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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230427T123000
DTEND;TZID=America/Halifax:20230427T130000
DTSTAMP:20260407T122315
CREATED:20230419T174917Z
LAST-MODIFIED:20230419T174917Z
UID:102949-1682598600-1682600400@artinamericaguide.com
SUMMARY:Gallery Talk: Activation of Moholy-Nagy’s Light Prop for an Electric Stage
DESCRIPTION:Join staff as they discuss and activate this experimental device from 1930 by László Moholy-Nagy\, a Bauhaus pioneer. \nLed by:\nKyle Stephan\, Hakuta Family Nam June Paik Curatorial Fellow\, Division of Modern and Contemporary Art \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-activation-of-moholy-nagys-light-prop-for-an-electric-stage-7/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/04/Laszlo-Moholy-Nagy.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230427T170000
DTEND;TZID=America/Halifax:20230427T200000
DTSTAMP:20260407T122315
CREATED:20230405T193939Z
LAST-MODIFIED:20230405T193939Z
UID:102719-1682614800-1682625600@artinamericaguide.com
SUMMARY:Margeaux Walter | Don't Be A Square
DESCRIPTION:Winston Wachter Fine Art\, New York is excited to announce Don’t Be A Square\, an exhibition of new works by photographer\, Margeaux Walter.  In this series\, the artist expands on her signature style of creating environments that tread a fine line between fantasy and reality while taking a closer look at the natural world.  Walter investigates the current period in history known as the Anthropecene age and how human activity has started to have a significant irreversible impact on the planet’s climate. \nIn December of 2019\, Margeaux Walter began this body of work during a two-week stay in California\, and then continued the series in 2021 when she was awarded the Joshua Tree Highlands Artist Residency. She set out to explore the disconnection between humans and the landscapes around them.  In each of the photographs\, Walter constructs “a glitch in time”\, as if humanity has camouflaged itself into the surrounding land\, yet cannot find harmony.  Each “glitch” is portrayed in the form of a square\, a shape rarely found in nature\, which can be interpreted as a pixel or cubicle. \nThe artist sought out landscapes with depth and saturated in deep hues.  She needed to capture the scenes at just the right time of day while using various props to stage each story and herself as the characters. In the image Backstage\, a sunset of pinks and blues illuminate a rocky foreground. A pink curtain floats in the center of the image\, parted just enough to allow the viewer to see a character dressed to match. The photograph\, Nap\, while it appears to be a still and calm scene\, has someone drifting away on a lake in all blue clothing\, lying in a matching inflatable couch. \nMargeaux Walter plays with the contrast between the striking landscapes and subtle human present imbedded in the image to create a surrealistic tableau. Her work pulls the viewer in\, requiring more than a quick glance\, to spark a second thought about the relationship humans have with the environment and the impact even little changes can make. \n  Save  
URL:https://artinamericaguide.com/event/margeaux-walter-dont-be-a-square/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/03/Backstage.jpg
ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Winston Wächter Fine Art 530 W 25th St New York New York 10001;X-APPLE-RADIUS=500;X-TITLE=530 W 25th St:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230427T170000
DTEND;TZID=America/Halifax:20230427T210000
DTSTAMP:20260407T122315
CREATED:20230419T174917Z
LAST-MODIFIED:20230419T174917Z
UID:102947-1682614800-1682629200@artinamericaguide.com
SUMMARY:Harvard Art Museums at Night
DESCRIPTION:Join us for an evening of art\, fun\, food\, and more! This event is free and open to everyone. \nBring your friends to mingle in the Calderwood Courtyard\, chat over a snack or drink at Jenny’s Cafe\, browse the shop\, and of course\, wander the galleries to take in our world-class collections of art\, all set to the smooth sounds of Boston area DJ Charles Azagra. \nCheck out creations by local jewelry maker Rina Young who will be in the museum shop. Tours will be available in the galleries throughout the evening. Lamplighter Brewing Co is the featured local vendor\, along with delicious Mediterranean parfaits from Arlington’s Magic Bites\, available for purchase in the courtyard. \nStop by the Materials Lab\, play with flowers\, and experience nature anew\, as part of Spring – an interactive projection celebrating the end of winter. Created by Devon Bryant; assisted by Susan Berstler and Josh Widdicombe. \nExplore the exhibitions From the Andes to the Caribbean: American Art from the Spanish Empire and A World Within Reach: Greek and Roman Art from the Loeb Collection on Level 3\, and the newly opened public art installation Bosco Sodi: Origen on level 1. \n  Save  
URL:https://artinamericaguide.com/event/harvard-art-museums-at-night-8/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/04/April-At-Night.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230428T180000
DTEND;TZID=America/Halifax:20230428T200000
DTSTAMP:20260407T122315
CREATED:20230320T145916Z
LAST-MODIFIED:20230320T145916Z
UID:102573-1682704800-1682712000@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Opening Reception @ Art Works
DESCRIPTION:In April we proudly partner with the Henrico Center for the Arts. Students presents their annual exhibit. Throughout their courses of art studies\, Mary Scurlock guides her students through the many facets of art. The culmination of this work is the senior show at Art Works.  The exhibit will be in the Jane Sandelin Gallery. \n  \nThe April All Media Show is a focal point of Art Works monthly openings. Local artists submit work of all subject matter and mediums. Tim Gowan is presenting a curator exhibit and Elizabeth Caffery will exhibit\, Island of Dreams\, a mixed media show. \n  \nJoin us on April 28th 6 p.m. – 8 p.m. for the opening reception. Meet the artists and enjoy live music\, refreshments and libations sponsored by RVA Thriving Artists. Parking is free. The exhibits continue through May 20\, 2023. This event is free and open to the public. \nHenrico Center for the Arts \nSenior students of the Henrico Center for the Arts program\, under Mary Scurlock’s guidance\, present their artwork for public view. This exhibit will be in the Jane Sandelin Gallery. The exhibit continues through May 13\, 2023. \n  \n  \nIntroductions: A Group Show by the Boxcar Artist Group  \n  \nBoxcar Artist Group (BAG) is a networking and creative development community providing artists a supportive place to share work\, receive feedback and form creative opinions. The goal of BAG is to support\, strengthen\, and enjoy the fellowship of artists. Membership is open to anyone who loves art and there are no fees associated with BAG. We strongly encourage participations of all races\, gender\, national origin\, disability\, religious beliefs\, LGBTQ and artists of all ages. This exhibit will be curated by Tim Gowan and will be in the be in the Centre Gallery. \nIsland of Dreams by Elizabeth Caffery \nElizabeth Caffery is a mixed media artist. She received a Bachelor of Arts degree with an emphasis on Studio Art in 1986\, from Randolph Macon College. This exhibit will be in the Corner Gallery. \nALL MEDIA ART SHOW   \nThis exhibit is a focal point of all Art Works’ openings.  It is a juried show with cash prizes for 1st\, 2nd and 3rd place. Eric Rivera Barbeito will be the juror for the exhibit. The show is open to all artists and all mediums. There is no theme for this show. This exhibit will be in the Skylight Gallery. \n  \nCall for entries is March 1- April 17\, 2023. Submit your entries through our online form. Check our website for details on submitting your artwork:   artworksrva.com  \n  \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-opening-reception-art-works-32/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/03/PR-Image-Elizabeth-Caffery-Court-Jester.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230429T110000
DTEND;TZID=America/Halifax:20230520T170000
DTSTAMP:20260407T122315
CREATED:20230320T145854Z
LAST-MODIFIED:20230320T145854Z
UID:102575-1682766000-1684602000@artinamericaguide.com
SUMMARY:April-May Exhibits @ Art Works!
