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BEGIN:VEVENT
DTSTART;VALUE=DATE:20231208
DTEND;VALUE=DATE:20261207
DTSTAMP:20260822T230053
CREATED:20240522T193731Z
LAST-MODIFIED:20240522T193731Z
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SUMMARY:Isaac Julien: Lessons of the Hour — Frederick Douglass
DESCRIPTION:Sir Isaac Julien’s moving image installation Lessons of the Hour (2019) interweaves period reenactments across five screens to create a vivid picture of nineteenth-century activist\, writer\, orator\, and philosopher Frederick Douglass. Through critical research\, fictional reconstruction\, and a marriage of poetic image and sound\, Julien asserts Douglass’ enduring lessons of justice\, abolition\, and freedom that remain just as relevant today. \nLessons of the Hour features passages from Douglass’ key speeches\, including the titular “Lessons of the Hour\,” “What to the Slave Is the Fourth of July?” and “Lecture on Pictures.” \nJulien weaves together reenacted scenes from Douglass’ life and lectures\, filming at his historic home in Washington\, DC\, and a restaged studio of famed Black photographer J.P. Ball (1825–1904) as he makes a portrait of Douglass. Images of contemporary Baltimore—the city where Douglass was enslaved and escaped from bondage in 1838—including footage of fireworks and protests in 2015 following the death of Freddie Gray\, Jr. while in police custody\, are interspersed as the struggle to make good on America’s promise of equality continues. \nLessons of the Hour was jointly acquired by SAAM and the National Portrait Gallery in 2023. The 28-minute work debuted for Washington audiences December 8\, 2023\, and remains on public view through the 250th anniversary of the founding of the United States in 2026. \n  Save  
URL:https://artinamericaguide.com/event/isaac-julien-lessons-of-the-hour-frederick-douglass/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240924
DTEND;VALUE=DATE:20250728
DTSTAMP:20260822T230053
CREATED:20240628T154332Z
LAST-MODIFIED:20241112T212527Z
UID:109156-1727136000-1753660799@artinamericaguide.com
SUMMARY:Robert Earl Paige: Give the Drummer Some!
DESCRIPTION:For the Smart’s 50th anniversary\, South Side artist Robert Earl Paige creates a multi-part pattern-based installation and sprawling public art project that invites communities into a collective experience of space. \n  Save  
URL:https://artinamericaguide.com/event/robert-earl-paige-give-the-drummer-some/
LOCATION:Smart Museum of Art\, 5550 S. Greenwood Avenue\, Chicago\, IL\, 60637\, United States
CATEGORIES:Exhibition
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GEO:41.7934642;-87.6002004
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241115T080000
DTEND;TZID=America/New_York:20250817T170000
DTSTAMP:20260822T230053
CREATED:20240522T193730Z
LAST-MODIFIED:20240522T193730Z
UID:108583-1731657600-1755450000@artinamericaguide.com
SUMMARY:Pictures of Belonging: Miki Hayakawa\, Hisako Hibi\, and Miné Okubo
DESCRIPTION:Pictures of Belonging is an unprecedented examination of these three trailblazing figures.  By tracing their artistic development before\, during\, and after the mass incarceration and displacement of Japanese Americans during World War II\, the exhibition offers a nuanced view of how these women continued to explore and experiment with new artistic expression throughout their lives. Created during tumultuous decades in modern U.S. history\, their paintings\, along with their stories of resilience\, remind us of art’s power in the face of adversity and challenge. \nThe exhibition includes works by Hisako Hibi and Miné Okubo recently acquired for SAAM’s collection\, part of a multi-year initiative to expand and enrich the representation of Asian American experiences\, perspectives\, and artistic accomplishment in public displays and new scholarship. \n  Save  
URL:https://artinamericaguide.com/event/pictures-of-belonging-miki-hayakawa-hisako-hibi-and-mine-okubo/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250125T090000
DTEND;TZID=America/New_York:20250622T170000
DTSTAMP:20260822T230053
CREATED:20241205T204737Z
LAST-MODIFIED:20241205T204737Z
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SUMMARY:Dawn Cerny: Portmeirion
DESCRIPTION:Seattle artist Dawn Cerny’s abstract sculptures transform a museum gallery into a colorful domestic landscape. Her interactive furniture pieces crafted from humble materials celebrate the theatricality of everyday life\, often to humorous effect. \n  Save  
URL:https://artinamericaguide.com/event/dawn-cerny-portmeirion/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Frye Art Museum":MAILTO:info@fryemuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20250125T100000
