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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220522T080000
DTEND;TZID=America/Halifax:20221002T160000
DTSTAMP:20260406T085329
CREATED:20220404T171829Z
LAST-MODIFIED:20220404T171829Z
UID:93179-1653206400-1664726400@artinamericaguide.com
SUMMARY:Alexander Stewart: Void Vision
DESCRIPTION:Alexander Stewart’s Void Vision is an abstract science-fiction short film in which the line between the real and the simulated are blurred and distorted; a space where doubles\, twins\, duplicates\, re-creations\, and copies merge. \nCombining a science-fiction sensibility with the aesthetic of early CGI animation experiments\, Stewart presents rotating arrangements of lasers and duplicated women that fade in and out\, appearing as both photographed scenes and computer-modeled recreations. The audio track\, incorporating text from Philip K. Dick’s 1981 novel Valis\, features an improvised electronic score and a voice articulating theories about the mind and the universe. \nAlexander Stewart: Void Vision is part of the Arts Center’s Ways of Being theme. The featured visual and performing artists recontextualize our past\, reorient our present\, and project new\, viable futures. Collectively they ask\, what if? \nhttps://www.jmkac.org/exhibition/alexander-stewart-void-vision/ \nImage: Alexander Stewart\, still from Void Vision\, 2018; 16mm as digital file; 7:45. Photo courtesy of the artist. \nTuesday\, Wednesday\, Friday 10 a.m. to 5 p.m.\nThursday 10 a.m. to 8 p.m. extended hours\nSaturday and Sunday 10 a.m. to 4 p.m. \n  Save  
URL:https://artinamericaguide.com/event/alexander-stewart-void-vision/
LOCATION:John Michael Kohler Arts Center\, 608 New York Avenue\, Sheboygan\, WI\, 53081\, United States
CATEGORIES:Event
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ORGANIZER;CN="John Michael Kohler Arts Center":MAILTO:generalinfo@jmkac.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220922T123000
DTEND;TZID=America/Halifax:20220922T130000
DTSTAMP:20260406T085329
CREATED:20220914T182122Z
LAST-MODIFIED:20220914T182122Z
UID:98308-1663849800-1663851600@artinamericaguide.com
SUMMARY:Gallery Talk: Dare to Know: Prints and Drawings in the Age of Enlightenment
DESCRIPTION:Join Margaret Morgan Grasselli for an in-depth discussion about the 18th-century invention of the multicolor\, multiplate printing technique that laid the foundation for today’s CMYK process. Grasselli will examine several examples of this technique on view in the special exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment\, with particular focus given to Jacques-Fabien Gautier d’Agoty’s Muscles of the Back. \nFeaturing approximately 150 works on paper and other related objects\, Dare to Know explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the Enlightenment era by encouraging individuals to follow their own reason when seeking to know more. An illustrated catalogue with 26 thematic essays—an A to Z exploration of the Enlightenment quest for understanding and change—accompanies the exhibition. \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nLed by:\nMargaret Morgan Grasselli\, Visiting Senior Scholar for Drawings \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \nThis exhibition is supported in part by an award from the National Endowment for the Arts. Support for the exhibition is provided by the Melvin R. Seiden and Janine Luke Fund for Publications and Exhibitions\, the Robert M. Light Print Department Fund\, the Stanley H. Durwood Foundation Support Fund\, the Catalogues and Exhibitions Fund for Pre-Twentieth-Century Art of the Fogg Museum\, and the Gladys Krieble Delmas Foundation. The catalogue was made possible by the Andrew W. Mellon Publication Funds\, including the Henry P. McIlhenny Fund. Related programming is supported by the M. Victor Leventritt Lecture Series Endowment Fund. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Dagoty.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220923T170000
DTEND;TZID=America/Halifax:20220923T190000
DTSTAMP:20260406T085329
CREATED:20220907T153259Z
LAST-MODIFIED:20220907T153259Z
UID:98135-1663952400-1663959600@artinamericaguide.com
SUMMARY:Exhibition reception & film screening - Enigma: The Prints of David Lynch
DESCRIPTION:Tandem Press will host an outdoor screening of the documentary “David Lynch: The Art Life” in conjunction with a reception for the exhibition Enigma: The Print of David Lynch. The reception will start at 5pm and take place in the Tandem Press Apex Gallery. The documentary will be shown on the lawn in front of the Apex building where Tandem is located\, beginning at 7pm. Guests are encouraged to bring blankets or lawn chairs to watch the movie. \nExhibition dates: September 6-October 28\, 2022 \nAbout the exhibition: Enigma: The Prints of David Lynch presents a selection of fine art prints that David Lynch created at Tandem Press between 1998 and 2021. \n  Save  
URL:https://artinamericaguide.com/event/exhibition-reception-film-screening-enigma-the-prints-of-david-lynch/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Event
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ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
GEO:43.1056427;-89.3616646
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tandem Press 1743 Commercial Avenue Madison WI 53704 United States;X-APPLE-RADIUS=500;X-TITLE=1743 Commercial Avenue:geo:-89.3616646,43.1056427
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220923T180000
DTEND;TZID=America/Halifax:20220923T190000
DTSTAMP:20260406T085329
CREATED:20220812T141702Z
LAST-MODIFIED:20220812T141702Z
UID:95952-1663956000-1663959600@artinamericaguide.com
SUMMARY:Aerial Views - Poems on the Wing: Amy Beeder & Donald Levering
DESCRIPTION:Aerial Views – Poems on the Wing: Amy Beeder & Donald Levering\nSeptember 23\, 2022\,\n6:00-7:00PM \nThe poets will display images to illustrate their ekphrastic poems. \nAmy Beeder is the author of three collections of poetry\, most recently And So Wax Was Made & Also Honey (Tupelo Press\, 2020.) Her work appears in September’s American Poetry Review\, and has appeared in Poetry\, The Kenyon Review\, Virginia Quarterly Review\, Plough-shares\, AGNI\, The Southern Review and many other journals. An NEA Fellow and a “Discovery”/The Nation winner\, she is an editor at Plume and teaches poetry in Albuquerque. \nDonald Levering is the winner of the Tor House Robinson Jeffers Award\, the Carve Poetry Prize\, and the Literal Latte Poetry Award. His 16th book\, Breaking Down Familiar\, was published by Main Street Rag in 2022. His poems have appeared in American. \nLiterary Review\, Beloit Poetry Journal\, Bloomsbury Review\, Commonweal\, Hiram Poetry\, Southern Poetry Review\, and Valparaiso Review. An NEA Fellow and a Quest for Peace Rhetoric winner\, he volunteers as a US citizenship tutor in Santa Fe. \nJulie England’s New Terrain\, including paintings of aerial perspectives of Georgia O’Keeffe properties\, will be on display during the reading. \nMasks required to attend the event.\n  Save  
URL:https://artinamericaguide.com/event/aerial-views-poems-on-the-wing-amy-beeder-donald-levering/
LOCATION:Strata Gallery\, 418 Cerrillos Road\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Event,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220923T180000
DTEND;TZID=America/Halifax:20220923T200000