DESCRIPTION:Visit these new exhibits and 80 working artist studios Tuesday – Sunday\, 11 am – 5pm. The student exhibit continues through May 13th\, the other exhibits continue through May 20\, 2023. Admission is free and open to the public. \nHenrico Center for the Arts \nSenior students of the Henrico Center for the Arts program\, under Mary Scurlock’s guidance\, present their artwork for public view. This exhibit will be in the Jane Sandelin Gallery. The exhibit continues through May 13\, 2023. \n  \n  \nIntroductions: A Group Show by the Boxcar Artist Group  \n  \nBoxcar Artist Group (BAG) is a networking and creative development community providing artists a supportive place to share work\, receive feedback and form creative opinions. The goal of BAG is to support\, strengthen\, and enjoy the fellowship of artists. Membership is open to anyone who loves art and there are no fees associated with BAG. We strongly encourage participations of all races\, gender\, national origin\, disability\, religious beliefs\, LGBTQ and artists of all ages. This exhibit will be curated by Tim Gowan and will be in the be in the Centre Gallery. \nIsland of Dreams by Elizabeth Caffery \nElizabeth Caffery is a mixed media artist. She received a Bachelor of Arts degree with an emphasis on Studio Art in 1986\, from Randolph Macon College. This exhibit will be in the Corner Gallery. \nALL MEDIA ART SHOW   \nThis exhibit is a focal point of all Art Works’ openings.  It is a juried show with cash prizes for 1st\, 2nd and 3rd place. Eric Rivera Barbeito will be the juror for the exhibit. The show is open to all artists and all mediums. There is no theme for this show. This exhibit will be in the Skylight Gallery. \n  \nCall for entries is March 1- April 17\, 2023. Submit your entries through our online form. Check our website for details on submitting your artwork:   artworksrva.com  \n  \n  Save  
URL:https://artinamericaguide.com/event/april-may-exhibits-art-works-2/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/03/PR-Image-Elizabeth-Caffery-Court-Jester-1.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230503T123000
DTEND;TZID=America/Halifax:20230503T130000
DTSTAMP:20260407T122315
CREATED:20230425T190229Z
LAST-MODIFIED:20230425T190229Z
UID:103046-1683117000-1683118800@artinamericaguide.com
SUMMARY:Gallery Talk: Paintings in Residence—Works from the Terra Foundation for American Art
DESCRIPTION:The Harvard Art Museums are among a group of academic museums participating in the Terra Foundation for American Art’s Collection-in-Residence Program. Each institution will host significant works of art loaned by the Terra Foundation for American Art. Over the next four years\, the Harvard Art Museums will display\, research\, and create exciting programs around these works\, including an investigation of their material histories. \nLed by:\nKimia Shahi\, Assistant Professor in the Department of Art History\, University of Southern California\, and Kernan Brothers Environmental Fellow\, Harvard University Center for the Environment \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-paintings-in-residence-works-from-the-terra-foundation-for-american-art/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/04/05-03-23_Colman-TL42458.2.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230504T110000
DTEND;TZID=America/Halifax:20230504T113000
DTSTAMP:20260407T122315
CREATED:20230302T190316Z
LAST-MODIFIED:20230307T171258Z
UID:102010-1683198000-1683199800@artinamericaguide.com
SUMMARY:Art in Focus: Ethel Fisher\, “Room on East 89th Street”
DESCRIPTION:Each event in our Art in Focus series offers a chance for an informal discussion centered around a single art object\, led by Curator of Education and Academic Engagement Michelle DiMarzo. \nJoin us for an in-person discussion of Room on East 89th Street\, by Ethel Fisher\, and part of the temporary exhibition In Their Element(s): Women Artists Across Media\, on view in the Bellarmine Hall Galleries from April 21-July 15\, 2023. Bring your questions and observations to the in-person conversation! \nPlease note: This event is in-person only and will not be live streamed. If you are interested in the Virtual Art in Focus on Thursday\, May 4 at 12 p.m.\, click here! \n  \nAbout the exhibition: \nThe exhibition – the first exhibition in the museum’s history to have been fully developed and curated by an undergraduate student – features more than 50 contemporary artworks by female artists across a variety of media. Among the artists included in the exhibition are photographers Laurie Simmons and Donna Ferrato\, painter Miriam Shapiro\, and painters and sculptors Linda Stein and Ruby Sky Stiler. The majority of artworks in the exhibition will come from the museum’s collection\, and will include many recent acquisitions\, with select loans coming from the Westport Public Art Collection (WestPAC) and private collections. Curated by Fairfield University student Phoebe Charpentier ’23 \nhttps://www.fairfield.edu/museum/in-their-elements/ \n  \nImage: Ethel Fisher\, Room on East 89th Street\, 1965\, oil on linen. Gift of Margaret Fisher\, 2022 (2022.09.02) \n  Save  
URL:https://artinamericaguide.com/event/art-in-focus-ethel-fisher-room-on-east-89th-street/
LOCATION:Bellarmine Hall Galleries\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/03/Fisher_Room-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230504T120000
DTEND;TZID=America/Halifax:20230504T123000
DTSTAMP:20260407T122315
CREATED:20230302T190316Z
LAST-MODIFIED:20230307T171341Z
UID:102012-1683201600-1683203400@artinamericaguide.com
SUMMARY:Virtual Art in Focus: Ethel Fisher\, “Room on East 89th Street”
DESCRIPTION:Each event in our Art in Focus series offers a chance for an informal discussion centered around a single art object\, led by Curator of Education and Academic Engagement Michelle DiMarzo. \nJoin us for a virtual discussion of Room on East 89th Street\, by Ethel Fisher\, and part of the temporary exhibition In Their Element(s): Women Artists Across Media\, on view in the Bellarmine Hall Galleries from April 21-July 15\, 2023. Bring your questions and observations to our virtual discussion! \nPlease note: This event is virtual only. If you are interested in the in-person Art in Focus on Thursday\, May 4 at 11 a.m.\, click here! \n  \nAbout the exhibition: \nThe exhibition – the first exhibition in the museum’s history to have been fully developed and curated by an undergraduate student – features more than 50 contemporary artworks by female artists across a variety of media. Among the artists included in the exhibition are photographers Laurie Simmons and Donna Ferrato\, painter Miriam Shapiro\, and painters and sculptors Linda Stein and Ruby Sky Stiler. The majority of artworks in the exhibition will come from the museum’s collection\, and will include many recent acquisitions\, with select loans coming from the Westport Public Art Collection (WestPAC) and private collections. Curated by Fairfield University student Phoebe Charpentier ’23. \nhttps://www.fairfield.edu/museum/in-their-elements/ \n  \nImage: Ethel Fisher\, Room on East 89th Street\, 1965\, oil on linen. Gift of Margaret Fisher\, 2022 (2022.09.02) \n  Save  
URL:https://artinamericaguide.com/event/virtual-art-in-focus-ethel-fisher-room-on-east-89th-street/
LOCATION:Fairfield University Art Museum\, 200 Barlow Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/03/Fisher_Room-1-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fairfield University Art Museum 200 Barlow Road Fairfield CT 06824 United States;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230504T123000
DTEND;TZID=America/Halifax:20230504T130000
DTSTAMP:20260407T122315
CREATED:20230425T190228Z
LAST-MODIFIED:20230425T190228Z
UID:103048-1683203400-1683205200@artinamericaguide.com
SUMMARY:Gallery Talk—A World Within Reach: Greek and Roman Art from the Loeb Collection
DESCRIPTION:Join museum staff members for a closer look at ancient objects in the exhibition A World Within Reach: Greek and Roman Art from the Loeb Collection\, as well as insights into the exhibition process. On view through May 7\, 2023\, A World Within Reach examines issues of power\, desire\, and wonder in antiquity and today by delving into small-scale ancient Greek and Roman art. \nLed by:\nAmy Brauer\, Curator of the Collection\, Division of Asian and Mediterranean Art\nCaitlin Clerkin\, Frederick Randolph Grace Curatorial Fellow in Ancient Art\, Division of Asian and Mediterranean Art \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-a-world-within-reach-greek-and-roman-art-from-the-loeb-collection-9/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/04/Woman-with-mirror_1200_1200.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230504T160000
DTEND;TZID=America/Halifax:20230504T200000
DTSTAMP:20260407T122315
CREATED:20230424T154150Z
LAST-MODIFIED:20230424T154150Z
UID:103006-1683216000-1683230400@artinamericaguide.com
SUMMARY:Why Is There Something Rather Than Nothing?