DTEND;TZID=America/Denver:20250914T170000
DTSTAMP:20260822T230053
CREATED:20250123T201026Z
LAST-MODIFIED:20250123T201026Z
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SUMMARY:Held Impermanence (Artists Select: Katherine Simóne Reynolds)
DESCRIPTION:The Clyfford Still Museum’s guest-curated exhibition\, Held Impermanence (Artists Select: Katherine Simóne Reynolds)\, illuminates multiple competing desires held in constant tension within the Museum. Organized by award-winning filmmaker\, artist\, and curator Katherine Simóne Reynolds\, the exhibition draws deeply on CSM’s collections. The exhibition runs from January 25–September 14\, 2025. \nAccording to Reynolds\, the collection testifies to Still’s ambitious attempt to keep his entire corpus intact. The commitment to the integrity of that body of work allows viewers to see not only the acclaimed masterpieces but also paintings made in painful transitions and others that bear the scars of time. Artworks change over time; their materials carry the stain of what conservators describe as inherent vice. Viewers see paintings that need to rest and heal\, bearing marks that suggest\, through their surfaces\, condition\, and textures\, metaphors of viscera\, bile\, and wounds. \nIn the Museum’s six largest galleries\, Reynolds’s exhibition asks viewers how they view healing over time\, respond with their bodies to this corpus\, and how they might approach Still’s achievements from a perspective that contends with his and their own senses of mortality—and with it\, a shared desire to hold impermanence. \nKatherine Simóne Reynolds is an artist\, scholar\, and curator who investigates emotional dialects and psychogeographies of Blackness within the Black Midwestern landscape. Her art physicalizes emotions and experiences through photo-based works\, film\, choreography\, sculpture\, and anxious writing practice. She has exhibited in national and international group and solo shows. \n  \nReynolds chose several paintings with condition issues to highlight the impact of conservation throughout the exhibition. She also selected a collection of archival photographs\, letters\, and notes to demonstrate the themes and emotions throughout the exhibition and two original archival objects. The Museum expands on exhibition content and Reynolds’ curatorial process in its free mobile guide on Bloomberg Connects. CSM also offers visitors two takeaway resources in the exhibition’s first gallery\, including Essays on Held Impermanence\, a companion booklet to the exhibition\, and Exploring Feelings and Art: A Family Guide. \nHeld Impermanence follows a chronological display of Still’s works in the Museum’s first three galleries. \n  Save  
URL:https://artinamericaguide.com/event/held-impermanence-artists-select-katherine-simone-reynolds/
LOCATION:Clyfford Still Museum\, 1250 Bannock St.\, Denver\, CO\, 80204\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Clyfford Still Museum":MAILTO:press@clyffordstillmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250218T100000
DTEND;TZID=America/Chicago:20250706T170000
DTSTAMP:20260822T230053
CREATED:20250220T163324Z
LAST-MODIFIED:20250416T140059Z
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SUMMARY:Bold Women
DESCRIPTION:Bold Women explores how women have pushed the boundaries of art and spurred social and cultural change across generations and geographies. The exhibition showcases more than 75 works of art by nearly 50 artists in a variety of mediums including photography\, video\, painting\, sculpture\, textiles\, and installations. Bold Women remains on view through July 6\, 2025. \n\nImage caption: \nJamelie Hassan\nYeah/Neon manuscript page\n2005–2015\nCourtesy of the Spencer Museum of Art \n\n  Save  
URL:https://artinamericaguide.com/event/bold-women/
LOCATION:Spencer Museum of Art\, University of Kansas\, 1301 Mississippi St.\, Lawrence\, KS\, 66045\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Spencer Museum of Art%2C University of Kansas":MAILTO:spencerart@ku.edu
GEO:38.9596803;-95.244588
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250221T080000
DTEND;TZID=America/New_York:20250622T170000
DTSTAMP:20260822T230053
CREATED:20241211T193249Z
LAST-MODIFIED:20241211T193249Z
UID:110963-1740124800-1750611600@artinamericaguide.com
SUMMARY:David Goldblatt: No Ulterior Motive