DTSTAMP:20260406T085329
CREATED:20220811T152104Z
LAST-MODIFIED:20220811T152104Z
UID:95691-1663956000-1663963200@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Opening Reception @ Art Works
DESCRIPTION:It’s our anniversary—19 years of 4th Friday exhibits\, artists’ solo shows from all over the world\, the country and local artists too. Please join us September 23rd 6 p.m. – 8 p.m. to celebrate and see new exhibits especially curated for the occasion—ceramic artist Lee Hazelgrove\, photographer Heidi Nunnally\, the monthly All Media Show and a special Train show—a partnership with the Train Museum. \n  \nMeet these extraordinary artists\, enjoy live music\, and celebrate with us with refreshments\, libations. Parking is free. \n  \nThe exhibits continue through October 22\, 2022. This event is free and open to the public. \n  \nUp from the Ashes\, A Life in Clay by Lee Hazelgrove \n2021 marked 35 years for Lee Hazelgrove working as a full-time ceramic artist. This exhibition\, while not a retrospective\, it does involve all of Lee’s work from pedestal pieces (large in scale) to wall piece–all characterized by his career long exploration of primitive firing techniques. These surfaces include pit firing\, traditional raku\, saggar firing\, and horsehair raku. Unified by form and his approach to the creation of vessels\, the artwork exemplifies contemporary designs merging with primitive surfaces. \n  \nThe exhibit will be in the Jane Sandelin Gallery. \n  \n  \n  \nDas Pferd (The Horse) by Heidi Nunnally  \n  \nHeidi Nunnally’s photography focuses on nature\, land/seascapes\, and horses. From a sturdy Noriker mare and a dapple Icelandic to the sure-footed Irish Cobb and ancient white horses of the Camargue\, this exhibit allows one to set foot into the field\, pond\, or snow to experience wanderlust with the equine. \n  \nThis exhibit will be in the Corner Gallery. \n  \n  \n  \nTRAINS  \n  \nTrains\, the exhibit at Art Works opens on September 23rd.  Virginia artists showcase artwork focusing on trains\, the tracks\, the stations\, everything train-like. The exhibit spills over into the Train Museum located only 2 blocks from Art Works. \n  \nOn September 24th\, the Train Museum is hosting Train Day. There will be food\, exhibits\, a bouncy-house\, face-painting\, and a community train-mural project hosted by Art Works. Enjoy a scavenger hunt that includes the Trains exhibit at Art Works and the Trains exhibit. \n  \nCall for entries is August 26 – September 13\, 2022. Submit your entries through our online form. Check our website for details on submitting your artwork:   artworksrva.com \n  \n  \n  \nSeptember 2022 ALL MEDIA ART SHOW  \n  \nThis exhibit is a focal point of all Art Works’ openings. It is a juried show with cash prizes and is open to all artists and all mediums. The juror will be Roberto Jamora. Call for entries is August 26 – September 13\, 2022. Submit your entries through our online form. Check our website for details on submitting your artwork:   artworksrva.com \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-opening-reception-art-works-27/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/08/2022.09-Hazelgrove-Lee-1-1.jpeg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220924T170000
DTEND;TZID=America/Halifax:20220924T180000
DTSTAMP:20260406T085329
CREATED:20220517T183924Z
LAST-MODIFIED:20220603T202551Z
UID:93566-1664038800-1664042400@artinamericaguide.com
SUMMARY:Opening Lecture: Gladys Triana: A Path to Enlightenment/Beyond Exile
DESCRIPTION:Join us for an opening night lecture to celebrate the opening of Gladys Triana: A Path to Enlightenment/Beyond Exile\, on view in the Walsh Gallery from September 23-December 17\, 2022. Adriana Herrera\, PhD\, curator of the exhibition will introduce the exhibition. A reception with light refreshments will follow at 6 p.m in the lobby of the Quick Center for the Arts. The Walsh Gallery will also be open until 8 p.m. \nWe invite you to join the conversation via the following options: \n\nIn-person in the Dolan Event Space of the Dolan School of Business\nStreaming via thequicklive.com\n\nPlease register on our Eventbrite page prior to the event: \nhttps://www.eventbrite.com/e/opening-lecture-gladys-triana-beyond-exile-tickets-337436530747 \nAbout the exhibition: Gladys Triana is a Cuban-born\, New-York-based\, multi-disciplinary artist whose work rebels against authoritarian rule\, domination\, and power. She explores themes related to the historical struggle of women and the condition of exile\, as well as subjects such as ephemerality\, memory\, and ultimately the search for a language of transcendence. Triana’s body of work encompasses large-scale sculpture\, immersive installations\, photography\, and mixed media\, as well as painting and drawing. Curated by Aluna Curatorial Collective\, this long-overdue two-venue survey (at the Fairfield University Art Museum and the Art Museum at University of St. Joseph) spans work from the 1970s to the present. The work at Fairfield will focus on her early years in New York\, and her sense of exile and feelings of isolation. \nhttps://www.fairfield.edu/museum/gladystriana/ \n  Save  
URL:https://artinamericaguide.com/event/opening-lecture-gladys-triana-beyond-exile/
LOCATION:Dolan School of Business\, 1073 N Benson Rd\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/05/Nothing-is-Sacred-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1587647;-73.257359
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Dolan School of Business 1073 N Benson Rd Fairfield CT 06824 United States;X-APPLE-RADIUS=500;X-TITLE=1073 N Benson Rd:geo:-73.257359,41.1587647
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220924T180000
DTEND;TZID=America/Halifax:20220924T200000
DTSTAMP:20260406T085329
CREATED:20220517T183902Z
LAST-MODIFIED:20220603T202607Z
UID:93568-1664042400-1664049600@artinamericaguide.com
SUMMARY:Opening Reception: Gladys Triana: A Path to Enlightenment/Beyond Exile
DESCRIPTION:Join us after the opening lecture for light refreshments in the Quick Center for the Arts! \nJoin us as we celebrate the opening of Gladys Triana: A Path to Enlightenment/Beyond Exile\, on view in the Walsh Gallery from September 23-December 17\, 2022. Light refreshments will be served in the lobby of the Quick Center for the Arts. The Walsh Gallery will also be open until 8 p.m. \nPlease register on our Eventbrite page prior to the event: \nhttps://www.eventbrite.com/e/opening-reception-gladys-triana-beyond-exile-tickets-337449750287 \nAbout the exhibition: Gladys Triana is a Cuban-born\, New-York-based\, multi-disciplinary artist whose work rebels against authoritarian rule\, domination\, and power. She explores themes related to the historical struggle of women and the condition of exile\, as well as subjects such as ephemerality\, memory\, and ultimately the search for a language of transcendence. Triana’s body of work encompasses large-scale sculpture\, immersive installations\, photography\, and mixed media\, as well as painting and drawing. Curated by Aluna Curatorial Collective\, this long-overdue two-venue survey (at the Fairfield University Art Museum and the Art Museum at University of St. Joseph) spans work from the 1970s to the present. The work at Fairfield will focus on her early years in New York\, and her sense of exile and feelings of isolation. \nhttps://www.fairfield.edu/museum/gladystriana/ \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-gladys-triana-beyond-exile/