DESCRIPTION:When looking at the beginning of our universe from the time of the big bang\, theoretical physicists allow themselves to ponder the unanswerable question of why life exists in the first place. Why is there something rather than nothing? \nArtist Dorothy Anderson Wasserman‘s photo collages are informed by ideas like this\, concerning the nature of existence from a non-scientific\, philosophical point of view. Questions about time\, dimensions\, gravity\, and entanglement have helped fabricate the imagined spaces where these narratives take place. The thin veil between her inner experience and outer life is explored by having seemingly unrelated images commingle to create new connections and relationships. Photo collage is an agile vehicle for this kind of inner storytelling. \nFor six years Wasserman worked at the Metropolitan Museum of Art\, NYC in their membership department. With her staff card\, she had access to the galleries in the building outside of public hours. Wasserman would visit her favorite works as often as possible\, spending intimate alone-time in quiet reverence. The photographs she took of these artworks and others from the museum’s permanent collection are integrated into her collages\, as well as the sculptures she has made in the past. \nWasserman’s long career in dance contributes to the movement\, rhythm\, and physical gestures in the work. She bought her first camera in 1968 and has maintained a practice of documenting her life by photographing the people\, places\, and activities around her ever since. It has long been her desire to create photo books using her extensive archive. On display are the efforts made in this direction. \nThe collages are exclusively made from Wasserman’s own photographs\, which are assembled by hand using scissors and glue. In this exhibition she presents only original work\, with archival pigment prints on rag paper available as open editions. \n  Save  
URL:https://artinamericaguide.com/event/why-is-there-something-rather-than-nothing/
LOCATION:MA
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/04/Dorothy-AW-scaled.jpg
ORGANIZER;CN="Gallery 110":MAILTO:director@gallery110.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230504T160000
DTEND;TZID=America/Halifax:20230527T170000
DTSTAMP:20260407T122315
CREATED:20230424T154006Z
LAST-MODIFIED:20230424T154006Z
UID:103022-1683216000-1685206800@artinamericaguide.com
SUMMARY:Artist and Artisan: Still Life Paintings
DESCRIPTION:The 15 oil paintings in artist Kathy Roseth‘s exhibition celebrate the beauty of domestic crafts – rugs\, weavings\, ceramic tiles and embroideries from many cultures. \nRoseth first became interested in domestic crafts in the early 1980s\, when she saw a show of Amish quilts at the Henry Art Gallery on the University of Washington campus. She was stunned by the austere power of the geometric shapes\, their pulsing colors\, and the exquisite craftsmanship “that made every square inch worth looking at”. She spent the next twenty years making traditional American quilts\, exploring how a simple geometric pattern establishes a framework through which fantastic color progressions and light effects are possible. Two of the paintings in the show feature her own quilts. \nRoseth’s interest in artisan works intensified in the 2010s when she traveled through Mexico. The first painting she completed for this exhibition was “Talavera Onions” (2021)\, featuring a blue bowl full of vegetables against a background of hand painted yellow and blue Talavera tiles. The tiles were made in Puebla\, Mexico\, in a Mexican craft tradition that dates to medieval Spain and its Islamic-influenced culture of the 10th-15th centuries. The painting is mostly about the vegetables\, as is its companion piece\, “Talavera Turnips.” Both are traditional still-life paintings featuring objects on a tabletop\, with the intent to represent an actual space\, or something close to it. The artisan tiles contribute as decorations. \nIn her subsequent paintings\, the compositions moved away from the tabletop and toward the creation of imaginary spaces that concentrate attention on the artisan objects themselves. “Mayan Shawl” (2023) features a densely embroidered shoulder wrap made in the Mayan town of Zinacatan in Chiapas\, Mexico. In the painting the shawl hangs in an entirely imaginary space\, with images of flowers and corn brocaded into the black background. The painting “Norwegian Hardanger Embroidery and Eggshells” also represents an imaginary space\, with the delicate cotton embroidery implausibly bearing down on hapless eggshells. \nMany of the items represented in these paintings are connected to Roseth’s past and her family’s history. She was born in Iran and grew up surrounded by Middle Eastern rugs. The painting “My Mother’s Sari” features the sari Roseth’s mother wore as a child in Nipani\, India\, the daughter of missionaries. The African textiles were acquired by her sister and a friend in their respective sojourns as Peace Corps volunteers in West Africa. The Norwegian Hardanger embroidery has hung on her bedroom wall for decades. She bought it in the 1990s at a fundraiser for the Lutheran-based housing nonprofit where she used to work. \nRoseth seeks to capture the presence and mystery of her subjects in a spirit of deep respect for their makers and the cultures that nurtured them. She knows from experience that the impulse to make a painting is the same as the impulse to make a quilt. Artists and artisans alike want to make something beautiful\, to make a home for themselves in a cold world. \n  Save  
URL:https://artinamericaguide.com/event/artist-and-artisan-still-life-paintings/
LOCATION:Gallery 110\, 110 3rd Ave. S\, Seattle\, 98104\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/04/Kathy-Roseth-4.jpg
ORGANIZER;CN="Gallery 110":MAILTO:director@gallery110.com
GEO:47.6012564;-122.3300049
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230506T000000
DTEND;TZID=America/Halifax:20231117T000000
DTSTAMP:20260407T122315
CREATED:20230512T201102Z
LAST-MODIFIED:20230512T201102Z
UID:103441-1683331200-1700179200@artinamericaguide.com
SUMMARY:Mark Handforth "Franklin Four"
DESCRIPTION:Luhring Augustine is delighted to announce that Mark Handforth’s public sculpture\, Franklin Street Four\, will be installed in Tribeca’s Barnett Newman Triangle as part of NYC Parks’ Art in the Parks program from May – November 2023. \n  Save  
URL:https://artinamericaguide.com/event/mark-handforth-franklin-four/
LOCATION:Barnett Newman Triangle\, White\, Church\, Sixth Street\, New York\, 10011\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/05/02.23.2023-Franklin-Street-Four-revised-mock-up.png
ORGANIZER;CN="Luhring Augustine":MAILTO:info@luhringaugustine.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230507T120000
DTEND;TZID=America/Halifax:20230507T130000
DTSTAMP:20260407T122315
CREATED:20230427T173838Z
LAST-MODIFIED:20230427T173838Z
UID:103096-1683460800-1683464400@artinamericaguide.com
SUMMARY:Exhibition Tour: From the Andes to the Caribbean: American art from the Spanish Empire
