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DTSTART;TZID=America/New_York:20180524T180000
DTEND;TZID=America/New_York:20180524T200000
DTSTAMP:20260406T093138
CREATED:20180428T200606Z
LAST-MODIFIED:20180519T183652Z
UID:41149-1527184800-1527192000@artinamericaguide.com
SUMMARY:Opening Reception for Amy Lincoln: Sun\, Moon\, Stars
DESCRIPTION:Amy Lincoln presents recent paintings in her second solo exhibition with the gallery. Her laborious acrylic-on-panel depictions of flora and landscapes are at once ravishing and comically surreal. Event will be held at 534 west 24th street. \nLincoln is a committed figurative painter with a bent towards the surreal\, making works that depict the world and then give way to a certain slow-burning abstraction and symbolism. At face value her oeuvre features closely observed representations of plants and other elements of the natural world:  ocean\, sand\, sun\, moon\, clouds\, mountains\, and volcanos. To render these the artist relies on sources ranging from the familiar (Lincoln’s own backyard)\, to the splendid (elaborate botanical gardens)\, to the virtual (images found on the internet)\, adeptly weaving together disparate imagery to create fantastic worlds rooted in the real. \nLincoln’s hard-earned painterly language\, marked by opaque planes of keyed up color\, graphic clarity\, and flattened pictorial space\, brings a somewhat cartoonish quality to each landscape\, highlighting the otherworldliness of the forms depicted and inviting entry into almost alien worlds. Playfulness abounds\, but it is also a smokescreen for a latent\, more complex psychological content. The paintings’ insistence on formal repetition (gently pulsing light gradients and repeating motifs of leaves\, stars\, clouds) asks the viewer to slow down during the experience of looking and take in each compositional twist and turn. Plants take on uncanny anthropomorphic qualities and seem to exert their will on the structure of the image\, competing with and complementing one another as if characters on a stage. This exhibition finds Lincoln deftly threading the needle between the familiar and strange\, beauty and mystery. \n  \nAmy Lincoln received her MFA in Painting from Tyler School of Art in Philadelphia and her BA in Studio Art from the University of California\, Davis. Recent exhibitions include Regina Rex (NY) and Monya Rowe (FL)\, with Sargent’s Daughters (NY) upcoming. She has participated in the Lower Manhattan Swing Space residency\, the Inside Out Art Museum artist residency in Beijing\, as well as the Wave Hill Winter Workspace in NYC. Her work has been reviewed in Hyperallergic\, The New Criterion\, Two Coats of Paint\, and The Brooklyn Rail\, among other. The artist lives in Glendale\, Queens. \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-amy-lincoln/
LOCATION:MA
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2018/04/ALincoln_019_GlendaleGarden_18x24_2017.jpg
ORGANIZER;CN="Morgan Lehman Gallery":MAILTO:art@morganlehmangallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180526T180000
DTEND;TZID=America/New_York:20180526T200000
DTSTAMP:20260406T093139
CREATED:20180426T132941Z
LAST-MODIFIED:20180503T093658Z
UID:41091-1527357600-1527364800@artinamericaguide.com
SUMMARY:"Nighthorses"
DESCRIPTION:Gagosian is pleased to present Nighthorses\, new work by Adam McEwen. \nAs McEwen’s title suggests\, anxiety resides even in the most common images and objects. His art draws attention to the vestigial dramas of daily life; the forgotten is memorialized\, the subliminal laid bare. Narrative flow is tempting to seek yet impossible to find. \nThe centerpiece of Nighthorses is a series of narrow\, perfectly rectangular frames mounted on the wall. Rendered individually in graphite\, brass\, steel\, and phosphorescent resin\, they recall the serial geometries of Minimalism—only that the latchkey positioned inside the base of each frame suggests the back end of a truck\, pared down to a schema. In another series\, images of rumpled beds are printed onto sheets of vividly colored cellulose sponge and thus transformed into scaleless\, undulating landscapes. Paired with life-size graphite objects fixed to the surface—an oar\, a ladder\, a hand dryer\, and a lavatory cistern—they generate a sense of psychological dissonance. Moving on from Andy Warhol’s notorious Disaster series\, McEwen’s image of the aftermath of a car crash\, printed on yellow cellulose sponge and supporting two smooth graphite drum cymbals\, offers a perfect visual tautology. \nThrough McEwen’s deft game of aesthetic surrogacy\, ordinary things are charged with a sense of unspecified malaise. The unique physical characteristics of industrial graphite—light-absorbing\, dense\, and self-lubricating—are unsettlingly nonnegotiable. A graphite pay phone without a hand receiver sits in a permanent capture of vandalized obsolescence; a graphite Hula-Hoop hangs heavy and inert on a nail; and a plywood sheet cast in phosphorescent urethane is pierced by the mysterious geometries of a graphite funnel\, balanced on top of a graphite sphere. \nAdam McEwen was born in 1965 in London and lives and works in New York. Collections include the Solomon R. Guggenheim Museum\, New York; Whitney Museum of American Art\, New York; Rubell Family Collection\, Miami; De la Cruz Collection\, Miami; The Brant Foundation Art Study Center\, Greenwich\, CT; Museo Jumex\, Mexico City; Julia Stoschek Collection\, Düsseldorf\, Germany; Aberdeen Art Gallery and Museums\, Scotland; and Arts Council Collection\, London. Recent institutional exhibitions include The Goss-Michael Foundation\, Dallas\, TX (2012); Museo Civico-Diocesano di Santa Maria dei Servi\, Città della Pieve\, Italy (2015); and Adam McEwen: I Think I’m in Love\, Aspen Art Museum\, CO (2017). In 2010\, McEwen curated Fresh Hell at the Palais de Tokyo\, Paris\, for the annual Carte Blanche series. \n  Save  
URL:https://artinamericaguide.com/event/nighthorses/
LOCATION:Gagosian\, 456 North Camden Drive\, Beverly Hills\, CA\, 90210\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2018/04/555960c7bbd9597efb146383544f7f6e.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20180906T180000
DTEND;TZID=America/Halifax:20180906T200000
DTSTAMP:20260406T093139
CREATED:20190923T215939Z
LAST-MODIFIED:20190923T215939Z
UID:46617-1536256800-1536264000@artinamericaguide.com
SUMMARY:Opening Reception for Rubens Ghenov: Aft Key
DESCRIPTION:Morgan Lehman is delighted to present recent paintings by Rubens Ghenov in the artist’s third solo exhibition with the gallery. \nThis show\, entitled Aft Key\, includes three bodies of work made between 2017 and 2018\, which take as their subject the late Spanish poet Angelico Morandá’s interests in ideas of time\, ontology\, sound\, and mantras. Here\, Aft is to be read as a shortened version of the preposition\, after\, which\, for Morandá\, denotes the middle stage of descent (or diagonal time). Diagonal time can be thought of as the line that links the metaphysical world of the vertical (concerning the intellectual\, conscious\, cosmic) with the horizontal (considering the terrestrial\, pausal\, dreamlike)\, within the right triangle structure that informs Morandá’s poetry and meditative practice. Aft is thus both between space but also beyond\, converging backward in time to the present in a cyclical triangular motion. In this way\, form leads to concept and concept back into form\, as Ghenov mines the rich philosophy of the poet to create his own lyrical\, mystical paintings. \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-for-rubens-ghenov-aft-key/
LOCATION:Morgan Lehman Gallery\, 526 West 26 Street\, Suite 419\, New York\, NY\, 10001\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2018/08/OTAKĒ-BANGUELO.jpg
ORGANIZER;CN="Morgan Lehman Gallery":MAILTO:art@morganlehmangallery.com
GEO:40.7500464;-74.0042596
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20181129T180000
DTEND;TZID=America/Halifax:20181129T200000
DTSTAMP:20260406T093139
CREATED:20190923T215910Z
LAST-MODIFIED:20190923T215910Z
UID:48040-1543514400-1543521600@artinamericaguide.com
SUMMARY:Opening Reception for A Tale of Five Rings
DESCRIPTION:Morgan Lehman Gallery is pleased to present a pop-up exhibition at the High Line Nine\, a modern arcade-style group of gallery spaces between West 27th and 28th Streets\, underneath the High Line and adjacent to the Zaha Hadid building at 520 West 28th. A Tale of Five Rings is a multidisciplinary project by jeweler Jennifer Odell and painter Elisa Johns. Weaving together poetic writing with sensuous imagery and objects\, this collaboration brings to life an archetypal tale about character. \nFull Address of High Line Nine: 507 West 27th Street\, Gallery #9\, New York\, NY 10001 \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-for-a-tale-of-five-rings/
