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DTSTART;TZID=America/Halifax:20220924T190000
DTEND;TZID=America/Halifax:20221126T220000
DTSTAMP:20260403T190234
CREATED:20220922T114519Z
LAST-MODIFIED:20220922T114519Z
UID:98377-1664046000-1669500000@artinamericaguide.com
SUMMARY:Graciela Iturbide: Sueños\, Símbolos\, y Narración
DESCRIPTION:Opening September 20\, 2022\, Etherton Gallery presents Graciela Iturbide: Sueños\, Símbolos\, y Narración (Dreams\, Symbols\, and Storytelling)\, featuring a survey of iconic and recent images by the internationally renowned Mexican photographer. The new exhibition marks Etherton Gallery’s 41st year in business. Graciela Iturbide has a strong connection to Tucson and will attend the opening reception for Sueños\, Símbolos\, y Narración on Saturday\, September 24th\, at 7-10 pm. Signed books will be available. For information about the exhibition or to pre-order a signed book\, contact Etherton Gallery at info@ethertongallery.com or (520) 624-7370. Etherton Gallery is located at 340 South Convent Avenue in the Barrio Viejo\, Tucson\, AZ\, 85701. \nEtherton Gallery and the Center for Creative Photography are co-sponsoring a public lecture. Graciela Iturbide will speak about her five-decade career at the CCP\, on Friday\, September 23rd\, at 5:30 pm. Admission is free. For information about the lecture\, contact the CCP at info@ccp.arizona.edu or (520) 621-7968. The Center for Creative Photography is located on the campus of the University of Arizona at 1030 North Olive Street\, in central Tucson. \n  Save  
URL:https://artinamericaguide.com/event/graciela-iturbide-suenos-simbolos-y-narracion/
LOCATION:Etherton Gallery\, 135 S. 6th Ave.\, Tucson\, AZ\, 85701\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Mujer-angel-Angel-Woman-Desierto-de-Sonora-Mexico-1979-scaled.jpg
ORGANIZER;CN="Etherton Gallery":MAILTO:info@ethertongallery.com
GEO:32.2206237;-110.9684067
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Etherton Gallery 135 S. 6th Ave. Tucson AZ 85701 United States;X-APPLE-RADIUS=500;X-TITLE=135 S. 6th Ave.:geo:-110.9684067,32.2206237
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221003T100000
DTEND;TZID=America/Halifax:20230114T170000
DTSTAMP:20260403T190234
CREATED:20220926T141754Z
LAST-MODIFIED:20220926T141754Z
UID:98866-1664791200-1673715600@artinamericaguide.com
SUMMARY:Otis Houston Jr.: My Name is My Word
DESCRIPTION:Living in Harlem\, New York\, Otis Houston Jr. acts as an alchemist. He mixes everyday items\, movements\, and thoughts to create multimedia assemblages\, paintings\, performances\, and text-based signs. \nHouston is best known for his public performances and installation work on FDR Drive by New York’s East River\, where he has been working since 1997. These site-specific installations include his writing\, poetry\, singing\, found objects\, and fruit\, which are used as both props and materials. Otis Houston Jr.: My Name is My Word will be the artist’s first museum exhibition. \nHouston’s artistic journey began in the 1990s when he worked on a series of print-media collages while incarcerated. Since then\, he has cultivated an ongoing journaling practice\, recording his experiences and beliefs. These insights are some of his many missives and protests spray-painted on a series of towels and canvases and displayed in public spaces and performances. His work often addresses racism\, poverty\, and addiction\, while promoting messages of health\, love\, and self-acceptance. \nThe fluidity of his practice generously invites viewers to both give and receive. He encourages public engagement and accepts environmental influences in his open-air studio and stage. \n*Houston will be at the John Michael Kohler Arts Center October 3–7\, sharing his assemblage work and performances. He will be working with the exhibitions team to install some of his existing work\, while also making new work on-site. During that time\, he will have open hours to share his process and converse with visitors. After he leaves\, the gallery will close for a week as we prepare to open an exhibition of this work\, on view from October 15\, 2022–January 14\, 2023.  \n  \n  \nImage: Otis Houston Jr.\, The Thangofmajig\, 2018; found and altered objects and mixed media; 38 x 26 3/4 x 14 1/2 in. Courtesy of Gordon Robichaux\, NY. Photo: Gregory Carideo. \n  Save  
URL:https://artinamericaguide.com/event/otis-houston-jr-my-name-is-my-word/
LOCATION:John Michael Kohler Arts Center\, 608 New York Avenue\, Sheboygan\, WI\, 53081\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/ex.hou_.2022.5004-648-px-max-dimension-jpg.jpg
ORGANIZER;CN="John Michael Kohler Arts Center":MAILTO:generalinfo@jmkac.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221029T110000
DTEND;TZID=America/Halifax:20221119T170000
DTSTAMP:20260403T190234
CREATED:20220928T173411Z
LAST-MODIFIED:20220928T173411Z
UID:99133-1667041200-1668877200@artinamericaguide.com
SUMMARY:October 29th – November 19th\, 2022  Time: 11 am – 5 pm
DESCRIPTION:See these new exhibits and tour 80 artist studios Tuesday thru Sunday 11 am – 5 pm. Admission is free. These exhibits end November 19th\, 2022. \n  \nPhantasmagorium by Chris Semtner  \nArtist\, author\, and curator Chris Semtner may be best known as the horror and dark history expert who has appeared on PBS\, BBC\, American Heroes Channel\, C-Span\, and other networks and who has written articles for Biography.com\, Crime Writers Chronicle\, and other publications. His museum exhibits have been reviewed in The New York Times\, Deep South Magazine\, and other publications. In the midst of jurying and curating exhibits across the country and keeping a busy speaking schedule that has taken him to venues ranging from the Steampunk World’s Fair to the Library of Congress and as far away as Japan\, Semtner continues to paint mesmerizing pictures informed by his years of research into things phantasmagorical\, chimerical\, and outré. The sources of his imagery are hazy memories\, half-forgotten dreams\, dusty old books\, and seldom seen black-and-white movies. \n  \nThe exhibit will be in the Jane Sandelin Gallery. \nSpontaneous Markings by George Hughes \nRaised in the Blue Ridge Mountains of Bedford County\, Virginia\, George Hughes developed a deep appreciation for nature. While earning his Bachelor of Arts from VCU\, he was immediately struck with the tension between the urban environment and the rural atmosphere to which he was accustom. VCU introduced Hughes to a more expressive style of working that was spontaneous and free forming through impressionistic