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DTSTART;TZID=America/Halifax:20190207T180000
DTEND;TZID=America/Halifax:20190425T170000
DTSTAMP:20260428T230400
CREATED:20190409T173430Z
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SUMMARY:Rive by Jon Verney
DESCRIPTION:RIVE: A PHOTOGRAPHY EXHIBITION \nJon Verney a photographer whose work engages in manipulated found imagery\, an interplay between the images of forgotten amateur photographers and the powerful sensation of abstract colors and fractal patterns and reticulation of the original. \nHis work is a reiteration of the dadaist practice of found objects and their subsequent metamorphoses after entering his possession. Using the contemporary material that is a Polaroid and subjecting them to methods of tangible and controllable manipulation of the photographic emulsion\, Verney draws out of them the untapped potential that lay dormant. \nHe sources his materials\, the Polaroids\, from flea markets\, shops\, or bought in bulk online. Blowing these small personal images up to a large scale reinvents the originals into something unintended at their initial creation\, giving a commentary on personal versus public. \nThe disassociation with the subjects and the original photographers’\, whose work allows Verney the ability to create his work\, mirrors that of Jacqui Kenny or Doug Rickard and their respective use of Google Street View\, a global resource allowing those two photographers to create artwork from the comfort of their own homes using the resources of our modern society. \nThe subject of this body of work\, Rive\, engages in the theme of a schism\, a fault line\, a separation of two worlds that butt up against one another\, like the waves of the ocean lapping against the shore. The banal common-place nature of these amateur photographs is at the same time both obscured behind\, and obscuring the organic blooms of his manipulations\, giving the sensation of a reciprocity between reality and surreality. \nJoin us for the Opening Reception! \nThursday\, February 7\, 2019 from 6:00-8:00pm \nMake sure to also stop by the Artist Talk! \nThursday\, April 18\, 2019 from 6:00-7:00pm \nJon Verney is a visual artist whose practice interweaves the materiality of painting\, photography\, and film. After earning a BFA with Distinction in Painting from Massachusetts College of Art and Design in 2010\, he relocated to Florence\, Italy\, where he attended SACI’s Post-Baccalaureate studio program. He was afterwards awarded a SACI Photo/Media Teaching Assistantship and remained at the school for two more years as a TA and darkroom technician. Upon returning to the United States\, he received his MFA from the Stamps School of Art & Design at the University of Michigan in 2016. Verney has exhibited his work nationally and internationally and has attended artist residencies at the Vermont Studio Center\, the Studios at MASS MoCA\, Penland School of Craft\, and the Independent Imaging Retreat in Ontario\, Canada. His studio practice is based in North Adams\, Massachusetts. \n  Save  
URL:https://artinamericaguide.com/event/rive-by-jon-verney/
LOCATION:SACI Gallery\, 454 W 19th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Art Fair,Event,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190501T080000
DTEND;TZID=America/Halifax:20190527T170000
DTSTAMP:20260428T230400
CREATED:20190410T164643Z
LAST-MODIFIED:20190420T143542Z
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SUMMARY:Hollis Taggart to Examine the Work of Acclaimed Artist Knox Martin in Two Solo Presentations This May
DESCRIPTION:Opening at Frieze New York\, May 1 – 5\, 2019\,\nAnd in a Concurrent Exhibition at the Gallery’s Primary Space in Chelsea\, May 2 – 27\, 2019 \nKnox Martin: Radical Structures to Include New Work by the Prolific 96-Year-Old Artist \nThis May\, Hollis Taggart will present an in-depth exploration of the work of acclaimed artist Knox Martin\, with a solo presentation at Frieze New York and a concurrent solo exhibition at its primary location in Chelsea. Martin’s practice\, which spans nearly seven decades\, has engaged with the conceptual and aesthetic underpinnings of a wide range of artistic movements\, from Cubism to Abstract Expressionism to Pop Art. His use of bright swaths of color\, precise\, architectural lines\, and organic forms that reference the female body have resulted in energetic and vibrant compositions that speak to a visual vocabulary that is entirely his own. \nFor the upcoming edition of Frieze New York\, Hollis Taggart will present a focused selection of paintings\, from the 1950s through the 1970s\, providing an introduction to the artist’s early works. To foster a broader understanding of Martin’s practice\, the gallery will also open Knox Martin: Radical Structures at its 521 W. 26th Street space on May 2\, 2019. The exhibition at the gallery will emphasize in particular Martin’s paintings from the 1960s and 1970s\, and also include several later works\, among which are two new paintings created by the 96-year-old artist in 2019. Knox Martin: Radical Structures will be on view through May 27\, 2019. \nAfter serving in WWII\, Martin enrolled in the Art Students League of New York\, where he studied from 1946 to 1950\, alongside Robert Rauschenberg\, Cy Twombly\, and Al Held\, and later became an instructor. Despite the popularity of Abstract Expressionism\, Martin’s early work of the 1950s challenged the stylistic drippings and splatters of his contemporaries\, and began the singular exploration of figures and objects that would become a fundamental part of his oeuvre. His vision earned him his first solo exhibition at the influential Charles Egan Gallery in 1954\, and established him as a recognized member of New York’s inner art and social circles of the time. A mentor and contemporary to many well-recognized artists\, Rauschenberg once said of Martin\, “You are my mentor. For years I have always asked\, what would Knox think of my paintings?” \nInfluenced by the work of Cezanne\, Goya\, Matisse\, Picasso\, and Willem de Kooning\, Martin’s early paintings were textural explorations\, rendered predominantly in black and white and through the use of bold brushstrokes and geometric lines—as seen in Susanna and the Elders (1953). In an early review\, The New York Times categorized this work as containing a “particular intensity\, both visceral and sensational.” In the 1960s and 1970s\, Martin began a thematic and aesthetic evolution\, best exemplified through his newfound use of color and a growing interest in the female form\, which he juxtaposed with geometric patterns and other organic shapes. As seen in Razberri Breasts (c. 1970)\, Woman with Folded Hands (1973)\, Reclining Woman (1974)\, and Carmen Seated (1975)\, the female form is captured within the circular\, rectangular\, triangular\, disked\, and squared configurations of geometry. Clasped hands\, crossed arms\, bent knees\, and faces appear within all four corners of the \n\n\n\n\n\n\ncanvas\, creating a sensation of the body being locked in a moment of stillness within the surface plane. \nThese geometric metaphors were exhibited in the 1972 Whitney Annual at the Whitney Museum of American Art\, and in the Bonino\, Ingber\, Jack and I. Jankovsky galleries in New York between 1970 and 1978. With shades of blues\, pinks\, blacks\, yellows\, reds\, greens\, and whites\, in combination with dots\, flecks\, arcs\, ripples\, and stripes\, Martin was simultaneously able to create a sense of rhythm and stillness that exudes both playfulness and quietude. Art critic Arthur Danto said of Martin’s paintings\, “[they] were animated by certain internal conversations on the meaning of space\, surface\, painting\, pigment\, reference\, reality and illusion.” \nIt was also at this time that Martin began to receive public art commissions. This included several large-scale mural projects in New York City\, including Venus (original: 1970; remastered: 1998) which can still be partially glimpsed at the corner of 19th Street and 11th Avenue. Experienced in grand scale\, Martin’s use of lines\, curves\, and colors becomes all the more distinctive and complex. \nIn his more recent works\, Martin has returned to a focus on black and white. In one of his latest paintings\, U (2019)\, Martin uses the sharp contrast of black against white to focus on abstract symbols\, letters\, and typography. It is the repetition of the letter “U”\, each character slightly tilted and unequal in scale\, that creates a certain movement and vibration—a reinvention and exploration of form that is distinctly Martin’s. There is a feeling of simplicity\, but also of mathematical precision and complexity in Martin’s new work. It is particularly the use of white space that is most striking\, an absence that contains as much energy as the lettered forms themselves. \nMartin describes the use of white in his paintings as essential\, “everything that is art\, white circulates around it. It is the small spaces in between that fluctuate and provide substance. Without white\, there is nothing.” He also emphasizes the intuitive and instinctive process that has shaped the abstract conception and vision of his career\, “I never know where [the paintings] are going\, they tell me what to do.” \n— \nBorn in Barranquilla\, Colombia in 1923\, Knox Martin moved to New York City in 1927. Since his first solo exhibition in 1954\, solo exhibitions of Martin’s work have been presented widely both in the US and abroad\, including in France\, England\, Switzerland\, Canada\, Spain\, and Germany. His work has also been included in significant group presentations\, such as Some Paintings to Consider (Santa Barbara Museum of Art\, California\, 1964)\, Concrete Expressionism (New York University\, New York\, 1965)\, Large Scale American Paintings (Jewish Museum\, New York\, 1967)\, the Whitney Annual (Whitney Museum of American Art\, New York\, 1967 and 1972)\, Synthetic Realism (Gremillion & Co. Fine Art Inc.