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DTSTART;TZID=America/Halifax:20220924T190000
DTEND;TZID=America/Halifax:20221126T220000
DTSTAMP:20260406T160208
CREATED:20220922T114519Z
LAST-MODIFIED:20220922T114519Z
UID:98377-1664046000-1669500000@artinamericaguide.com
SUMMARY:Graciela Iturbide: Sueños\, Símbolos\, y Narración
DESCRIPTION:Opening September 20\, 2022\, Etherton Gallery presents Graciela Iturbide: Sueños\, Símbolos\, y Narración (Dreams\, Symbols\, and Storytelling)\, featuring a survey of iconic and recent images by the internationally renowned Mexican photographer. The new exhibition marks Etherton Gallery’s 41st year in business. Graciela Iturbide has a strong connection to Tucson and will attend the opening reception for Sueños\, Símbolos\, y Narración on Saturday\, September 24th\, at 7-10 pm. Signed books will be available. For information about the exhibition or to pre-order a signed book\, contact Etherton Gallery at info@ethertongallery.com or (520) 624-7370. Etherton Gallery is located at 340 South Convent Avenue in the Barrio Viejo\, Tucson\, AZ\, 85701. \nEtherton Gallery and the Center for Creative Photography are co-sponsoring a public lecture. Graciela Iturbide will speak about her five-decade career at the CCP\, on Friday\, September 23rd\, at 5:30 pm. Admission is free. For information about the lecture\, contact the CCP at info@ccp.arizona.edu or (520) 621-7968. The Center for Creative Photography is located on the campus of the University of Arizona at 1030 North Olive Street\, in central Tucson. \n  Save  
URL:https://artinamericaguide.com/event/graciela-iturbide-suenos-simbolos-y-narracion/
LOCATION:Etherton Gallery\, 135 S. 6th Ave.\, Tucson\, AZ\, 85701\, United States
CATEGORIES:Event,Exhibition
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ORGANIZER;CN="Etherton Gallery":MAILTO:info@ethertongallery.com
GEO:32.2206237;-110.9684067
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Etherton Gallery 135 S. 6th Ave. Tucson AZ 85701 United States;X-APPLE-RADIUS=500;X-TITLE=135 S. 6th Ave.:geo:-110.9684067,32.2206237
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221003T100000
DTEND;TZID=America/Halifax:20230114T170000
DTSTAMP:20260406T160208
CREATED:20220926T141754Z
LAST-MODIFIED:20220926T141754Z
UID:98866-1664791200-1673715600@artinamericaguide.com
SUMMARY:Otis Houston Jr.: My Name is My Word
DESCRIPTION:Living in Harlem\, New York\, Otis Houston Jr. acts as an alchemist. He mixes everyday items\, movements\, and thoughts to create multimedia assemblages\, paintings\, performances\, and text-based signs. \nHouston is best known for his public performances and installation work on FDR Drive by New York’s East River\, where he has been working since 1997. These site-specific installations include his writing\, poetry\, singing\, found objects\, and fruit\, which are used as both props and materials. Otis Houston Jr.: My Name is My Word will be the artist’s first museum exhibition. \nHouston’s artistic journey began in the 1990s when he worked on a series of print-media collages while incarcerated. Since then\, he has cultivated an ongoing journaling practice\, recording his experiences and beliefs. These insights are some of his many missives and protests spray-painted on a series of towels and canvases and displayed in public spaces and performances. His work often addresses racism\, poverty\, and addiction\, while promoting messages of health\, love\, and self-acceptance. \nThe fluidity of his practice generously invites viewers to both give and receive. He encourages public engagement and accepts environmental influences in his open-air studio and stage. \n*Houston will be at the John Michael Kohler Arts Center October 3–7\, sharing his assemblage work and performances. He will be working with the exhibitions team to install some of his existing work\, while also making new work on-site. During that time\, he will have open hours to share his process and converse with visitors. After he leaves\, the gallery will close for a week as we prepare to open an exhibition of this work\, on view from October 15\, 2022–January 14\, 2023.  \n  \n  \nImage: Otis Houston Jr.\, The Thangofmajig\, 2018; found and altered objects and mixed media; 38 x 26 3/4 x 14 1/2 in. Courtesy of Gordon Robichaux\, NY. Photo: Gregory Carideo. \n  Save  
URL:https://artinamericaguide.com/event/otis-houston-jr-my-name-is-my-word/
LOCATION:John Michael Kohler Arts Center\, 608 New York Avenue\, Sheboygan\, WI\, 53081\, United States
CATEGORIES:Event,Exhibition
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ORGANIZER;CN="John Michael Kohler Arts Center":MAILTO:generalinfo@jmkac.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221029T110000
DTEND;TZID=America/Halifax:20221119T170000
DTSTAMP:20260406T160208
CREATED:20220928T173411Z
LAST-MODIFIED:20220928T173411Z
UID:99133-1667041200-1668877200@artinamericaguide.com
SUMMARY:October 29th – November 19th\, 2022  Time: 11 am – 5 pm