landscape. Hughes focused on the improvisational mark and vivid color. Hughes has traveled all over the country visiting National Forests that have inspired his work. The exhibit will be in the Corner Gallery. \n  \n  \n  \n  \n  \nThe Magical World of Little Lamzy Divy by Andrea Danner \n  \nAndrea Danner knew she was an artist as a girl\, winning the Smoky the Bear coloring contest at the age of five. Most of her artwork revolves around her love and passion for animals and nature. In her recent work which is made of paper mâché and paper clay\, she focuses on bringing paper to life through fun and a bit of “magic”. Many of the materials she uses are repurposed and recycled\, including old library book pages. Her whimsical creations bring her joy and laughter\, that she shares with others. \n  \nThe exhibit will be in the Skylight Gallery \n  \n  \nDARK ART – OCTOBER 2022 ALL MEDIA ART SHOW  \nThis exhibit is a focal point of all Art Works’ openings. It is a juried show with cash prizes and is open to all artists and all mediums. The theme is “dark art”. After all it is Halloween\, and a spooky exhibit seems fitting. \n  \nCall for entries is September 23\, 2022 – October 18\, 2022. Submit your entries through our online form. Check our website for details on submitting your artwork:   artworksrva.com  \nPainting by: Sheri Lake \n  Save  
URL:https://artinamericaguide.com/event/october-29th-november-19th-2022-time-11-am-5-pm/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/PIC-Semtner-An-Unkindness-of-Ravens-by-Chris-Semtner_-1.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221103T100000
DTEND;TZID=America/Halifax:20230107T180000
DTSTAMP:20260403T190234
CREATED:20221012T183440Z
LAST-MODIFIED:20221012T183440Z
UID:99828-1667469600-1673114400@artinamericaguide.com
SUMMARY:Katherine Bowling | "Trees"
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present an exhibition of new and recent paintings by Katherine Bowling. The exhibition\, Trees\, marks Bowling’s first solo presentation with the gallery. \nAs a landscape painter\, Bowling finds inspiration in the nature that surrounds her in upstate New York\, musing on the myriad ways that light\, season\, and perspective can shape appearance in nature. \nBowling constructs her works by using oil paint layered onto matte spackle on wood panel. She often begins with a sketch of a tree from memory\, a photograph\, or observed in nature. After planting the initial image\, she then scrapes away the surface\, responding and rebuilding the painting based on the marks left behind. In addition to brushes\, Bowling uses her hands\, sandpaper\, paper towels\, and other materials that create a tactile experience of creation. Air bubbles\, paint drips\, and other imperfections are incorporated into the work. The resulting images are luminous\, and often soft in focus. While trees remain the central subject\, other images and figures often emerge and fade into the background. \nBowling lives and works in upstate New York and in New York City. She has always found inspiration in forests. Glimpses of water through trees reappear in her work throughout her career\, like a recurring dream. Season and light are also central subjects to Bowling’s work. In Summer Sun\, daylight dapples through leaves and becomes the key presence in the work. In Family\, twilight hues throw stately conifers into striking architectural silhouettes. Dusky blues provide dramatic contrast to autumn leaves in Orange Fall\, and bleak winter grays create shadowy woods in Dark Walk. Amid the landscape that influenced the sweeping vistas of the Hudson River School\, Bowling instead explores the beauty and calm found in ordinary\, steadfast trees \n  Save  
URL:https://artinamericaguide.com/event/katherine-bowling-trees/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/CO-12562-scaled.jpeg
ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Winston Wächter Fine Art 530 W 25th St New York New York 10001;X-APPLE-RADIUS=500;X-TITLE=530 W 25th St:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221103T123000
DTEND;TZID=America/Halifax:20221103T130000
DTSTAMP:20260403T190234
CREATED:20221103T193947Z
LAST-MODIFIED:20221103T193947Z
UID:100253-1667478600-1667480400@artinamericaguide.com
SUMMARY:Gallery Talk: Dare to Know: Prints and Drawings in the Age of Enlightenment
DESCRIPTION:Join curator Horace Ballard for an exploration of the observation and documentation of astronomical events in the 18th century as exemplified in a drawing by British artist Paul Sandby. The work is featured in the special exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment\, on view until January 15\, 2023. \nFeaturing approximately 150 works on paper and other related objects\, Dare to Know explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the Enlightenment era by encouraging individuals to follow their own reason when seeking to know more. An illustrated catalogue with 26 thematic essays—an A to Z exploration of the Enlightenment quest for understanding and change—accompanies the exhibition. \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nLed by:\nHorace Ballard\, Theodore E. Stebbins\, Jr.\, Associate Curator of American Art \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment-5/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/Paul-Sandby.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221103T123000
DTEND;TZID=America/Halifax:20221103T130000
DTSTAMP:20260403T190234
CREATED:20221103T194125Z
LAST-MODIFIED:20221103T194125Z
UID:100142-1667478600-1667480400@artinamericaguide.com
SUMMARY:Gallery Talk: A Tale of Two Treatments
DESCRIPTION:Want to know what goes on in the conservation lab? Join conservators Penley Knipe and Christina Taylor as they discuss different treatment approaches to two Dutch drawings currently on display\, and what effects their treatment can have on the artwork and public reception. \nLed by:\nPenley Knipe\, Philip and Lynn Straus Senior Conservator of Works on Paper and Head of Paper Lab\, Straus Center for Conservation and Technical Studies\nChristina Taylor\, Associate Paper Conservator\, Straus Center for Conservation and Technical Studies \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-a-tale-of-two-treatments/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/Dupont.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221103T160000
DTEND;TZID=America/Halifax:20221103T170000
DTSTAMP:20260403T190234
CREATED:20220817T144626Z
LAST-MODIFIED:20220817T144626Z
UID:96273-1667491200-1667494800@artinamericaguide.com
SUMMARY:What is a Print?
