Art’s programs are made possible by the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature. \nAdmission is free. \nGallery Hours: \nDavid Filderman Gallery\nJoan and Donald E. Axinn Library\, Ninth Floor\, South Campus \nTuesday-Friday\, 11 a.m.-4 p.m. • Saturday and Sunday\, noon-4 p.m. \n  Save  
URL:https://artinamericaguide.com/event/the-barack-obama-presidency-hope-and-change/
LOCATION:David Filderman Gallery at Hofstra University\, 112 Hofstra University\, Hempstead\, New York
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/01/Barack-Obama-Presidency-Flyer-2.14.23-6.16.23-2.png
ORGANIZER;CN="Hofstra University Museum of Art":MAILTO:museum@hofstra.edu
GEO:40.7133721;-73.6015642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=David Filderman Gallery at Hofstra University 112 Hofstra University Hempstead New York;X-APPLE-RADIUS=500;X-TITLE=112 Hofstra University:geo:-73.6015642,40.7133721
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230217T080000
DTEND;TZID=America/Halifax:20230625T170000
DTSTAMP:20260404T054430
CREATED:20230109T180809Z
LAST-MODIFIED:20230109T180809Z
UID:101309-1676620800-1687712400@artinamericaguide.com
SUMMARY:Crafting Worldviews: Art and Science in Europe\, 1500–1800
DESCRIPTION:Crafting Worldviews: Art and Science in Europe\, 1500–1800 examines the inseparable relationship among art\, science\, and European colonialism from the 16th through the 18th century—an era of voyage\, trade\, and Europe’s territorial dominance on a global scale. The objects featured in this multidisciplinary exhibition cross the modern-day boundaries of art and science and range from the everyday\, such as books\, maps\, globes\, drafting tools\, microscopes\, playing cards\, and sundials\, to the more unusual\, such as a hand-cranked model of the solar system\, an automaton clock\, and anatomical figures carved in ivory. Drawn from across the University’s campus and crafted from both locally and globally obtained materials\, including brass\, ivory\, mahogany\, and ebony\, the works featured are remarkable not just for their exquisite design but also their intricate construction. Together\, they illuminate the critical role that art and science have played in shaping Europeans’ understanding of the world and their place within it. \n  Save  
URL:https://artinamericaguide.com/event/crafting-worldviews-art-and-science-in-europe-1500-1800-2/
LOCATION:Yale University Art Gallery\, 1111 Chapel St\, New Haven\, CT\, 06510\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/01/ag-obj-48770-0001-pub.jpg
ORGANIZER;CN="Yale University Art Gallery":MAILTO:artgalleryinfo@yale.edu
GEO:41.30839;-72.930958
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Yale University Art Gallery 1111 Chapel St New Haven CT 06510 United States;X-APPLE-RADIUS=500;X-TITLE=1111 Chapel St:geo:-72.930958,41.30839
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230217T080000
DTEND;TZID=America/Halifax:20230723T170000
DTSTAMP:20260404T054430
CREATED:20230109T180809Z
LAST-MODIFIED:20230109T180809Z
UID:101311-1676620800-1690131600@artinamericaguide.com
SUMMARY:Thinking Small: Dutch Art to Scale
DESCRIPTION:Thinking Small: Dutch Art to Scale explores an intriguing selection of objects from the 17th-century Netherlands that were designed to elicit slow\, intimate\, and contemplative engagement on the part of their original audiences. This student-curated exhibition features small-scale works in various media drawn from the rich holdings of the Yale University Art Gallery and other collections across campus\, as well as the Center for Netherlandish Art at the Museum of Fine Arts\, Boston\, and a private collection. Amid the global expansion of Dutch commerce in this period\, diagrams and maps miniaturized large geographic areas\, and botanical books bore witness to their makers’ meticulous study of the natural world. Paintings filled with minute details enticed viewers to move close and scrutinize the image\, while medals that were meant to be held in the hand served as cherished commemorative tokens. In their size or intricacy\, the objects in Thinking Small compel viewers to reconsider their relationship to the world around them. \n  Save  
URL:https://artinamericaguide.com/event/thinking-small-dutch-art-to-scale/
LOCATION:Yale University Art Gallery\, 1111 Chapel St\, New Haven\, CT\, 06510\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/01/ag-obj-9892-0001-pub.jpg
ORGANIZER;CN="Yale University Art Gallery":MAILTO:artgalleryinfo@yale.edu
GEO:41.30839;-72.930958
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Yale University Art Gallery 1111 Chapel St New Haven CT 06510 United States;X-APPLE-RADIUS=500;X-TITLE=1111 Chapel St:geo:-72.930958,41.30839
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230217T100000
DTEND;TZID=America/Chicago:20230910T170000
DTSTAMP:20260404T054430
CREATED:20220708T163336Z
LAST-MODIFIED:20220708T163336Z
UID:94620-1676628000-1694365200@artinamericaguide.com
SUMMARY:Awful Bigness