\, Houston\, 1986)\, Knox Martin: A Painting Exhibition Spanning a Number of Years (Lighthouse Museum\, Tequesta\, Florida\, 1999)\, Pan American Modernism: Avant- Garde Art in Latin America and the United States (Lowe Art Museum\, Miami\, 2013)\, and The Masters: Art Student League Teachers and their Students (The Art Students League of New York\, 2018). Martin’s work is held in over 40 museums and private collections worldwide. He has received prestigious grants and awards\, including most recently the Benjamin West Clinedinst Memorial Award and the French Legion of Honor. Martin has also led a distinguished career in teaching art\, including his years at Yale Graduate School of the Arts\, New York University\, University of Minnesota\, and The Art Students League of New York. \n\n\n\n\n\n\nAbout Hollis Taggart \nFounded in 1979\, Hollis Taggart—formerly known as Hollis Taggart Galleries—presents significant works of American art\, showcasing the trajectory of American art movements from the Hudson River School to American Modernism and Post-War and Contemporary eras. Its program is characterized by a deep commitment to scholarship and bringing to the fore the work of under-recognized artists. The gallery has sponsored several catalogue raisonné projects\, most recently for Surrealist artist Kay Sage\, and has been instrumental in advancing knowledge of such compelling artists as Alfred Maurer\, Arthur B. Carles\, and more recently\, Theodoros Stamos\, Marjorie Strider and Michael (Corinne)West. In summer 2015\, the gallery moved its primary location from the Upper East Side to Chelsea. In fall 2018\, it opened a newly renovated street-level location on W. 26th Street\, a private viewing and storage annex across the street\, and a project space at the High Line. With 40 years of experience\, Hollis Taggart is widely recognized by collectors and curators for its leadership\, expertise\, and openness\, on matters of art history\, and market trends and opportunities. \n### \nFor more information\, please contact:\nAlina Sumajin / Sascha Freudenheim\nPAVE Communications & Consulting alina@paveconsult.com / sascha@paveconsult.com 646-369-2050 / 917-544-6057 \n\n\n\n  Save  
URL:https://artinamericaguide.com/event/hollis-taggart-to-examine-the-work-of-acclaimed-artist-knox-martin-in-two-solo-presentations-this-may/
LOCATION:Hollis Taggart\, 521 West 26th Street\, 1st Floor\,\, New York\, NY\, 10001\, United States
CATEGORIES:Art Fair,Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190502
DTEND;VALUE=DATE:20190506
DTSTAMP:20260428T230400
CREATED:20190415T135544Z
LAST-MODIFIED:20190427T183127Z
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SUMMARY:William T. Williams: 1970 at Frieze New York 2019
DESCRIPTION:Michael Rosenfeld Gallery presents William T. Williams: 1970 in Booth D10 with an exhibition that focuses on the pivotal year 1970\, highlighting a selection of seminal paintings and never-before-exhibited works on paper from the artist’s first mature series\, Diamond in a Box. William T. Williams (b.1942) exploded onto the New York art scene in 1968 after graduating from Yale University (MFA). Paintings from this time were exhibited in Williams’ groundbreaking first solo exhibition at Reese Palley Gallery in 1971. The exhibition launched a period of great success; reviewed in The New York Times\, paintings in the show were acquired by notable collectors; some of these paintings can now be found in prestigious institutions\, including The Museum of Modern Art\, The Studio Museum in Harlem\, and Yale University Art Gallery. Recently\, while relocating his studio practice from New York City to Connecticut\, Williams discovered approximately eighteen works on paper created during the same period as these monumental paintings. Michael Rosenfeld Gallery will present these works alongside two major paintings. Michael Rosenfeld Gallery is the exclusive representative of William T. Williams (b.1942). \nOn Sunday\, May 5\, 2019\, Frieze will present a conversation between William T. Williams and Courtney J. Martin\, Deputy Director and Chief Curator\, Dia Art Foundation. Transcending the Social – 1970 and Today considers the role of abstraction and formalism in an age of social awareness\, and will be held in the MatchesFashion Lounge at 12:30PM. \n  Save  
URL:https://artinamericaguide.com/event/william-t-williams-1970-at-frieze-new-york-2019/
LOCATION:Frieze New York\, Randall’s Island Park\, New York\, 10035\, United States
CATEGORIES:Art Fair
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190502
DTEND;VALUE=DATE:20190506
DTSTAMP:20260428T230400
CREATED:20190415T135522Z
LAST-MODIFIED:20190427T174041Z
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SUMMARY:Norman Lewis: The Last Decade at Frieze New York 2019
DESCRIPTION:Norman Lewis: The Last Decade will be presented in Booth JAM3\, one of seven booths dedicated to the historical significance of the non-profit New York arts organization Just Above Midtown (JAM)\, its founder Linda Goode Bryant\, and the artists she championed. This special section has been curated by Franklin Sirmans\, Director\, Pérez Art Museum Miami as a tribute to the pioneering gallery. Michael Rosenfeld Gallery’s solo presentation of the work of Norman Lewis (1909-1979) will feature paintings and works on paper created during the last decade of the artist’s life\, reflecting two distinctive elements of Lewis’ abstract expressionist practice–calligraphic and atmospheric abstraction. A 1973 painting–one of two exhibited in the inaugural 1974 JAM exhibition Synthesis: A combination of parts or elements into a complex whole–will be on view in the booth\, along with works from the same period that typify Lewis’ signature abstractions and masterful use of color\, line and form. Michael Rosenfeld Gallery proudly represents the Estate of Norman Lewis and this exhibition has been organized with their cooperation. \n  Save  
URL:https://artinamericaguide.com/event/norman-lewis-the-last-decade-at-frieze-new-york-2019/
LOCATION:Frieze New York\, Randall’s Island Park\, New York\, 10035\, United States
CATEGORIES:Art Fair
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190919T120000
DTEND;TZID=America/Halifax:20190922T180000
DTSTAMP:20260428T230400
CREATED:20190829T124427Z
LAST-MODIFIED:20190829T124427Z
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SUMMARY:Helwaser Gallery at EXPO CHICAGO
DESCRIPTION:Helwaser Gallery at Expo Chicago\nBooth 270\n09.19.2019 – 09.22.2019\nWorks by: Alexander Calder\, John Chamberlain\, Jean Dubuffet\, George Condo\, Michael Goldberg\, Adolph Gottlieb\, Hans Hofmann\, John Wesley\, Ed Ruscha\, Richard Serra\, Sol LeWitt\, Tom Wesselmann\, Jonas Wood\nSpecial presentation: Anton Ginzburg \nThe gallery will be hosting an online viewing room for Expo Chicago\, where you can explore and learn more about the booth’s presentation. \nFor more information on available works\, passes\, and general inquiries\, email us  \nHelwaser Gallery is pleased to participate in Expo Chicago from September 19-22 (Booth 270). The booth will highlight works by post-war and contemporary masters\, including Alexander Calder\, John Chamberlain\, Jean Dubuffet\, George Condo\, Michael Goldberg\, Adolph Gottlieb\, Hans Hofmann\, Yayoi Kusama\, Kenneth Noland\, Ed Ruscha\, Sol LeWitt\, Tom Wesselmann\, John Wesley\, and Jonas Wood. Complementing this presentation will be a dedicated section to New York-based artist Anton Ginzburg (b. 1974\, St. Petersburg\, Russia)\, whose works dialogue with modernist formal vocabularies. Marking Helwaser Gallery’s first year of participation in Expo Chicago\, the presentation will introduce the gallery’s overall program to the various audiences of the fair. \nExecuted on shaped wooden panels\, Ginzburg’s abstract\, dynamic compositions balance hard-edged geometry with painterly qualities. Ginzburg’s works have been the subject of significant solo exhibitions at the 54th Venice Biennale\, the Blaffer Art Museum at the University of Houston\, and the Southern Albert Art Gallery\, amongst others. His latest bodies of works address the color experiments of Mikhail Matyushin\, a leading figure of the Russian historical avant-garde. In the ORRA (2017- 2018) and VIEW (2018 – ongoing) series of paintings\, planes of color overlap and intersect with each other within smaller-scale works\, revealing figure-ground relationships. In larger works\, Ginzburg draws on the effects of the movement of color through space. Collectively\, the works analyse the act of viewing and demonstrates the process through the material practice of painting. \nThis focus on abstraction will continue in the main section of the booth with three large-scale paintings by Adolph Gottlieb\, Hans Hofmann\, and Kenneth Noland. Gottlieb’s monumental Black on White (1967) suspends gestural\, emotionally charged brushstrokes within a pure white color field. Hofmann’s Composition #2 (1951) is an arrangment of multiple elements within a bright yellow background\, underscoring the importance of color and form in his practice. Also on view is Noland’s Mysteries: Wild Heart (2000)\, which revisits the artist’s landmark series of concentric circle landscapes that was conceived in the 1960s\, with heightened\, dramatic color relationships. Presented together\, the works explore the various approaches that the painters took towards abstraction and their respective contributions as pioneers of the seminal art historical movements\, Abstract Expressionism and Minimalism. \nAlso exhibited will be a selection of work on paper by George Condo\, Ed Ruscha\, John Welsey\, Sol LeWitt\, and Jonas Wood. These drawings allow viewers to encounter the respective artists’ practice on a more intimate scale. \n  Save  