DESCRIPTION:Led by director and exhibition curator Karen T. Albert\, learn about the evolution of printmaking methods including an explanation of different techniques of relief\, intaglio\, and the planographic methods of lithography and screenprinting. Each printmaking method produces a work on paper that has an individual and identifiable quality. \n  \nAdmission is free. RSVP to 516.463.5672 \n  Save  
URL:https://artinamericaguide.com/event/what-is-a-print/
LOCATION:David Filderman Gallery at Hofstra University\, 112 Hofstra University\, Hempstead\, New York
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/08/2014_11.jpg
ORGANIZER;CN="Hofstra University Museum of Art":MAILTO:museum@hofstra.edu
GEO:40.7133721;-73.6015642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=David Filderman Gallery at Hofstra University 112 Hofstra University Hempstead New York;X-APPLE-RADIUS=500;X-TITLE=112 Hofstra University:geo:-73.6015642,40.7133721
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221103T180000
DTEND;TZID=America/Halifax:20221103T193000
DTSTAMP:20260403T190234
CREATED:20221103T194033Z
LAST-MODIFIED:20221103T194033Z
UID:100140-1667498400-1667503800@artinamericaguide.com
SUMMARY:Painting with Beeswax: Funerary Portraits from Roman Egypt
DESCRIPTION:Ancient artists from Roman-period Egypt created portraits on wooden panels to be placed on mummified bodies. The main technique used for these portraits was encaustic (wax) painting. These paintings can now be seen in museum collections around the world. In this presentation and conversation\, contemporary encaustic artist Francisco Benitez and conservator of paintings Kate Smith will employ their expertise to bring new understanding to these ancient objects and allow us to appreciate the skills of the painters who made them 2\,000 years ago. \nFrancisco Benitez is a professional artist as well as a student\, and teacher\, of ancient painting techniques. In workshops\, he shares his research on using ancient\, and modern\, tools to paint with beeswax and to experiment with the Greek four-color palette. Kate Smith—with curatorial and analytical science colleagues—has spent nearly a decade studying the materials and techniques used in the production of the ancient Egyptian funerary portraits in the Harvard Art Museums collections. \nThis lecture is organized in conjunction with Funerary Portraits from Roman Egypt: Facing Forward\, on view through December 30\, 2022. Please be advised that this exhibition contains objects that were removed from ancient Egyptian burials. \nSpeakers:\nFrancisco Benitez\, Encaustic Artist\nKate Smith\, Conservator of Paintings and Head of Paintings Lab\, Straus Center for Conservation and Technical Studies \nFollowing the lecture\, guests are invited to visit the exhibition on Level 3. \nFree admission\, but seating is limited and reservations are required. Reservations may be arranged by clicking on the event on this form beginning on Monday\, October 24\, after 10am. \nThe lecture will take place in Menschel Hall\, Lower Level. Doors will open at 5:30pm. \nLimited complimentary parking is available in the Broadway Garage\, 7 Felton Street\, Cambridge. \nPlease review our general visitor policies\, including details on COVID-related precautions. \nSupport for the Funerary Portraits exhibition is provided by the Kelekian Fund\, the Christopher and Jean Angell Charitable Fund\, and the Kornfeld Foundation (through Christopher Angell). Related programming is supported by the M. Victor Leventritt Lecture Series Endowment Fund. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/painting-with-beeswax-funerary-portraits-from-roman-egypt/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/Portait-of-a-woman_Egypt.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221104T123000
DTEND;TZID=America/Halifax:20221104T130000
DTSTAMP:20260403T190234
CREATED:20221107T211503Z
LAST-MODIFIED:20221107T211503Z
UID:100320-1667565000-1667566800@artinamericaguide.com
SUMMARY:Gallery Talk
DESCRIPTION:Our galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease visit the museum website to learn about our general policies. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/11/Nov-17-Gallery-Talk_900_600.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221105T123000
DTEND;TZID=America/Halifax:20221105T130000
DTSTAMP:20260403T190234
CREATED:20221028T203345Z
LAST-MODIFIED:20221028T203345Z
UID:100149-1667651400-1667653200@artinamericaguide.com
SUMMARY:Gallery Talk: Dare to Know: Prints and Drawings in the Age of Enlightenment
DESCRIPTION:Join Ben Sibson\, Ph.D. candidate in Harvard’s Department of Human Evolutionary Biology\, for an in-depth discussion about the depiction of the human body in selected works on view in the exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment. He will share insights about artists’ representations of the human form\, focusing on Jacques-Fabien Gautier d’Agoty’s mezzotint Muscles of the Back. \nFeaturing approximately 150 works on paper and other related objects\, Dare to Know explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the Enlightenment era by encouraging individuals to follow their own reason when seeking to know more. An illustrated catalogue with 26 thematic essays—an A to Z exploration of the Enlightenment quest for understanding and change—accompanies the exhibition. \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nLed by:\nBen Sibson\, Ph.D. candidate in the Department of Human Evolutionary Biology\, Harvard University\, and Head Teaching Fellow \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment-3/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/Dagoty.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221105T130000
DTEND;TZID=America/Halifax:20221105T160000
DTSTAMP:20260403T190234
CREATED:20221028T203407Z
LAST-MODIFIED:20221028T203407Z
UID:100146-1667653200-1667664000@artinamericaguide.com
SUMMARY:Materials Lab Workshop (Off-Site): Making Faces
DESCRIPTION:Note that this workshop takes place at an off-site location\, Active Learning Labs. Location details are below. \nThis workshop accompanies the exhibition Funerary Portraits from Roman Egypt: Facing Forward\, which invites viewers to ask more about the complicated histories of these portraits and the people they depict. It also explores what can be learned about the artistic processes and current condition of these works through scientific analysis and technical research conducted by staff in the Harvard Art Museums’ Straus Center for Conservation and Technical Studies. Funerary Portraits is on view at the Harvard Art Museums through December 30\, 2022. We encourage participants to visit the exhibition at some point before the workshop date. Please be advised that this exhibition contains objects that were removed from ancient Egyptian burials. \nJoin visiting artist Francisco Benitez for a short overview of the long history of encaustic (pigmented wax) painting and demonstration of the technique before making your own copy of a funerary portrait of a woman from the Harvard Art Museums collections. Curator Susanne Ebbinghaus\, one of the Funerary Portraits team members\, will provide background on the portraits from Roman Egypt. Creating our own version of the