LOCATION:High Line Nine\, 507 West 27th Street \, Gallery #9\, New York\, NY\, 10001\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2018/11/composite.jpg
ORGANIZER;CN="Morgan Lehman Gallery":MAILTO:art@morganlehmangallery.com
GEO:40.750639;-74.003003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=High Line Nine 507 West 27th Street  Gallery #9 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=507 West 27th Street \, Gallery #9:geo:-74.003003,40.750639
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190207T180000
DTEND;TZID=America/Halifax:20190425T170000
DTSTAMP:20260406T093139
CREATED:20190409T173430Z
LAST-MODIFIED:20190409T173430Z
UID:48860-1549562400-1556211600@artinamericaguide.com
SUMMARY:Rive by Jon Verney
DESCRIPTION:RIVE: A PHOTOGRAPHY EXHIBITION \nJon Verney a photographer whose work engages in manipulated found imagery\, an interplay between the images of forgotten amateur photographers and the powerful sensation of abstract colors and fractal patterns and reticulation of the original. \nHis work is a reiteration of the dadaist practice of found objects and their subsequent metamorphoses after entering his possession. Using the contemporary material that is a Polaroid and subjecting them to methods of tangible and controllable manipulation of the photographic emulsion\, Verney draws out of them the untapped potential that lay dormant. \nHe sources his materials\, the Polaroids\, from flea markets\, shops\, or bought in bulk online. Blowing these small personal images up to a large scale reinvents the originals into something unintended at their initial creation\, giving a commentary on personal versus public. \nThe disassociation with the subjects and the original photographers’\, whose work allows Verney the ability to create his work\, mirrors that of Jacqui Kenny or Doug Rickard and their respective use of Google Street View\, a global resource allowing those two photographers to create artwork from the comfort of their own homes using the resources of our modern society. \nThe subject of this body of work\, Rive\, engages in the theme of a schism\, a fault line\, a separation of two worlds that butt up against one another\, like the waves of the ocean lapping against the shore. The banal common-place nature of these amateur photographs is at the same time both obscured behind\, and obscuring the organic blooms of his manipulations\, giving the sensation of a reciprocity between reality and surreality. \nJoin us for the Opening Reception! \nThursday\, February 7\, 2019 from 6:00-8:00pm \nMake sure to also stop by the Artist Talk! \nThursday\, April 18\, 2019 from 6:00-7:00pm \nJon Verney is a visual artist whose practice interweaves the materiality of painting\, photography\, and film. After earning a BFA with Distinction in Painting from Massachusetts College of Art and Design in 2010\, he relocated to Florence\, Italy\, where he attended SACI’s Post-Baccalaureate studio program. He was afterwards awarded a SACI Photo/Media Teaching Assistantship and remained at the school for two more years as a TA and darkroom technician. Upon returning to the United States\, he received his MFA from the Stamps School of Art & Design at the University of Michigan in 2016. Verney has exhibited his work nationally and internationally and has attended artist residencies at the Vermont Studio Center\, the Studios at MASS MoCA\, Penland School of Craft\, and the Independent Imaging Retreat in Ontario\, Canada. His studio practice is based in North Adams\, Massachusetts. \n  Save  
URL:https://artinamericaguide.com/event/rive-by-jon-verney/
LOCATION:SACI Gallery\, 454 W 19th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Art Fair,Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/01/Jon_Verney_Diver.jpg
ORGANIZER;CN="SACI NY Gallery":MAILTO:nygallery@saci-florence.edu
GEO:40.7449342;-74.0056949
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=SACI Gallery 454 W 19th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=454 W 19th Street:geo:-74.0056949,40.7449342
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190326T110000
DTEND;TZID=America/Halifax:20190326T180000
DTSTAMP:20260406T093139
CREATED:20190418T175600Z
LAST-MODIFIED:20190418T184558Z
UID:51615-1553598000-1553623200@artinamericaguide.com
SUMMARY:Martha Armstrong at Bowery Gallery
DESCRIPTION:In 2015\, Roberta Smith wrote\, “Ms. Armstrong is the suave disciplinarian of a muscular style. She stacks blocky shapes of color that describe one landscape- a hill with some woods and a shack-visible from the window of her Vermont studio that may be her Mont Sainte-Victoire. But her shapes also maintain a nearly sculptural independence\, hovering slightly above the image\, just beyond legibility…They wear their devotions on their sleeves-Cezanne\, Fauvism\, Cubism\, Arthur Dove- but their bigness\, blockiness and electric spontaneity are quite their own…” (NYTimes\, 9/25/15) \nMartha Armstrong studied at the Cincinnati Art Academy\, Smith College\, and the Rhode Island School of Design. She has exhibited in the United States since 1967\, in Italy since 2000\, and has taught in community colleges\, art schools\, summer programs and graduate programs since the early 1970’s. \nFor more information visit: MarthaArmstrong.com \n  Save  
URL:https://artinamericaguide.com/event/martha-armstrong-recent-paintings-2/2019-03-26/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/armstrong-2019a.jpg
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bowery Gallery 547 W 27TH ST Suite 508 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=547 W 27TH ST Suite 508:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190326T110000
DTEND;TZID=America/Halifax:20190326T180000
DTSTAMP:20260406T093139
CREATED:20190418T175447Z
LAST-MODIFIED:20190418T183157Z
UID:51633-1553598000-1553623200@artinamericaguide.com
SUMMARY:Martha Armstrong at Bowery Gallery
DESCRIPTION:In 2015\, Roberta Smith wrote\, “Ms. Armstrong is the suave disciplinarian of a muscular style. She stacks blocky shapes of color that describe one landscape- a hill with some woods and a shack-visible from the window of her Vermont studio that may be her Mont Sainte-Victoire. But her shapes also maintain a nearly sculptural independence\, hovering slightly above the image\, just beyond legibility…They wear their devotions on their sleeves-Cezanne\, Fauvism\, Cubism\, Arthur Dove- but their bigness\, blockiness and electric spontaneity are quite their own…” (NYTimes\, 9/25/15) \nMartha Armstrong studied at the Cincinnati Art Academy\, Smith College\, and the Rhode Island School of Design. She has exhibited in the United States since 1967\, in Italy since 2000\, and has taught in community colleges\, art schools\, summer programs and graduate programs since the early 1970’s. \nFor more information visit: MarthaArmstrong.com \n  Save  
URL:https://artinamericaguide.com/event/martha-armstrong-recent-paintings/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/armstrong-2019a-1.jpg
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bowery Gallery 547 W 27TH ST Suite 508 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=547 W 27TH ST Suite 508:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190328T180000
DTEND;TZID=America/Halifax:20190328T200000
DTSTAMP:20260406T093139
CREATED:20190326T194302Z
LAST-MODIFIED:20190326T194302Z
UID:49423-1553796000-1553803200@artinamericaguide.com
SUMMARY:Opening Reception of Anton Ginzburg: VIEWs