DESCRIPTION:Clyfford Still spent his childhood and adolescence in the West and saw how the boundless plains could offer generous bounty in times of plenty or pitilessly starve in dust and wind. In an interview\, he referred to that experience as one that taught him to respect the “awful bigness of the land\, the men and the machines.” In subsequent years\, he worked on an enormous scale\, and each time\, he had to confront the awful bigness of the vast expanse of blank canvas. \nOrganized by the Clyfford Still Museum’s associate curator\, Bailey Placzek\, in collaboration with CSM’s director\, Joyce Tsai\, Awful Bigness fills the Museum’s largest\, skylit galleries and celebrates Still’s biggest\, most ambitious works. This installation follows a chronological display of Still’s works in CSM’s first four rooms\, which overviews Still’s groundbreaking path to abstraction. \n  Save  
URL:https://artinamericaguide.com/event/awful-bigness/
LOCATION:Clyfford Still Museum\, 1250 Bannock St.\, Denver\, CO\, 80204\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/07/1956PH-1077_1_Regester2013_MR-scaled.jpg
ORGANIZER;CN="Clyfford Still Museum":MAILTO:press@clyffordstillmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230218
DTEND;VALUE=DATE:20230626
DTSTAMP:20260404T054430
CREATED:20230427T173837Z
LAST-MODIFIED:20230427T173837Z
UID:103102-1676678400-1687737599@artinamericaguide.com
SUMMARY:Dissent\, Discontent\, and Action: Pictures of US by Accra Shepp
DESCRIPTION:The Spencer Museum collaborates with contemporary photographer Accra Shepp to share two photographic projects\, Occupying Wall Street and The Covid Journals. Through these portrait series\, Shepp reveals a sense of community\, hope\, and resilience during an era of tremendous social\, political\, and environmental change. \nShepp began photographing the Occupy Wall Street demonstrations in New York’s Zuccotti Park on October 1\, 2011. He was drawn to the sea of individuals as a photographic subject\, based in part on his observation of the crowd’s diversity: “The press said the movement was predominantly young and white. And I kept seeing Asians\, Latinos\, Blacks. This doesn’t look so homogenous. There were people in their 60s and young children with their families. And I thought\, this is what people need to see.” Working with a 4 × 5 view camera\, Shepp made 20 to 30 exposures per week over an extended period\, continuing to photograph demonstrators at the park and its vicinity through April 2012. \nIn the early days of the Covid-19 pandemic in 2020\, Shepp again captured portraits of the people in his city. He used a medium-format camera to address\, in his words\, “what this pandemic and its shape looks like here in New York. The work also speaks to the responsibility the arts and artists have to make visible\, audible—make present important historical moments and conditions.” The series began at Elmhurst Hospital\, a few blocks from Shepp’s home\, during a moment when this hospital was filling with patients. At that time most Americans were living in isolation and views of labor and loss associated with the virus’s impact weren’t always visible. Later that year\, Shepp’s attention shifted to demonstrations and the outcry for justice after the murders of Ahmaud Arbery\, Breonna Taylor\, and George Floyd. Shepp explains\, “In spite of isolation and hunger and in spite of contagion\, and the pandemic\, people raised their voices to say\, ‘No more.’” \nIn uniting these two bodies of work\, produced almost a decade apart\, we can consider how the same issues that drove protestors to the streets in 2011 grew in relevance to our daily lives during the crisis of a global pandemic\, and continue to shape society today. \nThis exhibition is supported by the KU Student Senate and the Linda Inman Bailey Exhibitions Fund. \n  Save  
URL:https://artinamericaguide.com/event/dissent-discontent-and-action-pictures-of-us-by-accra-shepp/
LOCATION:Spencer Museum of Art\, University of Kansas\, 1301 Mississippi St.\, Lawrence\, KS\, 66045\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230218T100000
DTEND;TZID=America/Halifax:20230514T170000
DTSTAMP:20260404T054430
CREATED:20220927T165643Z
LAST-MODIFIED:20220928T175531Z
UID:99205-1676714400-1684083600@artinamericaguide.com
SUMMARY:Isabelle de Borchgrave: Fashioning Art from Paper
DESCRIPTION:Centuries of fashion are explored in the breathtaking paper sculptures of contemporary artist Isabelle de Borchgrave. Working in collaboration with leading costume historians and emerging fashion designers\, de Borchgrave crafts a world of splendor from the simplest rag paper. From replicas of Renaissance Italian gowns to recreations of the fantastical modernist costumes of the Ballet Russes\, de Borchgrave’s work is meticulously crafted and astonishingly beautiful. Her paper costumes have been featured in major exhibitions around the world from Venice to San Francisco—and soon in Wichita. \nThe exhibition has been organized by Dixon Gallery and Gardens\, Memphis\, in cooperation with Isabelle de Borchgrave Studio. \nImage: Isabelle de Borchgrave\, Maria-Maddalena d’Austria\, 2007. Paper and acrylic\, 74 x 47 1/2 x 48 inches. Collection of the artist \n \n\n\n\n  Save  
