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DTSTART;TZID=America/Halifax:20220423T120000
DTEND;TZID=America/Halifax:20220828T120000
DTSTAMP:20260415T135723
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SUMMARY:Miriam Beerman: REDISCOVER – A Retrospective Remembering Miriam Beerman (1923-2022)
DESCRIPTION:Miriam Beerman – Rediscover Opens at James Yarosh Associates Gallery \nBeerman\, one of the first women to have a solo show at the Brooklyn Museum\, and who has had exhibitions worldwide\, is the 2022 artist in spotlight at James Yarosh Associates Fine Art Gallery \nHOLMDEL\, NJ—When acclaimed painter Miriam Beerman passed away in February 2022 at the age of 98\, she left a six-decade legacy of humanist expressionist works that are included in the permanent collections of over 60 museums\, including the Metropolitan Museum of Art\, Whitney\, LACMA\, Phillips Collection\, National Gallery of Art and Victoria & Albert Museum.  \nA contemporary maker of painterly power objects\, imbuing the paint with profound psychology as well as colorful beauty\, Beerman was a female pioneer in the male-dominated artworld of the 20th century.  \nFueled by curatorial activism in the recent years\, James Yarosh Associates has been hosting shows that re-examine artists who have made a substantial mark during their career in a climate where female artists of the era have been on the verge of being lost to history. On April 23 and 24\, the gallery launches Miriam Beerman – Rediscover\, a retrospective of this prolific artist that includes many of her larger works created in the 1990s. The show is open from noon to 4.  \nWhile male peers dominated the world of 20th-century art\, Beerman’s unique artistic voice catapulted her work to critical recognition in museums and solo shows in her own right. In 1971\, she made history when her exhibition Enduring Beast became one of the first one-woman shows mounted by the Brooklyn Museum. \nShe has won awards from the Joan Mitchell Foundation\, Pollock-Krasner Foundation and the Rhode Island School of Design.  \nBeerman is the subject of the 53-minute artist documentary “Miriam Beerman: Expressing the Chaos\,” which is currently streaming on Amazon Prime and YouTube and gives an unflinching look at an artist’s lifelong dedication to her craft. \n “Miriam Beerman is a survivor. In her more than 60 years as a groundbreaking artist\, she has overcome personal tragedy to inspire friends\, family\, peers\, patrons and students about how to remain defiant\, creative and strong\,” said Jonathan Gruber\, the film’s director. “Miriam has struggled with her artistic demons to create haunting images that evoke the suffering of generations of victims.” \nBeerman’s work has been compared to that of Goya. It protests injustice and champions the stories of victims—whether they are from Hiroshima\, Vietnam or the Holocaust. However\, it juxtaposes the anguish of her subjects with vibrant\, often ravishing\, use of color. Her painterly approach\, using layers over layers of color—akin to Jackson Pollock’s action paintings—allows a storyline to unfold on the canvas\, one that sometimes blends injustice with a nod to humor in the human condition.  \n“I first saw Miriam Beerman’s art in 1991 at an exhibition at the State Museum in Trenton\, and it resonated with me as important\,” said Yarosh\, who has been representing her work since 2020. “As a younger artist\, I was inspired by how she could paint all those intangible feelings and emotions that haunt artists and sensitive minds. Thirty years later\, having rediscovered Miriam’s body of work as a gallery owner and to see the works that came after\, I am moved by the gravity and resonance of her art as a medium that can convey such human emotion—from humor to heartbreak—and ultimately still provide optimism. \n“Miriam’s colors are pure joy\, and her primal markings created larger-than-life paintings that sit next to you and resonate unlike other painters\,” Yarosh continued. “Her art may demand to be the focus in a room\, but the more time you devote to studying them\, you are rewarded by what they reveal and the empowering energy they radiate. Miriam’s subjects are intellectual—that of an activist as well as an environmentalist as evidenced by her series of animal paintings—and yet her power was in her ability to be fearless on canvas\, to somehow always spark magic.” \nCRITICAL ACCLAIM FOR MIRIAM BEERMAN: \nMiss Beerman would pass for a Neo-Expressionist were it not for her obvious sincerity and her skill … Yet it is her sincerity that often arouses ironic feelings in the viewer\, and the reason is partly that the artist plays it at full volume and partly that the horrors of daily life\, augmented by the mass media\, are draining away the reserves of compassion\, just as fluorocarbons are said to be destroying the ozone layer. — Vivien Rayner\, The New York Times: “ART; Imaginary Monsters That Dare a Visitor to See the Show.” \nMiriam Beerman’s work is part of the trajectory of humanist expressionism\, where painterly and gestural means are at the service of witness: man’s inhumanity to man\, as well as survival and redemption. —Alejandro Anreus\, Professor of Art History\, William Paterson University.  \nABOUT MIRIAM BEERMAN: \nMiriam Beerman studied painting at the Rhode Island School for Design\, where she earned a BFA. Afterward\, she spent two years in France as a Fulbright Scholar\, working in Atelier 17 and having her painting critiqued by Marcel Brion. In New York\, she studied with Yasuo Kuniyoshi at the Art Students League and Adja Yunkers at the New School for Social Research. She has had over 30 solo shows\, including at the Brooklyn Museum\, the New Jersey State Museum and the Everson Museum. \nBeerman’s work can be seen in many major collections\, including Metropolitan Museum\, Whitney Museum\, LACMA\, National Gallery of Art\, Phillips Collection\, National Museum of Women in the Arts\, Victoria and Albert Museum\, and the Fitzwilliam Museum in England\,  the MEAM in Spain\, the Israel Museum and soon the National Portrait Gallery in Washington\, D.C.  \n  \nABOUT JAMES YAROSH: \n\n\nEstablished in 1996\, the James Yarosh Associates Gallery in Holmdel\, New Jersey\, was founded upon and remains loyal to its vision: to represent fine art for art’s sake and to curate gallery collections and thoughtfully present art and interior design specification with an artist’s eye and understanding. Yarosh\, an artist and well- published interior designer\, offers a full-scale gallery and design center where clients can associate with other like-minded individuals located just one hour outside Manhattan. \nAs a designer\, Yarosh travels the world\, studying how the greatest museums display their art and visiting artists’ homes to understand how the artists themselves live with their art. This study on both a grand and small scale\, helps inform Yarosh’s work with his clients. His unique approach—coupled with his work in show houses and experience in large-scale residential design projects of over 20\,000 square feet—has led to his designs being featured in regional and international magazines. \nAs a gallerist\, Yarosh advocates  for what greatness looks like in the arts\, showcasing at his destination gallery the works of both new and established museum-recognized artists of merit in a space designed to replicate the intimacy of an artist’s home. Current exhibitions such as Miriam Beerman – Rediscover (2022)\, The Humanist Show (2021) Sheba Sharrow: History Repeats (2020) and the NYC art fair Art on Paper (2021) help foster the idea of art as intellectual engagements that sit above decoration in design hierarchy\, adding exponentially to the experience of living with art. \n\n\n  Save  
URL:https://artinamericaguide.com/event/miriam-beerman-rediscover-a-retrospective-remembering-miriam-beerman-1923-2022/2022-04-23/
LOCATION:James Yarosh Associates Fine Art Gallery\, 45 E Main St.\, 2nd Floor Loft\, Holmdel\, NJ\, NJ\, 07733\, United States
CATEGORIES:Event,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220522T080000
DTEND;TZID=America/Halifax:20221002T160000
DTSTAMP:20260415T135723
CREATED:20220404T171829Z
LAST-MODIFIED:20220404T171829Z
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SUMMARY:Alexander Stewart: Void Vision
