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DTSTART;TZID=America/Halifax:20220423T120000
DTEND;TZID=America/Halifax:20220828T120000
DTSTAMP:20260419T084355
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SUMMARY:Miriam Beerman: REDISCOVER – A Retrospective Remembering Miriam Beerman (1923-2022)
DESCRIPTION:Miriam Beerman – Rediscover Opens at James Yarosh Associates Gallery \nBeerman\, one of the first women to have a solo show at the Brooklyn Museum\, and who has had exhibitions worldwide\, is the 2022 artist in spotlight at James Yarosh Associates Fine Art Gallery \nHOLMDEL\, NJ—When acclaimed painter Miriam Beerman passed away in February 2022 at the age of 98\, she left a six-decade legacy of humanist expressionist works that are included in the permanent collections of over 60 museums\, including the Metropolitan Museum of Art\, Whitney\, LACMA\, Phillips Collection\, National Gallery of Art and Victoria & Albert Museum.  \nA contemporary maker of painterly power objects\, imbuing the paint with profound psychology as well as colorful beauty\, Beerman was a female pioneer in the male-dominated artworld of the 20th century.  \nFueled by curatorial activism in the recent years\, James Yarosh Associates has been hosting shows that re-examine artists who have made a substantial mark during their career in a climate where female artists of the era have been on the verge of being lost to history. On April 23 and 24\, the gallery launches Miriam Beerman – Rediscover\, a retrospective of this prolific artist that includes many of her larger works created in the 1990s. The show is open from noon to 4.  \nWhile male peers dominated the world of 20th-century art\, Beerman’s unique artistic voice catapulted her work to critical recognition in museums and solo shows in her own right. In 1971\, she made history when her exhibition Enduring Beast became one of the first one-woman shows mounted by the Brooklyn Museum. \nShe has won awards from the Joan Mitchell Foundation\, Pollock-Krasner Foundation and the Rhode Island School of Design.  \nBeerman is the subject of the 53-minute artist documentary “Miriam Beerman: Expressing the Chaos\,” which is currently streaming on Amazon Prime and YouTube and gives an unflinching look at an artist’s lifelong dedication to her craft. \n “Miriam Beerman is a survivor. In her more than 60 years as a groundbreaking artist\, she has overcome personal tragedy to inspire friends\, family\, peers\, patrons and students about how to remain defiant\, creative and strong\,” said Jonathan Gruber\, the film’s director. “Miriam has struggled with her artistic demons to create haunting images that evoke the suffering of generations of victims.” \nBeerman’s work has been compared to that of Goya. It protests injustice and champions the stories of victims—whether they are from Hiroshima\, Vietnam or the Holocaust. However\, it juxtaposes the anguish of her subjects with vibrant\, often ravishing\, use of color. Her painterly approach\, using layers over layers of color—akin to Jackson Pollock’s action paintings—allows a storyline to unfold on the canvas\, one that sometimes blends injustice with a nod to humor in the human condition.  \n“I first saw Miriam Beerman’s art in 1991 at an exhibition at the State Museum in Trenton\, and it resonated with me as important\,” said Yarosh\, who has been representing her work since 2020. “As a younger artist\, I was inspired by how she could paint all those intangible feelings and emotions that haunt artists and sensitive minds. Thirty years later\, having rediscovered Miriam’s body of work as a gallery owner and to see the works that came after\, I am moved by the gravity and resonance of her art as a medium that can convey such human emotion—from humor to heartbreak—and ultimately still provide optimism. \n“Miriam’s colors are pure joy\, and her primal markings created larger-than-life paintings that sit next to you and resonate unlike other painters\,” Yarosh continued. “Her art may demand to be the focus in a room\, but the more time you devote to studying them\, you are rewarded by what they reveal and the empowering