URL:https://artinamericaguide.com/event/helwaser-gallery-at-expo-chicago/
LOCATION:Expo Chicago\, 600 E Grand Ave\, Chicago IL 60611\, Chiago\, IL\, 60611\, United States
CATEGORIES:Art Fair
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ORGANIZER;CN="Expo Chicago":MAILTO:info@helwasergallery.com
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190921T153000
DTEND;TZID=America/Halifax:20190921T200000
DTSTAMP:20260428T230400
CREATED:20190918T172732Z
LAST-MODIFIED:20190918T172852Z
UID:59709-1569079800-1569096000@artinamericaguide.com
SUMMARY:REPOPULATIONS
DESCRIPTION:NOoSPHERE Arts presents REPOPULATIONS\, a group exhibition and series of performances opening during Kingsland Wildflowers’ Fall Festival\, a Climate Week official event. Curated by Daniela Holban\, the show will feature works by 20+ artists. \nREPOPULATIONS examines the parallels between declining local natural habitats within the Greenpoint landscape: Native plant and wildlife alongside the artists’ populations have become depleted over time due to the neglect and contamination of their ecosystems by both industrial and property development. A commentary on a microcosm of a greater global crisis\, the exhibition addresses the importance and celebrates the repopulation efforts of these ecosystems in several ways – by presenting a selection of artists working in the area as well as showcasing artworks that comment on environmental themes. \nWith Works by: Jon Barraclough\, Marijke Brinkhof\, Juliet Jane\, Maki Kaoru\, Aomi Kikuchi\, Sol Kjok\, Tom Koken\, Sjaak Kooij\, Ofra Lapid\, Till Lauer\, Allison Maletz\, Julianne Nash\, Agata Nowicka\, Brian Rattiner\, Beau Bree Rhee\, Noam Shoan\, Asia Sztencel\, Adriano Valeri\, Ingvild Waerhaug\, Martynka Wawrzyniak\, Albin Wiberg\, Alex Wolkowicz and Gabriel Zimmer. \nSpecial multi-media performance with Ingvild Waerhaug on vocals and Art Baron on bass recorder & trombone on Sept.21st at 6:30PM.  \nThe exhibition is sponsored by Broadway Stages\, a generous arts patron whose support allows a multitude of displaced artists renewed access to the former manufacturing plants where the creative tribe once thrived. \nArtworks available for purchase on ARTFARE. A portion of the proceeds will benefit Kingsland Wildflowers and NOoSPHERE Arts. \n  Save  
URL:https://artinamericaguide.com/event/repopulations/
LOCATION:Broadway Stages Gallery\, 520 Kingsland Avenue\, Brooklyn\, NY\, 11222\, United States
CATEGORIES:Art Fair,Event,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20191003T180000
DTEND;TZID=America/Halifax:20191003T200000
DTSTAMP:20260428T230400
CREATED:20190925T134317Z
LAST-MODIFIED:20190925T134317Z
UID:59969-1570125600-1570132800@artinamericaguide.com
SUMMARY:ADOLFO DORING: PHOTOGRAPHY AND VIDEO
DESCRIPTION:Denise Bibro Fine Art is pleased to announce its first exhibition of photography and video work by the late multidisciplinary artist\, Adolfo Doring. His diptych silver gelatin black and white images are from his POSTED 162 Grams series and the larger photos are from his American Burger series. Doring’s solo exhibition runs October 3 – November 9\, 2019. \nDoring’s diptychs are based on images of females and environmental scenes that he posted on Instagram from August 2014 – September 2015. Each image of a female figure and the environment were assigned a layer of meta-data to differentiate the two types of images\, then a second set of meta-data was assigned to indicate the number of likes for each image\, which he would combine to make a diptych. When selecting which images would be placed on the right and the left\, Doring left it completely up to chance; he flipped a coin. In his own words\, “The random nature of the process has given me the unexpected pleasure of experiencing unexpected compositions.” \nThe American Burger series and the video shown about highways in Mexico City display the commercialism\, fast pace and unpredictability in the city\, although quite different they are still in tone with his humanistic and idiosyncratic style. The video shown sets a contrasting tone from the rich\, vintage tones of the photograph\, echoing the nuts and bolts of the infrastructure of motorways in his native city\, Mexico City\, full of the life\, movement and pace of the city. \nHis compositions are silver gelatin prints. His photographs reference the daguerreotypes of nineteenth-century photography. As New York writer\, Miss Rosen states\, “… when regular people who might not be able to afford a portrait could have likenesses preserved—much in the same way digital photography has democratized the image making. By translating digital photographs back to film\, Doring illustrates that progress is not necessarily a linear affair\, just as randomness is a valuable tool in the creative process.” Rosen further notes “…. that somewhere where between chance and mystery lies imagination.” \nDoring has been behind the camera since he was a teenager in Mexico City\, where he shot his first documentary about the stark divide between rich and poor. Later he had an extensive and illustrious career making films\, documentaries\, music videos\, taking photographs\, and crafting art installations centered upon his videos. He studied law at Universidad Anahuac in Mexico City\, Mexico\, and Sociology and Film at Columbia University\, New York. His video work in the music industry earned him an MTV Music Video Award. His narrative films and documentaries earned him critical praise (Metro premiered at the Tribeca Film Festival in 2009) and his video installations have travelled the world over. Since 2010 his works have been featured in many Whitebox Center shows as well as in other exhibitions curated by Silvas Von Morisse Gallery\, New York\, NY; Raul Zamudio-in Shanghai\, China; Monterrey\, Mexico; San Jose\, Costa Rica; and Saint Angelo\, Italy. \nAdolfo’s untimely death in 2016 leaves behind a rich legacy for future generations to cherish. \nReception: Thursday\, October 3\, 2019\, 6-8 pm.  \n  Save  
URL:https://artinamericaguide.com/event/adolfo-doring-photography-and-video/
LOCATION:Denise Bibro Fine Art\, 529 West 20th Street\, 4th Floor\, New York\, 10011\, United States
CATEGORIES:Art Fair
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ORGANIZER;CN="Denise Bibro Fine Art":MAILTO:info@denisebibrofineart.com
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20191024T120000
DTEND;TZID=America/Halifax:20191027T170000
DTSTAMP:20260428T230400
CREATED:20190930T210748Z
LAST-MODIFIED:20191003T200832Z
UID:60431-1571918400-1572195600@artinamericaguide.com
SUMMARY:Ruiz-Healy Art at IFPDA Fine Art Print Fair 2019
DESCRIPTION:Ruiz-Healy Art at the IFDA Fine Art  Print Fair \nFair hours: \nTHURSDAY 10/24\n12-7pm: Open to the public \nFRIDAY 10/25\n12-7pm: Open to the public \nSATURDAY 10/26\n12-8pm: Open to the public \nSUNDAY 10/27\n12 – 5pm: Open to the public \n  Save  
URL:https://artinamericaguide.com/event/ruiz-healy-art-at-ifpda-fine-art-print-fair-2019/
LOCATION:The Armory Show at the Javits Center\, 11th Avenue at 35th Street\, New York\, NY\, NY\, 10001\, United States
CATEGORIES:Art Fair
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/09/Shipton-Ethel_Arrows_2019.jpg
ORGANIZER;CN="IFPDA Fine Art Print Fair":MAILTO:info@ifpda.org
GEO:40.7564465;-74.0015064
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Armory Show at the Javits Center 11th Avenue at 35th Street New York NY NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=11th Avenue at 35th Street:geo:-74.0015064,40.7564465
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20191121T080000
DTEND;TZID=America/Halifax:20191121T170000
DTSTAMP:20260428T230400
CREATED:20191122T014359Z
LAST-MODIFIED:20191125T175726Z
UID:61876-1574323200-1574355600@artinamericaguide.com
SUMMARY:Michael Rosenfeld Gallery at Art Basel Miami Beach\, Booth G4
DESCRIPTION:Michael Rosenfeld Gallery | Celebrating 30 Years\, December 5 – December 8\, 2019 \n  Save  
URL:https://artinamericaguide.com/event/michael-rosenfeld-gallery-at-art-basel-miami-beach-booth-g4-2/
LOCATION:Art Basel Miami Beach\, Miami Beach Convention Center 1901 Convention Center Drive Miami Beach\, FL 33139\, Miami Beach\, FL\, 33139\, United States
CATEGORIES:Art Fair
GEO:25.7950215;-80.1345386
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Basel Miami Beach Miami Beach Convention Center 1901 Convention Center Drive Miami Beach FL 33139 Miami Beach FL 33139 United States;X-APPLE-RADIUS=500;X-TITLE=Miami Beach Convention Center 1901 Convention Center Drive Miami Beach\, FL 33139:geo:-80.1345386,25.7950215
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191205
DTEND;VALUE=DATE:20191209
DTSTAMP:20260428T230400
CREATED:20191122T014326Z
LAST-MODIFIED:20191204T190429Z
UID:61879-1575504000-1575849599@artinamericaguide.com
SUMMARY:Michael Rosenfeld Gallery at Art Basel Miami Beach\, Booth G4
DESCRIPTION:Michael Rosenfeld Gallery | Celebrating 30 Years \nMichael Rosenfeld Gallery opened its inaugural exhibition on December 10\, 1989. In celebration of this milestone\, we present a selection of exemplary works by the artists that we have consistently championed over the past thirty years. Visit us in Booth G4 to see many of the artists that you have come to know and admire through our rich history of exhibitions\, programming and publications. \nMichael Rosenfeld Gallery | Celebrating 30 Years includes works by:\nBenny Andrews\, Robert Arneson\, George C. Ault\, Milton Avery\, Hannelore Baron\, Richmond Barthé\, Mary Bauermeister\, Romare Bearden\, Harry Bertoia\, John Biggers\, Lee Bontecou\, Joseph Cornell\, Eldzier Cortor\, Ralston Crawford\, Jay DeFeo\, Beauford Delaney\, Burgoyne Diller\, Louis Eilshemius\, Claire Falkenstein\, Sam Gilliam\, Michael Goldberg\, Morris Graves\, Nancy Grossman\, Raymond Jonson\, Lee Krasner\, Yayoi Kusama\, Jacob Lawrence\, Blanche Lazzell\, Alfred Leslie\, Norman Lewis\, Conrad Marca-Relli\, John Marin\, Alice Neel\, Alfonso Ossorio\, Irene Rice Pereira\, Fairfield Porter\, Richard Pousette-Dart\, Anne Ryan\, Betye Saar\, Rolph Scarlett\, Charles G. Shaw\, Lenore Tawney\, Pavel Tchelitchew\, Alma Thomas\, Bob Thompson\, Mark Tobey\, Charmion von Wiegand\, Charles White and William T. Williams. \n  Save  