DESCRIPTION:Join associate curator Horace D. Ballard for an in-depth tour of the objects and themes of the exhibition De los Andes al Caribe: El arte americano desde el imperio español/From the Andes to the Caribbean: American Art from the Spanish Empire\, on view until July 30\, 2023. Ballard will share insights about the ways in which the idea of “America” and the canon of American art are inseparable from the histories of Spanish colonialism across the hemisphere. \nFeaturing nearly 50 objects from the Harvard Art Museums collections and the Carl & Marilynn Thoma Foundation\, the exhibition explores how American material and mineral wealth fueled global trade\, changed the course of visual history\, and has had an impact on modern politics that continues today. \nLed by:\nHorace D. Ballard\, Theodore E. Stebbins\, Jr.\, Associate Curator of American Art \n  Save  
URL:https://artinamericaguide.com/event/exhibition-tour-from-the-andes-to-the-caribbean-american-art-from-the-spanish-empire-3/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/04/Sugar-Dish.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230510T123000
DTEND;TZID=America/Halifax:20230510T130000
DTSTAMP:20260407T122315
CREATED:20230428T161417Z
LAST-MODIFIED:20230428T161417Z
UID:103106-1683721800-1683723600@artinamericaguide.com
SUMMARY:Gallery Talk: Paintings in Residence—Works from the Terra Foundation for American Art
DESCRIPTION:The Harvard Art Museums are among a group of academic museums participating in the Terra Foundation for American Art’s Collection-in-Residence Program. Each institution will host significant works of art loaned by the Terra Foundation for American Art. Over the next four years\, the Harvard Art Museums will display\, research\, and create exciting programs around these works\, including an investigation of their material histories. \nLed by:\nKelli Morgan\, Professor of the Practice and Director of Cultural Studies\, Department of the History of Art and Architecture\, Graduate Schools of Arts and Sciences\, Tufts University \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-paintings-in-residence-works-from-the-terra-foundation-for-american-art-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/04/Gallery-of-the-Louvre.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230511T123000
DTEND;TZID=America/Halifax:20230511T130000
DTSTAMP:20260407T122315
CREATED:20230501T161459Z
LAST-MODIFIED:20230501T161459Z
UID:103116-1683808200-1683810000@artinamericaguide.com
SUMMARY:Gallery Talk: Activation of Moholy-Nagy’s Light Prop for an Electric Stage
DESCRIPTION:Join staff as they discuss and activate this experimental device from 1930 by László Moholy-Nagy\, a Bauhaus pioneer. \nLed by:\nKyle Stephan\, Hakuta Family Nam June Paik Curatorial Fellow\, Division of Modern and Contemporary Art \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-activation-of-moholy-nagys-light-prop-for-an-electric-stage-8/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/04/Laszlo-Moholy-Nagy-1.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230511T130000
DTEND;TZID=America/Halifax:20230511T133000
DTSTAMP:20260407T122315
CREATED:20230505T183633Z
LAST-MODIFIED:20230505T183633Z
UID:103301-1683810000-1683811800@artinamericaguide.com
SUMMARY:Gallery Talk: From the Andes to the Caribbean: American art from the Spanish Empire
DESCRIPTION:Join associate curator Horace D. Ballard for an in-depth discussion about one of the works in the exhibition De los Andes al Caribe: El arte americano desde el imperio español/From the Andes to the Caribbean: American Art from the Spanish Empire\, on view until July 30\, 2023. Ballard will share insights about the ways in which the idea of “America” and the canon of American art are inseparable from the histories of Spanish colonialism across the hemisphere. \nFeaturing nearly 50 objects from the Harvard Art Museums collections and the Carl & Marilynn Thoma Foundation\, the exhibition explores how American material and mineral wealth fueled global trade\, changed the course of visual history\, and has had an impact on modern politics that continues today. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-from-the-andes-to-the-caribbean-american-art-from-the-spanish-empire-6/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/05/Andes-Hero_1200_1200.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230513T103000
DTEND;TZID=America/Halifax:20230513T110000
DTSTAMP:20260407T122315
CREATED:20230505T183633Z
LAST-MODIFIED:20230505T183633Z
UID:103303-1683973800-1683975600@artinamericaguide.com
SUMMARY:Creature Feature: Let’s Explore Sculpture!
DESCRIPTION:In this family-friendly talk\, we’ll explore the colors\, shapes\, and lines of animal sculptures. \nLed by:\nJeanne Burke\, Academic and Public Programs Coordinator\, Division of Academic and Public Programs \nCreature Feature\, an ongoing series from the Harvard Art Museums\, offers a chance for families to explore magical creatures across the collections through close looking and curious exploration with museum staff. Creature Feature talks are free and open to explorers ages 6 and up. \n  Save  
URL:https://artinamericaguide.com/event/creature-feature-lets-explore-sculpture/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/05/Creature-Feature_1200_1200.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230513T120000
DTEND;TZID=America/New_York:20230513T133000
DTSTAMP:20260407T122315
CREATED:20230314T162401Z
LAST-MODIFIED:20230418T145226Z
UID:102275-1683979200-1683984600@artinamericaguide.com
SUMMARY:Creativity Exploration: Intertwined Identity
DESCRIPTION:Date of event: 5/13/2023\nTime: Noon – 1:30 pm\nPricing: $10 for members; $15 for non-members\nLocation: NSU Art Museum\nFor ages 18+\n  \nThis adult class will be held IN PERSON \n  \nClasses are taught by award winning instructor\, Lark Keeler. \n  \n\nIn celebration of Haitian Heritage Month and inspired by the current exhibition\, Kathia St. Hilaire: Immaterial Being\, reflect upon your identity in the world and the many things that make you unique. Learn methods of weaving to integrate parts of your identity into a woven work of mixed media art.  Advanced reservations are required\, space is limited. \n  \nCreativity Exploration adult workshops promote the benefits of creative exploration and the mind-to-body experience. Studies have shown that 45 minutes of creative activity a day reduces stress and offers mental clarity and relaxation. In addition to producing a sense of well-being\, sessions expand participants’ perceptions of forms\, while increasing brain connectivity through visual and cognitive stimulation. The workshop is led by educator Lark Keeler\, a specialist in mindfulness education. \n  \nCreativity Exploration is sponsored by the Charles P. Ferro Foundation \n\n  Save  
URL:https://artinamericaguide.com/event/creativity-exploration-tropi-collage/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/03/Event-Image-CE-5.13.23-1.jpg
ORGANIZER;CN="nsu art museum":MAILTO:reservations@moafl.org
GEO:26.1194368;-80.1427657
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NSU Art Museum 1 E Las Olas Blvd Fort Lauderdale FL 33301 United States;X-APPLE-RADIUS=500;X-TITLE=1 E Las Olas Blvd:geo:-80.1427657,26.1194368
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230517T130000