energy they radiate. Miriam’s subjects are intellectual—that of an activist as well as an environmentalist as evidenced by her series of animal paintings—and yet her power was in her ability to be fearless on canvas\, to somehow always spark magic.” \nCRITICAL ACCLAIM FOR MIRIAM BEERMAN: \nMiss Beerman would pass for a Neo-Expressionist were it not for her obvious sincerity and her skill … Yet it is her sincerity that often arouses ironic feelings in the viewer\, and the reason is partly that the artist plays it at full volume and partly that the horrors of daily life\, augmented by the mass media\, are draining away the reserves of compassion\, just as fluorocarbons are said to be destroying the ozone layer. — Vivien Rayner\, The New York Times: “ART; Imaginary Monsters That Dare a Visitor to See the Show.” \nMiriam Beerman’s work is part of the trajectory of humanist expressionism\, where painterly and gestural means are at the service of witness: man’s inhumanity to man\, as well as survival and redemption. —Alejandro Anreus\, Professor of Art History\, William Paterson University.  \nABOUT MIRIAM BEERMAN: \nMiriam Beerman studied painting at the Rhode Island School for Design\, where she earned a BFA. Afterward\, she spent two years in France as a Fulbright Scholar\, working in Atelier 17 and having her painting critiqued by Marcel Brion. In New York\, she studied with Yasuo Kuniyoshi at the Art Students League and Adja Yunkers at the New School for Social Research. She has had over 30 solo shows\, including at the Brooklyn Museum\, the New Jersey State Museum and the Everson Museum. \nBeerman’s work can be seen in many major collections\, including Metropolitan Museum\, Whitney Museum\, LACMA\, National Gallery of Art\, Phillips Collection\, National Museum of Women in the Arts\, Victoria and Albert Museum\, and the Fitzwilliam Museum in England\,  the MEAM in Spain\, the Israel Museum and soon the National Portrait Gallery in Washington\, D.C.  \n  \nABOUT JAMES YAROSH: \n\n\nEstablished in 1996\, the James Yarosh Associates Gallery in Holmdel\, New Jersey\, was founded upon and remains loyal to its vision: to represent fine art for art’s sake and to curate gallery collections and thoughtfully present art and interior design specification with an artist’s eye and understanding. Yarosh\, an artist and well- published interior designer\, offers a full-scale gallery and design center where clients can associate with other like-minded individuals located just one hour outside Manhattan. \nAs a designer\, Yarosh travels the world\, studying how the greatest museums display their art and visiting artists’ homes to understand how the artists themselves live with their art. This study on both a grand and small scale\, helps inform Yarosh’s work with his clients. His unique approach—coupled with his work in show houses and experience in large-scale residential design projects of over 20\,000 square feet—has led to his designs being featured in regional and international magazines. \nAs a gallerist\, Yarosh advocates  for what greatness looks like in the arts\, showcasing at his destination gallery the works of both new and established museum-recognized artists of merit in a space designed to replicate the intimacy of an artist’s home. Current exhibitions such as Miriam Beerman – Rediscover (2022)\, The Humanist Show (2021) Sheba Sharrow: History Repeats (2020) and the NYC art fair Art on Paper (2021) help foster the idea of art as intellectual engagements that sit above decoration in design hierarchy\, adding exponentially to the experience of living with art. \n\n\n  Save  
URL:https://artinamericaguide.com/event/miriam-beerman-rediscover-a-retrospective-remembering-miriam-beerman-1923-2022/2022-04-23/
LOCATION:James Yarosh Associates Fine Art Gallery\, 45 E Main St.\, 2nd Floor Loft\, Holmdel\, NJ\, NJ\, 07733\, United States
CATEGORIES:Event,Exhibition
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ORGANIZER;CN="James Yarosh":MAILTO:jamesyarosh@yahoo.com
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220522T080000
DTEND;TZID=America/Halifax:20221002T160000