URL:https://artinamericaguide.com/event/isabelle-de-borchgrave-fashioning-art-from-paper/
LOCATION:Wichita Art Museum\, 1400 West Museum Boulevard\, Wichita\, KS\, 67203\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Wichita Art Museum":MAILTO:pr@wichitaartmuseum.org
GEO:37.6949375;-97.3561859
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230223
DTEND;VALUE=DATE:20230605
DTSTAMP:20260404T054430
CREATED:20220316T150520Z
LAST-MODIFIED:20230126T222814Z
UID:92956-1677110400-1685923199@artinamericaguide.com
SUMMARY:not all realisms: photography\, Africa\, and the long 1960s
DESCRIPTION:The sixties were a long time coming. The sixties keep coming back. For many parts of Africa\, to refer to the 1960s is to gesture broadly toward a time of great transformation: the postcolonial turn. That decade’s beginning marks a wave of national independence movements coming to fruition in all parts of the continent with far-reaching consequences around the globe. However\, that era of sweeping change is bound up in a chain of events long preceding that watershed decade\, with ramifications that reach potently into our present. And any discussions merely offering a colonial/postcolonial dichotomy or framed exclusively through the nation-state betray the far more complex collective and individual experiences of that time and the visual representations taking place within it. \nThis exhibition addresses photography in the context of Africa’s long 1960s—amid resistance\, revolution\, new nationalist and transnational movements\, and the stuff of daily life therein. Focusing on Ghana\, Mali\, and South Africa\, this exhibition features photographic prints\, reprints\, books\, magazines\, posters\, and other material means through which photography’s relationships to real people and events were articulated\, produced\, and circulated. And it looks to contemporary works that engage and reflect on those material histories and might prompt us to ask: did the sixties ever end? \nBridging the division often made between studio photography and reportage—even as many photographers worked across such categories in their practices—not all realisms brings studio and street together. This project explores documentary visions cultivated through international circulation of print media and transnational dialogues\, and examines the multiple lives of single images made by photographers including Ernest Cole\, Malick Sidibé\, James Barnor\, Peter Magubane\, Paul Strand\, Henri Cartier-Bresson\, and more. \nImage: Ernest Cole\, From “House of Bondage\,” 1960s\, Gelatin silver print. Smart Museum of Art\, The University of Chicago\, Gift of the Estate of Lester and Betty Guttman\, 2014.224. © Ernest Cole / Magnum Photo. \n  Save  
URL:https://artinamericaguide.com/event/not-all-realisms-photography-africa-and-the-long-1960s/
LOCATION:Smart Museum of Art\, 5550 S. Greenwood Avenue\, Chicago\, IL\, 60637\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230223
DTEND;VALUE=DATE:20230710
DTSTAMP:20260404T054430
CREATED:20221208T214311Z
LAST-MODIFIED:20221208T214311Z
UID:100860-1677110400-1688947199@artinamericaguide.com
SUMMARY:The Metropol Drama
DESCRIPTION:The things we call art can\, at their best\, provide a way to peek a sideways glance at the emotions behind someone else’s human experience. In this relating to others—be they friends\, family\, strangers\, or the citizens of a different time and place—facts and truth go only so far. \nThe Metropol Drama proposes another way of looking at our aesthetic\, economic\, and emotional history—one that it rooted in the contradictions of interaction that produce peoples and states that are smudged and complex\, hybrid and tragic. Having gone by many names\, today we call this social and economic amalgam “cosmopolitanism.” The term can best be thought of as a kind of shorthand for a sensibility where the exchange of capital\, ideas\, and people have provided fertile ground and vulnerabilities for ways of feeling and living. \nThis exhibition is a case study in how the things we call art speak to and embody values. It presents a terrain comprised of traditionally-defined works of art and artifacts\, as well as objects such as legal documents and currencies—forms of negotiation between peoples. The diversity of objects within the exhibition space reflects the ways in which we form the complex subjectivities of selfhood across cultures since the time of the ancients up until the present moment within ourselves. \n  Save  
URL:https://artinamericaguide.com/event/the-metropol-drama/
LOCATION:Smart Museum of Art\, 5550 S. Greenwood Avenue\, Chicago\, IL\, 60637\, United States
CATEGORIES:Exhibition
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GEO:41.7934642;-87.6002004
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