DESCRIPTION:David Goldblatt: No Ulterior Motive is a major traveling retrospective exhibition that spans the seven decades of this South African photographer’s career\, from the 1950s to the 2010s\, demonstrating Goldblatt’s commitment to showing the realities of daily life in his country. The exhibition and accompanying publication bring together roughly 150 works by Goldblatt from the collections of the Yale University Art Gallery and the Art Institute of Chicago—two major Goldblatt repositories—including his early black-and-white photography and his post-apartheid\, large-format color photography. Also included in the exhibition are photographs by some of Goldblatt’s contemporaries\, such as Josef Koudelka and Shomei Tomatsu\, as well as fellow South Africans Lebohang Kganye\, Jo Ractliffe\, and Zanele Muholi\, placing Goldblatt within a global and intergenerational network of photographers. This ambitious project honors the life and career of an artist who used his work to celebrate his country’s working-class people\, the landscape\, and the built environment. \n  Save  
URL:https://artinamericaguide.com/event/david-goldblatt-no-ulterior-motive/
LOCATION:Yale University Art Gallery\, 1111 Chapel St\, New Haven\, CT\, 06510\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Yale University Art Gallery":MAILTO:artgalleryinfo@yale.edu
GEO:41.30839;-72.930958
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250221T160000
DTEND;TZID=America/New_York:20250622T180000
DTSTAMP:20260822T230053
CREATED:20250211T183445Z
LAST-MODIFIED:20250211T183445Z
UID:112098-1740153600-1750615200@artinamericaguide.com
SUMMARY:MARTIN WEINSTEIN | Looking through Times
DESCRIPTION:MARTIN WEINSTEIN | LookingThrough Times \nFeb 21 – June 22\, 2025 \nSouthern Vermont Art Center\n860 Southern Vermont Arts Center Dr\,\nManchester\, VT 05254 \n(802) 362-1405 \nCross Contemporary Art Project presents the multi-dimensional paintings of Martin Weinstein at the Southern Vermont Art Center. Weinstein’s unique practice of painting on different layers of acrylic sheets\, then re-assembling them in a clear plastic enclosure\, creates the experience of deep space. In this new series\, Looking Through Times\, Weinstein plays with this optical illusion by reshuffling the layers and creating dimensional ambiguities. \n  Save  
URL:https://artinamericaguide.com/event/martin-weinstein-looking-through-times-3/
LOCATION:Southern  Vermont Art Center\, 860 SVAC Drive\, Manchester\, VT\, 05255\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Cross Contemporary Art Projects":MAILTO:crosscontemporaryprojects@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250304
DTEND;VALUE=DATE:20250711
DTSTAMP:20260822T230053
CREATED:20250225T153434Z
LAST-MODIFIED:20250505T183817Z
UID:112266-1741046400-1752191999@artinamericaguide.com
SUMMARY:You what?
DESCRIPTION:“Applebroog pursues issues that transcend gender – issues of innocence and vulnerability\, of self-knowledge and mortality.  She does not want us to forget the reality of mass murders and political terrorism or to accept nuclear weapons as a fact of life.  Applebroog does not offer solutions.  Rather\, she makes us see what’s there – the poignancy\, the devastation\, and the potential for goodness.  This is political art of the highest order.” \nRuth Bass\, excerpt from Ordinary People\, ARTnews  (May\, 1988) \nIn a post-truth era\, with surging racism\, chauvinism\, sexism\, transphobia\, and other alarming trends\, Ronald Feldman Gallery announces an exhibition of work by Ida Applebroog (1929-2023).  Finding inspiration from an expansive psychological perspective\, this acclaimed artist is known for her razor-sharp explorations of contemporary life. Her art transforms current events into human events by employing carefully selected examples of individual lives as representations of collective society – in short\, an inside-out versus clinical (outside-looking-in) approach.  By presenting emotionally-charged “mid-situations” – narratives with undefined beginnings and ends\, and\, later on\, loaded juxtapositions – Applebroog masterfully empowers viewers to use their hearts and minds to “finish” the work by determining the meaning for themselves.  Singular and affecting\, Applebroog’s art offers a space for visceral experiences as a path for engaging with a spectrum of issues\, and a doorway into the diverseness of the human psyche. \nYou what? focuses on work created by the artist in the 1980s and early 1990s – a fascinating period of development and maturation into greater scale and complexity.  During this time\, Applebroog had eight solo exhibitions at the Ronald Feldman Gallery\, who represented her work between 1981 and 2005\, featuring it in a total of twelve solo exhibitions. \nIn Shake (1980)\, Applebroog depicts a decisive moment: the meeting of two well-dressed couples who are framed by curtains\, as if seen through a window or on a stage.  Classic for its voyeurism and “instant coffee” style of drawing (intentionally minimal and generic)\, the work is augmented by a shadow panel which echoes the subjects’ formality and constraint.  