LOCATION:Quick Center for the Arts\, 200 Barlow Road\, Fairfield\, CT\, 06824
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/05/Shipwreck.jpeg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Quick Center for the Arts 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220924T190000
DTEND;TZID=America/Halifax:20221126T220000
DTSTAMP:20260406T085329
CREATED:20220922T114519Z
LAST-MODIFIED:20220922T114519Z
UID:98377-1664046000-1669500000@artinamericaguide.com
SUMMARY:Graciela Iturbide: Sueños\, Símbolos\, y Narración
DESCRIPTION:Opening September 20\, 2022\, Etherton Gallery presents Graciela Iturbide: Sueños\, Símbolos\, y Narración (Dreams\, Symbols\, and Storytelling)\, featuring a survey of iconic and recent images by the internationally renowned Mexican photographer. The new exhibition marks Etherton Gallery’s 41st year in business. Graciela Iturbide has a strong connection to Tucson and will attend the opening reception for Sueños\, Símbolos\, y Narración on Saturday\, September 24th\, at 7-10 pm. Signed books will be available. For information about the exhibition or to pre-order a signed book\, contact Etherton Gallery at info@ethertongallery.com or (520) 624-7370. Etherton Gallery is located at 340 South Convent Avenue in the Barrio Viejo\, Tucson\, AZ\, 85701. \nEtherton Gallery and the Center for Creative Photography are co-sponsoring a public lecture. Graciela Iturbide will speak about her five-decade career at the CCP\, on Friday\, September 23rd\, at 5:30 pm. Admission is free. For information about the lecture\, contact the CCP at info@ccp.arizona.edu or (520) 621-7968. The Center for Creative Photography is located on the campus of the University of Arizona at 1030 North Olive Street\, in central Tucson. \n  Save  
URL:https://artinamericaguide.com/event/graciela-iturbide-suenos-simbolos-y-narracion/
LOCATION:Etherton Gallery\, 135 S. 6th Ave.\, Tucson\, AZ\, 85701\, United States
CATEGORIES:Event,Exhibition
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ORGANIZER;CN="Etherton Gallery":MAILTO:info@ethertongallery.com
GEO:32.2206237;-110.9684067
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Etherton Gallery 135 S. 6th Ave. Tucson AZ 85701 United States;X-APPLE-RADIUS=500;X-TITLE=135 S. 6th Ave.:geo:-110.9684067,32.2206237
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220925T100000
DTEND;TZID=America/Halifax:20220925T130000
DTSTAMP:20260406T085329
CREATED:20220914T182122Z
LAST-MODIFIED:20220914T182122Z
UID:98329-1664100000-1664110800@artinamericaguide.com
SUMMARY:Materials Lab Workshop: Making Faces
DESCRIPTION:This workshop accompanies the exhibition Funerary Portraits from Roman Egypt: Facing Forward\, which invites viewers to ask more about the complicated histories of these portraits and the people they depict. The exhibition explores what can be learned about the artistic process and current condition of these works through scientific analysis and technical research conducted by staff in the Harvard Art Museums’ Straus Center for Conservation and Technical Studies. Funerary Portraits is on view through December 30\, 2022. \nIn this two-part workshop\, join us first in the exhibition galleries with conservators Kate Smith and Georgina Rayner for a close look at the portraits and learn what our curators\, conservators\, and scientists have discovered about them. Then take that experience to the Materials Lab\, where you’ll make your own version of an ancient tempera painting using some of the same materials and techniques used by Roman-period artists. This workshop aims to honor and remember the woman in the ancient portrait we will copy\, and to celebrate the relationship between artist and sitter that allowed the woman’s essence to be captured so powerfully. \nLed by:\nKate Smith\, Conservator of Paintings and Head of Paintings Lab\, Straus Center for Conservation and Technical Studies\nGeorgina Rayner\, Associate Conservation Scientist\, Straus Center for Conservation and Technical Studies \nNo prior experience is necessary. This workshop will take place in the Materials Lab\, Lower Level. \n$15 materials fee. Registration is required and space is limited. Registration for this workshop will open on Thursday\, September 15\, 2022 at this link\, and participants will be admitted on a first-come\, first-served basis. To join the waitlist\, please email am_register@harvard.edu. Minimum age of 14. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/materials-lab-workshop-making-faces/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/09/Funerary-portrait_gallerytalk_1200_1200.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220927T123000
DTEND;TZID=America/Halifax:20220927T130000
DTSTAMP:20260406T085329
CREATED:20220907T153259Z
LAST-MODIFIED:20220907T153259Z
UID:98175-1664281800-1664283600@artinamericaguide.com
SUMMARY:Gallery Talk: Activation of Moholy-Nagy’s Light Prop for an Electric Stage
DESCRIPTION:Our galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nOffered by:\nLynette Roth\, Daimler Curator of the Busch-Reisinger Museum\, Division of Modern and Contemporary Art \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease visit the museum website to learn about our general policies. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-activation-of-moholy-nagys-light-prop-for-an-electric-stage/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Laszlo-Moholy-Nagy.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220929T170000
DTEND;TZID=America/Halifax:20220929T210000
DTSTAMP:20260406T085329
CREATED:20220831T150528Z
LAST-MODIFIED:20220831T150528Z
UID:97577-1664470800-1664485200@artinamericaguide.com
SUMMARY:Harvard Art Museums at Night
DESCRIPTION:Join us for an evening of art\, fun\, food\, and more! This event is free and open to everyone. This month’s gathering is extra special because we’ll be celebrating the opening of our exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment. \nThe evening will feature exhibition-related activities. Tours will be available in the galleries throughout the night. Bring your friends to mingle in the Calderwood Courtyard\, chat over a snack or drink at Jenny’s Cafe\, browse the shop\, and of course\, wander the galleries to take in our world-class collections of art\, all set to the smooth sounds of DJ C-Zone. The featured local vendor is Castle Island Brewing Company. \nAlso be sure to check out the recently opened exhibition Funerary Portraits from Roman Egypt: Facing Forward. \nAfter you’ve browsed the galleries\, circle back to see what’s happening in the courtyard. \nHarvard Art Museums at Night takes place the last Thursday of every month\, from 5 to 9pm. \nEach night will feature a new mix of local talent and community partners to make this a festive occasion for all. \nAdvance reservations are encouraged\, but walk-in visitors are always welcome. Please note that space may be limited due to capacity. Reservations are available two weeks before the event. \nVisit the museum website for the latest visitor policies and parking information. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/harvard-art-museums-at-night/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/08/September-At-Night-1200_1200.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220930T123000