DESCRIPTION:Opening Reception: Thursday\, March 28\, 2019 from 6 to 8pm \nArtist-in-Conversation with Meghan Forbes: Saturday\, April 13\, 2019 from 2 – 4 pm \nHelwaser Gallery is pleased to present VIEWs\, the first solo exhibition of works with artist Anton Ginzburg. The exhibition introduces the newest body of works by the artist\, which includes the VIEW painting series\, a site-specific mural\, and ceramic sculptures. VIEWs presents Ginzburg’s engagement with the development of modernist-formal vocabulary in Eastern Europe\, which addresses theories of viewing. Marking the inaugural exhibition at Helwaser Gallery’s new location (833 Madison Avenue\, Third Floor)\, the show will be on view March 28–May 23\, 2019\, with an opening reception to be held Thursday\, March 28\, 2019. The core of the exhibition is the VIEW painting series. Executed on wooden panels of two distinct sizes\, each work references diagrammatic representations of the binocular field of human vision. Based on the shape and geometry of the panels\, abstract compositions are developed through color\, plane\, and line. \nIn smaller-scale works\, different planes of color overlap and intersect with each other\, demonstrating the figure and ground perception within each work. In larger works\, Ginzburg draws on the effects of the movement of color through space. Collectively\, the VIEW series analyzes the act of viewing and demonstrates the process through the material practice of painting. \nAlso on show are Polychrome Columns (2018)\, a pair of multi-colored porcelain sculptures measuring 10 feet in height. Segmented into different colored modules\, which are stacked on top of each other\, the columns introduce a spatial dimension to the exhibition. Accompanying these columns is a site-specific mural\, comprising bands of colored lines with mirrored\, glass pieces superimposed over it. Placed in dialogue with the space of the gallery\, these works create a dynamic viewing process\, allowing visitors to immerse themselves within the works. Also presented in the exhibition\, the artist’s earlier video work Color and Line (2013) echoes this notion of space. A playful interpretation of Suprematist paintings and cinematic structure\, the work was filmed in a laundry room\, in between “cuts” of darkness (achieved by switching on and off the lights)\, creating a continuous sequence of color compositions that vary in placement. Ginzburg’s practice explores the direct relationship between the viewer and the process of observing. Through referencing theories of viewing proposed by two artists of historical avantgarde\, Mikhail Matyushin and Władysław Strzeminski\, Ginzburg applies his own methodology to painting\, sculpture\, and video. \nThis inquiry began three years ago during Ginzburg’s residency in Canada in 2016\, where the artist engaged in visual exercises used in the curriculum of the VkHUTEMAS (a modern art and technical school established by the Soviet Union in 1920). These exercises included color and spatial studies\, photography\, and graphic explorations\, which strived to re-animate the avant-garde methodology of the 20th into the present-day context. \nAbout the artist \nAnton Ginzburg (b. 1974\, St. Petersburg\, Russia) is a New York-based artist\, known for his films\, paintings\, sculptures\, and text-based printed work investigating historical narratives and poetic studies of place\, representation\, and post-Soviet identity. He earned a B.F.A. from Parsons School of Design\, The New School and M.F.A. degree from Bard College\, Milton Avery Graduate School of Arts\, Annandale-on-Hudson\, New York. His work has been shown at the 54th Venice Biennale; the Blaffer Art Museum at the University of Houston; Southern Alberta Art Gallery\, Canada; Palais de Tokyo\, Paris; the San Francisco Museum of Modern Art; White Columns\, New York; Lille 3000\, Euralille\, France; and the first and second Moscow Biennales. His films have been screened at the Whitechapel Gallery\, London; Rotterdam International Film Festival (IFFR); Dallas Symphony Orchestra; Nasher Sculpture Center\, Dallas; Les Rencontres Internationales\, Paris; Haus der Kulturen der Welt\, Berlin; and New York Film Festival/Projections among others. \nwww.antonginzburg.com \nAbout the speaker \nMeghan Forbes is currently the C-MAP Fellow for Central and Eastern Europe at The Museum of Modern Art\, New York and a Visiting Scholar at the Institute for Public Knowledge at New York University. She holds a Ph.D. from the Department of Slavic Languages and Literatures at the University of Michigan\, Ann Arbor. Meghan recently co-curated the exhibition BAUHAUS↔VKhUTEMAS: Intersecting Parallels (2018) in the MoMA Library. She is the sole editor of International Perspectives on Publishing Platforms: Image\, Object\, Text (Routledge\, 2019). Besides her academic publications\, Meghan publishes regularly in venues of wider readership such as Hyperallergic\, Literary Hub\, The Los Angeles Review of Books\, Words Without Borders\, and the Michigan Quarterly Review. \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-of-anton-ginzburg-views/2019-03-28/
LOCATION:Helwaser Gallery\, 833 Madison Avenue\, 3rd Floor\, New York\, NY\, 10021\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/02/2018_11_02_AntonGinzburg_010.jpg
ORGANIZER;CN="Helwaser Gallery":MAILTO:info@helwasergallery.com
GEO:40.7700197;-73.9664595
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Helwaser Gallery 833 Madison Avenue 3rd Floor New York NY 10021 United States;X-APPLE-RADIUS=500;X-TITLE=833 Madison Avenue\, 3rd Floor:geo:-73.9664595,40.7700197
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190328T180000
DTEND;TZID=America/Halifax:20190523T170000
DTSTAMP:20260406T093139
CREATED:20190404T125254Z
LAST-MODIFIED:20190404T125254Z
UID:50117-1553796000-1558630800@artinamericaguide.com
SUMMARY:Anton Ginzburg: VIEWs
DESCRIPTION:Opening Reception: Thursday\, March 28\, 2019 from 6 to 8pm \nArtist-in-Conversation with Meghan Forbes: Saturday\, April 13\, 2019 from 2 – 4 pm \nHelwaser Gallery is pleased to present VIEWs\, the first solo exhibition of works with artist Anton Ginzburg. The exhibition introduces the newest body of works by the artist\, which includes the VIEW painting series\, a site-specific mural\, and ceramic sculptures. VIEWs presents Ginzburg’s engagement with the development of modernist-formal vocabulary in Eastern Europe\, which addresses theories of viewing. Marking the inaugural exhibition at Helwaser Gallery’s new location (833 Madison Avenue\, Third Floor)\, the show will be on view March 28–May 23\, 2019\, with an opening reception to be held Thursday\, March 28\, 2019. The core of the exhibition is the VIEW painting series. Executed on wooden panels of two distinct sizes\, each work references diagrammatic representations of the binocular field of human vision. Based on the shape and geometry of the panels\, abstract compositions are developed through color\, plane\, and line. \nIn smaller-scale works\, different planes of color overlap and intersect with each other\, demonstrating the figure and ground perception within each work. In larger works\, Ginzburg draws on the effects of the movement of color through space. Collectively\, the VIEW series analyzes the act of viewing and demonstrates the process through the material practice of painting. \nAlso on show are Polychrome Columns (2018)\, a pair of multi-colored porcelain sculptures measuring 10 feet in height. Segmented into different colored modules\, which are stacked on top of each other\, the columns introduce a spatial dimension to the exhibition. Accompanying these columns is a site-specific mural\, comprising bands of colored lines with mirrored\, glass pieces superimposed over it. Placed in dialogue with the space of the gallery\, these works create a dynamic viewing process\, allowing visitors to immerse themselves within the works. Also presented in the exhibition\, the artist’s earlier video work Color and Line (2013) echoes this notion of space. A playful interpretation of Suprematist paintings and cinematic structure\, the work was filmed in a laundry room\, in between “cuts” of darkness (achieved by switching on and off the lights)\, creating a continuous sequence of color compositions that vary in placement. Ginzburg’s practice explores the direct relationship between the viewer and the process of observing. Through referencing theories of viewing proposed by two artists of historical avantgarde\, Mikhail Matyushin and Władysław Strzeminski\, Ginzburg applies his own methodology to painting\, sculpture\, and video. \nThis inquiry began three years ago during Ginzburg’s residency in Canada in 2016\, where the artist engaged in visual exercises used in the curriculum of the VkHUTEMAS (a modern art and technical school established by the Soviet Union in 1920). These exercises included color and spatial studies\, photography\, and graphic explorations\, which strived to re-animate the avant-garde methodology of the 20th into the present-day context. \nAbout the artist \nAnton Ginzburg (b. 1974\, St. Petersburg\, Russia) is a New York-based artist\, known for his films\, paintings\, sculptures\, and text-based printed work investigating historical narratives and poetic studies of place\, representation\, and