Another vellum work\, Not This Time (1982)\, composed like a comic strip with multiple frames in a long row\, is not an action sequence: the image of a woman seated beside her suitcase is carefully repeated seven times.  The text “I’d better not” and “Not this time” suggests tentativeness and doubt\, while the repetition clearly describes the event as a recurring pattern.  Does this silent struggle represent the very real limits of oppression and abuse that one can endure? \nSeveral large paintings are included in the exhibition.  Rainbow Caverns (1987) is among the first the artist imagined as a combination of several paintings united into a single work.  Here\, a solo\, duo and trio of figures are repeated three times\, respectively\, each on their own predella-like panel.  They join a giant female body builder\, posing in profile\, in surrounding a domestic scene of a matronly woman knitting in an armchair. Surrealistically\, the floor around this central image morphs into a corn field occupied by a flock of birds.  Camp Compazine (1988)\, with its large side panels extending out from the wall\, is Applebroog’s first example of a 3-D composition.  Immediately grabbing the viewer’s attention\, is a homunculus trapped in the mouth of a giant\, calling to mind Francisco Goya’s Saturn Devouring His Son.  A pair of executives\, who look to be mirror images of each other\, a young man seated on a stool but facing away\, and a protester carrying a sign reading “GOD” complete the periphery\, and in the center is a gang of turkeys.  Landscape is incorporated almost as a parody; the fields are not nostalgic places where people coexist within the harmony of nature\, but rather emotional terrain. \nIn the artist’s first catalogue\, her friend and dealer Ronald Feldman writes:  “Applebroog’s ability to get us to project [ourselves] into her work is exceptional.  She sets the stage; we are the players.  Drawn in to figure out what’s going on\, we soon realize that what’s going on is us.  We are more directly participants and less observers than in the roles provided for us by Vermeer or Rembrandt.  Our excitement is provided through direct self-discovery rather than through an unraveling of the secrets of the personages in the paintings.  As we enter Applebroog’s work our breath becomes more present and frightening.  We realize we are hiding secrets not only from each other but\, more importantly\, from ourselves.” \nIda Applebroog’s work has been the subject of many monographs and museum exhibitions\, and is included in the most prestigious public collections in the U.S. and abroad.  She was acknowledged as a genius when she received a MacArthur Foundation Fellowship in 1998.  In addition\, she received an Honorary Doctorate from The New School University/Parsons School of Design in 1997\, a Lifetime Achievement Award from the College Art Association in 1995\, among many other distinctions of excellence. \nGallery viewing hours are Tuesday through Thursday\, 1pm – 5pm\, or by appointment.\nFor more information\, contact Cat Zhou at (212) 226-3232 or catherine@feldmangallery.com \n  Save  
URL:https://artinamericaguide.com/event/you-what/
LOCATION:Ronald Feldman Gallery\, 31 Mercer Street\, New York\, NY\, 10013\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Ronald Feldman Gallery":MAILTO:info@feldmangallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250307T100000
DTEND;TZID=America/New_York:20250727T170000
DTSTAMP:20260822T230053
CREATED:20241211T193211Z
LAST-MODIFIED:20241227T204216Z
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SUMMARY:Edvard Munch: Technically Speaking
DESCRIPTION:Discover the experimental methods of Edvard Munch\, who creatively explored materials and techniques across media. \nA dynamic collaboration between curatorial and conservation experts at the Harvard Art Museums\, Edvard Munch: Technically Speaking offers rare insight into the Norwegian artist’s innovative techniques and the recurring themes across his paintings\, woodcuts\, lithographs\, etchings\, and combination prints. The Harvard Art Museums house one of the largest and most significant collections of artwork by Munch in the United States\, and the exhibition showcases roughly 70 works\, including key loans from Munchmuseet\, Oslo. \nVisitors are invited to explore Munch’s artistic process\, uncovering his playful approach and fascination with materiality. He returned to some themes repeatedly during his lifetime\, carrying motifs across printmaking and painting and demonstrating how a single idea can evoke different responses through shifts in color and orientation. In the exhibition\, prints are displayed alongside the original copper plates\, woodblocks\, and lithography stones used to create