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SUMMARY:59th Venice Biennale "Personal Structures" – Donald Martiny
DESCRIPTION:Madison Gallery will be exhibiting Donald Martiny at the 59th Venice Biennale\, April 23 through November 2022 in partnership with the ECC European Cultural Centre at the Palazzo Bembo. \nThe art of Donald Martiny exists somewhere between painting and sculpture. We are confronted with a singular brushstroke\, huge\, a seemingly spontaneous\, lavish eruption of color and texture on the wall. \n“Space : Traditional Western painting from the time of Giotto until Courbet created the illusion of space using Filippo Brunelleschi’s ideas of perspective. This type of space offered the viewer the opportunity to enter the illusory\, albeit fictional picture space to experience the art. I intend for my works to exist in the same space as the viewer; to interact directly as an object with the environment and the viewer.. The forms of the work are in dialogue with the wall\, the room\, and the viewer. In Germany in 1808 Caspar David Friedrich brilliantly synthesized and amalgamated space in his painting Der Mönch am Meer and later with Der Wanderer über dem Nebelmeer by inviting the viewer to place themselves into the painting through the use of a Rückenfigur. Barnett Newman understood this very well when he painted his masterwork Vir Heroicus Sublimis in 1951. Through the use of free-standing paint-sculptures my work is in dialogue with the history of the use of space\, the history of painting\, and with these paintings in particular.  \nTime: In photography the shutter speed of 1/1600th second is typical to freeze action and capture an instant in time.(1) While photography captures the image of an instant in time\, a painting captures an event in time. Rather than producing an image of a gesture or mark\, my paintings are the result of an event. The event happens over an extended period of time. By inviting the viewer into the painting\, to become a collaborator or participant rather than a casual viewer the works offer a multifaceted and complex experience similar to the experience one might have wandering through a cathedral rather than the usual glance\, glimpse\, or cursory look. What I have in mind is a different kind of experience: not just glancing\, but looking\, staring\, gazing\, sitting or standing transfixed: forgetting\, temporarily\, the errands you have to run\, or the meeting you’re late for\, and thinking\, living\, only inside the work. Forgetting time\, the past\, the future\, only existing in the present.  \nFalling in love with an artwork\, finding that you somehow need it\, wanting to return to it\, wanting to keep it in your life. This kind of experience requires time and a willingness to be in dialogue with the work; to have an ongoing relationship with it. While the painting itself may be unchanging\, the viewer may find they change quite a bit over time. “ – Donald Martiny \n  Save  
URL:https://artinamericaguide.com/event/59th-venice-biennale-personal-structures-donald-martiny/
LOCATION:31 Mercer Street\, New York\, NY\, 10013\, United States
CATEGORIES:Art Fair,Exhibition
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DTSTART;TZID=America/Halifax:20221103T120000
DTEND;TZID=America/Halifax:20221106T170000
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SUMMARY:The Art Show Organized by ADAA 2022
DESCRIPTION:Michael Rosenfeld Gallery is pleased to participate in The Art Show 2022 with Alfonso Ossorio: Congregations\, a solo exhibition featuring a selection of found-object assemblages executed between 1962 and 1967 by the most significant Filipino artist of the 20th century. \nCreated between 1959 and 1990\, the Congregations explore themes Alfonso Ossorio (1916–1990) addressed throughout his career\, including the trauma of human gestation and birth\, the specious definitions of race\, and the fraught relationship between religion and sexuality—something he personally struggled with as an openly gay man profoundly devoted to Catholicism. Michael Rosenfeld Gallery’s presentation brings together works from the 1960s\, the decade that witnessed the evolution of the Congregations\, which would become Ossorio’s final body of work. The artist’s unique approach to the medium of assemblage was highly influential to subsequent generations of artists\, and Alfonso Ossorio: Congregations provides a rare opportunity to explore some of the finest examples from the series. \n  Save  
URL:https://artinamericaguide.com/event/the-art-show-organized-by-adaa-2022/
LOCATION:Park Avenue Armory\, 643 Park Avenue\, New York\, NY\, 10065\, United States
CATEGORIES:Art Fair
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DTSTART;TZID=America/Halifax:20221104T110000
DTEND;TZID=America/Halifax:20221230T170000
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SUMMARY:New Works by George Snyder
DESCRIPTION:New works by George Snyder presented by Gallery C. \n  Save  
URL:https://artinamericaguide.com/event/new-works-by-george-snyder/
LOCATION:Gallery C\, 540 N. Blount Street\, Raleigh\, NC\, 27604\, United States
CATEGORIES:Art Fair
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