post-Soviet identity. He earned a B.F.A. from Parsons School of Design\, The New School and M.F.A. degree from Bard College\, Milton Avery Graduate School of Arts\, Annandale-on-Hudson\, New York. His work has been shown at the 54th Venice Biennale; the Blaffer Art Museum at the University of Houston; Southern Alberta Art Gallery\, Canada; Palais de Tokyo\, Paris; the San Francisco Museum of Modern Art; White Columns\, New York; Lille 3000\, Euralille\, France; and the first and second Moscow Biennales. His films have been screened at the Whitechapel Gallery\, London; Rotterdam International Film Festival (IFFR); Dallas Symphony Orchestra; Nasher Sculpture Center\, Dallas; Les Rencontres Internationales\, Paris; Haus der Kulturen der Welt\, Berlin; and New York Film Festival/Projections among others. \nwww.antonginzburg.com \nAbout the speaker \nMeghan Forbes is currently the C-MAP Fellow for Central and Eastern Europe at The Museum of Modern Art\, New York and a Visiting Scholar at the Institute for Public Knowledge at New York University. She holds a Ph.D. from the Department of Slavic Languages and Literatures at the University of Michigan\, Ann Arbor. Meghan recently co-curated the exhibition BAUHAUS↔VKhUTEMAS: Intersecting Parallels (2018) in the MoMA Library. She is the sole editor of International Perspectives on Publishing Platforms: Image\, Object\, Text (Routledge\, 2019). Besides her academic publications\, Meghan publishes regularly in venues of wider readership such as Hyperallergic\, Literary Hub\, The Los Angeles Review of Books\, Words Without Borders\, and the Michigan Quarterly Review. \n  Save  
URL:https://artinamericaguide.com/event/anton-ginzburg-views/
LOCATION:Helwaser Gallery\, 833 Madison Avenue\, 3rd Floor\, New York\, NY\, 10021\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/03/2018_11_02_AntonGinzburg_010_Det.jpg
ORGANIZER;CN="Helwaser Gallery":MAILTO:info@helwasergallery.com
GEO:40.7700197;-73.9664595
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Helwaser Gallery 833 Madison Avenue 3rd Floor New York NY 10021 United States;X-APPLE-RADIUS=500;X-TITLE=833 Madison Avenue\, 3rd Floor:geo:-73.9664595,40.7700197
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190402T103000
DTEND;TZID=America/Halifax:20190402T113000
DTSTAMP:20260406T093139
CREATED:20190327T130015Z
LAST-MODIFIED:20190327T130032Z
UID:50362-1554201000-1554204600@artinamericaguide.com
SUMMARY:NEW! Curious Kids
DESCRIPTION:Tuesdays\, April 2\, 9\, 16\, 23 & 30\n10:30–11:30 am \nThis weekly program introduces preschoolers\, ages 3 to 5\, to the wonderful world of museums through hands-on activities and exploration in the Galleries. Kids will discover why museums are important\, meet some of the people who work at Winterthur\, and learn about creating and caring for collections. Each week will focus on a different topic. Registration strongly encouraged! Included with admission. Members free. \nPhoto: Courtesy of Winterthur \n  Save  
URL:https://artinamericaguide.com/event/new-curious-kids/2019-04-02/
LOCATION:Winterthur Museum\, Garden & Library\, 5105 Kennett Pike\, Wilmington\, DE\, 19807\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/03/Curious_Kids.jpg
ORGANIZER;CN="Winterthur Museum%2C Garden &amp%3B Library":MAILTO:pressroom@winterthur.org
GEO:39.8087941;-75.6037258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Winterthur Museum Garden & Library 5105 Kennett Pike Wilmington DE 19807 United States;X-APPLE-RADIUS=500;X-TITLE=5105 Kennett Pike:geo:-75.6037258,39.8087941
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190402T180000
DTEND;TZID=America/Halifax:20190402T200000
DTSTAMP:20260406T093139
CREATED:20190402T160721Z
LAST-MODIFIED:20190402T162017Z
UID:50505-1554228000-1554235200@artinamericaguide.com
SUMMARY:Opening Reception for Richard Learoyd: Curious
DESCRIPTION:Pace and Pace/MacGill are pleased to present an exhibition of recent photographs by Richard Learoyd\, on view on the second and ninth floors of 32 East 57th Street.Marking the British artist’s second solo show with the galleries\, Richard Learoyd: Curious will feature never-before-seen large-scale gelatin silver prints\, as well as unique color images made with a camera obscura. Comprising landscapes\, portraits and still lifes\, among other subjects\, Learoyd’s latest work advances his continued exploration of the technical possibilities of the medium and the limits of photographic expression. The public is invited to attend an opening reception with the artist on Tuesday\, April 2 from 6 to 8 PM. \nImage: Installation view\, “Richard Learoyd: Curious\,” April 3 – May 4\, 2019\, Pace Gallery\, New York © Richard Learoyd. \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-for-richard-learoyd-curious/
LOCATION:Pace Gallery 57th Street\, 32 East 57th Street\, New York\, NY\, 10022\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2019/04/Richard-Learoyd.png
ORGANIZER;CN="Pace Gallery":MAILTO:info@pacegallery.com
GEO:40.7618922;-73.9720405
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Pace Gallery 57th Street 32 East 57th Street New York NY 10022 United States;X-APPLE-RADIUS=500;X-TITLE=32 East 57th Street:geo:-73.9720405,40.7618922
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190404T180000
DTEND;TZID=America/Halifax:20190404T200000
DTSTAMP:20260406T093139
CREATED:20190402T153857Z
LAST-MODIFIED:20190402T153857Z
UID:50497-1554400800-1554408000@artinamericaguide.com
SUMMARY:Opening Reception for Raqib Shaw: Landscapes
DESCRIPTION:Pace Gallery is privileged to present new paintings by Raqib Shaw. The exhibition showcases Shaw’s first work in the long tradition of landscape painting\, signifying a new direction for the London-based Kashmiri artist. Drawing inspiration from his childhood memories of Kashmir and the nature and architecture of the Indian subcontinent\, Shaw has mined and re-envisioned his own personal history through the compulsively-detailed\, meticulously-painted\, and emotionally-potent works. Raqib Shaw: Landscapes will be on view at 537 West 24th Street from April 5 – May 18\, 2019\, with an opening reception on Thursday\, April 4 from 6 – 8 PM. A full-color catalogue featuring a conversation between the artist and Pace Gallery Founder Arne Glimcher will accompany the exhibition. \nImage: Raqib Shaw\, The Four Seasons “Spring”\, 2018-2019. Acrylic liner and enamel on Birch wood\, 44-7/8″ x 47-1/4″ (114 cm x 120 cm). \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-for-raqib-shaw-landscapes/
LOCATION:Pace Gallery 24th Street\, 537 West 24th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2019/04/landscapes.png
ORGANIZER;CN="Pace Gallery":MAILTO:info@pacegallery.com
GEO:40.749373;-74.0054596
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Pace Gallery 24th Street 537 West 24th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=537 West 24th Street:geo:-74.0054596,40.749373
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190404T180000
DTEND;TZID=America/Halifax:20190404T200000
DTSTAMP:20260406T093139
CREATED:20190325T164149Z
LAST-MODIFIED:20190325T164149Z
UID:50125-1554400800-1554408000@artinamericaguide.com
SUMMARY:Opening Reception for Andrea Belag: Inheritance
DESCRIPTION:Morgan Lehman presents recent abstractions by painter Andrea Belag in the artist’s first solo exhibition with the gallery. \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-for-andrea-belag-inheritance/
LOCATION:Morgan Lehman Gallery\, 526 West 26 Street\, Suite 419\, New York\, NY\, 10001\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/03/Belag_Cave-_2019_60x70_oil_linen.jpg
ORGANIZER;CN="Morgan Lehman Gallery":MAILTO:art@morganlehmangallery.com
GEO:40.7500464;-74.0042596
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Morgan Lehman Gallery 526 West 26 Street Suite 419 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=526 West 26 Street\, Suite 419:geo:-74.0042596,40.7500464
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190409T180000
DTEND;TZID=America/Halifax:20190409T200000
DTSTAMP:20260406T093139
CREATED:20190325T163625Z
LAST-MODIFIED:20190327T143717Z
UID:50169-1554832800-1554840000@artinamericaguide.com
SUMMARY:Royal Trivia Nights
DESCRIPTION:Gather a team of mates\, grab a drink\, and go head to head with other royal aficionados for a fun night of trivia related to all things royal. \nApril 9\, 6:00–8:00 pm\nTheme: “Royal Conundrums”\nPurchase tickets online or call 800.448.3883. \nMay 14\, 6:00–8:00 pm\nTheme: “Royal Weddings”\nPurchase tickets online or call 800.448.3883. \nPhoto credit: Courtesy of Winterthur \n  Save  