DESCRIPTION:See these new exhibits and tour 80 artist studios Tuesday thru Sunday 11 am – 5 pm. Admission is free. These exhibits end November 19th\, 2022. \n  \nPhantasmagorium by Chris Semtner  \nArtist\, author\, and curator Chris Semtner may be best known as the horror and dark history expert who has appeared on PBS\, BBC\, American Heroes Channel\, C-Span\, and other networks and who has written articles for Biography.com\, Crime Writers Chronicle\, and other publications. His museum exhibits have been reviewed in The New York Times\, Deep South Magazine\, and other publications. In the midst of jurying and curating exhibits across the country and keeping a busy speaking schedule that has taken him to venues ranging from the Steampunk World’s Fair to the Library of Congress and as far away as Japan\, Semtner continues to paint mesmerizing pictures informed by his years of research into things phantasmagorical\, chimerical\, and outré. The sources of his imagery are hazy memories\, half-forgotten dreams\, dusty old books\, and seldom seen black-and-white movies. \n  \nThe exhibit will be in the Jane Sandelin Gallery. \nSpontaneous Markings by George Hughes \nRaised in the Blue Ridge Mountains of Bedford County\, Virginia\, George Hughes developed a deep appreciation for nature. While earning his Bachelor of Arts from VCU\, he was immediately struck with the tension between the urban environment and the rural atmosphere to which he was accustom. VCU introduced Hughes to a more expressive style of working that was spontaneous and free forming through impressionistic landscape. Hughes focused on the improvisational mark and vivid color. Hughes has traveled all over the country visiting National Forests that have inspired his work. The exhibit will be in the Corner Gallery. \n  \n  \n  \n  \n  \nThe Magical World of Little Lamzy Divy by Andrea Danner \n  \nAndrea Danner knew she was an artist as a girl\, winning the Smoky the Bear coloring contest at the age of five. Most of her artwork revolves around her love and passion for animals and nature. In her recent work which is made of paper mâché and paper clay\, she focuses on bringing paper to life through fun and a bit of “magic”. Many of the materials she uses are repurposed and recycled\, including old library book pages. Her whimsical creations bring her joy and laughter\, that she shares with others. \n  \nThe exhibit will be in the Skylight Gallery \n  \n  \nDARK ART – OCTOBER 2022 ALL MEDIA ART SHOW  \nThis exhibit is a focal point of all Art Works’ openings. It is a juried show with cash prizes and is open to all artists and all mediums. The theme is “dark art”. After all it is Halloween\, and a spooky exhibit seems fitting. \n  \nCall for entries is September 23\, 2022 – October 18\, 2022. Submit your entries through our online form. Check our website for details on submitting your artwork:   artworksrva.com  \nPainting by: Sheri Lake \n  Save  
URL:https://artinamericaguide.com/event/october-29th-november-19th-2022-time-11-am-5-pm/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
CATEGORIES:Event,Exhibition
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ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221103T100000
DTEND;TZID=America/Halifax:20230107T180000
DTSTAMP:20260406T160208
CREATED:20221012T183440Z
LAST-MODIFIED:20221012T183440Z
UID:99828-1667469600-1673114400@artinamericaguide.com
SUMMARY:Katherine Bowling | "Trees"
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present an exhibition of new and recent paintings by Katherine Bowling. The exhibition\, Trees\, marks Bowling’s first solo presentation with the gallery. \nAs a landscape painter\, Bowling finds inspiration in the nature that surrounds her in upstate New York\, musing on the myriad ways that light\, season\, and perspective can shape appearance in nature. \nBowling constructs her works by using oil paint layered onto matte spackle on wood panel. She often begins with a sketch of a tree from memory\, a photograph\, or observed in nature. After planting the initial image\, she then scrapes away the surface\, responding and rebuilding the painting based on the marks left behind. In addition to brushes\, Bowling uses her hands\, sandpaper\, paper towels\, and other materials that create a tactile experience of creation. Air bubbles\, paint drips\, and other imperfections are incorporated into the work. The resulting images are luminous\, and often soft in focus. While trees remain the central subject\, other images and figures often emerge and fade into the background. \nBowling lives and works in upstate New York and in New York City. She has always found inspiration in forests. Glimpses of water through trees reappear in her work throughout her career\, like a recurring dream. Season and light are also central subjects to Bowling’s work. In Summer Sun\, daylight dapples through leaves and becomes the key presence in the work. In Family\, twilight hues throw stately conifers into striking architectural silhouettes. Dusky blues provide dramatic contrast to autumn leaves in Orange Fall\, and bleak winter grays create shadowy woods in Dark Walk. Amid the landscape that influenced the sweeping vistas of the Hudson River School\, Bowling instead explores the beauty and calm found in ordinary\, steadfast trees \n  Save  
URL:https://artinamericaguide.com/event/katherine-bowling-trees/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Event,Exhibition