them\, providing further access into Munch’s experimental practice. Edvard Munch: Technically Speaking also features groundbreaking research that sheds new light on the artist’s techniques and processes. \nCurated by Elizabeth M. Rudy\, Carl A. Weyerhaeuser Curator of Prints\, and Lynette Roth\, Daimler Curator of the Busch-Reisinger Museum; with Peter Murphy\, Stefan Engelhorn Curatorial Fellow in the Busch-Reisinger Museum. \nResearch in collaboration with Ellen Davis\, Associate Paintings Conservator\, Penley Knipe\, Philip and Lynn Straus Senior Conservator of Works on Paper and Head of the Paper Lab\, Abby Schleicher\, Assistant Paper Conservator\, and Kate Smith\, Senior Conservator of Paintings and Head of the Paintings Lab\, all in the Straus Center for Conservation and Technical Studies; and with contributions from Cambra Sklarz\, Diane and Michael Maher Curatorial Fellow of American Art\, and Kacper Kolęda and Tai Mitsuji\, Ph.D. candidates in the Department of History of Art and Architecture at Harvard University. \n  Save  
URL:https://artinamericaguide.com/event/edvard-munch-technically-speaking/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Exhibition
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ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250307T110000
DTEND;TZID=America/New_York:20271231T180000
DTSTAMP:20260822T230053
CREATED:20250224T180514Z
LAST-MODIFIED:20250224T180514Z
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SUMMARY:Tending and Dreaming: Stories from the Collection
DESCRIPTION:Tending and Dreaming: Stories from the Collection launches the first dedicated collection galleries at the Museum. Providing unprecedented access to core works in San José’s only publicly held art collection\, SJMA’s collection galleries position artists as storytellers to imagine the Museum as a space where culture and meaning are actively made and always in process.  \nOrganized into thematic groupings\, Tending and Dreaming offers poetic starting points for engaging with ideas woven through the works of almost fifty artists from the Bay Area and beyond\, including  Ruth Asawa\, Martha Atienza\, Shilpa Gupta\, Yolanda López\, and Elias Sime\, among many others.  \n  Save  
URL:https://artinamericaguide.com/event/tending-and-dreaming-stories-from-the-collection/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250411T110000
DTEND;TZID=America/New_York:20250816T160000
DTSTAMP:20260822T230053
CREATED:20250319T152251Z
LAST-MODIFIED:20250523T151929Z
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SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-11/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250412T110000
DTEND;TZID=America/New_York:20250817T160000
DTSTAMP:20260822T230053
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113420-1744455600-1755446400@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-12/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250415T110000
DTEND;TZID=America/New_York:20250820T160000
DTSTAMP:20260822T230053
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113421-1744714800-1755705600@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-15/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250416T110000
DTEND;TZID=America/New_York:20250821T160000
DTSTAMP:20260822T230053
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113422-1744801200-1755792000@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-16/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250416T110000
DTEND;TZID=America/New_York:20251005T170000
DTSTAMP:20260822T230053
CREATED:20250403T185846Z
LAST-MODIFIED:20250403T185846Z
UID:112826-1744801200-1759683600@artinamericaguide.com
SUMMARY:Boren Banner Series: Tarrah Krajnak
DESCRIPTION:The Frye is proud to debut an all-new body of work from the internationally recognized artist Tarrah Krajnak. Known for work that blends photography\, performance\, and poetry\, Krajnak uses her body to reimagine and respond to iconic moments in photographic history and to challenge traditions of Western art history. With a keen instinct for the lyric as well as the political potential of image making\, Krajnak reshapes the boundaries of contemporary photography. \n  Save  
URL:https://artinamericaguide.com/event/boren-banner-series-tarrah-krajnak/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/04/BodyConfigurationsLima_01.jpg
ORGANIZER;CN="Frye Art Museum":MAILTO:info@fryemuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250417T110000
DTEND;TZID=America/New_York:20250822T160000
DTSTAMP:20260822T230053
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113423-1744887600-1755878400@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-17/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250419T110000