URL:https://artinamericaguide.com/event/royal-trivia-nights/2019-04-09/
LOCATION:Winterthur Museum\, Garden & Library\, 5105 Kennett Pike\, Wilmington\, DE\, 19807\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/03/Royal_trivia_night.jpg
ORGANIZER;CN="Winterthur Museum%2C Garden &amp%3B Library":MAILTO:pressroom@winterthur.org
GEO:39.8087941;-75.6037258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Winterthur Museum Garden & Library 5105 Kennett Pike Wilmington DE 19807 United States;X-APPLE-RADIUS=500;X-TITLE=5105 Kennett Pike:geo:-75.6037258,39.8087941
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190413T100000
DTEND;TZID=America/Halifax:20190413T150000
DTSTAMP:20260406T093139
CREATED:20190325T163906Z
LAST-MODIFIED:20190325T163906Z
UID:50065-1555149600-1555167600@artinamericaguide.com
SUMMARY:Daffodils and Follies Day
DESCRIPTION:Saturday\, April 13 – 10 am to 3 pm \nCelebrate the beauty of the daffodil\, enjoy Winterthur’s amazing daffodil display\, and see the Follies garden exhibition! Henry Francis du Pont used his collector’s eye in assembling his collection of hundreds of heirloom daffodil bulbs arranged in cloud-like drifts on Sycamore Hill. The day’s events will include tours\, kids’ crafts\, and a daffodil show. Members free. Included with admission. \nChildren’s Daffodil Show – 10:00 am\, Visitor Center (entries accepted through 11:00 am) \nDaffodil Day Craft – 10:00 am to 2:00 pm\, Visitor Center \nGuided Walking Tours of the Daffodils – 11:30 am and 1:30 pm\, begin at Visitor Center Patio \nSelf-guided Tours of the Daffodils – all day\, begin at Visitor Center Patio \nPhoto Credit: Courtesy of Winterthur\, photo by Bob Leitch \n  Save  
URL:https://artinamericaguide.com/event/daffodils-and-follies-day/
LOCATION:Winterthur Museum\, Garden & Library\, 5105 Kennett Pike\, Wilmington\, DE\, 19807\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/03/Daffodil_and_Follies_Bob_Leitch.jpg
ORGANIZER;CN="Winterthur Museum%2C Garden &amp%3B Library":MAILTO:pressroom@winterthur.org
GEO:39.8087941;-75.6037258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Winterthur Museum Garden & Library 5105 Kennett Pike Wilmington DE 19807 United States;X-APPLE-RADIUS=500;X-TITLE=5105 Kennett Pike:geo:-75.6037258,39.8087941
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190413T140000
DTEND;TZID=America/Halifax:20190413T160000
DTSTAMP:20260406T093139
CREATED:20190325T163837Z
LAST-MODIFIED:20190325T163837Z
UID:50120-1555164000-1555171200@artinamericaguide.com
SUMMARY:Anton Ginzburg in Conversation with Meghan Forbes
DESCRIPTION:Helwaser Gallery is pleased to present VIEWs\, the first solo exhibition of works with artist Anton Ginzburg. The exhibition introduces the newest body of works by the artist\, which includes the VIEW painting series\, a site-specific mural\, and ceramic sculptures. VIEWs presents Ginzburg’s engagement with the development of modernist-formal vocabulary in Eastern Europe\, which addresses theories of viewing. Marking the inaugural exhibition at Helwaser Gallery’s new location (833 Madison Avenue\, Third Floor)\, the show will be on view March 28–May 23\, 2019\, with an opening reception to be held Thursday\, March 28\, 2019. The core of the exhibition is the VIEW painting series. Executed on wooden panels of two distinct sizes\, each work references diagrammatic representations of the binocular field of human vision. Based on the shape and geometry of the panels\, abstract compositions are developed through color\, plane\, and line. \nIn smaller-scale works\, different planes of color overlap and intersect with each other\, demonstrating the figure and ground perception within each work. In larger works\, Ginzburg draws on the effects of the movement of color through space. Collectively\, the VIEW series analyzes the act of viewing and demonstrates the process through the material practice of painting. \nAlso on show are Polychrome Columns (2018)\, a pair of multi-colored porcelain sculptures measuring 10 feet in height. Segmented into different colored modules\, which are stacked on top of each other\, the columns introduce a spatial dimension to the exhibition. Accompanying these columns is a site-specific mural\, comprising bands of colored lines with mirrored\, glass pieces superimposed over it. Placed in dialogue with the space of the gallery\, these works create a dynamic viewing process\, allowing visitors to immerse themselves within the works. Also presented in the exhibition\, the artist’s earlier video work Color and Line (2013) echoes this notion of space. A playful interpretation of Suprematist paintings and cinematic structure\, the work was filmed in a laundry room\, in between “cuts” of darkness (achieved by switching on and off the lights)\, creating a continuous sequence of color compositions that vary in placement. Ginzburg’s practice explores the direct relationship between the viewer and the process of observing. Through referencing theories of viewing proposed by two artists of historical avantgarde\, Mikhail Matyushin and Władysław Strzeminski\, Ginzburg applies his own methodology to painting\, sculpture\, and video. \nThis inquiry began three years ago during Ginzburg’s residency in Canada in 2016\, where the artist engaged in visual exercises used in the curriculum of the VkHUTEMAS (a modern art and technical school established by the Soviet Union in 1920). These exercises included color and spatial studies\, photography\, and graphic explorations\, which strived to re-animate the avant-garde methodology of the 20th into the present-day context. \nAbout the artist \nAnton Ginzburg (b. 1974\, St. Petersburg\, Russia) is a New York-based artist\, known for his films\, paintings\, sculptures\, and text-based printed work investigating historical narratives and poetic studies of place\, representation\, and post-Soviet identity. He earned a B.F.A. from Parsons School of Design\, The New School and M.F.A. degree from Bard College\, Milton Avery Graduate School of Arts\, Annandale-on-Hudson\, New York. His work has been shown at the 54th Venice Biennale; the Blaffer Art Museum at the University of Houston; Southern Alberta Art Gallery\, Canada; Palais de Tokyo\, Paris; the San Francisco Museum of Modern Art; White Columns\, New York; Lille 3000\, Euralille\, France; and the first and second Moscow Biennales. His films have been screened at the Whitechapel Gallery\, London; Rotterdam International Film Festival (IFFR); Dallas Symphony Orchestra; Nasher Sculpture Center\, Dallas; Les Rencontres Internationales\, Paris; Haus der Kulturen der Welt\, Berlin; and New York Film Festival/Projections among others. \nwww.antonginzburg.com \nAbout the speaker \nMeghan Forbes is currently the C-MAP Fellow for Central and Eastern Europe at The Museum of Modern Art\, New York and a Visiting Scholar at the Institute for Public Knowledge at New York University. She holds a Ph.D. from the Department of Slavic Languages and Literatures at the University of Michigan\, Ann Arbor. Meghan recently co-curated the exhibition BAUHAUS↔VKhUTEMAS: Intersecting Parallels (2018) in the MoMA Library. She is the sole editor of International Perspectives on Publishing Platforms: Image\, Object\, Text (Routledge\, 2019). Besides her academic publications\, Meghan publishes regularly in venues of wider readership such as Hyperallergic\, Literary Hub\, The Los Angeles Review of Books\, Words Without Borders\, and the Michigan Quarterly Review. \n  Save  
URL:https://artinamericaguide.com/event/anton-ginzburg-in-conversation-with-meghan-forbes/
LOCATION:Helwaser Gallery\, 833 Madison Avenue\, 3rd Floor\, New York\, NY\, 10021\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/03/2018_11_02_AntonGinzburg_009_Det.jpg
ORGANIZER;CN="Helwaser Gallery":MAILTO:info@helwasergallery.com
GEO:40.7700197;-73.9664595
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Helwaser Gallery 833 Madison Avenue 3rd Floor New York NY 10021 United States;X-APPLE-RADIUS=500;X-TITLE=833 Madison Avenue\, 3rd Floor:geo:-73.9664595,40.7700197
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190413T150000
DTEND;TZID=America/Halifax:20190413T170000
DTSTAMP:20260406T093139
CREATED:20190402T192028Z
LAST-MODIFIED:20190529T182649Z
UID:50601-1555167600-1555174800@artinamericaguide.com
SUMMARY:Opening for Charles Ray: two ghosts