DTEND;TZID=America/Halifax:20230519T170000
DTSTAMP:20260407T122315
CREATED:20230425T190200Z
LAST-MODIFIED:20230425T190200Z
UID:103037-1684328400-1684515600@artinamericaguide.com
SUMMARY:In-Person SAAM Fellows Lectures
DESCRIPTION:Wednesday\, May 17-Friday\, May 19 2023\, 1 – 5pm EDT \nJoin the 2022–2023 class of Smithsonian American Art Museum research fellows as they present new scholarship on a range of topics and time periods\, media and messages. Speakers will share research discoveries and offer fresh perspectives on works of American art. \nWednesday\, May 17\, 2023\, 1 – 5pm EDT \nSession I: 1–2:45 p.m. ET \nModerated by Melissa Ho\, curator\, Smithsonian American Art Museum \nManon Gaudet\, Terra Foundation Predoctoral Fellow in American Art\, Yale University\, “Picturing (Dis)Possession: Land\, Likeness\, and the General Allotment Act” \nAmy Kahng\, Patricia and Philip Frost Predoctoral Fellow\, Stony Brook University\, “Unsettled and Unrooted Ground: Chiura Obata’s Internment Landscapes” \nZoe Weldon-Yochim\, Douglass Foundation Predoctoral Fellow\, University of California\, Santa Cruz\, “Fighter Jets and Fallout: Attending to Militarized Western Shoshone Lands and Diverse Multi-Being Assemblages in Jack Malotte’s The End ” \nSession II: 3:15–5 p.m. ET \nModerated by Robin Veder\, executive editor of American Art\, Smithsonian American Art Museum \nElizabeth Driscoll Smith\, Smithsonian Institution Predoctoral Fellow\, University of California\, Santa Barbara\, “Building Feminist Bloodlines: Tressa ‘Grandma’ Prisbrey’s Bottle Village and the Los Angeles Woman’s Building” \nJessica Larson\, Joe and Wanda Corn Predoctoral Fellow\, The Graduate Center\, CUNY\, “‘No Substitute for Justice Withheld’: Visualizing Black Charitable Landscapes in Nineteenth-Century Manhattan” \nConnor Hamm\, Wyeth Foundation Predoctoral Fellow\, University of California\, Los Angeles\, “Unsettling the Florida Sub-Tropical Exposition” \nThursday\, May 18\, 2023\, 1 – 5pm EDT \nSession III: 1–2:45 p.m. ET \nModerated by Eleanor Harvey\, senior curator\, Smithsonian American Art Museum \nKatie Loney\, Wyeth Foundation Predoctoral Fellow\, University of Pittsburgh\, “American Orientalism’s Transimperial Economies” \nSarah Emily Rogers Morris\, Smithsonian Institution Predoctoral Fellow\, University of Illinois\, Chicago\, “A Photographic ‘Trip Around the World’: Visual Instruction in a Transnational Frame\, 1890–1940” \nGrace Kuipers\, Terra Foundation Predoctoral Fellow in American Art\, University of California\, Berkeley\, “‘The Surface Has Hardly Been Scratched’: Spratling Silver\, Mineral Imperialism\, and U.S. Developmentalism in Mexico” \nSession IV: 3:15–5 p.m. ET \nModerated by Grace Yasumura\, assistant curator\, Smithsonian American Art Museum \nRachel Burke\, Smithsonian Institution Predoctoral Fellow\, Harvard University\, “Fugitive Grounds: Writing in the Archival Absence of Henry Box Brown’s Mirror of Slavery” \nMadeleine Harrison\, Terra Foundation Postdoctoral Fellow in American Art\, The Courtauld Institute of Art\, “Palmer Hayden on Paper” \nClaire Ittner\, Will Barnet Foundation Predoctoral Fellow\, University of California\, Berkeley\, “Materiality\, Objecthood\, and (Self) Possession in Eldzier Cortor’s Sea Islands Works” \nFriday\, May 19 2023\, 1 – 5pm EDT \nSession V: 1–2:45 p.m. ET \nModerated by Saisha Grayson\, curator\, Smithsonian American Art Museum \nEllen Yoshi Tani\, Smithsonian Institution Postdoctoral Fellow\, Rochester Institute of Technology\, “Black Conceptual Practice” \nAmy E. Crum\,SAAM Predoctoral Fellow in Latinx Art\, University of California\, Los Angeles\, “Projecting the Barrio: Los Four at the Los Angeles County Museum of Art (1974) and Murals of Aztlán at the Craft and Folk Art Museum (1981)” \nAriel Evans\,William H. Truettner Postdoctoral Fellow\, University of Texas at Austin\, “‘Talk that talk’: Reinventing Documentary with Carrie Mae Weems’ Family Pictures and Stories” \nSession VI: 3:15–4:30 p.m. ET \nModerated by Randall Griffey\, head curator\, Smithsonian American Art Museum \nMaki Kaneko\, Terra Foundation Senior Fellow in American Art\, University of Kansas\, “Unnamable Friendship: The Art of Jimmy Tsutomu Mirikitani” \nMarisa Lerer\, George Gurney Senior Fellow\, Manhattan College\, “Memorializing Tragedies Across Borders in the Work of Antonio Martorell and Freddy Rodríguez” \nFree; Smithsonian American Art Museum \nMcEvoy Auditorium \n  \n  Save  
URL:https://artinamericaguide.com/event/in-person-saam-fellows-lectures/2023-05-17/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/04/https-d3ec1vt3scx7rr.cloudfront.net-files-files-images-events-164987786-DgCvgH2etB5BZxkWdKvqZJPM-scaled.jpeg
ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230518T100000
DTEND;TZID=America/Halifax:20230518T170000
DTSTAMP:20260407T122315
CREATED:20230505T183633Z
LAST-MODIFIED:20230505T183633Z
UID:103308-1684404000-1684429200@artinamericaguide.com
SUMMARY:Free Admission Day for International Museum Day
DESCRIPTION:The Harvard Art Museums will offer free admission to all visitors on Thursday\, May 18\, in celebration of International Museum Day\, organized by the International Council of Museums (ICOM). \nTake in the beauty of the Calderwood Courtyard before exploring three levels of magnificent art from around the world and across the centuries. Check out our special exhibition From the Andes to the Caribbean: American Art from the Spanish Empire\, and then wander through the collections galleries and find your favorite artist or work of art. \n  Save  
URL:https://artinamericaguide.com/event/free-admission-day-for-international-museum-day/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/05/International-Museum-Day_900_600.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230518T110000
DTEND;TZID=America/Halifax:20230518T120000
DTSTAMP:20260407T122315
CREATED:20230505T183633Z
LAST-MODIFIED:20230505T183633Z
UID:103314-1684407600-1684411200@artinamericaguide.com
SUMMARY:Art Study Center Seminar: 20th-Century Women at the Harvard Art Museums
DESCRIPTION:Join the staff of the Harvard Art Museums Archives for a look into the experiences of women who worked and studied at the museums between 1920 and 1990. \nDrawing on documents\, photographs\, and oral history recordings\, this talk will explore the Fogg Museum’s and Busch-Reisinger Museum’s legacy as the premier training ground for the next generation of museum professionals. Staff will also share findings from an ongoing project to expand the names of women previously referred to only by their husbands’ names in archival descriptions. \n  Save  
URL:https://artinamericaguide.com/event/art-study-center-seminar-20th-century-women-at-the-harvard-art-museums/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/05/20th-Century-Women-at-the-Harvard-Art-Museums.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230518T123000
DTEND;TZID=America/Halifax:20230518T130000
DTSTAMP:20260407T122315
CREATED:20230505T183633Z
LAST-MODIFIED:20230505T183633Z
UID:103317-1684413000-1684414800@artinamericaguide.com
SUMMARY:Gallery Talk—Blue Women: To Draw or Not to Draw Dutch Female Nudes from Life?