DTEND;TZID=America/Halifax:20220930T130000
DTSTAMP:20260406T085329
CREATED:20220912T150010Z
LAST-MODIFIED:20220912T150010Z
UID:98257-1664541000-1664542800@artinamericaguide.com
SUMMARY:Gallery Talk: Dare to Know: Prints and Drawings in the Age of Enlightenment
DESCRIPTION:Join Sam Nehila\, curatorial assistant in the Division of European and American Art\, for an in-depth discussion about William Hogarth’s print series The Four Stages of Cruelty\, on view in the special exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment. \nFeaturing approximately 150 works on paper and other related objects\, Dare to Know explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the Enlightenment era by encouraging individuals to follow their own reason when seeking to know more. An illustrated catalogue with 26 thematic essays—an A to Z exploration of the Enlightenment quest for understanding and change—accompanies the exhibition. \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nLed by:\nSam Nehila\, Curatorial Assistant\, Division of European and American Art \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \nThis exhibition is supported in part by an award from the National Endowment for the Arts. Support for the exhibition is provided by the Melvin R. Seiden and Janine Luke Fund for Publications and Exhibitions\, the Robert M. Light Print Department Fund\, the Stanley H. Durwood Foundation Support Fund\, the Catalogues and Exhibitions Fund for Pre-Twentieth-Century Art of the Fogg Museum\, and the Gladys Krieble Delmas Foundation. The catalogue was made possible by the Andrew W. Mellon Publication Funds\, including the Henry P. McIlhenny Fund. Related programming is supported by the M. Victor Leventritt Lecture Series Endowment Fund. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/The-Reward-for-Crueltly.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220930T180000
DTEND;TZID=America/Halifax:20220930T210000
DTSTAMP:20260406T085329
CREATED:20220901T184001Z
LAST-MODIFIED:20220926T224229Z
UID:97664-1664560800-1664571600@artinamericaguide.com
SUMMARY:Repopulations: New Horizons
DESCRIPTION:REPOPULATIONS: New Horizons is the second iteration of the Climate Week-inspired exhibition series REPOPULATIONS which focuses on environmentally-themed subjects and takes place yearly during the summer and early fall months. Curated by Daniela Holban\, this exhibition is part of the larger NOoSPHERE Arts’ WE ARE NATURE Series: art events that make full use of the unique stage setting of the Kingsland Wildflowers bird sanctuary at Broadway Stages in Greenpoint\, Brooklyn\, to engage a diverse audience in environmental efforts through art. \nREPOPULATIONS: New Horizons brings together a group of contemporary artists to reflect and discuss environmentally-focused themes\, the state of the world today\, and new conceptions of the future. The exhibition will focus on female-identifying and non-binary artists\, in an attempt to construct visions of the power of creation + destruction and metaphorically reclaim sacred spaces for the priestess archetype. This temporary environment will be used for reflection\, meditation\, and celebration of nature\, humanity\, and inspiration\, a place meant to contemplate how we will build a new world after the pandemic: the epoch-defining event of our time. The exhibition will present site-specific installations\, immersive sound experiences\, video\, sculpture\, and 2D works and will occupy Last Frontier NYC and parts of the Kingsland Wildflowers Rooftops.  \nThe exhibition is sponsored\, in part\, by the Greater New York Arts Development Fund of the NYC Department of Cultural Affairs\, administered by Brooklyn Arts Council (BAC)\, NOoSPHERE Arts\, and Broadway Stages. \n  Save  
URL:https://artinamericaguide.com/event/repopulations-new-horizons/
LOCATION:520 Kingsland Avenue\, Greenpoint\, Brooklyn\, 520 Kingsland Avenue\, Greenpoint\, Brooklyn\, New York City\, NY\, 11222\, United States
CATEGORIES:Event,Exhibition,Pop up
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/VirginiaLunaMontgomery_PsychicSymbiosis_FilmStill_VLM_2-1-scaled.jpg
ORGANIZER;CN="NOoSPHERE Arts":MAILTO:daniela@no-in-nyc.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221001T140000
DTEND;TZID=America/Halifax:20221001T160000
DTSTAMP:20260406T085329
CREATED:20220922T112916Z
LAST-MODIFIED:20220922T112916Z
UID:98744-1664632800-1664640000@artinamericaguide.com
SUMMARY:Poetry Reading
DESCRIPTION:Four poets will read selections of their work: Loralee Nolletti\, Ana Silva\, Ben Gantcher\, and Rachel Eisler. This will be a closing event on the last day of Douglas Anderson’s exhibition – New Work. \n  Save  
URL:https://artinamericaguide.com/event/poetry-reading/
LOCATION:Blue Mountain Gallery\, 547 W 27th St\, Suite 200\, New York\, NY\, 10001\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Doug-Anderson-ancient-park-11x14-acrylic-2.jpg
ORGANIZER;CN="Blue Mountain Gallery":MAILTO:bluemountaingallery@verizon.net
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221002T120000
DTEND;TZID=America/Halifax:20221002T130000
DTSTAMP:20260406T085329
CREATED:20220922T114400Z
LAST-MODIFIED:20220922T114400Z
UID:98472-1664712000-1664715600@artinamericaguide.com
SUMMARY:Exhibition Tour: Dare to Know: Prints and Drawings in the Age of Enlightenment
DESCRIPTION:Join exhibition curator Elizabeth Rudy for an in-depth tour of Dare to Know: Prints and Drawings in the Age of Enlightenment\, on view through January 15\, 2023. She will share insights about how works on paper played a critical role in the 18th century\, wielding the power to visually articulate\, reinforce\, or contradict beliefs as well as biases. \nLed by:\nElizabeth Rudy\, Carl A. Weyerhaeuser Curator of Prints\, Division of European and American Art \nTours are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The tour reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nSee the museum visit page to learn about our general policies for visiting the museums. \nThis exhibition is supported in part by an award from the National Endowment for the Arts. Support for the exhibition is provided by the Melvin R. Seiden and Janine Luke Fund for Publications and Exhibitions\, the Robert M. Light Print Department Fund\, the Stanley H. Durwood Foundation Support Fund\, the Catalogues and Exhibitions Fund for Pre-Twentieth-Century Art of the Fogg Museum\, and the Gladys Krieble Delmas Foundation. The catalogue was made possible by the Andrew W. Mellon Publication Funds\, including the Henry P. McIlhenny Fund. Related programming is supported by the M. Victor Leventritt Lecture Series Endowment Fund. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/exhibition-tour-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment-3/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Dagoty-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221003T100000
DTEND;TZID=America/Halifax:20230114T170000
DTSTAMP:20260406T085329
CREATED:20220926T141754Z
LAST-MODIFIED:20220926T141754Z
UID:98866-1664791200-1673715600@artinamericaguide.com
SUMMARY:Otis Houston Jr.: My Name is My Word