ancient image is a means to better appreciating the process and the painter’s skill. The workshop also aims to honor and remember the ancient subject of the portrait we will copy\, and to celebrate the relationship between artist and sitter that allowed her essence to be captured so powerfully. \nThis workshop is co-sponsored by the Harvard Art Museums and the Harvard School of Engineering and Applied Sciences. \nLed by:\nFrancisco Benitez\, Encaustic Artist \nNo prior experience is necessary. $15 materials fee. Registration is required and space is limited. Registration for this workshop will open on Wednesday October 26\, 2022 at this link\, and participants will be admitted on a first-come\, first-served basis. To join the waitlist\, please email am_register@harvard.edu. Minimum age of 18 to comply with the Harvard Minors-in-Labs policy. \nThis workshop will take place in the Active Learning Labs\, at the Harvard School of Engineering and Applied Sciences\, 150 Western Avenue\, in Allston\, Massachusetts. At the main entrance at the corner of Western Avenue and Stadium Road\, the security desk attendant can direct you to the workshop location on the lower level. Buses 501\, 57\, and 66 serve that area. There is on-street parking on both sides of Western Avenue. Alternatively\, the lot at 2 Hague Street has 4-hour meters and full-day passes can be purchased for $6 through the Harvard Online Parking Permit System [HOPPS]. \n  Save  
URL:https://artinamericaguide.com/event/materials-lab-workshop-off-site-making-faces/
LOCATION:Active Learning Labs\, Harvard School of Engineering and Applied Sciences\, 150 Western Avenue Allston MA\, Harvard School of Engineering and Applied Sciences\, 150 Western Avenue\, Allston\, MA\, 02134\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/Portait-of-a-woman_Egypt-1.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221106T100000
DTEND;TZID=America/Halifax:20221106T130000
DTSTAMP:20260403T190234
CREATED:20221028T203032Z
LAST-MODIFIED:20221028T203032Z
UID:100194-1667728800-1667739600@artinamericaguide.com
SUMMARY:Materials Lab Workshop: Modeling Material Culture in Paper
DESCRIPTION:This workshop is inspired by the exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment\, which explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the so-called age of reason. It invites visitors to embrace the Enlightenment’s same spirit of inquiry—to investigate\, to persuade\, and to imagine. The exhibition is on view at the Harvard Art Museums through January 15\, 2023. \nWe will first gather in the galleries with Elizabeth Rudy\, the Carl A. Weyerhaeuser Curator of Prints\, and visiting artist Angela Lorenz. Rudy will explain the main themes of the exhibition and focus on a few works that present mysteries that remain unsolved. Lorenz will show examples of her “McSpheres” (Material Culture Spheres). These spheres serve as a low-tech\, open model for the 3-D visualization of objects. She developed them as tools to explore\, categorize\, and describe any object in the world—and to create connections with other objects. Participants will have an opportunity to closely examine and discuss the selected works together in the galleries. We will then proceed to the Materials Lab to fashion our own McSpheres. A conversation about the participants’ creations and the works in the exhibition will conclude the workshop. \nLorenz sees the McSphere as “a call and response specific to Dare to Know\, but [also as] a way to access critical thinking that applies to any object\, environment\, cupboard\, refrigerator\, living room or neighborhood. Some people will go micro to the carbon atom and the water cycle\, others macro to settler colonialism and global trade.” The artist’s hope is that the McSphere will serve as a tool for the exploration of objects in other museums\, neighborhoods\, and contexts. \nLed by:\nElizabeth Rudy\, Carl A. Weyerhaeuser Curator of Prints\, Harvard Art Museums\nAngela Lorenz\, Artist \nNo prior experience necessary. Bring your imagination\, curiosity\, and creativity! This workshop will take place in the Materials Lab\, Lower Level. \n$15 materials fee. Registration is required and space is limited. Registration for this workshop will open on Thursday\, October 27\, 2022 at this link\, and participants will be admitted on a first-come\, first-served basis. To join the waitlist\, please email am_register@harvard.edu. Minimum age of 14. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/materials-lab-workshop-modeling-material-culture-in-paper-3/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/Angela-Lorenz.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221106T123000
DTEND;TZID=America/Halifax:20221106T130000
DTSTAMP:20260403T190234
CREATED:20221103T194124Z
LAST-MODIFIED:20221103T194124Z
UID:100249-1667737800-1667739600@artinamericaguide.com
SUMMARY:Gallery Talk: Dare to Know: Prints and Drawings in the Age of Enlightenment
DESCRIPTION:Join art historian Paris A. Spies-Gans\, of the Harvard Society of Fellows\, for an in-depth discussion about works of art made by women in Dare to Know: Prints and Drawings in the Age of Enlightenment\, on view until January 15\, 2023. Spies-Gans will examine objects by a range of artists\, with particular attention given to Marguerite Gérard and Marie-Gabrielle Capet. \nFeaturing approximately 150 works on paper and other related objects\, Dare to Know explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the Enlightenment era by encouraging individuals to follow their own reason when seeking to know more. An illustrated catalogue with 26 thematic essays—an A to Z exploration of the Enlightenment quest for understanding and change—accompanies the exhibition. \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nLed by:\nParis A. Spies-Gans.\, Harvard Society of Fellows \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment-7/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/Capet.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221106T140000
DTEND;TZID=America/Halifax:20221106T170000
DTSTAMP:20260403T190234
CREATED:20221103T194125Z
LAST-MODIFIED:20221103T194125Z
UID:100247-1667743200-1667754000@artinamericaguide.com
SUMMARY:Screens for Teens: Ice Breakers and Olga