DTEND;TZID=America/New_York:20250824T160000
DTSTAMP:20260822T230053
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113424-1745060400-1756051200@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-19/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250422T110000
DTEND;TZID=America/New_York:20250827T160000
DTSTAMP:20260822T230053
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113425-1745319600-1756310400@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-22/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250423T110000
DTEND;TZID=America/New_York:20250828T160000
DTSTAMP:20260822T230053
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113426-1745406000-1756396800@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-23/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250424T110000
DTEND;TZID=America/New_York:20250829T160000
DTSTAMP:20260822T230053
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113427-1745492400-1756483200@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-24/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250426T110000
DTEND;TZID=America/New_York:20250831T160000
DTSTAMP:20260822T230053
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113428-1745665200-1756656000@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-26/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250429T110000
DTEND;TZID=America/New_York:20250903T160000
DTSTAMP:20260822T230053
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113429-1745924400-1756915200@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-29/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250510
DTEND;VALUE=DATE:20250726
DTSTAMP:20260822T230053
CREATED:20250515T161306Z
LAST-MODIFIED:20250725T131635Z
UID:113334-1746835200-1753487999@artinamericaguide.com
SUMMARY:Bienvenue: African American Artists in France
DESCRIPTION:Bienvenue: African American Artists in France\nMay 10–July 25\, 2025  \n“There is a breadth\, a generosity\, an obsolete cosmopolitanism about her [France] recognition of the fine arts\, which bars no nationality\, no race\, no school\, or variation of artistic method. All she asks is that the art shall be true\, in other words that it shall set forth life.”—Henry Ossawa Tanner\, 1908 [1] \n“Life in Paris offers me the anonymity and objectivity to release long-stored memories of sorrow\, and the beauty of the difficult effort to release and orchestrate in form and color a personal design. Being in France gives time for reflection. One never leaves home if one was never there.”—Beauford Delaney\, 1966 [2] \nMichael Rosenfeld Gallery is proud to present Bienvenue: African American Artists in France\, a historical survey of seventeen Black American artists who lived and worked in France from the late nineteenth century through the present. Complementing the landmark exhibition Paris Noir: Artistic circulations and anti-colonial resistance\, 1950–2000\, on view at the Centre Pompidou through June 30th\, Bienvenue offers an expanded look into the presence of Black American artists in France\, many of whom were seeking respite from the systemic racism that limited their opportunities for education and the recognition of their work in the United States. Where Paris Noir encompasses artists of the larger African diaspora working in the second half of the twentieth century\, Bienvenue: African American Artists in France focuses specifically on American artists\, and spans nearly eight decades in its chronological scope\, beginning with a 1912 painting by Henry Ossawa Tanner (1859–1937) and ending with a 1989 sculpture by Barbara Chase-Riboud (b.1934). \nBienvenue: African American Artists in France features works by Richmond Barthé*(1901–1989)\, Barbara Chase-Riboud* (b.1934)\, Ed Clark (1926–2019)\, Robert Colescott (1925–2009)\, Harold Cousins* (1916–1992)\, Beauford Delaney* (1901–1979)\, Herbert Gentry (1919–2003)\, Sam Gilliam (1933–2022)\, Palmer Hayden (1890–1973)\, Richard Hunt (1935–2023) William H. Johnson* (1901–1970)\, Augusta Savage (1892–1962)\, William Edouard Scott (1884–1964)\, Albert Alexander Smith (1896–1940)\, Henry Ossawa Tanner* (1859–1937)\, Bob Thompson* (1937–1966) and Hale Woodruff (1900–1980).