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SUMMARY:59th Venice Biennale "Personal Structures" – Donald Martiny
DESCRIPTION:Madison Gallery will be exhibiting Donald Martiny at the 59th Venice Biennale\, April 23 through November 2022 in partnership with the ECC European Cultural Centre at the Palazzo Bembo. \nThe art of Donald Martiny exists somewhere between painting and sculpture. We are confronted with a singular brushstroke\, huge\, a seemingly spontaneous\, lavish eruption of color and texture on the wall. \n“Space : Traditional Western painting from the time of Giotto until Courbet created the illusion of space using Filippo Brunelleschi’s ideas of perspective. This type of space offered the viewer the opportunity to enter the illusory\, albeit fictional picture space to experience the art. I intend for my works to exist in the same space as the viewer; to interact directly as an object with the environment and the viewer.. The forms of the work are in dialogue with the wall\, the room\, and the viewer. In Germany in 1808 Caspar David Friedrich brilliantly synthesized and amalgamated space in his painting Der Mönch am Meer and later with Der Wanderer über dem Nebelmeer by inviting the viewer to place themselves into the painting through the use of a Rückenfigur. Barnett Newman understood this very well when he painted his masterwork Vir Heroicus Sublimis in 1951. Through the use of free-standing paint-sculptures my work is in dialogue with the history of the use of space\, the history of painting\, and with these paintings in particular.  \nTime: In photography the shutter speed of 1/1600th second is typical to freeze action and capture an instant in time.(1) While photography captures the image of an instant in time\, a painting captures an event in time. Rather than producing an image of a gesture or mark\, my paintings are the result of an event. The event happens over an extended period of time. By inviting the viewer into the painting\, to become a collaborator or participant rather than a casual viewer the works offer a multifaceted and complex experience similar to the experience one might have wandering through a cathedral rather than the usual glance\, glimpse\, or cursory look. What I have in mind is a different kind of experience: not just glancing\, but looking\, staring\, gazing\, sitting or standing transfixed: forgetting\, temporarily\, the errands you have to run\, or the meeting you’re late for\, and thinking\, living\, only inside the work. Forgetting time\, the past\, the future\, only existing in the present.  \nFalling in love with an artwork\, finding that you somehow need it\, wanting to return to it\, wanting to keep it in your life. This kind of experience requires time and a willingness to be in dialogue with the work; to have an ongoing relationship with it. While the painting itself may be unchanging\, the viewer may find they change quite a bit over time. “ – Donald Martiny \n  Save  
URL:https://artinamericaguide.com/event/59th-venice-biennale-personal-structures-donald-martiny/
LOCATION:31 Mercer Street\, New York\, NY\, 10013\, United States
CATEGORIES:Art Fair,Exhibition
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DTSTART;TZID=America/Halifax:20221027T110000
DTEND;TZID=America/Halifax:20221030T180000
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SUMMARY:Tandem Press at the 2022 IFPDA Fine Art Print Fair
DESCRIPTION:For our 2022 IFPDA Print Fair presentation\, Tandem Press will debut new prints by Derrick Adams\, Lesley Dill\, and Cameron Martin. We will also exhibit recent prints by Jeffrey Gibson\, Suzanne Caporael\, Manabu Ikeda\, and Alison Saar that have not been shown at the fair previously. \nDerrick Adams’s new prints\, a continuation of his Style Variation series\, explore Black identity and empowerment achieved through acts of styling. They celebrate rituals of self-expression that do not need to be contextualized to have value\, and they champion what Adams calls one’s individual “fantastic-ness.” \nIn Suzanne Caporael’s most recent print “Origins of the Elements\,” which was inspired by the Periodic Table of the Elements\, she carefully mixed colors to represent cosmic events that are the sources of elements in the universe. \nLesley Dill’s work is profoundly spiritual and explores the relationship between text and images. Her new prints relate to her recent body of work that studies several daring and courageous American abolitionists and religious figures from the 18th-20th centuries\, including Dred Scott\, Sojourner Truth\, and Heavenly Mother Ann Lee. \nA Mississippi Choctaw/Cherokee artist\, Jeffrey Gibson uses recognizable Native American materials such as beads\, fringe\, and elk hide in his artwork. His colorful\, graphic\, and often text-inclusive works create powerful statements that reorient the place and status of Native American art within contemporary culture. \nManabu Ikeda weaves elements of civilization and nature into fantastic narratives which emanate a sense of pure curiosity and abundant imagination. Ikeda’s new intaglio print “The Legendary Mountain” reimagines a Japanese fable of tragedy\, hope\, and mystery. \nIn Cameron Martin’s current work\, the act of representation takes precedence over the representation itself. The non-objective images read as screens\, containers for information\, or illusions of animated space that include shapes and forms reminiscent of recognizable signs or symbols. \nAlison Saar’s personal identity and experience with racism and sexism fuels the narratives she tells through her sculptures\, drawings\, and prints. Saar\, a biracial woman with a lighter complexion\, continues her exploration of hair and the various rituals\, expectations\, and connotations that revolve around it in her new editions. \n  Save  
URL:https://artinamericaguide.com/event/tandem-press-at-the-2022-ifpda-fine-art-print-fair/
LOCATION:The Armory Show at the Javits Center\, 11th Avenue at 35th Street\, New York\, NY\, NY\, 10001\, United States
CATEGORIES:Art Fair
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