DESCRIPTION:This series of contemporary and classic films is specially curated for teenagers in and around Cambridge. The selection\, including both short and feature-length films\, is meant to provide teens with an opportunity to watch work focused explicitly on their experiences. Covering a range of topics\, emotions\, and nuances\, these free films—depending on length and scope—will be followed by conversation with faculty from the Cambridge Rindge and Latin School. \nAbout today’s films: \nIce Breakers\, 2019 (National Film Board of Canada; English; 15 min.) \nJosh Crooks is a promising teen hockey star in a sport where Black players like him are chronically underrepresented. He learns that his unshakable passion is tied to a rich and remarkable heritage when he discovers the buried history of a pioneering Black hockey league in Atlantic Canada. \nOlga\, 2021 (Kino Lorber; French\, Ukrainian\, and Russian with English subtitles; 85 min.) \nIn Elie Grappe’s award-winning drama\, a talented young gymnast from Kiev\, played by real-life former Ukrainian national team member Anastasiia Budiashkina\, moves to Switzerland to pursue her Olympic dreams. The film follows 15-year-old Olga as she tries to make friends on her new team and adjust to life in her new home. As she relentlessly trains in preparation for the European Championships\, her friends and family back in the Ukraine are taking to the streets in what would become known as the Maidan Revolution. Olga is left a powerless\, distant bystander as her mother\, an investigative journalist\, faces danger and violence in her work challenging the brutal Yanukovich regime. While the historic events depicted in the film are intricately linked with the subsequent Russian invasion\, providing rich insight into the current situation in the Ukraine\, Grappe’s camera never strays from the point of view of a remarkable young woman struggling to find her way in the world. (Kino Lorber) \nFree admission. Seating is first come\, first served. \nThe screening will take place in Menschel Hall\, Lower Level. Doors will open at 1:30pm. \nPlease see the museum visit page to learn about our general policies for visiting the museums. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/screens-for-teens-ice-breakers-and-olga/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/10/screens-for-teens-ice-breakers.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221108T123000
DTEND;TZID=America/Halifax:20221108T130000
DTSTAMP:20260403T190234
CREATED:20221103T194124Z
LAST-MODIFIED:20221103T194124Z
UID:100251-1667910600-1667912400@artinamericaguide.com
SUMMARY:Gallery Talk: Dare to Know: Prints and Drawings in the Age of Enlightenment
DESCRIPTION:Join curatorial assistant Casey Monahan for an in-depth discussion about a dynamic display of ball invitations\, advertisements\, trade cards\, and currency notes in the special exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment\, on view until January 15\, 2023. Monahan will share insights about the acquisition of these small prints and the story behind their creative installation in the exhibition. \nFeaturing approximately 150 works on paper and other related objects\, Dare to Know explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the Enlightenment era by encouraging individuals to follow their own reason when seeking to know more. An illustrated catalogue with 26 thematic essays—an A to Z exploration of the Enlightenment quest for understanding and change—accompanies the exhibition. \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nLed by:\nCasey Monahan\, Cunningham Curatorial Assistant for the Collection\, Division of European and American Art \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment-6/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/Endless-Knot.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221110T123000
DTEND;TZID=America/Halifax:20221110T130000
DTSTAMP:20260403T190234
CREATED:20221103T193929Z
LAST-MODIFIED:20221103T193929Z
UID:100274-1668083400-1668085200@artinamericaguide.com
SUMMARY:Gallery Talk: Dare to Know: Prints and Drawings in the Age of Enlightenment
DESCRIPTION:Join curator Joachim Homann for an in-depth discussion of Jean-Honoré Fragonard’s drawing The Girls’ Dormitory\, on view in the special exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment. \nFeaturing approximately 150 works on paper and other related objects\, Dare to Know explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the Enlightenment era by encouraging individuals to follow their own reason when seeking to know more. An illustrated catalogue with 26 thematic essays—an A to Z exploration of the Enlightenment quest for understanding and change—accompanies the exhibition. \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nLed by:\nJoachim Homann\, Maida and George Abrams Curator of Drawings\, Division of European and American Art \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment-4/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/11/Fragonard.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221113T123000
DTEND;TZID=America/Halifax:20221113T130000
DTSTAMP:20260403T190234
CREATED:20221103T193856Z
LAST-MODIFIED:20221103T193856Z
UID:100291-1668342600-1668344400@artinamericaguide.com
SUMMARY:Gallery Talk: Funerary Portraits from Roman Egypt
DESCRIPTION:Funerary Portraits from Roman Egypt: Facing Forward is a team-curated exhibition that brings together art history\, Egyptology\, and conservation science to illuminate artists’ processes and the life stories of the people depicted in funerary portraits. Join two exhibition curators as they describe what can be learned when close looking\, scientific analysis\, and community collaboration combine. \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease visit the museum website to learn about our general policies. \nSupport for this exhibition is provided by the Kelekian Fund\, the Christopher and Jean Angell Charitable Fund\, and the Kornfeld Foundation (through Christopher Angell). Related programming is supported by the M. Victor Leventritt Lecture Series Endowment Fund. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-funerary-portraits-from-roman-egypt/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/11/Portrait-of-a-woman_Funerary-Portraits.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221116T183000
DTEND;TZID=America/Halifax:20221116T203000
DTSTAMP:20260403T190234
CREATED:20221024T190812Z
LAST-MODIFIED:20221024T190812Z
UID:100087-1668623400-1668630600@artinamericaguide.com
SUMMARY:Clarice Smith Distinguished Lectures in American Art: Julia Bryan-Wilson: Embellished Legacies
DESCRIPTION:Scholar Julia Bryan-Wilson considers how women of color artists like Pacita Abad and Rosie Lee Tompkins have used embellishment as a strategy to blur the lines between function and decor. Her talk examines how these artists’ practice of intricately adorning domestic objects can expand our understanding of women’s work. Bryan-Wilson’s 2017 book Fray: Art and Textile Politics won prestigious works such as the ASAP Book Prize\, the Frank Jewett Mather Award\, and the Robert Motherwell Book Award. Her show “Louise Nevelson: Persistence” is an official collateral events of the 2022 Venice Biennale\, and her monograph on Nevelson is forthcoming in 2023. \nLocation: In-Person and Online; SAAM’s McAvoy Auditorium and YouTube \nTickets: Free | Registration required via Eventbrite \n  Save  
URL:https://artinamericaguide.com/event/clarice-smith-distinguished-lectures-in-american-art-julia-bryan-wilson-embellished-legacies/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
CATEGORIES:Event,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/DgDBCmWo3GduAQ4GM7lknXha.jpeg
ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221117T180000
DTEND;TZID=America/Halifax:20221117T193000
DTSTAMP:20260403T190234
CREATED:20221103T193731Z
LAST-MODIFIED:20221103T193731Z
UID:100306-1668708000-1668713400@artinamericaguide.com
SUMMARY:Angola Do You Hear Us? Voices from a Plantation Prison