URL:https://artinamericaguide.com/event/michael-rosenfeld-gallery-at-art-basel-miami-beach-booth-g4/
CATEGORIES:Art Fair
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/11/AIA-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200117
DTEND;VALUE=DATE:20200120
DTSTAMP:20260428T230400
CREATED:20200102T215601Z
LAST-MODIFIED:20200102T215925Z
UID:62926-1579219200-1579478399@artinamericaguide.com
SUMMARY:Michael Rosenfeld Gallery at UNTITLED\, ART San Francisco 2020
DESCRIPTION:Group exhibition to compliment the traveling landmark exhibition Soul of a Nation: Art in the Age of Black Power. \n  Save  
URL:https://artinamericaguide.com/event/michael-rosenfeld-gallery-at-untitled-art-san-francisco-2020/
LOCATION:UNTITLED\, ART San Francisco\, 454 The Embarcadero\, San Francisco\, CA\, United States
CATEGORIES:Art Fair
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/01/Gilliam-Untitled-MR19-IMAGE-ONLY.jpg
GEO:37.7973806;-122.3951906
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=UNTITLED ART San Francisco 454 The Embarcadero San Francisco CA United States;X-APPLE-RADIUS=500;X-TITLE=454 The Embarcadero:geo:-122.3951906,37.7973806
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200213
DTEND;VALUE=DATE:20200217
DTSTAMP:20260428T230400
CREATED:20200124T224750Z
LAST-MODIFIED:20200226T164332Z
UID:64126-1581552000-1581897599@artinamericaguide.com
SUMMARY:P.P.O.W. Gallery at the Felix Art Fair\, Room 1232
DESCRIPTION:P.P.O.W. Gallery will be showing a selection of works from various gallery artists in Room 1232 at the Felix Art Fair in LA. \nFelix LA was co-founded by Dean Valentine and brothers Al Morán and Mills Morán. The fair’s mission is to create an intimate experience that prioritizes connoisseurship\, collaboration\, and community. A return to the hotel fair format\, in the spirit of the storied Gramercy International Los Angeles at the Chateau Marmont\, Felix LA grants galleries an efficient exhibition opportunity while offering the city’s collector-base intimate access and maximum flexibility. The informal setting allows for more extended conversations among collectors\, dealers\, and artists alike. In 2019\, the inaugural edition of the fair welcomed a diverse creative audience\, bringing in over 12\,000 guests to experience galleries from Europe\, North America\, China\, South Africa and Australia. The 2020 edition will take place February 13-16 at the Hollywood Roosevelt Hotel in Los Angeles. \n  Save  
URL:https://artinamericaguide.com/event/felix-art-fair-room-1232/
LOCATION:The Hollywood Roosevelt\, 7000 Hollywood Blvd\, Los Angelas\, CA\, 90028\, United States
CATEGORIES:Art Fair
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GEO:34.1012777;-118.3416128
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Hollywood Roosevelt 7000 Hollywood Blvd Los Angelas CA 90028 United States;X-APPLE-RADIUS=500;X-TITLE=7000 Hollywood Blvd:geo:-118.3416128,34.1012777
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20200214T110000
DTEND;TZID=America/Halifax:20200218T180000
DTSTAMP:20260428T230400
CREATED:20200210T162201Z
LAST-MODIFIED:20200210T164209Z
UID:64747-1581678000-1582048800@artinamericaguide.com
SUMMARY:Robert Fontaine Gallery at Art Wynwood 2020 - Booth AW104
DESCRIPTION:SHOW TITLE\nRobert Fontaine Gallery at Art Wynwood 2020\n\n\nFAIR\nArt Wynwood 2020\n\n\nDATES\nFeb 13\, 2020 – Feb 17\, 2020\n\n\n\nBooth AW104\n\n  Save  
URL:https://artinamericaguide.com/event/robert-fontaine-gallery-at-art-wynwood-2020-booth-aw104/
LOCATION:art wynwood\, One Herald Plaza (Biscayne Bay & 14th Street)\, Miami\, FL\, 33132\, United States
CATEGORIES:Art Fair,Event
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GEO:25.787783;-80.1867719
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=art wynwood One Herald Plaza (Biscayne Bay & 14th Street) Miami FL 33132 United States;X-APPLE-RADIUS=500;X-TITLE=One Herald Plaza (Biscayne Bay & 14th Street):geo:-80.1867719,25.787783
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200227
DTEND;VALUE=DATE:20200302
DTSTAMP:20260428T230400
CREATED:20200224T170441Z
LAST-MODIFIED:20200224T170441Z
UID:65580-1582761600-1583107199@artinamericaguide.com
SUMMARY:P.P.O.W. Gallery at ADAA: The Art Show\, Booth C9
DESCRIPTION:P·P·O·W is pleased to present a one-person booth of new sculptures and works on paper by Ramiro Gomez. Born in 1986 in San Bernardino\, California to undocumented Mexican immigrants who have since become US citizens\, Gomez briefly attended the California Institute for the Arts before leaving to work as a live-in nanny with a West Hollywood family. Informed by his childhood and subsequent time working in the Hollywood Hills\, Gomez has since garnered critical acclaim for his work addressing issues of immigration and class division. \nIn his ongoing Magazine Series\, Gomez renders the “invisible” visible\, inserting representations of labor forces which build and maintain the pools\, gardens\, and mansions of America’s wealthiest classes onto the pages of glossy lifestyle magazines such as Galerie\, Town and Country\, Design within Reach\, and Architectural Digest. Introduced to these periodicals during his time as a nanny\, Gomez recalls\, “The magazines looked like the very environments I was working in and I started feeling an interesting reaction to them. It was looking at these environments minus all the people I was working with. It was an erasure of us. So it became very clear what to add. It was this simple act. It was just inspired by saying\, ‘I’m here. We exist.’” \nDeveloping this series further\, Gomez turns his eye toward not only representations of labor but representations of internal fantasies\, dreams\, and expressions of the self. Portraying his figures as talented and necessary\, Gomez unlocks powerful narrative possibilities that are usually suppressed in visual culture. Presented alongside life-size cardboard sculptures of people who construct and maintain an annual art fair\, this presentation exposes the ontology of eraser whichs pervades the commercial art world. Now that his own work can be found in prominent collections and upscale magazines\, Gomez has been compelled to acknowledge how he and his art are elevated by a capitalist system built on expunging the workforce that maintains it. \nRamiro Gomez (b. 1986) lives and works in West Hollywood\, CA. He has been the subject of solo exhibitions at the University of Michigan\, Institute for the Humanities and the West Hollywood Public Library\, as part of Pacific Standard Time: LA/LA. Gomez recently presented Here\, For a Moment at Charlie James Gallery\, Los Angeles\, his third solo exhibition with the gallery. His work has been included in group exhibitions at LACMA\, the Smithsonian National Portrait Gallery\, the Denver Art Museum\, the MFA Houston\, the Blanton Museum of Art\, and many other institutions. In 2016\, Gomez was the subject of Domestic Scenes – The Art of Ramiro Gomez\, a monograph by Lawrence Weschler\, published by Abrams. Gomez’s work has been featured or reviewed in the Los Angeles Times\, Artforum\, The Atlantic\, CNN\, National Public Radio\, CARLA\, The New York Times Sunday Magazine\, LA Weekly\, Harper’s Bazaar\, Hyperallergic\, and others. His work is in the collections of LACMA\, the Smithsonian American Art Museum\, the Museum of Fine Arts\, Houston\, the Denver Art Museum\, the MCA San Diego\, the Blanton Museum of Art\, the Crocker Art Museum\, the Nerman Museum\, and the Museum of Latin American Art\, among others. \n  Save  
URL:https://artinamericaguide.com/event/p-p-o-w-gallery-at-adaa-the-art-show-booth-c9/
LOCATION:ADAA-The Art Show\, Park Avenue Armory @ 67th Street\, New York\, NY\, NY\, 10065\, United States
CATEGORIES:Art Fair
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/02/2020_Living-In-The-Moment_10.8125-x-16.75-inches-scaled.jpg
GEO:40.7674947;-73.9661002
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=ADAA-The Art Show Park Avenue Armory @ 67th Street New York NY NY 10065 United States;X-APPLE-RADIUS=500;X-TITLE=Park Avenue Armory @ 67th Street:geo:-73.9661002,40.7674947
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200227
DTEND;VALUE=DATE:20200302
DTSTAMP:20260428T230400
CREATED:20200203T183451Z
LAST-MODIFIED:20200225T170728Z
UID:64389-1582761600-1583107199@artinamericaguide.com
SUMMARY:Michael Rosenfeld Gallery at ADAA-The Art Show\, Booth D4
DESCRIPTION:Michael Rosenfeld Gallery is proud to present a solo exhibition for the work of William H. Johnson (1901-1970)\, offering a rare opportunity—outside of museum walls—to view a concentrated selection of paintings\, watercolors and pochoirs\, dating from c.1928-c.1943. Known for thickly surfaced modernist landscapes of scenes visited in Scandinavia\, France and North Africa and later\, stylized\, flat narratives often described as “modern primitivism”\, Johnson aimed in all of his work “to express in a natural way what I feel is in me both rhythmically and spiritually\, all that which in time has been saved up in my family of primitiveness and tradition and which is now concentrated in me.” \n  Save  