DTSTAMP:20260419T084355
CREATED:20220404T171829Z
LAST-MODIFIED:20220404T171829Z
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SUMMARY:Alexander Stewart: Void Vision
DESCRIPTION:Alexander Stewart’s Void Vision is an abstract science-fiction short film in which the line between the real and the simulated are blurred and distorted; a space where doubles\, twins\, duplicates\, re-creations\, and copies merge. \nCombining a science-fiction sensibility with the aesthetic of early CGI animation experiments\, Stewart presents rotating arrangements of lasers and duplicated women that fade in and out\, appearing as both photographed scenes and computer-modeled recreations. The audio track\, incorporating text from Philip K. Dick’s 1981 novel Valis\, features an improvised electronic score and a voice articulating theories about the mind and the universe. \nAlexander Stewart: Void Vision is part of the Arts Center’s Ways of Being theme. The featured visual and performing artists recontextualize our past\, reorient our present\, and project new\, viable futures. Collectively they ask\, what if? \nhttps://www.jmkac.org/exhibition/alexander-stewart-void-vision/ \nImage: Alexander Stewart\, still from Void Vision\, 2018; 16mm as digital file; 7:45. Photo courtesy of the artist. \nTuesday\, Wednesday\, Friday 10 a.m. to 5 p.m.\nThursday 10 a.m. to 8 p.m. extended hours\nSaturday and Sunday 10 a.m. to 4 p.m. \n  Save  
URL:https://artinamericaguide.com/event/alexander-stewart-void-vision/
LOCATION:John Michael Kohler Arts Center\, 608 New York Avenue\, Sheboygan\, WI\, 53081\, United States
CATEGORIES:Event
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ORGANIZER;CN="John Michael Kohler Arts Center":MAILTO:generalinfo@jmkac.org
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DTSTART;TZID=America/Halifax:20220715T140000
DTEND;TZID=America/Halifax:20220828T170000
DTSTAMP:20260419T084355
CREATED:20220506T142620Z
LAST-MODIFIED:20220630T223353Z
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SUMMARY:Melinda Stickney-Gibson & Gary Gissler
DESCRIPTION:ONIRICA: MELINDA STICKNEY-GIBSON & GARY GISSLER · \nJuly 15 – August 28\, 2022 \nCastello 925 \nFondamenta San’Isepo 780 \nSestiere Castello\, Venice IT \nOPENING RECEPTION: Friday\, 15 July\, 19:00 – 21:00 | 7-9pm. \nVenice\, Italy: Castello 925 presents Onirica\, a two-person exhibition of paintings and drawings by Melinda Stickney-Gibson and small works by Gary Gissler opening 15 July and running through 28 Aug\, 2022. \nOnirica\, an adjective that translates as “dream-like” in English\, is the uniting concept of the work of these two New York-based artists.  Melinda Stickney-Gibson artworks are sensitive meditations on the texture of memory as her lines and forms alternate between awareness and an oneiric state through flickering shadows of consciousness. As a visual poet\, Ms. Stickney-Gibson incorporates written words as suggestive notations\, while her lines and forms echo the trembling edges of nature. Gary Gissler’s microscopic/obsessive drawings on prepared panelsweave words in a meditative repetitive cycle that creates an undulating\, fragile pattern from seemingly asemic writing. This preoccupation with words as symbols representing meaning as well as the actual words created by the literal marks and forms themselves lends a delicate balance between representation and abstraction.  Like dreams\, both artists convey the poetry of symbol and substance; the dream\, seemingly irrational and random\, nevertheless relays a tale of universal mythic power of which these artists serve as oracles. \n About Melinda Stickney-Gibson \nMelinda Stickney-Gibson has been living and working in New York for over 30 years. She has had over 25 one-person exhibitions\, and has participated in numerous group shows throughout the country. Her work has been reviewed in ARTnews\, ARTS Magazine\, REVIEW Magazine\, Neoteric Art\, ARTNET\, and others. Ms. Stickney-Gibson’s work can be found in many public collections including the Neuberger Museum of Art\, The Dorsky Museum\, San Francisco Opera Plaza\, Tribeca Bridge Tower\, Triptych Films\, Los Angeles and other