DESCRIPTION:Matthew Marks is pleased to announce Charles Ray: two ghosts\, the next exhibition in his galleries at 1062 North Orange Grove and 7818 Santa Monica Boulevard. The exhibition includes three new sculptures and more than twenty works on paper. \nThe centerpiece of the exhibition is Ray’s first work in stone\, Two Horses Relief (2018)\, carved from a single block of Virginia granite. The sculpture is twelve feet tall and fourteen feet wide and weighs more than six tons. \nClothespile (2018) is a portrait of the artist’s own clothes\, a recurring subject for Ray since the early 1970s. Ray began Clothespile more than fifteen years ago\, ultimately completing it through a process called direct metal laser sintering (DMLS)\, which uses lasers to fuse powdered metal into solid structures with an intricacy that cannot be achieved through casting or carving. \nMountain Lion Attacking a Dog (2018) is a hypothetical scene from the hills around Ray’s home in Los Angeles. Each animal has been machined from a solid block of aluminum\, producing a reflective surface that enhances the finely sculpted details on their bodies. \nOn view in the gallery at 7818 Santa Monica Boulevard is a selection of Ray’s recent drawings\, the first such presentation since the 2010 Whitney Biennial in New York. These pictures of flowers\, drawn in ink on paper\, have an immediacy in direct contrast to the sculptures\, although one drawing\, at seven feet tall\, shares the sculptures’ monumental scale. The paper for some of these works was hand-made by the artist\, including several sheets with embossed imagery. Also on display are four scroll-like notebooks\, each about eight feet long\, that were hand-bound by Ray in his studio. \nCharles Ray (born 1953) lives and works in Los Angeles. His work has been featured in Documenta (1992)\, the Venice Biennale (1993\, 2003\, 2013)\, and the Whitney Biennial (1989\, 1993\, 1995\, 1997\, 2010)\, and his sculptures have been the subject of two retrospectives. The first was organized in 1998 by the Museum of Contemporary Art\, Los Angeles\, and traveled to the Whitney Museum of American Art\, New York\, and the Museum of Contemporary Art\, Chicago. The second was held at the Kunstmuseum Basel and the Art Institute of Chicago in 2014–15. The exhibition “Charles Ray: four patterns” is currently on view at the Reina Sofía in Madrid from March 28 to September 8. \nCharles Ray: two ghosts is on view at 1062 North Orange Grove and 7818 Santa Monica Boulevard from April 13 to June 22\, 2019\, Tuesday through Saturday\, from 10:00 to 6:00 PM. \nFor additional information\, please contact Stephanie Dorsey at 212-243-0200 or stephanie@matthewmarks.com. \n  Save  
URL:https://artinamericaguide.com/event/charles-ray-two-ghosts-2/
LOCATION:Matthew Marks Gallery LA\, 1062 North Orange Grove/7818 Santa Monica Boulevard\, Los Angeles\, CA\, 90046\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/44382_050.jpg
ORGANIZER;CN="Matthew Marks Gallery LA":MAILTO:info@matthewmarks.com
GEO:34.0904185;-118.3604255
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Matthew Marks Gallery LA 1062 North Orange Grove/7818 Santa Monica Boulevard Los Angeles CA 90046 United States;X-APPLE-RADIUS=500;X-TITLE=1062 North Orange Grove/7818 Santa Monica Boulevard:geo:-118.3604255,34.0904185
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190417T170000
DTEND;TZID=America/Halifax:20190417T180000
DTSTAMP:20260406T093139
CREATED:20190402T142419Z
LAST-MODIFIED:20190402T142419Z
UID:50455-1555520400-1555524000@artinamericaguide.com
SUMMARY:Opening Night Lecture: Classical Influences in the Corporate Murals of Hildreth Meière
DESCRIPTION:Joseph A. LoSchiavo\, President and CEO of SDG Music Foundation\, will present a lecture titled\, “Classical Influences in the Corporate Murals of Hildreth Meière.” This lecture is on the evening of the opening of the exhibition Hildreth Meière: The Art of Commerce Wednesday\, April 17th at 5 p.m. in the Diffley Board Room in Bellarmine Hall. \n  Save  
URL:https://artinamericaguide.com/event/opening-night-lecture-classical-influences-in-the-corporate-murals-of-hildreth-meiere/
LOCATION:Bellarmine Hall\, 200 Barlow Road\, Fairfield\, CT\, 06824
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/GE4q30Cg.jpg
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bellarmine Hall 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190418T080000
DTEND;TZID=America/Halifax:20190615T233000
DTSTAMP:20260406T093139
CREATED:20190418T193545Z
LAST-MODIFIED:20190418T193545Z
UID:51681-1555574400-1560641400@artinamericaguide.com
SUMMARY:OPEN CALL: ART FROM THE BOROS VII
DESCRIPTION:ART FROM THE BOROS VII\nIt’s that time of the year again- Denise Bibro Fine Art announces Art From The Boros VII. \nFrom numerous submissions and studio visits\, diverse artists were selected to participate in this annual group show highlighting talent found within New York City’s five boroughs for the past 6 years. \nArt From the Boros VII exemplifies the eclectic artistic community of New York City\, showing a varied range of genres of art and mediums. The mission of the exhibition is to seek and find the pulse of talent in the city that is often overlooked and underexposed. The primary purpose of the exhibition is to bring untapped and underexposed talent in all of the 5 boroughs of New York to the public’s attention. After visiting all the finalists’ studios\, a selection of the most talented of the group will be featured in a group exhibition at Denise Bibro Fine Art. Two artists will be chosen to have a special exhibition of their work. \nAPPLICATION DEADLINE: Saturday\, June 15\, 2019\nAccepting all mediums  \nENTRY REQUIREMENTS\n1. No primary gallery representation\n2. Live and work in any of the 5 boroughs\n3. $45 entry fee \nENTRY INSTRUCTIONS \n– Please pay via paypal info@denisebibrofineart.com. Include your first and last name\n– Or make a check payable to Denise Bibro Fine Art and send to 529 West 20 Street\, 4W\, New York\, NY 10011\n– Please email information to info@denisebibrofineart.com \nSubject line: ART FROM THE BOROS VII\, FIRST NAME\, LAST NAME\n* Fill out application form (LINK BELOW)\n* A maximum of 10 hi-res images including: title\, date\, size\, medium\, and price\n* State whether you paid via paypal or sending a check\n* CV (if applicable) \n-Entry deadline is Saturday\, June 15\, 2019. \nSELECTION PROCESS:\nJurying will be on going through the submission period. From the applications a selected group will be chosen and studio visits will take place throughout the entry process. From the studio visits\, a second and final group will be chosen to exhibit. \nSUBMISSION CALENDAR:\nJune 15th\, 2019: Final Receipt of Entries. No late entries will be accepted. \n  Save  
URL:https://artinamericaguide.com/event/open-call-art-from-the-boros-vii/
LOCATION:Denise Bibro Fine Art\, 529 West 20th Street\, 4th Floor\, New York\, 10011\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/Art-from-the-boros-front-2.jpg
ORGANIZER;CN="Denise Bibro Fine Art":MAILTO:info@denisebibrofineart.com
GEO:40.7465935;-74.0067876
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Denise Bibro Fine Art 529 West 20th Street 4th Floor New York 10011 United States;X-APPLE-RADIUS=500;X-TITLE=529 West 20th Street\, 4th Floor:geo:-74.0067876,40.7465935
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190420T130000
DTEND;TZID=America/Halifax:20190420T140000
DTSTAMP:20260406T093139
CREATED:20190404T124439Z
LAST-MODIFIED:20190404T124439Z
UID:50724-1555765200-1555768800@artinamericaguide.com
SUMMARY:Follies Lecture: "Learning to See and Explore at Stowe"
DESCRIPTION:April 20\, 1:00–2:00pm \nMatt Rader\, executive director of the Pennsylvania Horticultural Society\, will discuss his experiences learning to see the landscape as a young man at Stowe\, the Capability Brown-designed landscape garden in Buckinghamshire\, England. $10 per Member. $20 per nonmember. Free for Winterthur Garden and Landscape Society and Garden Associate Members.  Purchase tickets online or call 800.448.3883. \nPhoto: Courtesy of Winterthur \n  Save  
URL:https://artinamericaguide.com/event/follies-lecture-learning-to-see-and-explore-at-stowe/
LOCATION:Winterthur Museum\, Garden & Library\, 5105 Kennett Pike\, Wilmington\, DE\, 19807\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/Follies_lecture_Apr_20.jpg
ORGANIZER;CN="Winterthur Museum%2C Garden &amp%3B Library":MAILTO:pressroom@winterthur.org
GEO:39.8087941;-75.6037258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Winterthur Museum Garden & Library 5105 Kennett Pike Wilmington DE 19807 United States;X-APPLE-RADIUS=500;X-TITLE=5105 Kennett Pike:geo:-75.6037258,39.8087941