DESCRIPTION:Alexander Stewart’s Void Vision is an abstract science-fiction short film in which the line between the real and the simulated are blurred and distorted; a space where doubles\, twins\, duplicates\, re-creations\, and copies merge. \nCombining a science-fiction sensibility with the aesthetic of early CGI animation experiments\, Stewart presents rotating arrangements of lasers and duplicated women that fade in and out\, appearing as both photographed scenes and computer-modeled recreations. The audio track\, incorporating text from Philip K. Dick’s 1981 novel Valis\, features an improvised electronic score and a voice articulating theories about the mind and the universe. \nAlexander Stewart: Void Vision is part of the Arts Center’s Ways of Being theme. The featured visual and performing artists recontextualize our past\, reorient our present\, and project new\, viable futures. Collectively they ask\, what if? \nhttps://www.jmkac.org/exhibition/alexander-stewart-void-vision/ \nImage: Alexander Stewart\, still from Void Vision\, 2018; 16mm as digital file; 7:45. Photo courtesy of the artist. \nTuesday\, Wednesday\, Friday 10 a.m. to 5 p.m.\nThursday 10 a.m. to 8 p.m. extended hours\nSaturday and Sunday 10 a.m. to 4 p.m. \n  Save  
URL:https://artinamericaguide.com/event/alexander-stewart-void-vision/
LOCATION:John Michael Kohler Arts Center\, 608 New York Avenue\, Sheboygan\, WI\, 53081\, United States
CATEGORIES:Event
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ORGANIZER;CN="John Michael Kohler Arts Center":MAILTO:generalinfo@jmkac.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220715T140000
DTEND;TZID=America/Halifax:20220828T170000
DTSTAMP:20260415T135723
CREATED:20220506T142620Z
LAST-MODIFIED:20220630T223353Z
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SUMMARY:Melinda Stickney-Gibson & Gary Gissler
DESCRIPTION:ONIRICA: MELINDA STICKNEY-GIBSON & GARY GISSLER · \nJuly 15 – August 28\, 2022 \nCastello 925 \nFondamenta San’Isepo 780 \nSestiere Castello\, Venice IT \nOPENING RECEPTION: Friday\, 15 July\, 19:00 – 21:00 | 7-9pm. \nVenice\, Italy: Castello 925 presents Onirica\, a two-person exhibition of paintings and drawings by Melinda Stickney-Gibson and small works by Gary Gissler opening 15 July and running through 28 Aug\, 2022. \nOnirica\, an adjective that translates as “dream-like” in English\, is the uniting concept of the work of these two New York-based artists.  Melinda Stickney-Gibson artworks are sensitive meditations on the texture of memory as her lines and forms alternate between awareness and an oneiric state through flickering shadows of consciousness. As a visual poet\, Ms. Stickney-Gibson incorporates written words as suggestive notations\, while her lines and forms echo the trembling edges of nature. Gary Gissler’s microscopic/obsessive drawings on prepared panelsweave words in a meditative repetitive cycle that creates an undulating\, fragile pattern from seemingly asemic writing. This preoccupation with words as symbols representing meaning as well as the actual words created by the literal marks and forms themselves lends a delicate balance between representation and abstraction.  Like dreams\, both artists convey the poetry of symbol and substance; the dream\, seemingly irrational and random\, nevertheless relays a tale of universal mythic power of which these artists serve as oracles. \n About Melinda Stickney-Gibson \nMelinda Stickney-Gibson has been living and working in New York for over 30 years. She has had over 25 one-person exhibitions\, and has participated in numerous group shows throughout the country. Her work has been reviewed in ARTnews\, ARTS Magazine\, REVIEW Magazine\, Neoteric Art\, ARTNET\, and others. Ms. Stickney-Gibson’s work can be found in many public collections including the Neuberger Museum of Art\, The Dorsky Museum\, San Francisco Opera Plaza\, Tribeca Bridge Tower\, Triptych Films\, Los Angeles and other corporate and private collections. Melinda Stickney-Gibson has been a recipient of two Pollack Krasner Grants. \n About Gary Gissler \nGary Gissler is an American artist working in New York City and in the Catskills. Having exhibited widely\, Gissler has been the subject of many solo exhibitions and artists’ essays. He has been reviewed in Art in America\, Flash Art\, Art News\, The New Yorker\, ArtNet\, and others. Gary Gissler has a long history of being collected privately\, and his work is currently included at the RISD Museum and the Neuberger Museum. Gary Gissler has been awarded a Pollock Krasner Grant and a Chinati Foundation Artist Residency. \nO N I R I C A opens with a reception for the artists Friday\, July 15\, 2022 from 7pm – 9pm\, 19:00 – 21:00 (GMT + 1). More info: https://bit.ly/ONIRICA925 \n  Save  
URL:https://artinamericaguide.com/event/melinda-stickney-gibson/2022-07-15/
LOCATION:Castello 780\, Fondamenta San Giuseppe\, Sestiere Castello 780\, Venice\, Veneto\, 30122\, Italy
CATEGORIES:Event,Exhibition
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ORGANIZER;CN="Cross Contemporary Art Projects":MAILTO:crosscontemporaryprojects@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220813T120000
DTEND;TZID=America/New_York:20220813T133000
DTSTAMP:20260415T135723
CREATED:20220628T183734Z
LAST-MODIFIED:20220628T183734Z
UID:94200-1660392000-1660397400@artinamericaguide.com
SUMMARY:Creativity Exploration: Up-Cycled Beads
DESCRIPTION:Learn to make paper beads inspired by the wearable work of Ugandan artist\, Sanaa Gateja and the draped sculptures of El Anatsui. \nCreativity Exploration adult workshops promote the benefits of creative exploration and the mind-to-body experience. Studies have shown that 45 minutes of creative activity a day reduces stress and offers mental clarity and relaxation. In addition to producing a sense of well-being\, sessions expand participants’ perceptions of forms\, while increasing brain connectivity through visual and cognitive stimulation. The workshop is led by educator Lark Keeler\, a specialist in mindfulness education. \n  \nCreativity Exploration is sponsored by the Charles P. Ferro Foundation \n  Save  
URL:https://artinamericaguide.com/event/creativity-exploration-up-cycled-beads/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Event
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ORGANIZER;CN="nsu art museum":MAILTO:reservations@moafl.org
GEO:26.1194368;-80.1427657
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220818T180000
DTEND;TZID=America/Halifax:20220818T190000
DTSTAMP:20260415T135723
CREATED:20220816T155745Z
LAST-MODIFIED:20220816T155745Z
UID:96214-1660845600-1660849200@artinamericaguide.com
SUMMARY:Artist Talk with Nancy Floyd
DESCRIPTION:Nancy Floyd is a photographic artist and Professor Emerita at Georgia State University. Her project\, Weathering Time\, consists of nearly four decades of anti-perfectionist self-portraits and is included in the Academy Art Museum’s current exhibition\, Fickle Mirror: Dialogues in Self-Portraiture. \n“…the photographs show\, in fractions of a second\, my body standing in an environment (mainly\, I’m by myself but sometimes I’m with family and friends) in a straightforward manner for the camera. As time passes\, births\, deaths\, celebrations\, and bad days come and go; all the while\, the American experience evolves.” \nFloyd will discuss this long-term project and its greater context\, which encompasses the human experience\, family ties\, American life\, and the persistence of time and change. \n  Save  
URL:https://artinamericaguide.com/event/artist-talk-with-nancy-floyd/
LOCATION:Academy Art Museum\, 106 South Street\, Easton\, MD\, 21601\, United States
CATEGORIES:Event
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ORGANIZER;CN="Academy Art Museum":MAILTO:academy@academyartmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220826T170000
DTEND;TZID=America/Chicago:20220826T190000
DTSTAMP:20260415T135723
CREATED:20220728T190959Z
LAST-MODIFIED:20220728T190959Z
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SUMMARY:Julia C. Martin\, Roots
DESCRIPTION:STRATA GALLERY \nJulia C. Martin\, Roots\nAugust 23 – September 3rd\nReception: Friday\, August 26th\, 5-7PM \nStrata Gallery presents an Emerging Member solo exhibition\, Roots by Arizona based artist Julia C. Martin. The exhibition opens August 23rd\, with a special reception on August 26th from 5-7pm. \nJulia C. Martin’s work deals primarily with the topics of mortality\, ephemerality\, and time. She photographs in the land to explore these concepts. Roots will explore the body’s relationship to the earth and their tactile and intimate connection. \nMartin stated\, “I’m excited to be an Emerging Artist Member at Strata Gallery and to be a part of the Santa Fe art community. Having previously lived here\, I’ve always admired it. My work is about the relationship between the female body and the land. I’m interested in exploring how we perceive this connection and how the ephemeral nature of both the body and the land plays into the cycles of life\, death\, and rebirth. I work in a tactile manner and this exhibition will be just as much about the installation as it is about the images.” \nJulia C. Martin received her MFA in Photography from Arizona State University and her BA in Film & Photography from Montana State University. Her work has been exhibited and published nationally. She is currently based in Phoenix\, Arizona. This is her first solo show in New Mexico. \nStrata Gallery is open from 10 a.m. to 5 p.m. Tuesday – Saturday. For more information about Strata Gallery\, the current exhibit\, and the future schedule of events\, please visit the Strata Gallery website and Instagram. \n  Save  