DESCRIPTION:Living in Harlem\, New York\, Otis Houston Jr. acts as an alchemist. He mixes everyday items\, movements\, and thoughts to create multimedia assemblages\, paintings\, performances\, and text-based signs. \nHouston is best known for his public performances and installation work on FDR Drive by New York’s East River\, where he has been working since 1997. These site-specific installations include his writing\, poetry\, singing\, found objects\, and fruit\, which are used as both props and materials. Otis Houston Jr.: My Name is My Word will be the artist’s first museum exhibition. \nHouston’s artistic journey began in the 1990s when he worked on a series of print-media collages while incarcerated. Since then\, he has cultivated an ongoing journaling practice\, recording his experiences and beliefs. These insights are some of his many missives and protests spray-painted on a series of towels and canvases and displayed in public spaces and performances. His work often addresses racism\, poverty\, and addiction\, while promoting messages of health\, love\, and self-acceptance. \nThe fluidity of his practice generously invites viewers to both give and receive. He encourages public engagement and accepts environmental influences in his open-air studio and stage. \n*Houston will be at the John Michael Kohler Arts Center October 3–7\, sharing his assemblage work and performances. He will be working with the exhibitions team to install some of his existing work\, while also making new work on-site. During that time\, he will have open hours to share his process and converse with visitors. After he leaves\, the gallery will close for a week as we prepare to open an exhibition of this work\, on view from October 15\, 2022–January 14\, 2023.  \n  \n  \nImage: Otis Houston Jr.\, The Thangofmajig\, 2018; found and altered objects and mixed media; 38 x 26 3/4 x 14 1/2 in. Courtesy of Gordon Robichaux\, NY. Photo: Gregory Carideo. \n  Save  
URL:https://artinamericaguide.com/event/otis-houston-jr-my-name-is-my-word/
LOCATION:John Michael Kohler Arts Center\, 608 New York Avenue\, Sheboygan\, WI\, 53081\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/ex.hou_.2022.5004-648-px-max-dimension-jpg.jpg
ORGANIZER;CN="John Michael Kohler Arts Center":MAILTO:generalinfo@jmkac.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221004T140000
DTEND;TZID=America/Halifax:20221004T143000
DTSTAMP:20260406T085329
CREATED:20220916T212817Z
LAST-MODIFIED:20220916T212817Z
UID:98511-1664892000-1664893800@artinamericaguide.com
SUMMARY:Gallery Talk: Funerary Portraits of Roman Egypt
DESCRIPTION:Funerary Portraits of Roman Egypt: Facing Forward is a team-curated exhibition that brings together art history\, Egyptology\, and conservation science to illuminate artists’ processes and the life stories of the people depicted in funerary portraits. Join two exhibition curators as they describe what can be learned when close looking\, scientific analysis\, and community collaboration combine. \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease visit the museum website to learn about our general policies. \nSupport for this exhibition is provided by the Kelekian Fund\, the Christopher and Jean Angell Charitable Fund\, and the Kornfeld Foundation (through Christopher Angell). Related programming is supported by the M. Victor Leventritt Lecture Series Endowment Fund. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-funerary-portraits-of-roman-egypt/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/09/Funerary-Portrait_1200_1200.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221006T160000
DTEND;TZID=America/Halifax:20221006T170000
DTSTAMP:20260406T085329
CREATED:20220817T144626Z
LAST-MODIFIED:20220817T144626Z
UID:96271-1665072000-1665075600@artinamericaguide.com
SUMMARY:Gallery Talk with Guest Curator Susannah Ray
DESCRIPTION:Join Susannah Ray\, guest curator of New York\, New York: Photographs from the Collection\, for a curator-led tour of the exhibition. She will share her insights and thoughts about the photographs she selected. \n  \nAdmission is free. RSVP to 516.463.5672 \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-with-guest-curator-susannah-ray/
LOCATION:Emily Lowe Gallery at Hofstra University\, 112 Hofstra University\, Hempstead\, NY\, 11549\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/08/Feinstein_91.206.10-scaled.jpg
ORGANIZER;CN="Hofstra University Museum of Art":MAILTO:museum@hofstra.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221006T170000
DTEND;TZID=America/Halifax:20221006T200000
DTSTAMP:20260406T085329
CREATED:20220922T112916Z
LAST-MODIFIED:20220922T112916Z
UID:98748-1665075600-1665086400@artinamericaguide.com
SUMMARY:Opening Reception for Jim Weidle's "Paint - Apply Now"
DESCRIPTION:Painter Jim Weidle will showcase some of his recent oil paintings at Blue Mountain Gallery this October. Jim’s work spans the gamut of subject matter\, ranging from sprawling landscapes to intimate interiors. \nArtist Statement:”Painting has the decency to hold still\, as few dare or can\, permitting one’s eye a tiny but wild freedom: to travel as it will.”\n  Save  
URL:https://artinamericaguide.com/event/opening-reception-for-jim-weidles-paint-apply-now/
LOCATION:Blue Mountain Gallery\, 547 W 27th St\, Suite 200\, New York\, NY\, 10001\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Jim-Weidle-Patinir-Look-See-36x48-oil-on-canvas-2022-1.jpg
ORGANIZER;CN="Blue Mountain Gallery":MAILTO:bluemountaingallery@verizon.net
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221006T180000
DTEND;TZID=America/Halifax:20221006T191500
DTSTAMP:20260406T085329
CREATED:20220922T112916Z
LAST-MODIFIED:20220922T112916Z
UID:98703-1665079200-1665083700@artinamericaguide.com
SUMMARY:“Mummy Portraits” of Roman Egypt: Status\, Ethnicity\, and Magic
DESCRIPTION:In ancient Egypt\, one of the final steps in the mummification process was to equip the body with a permanent face covering that helped protect the head and also ritually transform the deceased into a god. The earliest examples of these were stylized masks\, later replaced by more realistically rendered painted portraits. Using evidence from the archaeological record and the Book of the Dead—a series of spells meant to guide the dead as they sought eternal life—art professor Lorelei Corcoran will discuss the production and function of the “mummy portraits” that were popular throughout Egypt in the Roman period. She’ll also explore what these images reveal about the religious beliefs and multilayered ethnicities of their subjects. \nThis hybrid event will be held in person and online. The event will be held at the Geological Lecture Hall\, 24 Oxford Street\, in Cambridge. Free parking is available in the 52 Oxford Street Garage. \nThis event is free\, but advance registration required for either virtual or in-person attendance. A Zoom link will be shared upon registration for those opting to join virtually. \nPresented by the Harvard Museum of the Ancient Near East and the Harvard Museums of Science & Culture in collaboration with the Harvard Art Museums. The related Harvard Art Museums exhibition\, Funerary Portraits from Roman Egypt: Facing Forward\, is on view through December 30\, 2022. \n  Save  
URL:https://artinamericaguide.com/event/mummy-portraits-of-roman-egypt-status-ethnicity-and-magic/
LOCATION:Geological Lecture Hall\, 24 Oxford Street Cambridge MA\, 24 Oxford Street\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Event,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Portrait-of-a-woman_Funerary-Portraits.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221006T180000