DESCRIPTION:Join us for a presentation of MTV Documentary Films’ Angola Do You Hear Us? Voices From a Plantation Prison (formerly known as A Peculiar Silence). \nThe film tells the story of playwright Liza Jessie Peterson\, whose acclaimed play The Peculiar Patriot was shut down mid-performance at the Louisiana State Penitentiary\, commonly known as Angola Prison. Directed and edited by Cinque Northern\, produced by filmmaker Catherine Gund\, and featuring Peterson and Norris Henderson\, the film examines how one woman’s play challenged the country’s largest plantation prison and left a profound impact on the incarcerated men long after the record of her visit was erased by the institution’s administration. \nA conversation with Liza Jessie Peterson\, Catherine Gund\, and Harvard professor Brandon Terry will take place after the film. \nAbout today’s film:\nAngola Do You Hear Us? Voices from a Plantation Prison\, 2022 (Paramount Plus; English; 26 min.) \nSpeakers:\nCatherine Gund\, Producer\nLiza Jessie Peterson\, Playwright and executive producer\nBrandon Terry\, John L. Loeb Associate Professor of the Social Sciences\, Harvard University\, and Co-Director of the Institute on Policing\, Incarceration\, and Public Safety\, Hutchins Center for African and African American Research \nFree admission\, but seating is limited and reservations are encouraged. Reservations may be arranged by clicking on the event on this form beginning on Monday\, November 7\, after 10am. \nThe screening will take place in Menschel Hall\, Lower Level. Doors will open at 5:30pm. \nPlease see the museum visit page to learn about our general policies for visiting the museums. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/angola-do-you-hear-us-voices-from-a-plantation-prison/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/11/Angola.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221118T170000
DTEND;TZID=America/Halifax:20221118T190000
DTSTAMP:20260403T190234
CREATED:20221103T193715Z
LAST-MODIFIED:20221103T193715Z
UID:100315-1668790800-1668798000@artinamericaguide.com
SUMMARY:Opening Reception and Artist Talk featuring Shane Brown
DESCRIPTION:We will be welcoming Shane Brown as he shares his documentary photography project\, “In the Territories”\, and his involvement as on-set still photographer for the Peabody Award-winning FX series\, Reservation Dogs. \nBrown’s projects reveal that the American West\, Oklahoma\, and the Great Plains region—in spite of or\, perhaps because of\, their mythos—have not escaped the 21st century any more than they did the 19th\, 16th\, or 5th centuries. \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-and-artist-talk-featuring-shane-brown/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/11/Shane-Brown-1800x1000-1.jpg
GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221119T173000
DTEND;TZID=America/Halifax:20221119T193000
DTSTAMP:20260403T190234
CREATED:20221103T193749Z
LAST-MODIFIED:20221103T193749Z
UID:100304-1668879000-1668886200@artinamericaguide.com
SUMMARY:Members Preview Reception
DESCRIPTION:Join us during this preview reception for the opening of three exhibitions with a live performance in conjunction with NSU Art Museum’s current exhibition\, William Kentridge: Ursonate and William Kentridge Studios. \n  \nOpening Exhibitions: \nMalcolm Morley: Shipwreck \nKathia St. Hilaire: Immaterial Being \nScott Covert: I had a Wonderful Life \n  Save  
URL:https://artinamericaguide.com/event/members-preview-reception/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/11/museum_thumbnail2022-1.png
ORGANIZER;CN="nsu art museum":MAILTO:reservations@moafl.org
GEO:26.1194368;-80.1427657
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NSU Art Museum 1 E Las Olas Blvd Fort Lauderdale FL 33301 United States;X-APPLE-RADIUS=500;X-TITLE=1 E Las Olas Blvd:geo:-80.1427657,26.1194368
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221120T123000
DTEND;TZID=America/Halifax:20221120T130000
DTSTAMP:20260403T190234
CREATED:20221107T211425Z
LAST-MODIFIED:20221107T211425Z
UID:100328-1668947400-1668949200@artinamericaguide.com
SUMMARY:Gallery Talk: Dare to Know: Prints and Drawings in the Age of Enlightenment
DESCRIPTION:Join Sarah Mallory\, Ph.D. candidate in Harvard’s Department of History of Art and Architecture\, for an in-depth discussion about the emergence of the modern notion of ecology in the 18th century as it was articulated in selected works in the special exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment. \nFeaturing approximately 150 works on paper and other related objects\, Dare to Know explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the Enlightenment era by encouraging individuals to follow their own reason when seeking to know more. An illustrated catalogue with 26 thematic essays—an A to Z exploration of the Enlightenment quest for understanding and change—accompanies the exhibition. \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nLed by:\nSarah Mallory\, Ph.D. candidate in the Department of History of Art and Architecture\, Harvard University \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment-8/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/11/Marechal_900_600.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221120T140000
DTEND;TZID=America/Halifax:20221120T170000
DTSTAMP:20260403T190234
CREATED:20221024T190812Z
LAST-MODIFIED:20221024T190812Z
UID:100089-1668952800-1668963600@artinamericaguide.com
SUMMARY:Screens for Teens: Portraits from a Fire
DESCRIPTION:This series of contemporary and classic films is specially curated for teenagers in and around Cambridge. The selection\, including both short and feature-length films\, is meant to provide teens with an opportunity to watch work focused explicitly on their experiences. Covering a range of topics\, emotions\, and nuances\, these free films—depending on length and scope—will be followed by conversation with faculty from the Cambridge Rindge and Latin School. \nAbout today’s film:\nPortraits from a Fire\, 2021 (Photon Films; English and Chilcotin with English subtitles; 92 min.) \nThis award-winning\, beautifully layered Indigenous film follows Tyler\, a lonely teenager who spends his days filmmaking\, vlogging his Indigenous Tsilhqotʼin community\, and hanging out with his grandparents. His father is physically present but remains emotionally absent from Tyler’s life for reasons Tyler cannot understand; that is\, until he meets Aaron—a mysterious\, charismatic\, and influential figure who encourages Tyler to showcase his most personal film about his mother’s disappearance to the community. This leads to a reckoning between past and future\, life and death\, and father and son. \nFree admission. Seating is first come\, first served. \nThe screening will take place in Menschel Hall\, Lower Level. Doors will open at 1:30pm. \nPlease see the museum visit page to learn about our general policies for visiting the museums. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/screens-for-teens-portraits-from-a-fire-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/10/Portraits-from-a-Fire.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221120T140000
DTEND;TZID=America/Halifax:20221120T170000
DTSTAMP:20260403T190234
CREATED:20221024T190812Z
LAST-MODIFIED:20221024T190812Z
UID:100091-1668952800-1668963600@artinamericaguide.com
SUMMARY:Screens for Teens: Portraits from a Fire