URL:https://artinamericaguide.com/event/julia-c-martin-roots/
LOCATION:Strata Gallery\, 418 Cerrillos Road\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Event,Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220826T170000
DTEND;TZID=America/Halifax:20220826T190000
DTSTAMP:20260415T135723
CREATED:20220815T162046Z
LAST-MODIFIED:20220815T162846Z
UID:95975-1661533200-1661540400@artinamericaguide.com
SUMMARY:Amanda Means at Jetsam Studio
DESCRIPTION:Opening reception and meet the artist:\nFriday\, August 26\, 5–7pm\nExhibition continues through September 30\, 2022 \nJHB Gallery is delighted to present its second exhibition of work by artist Amanda Means at Jetsam Studio\, Southampton\, Long Island. Following the artist’s 2021 presentation at the same venue\, this year’s exhibition will focus on examples of Means’ iconic Light Bulb works—including new digital lightbulbs—alongside Abstractions produced using the artist’s characteristic innovative darkroom processes. \nFor over forty years\, Amanda Means has created a body of work that has pushed the boundaries of the photographic medium with her celebrated Leaf\, Flower\, Water Glass\, Light Bulb\, and Abstraction series. Means has been a darkroom innovator throughout her career: adapting a 19th century camera for use as an enlarger\, photographing objects without the use of negatives\, working with a large-format Polaroid camera\, and creating a series of remarkable abstracts working only with light and photographic materials. The artist’s darkroom alchemy was cited by the Guggenheim Foundation in awarding Means their prestigious Fellowship in 2017 for her contribution to contemporary photography. \nOur exhibition will include examples from all phases of the artist’s career. Alongside key works from Means’ ongoing series in which the materials and chemistry of the darkroom are masterfully manipulated to create sumptuous Abstractions\, we will also be debuting new works from the artist’s Light Bulb series in archival pigment prints. \nAmanda Means has exhibited widely in the U.S. and abroad\, and in 2021\, was honored with a career retrospective at University Art Gallery\, University of Massachusetts\, Dartmouth. The artist’s work is included in many public collections including the Whitney Museum of American Art\, New York; San Francisco Museum of Modern Art; Los Angeles County Museum of Art; Museum of Fine Arts\, Boston; Philadelphia Museum of Art; The Nicola Erni Collection\, Switzerland; and National Museum of Photography\, Film and Television\, Bradford\, England. \n  Save  
URL:https://artinamericaguide.com/event/amanda-means-at-jetsam-studio-event/
LOCATION:Jetsam Studio\, 58 Jobs Lane\, SOUTHAMPTON\, NY\, 11968\, United States
CATEGORIES:Event,Exhibition
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ORGANIZER;CN="JHB Gallery":MAILTO:info@jhbgallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220826T180000
DTEND;TZID=America/Halifax:20220826T200000
DTSTAMP:20260415T135723
CREATED:20220728T190959Z
LAST-MODIFIED:20220728T190959Z
UID:95293-1661536800-1661544000@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Opening Reception @ Art Works!
DESCRIPTION:To wind up the summer\, in August we pick a non-profit to support and have an artful fund raiser along with our exhibits. In considering our town and the beautiful river that runs through Richmond\, we think Friends of the James River Park is the perfect pick. Anything we do to keep the city clean directly affects the health of the James. Friends of the James River Park are citizen stewards of the park and provide ongoing support for conservation\, enhancement\, and recreational enjoyment of the park\, while protecting its natural and historic environments. Now that’s a mission! \n  \nAt our opening reception you will see renderings of the James River that depict the essence of Richmond’s greatest natural resource—in photographs\, paintings\, and sculpture all by Virginia artists. In addition\, the All Media Show will include a variety of subject matter and mediums. Three solo shows open artists: Keenan Cross\, Cathy Cazares\, and Elizabeth Caffery.   \n  \nPlease join us on August 26th\, 6 p.m. – 8 p.m. for the opening reception. Make donations to the Friends of the James River Park through online links\, buy a ticket for the auction of a Bill Draper photograph of the James River\, bid on the silent auction items and for any purchase in the main gallery\, a portion will be donated to this cause. The exhibits continue through September 17\, 2022. Parking is free.  This event is free and open to the public. \n  \nAll Media Exhibit and James River Renderings 2022 \n  \nThe James River is Richmond’s defining natural resource. All during the year the Friends of the James River Park and James River Advisory Council (JRAC) work to conserve\, preserve\, and promote the river with clean-ups\, holiday boating parades and stewardship awareness. Art Works is only two blocks from the James. We have asked artists to capture images of the river for this exhibit. \n  \nThis month\, artists can submit work of any subject matter and medium. In addition to the usual prizes\, we will have a special award and prize for the best James River rendering. This exhibit is open to all artists and all mediums. Call for entries is July 22\, 2022 – August 16\, 2022. Submit your entries through our online form. Check our website for details on submitting your artwork:  artworksrva.com   \n  \nThe juror is John Lee from William and Mary. The exhibit will be in the Jane Sandelin Gallery. \n  \n  \n  \n  \n  \n  \n  \nKeenan Cross Recent Work \nAn accomplished artist\, illustrator and videographer Keenan Cross has pushed the boundaries of the style of his work to include different substrates\, digital art\, and even some animation. This exhibit emphasizes this evolution of style. \n  \nThe exhibit is in the Centre Gallery. \n  \n  \n  \n  \n  \nLife in Grunge by Cathy Cazares \n  \n  \n  \nCathy Cazares is a resident artist at Art Works. She combines photography\, sketches\, drawings\, paintings and found objects to create her mixed media artwork. She is fascinated with people and the urban environment. What may look like grunge to many\, she finds beauty therein. The exhibit will be in the Corner Gallery. \n  \n  \n  \n  \n  \n  \n  \n  \nUnconscious Voyages by Elizabeth Caffery \n  \nElizabeth Caffery’s work reveals a story book assembly of images and often depicts the intermingling of opposing emotions–wounds versus triumphs\, human tragedies versus successes. Sometimes a happy\, optimistic piece will emerge. The process is not deliberated but evolves on its own\, changing direction where needed. When two parallel planes of thought like light and dark reach an equilibrium\, an understanding\, Elizabeth express this realization in the artwork. Elizabeth’s personal growth is reflected in her art. Gratitude for Life\, both the good and bad that life offers are her incentives that keep her art moving forward. \nElizabeth received a Bachelor of Arts degree with an emphasis on Studio Art in 1986\, from Randolph Macon College. \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-opening-reception-art-works-26/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
CATEGORIES:Event,Exhibition
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ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220827T140000
DTEND;TZID=America/Halifax:20220827T150000
DTSTAMP:20260415T135723
CREATED:20220823T191502Z
LAST-MODIFIED:20220823T191502Z
UID:96985-1661608800-1661612400@artinamericaguide.com
SUMMARY:Artist talks: August/September exhibitions