DTEND;TZID=America/Halifax:20221006T200000
DTSTAMP:20260406T085329
CREATED:20220825T181125Z
LAST-MODIFIED:20220825T181125Z
UID:97088-1665079200-1665086400@artinamericaguide.com
SUMMARY:Maira Kalman: Women Holding Things Opening Reception
DESCRIPTION:Mary Ryan Gallery is pleased to present Women Holding Things\, a collection of over 30 new paintings by Maira Kalman. Created during the pandemic\, it is a love song to the women in our world. This will be Kalman’s debut exhibition at Mary Ryan Gallery. \n“What do women hold?” Kalman asks. “The home and the family. And the children and the food. The friendships. The work. The work of the world. And the work of being human. The memories. And the troubles. And the sorrows and the triumphs. And the love.” \nWomen Holding Things began in the spring of 2021 as Kalman and her son\, Alex Kalman\, created a limited-edition booklet by the same name which served as the conceptual basis of the publication and exhibition opening this fall. The booklet\, which began as a fundraiser in support of charities combating hunger\, expanded to a full book published by HarperCollins with eighty-six paintings illustrating Kalman’s meditations on womanhood. The exhibition on view at Mary Ryan Gallery will include over thirty of the paintings originally published in the book. Each work on view is characterized by Kalman’s trademark style and use of dense gouache to create richly colored paintings on paper. \nTraining her sensitive eye on the inimitable women in her life\, Kalman captures with quiet power the essence of women that have captured her imagination via the objects that fit between their hands—from books to cabbages—and the wealth of meaning ascribed to these objects. In a tour de force of visual storytelling\, she gently reveals the universality of the things her subjects hold dear— the things that burden\, haunt\, and nourish them. The objects held are tools—and occasionally\, evidence—of a life lived\, and as such\, the inanimate objects captured in Kalman’s paintings are each pinned by the hope\, joy and sadness of those that carry them. \nThe figures holding things in Kalman’s paintings include a wide range of wo men. Some\, like Gertrude Stein\, Edith Sitwell\, Ayana V. Jackson\, or Kiki Smith\, are well known. Others\, such as Kalman’s daughter\, granddaughters\, or cousin Iris\, are fixtures of Kalman’s intimate life. Also included in Women Holding Things are select portraits of men\, including Rilke and Chekov and Kalman’s father. Finally\, there are portraits of objects holding things. All of Kalman’s subjects hold a rich interiority. \n  Save  
URL:https://artinamericaguide.com/event/maira-kalman-women-holding-things-opening-reception/
LOCATION:Mary Ryan Gallery\, 515 W 26th St\, 3rd Fl\, New York\, NY\, 10001\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/08/kiki-in-the-garden-framed-1.jpg
ORGANIZER;CN="Mary Ryan Gallery":MAILTO:info@maryryangallery.com
GEO:40.7500935;-74.0036112
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Mary Ryan Gallery 515 W 26th St 3rd Fl New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=515 W 26th St\, 3rd Fl:geo:-74.0036112,40.7500935
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221007T130000
DTEND;TZID=America/Halifax:20221007T180000
DTSTAMP:20260406T085329
CREATED:20220928T173450Z
LAST-MODIFIED:20220928T173450Z
UID:99151-1665147600-1665165600@artinamericaguide.com
SUMMARY:We Are Made of Stories: Selfhood and Experience in Art: The Margaret Z. Robson Symposium Series
DESCRIPTION:This half-day symposium addresses recent scholarship centering on the critical role of content and culture in the field of self-taught American art. \nArtists Joseph Yoakum\, Henry Darger\, Nellie Mae Rowe\, Sam Doyle\, Judith Scott\, and Dan Miller are highlighted for their creative abilities while challenging the notions of invisibility and historical hierarchies. Co-moderated by SAAM curator Leslie Umberger and Tom di Maria\, director emeritus of Creative Growth Art Center\, a five-speaker panel addresses these six artists’ contributions to American art. \nThis program is presented both in person and online. We Are Made of Stories: Selfhood and Experience in Art is the second program in the Margaret Z. Robson Symposium Series. Support for the series is provided by Douglas O. Robson. \nDoors open at 12:30 p.m. for in-person attendees. Registrants can also participate via the museum’s livestream on its YouTube channel. \n  Save  
URL:https://artinamericaguide.com/event/we-are-made-of-stories-selfhood-and-experience-in-art-the-margaret-z-robson-symposium-series/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
CATEGORIES:Event,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/SAAM-2016.38.43R-V_2.jpg
ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221007T183000
DTEND;TZID=America/Halifax:20221007T200000
DTSTAMP:20260406T085329
CREATED:20220922T113536Z
LAST-MODIFIED:20220922T113536Z
UID:98486-1665167400-1665172800@artinamericaguide.com
SUMMARY:Disrupt the View: A Conversation with Arlene Shechet
DESCRIPTION:In her installation Disrupt the View: Arlene Shechet at the Harvard Art Museums\, contemporary sculptor Arlene Shechet presents her recent work alongside historical German\, Japanese\, and Chinese porcelain objects from the Harvard Art Museums. \nJoin curator Lynette Roth as she talks with Shechet about her artistic process\, her past collaborations with German porcelain manufactory workers\, and how she recontextualizes these remarkable objects to speak to the larger history of labor\, class\, and global trade. \nDisrupt the View is on view through July 6\, 2025. \nSpeakers:\nArlene Shechet\, Artist \nLynette Roth\, Daimler Curator of the Busch-Reisinger Museum\, Division of Modern and Contemporary Art\, Harvard Art Museums \nBefore the lecture\, guests are invited to visit the exhibition on Level 1. \nFree admission\, but seating is limited\, and reservations are required. Reservations may be arranged by clicking on the event on this form beginning on Tuesday\, September 27\, after 10am. \nThe lecture will take place in Menschel Hall\, Lower Level. Doors will open at 5:30pm from the Broadway entrance for gallery access\, and at 6:00pm for seating for the lecture. The lecture begins at 6:30pm. Please review our general visitor policies\, including details on COVID-related precautions. \nLimited complimentary parking is available in the Broadway Garage\, 7 Felton Street\, Cambridge. \nThis installation and related programming are supported by the Charles Kuhn Endowment Fund in the Busch-Reisinger Museum. Support for the lecture is also provided by the M. Victor Leventritt Fund\, which was established through the generosity of the wife\, children\, and friends of the late M. Victor Leventritt\, Harvard Class of 1935. The purpose of the fund is to present outstanding scholars of the history and theory of art to the Harvard and Greater Boston communities. Modern and contemporary art programs at the Harvard Art Museums are made possible in part by generous support from the Emily Rauh Pulitzer and Joseph Pulitzer\, Jr.\, Fund for Modern and Contemporary Art. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/disrupt-the-view-a-conversation-with-arlene-shechet/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/09/Shechet_600_400.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221009T100000