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190425T180000
DTEND;TZID=America/Halifax:20190425T200000
DTSTAMP:20260406T093139
CREATED:20190424T204355Z
LAST-MODIFIED:20190424T204355Z
UID:52091-1556215200-1556222400@artinamericaguide.com
SUMMARY:Opening Reception for Heidi Bucher: The Site of Memory
DESCRIPTION:Lehmann Maupin is pleased to announce Heidi Bucher: The Site of Memory. Organized with the artist’s estate\, the exhibition marks Bucher’s first solo presentation since her landmark survey last year at Parasol unit foundation for contemporary art\, London\, and her first with the gallery. This exhibition features work from the mid-1970s through the 1980s and will include some of her most significant sculptures\, including Borg (1976)\, a sculpture modeled on the entire cellar of Bucher’s studio\, and the first work to use her signature latex casting method\, as well as works that will be exhibited for the first time in the United States\, such as Untitled (Door to the Herrenzimmer) (1978) and Elfenbornhaut (1982). The gallery will host an opening reception on Thursday\, April 25\, from 6 to 8 PM\, followed by a public talk on Friday\, April 26\, from 6 to 8 PM with Ziba Ardalan\, Founder and Director\, Parasol unit; Simon Castets\, Director\, Swiss Institute; and Ruth Erickson\, Mannion Family Curator\, ICA Boston\, moderated by Lehmann Maupin Curatorial Director\, Anna Stothart at 501 West 24th Street. \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-for-heidi-bucher-the-site-of-memory/
LOCATION:Lehmann Maupin\, 24th St\, 501 W 24th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/6e02d1d6c83cc7c3ebed1e68016744b7.jpeg
ORGANIZER;CN="Lehmann Maupin":MAILTO:newyork@lehmannmaupin.com
GEO:40.7485806;-74.0038204
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Lehmann Maupin 24th St 501 W 24th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=501 W 24th Street:geo:-74.0038204,40.7485806
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190425T180000
DTEND;TZID=America/Halifax:20190425T200000
DTSTAMP:20260406T093139
CREATED:20190416T202230Z
LAST-MODIFIED:20220804T190620Z
UID:51358-1556215200-1556222400@artinamericaguide.com
SUMMARY:Frank Stella: Recent Work
DESCRIPTION:Join us to celebrate the opening of Frank Stella: Recent Work at Marianne Boesky Gallery. The exhibition will feature new works by Stella including several large-scale sculptures. Our opening reception will be held on April 25 from 6 to 8 PM. Image: Frank Stella\, Atalanta and Hippomenes\, 2017\, © 2019 Frank Stella / Artists Rights Society (ARS)\, New York \n  Save  
URL:https://artinamericaguide.com/event/frank-stella-recent-work-2/
LOCATION:Marianne Boesky Gallery – 507 West 24th\, 507 West 24th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/FS.13442.jpg
ORGANIZER;CN="Marianne Boesky Gallery":MAILTO:info@boeskygallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190425T180000
DTEND;TZID=America/Halifax:20190425T200000
DTSTAMP:20260406T093139
CREATED:20190409T195402Z
LAST-MODIFIED:20190409T195402Z
UID:50905-1556215200-1556222400@artinamericaguide.com
SUMMARY:Opening reception: ‘Lorna Simpson. Darkening’
DESCRIPTION:Join us for the opening reception of works by Lorna Simpson in New York. Over the past 30 years\, Simpson has continued to probe questions about the nature of representation\, identity\, gender\, race\, and history\, while expanding her oeuvre to encompass various media including film and video\, painting\, drawing\, and\, most recently\, sculpture. Her powerful works entangle viewers in an equivocal web of meaning: what is unseen and left unsaid is equally important as that which the artist does disclose. In this exhibition of new paintings\, collages\, and sculptures\, Simpson continues to engage viewers with layers of paradox\, threading dichotomies of figuration and abstraction\, destruction and creation\, past and present. \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-lorna-simpson-darkening/
LOCATION:Hauser & Wirth\, 22nd St\, 548 West 22nd Street\, New York\, NY\, 10011\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/lowres-jpg-72dpi-Darkening_LSimpson_2018_Photocred_JamesWang_300dpi.jpg
ORGANIZER;CN="Hauser & Wirth%2C 22nd St":MAILTO:newyork@hauserwirth.com
GEO:40.747812;-74.007014
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Hauser & Wirth 22nd St 548 West 22nd Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=548 West 22nd Street:geo:-74.007014,40.747812
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190425T180000
DTEND;TZID=America/Halifax:20190425T200000
DTSTAMP:20260406T093139
CREATED:20190402T144329Z
LAST-MODIFIED:20190402T144329Z
UID:50465-1556215200-1556222400@artinamericaguide.com
SUMMARY:Opening Reception for Josh Smith: Emo Jungle
DESCRIPTION:David Zwirner is pleased to present an exhibition by Josh Smith. The show marks the artist’s inaugural solo presentation with David Zwirner since joining the gallery in 2017. On view in the gallery’s West 19th Street spaces in New York\, the exhibition will debut a range of new paintings. \nImage: Josh Smith\, Turtle\, 2019 (detail) \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-for-josh-smith-emo-jungle/
LOCATION:David Zwirner\, 525 West 19th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2019/04/emo-jungle.png
ORGANIZER;CN="David Zwirner":MAILTO:newyork@davidzwirner.com
GEO:40.7458819;-74.007014
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=David Zwirner 525 West 19th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=525 West 19th Street:geo:-74.007014,40.7458819
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190425T183000
DTEND;TZID=America/Halifax:20190425T200000
DTSTAMP:20260406T093139
CREATED:20190418T154852Z
LAST-MODIFIED:20190418T154852Z
UID:51508-1556217000-1556222400@artinamericaguide.com
SUMMARY:Curator Talk with Jeff Fleming
DESCRIPTION:Join us for a talk on artist Neo Rauch with Jeff Fleming\, Director of the Des Moines Art Center\, Iowa\, and co-organizer of Neo Rauch: Aus dem Boden/ From the Floor. Learn more about the exhibition’s curatorial framework. \nJeff Fleming was appointed director of the Des Moines Art Center in the fall of 2005\, where he served as acting director\, deputy director\, senior curator\, and curator since 1999. Previously\, he held the position of chief curator of exhibitions at the Southeastern Center for Contemporary Art in Winston-Salem\, North Carolina. Fleming holds a bachelor of fine arts degree from East Carolina University in Greenville\, North Carolina\, and a master of fine arts degree from Pratt Institute in Brooklyn\, New York. His numerous exhibition projects have focused on presenting the first one-person museum shows in the United States for younger\, international artists. These artists include the American artists Tom Sachs\, John Currin\, Ellen Gallagher\, and Tom Friedman\, as well as the British artist Glenn Brown\, the German artists Christian Jankowski and Anselm Reyle\, and the Chinese artist Yan Pei Ming. Other group exhibition projects have included Magic Markers: Objects of Transformation; Aisle 5; and My Reality: Contemporary Art and the Culture of Japanese Animation. In 2009\, Fleming\, in collaboration with the City of Des Moines\, created the John and Mary Pappajohn Sculpture Park. Located in the heart of downtown\, the park includes 29 significant sculptures by 23 internationally-acclaimed artists\, such as Yayoi Kusama\, Louise Bourgeois\, Ai Wei Wei\, Olafur Eliasson\, Richard Serra\, Ellsworth Kelly\, Willem de Kooning\, Keith Haring\, Jaume Plensa\, and Yoshitomo Nara. Fleming’s initiatives as director of the Art Center has been to open its doors to diverse communities\, present thought-provoking contemporary art\, upgrade the physical facilities\, and place the institution on solid financial ground. Art and Living magazine recently named him one of eleven innovative directors of American museums. \n  Save  
URL:https://artinamericaguide.com/event/curator-talk-with-jeff-fleming/
LOCATION:The Drawing Center\, 35 Wooster\, New York\, NY\, 10013\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/event_Jeff.jpg
ORGANIZER;CN="The Drawing Center":MAILTO:info@drawingcenter.org
GEO:40.7224391;-74.0028823
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Drawing Center 35 Wooster New York NY 10013 United States;X-APPLE-RADIUS=500;X-TITLE=35 Wooster:geo:-74.0028823,40.7224391
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190426T180000
DTEND;TZID=America/Halifax:20190426T200000
DTSTAMP:20260406T093139
CREATED:20190424T204525Z