DESCRIPTION:This series of contemporary and classic films is specially curated for teenagers in and around Cambridge. The selection\, including both short and feature-length films\, is meant to provide teens with an opportunity to watch work focused explicitly on their experiences. Covering a range of topics\, emotions\, and nuances\, these free films—depending on length and scope—will be followed by conversation with faculty from the Cambridge Rindge and Latin School. \nAbout today’s film:\nPortraits from a Fire\, 2021 (Photon Films; English and Chilcotin with English subtitles; 92 min.) \nThis award-winning\, beautifully layered Indigenous film follows Tyler\, a lonely teenager who spends his days filmmaking\, vlogging his Indigenous Tsilhqotʼin community\, and hanging out with his grandparents. His father is physically present but remains emotionally absent from Tyler’s life for reasons Tyler cannot understand; that is\, until he meets Aaron—a mysterious\, charismatic\, and influential figure who encourages Tyler to showcase his most personal film about his mother’s disappearance to the community. This leads to a reckoning between past and future\, life and death\, and father and son. \nFree admission. Seating is first come\, first served. \nThe screening will take place in Menschel Hall\, Lower Level. Doors will open at 1:30pm. \nPlease see the museum visit page to learn about our general policies for visiting the museums. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/screens-for-teens-portraits-from-a-fire/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/10/Portraits-from-a-Fire-1.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221122T123000
DTEND;TZID=America/Halifax:20221122T130000
DTSTAMP:20260403T190234
CREATED:20221107T211403Z
LAST-MODIFIED:20221107T211403Z
UID:100334-1669120200-1669122000@artinamericaguide.com
SUMMARY:Gallery Talk: Activation of Moholy-Nagy’s Light Prop for an Electric Stage
DESCRIPTION:Join staff as they discuss and activate this experimental device from 1930 by László Moholy-Nagy\, a Bauhaus pioneer. \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nLed by:\nClemens Ottenhausen\, Renke B. and Pamela M. Thye Curatorial Fellow in the Busch-Reisinger Museum\, Division of Modern and Contemporary Art \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease visit the museum website to learn about our general policies. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-activation-of-moholy-nagys-light-prop-for-an-electric-stage-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/11/Laszlo-Moholy-Nagy.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221125T110000
DTEND;TZID=America/Halifax:20221126T170000
DTSTAMP:20260403T190234
CREATED:20221103T193715Z
LAST-MODIFIED:20221103T193715Z
UID:100297-1669374000-1669482000@artinamericaguide.com
SUMMARY:VIRGINIA BRADLEY | CHRIS MALCOMSON: Open Studio
DESCRIPTION:Virginia Bradley and Chris Malcomson host Fall Open Studio Event \n11-5 pm – Friday and Saturday\, November 25th and 26th\n234 Long Pond Road\, Great Barrington\, MA  01230 \nArtist Reception and Instagram Live @virginiabradleyart – Saturday\, November 26th\, 3pm \nContact Virginia Bradley for more information or to arrange a studio visit at  virginiabradleyart@gmail.com or by cell 302 540 3565  \nThis event is free and open to the public. \nPainters Virginia Bradley and Chris Malcomson will host an Open Studio during Thanksgiving weekend in Great Barrington at 234 Long Pond Rd at their 1800 sf studio.  Bradley will showcase her newest Corallium Series. Malcomson will be presenting his Signs Series and his Puerto Rico watercolors.Virginia Bradley (www.virginiabradley.com) is an abstract painter whose work is based in alchemy and the transformation of materials. Her latest series Corallium was inspired by the rejuvenation of the coral reefs in the Playa Santa Bay in southwest Puerto Rico where Virginia has a winter studio. As recently as 15 years ago\, the reefs were almost completely decimated due to pollution and boat traffic. In 2011\, the Obama administration undertook an extensive federal project to bring back the coral reefs. Today they are thriving! \nCoral reefs are some of the most diverse and essential ecosystems on Earth. Besides supporting more species per unit area than any other marine environment\, they also form a barrier that protects coastal land and communities. \nSwimming and snorkeling among the beautiful coral reefs have embedded the images of the underwater world in Virginia’s visual vocabulary. Those images re-emerge in her painting process.  \nExperimentation with oil paint\, sea water\, alcohol and other painting mediums in the 95-degree sun create a watery environment in which the paintings form. Heat from the sun acts as a catalyst in coalescing the materials into new images. Physical intervention – like pouring layers of paint onto the canvas\, sanding\, drawing\, adding to & subtracting from the painting surface – is key to the creation of the Corallium Series. Transparent film\, canvas and wood panels serve as the foundation of these works. And built on them\, materials and interactions mirror nature’s own inventive process. All of life has been formed – and transformed – by the water\, elements and powerful forces of the sea. This perpetual churning materials both creates the infinite variety of life on earth – and sustains it. \nChris Malcomson (www.chrismalcomson.com) is an established British painter who is based in the US. He has exhibited his work internationally and is included in many public and private collections. Malcolmson is strongly influenced by Jungian and Transpersonal psychology\, the poet Rumi\, and icons\, which are reflected in his artistic studies of inner landscapes. Each of his paintings showcases spatial balance and harmony\, as well as layered colors and pure geometric forms that immerse the viewer in a rich visual realm. Chris ultimately seeks to remind us of the mythological resonance present in our daily lives\, and of the psychological and cultural depth that lies beyond what we typically perceive. \nChris’s painting now takes on three forms: “I always carry a small notebook\, which I use to catch the Muse. It is a place to jot poems\, ideas and drawings to which I might add watercolors.\nThe second are small more formal watercolors\, these are pleasing to do in Puerto Rico as they dry so quickly. Lastly are larger abstracts on canvas which go up to about five-foot square.\nFor many of these I have used a fixed form\, which allows concentration on colour. Currently I am developing the Signs Series – paintings which consider the resonance of symbols which immerses the viewer in rich visual worlds”.  \n  Save  
URL:https://artinamericaguide.com/event/virginia-bradley-chris-malcomson-open-studio/
LOCATION:Virginia Bradley | Chris Malcomson\, 234 Long Pond Road\, Great Barrington\, MA\, 01230\, United States
CATEGORIES:Event,Pop up
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/11/AIA-BANNER.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221125T110000
DTEND;TZID=America/Halifax:20230121T170000
DTSTAMP:20260403T190234
CREATED:20221103T193825Z
LAST-MODIFIED:20221103T193825Z
UID:100138-1669374000-1674320400@artinamericaguide.com
SUMMARY:The Made in RVA Holiday Shop @ Art Works!