DESCRIPTION:Learn about the August-September featured artists and their artwork at this informal artist talk.\nArtists include: Scott McCarney\, Margaret Buchanan\, and Carol Meese.\n\nScott McCarney presents photography and artists books in his exhibition\, Table to Wall. Artist books have been the main focus of McCarney’s art practice since 1980. He feels the book is the perfect form to combine his academic background in photography and design with his love for the “corporeality of craft and philosophic possibilities of sculpture.” He states\, “The interpretive space of the book and the interaction of a reader engage my interest in communication as process and form.”\n\nMcCarney’s decision to make artists books is for both practical and formal reasons: they are easy to transport\, access\, and share; their history is socially and culturally saturated; and everyone has some relationship with a book. According to McCarney\, “a book’s materiality and proximity to the reader offer a unique experience for expressing ideas quietly and with purpose.”\n\nMargaret Buchanan’s oil paintings will be displayed in her exhibition\, The Quiet. For Buchanan\, painting is “a place of agitation and excitement mixed with utter calm and joy.” Buchanan responds to composition\, light\, color\, space\, and texture\, and how those elements orchestrate our everyday moments. Her paintings suggest the presence of figures that do not appear in the composition\, referenced by a space where “someone is about to enter or has just left\, the liminal spaces between people\, the aftermath of human activity.” The Quiet articulates a dynamic space\, one that negotiates many states of being to create a sense of place.\n\nA book artist\, painter\, and designer\, Margaret Buchanan divides her working life between painting and her graphic design business\, Buchanan Design. She studied graphic design and painting at Virginia Commonwealth University\, in Richmond\, Virginia\, where she earned a BFA with honors.\n\nThe mystery of unspoken words\, unconscious thoughts\, and unheard prayers emerge in Carol Meese’s exhibition of paintings\, Prayer Books. Meese’s previous career in psychology provides her with an “understanding of what motivates others\,” how to relate on an emotional level\, and of the importance of the subconscious and unconscious helping (her) to communicate on a subliminal level. Saying things that have no words.”\n\nDuring our pandemic time was spent reading and thinking about solitude. Buried in these paintings are words from Theodore Rilke’s poem “Solitude.” and personal prayers. A pentimento effect is created with paint\, plaster\, ink and graphite. Thoughts about solitude are inscribed then obscured as if by smoke or fog or ignored thoughts or speech. The meaning is obscured\, left to the viewer to complete.\n\nArtist Talks: Saturday\, August 27\, 2pm\nExhibition Dates: August 26-September 17\, 2022 \n\n  Save  
URL:https://artinamericaguide.com/event/artist-talks-august-september-exhibitions/
LOCATION:Artspace\, 2833-A Hathaway Rd.\, Richmond\, VA\, 23225\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/08/Nocturne-w-Pink-Chair-AS-scaled.jpg
ORGANIZER;CN="Artspace":MAILTO:artspaceorg@gmail.com
GEO:37.5245353;-77.4369568
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Artspace 2833-A Hathaway Rd. Richmond VA 23225 United States;X-APPLE-RADIUS=500;X-TITLE=2833-A Hathaway Rd.:geo:-77.4369568,37.5245353
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220827T190000
DTEND;TZID=America/Halifax:20220827T210000
DTSTAMP:20260415T135723
CREATED:20220819T141250Z
LAST-MODIFIED:20220820T155325Z
UID:96866-1661626800-1661634000@artinamericaguide.com
SUMMARY:WE ARE NATURE: Patterns of Connection | Breakdown\, Breakthrough
DESCRIPTION:Gjert Rognli: What Nature Knows | Performance\, Film\, Photos\, and Installation\nFritjof Capra: The Emergence of Novelty \nGjert Rognli’s multimedia project What Nature Knows – Dan maid luondu diehtá reflects a visceral\, personal connection with Arctic Northern Norway – a region defined by light\, darkness\, and stark seasonal contrasts. Rognli\, who hails from the Indigenous Sámi people\, draws on his childhood experiences among shamans steeped in the ancient animist folk religion. Through film\, photography\, sculpture\, and performance\, the artist explores his passionate bond with the organic world. With this immersive experience\, Rognli invites us all on a mythological journey into deep forests and across misty waterways—where surreal phenomena guide the viewer through the unknown. \nWE ARE NATURE: Patterns of Connection is the 3rd iteration of our annual rooftop series combining Arts\, Environmental Activism\, and Community Building @ and around Kingsland Wildflowers @ Broadway Stages. Set in a surreally beautiful nature sanctuary sprouting on top of an ExxonMobil industrial plant on the bank of Superfund site Newton Creek\, the recurring WE ARE NATURE summer series offers a combination of multiple art forms – dance\, music\, performance\, visual art\, poetry\, prose and film – addressing humanity’s place on Earth in aims of engaging a diverse audience in environmental efforts through art.\n \n  Save  
URL:https://artinamericaguide.com/event/we-are-nature-patterns-of-connection-breakdown-breakthrough/
LOCATION:NOoSPHERE Arts\, 520 Kingsland Avenue\, Brooklyn\, NY\, 11222\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/08/WE-ARE-NATURE-Breakdown.-Breakthrough-Aug-27-2022-scaled.jpg
ORGANIZER;CN="NOoSPHERE Arts":MAILTO:daniela@no-in-nyc.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220827T190000
DTEND;TZID=America/Halifax:20220827T210000
DTSTAMP:20260415T135723
CREATED:20220823T191527Z
LAST-MODIFIED:20220823T191527Z
UID:96980-1661626800-1661634000@artinamericaguide.com
SUMMARY:WE ARE NATURE: Breakdown\, Breakthrough
DESCRIPTION:Gjert Rognli: What Nature Knows | Performance\, Film\, Photos\, and Installation\nFritjof Capra: The Emergence of Novelty\nGjert Rognli’s multimedia project What Nature Knows – Dan maid luondu diehtá reflects a visceral\, personal connection with Arctic Northern Norway – a region defined by light\, darkness\, and stark seasonal contrasts. Rognli\, who hails from the Indigenous Sámi people\, draws on his childhood experiences among shamans steeped in the ancient animist folk religion. Through film\, photography\, sculpture\, and performance\, the artist explores his passionate bond with the organic world. With this immersive experience\, Rognli invites us all on a mythological journey into deep forests and across misty waterways—where surreal phenomena guide the viewer through the unknown.\nGjert Rognli was selected by NOoSPHERE Arts’ international jury as our 2021 Residency Award winner after careful consideration of hundreds of applications originating from forty-seven countries. We are very pleased to finally welcome him onboard Mothership NYC after a long\, pandemic-induced delay. For more details about Rognli’s residency project\, his inspirations\, and how he came to be an artist\, we invite you to read this interview announcing last year’s NOoSPHERE Arts Residency Award.\nFritjof Capra: As an overarching theme for WE ARE NATURE 2022\, we have selected from our very own favorite Scholar-in-Residence’s book Patterns of Connection (2021) four essential characteristics embodied in all forms of life. According to the “systems view\,” which has recently been developed at the forefront of science\, life organizes itself in networks; and these living networks are inherently regenerative\, creative\, and intelligent.\nWE ARE NATURE: Patterns of Connection is the 3rd iteration of our annual rooftop series combining Arts\, Environmental Activism\, and Community Building @ and around Kingsland Wildflowers @ Broadway Stages. Set in a surreally beautiful nature sanctuary sprouting on top of an ExxonMobil industrial plant on the bank of Superfund site Newton Creek\, the recurring WE ARE NATURE summer series offers a combination of multiple art forms – dance\, music\, performance\, visual art\, poetry\, prose and film – addressing humanity’s place on Earth in aims of engaging a diverse audience in environmental efforts through art.\n“We often forget that we are nature. Nature is not something separate from us. So\, when we say that we have lost our connection to nature\, we’ve lost our connection to ourselves.” —Andy Goldsworthy\nWE ARE NATURE 2022 is sponsored\, in part\, by the National Endowment for the Arts and also the Greater New York Arts Development Fund of the NYC Department of Cultural Affairs\, administered by Brooklyn Arts Council (BAC). NOoSPHERE Arts’ programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.\n  Save  
URL:https://artinamericaguide.com/event/we-are-nature-breakdown-breakthrough/
LOCATION:520 Kingsland Avenue\, Greenpoint\, Brooklyn\, 520 Kingsland Avenue\, Greenpoint\, Brooklyn\, New York City\, NY\, 11222\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/08/Eventbrite.png
ORGANIZER;CN="NOoSPHERE Arts":MAILTO:daniela@no-in-nyc.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220908T163000
DTEND;TZID=America/Halifax:20220908T183000
DTSTAMP:20260415T135723
CREATED:20220817T144626Z
LAST-MODIFIED:20220817T144626Z
UID:96269-1662654600-1662661800@artinamericaguide.com
SUMMARY:Reception for the Fall Exhibitions
DESCRIPTION:Join us in celebrating the opening of New York\, New York: Photographs from the Collection and Off the Press. \n  \nLight refreshments will be available. \nAdmission is free. RSVP to 516.463.5672 \n  Save  
URL:https://artinamericaguide.com/event/reception-for-the-fall-exhibitions/
LOCATION:Emily Lowe Gallery at Hofstra University\, 112 Hofstra University\, Hempstead\, NY\, 11549\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/08/Fall-2022-Reception-Invite.jpg