DESCRIPTION:Join curatorial fellow Talitha Maria G. Schepers for an interactive talk that explores why 17th-century Dutch artists decided to draw female nudes from life\, the conventions they broke while doing so\, and why they used blue paper. The talk will focus on a recent installation of Dutch drawings in the 17th-Century Dutch and Flemish Art Gallery (2300). \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-blue-women-to-draw-or-not-to-draw-dutch-female-nudes-from-life/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/05/Jacob-Adriaensz.-Backer.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230518T180000
DTEND;TZID=America/Halifax:20230518T200000
DTSTAMP:20260407T122315
CREATED:20230420T161159Z
LAST-MODIFIED:20230420T161159Z
UID:102958-1684432800-1684440000@artinamericaguide.com
SUMMARY:Opening Reception for Masako Miki: Empathy Lab
DESCRIPTION:Masako Miki\nEmpaty Lab\nMay 18 – June 30\, 2023\nOpening reception: Thursday\, May 18\, 2023\, 6:00-8:00 pm \nRYAN LEE is pleased to announce Empathy Lab\, the first major exhibition of a debut body of work by Bay Area-based Japanese contemporary artist Masako Miki. The landmark solo show proudly introduces new works to her Shapeshifters series\, which roots its expressions in the animistic polytheism of Shinto traditions. Conceiving of the gallery as a home\, Miki constructs various spaces for casual connection and contemplation\, from an engawa deck to an open garden-scape dotted with deity-inspired bronze and felt creatures\, objects\, and forms\, alongside vibrant drawings that convey the outside world.  \nEmpathy Lab ignites the artist’s common theme of questioning how tradition and folklore offer grounds for exploring bicultural identity. In her characters—whose designs are rooted in deep histories of animistic mythology—sacredness is implied\, regardless of diversity in form\, texture\, surface or material make-up. “Normalcy” is supplanted by a divine plurality of identity\, significant and celebrated in each unique sense of selfhood.  \nIn their exaltation\, some of the characters are literally uplifted. Inspired by the engawa element characteristic of Japanese architecture—a transitional wood-deck bridging residential interior and exterior spaces—Miki elevates a portion of the gallery to invite and welcome interaction with the art\, and perhaps most importantly with one another.   \nHolistically responding to the gallery’s layout\, she envisioned tokonoma spaces too\, another architectural element common in Japanese housing. This area showcases Miki’s Shapeshifters in a deliberately homey\, communal setting inspired by the everyday engagement that passersby may have with friends and neighbors\, or even with houses of deities (shrines) in Japan. “This casual socialization can lead to meaningful connections\, and shared experience is the first step to building communities\,” says Miki. In Shinto folklore\, “there are a myriad of gods in this universe\, yet they can only fulfill their duties as a collective. I resonate these ideas in my work as a reminder of how we endeavor our challenges together.” \nThe exhibition\, as such\, offers more than just its physical experience—it suggests multiple vibrant entry points into exploring the junctures of tradition and modernity\, and the cultural marriages that they often signal. The cast bronze pieces express the “synthesis of combining two finishes of century-old patina with the modern invention of automotive paint\,” which is an extremely complex color application process; while the similarly involved process of creating the felt characters utilizes wool\, activating multitudes of design phases before reaching final form. \nThis presentation of new works is ultimately about reclaiming the power of myth-making. We are told and we succumb to stories that punctuate our shared histories with painful and unresolved tensions.“Our lives are filled with mythologies\, manipulated ideologies\, and fear-driven narratives that deepen chasms among us\,” says Miki. Her work proposes resolution through creative and communal agency\, exhibiting through her characters and environments the optimistic reality of the power of imagination to drive the future. “I am convinced that we need new mythologies to question old myths. We can update the myths.” \nMasako Miki (b. 1974 Osaka\, Japan) is a multimedia artist whose work ranges installation and large-scale sculpture\, printmaking\, watercolor and felting. A native of Japan\, she now lives and works in Berkeley\, CA. Her work frequently explores the idea of synthesis—manipulating contradicting spatial elements to suggest a disoriented context and space. The artist bases her narrative on her own experiences of becoming bicultural in the United States at the age of eighteen. Strongly influenced by craft and folk art of different cultures\, she remains close to her ancestral traditions\, frequently considering motifs and ideologies that arise from her association with Buddhism\, Shintoism\, and traditional Japanese folklore. The artist’s practice is further rooted in the belief that art can foster social contexts in which contemporary and universally relevant mythologies and social narratives can be generated—replacing or fixing harmful misconceptions and mythologies of the past that have previously sparked social injustices.  \nMiki has been included in solo and group exhibitions at the ICA San Jose\, CA (2022); Katonah Museum of Art\, NY (2022); Marin Museum of Contemporary Art\, CA (2022); Berkeley Art Museum and Pacific Film Archive\, CA (2019); and de Young  Museum\, CA (2016)\, among others. Her large-scale sculptures were recently commissioned as a permanent installation at the Uber Technologies headquarters in Mission Bay\, San Francisco. Her work is included in the collections of The Byrd Hoffman Water Mill Foundation\, NY and the Berkeley Art Museum and Pacific Film Archive\, CA. She received her MFA from San Jose State University. \nAbout RYAN LEE\nCelebrating emerging and established artists and estates\, RYAN LEE takes a multi-generational approach to its programming\, presenting innovative and scholarly exhibitions across all spectrums of art practices\, including painting\, photography\, video\, sculpture\, and performance. The gallery takes chances on a wide variety of boundary-pushing artists; their work consistently transcends political\, cultural\, material\, or technical boundaries. In addition\, RYAN LEE has\, throughout its history\, demonstrated its long-standing interest and dedication to feminist\, Black and Asian American\, as well as queer narratives in the twentieth and twenty first centuries. Founded in 2013 by Mary Ryan and Jeffrey Lee\, the gallery is led by partners of different generations and backgrounds with over six decades of combined experiences informing its unique approach. \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-for-masako-miki-empathy-lab/
LOCATION:RYAN LEE\, 515 W 26th St\, 3rd Fl\, New York\, NY\, 10001\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/04/Hyakki-Yagho-Night-Parade-of-One-Hundred-Demons-Following-Plaster-Wall-Shapeshifter-and-a-Cat-Who-Lived-a-Million-Years-MMI-23-19-RL-1.jpg
ORGANIZER;CN="RYAN LEE":MAILTO:info@ryanleegallery.com
GEO:40.7500935;-74.0036112
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=RYAN LEE 515 W 26th St 3rd Fl New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=515 W 26th St\, 3rd Fl:geo:-74.0036112,40.7500935
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230518T180000
DTEND;TZID=America/Halifax:20230518T200000
DTSTAMP:20260407T122315
CREATED:20230420T161159Z
LAST-MODIFIED:20230420T161159Z
UID:102963-1684432800-1684440000@artinamericaguide.com
SUMMARY:Opening Reception for Martine Gutierrez | ANTI-ICON: APOKALYPSIS