URL:https://artinamericaguide.com/event/michael-rosenfeld-gallery-at-adaa-the-art-show-booth-d4/
LOCATION:ADAA-The Art Show\, Park Avenue Armory @ 67th Street\, New York\, NY\, NY\, 10065\, United States
CATEGORIES:Art Fair
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/02/AIA.jpg
GEO:40.7674947;-73.9661002
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=ADAA-The Art Show Park Avenue Armory @ 67th Street New York NY NY 10065 United States;X-APPLE-RADIUS=500;X-TITLE=Park Avenue Armory @ 67th Street:geo:-73.9661002,40.7674947
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200305
DTEND;VALUE=DATE:20200309
DTSTAMP:20260428T230400
CREATED:20200203T183429Z
LAST-MODIFIED:20200203T183429Z
UID:64387-1583366400-1583711999@artinamericaguide.com
SUMMARY:Michael Rosenfeld Gallery at The Armory Show\, Booth 508
DESCRIPTION:Visit Michael Rosenfeld Gallery at Booth 508 \n  Save  
URL:https://artinamericaguide.com/event/michael-rosenfeld-gallery-at-the-armory-show-booth-508/
LOCATION:The Armory Show\, The Javits Center\, 429 11th Ave\, New York\, NY 10001\, New York\, NY\, 10019\, United States
CATEGORIES:Art Fair
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/01/AIA.jpg
GEO:40.7690962;-73.9964213
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Armory Show The Javits Center 429 11th Ave New York NY 10001 New York NY 10019 United States;X-APPLE-RADIUS=500;X-TITLE=The Javits Center\, 429 11th Ave\, New York\, NY 10001:geo:-73.9964213,40.7690962
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20200305T120000
DTEND;TZID=America/Halifax:20200308T200000
DTSTAMP:20260428T230400
CREATED:20200220T230608Z
LAST-MODIFIED:20200304T163041Z
UID:65481-1583409600-1583697600@artinamericaguide.com
SUMMARY:Tandem Press at the Armory Show
DESCRIPTION:Exhibiting new and recent works by Derrick Adams and Mickalene Thomas. Located in Pier 90\, Booth F12. \n\nImage:\nDerrick Thomas\, Party Guest\, 2020 \n  Save  
URL:https://artinamericaguide.com/event/tandem-press-at-the-armory-show/
LOCATION:The Armory Show\, The Javits Center\, 429 11th Ave\, New York\, NY 10001\, New York\, NY\, 10019\, United States
CATEGORIES:Art Fair
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/02/DerrickAdams.jpg
GEO:40.7690962;-73.9964213
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Armory Show The Javits Center 429 11th Ave New York NY 10001 New York NY 10019 United States;X-APPLE-RADIUS=500;X-TITLE=The Javits Center\, 429 11th Ave\, New York\, NY 10001:geo:-73.9964213,40.7690962
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20200305T180000
DTEND;TZID=America/Halifax:20200308T220000
DTSTAMP:20260428T230400
CREATED:20200220T230521Z
LAST-MODIFIED:20200221T170621Z
UID:65452-1583431200-1583704800@artinamericaguide.com
SUMMARY:Tandem Press at Art on Paper Fair
DESCRIPTION:Featuring artworks by Suzanne Caporael\, Robert Kelly\, Maser\, and Judy Pfaff. \n\nImage:\nMaser\, Carnival 01\, 2020 \n  Save  
URL:https://artinamericaguide.com/event/tandem-press-at-art-on-paper-fair/
LOCATION:Art on Paper Fair\, Pier 36\, New York\, NY\, 10002\, United States
CATEGORIES:Art Fair
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/02/Maser.jpg
GEO:40.709932;-73.9846017
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art on Paper Fair Pier 36 New York NY 10002 United States;X-APPLE-RADIUS=500;X-TITLE=Pier 36:geo:-73.9846017,40.709932
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200306
DTEND;VALUE=DATE:20200309
DTSTAMP:20260428T230400
CREATED:20200224T170300Z
LAST-MODIFIED:20200302T151602Z
UID:65582-1583452800-1583711999@artinamericaguide.com
SUMMARY:P.P.O.W. Gallery at Independent New York\, Sixth Floor
DESCRIPTION:P·P·O·W is pleased to present historical and contemporary works by Aaron Gilbert\, Clementine Keith-Roach\, Elijah Burgher\, Judith Linhares\, and Katherine Kuharic. Ceramic sculptures by Annabeth Rosen will be presented by OBJECT & THING. \nIn quietly charged\, often domestic scenes\, Aaron Gilbert (b. 1979) unearths the complex emotional terrain in the presence of societal crisis. Collapsing time with influences ranging from Early Renaissance painters such as Fra Angelico\, magical realists such as Frida Kahlo\, to Persian and Indian miniature painting\, Gilbert creates deeply personal\, poetic\, and often political paintings that convey the complexity of the contemporary experience. Gilbert’s meticulously worked and reworked compositions are set against a backdrop of American empirical wreckage and unbridled technological acceleration. Distilling meaning and love amid the darkness of an age of mass incarceration and unchecked surveillance\, Gilbert offers us one vision of the world in order to usher in the possibility of new ones. Gilbert earned his BFA from Rhode Island School of Design and an MFA from Yale University. His work has been exhibited at Lyles and King\, Lulu\, and Deitch Projects\, and galleries internationally. His work is currently in the permanent collections of the Studio Museum in Harlem and the Brooklyn Museum of Art. In a cross-generational exhibition\, P·P·O·W will present new works by Aaron Gilbert in conversation with Martin Wong’s paintings in the fall of 2020. \nFusing the corporeal\, decorative\, historical and functional\, Clementine Keith-Roach (b. 1984) creates detailed and uncanny sculptures that blur the boundaries between object and body\, skin and worked surface. While pregnant with her first child\, Keith-Roach became fascinated by her rapidly changing body and began taking plaster casts of her own breasts\, later molding these casts onto large terracotta vessels sourced from Turkey or Greece. The resulting works anthropomorphize pottery to simultaneously celebrate the female form and breathe life into the storied history of domestic objects. Of this transformative process\, Keith-Roach remarked\, “Maybe it’s just a natural thing to anthropomorphize clay vessels. They’re calling out to be given characters.” Keith-Roach lives and works in Dorset. She graduated from Bristol University in 2008 with a BA in Art History. She has recently been part of exhibitions at Ben Hunter Gallery\, London; MOCA\, Los Angeles; Blue Projects\, London; Centre Regional D’art Contemporain (CRAC)\, France; The Villa Lontana\, Rome\, Open Space Contemporary\, London and Pervilion\, Palermo and London. Keith-Roach curated the group exhibition Interiority at Ben Hunter Gallery in 2018. She is also an editor of Effects\, a journal of art\, poetry and essays. \n­­­­Elijah Burgher (b. 1978) works in painting\, drawing and printmaking\, exploring iconography\, mysticism\, and desire. Whether figurative or abstract\, his work draws from a variety of historical\, supernatural and aesthetic currents to achieve a highly personalized visual language. Elagabalus\, 2020\, depicts the debaucherous Roman boy Emperor Marcus Aurelius Antoninus\, known now as Elagabalus\, after the God for whom he was a High Priest before his reign. Reputed to be zealously decadent\, he overrode prior religious and social doctrine by chronically challenging sexual and ethical taboos. This painting is part of a larger body of historically referential works exploring monstrosity and desire\, which will be exhibited in Polyphemus Weeps (March 28 – April 25\, 2020)\, his first one-person exhibition with P·P·O·W. Burgher received an MFA from the School of the Art Institute\, Chicago and a BA from Sarah Lawrence College in Bronxville\, New York. He has been featured in numerous group exhibitions including For Opacity: Elijah Burgher\, Toyin Ojih Odutola\, and Nathaniel Mary Quinn at the Drawing Center\, 2018; the 2014 Whitney Biennial; and The Temptation of AA Bronson at the Witte de With Center for Contemporary Art\, Rotterdam\, 2013. Burgher’s work has been reviewed in The New York Times\, Art in America\, Art Review and Artforum\, among others. \nRooted in the California Bay Area counterculture of the 60s and 70s\, Judith Linhares (b. 1940) composes folkloric\, figurative paintings from confident\, abstract brushwork\, utilizing broad strokes and brilliant fields of color to gradually develop her subjects. Harnessing both portentous and quotidian symbols\, her uniquely irradiant paintings celebrating the female body and communal experience. Lady Lazarus\, 2020\, shows a totemic\, chartreuse women squatting atop a broadly smiling donkey. Taking its title from a poem by Sylvia Plath\, this work allegorizes a fearsome cycle of extinction and resurrection. Linhares earned her BFA and MFA degrees from California College of Arts and Crafts in Oakland\, CA. She was included in the influential Bad Painting exhibition at the New Museum\, organized by Marcia Tucker. Her work is held in many permanent collections\, including the de Young Museum\, San Francisco\, CA; the Pennsylvania Academy of Fine Art\, Philadelphia\, PA; the San Francisco Museum of Modern Art\, CA; the Smithsonian American Art Museum\, Washington\, D.C.; and the Whitney Museum of American Art\, New York\, NY. Her work is currently on view at the Boston Museum of Fine Arts in Contemporary Art: Five Propositions; the Pennsylvania Academy of the Fine Arts in Sea Change: Highlights from PAFA’s Collection of 20th-century Art\, and Jeffrey Deitch Los Angeles in All of Them Witches\, organized by Dan Nadel and Laurie Simmons. \nKatharine Kuharic (b. 1962) uses a highly keyed pallet and meticulous\, multi-layered compositions to create sensual and alluring scenes. Well known for images depicting American life and culture\, her newest series takes a more contemplative note\, painting each leaf and feather with a tenderness that is at once manic and meditative. Deriving its title from the term for an empty tomb or monument erected in honor of those who perished elsewhere\, Kuharic’s Cenotaph\, 2020 grapples