LAST-MODIFIED:20190424T204525Z
UID:52092-1556301600-1556308800@artinamericaguide.com
SUMMARY:Public Talk for Heidi Bucher: The Site of Memory
DESCRIPTION:Lehmann Maupin is pleased to announce Heidi Bucher: The Site of Memory. Organized with the artist’s estate\, the exhibition marks Bucher’s first solo presentation since her landmark survey last year at Parasol unit foundation for contemporary art\, London\, and her first with the gallery. This exhibition features work from the mid-1970s through the 1980s and will include some of her most significant sculptures\, including Borg (1976)\, a sculpture modeled on the entire cellar of Bucher’s studio\, and the first work to use her signature latex casting method\, as well as works that will be exhibited for the first time in the United States\, such as Untitled (Door to the Herrenzimmer) (1978) and Elfenbornhaut (1982). The gallery will host an opening reception on Thursday\, April 25\, from 6 to 8 PM\, followed by a public talk on Friday\, April 26\, from 6 to 8 PM with Ziba Ardalan\, Founder and Director\, Parasol unit; Simon Castets\, Director\, Swiss Institute; and Ruth Erickson\, Mannion Family Curator\, ICA Boston\, moderated by Lehmann Maupin Curatorial Director\, Anna Stothart at 501 West 24th Street. \n  Save  
URL:https://artinamericaguide.com/event/public-talk-for-heidi-bucher-the-site-of-memory/
LOCATION:Lehmann Maupin\, 24th St\, 501 W 24th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/6e02d1d6c83cc7c3ebed1e68016744b7.jpeg
ORGANIZER;CN="Lehmann Maupin":MAILTO:newyork@lehmannmaupin.com
GEO:40.7485806;-74.0038204
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Lehmann Maupin 24th St 501 W 24th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=501 W 24th Street:geo:-74.0038204,40.7485806
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190426T180000
DTEND;TZID=America/Halifax:20190426T210000
DTSTAMP:20260406T093139
CREATED:20190401T193948Z
LAST-MODIFIED:20190401T193948Z
UID:50441-1556301600-1556312400@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Opening Reception @ Art Works
DESCRIPTION:Exhibits April 26– May 18\, 2019\nThe city is in bloom in April. Celebrations include Earth Day and garden shows. Resident artist\, Carmen Bendersky provides a garden of florals in her solo show in the Centre Gallery. Sharon Denmark brings us nature in her solo exhibit. No garden is complete without a rabbit about. Janine Matthews exhibit in the main gallery has us Contemplating the Rabbit Hole. Things get animated in the Skylight gallery with VCU Animation Club presenting: Reflection. And as always local artists will amaze and awe you with the monthly April All Media Show. Join us at the opening reception\, April 26th\, 6 p.m. – 9 p.m. for refreshments and live music. The exhibits continue through May 18\, 2019. This event is free and open to the public.\nExhibits include:\n________________________________________\nContemplating the Rabbit Hole by Janine Matthews\nJanine Matthews a British artist\, graduate of VCU Painting and Printmaking\, will earn her MFA in May\,2019 from Savannah College of Art and Design. Her exhibit at Art Works explores personal insecurities by unravelling unique fantasies\, dreams\, obsessions and life events through nonsensical visual narratives. The exhibit will be in the Jane Sandelin Gallery through May 12\, 2019. \n________________________________________\nVibrant Floral International by Carmen Bendersky\nCarmen Bendersky explores flowers that grow here in Virginia and abroad. Her exhibit of florals\, oil on canvas will be in the Centre Gallery. \n________________________________________\nThe Connected Landscape: Paintings by Sharon Denmark\nSharon Denmark’s work reflects her love of the natural world. She favors rich\, luxurious colors. Working with acrylic paint allows her to be a little impatient in the process. Even so her artwork takes a significant amount of time to complete. The exhibit will be in the Corner Gallery. \n________________________________________\nReflection by VCU Animation Club\nThe VCU Animation Club is bringing a real treat to Art Works. The club’s mission is to spread the joy of animating to all skill levels. The club allows members to build portfolios and have fun with fellow animators and artists. The exhibit will be in the Skylight Gallery \n________________________________________\nAPRIL 2019 ALL MEDIA ART SHOW\nThis exhibit is a focal point of all Art Works’ openings. It is a juried show with cash prizes and is open to all artists and all mediums. The juror is Matt Lively. \n  \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-opening-reception-art-works/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/2019-04-Janine-Matthews-ContemplatingTheRabbitHole.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190427T120000
DTEND;TZID=America/Halifax:20190427T170000
DTSTAMP:20260406T093139
CREATED:20190417T191639Z
LAST-MODIFIED:20190417T191639Z
UID:51417-1556366400-1556384400@artinamericaguide.com
SUMMARY:ISDay Studio Visit – Martha Dunham
DESCRIPTION:Martha Dunham is pleased to open her woodland studio to the public on Saturday April 27\, 2019. On view and available will be a collection of sculptures\, paintings\, photography and works on paper spanning her career\, as well as new work completed in the last three months. \n  Save  
URL:https://artinamericaguide.com/event/isday-studio-visit-martha-dunham/
LOCATION:WA\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/Rounding-all-the-Corners-small.jpeg
ORGANIZER;CN="Dendroica Gallery":MAILTO:info@dendroica.gallery
GEO:47.7510741;-120.7401385
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190430T180000
DTEND;TZID=America/Halifax:20190430T193000
DTSTAMP:20260406T093139
CREATED:20190410T164724Z
LAST-MODIFIED:20190410T164724Z
UID:50962-1556647200-1556652600@artinamericaguide.com
SUMMARY:Evening Lecture: "Elizabeth the Queen: The Woman\, the Family\, the Life"
DESCRIPTION:April 30\, 6:00 pm  \nIn Copeland Lecture Hall \nBiographer Sally Bedell Smith parts the curtain and describes what Queen Elizabeth II is really like as a human being-a wife\, a mother\, a friend-along with the secrets to her effectiveness as a highly respected leader. Ms. Smith will share what she discovered about the Queen’s life and reign that people either don’t know about or fully appreciate. $10 per Member. $15 per nonmember. Purchase tickets online or call 800.448.3883. *Costuming THE CROWN exhibition open until 6:00 pm. \n Photo Credit: Detail of cover from Sally Bedell Smith\, Elizabeth the Queen: The Life of a Modern Monarch (New York: Random House\, 2012). \n  Save  
URL:https://artinamericaguide.com/event/evening-lecture-elizabeth-the-queen-the-woman-the-family-the-life/
LOCATION:Winterthur Museum\, Garden & Library\, 5105 Kennett Pike\, Wilmington\, DE\, 19807\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/SMALL_ELIZABETH-THE-QUEEN_jacket-art.jpg
ORGANIZER;CN="Winterthur Museum%2C Garden &amp%3B Library":MAILTO:pressroom@winterthur.org
GEO:39.8087941;-75.6037258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Winterthur Museum Garden & Library 5105 Kennett Pike Wilmington DE 19807 United States;X-APPLE-RADIUS=500;X-TITLE=5105 Kennett Pike:geo:-75.6037258,39.8087941
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190502T180000
DTEND;TZID=America/Halifax:20190502T200000
DTSTAMP:20260406T093139
CREATED:20190425T174944Z
LAST-MODIFIED:20190425T174944Z
UID:52156-1556820000-1556827200@artinamericaguide.com
SUMMARY:Paul Villinski: Now
DESCRIPTION:Morgan Lehman Gallery is very pleased to present Paul Villinski: Now\, a dramatic survey of works by this long-time New York City artist\, in conjunction with the launch of a new monograph which chronicles three decades of the artist’s work. The immersive\, 270-page monograph published by Vivant Books features insightful essays by eleven noted critics\, curators\, and authors\, and will be available for purchase at the opening and closing events. \n  Save  
URL:https://artinamericaguide.com/event/paul-villinski-now/
LOCATION:High Line Nine\, 507 West 27th Street \, Gallery #9\, New York\, NY\, 10001\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/lepidopterist.1-LR.jpg
ORGANIZER;CN="Morgan Lehman Gallery":MAILTO:art@morganlehmangallery.com
GEO:40.750639;-74.003003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=High Line Nine 507 West 27th Street  Gallery #9 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=507 West 27th Street \, Gallery #9:geo:-74.003003,40.750639
END:VEVENT
END:VCALENDAR