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ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Winston Wächter Fine Art 530 W 25th St New York New York 10001;X-APPLE-RADIUS=500;X-TITLE=530 W 25th St:geo:-74.0047021,40.7493621
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221105T123000
DTEND;TZID=America/Halifax:20221105T130000
DTSTAMP:20260406T160208
CREATED:20221028T203345Z
LAST-MODIFIED:20221028T203345Z
UID:100149-1667651400-1667653200@artinamericaguide.com
SUMMARY:Gallery Talk: Dare to Know: Prints and Drawings in the Age of Enlightenment
DESCRIPTION:Join Ben Sibson\, Ph.D. candidate in Harvard’s Department of Human Evolutionary Biology\, for an in-depth discussion about the depiction of the human body in selected works on view in the exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment. He will share insights about artists’ representations of the human form\, focusing on Jacques-Fabien Gautier d’Agoty’s mezzotint Muscles of the Back. \nFeaturing approximately 150 works on paper and other related objects\, Dare to Know explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the Enlightenment era by encouraging individuals to follow their own reason when seeking to know more. An illustrated catalogue with 26 thematic essays—an A to Z exploration of the Enlightenment quest for understanding and change—accompanies the exhibition. \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nLed by:\nBen Sibson\, Ph.D. candidate in the Department of Human Evolutionary Biology\, Harvard University\, and Head Teaching Fellow \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment-3/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/Dagoty.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221105T130000
DTEND;TZID=America/Halifax:20221105T160000
DTSTAMP:20260406T160208
CREATED:20221028T203407Z
LAST-MODIFIED:20221028T203407Z
UID:100146-1667653200-1667664000@artinamericaguide.com
SUMMARY:Materials Lab Workshop (Off-Site): Making Faces
DESCRIPTION:Note that this workshop takes place at an off-site location\, Active Learning Labs. Location details are below. \nThis workshop accompanies the exhibition Funerary Portraits from Roman Egypt: Facing Forward\, which invites viewers to ask more about the complicated histories of these portraits and the people they depict. It also explores what can be learned about the artistic processes and current condition of these works through scientific analysis and technical research conducted by staff in the Harvard Art Museums’ Straus Center for Conservation and Technical Studies. Funerary Portraits is on view at the Harvard Art Museums through December 30\, 2022. We encourage participants to visit the exhibition at some point before the workshop date. Please be advised that this exhibition contains objects that were removed from ancient Egyptian burials. \nJoin visiting artist Francisco Benitez for a short overview of the long history of encaustic (pigmented wax) painting and demonstration of the technique before making your own copy of a funerary portrait of a woman from the Harvard Art Museums collections. Curator Susanne Ebbinghaus\, one of the Funerary Portraits team members\, will provide background on the portraits from Roman Egypt. Creating our own version of the ancient image is a means to better appreciating the process and the painter’s skill. The workshop also aims to honor and remember the ancient subject of the portrait we will copy\, and to celebrate the relationship between artist and sitter that allowed her essence to be captured so powerfully. \nThis workshop is co-sponsored by the Harvard Art Museums and the Harvard School of Engineering and Applied Sciences. \nLed by:\nFrancisco Benitez\, Encaustic Artist \nNo prior experience is necessary. $15 materials fee. Registration is required and space is limited. Registration for this workshop will open on Wednesday October 26\, 2022 at this link\, and participants will be admitted on a first-come\, first-served basis. To join the waitlist\, please email am_register@harvard.edu. Minimum age of 18 to comply with the Harvard Minors-in-Labs policy. \nThis workshop will take place in the Active Learning Labs\, at the Harvard School of Engineering and Applied Sciences\, 150 Western Avenue\, in Allston\, Massachusetts. At the main entrance at the corner of Western Avenue and Stadium Road\, the security desk attendant can direct you to the workshop location on the lower level. Buses 501\, 57\, and 66 serve that area. There is on-street parking on both sides of Western Avenue. Alternatively\, the lot at 2 Hague Street has 4-hour meters and full-day passes can be purchased for $6 through the Harvard Online Parking Permit System [HOPPS]. \n  Save  
URL:https://artinamericaguide.com/event/materials-lab-workshop-off-site-making-faces/
LOCATION:Active Learning Labs\, Harvard School of Engineering and Applied Sciences\, 150 Western Avenue Allston MA\, Harvard School of Engineering and Applied Sciences\, 150 Western Avenue\, Allston\, MA\, 02134\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/Portait-of-a-woman_Egypt-1.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
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