with the passage of time\, the erosion of our natural environment while contrasting nature’s abundant beauty with its piercing brutality. Kuharic completed her BFA in Painting and Drawing at Carnegie Mellon University in 1984. She has been included in numerous group exhibitions in the U.S. and abroad including exhibits in Paris\, Rome\, Tokyo\, Stockholm\, London\, and Amsterdam. Kuharic has had museum exhibitions at the St. Louis Art Museum\, The Delaware Center for Contemporary Art\, the South Bend Regional Art Museum\, the Contemporary Art Museum\, St. Louis\, and the Portsmouth Museum of Art. \nAnnabeth Rosen (b. 1957) explores the essential properties of ceramics by directly confronting the aesthetic and physical relationships between sculptural form and painterly surface. Her works will be presented by OBJECT & THING\, a curated presentation of object-based works organized by Abby Bangser\, Glenn Adamson and Rafael de Cárdenas. Born in Brooklyn\, New York\, Rosen received her B.F.A. from Alfred University and her M.F.A. from Cranbrook Academy of Art. She has been the Robert Arneson Endowed Chair at the University of California Davis since 1997 and has taught at School of the Art Institute of Chicago\, Rhode Island School of Design\, Tyler School of Art and Bennington College. Rosen has received Guggenheim Foundation Fellowship\, a Pew Fellowship\, two National Endowment for the Arts Fellowships\, several UC Davis Research Grants\, and a Joan Mitchell Award for Painting and Sculpture. Rosen’s work is in the collection of the LA County Museum of Art\, The Oakland Museum of Art\, The Denver Art Museum\, and The Everson Museum\, as well as public and private collections throughout the country. Annabeth Rosen: Fired\, Broken\, Gathered\, Heaped\, Rosen’s first major survey chronicling 20 years of her work in ceramics and drawing\, organized by Valerie Cassel Oliver\, opened at the Contemporary Arts Museum Houston in 2017. The exhibition traveled to the Cranbrook Art Museum in 2018 and The Contemporary Jewish Museum San Francisco in 2019. Fables\, a one-person exhibition of new sculptures and works on paper\, will be on view at the Virginia Museum of Fine Art from March 22\, 2020 – April 26\, 2021. \n  Save  
URL:https://artinamericaguide.com/event/p-p-o-w-gallery-at-independent-new-york-sixth-floor/
LOCATION:Independent New York\, 50 Varick Street\, New York\, NY\, 10013\, United States
CATEGORIES:Art Fair
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/02/2020_Idol_25.625-x-23-x-17.375-inches-scaled.jpg
GEO:40.7212535;-74.0062336
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Independent New York 50 Varick Street New York NY 10013 United States;X-APPLE-RADIUS=500;X-TITLE=50 Varick Street:geo:-74.0062336,40.7212535
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20200404T110000
DTEND;TZID=America/Halifax:20200404T170000
DTSTAMP:20260428T230400
CREATED:20200312T170505Z
LAST-MODIFIED:20200312T170505Z
UID:66402-1585998000-1586019600@artinamericaguide.com
SUMMARY:Wood Art Mini Fair
DESCRIPTION:Shop\, observe\, learn\, participate and have fun with works in wood from the Midland Woodworkers’ Association. \n  Save  
URL:https://artinamericaguide.com/event/wood-art-mini-fair/
LOCATION:Marshall M. Fredericks Sculpture Museum\, 7400 Bay Rd\, University Center\, MI\, 48710\, United States
CATEGORIES:Art Fair,Event,Exhibition,Pop up
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/03/Final-wood-art-mini-fair-logo-scaled.jpg
ORGANIZER;CN="Marshall M. Fredericks Sculpture Museum":MAILTO:JLLodico@svsu.edu
GEO:43.5182561;-83.9722204
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Marshall M. Fredericks Sculpture Museum 7400 Bay Rd University Center MI 48710 United States;X-APPLE-RADIUS=500;X-TITLE=7400 Bay Rd:geo:-83.9722204,43.5182561
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200506
DTEND;VALUE=DATE:20200516
DTSTAMP:20260428T230400
CREATED:20200506T192327Z
LAST-MODIFIED:20200506T192505Z
UID:67570-1588723200-1589587199@artinamericaguide.com
SUMMARY:Michael Rosenfeld Gallery | Frieze Viewing Room
DESCRIPTION:Visit Michael Rosenfeld Gallery online at frieze.com/viewingroom\nTo inquire about works in our Frieze presentation\, please email info@michaelrosenfeldart.com or call 212.247.0082. \nFor the inaugural edition of Frieze Viewing Room—an ambitious new digital initiative—Michael Rosenfeld Gallery is proud to present an exhibition contextualizing the figurative historicism of Benny Andrews (1930-2006)\, Robert Colescott (1925-2009) and Bob Thompson (1937-1966). Each artist—faithful to the figure as a timeless symbol of the human condition—revolutionized narrative painting and our understanding of history. Their paintings—made distinctive by the hot\, high-key palettes of Colescott and Thompson or the muted detritus of everyday life of Andrews—are reminiscent of classical compositions rooted in the past and yet very much of the present. Often incorporating the specificities of their own lives through autobiographic references or self-portraits\, their work relies on the human figure and the narratives wherein they exist as a record of history. By bringing together the work of these artists\, our exhibition reveals the similarities and differences of their unique portrayals of our collective humanity. This exhibition reaffirms Michael Rosenfeld Gallery’s ongoing commitment to the work of Andrews\, Colescott and Thompson; the gallery represents the estates of Benny Andrews and Bob Thompson and over the last decade\, Robert Colescott has consistently been included in gallery group exhibitions. \n\n  Save  
URL:https://artinamericaguide.com/event/michael-rosenfeld-gallery-frieze-viewing-room/
CATEGORIES:Art Fair,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/05/Frieze-Images.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200902
DTEND;VALUE=DATE:20200908
DTSTAMP:20260428T230400
CREATED:20200903T151935Z
LAST-MODIFIED:20200903T151935Z
UID:74466-1599004800-1599523199@artinamericaguide.com
SUMMARY:Bluestone EXHIBITS IN THE HAMPTONS
DESCRIPTION:Philadelphia-Based Gallery\, Bluestone Fine Art\, Joins The Hamptons Virtual Art Fair with Impressive Line-Up of Artists.  The gallery will feature seven professional and talented artists.  These artists are collected by museums and universities\, some are internationally collected\, and one is in the collection of Kelly Clarkson.  Artworks may be viewed in 3D and 2D at The Hamptons Virtual Art Fair or in person at Bluestone Fine Art Gallery.  All works come with a certificate and complimentary nationwide shipping. \n  Save  
URL:https://artinamericaguide.com/event/bluestone-exhibits-in-the-hamptons/
LOCATION:Hamptons Virtual Art Fair\, 72 N 2nd St\, Philadelphia\, PA\, 11968\, United States
CATEGORIES:Art Fair,Event,Exhibition,Virtual Events + Viewing Rooms
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ORGANIZER;CN="Hamptons Virtual Art Fair":MAILTO:pam@bluestone-gallery.com
GEO:39.9558182;-75.1426909
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Hamptons Virtual Art Fair 72 N 2nd St Philadelphia PA 11968 United States;X-APPLE-RADIUS=500;X-TITLE=72 N 2nd St:geo:-75.1426909,39.9558182
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20201120
DTEND;VALUE=DATE:20201221
DTSTAMP:20260428T230400
CREATED:20200831T200542Z
LAST-MODIFIED:20200831T200542Z
UID:75472-1605830400-1608508799@artinamericaguide.com
SUMMARY:Winter Expo 2020
DESCRIPTION:EVENT INFORMATION\nThe Evanston Art Center’s Winter Arts & Crafts Expo is one of the largest and most celebrated shows in the Chicago area. The Annual Expo showcases arts and crafts by over 140 selected artisans\, featuring original\, handmade works of  jewelry\, ceramics\, fiber\, metal\, glass\, painting\, photography\, mixed-media\, and more.\n\n\n\n\n\n  \nGENERAL INFORMATION\nApplication Deadline: October 4\, 2020\nGeneral Shopping: Nov 20 – Dec 20\, 9am-9pm\, Mondays – Fridays\, 9 am –  4 pm Saturdays – Sundays (closed Thanksgiving)\nInventory Drop-off: Nov. 12\, 13\, and 14.\nInventory Pick-up: Dec 21\, 22\, and 23.Categories\nJewelry\, ceramics\, wood\, glass\, metal\, fiber\, leather\, wearable textile accessories\, mixed media\, small 3-D sculpture\, and small 2-D works including printmaking\, photography and painting (must be ready to hang). Beautifully crafted ornaments or menorahs are deemed acceptable as long as the artistic quality is very high.Not To Be Included:\nCommercially oriented or mass produced holiday items. Please note: All work must be original and made by the artist within the last few years. Commercial items will not be accepted. The Expo Committee reserves the right to refuse exhibition of work not consistent with these guidelines. \nSize/Weight Restrictions\n3-D work: May not exceed 50 lbs and 24″ in height. If work requires a base\, it must be provided by the artist. Tabletop work is preferred due to limited floor space. Anything larger must receive special permission to be included in the show. 2-D work: May not exceed 24″ in any dimension\, unless given special permission. Must be framed or equivalent and ready to hang. There may be some space for smaller works to be shown in bins. \nAcceptance Information \nNotification of the juror’s decision will be emailed by October 11. Upon acceptance to the Expo\, an information packet containing inventory delivery and pick-up\, pricing\, volunteering and other pertinent show details will be emailed to you. An inventory sheet will also be emailed to you to fill out and return by October 25. This means that you will need to plan ahead and know how many pieces will be available to sell before the start of the Expo. As a guideline from last year’s show\, ceramics\, jewelry\, glass\, and small mixed media artists inventoried approximately 25-50 items. 