DTEND;TZID=America/Halifax:20221009T130000
DTSTAMP:20260406T085329
CREATED:20220922T113149Z
LAST-MODIFIED:20220922T113149Z
UID:98733-1665309600-1665320400@artinamericaguide.com
SUMMARY:Materials Lab Workshop: Modeling Material Culture in Paper
DESCRIPTION:This workshop is inspired by the exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment\, which explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the so-called age of reason. It invites visitors to embrace the Enlightenment’s same spirit of inquiry—to investigate\, to persuade\, and to imagine. The exhibition is on view at the Harvard Art Museums through January 15\, 2023. \nWe will first gather in the galleries with Elizabeth Rudy\, the Carl A. Weyerhaeuser Curator of Prints\, and visiting artist Angela Lorenz. Rudy will explain the main themes of the exhibition and focus on a few works that present mysteries that remain unsolved. Lorenz will show examples of her “McSpheres” (Material Culture Spheres). These spheres serve as a low-tech\, open model for the 3-D visualization of objects. She developed them as tools to explore\, categorize\, and describe any object in the world—and to create connections with other objects. Participants will have an opportunity to closely examine and discuss the selected works together in the galleries. We will then proceed to the Materials Lab to fashion our own McSpheres. A conversation about the participants’ creations and the works in the exhibition will conclude the workshop. \nLorenz sees the McSphere as “a call and response specific to Dare to Know\, but [also as] a way to access critical thinking that applies to any object\, environment\, cupboard\, refrigerator\, living room or neighborhood. Some people will go micro to the carbon atom and the water cycle\, others macro to settler colonialism and global trade.” The artist’s hope is that the McSphere will serve as a tool for the exploration of objects in other museums\, neighborhoods\, and contexts. \nLed by:\nElizabeth Rudy\, Carl A. Weyerhaeuser Curator of Prints\, Harvard Art Museums\nAngela Lorenz\, Artist \nNo prior experience necessary. Bring your imagination\, curiosity\, and creativity! This workshop will take place in the Materials Lab\, Lower Level. \n$15 materials fee. Registration is required and space is limited. Registration for this workshop will open on Thursday\, September 29\, 2022 at this link\, and participants will be admitted on a first-come\, first-served basis. To join the waitlist\, please email am_register@harvard.edu. Minimum age of 14. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/materials-lab-workshop-modeling-material-culture-in-paper/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Angela-Lorenz.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221009T140000
DTEND;TZID=America/Halifax:20221009T170000
DTSTAMP:20260406T085329
CREATED:20220922T113536Z
LAST-MODIFIED:20220922T113536Z
UID:98476-1665324000-1665334800@artinamericaguide.com
SUMMARY:Screens for Teens: Sublime and The One You Never Forget
DESCRIPTION:This series of contemporary and classic films is specially curated for teenagers in and around Cambridge. The selection\, including both short and feature-length films\, is meant to provide teens with an opportunity to watch work focused explicitly on their experiences. Covering a range of topics\, emotions\, and nuances\, these free films—depending on length and scope—will be followed by conversation with faculty from the Cambridge Rindge and Latin School. \nAbout today’s films:\nThe One You Never Forget\, 2019 (Morgan Jon Fox; English; 9 min.) \nA 14-year-old African American excitedly prepares for his first prom\, but when his date arrives he’s faced with a split-second decision. \nSublime\, 2022 (Meinkincine; Spanish with English subtitles; 100 min.) \nSixteen-year-old Manuel lives in a small coastal town. He plays bass in a band with his best friends. One of them is Felipe\, with whom he shares a strong friendship from a very young age. Manuel is dating Azul\, a relationship that they are intensely exploring. But when it comes time to have their first time together\, Manuel feels something completely new that makes him see Felipe with different eyes. Routine situations of that friendship change tenor. Manuel tries to figure out if the impulse is mutual. The challenge is not putting the friendship at risk. \nFree admission\, but seating is limited and reservations are required. Reservations may be arranged by clicking on the event on this form beginning on Friday\, September 30\, after 10am. \nThe screening will take place in Menschel Hall\, Lower Level. Doors will open at 1:30pm. \nPlease see the museum visit page to learn about our general policies for visiting the museums. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/screens-for-teens-sublime-and-the-one-you-never-forget/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/09/Sublime_900_600.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221011T100000
DTEND;TZID=America/Halifax:20221011T130000
DTSTAMP:20260406T085329
CREATED:20220926T141840Z
LAST-MODIFIED:20220926T210553Z
UID:98861-1665482400-1665493200@artinamericaguide.com
SUMMARY:Materials Lab Workshop: Modeling Material Culture in Paper
DESCRIPTION:This workshop is inspired by the exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment\, which explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the so-called age of reason. It invites visitors to embrace the Enlightenment’s same spirit of inquiry—to investigate\, to persuade\, and to imagine. The exhibition is on view at the Harvard Art Museums through January 15\, 2023. \nWe will first gather in the galleries with Elizabeth Rudy\, the Carl A. Weyerhaeuser Curator of Prints\, and visiting artist Angela Lorenz. Rudy will explain the main themes of the exhibition and focus on a few works that present mysteries that remain unsolved. Lorenz will show examples of her “McSpheres” (Material Culture Spheres). These spheres serve as a low-tech\, open model for the 3-D visualization of objects. She developed them as tools to explore\, categorize\, and describe any object in the world—and to create connections with other objects. Participants will have an opportunity to closely examine and discuss the selected works together in the galleries. We will then proceed to the Materials Lab to fashion our own McSpheres. A conversation about the participants’ creations and the works in the exhibition will conclude the workshop. \nLorenz sees the McSphere as “a call and response specific to Dare to Know\, but [also as] a way to access critical thinking that applies to any object\, environment\, cupboard\, refrigerator\, living room or neighborhood. Some people will go micro to the carbon atom and the water cycle\, others macro to settler colonialism and global trade.” The artist’s hope is that the McSphere will serve as a tool for the exploration of objects in other museums\, neighborhoods\, and contexts. \nLed by:\nElizabeth Rudy\, Carl A. Weyerhaeuser Curator of Prints\, Harvard Art Museums\nAngela Lorenz\, Artist \nNo prior experience necessary. Bring your imagination\, curiosity\, and creativity! This workshop will take place in the Materials Lab\, Lower Level. \n$15 materials fee. Registration is required and space is limited. Registration for this workshop will open on Saturday\, October 1\, 2022 at this link\, and participants will be admitted on a first-come\, first-served basis. To join the waitlist\, please email am_register@harvard.edu. Minimum age of 14. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/materials-lab-workshop-modeling-material-culture-in-paper-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Angela-Lorenz-1.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221015T150000