ORGANIZER;CN="Hofstra University Museum of Art":MAILTO:museum@hofstra.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220908T170000
DTEND;TZID=America/Halifax:20220908T200000
DTSTAMP:20260415T135723
CREATED:20220906T174709Z
LAST-MODIFIED:20220906T174709Z
UID:98068-1662656400-1662667200@artinamericaguide.com
SUMMARY:Doug Anderson: New Work opening reception
DESCRIPTION:Opening reception of new work by Doug Anderson \n  Save  
URL:https://artinamericaguide.com/event/doug-anderson-new-work-opening-reception/
LOCATION:Blue Mountain Gallery\, 547 W 27th St\, Suite 200\, New York\, NY\, 10001\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Doug-Anderson-ancient-park-11x14-acrylic-1.jpg
ORGANIZER;CN="Blue Mountain Gallery":MAILTO:bluemountaingallery@verizon.net
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220908T170000
DTEND;TZID=America/Halifax:20220911T180000
DTSTAMP:20260415T135723
CREATED:20220826T172107Z
LAST-MODIFIED:20220906T142022Z
UID:97179-1662656400-1662919200@artinamericaguide.com
SUMMARY:Cross Contemporary Art Projects at Art on Paper Fair\, NYC
DESCRIPTION:Cross Contemporary Art Projects goes to New York City for the annual Art on Paper Art Fair located in downtown Manhattan’s Pier 36 Sept 8 -11\, 2022.  Featuring artwork on (and of) paper by Virginia Bradley\, Susan Copich\, Priscilla Heine\, Nikolaos Katranis\, Iain Machell\, Alvin Roy\, Christy Rupp\, Melinda Stickney-Gibson\, Lou Tavelli\, Francine Tint and Millicent Young \, Cross Contemporary Art Projects exhibits a cross-section of Contemporary Art by noted mid-career artists and is located in booth A-13. \nArt on Paper Location: \nPier 36\, Downtown Manhattan\n299 South Street\nNew York\, 10002 \nExhibition Hours: \nSelect VIP Preview\nThursday\, September 8\, 2022 — 5:00pm to 6:00pm\nExclusive Entry for Select VIPs \nOpening Evening\nThursday\, September 8\, 2022 — 6:00pm to 9:00pm\nExclusive Entry for Fair Pass Holders & Select VIPs \nPublic Hours\nFriday\, September 9\, 2022 — 11:00am to 7:00pm\nSaturday\, September 10\, 2022 — 11:00am to 7:00pm\nSunday\, September 11\, 2022 — 11:00am to 6:00pm \n  Save  
URL:https://artinamericaguide.com/event/cross-contemporary-art-projects-at-art-on-paper-fair-nyc/
LOCATION:Pier 36\, 299 South Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Art Fair,Event,Exhibition,Pop up
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/08/FINAL-NEW-artonpaper2022.jpg
ORGANIZER;CN="Art Market Productions":MAILTO:info@amp.events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220908T180000
DTEND;TZID=America/Halifax:20220908T200000
DTSTAMP:20260415T135723
CREATED:20220808T165740Z
LAST-MODIFIED:20220808T165740Z
UID:95484-1662660000-1662667200@artinamericaguide.com
SUMMARY:Donald Sultan: THE NATURE OF THINGS
DESCRIPTION:Opening reception for Donald Sultan: THE NATURE OF THINGS\, an exhibition of new works by the acclaimed artist. The eight paintings and four drawings included in this exhibition are a continuation of Sultan’s ongoing investigation of abstraction using the aesthetic structure of the mimosa plant. The Mimosa series debuted at RYAN LEE in 2019. The exhibition will be accompanied by a catalogue with an essay by Thomas Loughman.  \n  Save  
URL:https://artinamericaguide.com/event/donald-sultan-the-nature-of-things/
LOCATION:RYAN LEE\, 515 W 26th St\, 3rd Fl\, New York\, NY\, 10001\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/08/Yellow-Mimosa-March-4-2022-1.jpg
ORGANIZER;CN="RYAN LEE":MAILTO:info@ryanleegallery.com
GEO:40.7500935;-74.0036112
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=RYAN LEE 515 W 26th St 3rd Fl New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=515 W 26th St\, 3rd Fl:geo:-74.0036112,40.7500935
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220909T180000
DTEND;TZID=America/Halifax:20220909T193000
DTSTAMP:20260415T135723
CREATED:20220816T160720Z
LAST-MODIFIED:20220816T160720Z
UID:96218-1662746400-1662751800@artinamericaguide.com
SUMMARY:Travelers: A Book Talk with Helon Habila & Matthew Davis
DESCRIPTION:Join Nigerian-born author Helon Habila and Matthew Davis\, Director of the George Mason University Alan Cheuse International Writers Center (ACIWC)\, for a conversation about Habila’s latest book Travelers. Travelers focuses on a Nigerian scholar who travels to Berlin with his American wife for a fellowship that entails creating a portrait series of African migrants. In a quest to document “real migrants\,” the book instead uncovers a multiplicity of narratives that make up the African diaspora. \nA spotlight tour of contemporary artist Njideka Akunyili Crosby’s self-portrait in the Museum’s Fickle Mirror exhibition will follow the talk. Born in Nigeria and relocating to the United States as a teenager\, Crosby creates work that addresses the complexities of culture clash and belonging through imagery referencing her dual Nigerian and American backgrounds. \n\n\n\n\nPresented in collaboration with Shore Lit. \n\n\n\n\n  Save  
URL:https://artinamericaguide.com/event/travelers-a-book-talk-with-helon-habila-matthew-davis/
LOCATION:Academy Art Museum\, 106 South Street\, Easton\, MD\, 21601\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/08/Travelers-Flyer-3.png
ORGANIZER;CN="Academy Art Museum":MAILTO:academy@academyartmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220911T140000
DTEND;TZID=America/Halifax:20220911T170000
DTSTAMP:20260415T135723
CREATED:20221107T211520Z
LAST-MODIFIED:20221107T211520Z
UID:97439-1662904800-1662915600@artinamericaguide.com
SUMMARY:Screens for Teens: Clueless
DESCRIPTION:This series of contemporary and classic films is specially curated for teenagers in and around Cambridge. The selection\, including both short and feature-length films\, is meant to provide teens with an opportunity to watch work focused explicitly on their experiences. Covering a range of topics\, emotions\, and nuances\, these free films—depending on length and scope—will be followed by conversation with faculty from the Cambridge Rindge and Latin School. \nAbout today’s film:\nClueless\, 1995 (Paramount Pictures; English; 97 min.) \nJane Austen might never have imagined that her 1816 novel Emma could be turned into a fresh and satirical look at ultra-rich teenagers in a Beverly Hills high school. Cher (Alicia Silverstone) and Dionne (Stacey Dash)\, both named after “great singers of the past that now do infomercials\,” are pampered upper-class girls who care less about getting good grades than wearing the right clothes and being as popular as possible. But Cher\, who lives with her tough yet warm-hearted lawyer dad (Dan Hedaya) and hunky\, sensitive stepbrother (Paul Rudd)\, also has an innate urge to help those less fortunate like the two introverted teachers she brings together (“negotiating” improved grades for herself in the process) and new friend Tai (Brittany Murphy)\, who starts out a geek and ends up a Cher prodigy. Cher also possesses her own sensitive side\, and she is looking for the perfect boyfriend\, whom she ends up finding where she least expected. \nFree admission\, but seating is limited and reservations are required. Reservations may be arranged by clicking on the event on this form beginning on Thursday\, September 1\, after 10am. \nThe screening will take place in Menschel Hall\, Lower Level. Doors will open at 1:30pm. \nPlease see the museum visit page to learn about our general policies for visiting the museums. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/screens-for-teens-clueless/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/08/Clueless-still.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220915T170000
DTEND;TZID=America/Halifax:20220915T180000
DTSTAMP:20260415T135723
CREATED:20220513T172722Z
LAST-MODIFIED:20220513T201646Z
UID:93562-1663261200-1663264800@artinamericaguide.com
SUMMARY:Opening Lecture: Out of the Kress Vaults
DESCRIPTION:Join us for an opening night lecture to celebrate the opening of Out of the Kress Vaults: Women in Sacred Renaissance Painting\, on view in the Bellarmine Hall Galleries from September 16-December 17\, 2022. Michelle DiMarzo\, PhD\, curator of Out of the Kress Vaults\, will introduce the exhibition. A reception with light refreshments will follow at 6 p.m. \nWe invite you to join the conversation via the following options: \n\nIn-person in the Diffley Board Room of Bellarmine Hall\nStreaming via thequicklive.com\n\nPlease register on our Eventbrite page prior to the event: https://www.eventbrite.com/e/opening-lecture-out-of-the-kress-vaults-tickets-337410232087 \nAbout Out of the Kress Vaults: The exhibition explores representations of femininity and virtue in Italian Renaissance paintings of the Virgin Mary\, female saints\, and nuns. This exhibition is the first in the museum’s history to be co-curated with Fairfield University students. Taking inspiration from two paintings of the Madonna and Child in the museum’s own Samuel H. Kress Collection\, students in Dr. Michelle DiMarzo’s art history seminar developed the exhibition by examining Kress collections at other institutions\, with an emphasis on works typically held in storage. \nhttps://www.fairfield.edu/museum/kressvaults/ \n  Save  