DESCRIPTION:Martine Gutierrez\nANTI-ICON: APOKALYPSIS\nMay 18 – June 30\, 2023\nOpening reception: Thursday\, May 18\, 2023\, 6:00-8:00 pm \nStill a patriarchal language\, a determinative frame. Still a divisional boundary of womanhood\, a categorization of the icon\, a spiritual reality in mass production. The same face of currency made over and over again. What is an icon\, a cult image? Rather\, what is an image? What brings a symbol to power? Culture is history’s political influence\, a pendulum of domination. What is power without resistance? The historical moment\, and the figure that stands in opposition. Icon as fact\, a perceived understanding of truth in the world\, teaching us how to see. Image as instruction; see\, when an aspiration finds meaning it exceeds its boundaries\, it becomes momentous. Larger than life or death\, but rather the cycle between lives. Not a vision\, but the place we are at now\, the inevitable new\, the next civilization we are going to become. In refusal of deception\, an encounter with unobfuscated femininity is revealed. If the icon shows humanity’s spiritual ideal\, it is the anti-icon who refuses the delusion of man\, his inflated self-conception. For the icon makes real the image\, anti-icon must break through to reveal reality. What is a revelation? A proclamation of clarity\, a veneer stripped away\, a shattering. It feels like the world is ending\, because it did; it has before\, and it will again end. What is the world? In the progress of nihilism\, creation becomes resistance; a new image of what the world was all along.\n– Martine Gutierrez \nRYAN LEE is pleased to present ANTI-ICON: APOKALYPSIS\, a daring new body of work by artist Martine Gutierrez. The series continues her exploration of identity across the cultural landscapes of gender\, race and celebrity. In 17 new works\, Gutierrez has transformed herself into a multitude of idols. Costumed by the barest of essentials\, Gutierrez’s figure is the catalyst\, reflecting dystopian futurism upon the symbols of our past. Through each metamorphosis\, Gutierrez re-envisions a diverse canon of radical heroines who have achieved legendary cultural influence over thousands of years in both art history and pop culture. \nThe project’s cult following began in 2021 when it was commissioned by the Public Art Fund\, exhibited on bus shelters normally used for advertising. Only 10 images from the original series were chosen to circulate.  In response to societal censors\, Gutierrez had the nude forms veiled thus further interrogating the public restrictions placed on the female body in the United States. The larger-than-life portraits were encountered by pedestrians on their daily commutes\, reproduced in 300 locations throughout New York\, Chicago\, and Boston. \nThis summer\, Gutierrez will reveal ANTI-ICON: APOKALYPSIS in three distinct selections set to preview across three venues: RYAN LEE Gallery\, New York; Fraenkel Gallery\, San Francisco; and Josh Lilley\, London. The three-gallery exhibition will be accompanied by a new artist book\, published by RYAN LEE\, entitled APOKALYPSIS. The full collection of 17 portraits will be presented in its entirety for the first time in a traveling museum show\, organized by Polygon Gallery\, Vancouver slated for 2024. \nGutierrez is the sole performer in the series\, portraying all 17 groundbreaking figures: Aphrodite\, ancient Greek goddess of love\, desire and beauty\, identified by the Romans as ‘Venus’; Ardhanarishvara\, composite male-female figure of the Hindu god Shiva together with his consort Parvati; Atargatis\, Syrian mother goddess of fertility and the moon; Cleopatra\, Egyptian ruler famed for her influence on Roman politics; Queen Elizabeth I\, England’s second female monarch when the country asserted itself as a major power in politics\, commerce and the arts in the 16th century; Gabriel\, angel in the Abrahamic religions believed by many to be able to take on any physical form; Helen of Troy\, Greek beauty seen as the cause of the Trojan war; Joan of Arc\, sainted heroine of France\, revered as a holy person for her faithfulness and bravery in battle\, burned at the stake by the church; Judith The Slayer\, courageous biblical widow who used her charm to save her people from an Assyrian general; Lady Godiva\, bold noblewoman from the Medieval period who fought for justice for everyday people; Our Lady of Guadalupe\, Mesoamerican Catholic title of Mary\, who appeared to the Indigenous man Juan Diego and imprinted herself on his cloak as proof of her visitation; Mary Magdalene\, ‘Magdalene’ means tower\, as she is an early tower of the Christian faith\, cited in the four canonical gospels as a follower and companion of Jesus Christ\, a witness to his crucifixion and resurrection; The Virgin Mary\, a young Jewish virgin from Nazareth\, chosen by God to conceive Jesus through the Holy Spirit; La Madonna\, Italian for ‘Lady\, Virgin Mary’\, central figure of Christianity\, celebrated as the ‘Virgin Queen’ in processions of Semana Santa\, throughout Spain and Latin America; Hua Mulan\, famed warrior of Chinese folklore who disguised herself as a man to fight in battle; Sacagawea\, Shoshone interpreter and guide of the expedition to discover routes through pre-colonial America\, journaled by Lewis and Clark; Queen of Sheba\, Ethiopian queen\, known for her wit\, power and wealth\, her romance with King Solomon is documented in the Kebra Nagast. \nMartine Gutierrez (b. 1989 Berkeley\, CA) is a transdisciplinary artist\, performing\, writing\, composing and directing elaborate narrative scenes to subvert pop-cultural tropes in the exploration of identity—both personally and collectively intersectional to race\, gender\, class and nationality. Her amass of media—ranging from billboards to episodic films\, music videos and renowned magazine\, Indigenous Woman—produce the very conduits of advertising that sell the identities she disassembles. Challenging binaries through the blurring of their borders\, Gutierrez insists that gender\, like all things\, is entangled—and argues against the linear framework of oppositional thinking. These complicated intersections are innate to Gutierrez’s own multicultural upbringing. Her malleable\, ever-evolving self-image catalogs the confluence of seemingly disparate modes\, conveying limitless potential for reinvention and reinterpretation. \nGutierrez received her BFA from the Rhode Island School of Design in 2012. She is also a published musician and has produced several commercial videos. Gutierrez lives and works in New York\, NY. \nHer work has been the focus of solo exhibitions at the Whitney Museum of American Art (2022); Philbrook Museum of Art\, OK (2022); Contemporary Art Museum St. Louis\, MO (2022); Museum of Contemporary Photography at Columbia College\, IL (2021); Rockwell Museum\, NY (2020); Australian Centre for Photography\, Australia (2020); Modern Art Museum of Fort Worth\, TX (2019); and CAM Raleigh\, NC (2016)\, among others. She has been included in group exhibitions at the Eretz Israel Museum\, Israel (2022); Vincent Price Art Museum\, CA (2022); Museum of Sex\, NY (2021); Colegio de San Ildefonso\, Mexico (2021); OÖ Kulturquartier\, Austria (2021); POLYGON Gallery\, Canada (2021); Huis Marseille Museum voor Fotografie\, The Netherlands (2021); Sprengel Museum\, Hannover\, Germany (2021); McNay Art Museum\, TX (2021); Minneapolis Institute of Art\, MN (2021); Wadsworth  Atheneum  Museum  of Art\, CT (2019); New Museum\, NY (2018); and Museum  of  Contemporary Art\, GA (2017)\, among others. Her work has been acquired by the Cantor Arts Center\, Stanford University\, CA; Huis Marseille Museum voor Fotografie\, The Netherlands; McNay Art Museum\, TX; Milwaukee Art Museum\, WI; Modern Art Museum of Fort Worth\, TX; Museum of Contemporary Art San Diego\, CA; Museum of Modern Art\, NY; New Britain Museum of American Art\, CT; Rockwell Museum\, NY; and the Whitney Museum of American Art\, NY\, among others.  \nAbout RYAN LEE\nCelebrating emerging and established artists and estates\, RYAN LEE takes a multi-generational approach to its programming\, presenting innovative and scholarly exhibitions across all spectrums of art practices\, including painting\, photography\, video\, sculpture\, and performance. The gallery takes chances on a wide variety of boundary-pushing artists; their work consistently transcends political\, cultural\, material\, or technical boundaries. In addition\, RYAN LEE has\, throughout its history\, demonstrated its long-standing interest and dedication to feminist\, Black and Asian American\, as well as queer narratives in the twentieth and twenty first centuries. Founded in 2013 by Mary Ryan and Jeffrey Lee\, the gallery is led by partners of different generations and backgrounds with over six decades of combined experiences informing its unique approach. \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-for-martine-gutierrez-anti-icon-apokalypsis/