DTEND;TZID=America/Halifax:20221015T170000
DTSTAMP:20260406T085329
CREATED:20221010T152059Z
LAST-MODIFIED:20221010T154932Z
UID:99803-1665846000-1665853200@artinamericaguide.com
SUMMARY:Strange Figurations
DESCRIPTION:The Limner Gallery features a group exhibition of figurative work on view from October 13 – November 5\, 2022 with a reception for the artists on Friday\, Oct. 15\, 3-5pm. Image: “Critical Family” © Lowell Miller 2018\, ceramic\, epoxy\, oil paint More about Lowell Miller and his work: https://bit.ly/ccaplmiller\nStrange Figurations\nLimner Gallery\n123 Warren Street\nHudson\, NY 12534\n518-567-7858\nHours: Thurs – Sat 12 -5pm \n  Save  
URL:https://artinamericaguide.com/event/strange-figurations/
LOCATION:Limner Gallery\, 123 Warren Street\, Hudson\, NY\, 12434\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/IMG_8481.jpg
ORGANIZER;CN="Limner Gallery":MAILTO:thelimner@aol.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221016T100000
DTEND;TZID=America/Halifax:20221016T130000
DTSTAMP:20260406T085329
CREATED:20220922T113309Z
LAST-MODIFIED:20220922T113309Z
UID:98723-1665914400-1665925200@artinamericaguide.com
SUMMARY:Materials Lab Workshop: Making Faces
DESCRIPTION:This workshop accompanies the exhibition Funerary Portraits from Roman Egypt: Facing Forward\, which invites viewers to ask more about the complicated histories of these portraits and the people they depict. The exhibition explores what can be learned about the artistic process and current condition of these works through scientific analysis and technical research conducted by staff in the Harvard Art Museums’ Straus Center for Conservation and Technical Studies. Funerary Portraits is on view through December 30\, 2022. \nIn this two-part workshop\, join us first in the exhibition galleries with curator Susanne Ebbinghaus and conservator Kate Smith for a close look at the portraits and learn what our curators\, conservators\, and scientists have discovered about them. Then take that experience to the Materials Lab\, where you’ll make your own version of an ancient tempera painting using some of the same materials and techniques used by Roman-period artists. This workshop aims to honor and remember the woman in the ancient portrait we will copy\, and to celebrate the relationship between artist and sitter that allowed the woman’s essence to be captured so powerfully. \nLed by:\nSusanne Ebbinghaus\, George M.A. Hanfmann Curator of Ancient Art and Head\, Division of Asian and Mediterranean Art\nKate Smith\, Conservator of Paintings and Head of Paintings Lab\, Straus Center for Conservation and Technical Studies \nNo prior experience necessary. This workshop will take place in the Materials Lab\, Lower Level. \n$15 materials fee. Registration is required and space is limited. Registration for this workshop will open on Thursday\, October 6\, 2022 at this link\, and participants will be admitted on a first-come\, first-served basis. To join the waitlist\, please email am_register@harvard.edu. Minimum age of 14. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/materials-lab-workshop-making-faces-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Portrait-of-a-woman_Funerary-Portraits-1.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221020T170000
DTEND;TZID=America/Halifax:20221020T210000
DTSTAMP:20260406T085329
CREATED:20220926T141716Z
LAST-MODIFIED:20220926T141716Z
UID:98918-1666285200-1666299600@artinamericaguide.com
SUMMARY:MUSEUM AFTER HOURS: FORWARD
DESCRIPTION:On Thursday\, October 20\, 2022\, in conjunction with Museum After Hours\, from 6 PM until 7:30 PM\, Pike School of Art\, in partnership with the Mississippi Museum of Art\, will host a listening session of Charles Edward William’s work\, FORWARD and a panel discussion about the works place in the history of the Civil Rights Movement. The panel will take place at the Mississippi Museum of Art located at 380 South Lamar Street\, Jackson\, MS 39201 and will feature\, along with the artist\, Monique Davis\, Managing Director for the Center for Art and Public Exchange (CAPE) at the Mississippi Museum of Art m; Brenda Travis\, an African American veteran of the Civil Rights Movement from McComb\, Mississippi whose imprisonment for protesting a segregated bus station and participation in a peaceful high school walk out in 1961 helped catalyze public sentiment against segregation and Flonzie Brown Wright\, best-selling author of Looking Back to Move Ahead\, which chronicles her journey growing up in a small Mississippi town through her work in the Civil Rights Movement in the 1960s and 1970s\, three powerful women of color and consummate experts in their fields. \n  Save  
URL:https://artinamericaguide.com/event/museum-after-hours-forward/
LOCATION:Mississippi Museum of Art\, 380 South Lamar Street\, Jackson\, 39201\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Forward-CEW-Final-Web.jpg
ORGANIZER;CN="Pike School of Art %E2%80%93 Mississippi":MAILTO:contact@psa-ms.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221023T120000
DTEND;TZID=America/Halifax:20221023T130000
DTSTAMP:20260406T085329
CREATED:20220922T114326Z
LAST-MODIFIED:20220922T114326Z
UID:98474-1666526400-1666530000@artinamericaguide.com
SUMMARY:Exhibition Tour: Dare to Know: Prints and Drawings in the Age of Enlightenment
DESCRIPTION:Join exhibition curator Elizabeth Rudy for an in-depth tour of Dare to Know: Prints and Drawings in the Age of Enlightenment\, on view through January 15\, 2023. She will share insights about how works on paper played a critical role in the 18th century\, wielding the power to visually articulate\, reinforce\, or contradict beliefs as well as biases. \nLed by:\nElizabeth Rudy\, Carl A. Weyerhaeuser Curator of Prints\, Division of European and American Art \nTours are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The tour reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nSee the museum visit page to learn about our general policies for visiting the museums. \nThis exhibition is supported in part by an award from the National Endowment for the Arts. Support for the exhibition is provided by the Melvin R. Seiden and Janine Luke Fund for Publications and Exhibitions\, the Robert M. Light Print Department Fund\, the Stanley H. Durwood Foundation Support Fund\, the Catalogues and Exhibitions Fund for Pre-Twentieth-Century Art of the Fogg Museum\, and the Gladys Krieble Delmas Foundation. The catalogue was made possible by the Andrew W. Mellon Publication Funds\, including the Henry P. McIlhenny Fund. Related programming is supported by the M. Victor Leventritt Lecture Series Endowment Fund. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/exhibition-tour-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Dagoty-2.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
END:VCALENDAR