corporate and private collections. Melinda Stickney-Gibson has been a recipient of two Pollack Krasner Grants. \n About Gary Gissler \nGary Gissler is an American artist working in New York City and in the Catskills. Having exhibited widely\, Gissler has been the subject of many solo exhibitions and artists’ essays. He has been reviewed in Art in America\, Flash Art\, Art News\, The New Yorker\, ArtNet\, and others. Gary Gissler has a long history of being collected privately\, and his work is currently included at the RISD Museum and the Neuberger Museum. Gary Gissler has been awarded a Pollock Krasner Grant and a Chinati Foundation Artist Residency. \nO N I R I C A opens with a reception for the artists Friday\, July 15\, 2022 from 7pm – 9pm\, 19:00 – 21:00 (GMT + 1). More info: https://bit.ly/ONIRICA925 \n  Save  
URL:https://artinamericaguide.com/event/melinda-stickney-gibson/2022-07-15/
LOCATION:Castello 780\, Fondamenta San Giuseppe\, Sestiere Castello 780\, Venice\, Veneto\, 30122\, Italy
CATEGORIES:Event,Exhibition
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ORGANIZER;CN="Cross Contemporary Art Projects":MAILTO:crosscontemporaryprojects@gmail.com
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DTSTART;TZID=America/Halifax:20220806T120000
DTEND;TZID=America/Halifax:20220806T130000
DTSTAMP:20260419T084355
CREATED:20220613T154439Z
LAST-MODIFIED:20220613T154439Z
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SUMMARY:Meditative Art Experience
DESCRIPTION:MEDITATIVE ART EXPERIENCE\nEvent Date: August 6\, 2022\nEvent Time: 12pm – 1pm \nAdmission is Free\, but seating is limited. Must register here to participate. \nStrata Gallery presents a meditative artmaking opportunity on Saturday\, August 6 from 12-1pm. A body-scan meditation will be led by two artists and students within the exhibition space. \nRaimy Engel (she/her) and Tess Bourbeau (they/them) are both attending the graduate art therapy program at Southwestern College and New Earth Institute. They are passionate about the role art can take in developing self-attunement\, empathy\, and mental health care. \nThe intention of this body-scan and art experiential is to allow for the exploration of the body outside of physical categories. Self-image may not always be related to looks/body shape and may include knowledge of bodily history and boundaries. “The goal is to promote exploration of the unseen relationship we have with our bodies\,” the two facilitators state. \nAttendees will be guided through a body-scan meditation that pauses occasionally for responsive artmaking. All supplies will be provided. Tess and Raimy would like to acknowledge that a body-scan can be an intense experience for those with bodily trauma and encourage any interested participants to attune to their nervous system and engage with this meditation in a way that feels safe. \nStrata Gallery is open from 10 am to 5 pm Tuesday – Saturday. For more information about Strata Gallery and its current or future exhibits\, please visit the Strata Gallery website and Instagram. \nRaimy Engel (she/her) is an artist who is currently working towards my MA in Art Therapy and Counseling at Southwestern College and New Earth Institute here in Santa Fe. She is passionate about the impact art can have on the understanding of ourselves and\, consequently\, others. \nTess Bourbeau (they/them) is a multi-media artist pursuing a Master’s in Art Therapy and Counseling at Southwestern College. They explore themes of radical authenticity and empathy in my creative and academic work. \nMASKS WILL BE REQUIRED TO PARTICIPATE \n  Save  
URL:https://artinamericaguide.com/event/meditative-art-experience/
LOCATION:Strata Gallery\, 418 Cerrillos Road\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/06/meditative-art-workshop.png
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DTSTART;TZID=America/Halifax:20220806T150000
DTEND;TZID=America/Halifax:20220806T180000
DTSTAMP:20260419T084355
CREATED:20220801T170648Z
LAST-MODIFIED:20220801T170648Z
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SUMMARY:Alakananda Mukerji: Flows the Dawn - reception