[3] \nWidely regarded as the patriarch of Black American artists\, Henry Ossawa Tanner remains a foremost painter of the nineteenth and early twentieth centuries and the first Black American artist to achieve international fame. His relocation from Philadelphia to Paris in 1891 set a precedent that would inspire future generations of Black American artists to train\, reside\, or sojourn in France\, including Harlem Renaissance master William Edouard Scott\, who studied under Tanner from 1910–13. Likewise\, Palmer Hayden\, Augusta Savage\, and Hale Woodruff each sought an audience with the elder master during their time in France in the 1920s and 1930s. In addition to invaluable advice on navigating the mores of French society\, Tanner also provided guidance on painting techniques and openly shared his understanding of art. In a 1970 issue of The Crisis\, Woodruff recalled his formative encounter with Tanner in 1928. Traveling to the small town in Picardy where Tanner lived in semi-retirement\, Woodruff introduced himself to “a remarkable man of profound intelligence and scholarship\,” who welcomed the young artist into his home. Upon asking who had most inspired him in the Parisian museums\, Woodruff recalled Tanner’s nomination of Claude Monet and Paul Cézanne as the most important painters of the modern age\, elaborating: \n“Remember that light can be many things: light for illuminating an object or for creating a mood; for purposes of dramatization as in a theatrical production. For myself\, I see light chiefly as a means of achieving a luminosity\, a luminosity not consisting of various light-colors but luminosity within a limited color range\, say\, a blue or blue-green. There should be a glow which indeed consumes the theme or subject. Still\, a light-glow which rises and falls in intensity as it moves through the painting. It isn’t simple to put into words.”[4] \nThough the country was not free of racism\, France generally afforded Black artists and intellectuals greater respect and more opportunities than the United States during the late nineteenth and twentieth centuries. Such was the environment that prompted James Baldwin to make Paris his home in 1948\, and he spent the ensuing years encouraging his good friend Beauford Delaney to join him. Delaney eventually agreed\, moving from his Greene Street loft in Greenwich Village to Montparnasse in 1953. Delaney would remain in the vicinity of Paris for the remainder of his life\, composing a singular body of gestural\, chromatically nuanced abstractions and a celebrated series of portraits that reflect the creative and spiritual inspiration he felt in the European capital. “I left New York for Paris in 1953\, and I have painted with greater freedom ever since\,” Delaney wrote some ten years after leaving the United States. “I tried to paint light\, different kinds of light\, and my painting has been associated with ‘abstraction.’ But there are no precise limits for me between ‘abstract’ and ‘figurative’ paintings and I have always continued to paint portraits of friends.”[5] Delaney is a particularly strong presence in Paris Noir\, which features twelve paintings by the artist\, eight of which are on loan from Michael Rosenfeld Gallery. \nWhile Paris has always been a cultural hub for creatives and intellectuals\, many artists featured in Bienvenue traveled to the countryside or coast to paint\, following the tradition of the Impressionist and modernist masters that inspired them. The exhibition offers key examples of this tradition\, including maritime paintings by Palmer Hayden and a coastal scene by Tanner executed along the coast of Brittany; a seminal painting by William H. Johnson depicting the idyllic coastal town of Cagnes-Sur-Mer; a landscape portraying the island of Port-Cros off the French Riviera by Delaney; and a scene of the Eure river by Woodruff executed in Chartres. \nThe cosmopolitan hub of Paris was a natural attraction for Black American artists\, who found the city’s architecture\, social spaces\, and creative circles to be rich sources of inspiration. Several works in the exhibition feature distinctly Parisian subjects\, including Richmond Barthé’s iconic sculpture of Senegalese cabaret dancer Feral Benga; William Edouard Scott’s transcendent portrayal of Notre Dame; and a classic rendition of the Pont Neuf by Woodruff. Parisian nightlife is likewise a recurring theme of the exhibition; in addition to Barthé’s bronze portrait of Benga\, drawings by Robert Colescott and Albert Alexander Smith depicting cabaret performances are also on view. \nOpportunities for education and art training were another primary draw for many artists\, particularly in the postwar era. The exhibition features two abstract paintings by Ed Clark\, who enrolled at L’académie de la Grande Chaumière in 1952; major sculptures by Harold Cousins\, who studied at Ossip Zadkine’s studio in 1949; and a quintessential abstract painting by Herbert Gentry\, who likewise studied under Zadkine and at L’académie de la Grande Chaumière in the late 1940s. Four paintings by Bob Thompson will also be on view; executed during his first trip to Europe in 1961–62\, these works testify to the hours Thompson spent at the Louvre and Paris’ many other