URL:https://artinamericaguide.com/event/opening-lecture-out-of-the-kress-vaults/
LOCATION:Bellarmine Hall\, 200 Barlow Road\, Fairfield\, CT\, 06824
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/05/Mantegna_Madonna-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bellarmine Hall 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220915T173000
DTEND;TZID=America/Halifax:20220915T190000
DTSTAMP:20260415T135723
CREATED:20220831T150528Z
LAST-MODIFIED:20220831T150528Z
UID:97456-1663263000-1663268400@artinamericaguide.com
SUMMARY:Dare to Know: An Introduction
DESCRIPTION:Join us for a series of brief presentations and a discussion about our latest special exhibition\, Dare to Know: Prints and Drawings in the Age of Enlightenment\, with curators Elizabeth M. Rudy and Kristel Smentek\, along with several contributors to the exhibition catalogue. Dare to Know will be on view at the Harvard Art Museums from September 16\, 2022 through January 15\, 2023. \nFollowing the discussion\, guests are invited to visit the exhibition on Level 3\, for informal remarks by graduate student contributors to the catalogue from Harvard’s Department of History of Art and Architecture and MIT’s Department of Architecture. \nFeaturing approximately 150 works on paper and other related objects\, Dare to Know explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the Enlightenment era by encouraging individuals to follow their own reason when seeking to know more. \nAn illustrated catalogue with 26 thematic essays—an A to Z exploration of the Enlightenment quest for understanding and change—accompanies the exhibition. \nSpeakers:\nElizabeth Saari Browne\, Senior Cataloguer for the Decloux Collection\, Cooper Hewitt\, Smithsonian Design Museum\nEdouard Kopp\, John R. Eckel\, Jr.\, Foundation Chief Curator\, Menil Drawing Institute\nTamar Mayer\, Assistant Professor\, Art History and Curatorial Studies\, Tel Aviv University\nElizabeth Rudy\, Carl A. Weyerhaeuser Curator of Prints\, Division of European and American Art\, Harvard Art Museums\nKristel Smentek\, Associate Professor of Art History\, Massachusetts Institute of Technology \nModerated by Joachim Homann\, Maida and George Abrams Curator of Drawings\, Division of European and American Art\, Harvard Art Museums \nFree admission\, but seating is limited and reservations are required. Reservations may be arranged by clicking on the event on this form beginning Monday\, September 5\, after 10am. \nThe lecture will take place in Menschel Hall\, Lower Level. Doors will open at 5pm. \nPlease see the museum visit page to learn about our general policies for visiting the museums. \nLimited complimentary parking is available in the Broadway Garage\, 7 Felton Street\, Cambridge. \nThis exhibition is supported in part by an award from the National Endowment for the Arts. Support for the exhibition is provided by the Melvin R. Seiden and Janine Luke Fund for Publications and Exhibitions\, the Robert M. Light Print Department Fund\, the Stanley H. Durwood Foundation Support Fund\, the Catalogues and Exhibitions Fund for Pre-Twentieth-Century Art of the Fogg Museum\, and the Gladys Krieble Delmas Foundation. The catalogue was made possible by the Andrew W. Mellon Publication Funds\, including the Henry P. McIlhenny Fund. Related programming is supported by the M. Victor Leventritt Lecture Series Endowment Fund. \nSupport for the program is provided by the M. Victor Leventritt Fund\, which was established through the generosity of the wife\, children\, and friends of the late M. Victor Leventritt\, Harvard Class of 1935. The purpose of the fund is to present outstanding scholars of the history and theory of art to the Harvard and Greater Boston communities. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/dare-to-know-an-introduction/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/08/Dagoty-1.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220915T180000
DTEND;TZID=America/Halifax:20220915T200000
DTSTAMP:20260415T135723
CREATED:20220513T172722Z
LAST-MODIFIED:20220513T172722Z
UID:93564-1663264800-1663272000@artinamericaguide.com
SUMMARY:Opening Reception: Out of the Kress Vaults and Specimens and Reflections
DESCRIPTION:Join us after the opening lecture for light refreshments in the Great Hall! \nJoin us as we celebrate the opening of Out of the Kress Vaults: Women in Sacred Renaissance Painting and Specimens and Reflections\, both on view in the Bellarmine Hall Galleries from September 16-December 17\, 2022. Light refreshments will be served in the Great Hall of Bellarmine Hall. The Bellarmine Hall Galleries will also be open until 8 p.m. \n  \nPlease register on our Eventbrite page prior to the event: \nhttps://www.eventbrite.com/e/opening-reception-out-of-the-kress-vaults-and-specimens-and-reflections-tickets-337428757497 \n  \nAbout the exhibitions: \nOut of the Kress Vaults: Women in Sacred Renaissance Painting and Specimens and Reflections \nThe exhibition explores representations of femininity and virtue in Italian Renaissance paintings of the Virgin Mary\, female saints\, and nuns. This exhibition is the first in the museum’s history to be co-curated with Fairfield University students. Taking inspiration from two paintings of the Madonna and Child in the museum’s own Samuel H. Kress Collection\, students in Dr. Michelle DiMarzo’s art history seminar developed the exhibition by examining Kress collections at other institutions\, with an emphasis on works typically held in storage. \nhttps://www.fairfield.edu/museum/kressvaults/ \nSpecimens and Reflections \nDigitally manipulated photographic panoramas of the interiors of Roman churches by Claudia Esslinger (Professor of Art\, Kenyon College) are accompanied by the poetry of Royal Rhodes ‘68 (Professor Emeritus of Religious Studies\, Kenyon College) in this unique exhibition that explores the intersection of word and image. \nhttps://www.fairfield.edu/museum/exhibitions/upcoming-exhibitions/specimens-and-reflections/index.html \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-out-of-the-kress-vaults-and-specimens-and-reflections/
LOCATION:Bellarmine Hall\, 200 Barlow Road\, Fairfield\, CT\, 06824
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/05/Saint-Ursula-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bellarmine Hall 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220916T133000
DTEND;TZID=America/Halifax:20220916T150000
DTSTAMP:20260415T135723
CREATED:20220906T174558Z
LAST-MODIFIED:20220906T174618Z
UID:98111-1663335000-1663340400@artinamericaguide.com
SUMMARY:Jazz Performance: Atlantic Connections
DESCRIPTION:Enjoy an afternoon of live music in the Calderwood Courtyard—free and open to everyone! \nThe Harvard University Committee on the Arts (HUCA) will present Atlantic Connections\, a jazz performance led by Yosvany Terry\, senior lecturer on music at Harvard\, and mezzo-soprano Alicia Hall Moran\, who will perform a work inspired by poets from the African diaspora\, including Maya Angelou. This performance will explore the themes of land\, homeland\, motherhood\, running\, love\, loss\, distance\, diasporic geographies\, and water as a spiritual connecting element. \nAdditional performers include:\nFabian Almazán\, a 2020 recipient of an honorarium from HUCA and a graduate student in creative practice and critical inquiry\nYunior Terry\, Assistant Professor of Music\, New York University\nDavid Virelles\, jazz musician \nThis is the second of two performances. The first event will take place at Farkas Hall on Thursday\, September 15\, at 7:30pm. Both events are free and open to the public. \nPlease visit the museum website to learn about our general visitor policies. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/jazz-performance-atlantic-connections/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/09/Jazz_600_400.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220918T120000
DTEND;TZID=America/Halifax:20220918T130000
DTSTAMP:20260415T135723
CREATED:20220831T150528Z
LAST-MODIFIED:20220831T150528Z
UID:97579-1663502400-1663506000@artinamericaguide.com
SUMMARY:Exhibition Tour: Dare to Know: Prints and Drawings in the Age of Enlightenment