LOCATION:RYAN LEE\, 515 W 26th St\, 3rd Fl\, New York\, NY\, 10001\, United States
CATEGORIES:Event
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230518T180000
DTEND;TZID=America/Halifax:20230518T200000
DTSTAMP:20260407T122315
CREATED:20230425T190132Z
LAST-MODIFIED:20230509T195235Z
UID:103053-1684432800-1684440000@artinamericaguide.com
SUMMARY:Chris Rivers: Satellite | Opening Reception
DESCRIPTION:Thursday\, 18th May 2023 | 6:00 PM-8:00 PM \nYou are cordially invited to join us on Thursday 18th May for an exclusive opening reception to celebrate the opening of Satellite\, Chris Rivers’ first solo exhibition in New York\, with the artist himself in attendance. \nThere will be a special print release for this event\, with an in person only offer for those attending. More details to follow. (Hint… This image is a clue.) \nFriedrichs Pontone | 273 Church Street\, New York\, NY 10013 \n  Save  
URL:https://artinamericaguide.com/event/chris-rivers-satellite-2/
LOCATION:Friedrichs Pontone\, 273 Church Street\, New York\, 10013\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/04/Rivers-Other-Places-1-2023-scaled.jpg
ORGANIZER;CN="Friedrichs Pontone":MAILTO:enquiries@friedrichspontone.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230519T110000
DTEND;TZID=America/Halifax:20230519T120000
DTSTAMP:20260407T122315
CREATED:20230508T164316Z
LAST-MODIFIED:20230508T164316Z
UID:103323-1684494000-1684497600@artinamericaguide.com
SUMMARY:Art Study Center Seminar: Blue Women—The History and Practice of Drawing Dutch Female Nudes from Life
DESCRIPTION:Join curatorial fellow Talitha Maria G. Schepers for an interactive close-looking session that explores the exceptional and innovative circumstances under which 17th-century Dutch artists drew female nudes from life\, the conventions they broke while doing so\, and their reason for using blue paper. This seminar is inspired by a recent installation of Dutch drawings and prints in the 17th-century Dutch and Flemish art gallery (2300). \nLed by:\nTalitha Maria G. Schepers\, Stanley H. Durwood Foundation Curatorial Fellow\, Division of European and American Art \nFree admission\, but registration is required. Registration for this seminar will open on Tuesday\, May 9\, 2023\, at this link. \n  Save  
URL:https://artinamericaguide.com/event/art-study-center-seminar-blue-women-the-history-and-practice-of-drawing-dutch-female-nudes-from-life/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/05/Jacob-Adriaensz.-Backer-1.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230520T160000
DTEND;TZID=America/Halifax:20230520T190000
DTSTAMP:20260407T122315
CREATED:20230501T161459Z
LAST-MODIFIED:20230503T221901Z
UID:103120-1684598400-1684609200@artinamericaguide.com
SUMMARY:Braxton Garneau: Procession
DESCRIPTION:GAVLAK Los Angeles is pleased to announce Braxton Garneau’s solo exhibition with the gallery\, Procession. Garneau’s work is based in collecting and researching materials\, culture and history. Focusing on harvested and hand-processed materials\, he explores the sociocultural history of his Caribbean heritage. In Procession\, Garneau will present a new series of works focused on ritual and costuming through the complex history of Canboulay\, and the characters of present day Carnival. Procession will be on view at GAVLAK Los Angeles from May 20th through July 1\, 2023.  \nThere will be an opening reception on Saturday\, May 20th\, from 4 – 7 pm. \n  Save  
URL:https://artinamericaguide.com/event/braxton-garneau-procession/
LOCATION:Gavlak Los Angeles\, 1700 S Santa Fe Ave #440\, LOS ANGELES\, CA\, 90021\, United States
CATEGORIES:Event,Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230523T160000
DTEND;TZID=America/Halifax:20230523T173000
DTSTAMP:20260407T122315
CREATED:20230510T012050Z
LAST-MODIFIED:20230510T012050Z
UID:103325-1684857600-1684863000@artinamericaguide.com
SUMMARY:American Watercolors\, 1880–1990: A Conversation with Artist Richard Tuttle and Curators of the Exhibition
DESCRIPTION:Join us for a discussion about our special exhibition American Watercolors\, 1880–1990: Into the Light\, featuring artist Richard Tuttle\, who contributed to the exhibition catalogue\, and members of the curatorial team. \nOn view at the Harvard Art Museums from May 20 to August 13\, 2023\, the exhibition presents more than a hundred compelling and rarely seen watercolors by both well-known and historically underrepresented American artists. All works are drawn from the Harvard Art Museums’ deep and diverse holdings. Expanding the canon and including many new acquisitions on view for the first time\, the exhibition seeks to inspire conversations and enrich today’s practitioners. \n  Save  
URL:https://artinamericaguide.com/event/american-watercolors-1880-1990-a-conversation-with-artist-richard-tuttle-and-curators-of-the-exhibition/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/05/John-Marin-Seascape_1200_1200.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230524T100000
DTEND;TZID=America/Halifax:20230524T170000
DTSTAMP:20260407T122315
CREATED:20230510T012050Z
LAST-MODIFIED:20230510T012050Z
UID:103328-1684922400-1684947600@artinamericaguide.com
SUMMARY:Free Admission for Harvard Class Day
DESCRIPTION:The Harvard Art Museums will offer free admission to all visitors on May 24\, in celebration of Harvard Class Day. \nTake in the beauty of the Calderwood Courtyard before exploring three levels of magnificent art from around the world and across the centuries. Check out our special exhibition From the Andes to the Caribbean: American Art from the Spanish Empire\, as well as the recently opened American Watercolors\, 1880–1990: Into the Light. Then wander through the collections galleries and find your favorite artist or work of art. \n  Save  
URL:https://artinamericaguide.com/event/free-admission-for-harvard-class-day/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/05/Class-Day_900_600.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230525T100000
DTEND;TZID=America/Halifax:20230525T170000
DTSTAMP:20260407T122315
CREATED:20230510T012050Z
LAST-MODIFIED:20230510T012050Z
UID:103331-1685008800-1685034000@artinamericaguide.com
SUMMARY:Free Admission Day for Harvard Commencement
DESCRIPTION:The Harvard Art Museums will offer free admission to all visitors on May 25\, in celebration of Harvard Commencement. \nTake in the beauty of the Calderwood Courtyard before exploring three levels of magnificent art from around the world and across the centuries. Check out our special exhibition From the Andes to the Caribbean: American Art from the Spanish Empire\, as well as the recently opened American Watercolors\, 1880–1990: Into the Light. Then wander through the collections galleries and find your favorite artist or work of art. \nIf you are unable to visit during the day\, please note that the museums will be stay open from 5pm until 9pm on May 25 for the monthly Harvard Art Museums at Night program\, where admission is also free! \n  Save  
URL:https://artinamericaguide.com/event/free-admission-day-for-harvard-commencement/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/05/Commencement_900_600.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
END:VCALENDAR