DESCRIPTION:Saturday afternoon reception of Alakananda Mukerji’s exhibition Flows the Dawn \n  Save  
URL:https://artinamericaguide.com/event/alakananda-mukerji-flows-the-dawn-reception/
LOCATION:Blue Mountain Gallery\, 547 W 27th St\, Suite 200\, New York\, NY\, 10001\, United States
CATEGORIES:Event
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ORGANIZER;CN="Blue Mountain Gallery":MAILTO:bluemountaingallery@verizon.net
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DTSTART;TZID=America/Halifax:20220806T160000
DTEND;TZID=America/Halifax:20220806T180000
DTSTAMP:20260419T084355
CREATED:20220711T135052Z
LAST-MODIFIED:20220711T135052Z
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SUMMARY:Kaatsbaan Outdoor Sculpture Park
DESCRIPTION:On Saturday\, August 6\, 2022\, 4-6pm\, Kaatsbaan Cultural Park will host a public reception and artist walk to celebrate the 2022 outdoor sculpture exhibition. This is the second year that contemporary sculpture has been installed at Kaatsbaan for the Summer Festival season. Curated by Hilary Greene\, the artworks complement the ongoing dance\, music\, poetry\, and culinary arts summer programming. This year’s participating artists are: Emil Alzamora\, Stuart Farmery\, Tristan Fitch\, Jared Handelsman\, Kenichi Hiratsuka\, Lowell Miller\, Portia Munson\, Shelley Parriott\, Eileen M. Power\, Gregory Steel\, Christina Tenaglia\, and Millicent Young.\nThe sculpture exhibition originated in 2021 in response to the Pandemic as Kaatsbaan moved its events outdoors so both artists and audience could safely experience Kaatsbaan’s world class dance and music performances. Exhibition curator Hilary Greene envisioned the artworks as multi- dimensional participants that activate and enhance the lush historic grounds.\nFocusing on mid-career sculptors\, Ms. Greene selected artworks that best embodied the spirit and flow of the Hudson Valley’s unique landscape and the joy of rhythm and movement. From hand-carved monuments and wire-bound stones\, to vibrant wooden forms and sheer colorful columns\, from a glowing silk banner and poetic etched glass\, to cast bronze figures and dancing ladders\, the outdoor sculpture exhibition at Kaatsbaan displays a powerful vocabulary and far-reaching range of contemporary art. \n  Save  
URL:https://artinamericaguide.com/event/kaatsbaan-outdoor-sculpture-park/
LOCATION:Kaatsbaan Cultural Park\, 120 Broadway\, Tivoli\, NY\, 12583\, United States
CATEGORIES:Event,Exhibition
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ORGANIZER;CN="Cross Contemporary Art Projects":MAILTO:crosscontemporaryprojects@gmail.com
END:VEVENT
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DTSTART;TZID=America/Halifax:20220806T160000
DTEND;TZID=America/Halifax:20220806T180000
DTSTAMP:20260419T084355
CREATED:20220728T190959Z
LAST-MODIFIED:20220728T190959Z
UID:95333-1659801600-1659808800@artinamericaguide.com
SUMMARY:MILLICENT YOUNG : In the Silence Between
DESCRIPTION:Millicent Young’s installation In the Silence Between is a meditative solo exhibition at the newly opened Studio Building Gallery at Kaatsbaan Cultural Park. Utilizing humble elements such as horse-hair\, ceramic\, lead\, barbed wire and wood\, Ms. Young creates quiet but powerful pieces that resonate with timeless space. A reception for the artist will be held on August 6\, 4-6pm at Kaatsbaan Cultural Part Studio Building Gallery in conjunction with the outdoor Sculpture Exhibition Reception where Young also has an installation: remains – an epic artwork incorporating the poetry of Jane Hirshfield. \n“Her wall works\, an amalgam of resonant materials nearly Shaker-like in their austerity and beauty\, owe their spiritual reach to the horsehair and muted metal she makes use of.” — JONATHAN GOODMAN \n  Save  
URL:https://artinamericaguide.com/event/millicent-young-in-the-silence-between/
LOCATION:Kaatsbaan Cultural Park\, 120 Broadway\, Tivoli\, NY\, 12583\, United States
CATEGORIES:Event
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ORGANIZER;CN="Cross Contemporary Art Projects":MAILTO:crosscontemporaryprojects@gmail.com
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