DESCRIPTION:Join exhibition curator Elizabeth Rudy for an in-depth tour of Dare to Know: Prints and Drawings in the Age of Enlightenment\, on view through January 15\, 2023. She will share insights about how works on paper played a critical role in the 18th century\, wielding the power to visually articulate\, reinforce\, or contradict beliefs as well as biases. \nLed by:\nElizabeth Rudy\, Carl A. Weyerhaeuser Curator of Prints\, Division of European and American Art \nTours are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The tour reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nSee the museum visit page to learn about our general policies for visiting the museums. \nThis exhibition is supported in part by an award from the National Endowment for the Arts. Support for the exhibition is provided by the Melvin R. Seiden and Janine Luke Fund for Publications and Exhibitions\, the Robert M. Light Print Department Fund\, the Stanley H. Durwood Foundation Support Fund\, the Catalogues and Exhibitions Fund for Pre-Twentieth-Century Art of the Fogg Museum\, and the Gladys Krieble Delmas Foundation. The catalogue was made possible by the Andrew W. Mellon Publication Funds\, including the Henry P. McIlhenny Fund. Related programming is supported by the M. Victor Leventritt Lecture Series Endowment Fund. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/exhibition-tour-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/08/Dagoty-2.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220918T130000
DTEND;TZID=America/New_York:20220918T150000
DTSTAMP:20260415T135723
CREATED:20220820T155837Z
LAST-MODIFIED:20220820T155837Z
UID:96929-1663506000-1663513200@artinamericaguide.com
SUMMARY:Meet-the-Artist Reception: Reynier Llanes
DESCRIPTION:Sunday\, September 18 from 1:00-3:00pm\,  visit the BIAA and meet Reynier Llanes\, one of the most complex and lucid artists of his generation\, at a reception for his new exhibition Reynier Llanes: What is Essential is Invisible to the Eye. The exhibition opens September 4\, 2022. Llanes will return September 20\, 2022 at 2:00pm to present a talk to the public\, in honor of HIspanic Heritage Month. \n  \n  Save  
URL:https://artinamericaguide.com/event/meet-the-artist-reception-reynier-llanes/
LOCATION:The Butler Institute of American Art\, 524 Wick Avenue\, Youngstown\, OH\, 44505\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/08/by-JNart-Productions-2_edit-for-butler-web.jpg
ORGANIZER;CN="The Butler Institute of American Art":MAILTO:info@butlerart.com
GEO:41.1056154;-80.6461317
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Butler Institute of American Art 524 Wick Avenue Youngstown OH 44505 United States;X-APPLE-RADIUS=500;X-TITLE=524 Wick Avenue:geo:-80.6461317,41.1056154
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220920T123000
DTEND;TZID=America/Halifax:20220920T130000
DTSTAMP:20260415T135723
CREATED:20220831T150528Z
LAST-MODIFIED:20220831T150528Z
UID:97575-1663677000-1663678800@artinamericaguide.com
SUMMARY:Art Talk Live: Yasuo Kuniyoshi’s Last Act
DESCRIPTION:Yasuo Kuniyoshi once proclaimed that “an artist’s drawings are his first words.” Having emigrated from Japan to the United States at the age of 16\, Kuniyoshi relied upon drawing as his most expressive medium. Through drawing\, he translated the anxiety\, disillusionment\, and alienation faced by Japanese émigrés in the aftermath of World War II into a uniquely personal and dynamic American modernist style. \nLed by:\nElisa Germán\, Emily Rauh Pulitzer Curatorial Fellow in Contemporary Drawings\, Division of Modern and Contemporary Art \nThis talk is part of a series inspired by ReFrame\, a museum-wide initiative to reimagine the function\, role\, and future of the university art museum. These talks examine difficult histories\, foreground untold stories\, and experiment with new approaches to the collections of the Harvard Art Museums\, reflecting the concerns of our world today. \nThis talk will take place online via Zoom. The event is free and open to all\, but registration is required. To register\, please complete this online form. \nPlease read these instructions on how to join a meeting on Zoom. For general questions about Art Talks\, email am_register@harvard.edu. \nArt Talks Live are presented via Zoom every other Tuesday at 12:30pm (ET) and offer an up-close look at works from our collections with our team of curators\, conservators\, fellows\, and graduate students. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \nThe Harvard Art Museums are open to the public. Reservations are available but not required and can be made up to three weeks in advance. Please see the museum visit page for more information. \n  Save  
URL:https://artinamericaguide.com/event/art-talk-live-yasuo-kuniyoshis-last-act/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/08/Yasuo_Kuniyoshi.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220922T123000
DTEND;TZID=America/Halifax:20220922T130000
DTSTAMP:20260415T135723
CREATED:20220914T182122Z
LAST-MODIFIED:20220914T182122Z
UID:98308-1663849800-1663851600@artinamericaguide.com
SUMMARY:Gallery Talk: Dare to Know: Prints and Drawings in the Age of Enlightenment
DESCRIPTION:Join Margaret Morgan Grasselli for an in-depth discussion about the 18th-century invention of the multicolor\, multiplate printing technique that laid the foundation for today’s CMYK process. Grasselli will examine several examples of this technique on view in the special exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment\, with particular focus given to Jacques-Fabien Gautier d’Agoty’s Muscles of the Back. \nFeaturing approximately 150 works on paper and other related objects\, Dare to Know explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the Enlightenment era by encouraging individuals to follow their own reason when seeking to know more. An illustrated catalogue with 26 thematic essays—an A to Z exploration of the Enlightenment quest for understanding and change—accompanies the exhibition. \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nLed by:\nMargaret Morgan Grasselli\, Visiting Senior Scholar for Drawings \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \nThis exhibition is supported in part by an award from the National Endowment for the Arts. Support for the exhibition is provided by the Melvin R. Seiden and Janine Luke Fund for Publications and Exhibitions\, the Robert M. Light Print Department Fund\, the Stanley H. Durwood Foundation Support Fund\, the Catalogues and Exhibitions Fund for Pre-Twentieth-Century Art of the Fogg Museum\, and the Gladys Krieble Delmas Foundation. The catalogue was made possible by the Andrew W. Mellon Publication Funds\, including the Henry P. McIlhenny Fund. Related programming is supported by the M. Victor Leventritt Lecture Series Endowment Fund. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Dagoty.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220923T170000
DTEND;TZID=America/Halifax:20220923T190000
DTSTAMP:20260415T135723
CREATED:20220907T153259Z
LAST-MODIFIED:20220907T153259Z
UID:98135-1663952400-1663959600@artinamericaguide.com
SUMMARY:Exhibition reception & film screening - Enigma: The Prints of David Lynch
DESCRIPTION:Tandem Press will host an outdoor screening of the documentary “David Lynch: The Art Life” in conjunction with a reception for the exhibition Enigma: The Print of David Lynch. The reception will start at 5pm and take place in the Tandem Press Apex Gallery. The documentary will be shown on the lawn in front of the Apex building where Tandem is located\, beginning at 7pm. Guests are encouraged to bring blankets or lawn chairs to watch the movie. \nExhibition dates: September 6-October 28\, 2022 \nAbout the exhibition: Enigma: The Prints of David Lynch presents a selection of fine art prints that David Lynch created at Tandem Press between 1998 and 2021. \n  Save  
URL:https://artinamericaguide.com/event/exhibition-reception-film-screening-enigma-the-prints-of-david-lynch/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Enigma-The-Prints-of-David-Lynch_press-release-image-1-scaled.jpg
ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
GEO:43.1056427;-89.3616646
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tandem Press 1743 Commercial Avenue Madison WI 53704 United States;X-APPLE-RADIUS=500;X-TITLE=1743 Commercial Avenue:geo:-89.3616646,43.1056427
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220923T180000
DTEND;TZID=America/Halifax:20220923T190000
DTSTAMP:20260415T135723
CREATED:20220812T141702Z
LAST-MODIFIED:20220812T141702Z
UID:95952-1663956000-1663959600@artinamericaguide.com
SUMMARY:Aerial Views - Poems on the Wing: Amy Beeder & Donald Levering