2-D and larger 3-D inventoried approximately 10 – 20 items. We encourage each selected artist to price items from $20 to $400\, with a greater quantity priced below $100 to encourage holiday gift purchases. Artists must drop off and pick up work in person\, unless special arrangements are made with EAC staff. \nVisual Display\nThe Evanston Art Center has open gallery space available for this event. The Expo is a group show\, and as such\, there are no booth spaces. Each artist’s inventory will be identified and displayed on an approximately 20×30 inches tabletop space or the equivalent area on the wall or floor. Extra inventory for each artist will be stored and then displayed as merchandise is sold. The Expo staff will make all decisions regarding placement and display. Since this is not a booth show\, artists will not be required to be present to conduct sales.  The Expo relies on volunteers to run the show. We have found that the artists who are present during the show contribute greatly to the professional atmosphere of the galleries and increase the sales of their own work by being able to talk to customers about their craft and process. We encourage each participating artist (who lives in the area) to volunteer three\, 3-hour shifts during the show. \nAdvertising and Publicity\nTo ensure that the show be well attended\, the Art Center will produce an announcement card in print and electronic versions which will be sent to EAC members and other Art Center mailing lists. Artists will be provided with announcement cards (electronic and print). A combination of store posters\, display advertising\, print advertising and publicity will be used to promote the Expo in the surrounding area. Information and photos will be posted on our website at www.evanstonartcenter.org as well. The Art Center reserves the right to photograph or use artist provided images for publicity purposes. \nSales and Taxes\nAll sales will be made through a central cashier at the Evanston Art Center: cash\, check or charge. Illinois sales tax will be added to every transaction.The commission to the Art Center is 40%. The retail price labeled on each item will include the commission. At the end of the Expo\, the items sold will be noted on your inventory sheets\, the commission deducted\, unsold inventory returned and checks mailed in mid – January. Artists are required to supply the Art Center with a signed W-9 so that 10-99s may be sent.  All sales are final; the EAC will not refund money under any circumstances. \nSecurity and Insurance\nInsurance will be provided at no additional fee. Artists who are selected must provide a full inventory list of works stating sale prices and insurance values of each item. Insurance will be valued at the retail price of each piece and cannot exceed $400 per piece. Artwork will be covered by EAC insurance once the work is checked in and included in our inventory through December 21st. After December 21st\, artwork will not be insured. The Expo is not responsible for loss or damage to property over and above the insured value of each piece. All artwork must have an assigned value to be insured. Claims must be submitted in person to the Expo staff at the time of inventory pick-up. \nSilent Auction\nArtists are encouraged to donate items to a silent auction to be held during the opening weekend on November 20-22\, 2020. The EAC greatly appreciates your generosity in this event. All proceeds from the Expo benefit the ongoing exhibition\, education\, and outreach programs at the EAC. The auction will encourage customers to linger in the galleries and shop. All proceeds from the silent auction will go toward supporting the show’s fund raising efforts for the Evanston Art Center. Please note that under current IRS regulations\, the tax deductible amount of an auction item donated to the EAC by the artist who created the work\, will generally be limited to out-of-pocket costs involved in creating the artwork\, not its current value or the proceeds received at the auction. For more information regarding tax deductions\, we suggest that you consult with your tax advisor. \nAll sales are final. Cash\, Checks\, Visa / MasterCard\, AMEX\, and Discover are accepted. \n\n\n\n\n\n\n  \nRULES/REGULATIONS\n\nNo CDs or prints will be accepted. All images have to be in JPG format. \nCOVID-19 Policy \nIn the event that the Winter Expo is officially cancelled due to health concerns attributed to COVID-19\, artists’ application fees already paid to EAC will be 100 % refunded. \n\n\n\n  Save  
URL:https://artinamericaguide.com/event/winter-expo-2020/
LOCATION:Evanston Art Center\, 1717 Central Street\, Evanston\, IL\, 60201\, United States
CATEGORIES:Art Fair
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20201202
DTEND;VALUE=DATE:20201207
DTSTAMP:20260428T230400
CREATED:20201204T171707Z
LAST-MODIFIED:20201204T171707Z
UID:79166-1606867200-1607299199@artinamericaguide.com
SUMMARY:OVR-Sized: Masterworks of Postwar Abstraction
DESCRIPTION:For our Art Basel Miami Beach online viewing room\, we present OVR-Sized: Masterworks of Postwar Abstraction\, featuring a rotating selection of over-sized and heroically-scaled highlights of postwar abstraction created between 1949 and 1976. Featured artists include Norman Bluhm (1921-1999)\, Jay DeFeo (1929-1989)\, Beauford Delaney (1901-1979)\, Sam Gilliam (b.1933)\, Michael Goldberg (1924-2007)\, Nancy Grossman (b.1940)\, Alfred Jensen (1903-1981)\, Alfred Leslie (b.1927)\, Norman Lewis (1909-1979)\, Conrad Marca-Relli (1913-2000)\, Boris Margo (1902-1995)\, Alfonso Ossorio (1916-1990)\, Richard Pousette-Dart (1916-1992)\, Milton Resnick (1917-2004)\, Alma Thomas (1891-1978)\, Jack Tworkov (1900-1982) and William T. Williams (b.1942). \nIn the new normal of virtual viewing rooms\, we have curated a fantasy space where\, unconfined by the constraints of modular art fair walls and normal booth scale\, we can dream big and showcase a selection of grand-scale paintings by key figures of postwar art. In this imagined space\, bigger is better! \nThe exhibition showcases one exemplary masterwork by each of the artists\, epitomizing their significant contributions to the canon of 20th century art history through the intentionality and variety of their unique mark-making\, textural concerns and structural techniques. Whether through a visual language that is calligraphic or gestural\, impastoed or collaged\, our selection defines and exemplifies their visionary approaches to abstraction. Each artist – in their epic proportions and bold compositions – embody what art historian Irving Sandler famously described as the “triumph of American painting.” \nTo view a checklist for the gallery’s OVR: Miami Beach presentation\, click here. \n\n\n  Save  
URL:https://artinamericaguide.com/event/ovr-sized-masterworks-of-postwar-abstraction/
CATEGORIES:Art Fair
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/12/V517.jpg
ORGANIZER;CN="Michael Rosenfeld Gallery":MAILTO:info@michaelrosenfeld.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20201202T120000
DTEND;TZID=America/Halifax:20201207T180000
DTSTAMP:20260428T230400
CREATED:20201202T181046Z
LAST-MODIFIED:20201202T181046Z
UID:79158-1606910400-1607364000@artinamericaguide.com
SUMMARY:El Raft de Madeinusa at The Sagamore Hotel South Beach
DESCRIPTION:Opening December 3\, at the Sagamore Hotel\, South Beach\, we have the pleasure to be invited by curator and art maven extraordinaire Grela Orihuela (founder and executive director of PLACE Project Group \, founder and executive producer of 1meter50\, and co-founder of Wet Heat Project ) to be part of the many art happenings onsite.  \n  \nFor CAMP\, we kick off with works from F.A.M.A artists: Alina Rodriguez-Rojo and Damian Rodriguez\, also on site will be flags from: Yolanda Sanchez\, Angela Bolaños and Debra Rosental. We are also ecstatic to announce that CAMP is also part of the art in the Sagamore Bungalows project where we are proud to present the latest collaboration of artists Aurora Molina and Edison Peñafiel with their piece: El Raft De Madeinusa (pictured above)\, an installation which presents a moment from a journey across the ocean — a scene that appears as an echo of Géricault’s Raft of the Medusa. \nEl Raft de Madeinusa captures the struggle of migrants facing the dangers of the open sea to find new land\, made in collaboration between fiber artist Molina and multimedia installation artist Peñafiel. The artists — immigrants from Cuba and Ecuador\, respectively — have explored themes of human movement throughout their careers. \n\n\n\n\n  Save  
URL:https://artinamericaguide.com/event/el-raft-de-madeinusa-at-the-sagamore-hotel-south-beach/
LOCATION:The Sagamore Hotel South Beach\, 1671 Collins Ave\, Miami Beach\, FL\, 33139\, United States
CATEGORIES:Art Fair,Pop up
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ORGANIZER;CN="The Contemporary Art Modern Project":MAILTO:maria@thecampgallery.com
GEO:25.7916477;-80.1291191
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Sagamore Hotel South Beach 1671 Collins Ave Miami Beach FL 33139 United States;X-APPLE-RADIUS=500;X-TITLE=1671 Collins Ave:geo:-80.1291191,25.7916477
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210128
DTEND;VALUE=DATE:20210209
DTSTAMP:20260428T230400
CREATED:20210203T202141Z
LAST-MODIFIED:20210203T202141Z
UID:79895-1611792000-1612828799@artinamericaguide.com
SUMMARY:West Coast Print Fair
DESCRIPTION:The 2021 West Coast Print Fair brings together 43 print dealers\, publishers and gallery owners for a 18-day online event which will present over 2000 works of art on paper\, from the 15th to the 21st century. Some of the most reputable print specialists from the four corners of the United States\, Australia\, Belgium\, France\, and the Netherlands will showcase their best works of art on paper. \n  Save  