DESCRIPTION:You’ll love shopping our Made in RVA Holiday Shop. It’s filled with holiday gifts—Richmond style. Everything is handmade\, from ceramics\, jewelry\, candles and soaps to paintings and photography of Richmond’s historical landmarks\, the river and unforgettable city scenes. The Made in RVA Holiday Shop will be open daily 11 am – 5pm through December 30th (Closed Mondays). Join us for cookies and hot cider and do some shopping. We’ll have craft for the children to work on while you shop. \n  Save  
URL:https://artinamericaguide.com/event/the-made-in-rva-holiday-shop-art-works/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/Holiday-shop.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221125T180000
DTEND;TZID=America/Halifax:20221125T200000
DTSTAMP:20260403T190234
CREATED:20221103T193825Z
LAST-MODIFIED:20221103T193825Z
UID:100134-1669399200-1669406400@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Holiday Opening Reception @ Art Works!
DESCRIPTION:On November 25\, 2022\, celebrate the holidays with us. It’s Black Friday and the Centre gallery has been transformed into a Made in Virginia Holiday shop. There’s art\, handmade gifts and products made in Virginia by Virginia artists. So\, if you love supporting local artists and businesses\, then you’ll want to visit us on opening day and throughout December. There will be workshops and crafts for the children while you shop. \n  \nThen at 6 p.m.\, the 4th Friday art shows’ reception begins with The Mix—a display of mixed media\, collage and assemblage by local artists and current and vintage works by Chuck Scalin and collage works by Mim Golub. The annual Small Works exhibit and George Tisdale’s H2Oh My are also featured this month. \n  \nThe Made in Virginia Holiday shop remains open through December 30th and all other exhibits continue through January 21\, 2023. This event is free and open to the public. \nThe Mix with Chuck Scalin and Mim Golub  \nChuck Scalin and Mim Golub are artists and art educators. They will jury The Mix—a collection of collage\, assemblage\, and mixed media by Virginia artists. And Chuck will exhibit some of his current and vintage works and Mim will display some of her collage works. \n  \nCall for entries is October 28\, 2022 – November 15\, 2022. Submit your entries through our online form. artworksrva.com \nThis exhibit will be in the Jane Sandelin Gallery. \n  \nImage from Pixabay \nH2Oh My by George Tisdale \n  \nGeorge Tisdale is intrigued with the blending of words and imagery. This exhibit explores combining the two conceptually within a shared visual area. Tisdale combines pen and ink\, scratchboard\, and collage. He weaves lines and textures as an expression of river water and its adjacent banks\, doing so in both abstract and semi-abstract compositions\, where each execution incorporates flowing words to convey mood and idea. The exhibit will be in the Corner Gallery \n  \n  \nSMALL WORKS 2022 All Media Show \n  \nThis exhibit is a focal point of all Art Works’ openings. It is a juried show with cash prizes and is open to all artists and all mediums. The theme for this exhibit is Small Works. These tiny masterpieces make great holiday gifts. Call for entries is October 28\, 2022 – November 15\, 2022. \n  \nSubmit your entries through our online form. artworksrva.com \n  \n  \n  \n  \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-holiday-opening-reception-art-works/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/Small-Works-Image.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221126T110000
DTEND;TZID=America/Halifax:20230121T170000
DTSTAMP:20260403T190234
CREATED:20221103T193825Z
LAST-MODIFIED:20221103T193825Z
UID:100136-1669460400-1674320400@artinamericaguide.com
SUMMARY:Winter Exhibits @ Art Works!
DESCRIPTION:See new exhibits and tour 80 artist studios. Our Made in RVA Holiday shop is open daily thru December 30th. Admission is free and open to the public Tuesdays thru Sundays 11 am – 5pm.  Exhibits include: \nThe Mix with Chuck Scalin and Mim Golub  \nChuck Scalin and Mim Golub are artists and art educators. They will jury The Mix—a collection of collage\, assemblage\, and mixed media by Virginia artists. And Chuck will exhibit some of his current and vintage works and Mim will display some of her collage works. \n  \nThis exhibit will be in the Jane Sandelin Gallery. \n  \n  \nH2Oh My by George Tisdale \n  \nGeorge Tisdale is intrigued with the blending of words and imagery. This exhibit explores combining the two conceptually within a shared visual area. Tisdale combines pen and ink\, scratchboard\, and collage. He weaves lines and textures as an expression of river water and its adjacent banks\, doing so in both abstract and semi-abstract compositions\, where each execution incorporates flowing words to convey mood and idea. The exhibit will be in the Corner Gallery \n  \n  \nSMALL WORKS 2022 All Media Show \n  \nThis exhibit is a focal point of all Art Works’ openings. It is a juried show with cash prizes and is open to all artists and all mediums. The theme for this exhibit is Small Works. These tiny masterpieces make great holiday gifts. \n  \n  \n  \n  \n  \n  Save  
URL:https://artinamericaguide.com/event/winter-exhibits-art-works-2/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/Small-Works-Image-1.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221130T123000
DTEND;TZID=America/Halifax:20221130T130000
DTSTAMP:20260403T190234
CREATED:20221111T202648Z
LAST-MODIFIED:20221111T202648Z
UID:100352-1669811400-1669813200@artinamericaguide.com
SUMMARY:Gallery Talk: Pyramids\, Circles\, and the Pursuit of Pure Forms
DESCRIPTION:With its emphasis on pure geometric forms\, the 18th-century neoclassical artistic style inspired the design of the special exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment. In this tour\, exhibition designer Elie Glyn will share why artworks are displayed in a particular manner and why the galleries have been modified to look the way they do. Visitors are invited to consider the effect of these choices on their experience of the exhibition and understanding of the subject matter. \nLed by:\nElie Glyn\, Assistant Director of Exhibitions\, Collections Management \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease visit the museum website to learn about our general policies. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-pyramids-circles-and-the-pursuit-of-pure-forms/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/11/Bossi.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
END:VCALENDAR