DESCRIPTION:Aerial Views – Poems on the Wing: Amy Beeder & Donald Levering\nSeptember 23\, 2022\,\n6:00-7:00PM \nThe poets will display images to illustrate their ekphrastic poems. \nAmy Beeder is the author of three collections of poetry\, most recently And So Wax Was Made & Also Honey (Tupelo Press\, 2020.) Her work appears in September’s American Poetry Review\, and has appeared in Poetry\, The Kenyon Review\, Virginia Quarterly Review\, Plough-shares\, AGNI\, The Southern Review and many other journals. An NEA Fellow and a “Discovery”/The Nation winner\, she is an editor at Plume and teaches poetry in Albuquerque. \nDonald Levering is the winner of the Tor House Robinson Jeffers Award\, the Carve Poetry Prize\, and the Literal Latte Poetry Award. His 16th book\, Breaking Down Familiar\, was published by Main Street Rag in 2022. His poems have appeared in American. \nLiterary Review\, Beloit Poetry Journal\, Bloomsbury Review\, Commonweal\, Hiram Poetry\, Southern Poetry Review\, and Valparaiso Review. An NEA Fellow and a Quest for Peace Rhetoric winner\, he volunteers as a US citizenship tutor in Santa Fe. \nJulie England’s New Terrain\, including paintings of aerial perspectives of Georgia O’Keeffe properties\, will be on display during the reading. \nMasks required to attend the event.\n  Save  
URL:https://artinamericaguide.com/event/aerial-views-poems-on-the-wing-amy-beeder-donald-levering/
LOCATION:Strata Gallery\, 418 Cerrillos Road\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/08/CvrBreakingDownFamiliar_Ad.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220923T180000
DTEND;TZID=America/Halifax:20220923T200000
DTSTAMP:20260415T135723
CREATED:20220811T152104Z
LAST-MODIFIED:20220811T152104Z
UID:95691-1663956000-1663963200@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Opening Reception @ Art Works
DESCRIPTION:It’s our anniversary—19 years of 4th Friday exhibits\, artists’ solo shows from all over the world\, the country and local artists too. Please join us September 23rd 6 p.m. – 8 p.m. to celebrate and see new exhibits especially curated for the occasion—ceramic artist Lee Hazelgrove\, photographer Heidi Nunnally\, the monthly All Media Show and a special Train show—a partnership with the Train Museum. \n  \nMeet these extraordinary artists\, enjoy live music\, and celebrate with us with refreshments\, libations. Parking is free. \n  \nThe exhibits continue through October 22\, 2022. This event is free and open to the public. \n  \nUp from the Ashes\, A Life in Clay by Lee Hazelgrove \n2021 marked 35 years for Lee Hazelgrove working as a full-time ceramic artist. This exhibition\, while not a retrospective\, it does involve all of Lee’s work from pedestal pieces (large in scale) to wall piece–all characterized by his career long exploration of primitive firing techniques. These surfaces include pit firing\, traditional raku\, saggar firing\, and horsehair raku. Unified by form and his approach to the creation of vessels\, the artwork exemplifies contemporary designs merging with primitive surfaces. \n  \nThe exhibit will be in the Jane Sandelin Gallery. \n  \n  \n  \nDas Pferd (The Horse) by Heidi Nunnally  \n  \nHeidi Nunnally’s photography focuses on nature\, land/seascapes\, and horses. From a sturdy Noriker mare and a dapple Icelandic to the sure-footed Irish Cobb and ancient white horses of the Camargue\, this exhibit allows one to set foot into the field\, pond\, or snow to experience wanderlust with the equine. \n  \nThis exhibit will be in the Corner Gallery. \n  \n  \n  \nTRAINS  \n  \nTrains\, the exhibit at Art Works opens on September 23rd.  Virginia artists showcase artwork focusing on trains\, the tracks\, the stations\, everything train-like. The exhibit spills over into the Train Museum located only 2 blocks from Art Works. \n  \nOn September 24th\, the Train Museum is hosting Train Day. There will be food\, exhibits\, a bouncy-house\, face-painting\, and a community train-mural project hosted by Art Works. Enjoy a scavenger hunt that includes the Trains exhibit at Art Works and the Trains exhibit. \n  \nCall for entries is August 26 – September 13\, 2022. Submit your entries through our online form. Check our website for details on submitting your artwork:   artworksrva.com \n  \n  \n  \nSeptember 2022 ALL MEDIA ART SHOW  \n  \nThis exhibit is a focal point of all Art Works’ openings. It is a juried show with cash prizes and is open to all artists and all mediums. The juror will be Roberto Jamora. Call for entries is August 26 – September 13\, 2022. Submit your entries through our online form. Check our website for details on submitting your artwork:   artworksrva.com \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-opening-reception-art-works-27/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/08/2022.09-Hazelgrove-Lee-1-1.jpeg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220924T170000
DTEND;TZID=America/Halifax:20220924T180000
DTSTAMP:20260415T135723
CREATED:20220517T183924Z
LAST-MODIFIED:20220603T202551Z
UID:93566-1664038800-1664042400@artinamericaguide.com
SUMMARY:Opening Lecture: Gladys Triana: A Path to Enlightenment/Beyond Exile
DESCRIPTION:Join us for an opening night lecture to celebrate the opening of Gladys Triana: A Path to Enlightenment/Beyond Exile\, on view in the Walsh Gallery from September 23-December 17\, 2022. Adriana Herrera\, PhD\, curator of the exhibition will introduce the exhibition. A reception with light refreshments will follow at 6 p.m in the lobby of the Quick Center for the Arts. The Walsh Gallery will also be open until 8 p.m. \nWe invite you to join the conversation via the following options: \n\nIn-person in the Dolan Event Space of the Dolan School of Business\nStreaming via thequicklive.com\n\nPlease register on our Eventbrite page prior to the event: \nhttps://www.eventbrite.com/e/opening-lecture-gladys-triana-beyond-exile-tickets-337436530747 \nAbout the exhibition: Gladys Triana is a Cuban-born\, New-York-based\, multi-disciplinary artist whose work rebels against authoritarian rule\, domination\, and power. She explores themes related to the historical struggle of women and the condition of exile\, as well as subjects such as ephemerality\, memory\, and ultimately the search for a language of transcendence. Triana’s body of work encompasses large-scale sculpture\, immersive installations\, photography\, and mixed media\, as well as painting and drawing. Curated by Aluna Curatorial Collective\, this long-overdue two-venue survey (at the Fairfield University Art Museum and the Art Museum at University of St. Joseph) spans work from the 1970s to the present. The work at Fairfield will focus on her early years in New York\, and her sense of exile and feelings of isolation. \nhttps://www.fairfield.edu/museum/gladystriana/ \n  Save  
URL:https://artinamericaguide.com/event/opening-lecture-gladys-triana-beyond-exile/
LOCATION:Dolan School of Business\, 1073 N Benson Rd\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/05/Nothing-is-Sacred-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1587647;-73.257359
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Dolan School of Business 1073 N Benson Rd Fairfield CT 06824 United States;X-APPLE-RADIUS=500;X-TITLE=1073 N Benson Rd:geo:-73.257359,41.1587647
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220924T180000
DTEND;TZID=America/Halifax:20220924T200000
DTSTAMP:20260415T135723
CREATED:20220517T183902Z
LAST-MODIFIED:20220603T202607Z
UID:93568-1664042400-1664049600@artinamericaguide.com
SUMMARY:Opening Reception: Gladys Triana: A Path to Enlightenment/Beyond Exile
DESCRIPTION:Join us after the opening lecture for light refreshments in the Quick Center for the Arts! \nJoin us as we celebrate the opening of Gladys Triana: A Path to Enlightenment/Beyond Exile\, on view in the Walsh Gallery from September 23-December 17\, 2022. Light refreshments will be served in the lobby of the Quick Center for the Arts. The Walsh Gallery will also be open until 8 p.m. \nPlease register on our Eventbrite page prior to the event: \nhttps://www.eventbrite.com/e/opening-reception-gladys-triana-beyond-exile-tickets-337449750287 \nAbout the exhibition: Gladys Triana is a Cuban-born\, New-York-based\, multi-disciplinary artist whose work rebels against authoritarian rule\, domination\, and power. She explores themes related to the historical struggle of women and the condition of exile\, as well as subjects such as ephemerality\, memory\, and ultimately the search for a language of transcendence. Triana’s body of work encompasses large-scale sculpture\, immersive installations\, photography\, and mixed media\, as well as painting and drawing. Curated by Aluna Curatorial Collective\, this long-overdue two-venue survey (at the Fairfield University Art Museum and the Art Museum at University of St. Joseph) spans work from the 1970s to the present. The work at Fairfield will focus on her early years in New York\, and her sense of exile and feelings of isolation. \nhttps://www.fairfield.edu/museum/gladystriana/ \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-gladys-triana-beyond-exile/
LOCATION:Quick Center for the Arts\, 200 Barlow Road\, Fairfield\, CT\, 06824
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/05/Shipwreck.jpeg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Quick Center for the Arts 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
END:VCALENDAR