URL:https://artinamericaguide.com/event/west-coast-print-fair/
CATEGORIES:Art Fair,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/02/petley_replay_9.jpg
ORGANIZER;CN="Printfairs USA":MAILTO:info@westcoastprintfair.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210505T100000
DTEND;TZID=America/Halifax:20210514T180000
DTSTAMP:20260428T230400
CREATED:20210507T134600Z
LAST-MODIFIED:20210507T135914Z
UID:81027-1620208800-1621015200@artinamericaguide.com
SUMMARY:Michael Rosenfeld Gallery | Frieze 2021
DESCRIPTION:Michael Rosenfeld Gallery is delighted to participate in Frieze Viewing Room – presented online in conjunction with Frieze New York – exhibiting a selection of works on paper by leading abstractionists Barbara Chase-Riboud (b.1939)\, Ed Clark (1926-2019)\, Beauford Delaney (1901-1979)\, Sam Gilliam (b.1933)\, Norman Lewis (1909-1979)\, Alma Thomas (1891-1978)\, Jack Whitten (1939-2018)\, William T. Williams (b.1942) and Hale Woodruff (1900-1980). A selection from the online exhibition will be installed in our viewing room at 100 Eleventh Avenue. \n  Save  
URL:https://artinamericaguide.com/event/michael-rosenfeld-frieze-2021/
CATEGORIES:Art Fair,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/05/William-T.-Williams-b.1942-Flagstone-1970-scaled.jpg
ORGANIZER;CN="Michael Rosenfeld Gallery":MAILTO:info@michaelrosenfeld.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210904T100000
DTEND;TZID=America/Halifax:20210905T170000
DTSTAMP:20260428T230400
CREATED:20210823T142236Z
LAST-MODIFIED:20210823T142236Z
UID:85586-1630749600-1630861200@artinamericaguide.com
SUMMARY:Visit Gallery 218 during the Third Ward Art Fair
DESCRIPTION:Third Ward Art Fair Milwaukee WI Sat\, Sep 4\, 10 AM – Sun\, Sep 5\, 5 PM\nHistoric Third Ward\, Milwaukee\, WI \nGallery 218 is located in the Marshall Building at 207 E Buffalo St #218 (second floor) The contemporary art gallery features regional artists Judith Hooks\, Bernie Newman\, Scott Onsager\, Carol Liensenfelder\, Denise Presnell\, Hillary Johnson\, Sheree Wood. Media includes Oil painting\, acrylic painting\, cold wax\, photography\, Clay\, Watercolor. www.gallery218.com follow us on instagram @218gallery.  We will be open during the Third Ward Art Fair.\nThe 10th annual Third Ward Art Festival will be back on Labor Day Weekend this year. Milwaukee residents and art lovers show artists their strong support for the art festival\, growing in numbers…Read more on Facebook \n  Save  
URL:https://artinamericaguide.com/event/visit-gallery-218-during-the-third-ward-art-fair/
LOCATION:Gallery 218\, 207 E Buffalo St #218\, Milwaukee\, WI\, 53202\, United States
CATEGORIES:Art Fair,Exhibition
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GEO:43.033482;-87.908583
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Gallery 218 207 E Buffalo St #218 Milwaukee WI 53202 United States;X-APPLE-RADIUS=500;X-TITLE=207 E Buffalo St #218:geo:-87.908583,43.033482
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210909
DTEND;VALUE=DATE:20210913
DTSTAMP:20260428T230400
CREATED:20210902T205955Z
LAST-MODIFIED:20210902T205955Z
UID:86501-1631145600-1631491199@artinamericaguide.com
SUMMARY:Michael Rosenfeld Gallery at The Armory Show 2021
DESCRIPTION:Visit Michael Rosenfeld Gallery in Booth 317 and Platform \nInspired by the ancient Greek symbol of the phoenix—a bird reborn out of the ashes of its decayed predecessor—Michael Rosenfeld Gallery’s Armory Show exhibition will focus on rebirth and transformation\, presenting a selection of museum-quality works by artists central to the gallery’s program. Our booth presentation will feature paintings\, sculpture and works on paper evoking themes of hope and transcendence. Constituting the gallery’s first in-person exhibition beyond its own walls since the pandemic began\, the selection will span nearly a century of American art\, including both abstract and figurative compositions thematically unified by explorations of natural\, spiritual and personal reawakening. \nMichael Rosenfeld Gallery will also be included in The Armory Show’s Platform presentation\, a specially curated section of the fair reserved for large-scale or site-specific works. Titled Can you hear the fault lines breathing? and curated by Claudia Schmuckli\, Platform will include eight works speaking to the possibilities for unifying divided institutions through empathy. On view from Michael Rosenfeld Gallery will be the monumentally scaled Benny Andrews mural titled Circle (Bicentennial Series) (1973). Comprising twelve adjacent canvases and measuring  overall 120″ x 288″ / 304.8 x 731.5 cm\, the painting’s composition symbolizes the Black experience in the United States through the portrayal of an individual’s trauma born of America’s racist past and present. Surreal in style and rich in interpretive possibility\, Circle is an enduring testament to the country’s ongoing struggle toward collective reconciliation and racial justice. \n  Save  
URL:https://artinamericaguide.com/event/michael-rosenfeld-gallery-at-the-armory-show-2021/
LOCATION:The Armory Show at the Javits Center\, 11th Avenue at 35th Street\, New York\, NY\, NY\, 10001\, United States
CATEGORIES:Art Fair,Event
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ORGANIZER;CN="Michael Rosenfeld Gallery":MAILTO:info@michaelrosenfeld.com
GEO:40.7564465;-74.0015064
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210909T100000
DTEND;TZID=America/Halifax:20210912T190000
DTSTAMP:20260428T230400
CREATED:20210907T142709Z
LAST-MODIFIED:20210907T142709Z
UID:86665-1631181600-1631473200@artinamericaguide.com
SUMMARY:The Armory Show 2021 | Booth 216
DESCRIPTION:Marianne Boesky Gallery is delighted to partner with Library Street Collective for The Armory Show 2021\, where the galleries will jointly present a curated selection of works by Allison Janae Hamilton\, Jessica Jackson Hutchins\, Jammie Holmes\, and Tyrrell Winston. \nAmong the featured works\, Marianne Boesky Gallery will present recent works by Allison Janae Hamilton. Hamilton’s work combines land-centered folklore with the lived experiences and pressing contemporary issues of the American South\, driven by her own connections to Kentucky\, where she was born\, to Florida\, where she grew up\, to rural Tennessee\, the location of her maternal family’s homestead. Seen through photographs and a mixed media sculpture that contains found materials such as reclaimed wood and feathers\, Hamilton evokes the haunting yet epic mythologies of today’s changing southern terrain. The gallery will also present a mixed media work by Jessica Jackson Hutchins. Hutchins’ expressive practice engages intimately with materiality and form. In Guitar Face\, 2019\, the artist creates a hybrid juxtaposition of materials\, including paint\, ceramic\, a guitar face\, and household objects such as a chair\, to explore the intersections of art and life with human emotion and rawness. \nLibrary Street Collective is excited to present a new painting by Jammie Holmes\, a self-taught painter from Thibodaux\, Louisiana\, whose work tells the story of contemporary life for many black families in the Deep South. Holmes’ work is characterized by the moments he captures where family\, ritual and tradition are celebrated. Titled Furs and Concrete\, the work depicts a figure in an elaborate fur coat\, standing in a modest space at the boundary between kitchen and living room. The piece contains recurring symbols in Holmes’ work\, including a black-and-white checkered linoleum floor\, wood paneling\, a church fan\, and a brown sparrow that recalls the safety and solace of his grandmother’s backyard in Thibodaux. Also included are works by New York-based multimedia artist\, Tyrrell Winston\, whose practice is rooted in the recontextualization of discarded objects and the stories they tell. Nostalgia\, speculation\, and the gap between where we are and where we want to be are regular themes within his work. Two of Winston’s Protection Paintings will be on view\, created through the configuration of worn tarps and steel plates sprayed in automotive paint. \nAbout Marianne Boesky Gallery: Since its inception in 1996\, Marianne Boesky Gallery has represented and supported the work of emerging and established contemporary international artists of all media. In its first decade\, the gallery was instrumental in launching the careers of major artists through an innovative exhibition program; and in 2016\, the gallery expanded its flagship location to its adjacent space on West 24th Street. The gallery’s newest location\, Boesky West\, opened in 2017 in Aspen\, CO\, and presents rotating exhibitions by both gallery artists and artists invited to present special projects. Now\, the gallery continues to actively represent many significant artists such as Ghada Amer\, Donald Moffett\, Sanford Biggers and Frank Stella\, among others. \nAbout Library Street Collective: Since 2012\, Library Street Collective (LSC) has presented artists and programming that connects Detroit to the international art community while maintaining crucial support to the local creative renaissance of the city. The gallery’s program has evolved to include regular museum collaborations\, large-scale public art installations\, and not-for-profit arts education initiatives within the city of Detroit. \n\n  Save  
URL:https://artinamericaguide.com/event/the-armory-show-2021-booth-216/
LOCATION:The Armory Show\, The Javits Center\, 429 11th Ave\, New York\, NY 10001\, New York\, NY\, 10019\, United States
CATEGORIES:Art Fair
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GEO:40.7690962;-73.9964213
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END:VEVENT
END:VCALENDAR