museums\, soaking up the compositional devices of the Old Masters and translating them into thoroughly contemporary paintings using his own unique expressionist voice. \nMichael Rosenfeld Gallery is recognized for modern and contemporary art. Since its founding in 1989\, the gallery has been committed to expanding the canon of American art by championing artists who have made vital contributions to surrealism\, social realism\, abstract expressionism\, figurative expressionism\, and geometric abstraction. Michael Rosenfeld Gallery’s dedication to presenting the work of nineteenth and twentieth century Black American masters is as longstanding as the gallery itself; in addition to dozens of solo exhibitions focused on Black American artists\, the gallery organized the renowned annual exhibition series African-American Art: 20th Century Masterworks from 1993–2003. \n1. Henry Ossawa Tanner quoted in Dewey F. Mosby\, Across continents and cultures: The Art and Life of Henry Ossawa Tanner(Nelson-Atkins Museum of Art\, 1995)\, 7–8\n2. Beauford Delaney quoted in John Ashbery\, “American Sanctuary in Paris\,” ARTnews Annual vol. 31 (1966): 146\n3. Names with asterisks indicate that Michael Rosenfeld Gallery has presented solo exhibitions for these artists\n4. Tanner quoted in Hale Woodruff\, “My Meeting with Henry O. Tanner\,” The Crisis (June 1970)\, reprinted in Explorations in the City of Light: African-American Artists in Paris\, 1945-1965\, exh. cat. (New York: The Studio Museum in Harlem\, 1996)\, 11\n5. Beauford Delaney\, artist statement\, “Beauford Delaney – Career as a Creative Artist\,” c.1963\, Beauford Delaney collection\, Sc MG 59\, Schomburg Center for Research in Black Culture\, Manuscripts\, Archives and Rare Books Division\, The New York Public Library\, New York\, NY \n  Save  
URL:https://artinamericaguide.com/event/bienvenue-african-american-artists-in-france/
LOCATION:NY
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/05/10-Bienvenue-2025-Install-View-6.jpg
ORGANIZER;CN="Michael Rosenfeld Gallery":MAILTO:info@michaelrosenfeld.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250515
DTEND;VALUE=DATE:20250623
DTSTAMP:20260822T230053
CREATED:20250505T202700Z
LAST-MODIFIED:20250505T202700Z
UID:113074-1747267200-1750636799@artinamericaguide.com
SUMMARY:Anthony Falcetta: Inverse Certainties
DESCRIPTION:Kathryn Markel Fine Arts  is pleased to present Inverse Certainties\, an exhibition of paintings by Anthony Falcetta. This is the artist’s first solo exhibition with the gallery and will take place in The Pocket Gallery at 179 10th Avenue. An artist reception will be held on May 22nd from 6-8pm.  \nFalcetta’s paintings are abstract explorations of surface\, color and space. He paints intuitively and in layers to conceal\, expose\, and shape the final composition through an array of processes. Vibrant planes of color extend over the surface in varied levels of texture. Some rise off the substrate while  others are scraped down or obscured by subsequent layers. Evidence of previous forms allude to Falcetta’s process and interest in time. Curiosity drives the work and for the artist\, the act of making is a manner of discovery. In his own words\, “I value the practice of painting as a way to explore both inside and outside — of myself\, my work\, and my surroundings.” \nThe work references space and objects and becomes a means of reinterpreting his internal and external conditions. He explains these ideas\, “I’m inspired by sources in the built environment: interior and exterior space\, mundane objects\, bright colors\, hard edges and sharp shadows\, street architecture and road markings\, and weathered commercial signage — things made to serve a purpose\, then left to age and change and often be totally overlooked.” Just as the forms in his work bear the evidence of prior choices and changes in the artist’s plans\, so too do physical items and places change with time and human intervention. Falcetta enacts time on the works and imbues them with history and dynamism. \nAnthony Falcetta is a native of Manchester\, CT\, and a 2001 graduate of Massachusetts College of Art and Design in Boston. His work has been exhibited around New England\, New York\, Denver and elsewhere\, and is included in various private and corporate collections. He lives and works in Beverly\, Massachusetts. \n  Save  
URL:https://artinamericaguide.com/event/anthony-falcetta-inverse-certainties/
LOCATION:179 10th Ave\, 179 10th Ave\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250515
DTEND;VALUE=DATE:20250623
DTSTAMP:20260822T230053
CREATED:20250505T202723Z
LAST-MODIFIED:20250505T202723Z
UID:113070-1747267200-1750636799@artinamericaguide.com
SUMMARY:Eric Blum
DESCRIPTION:Kathryn Markel Fine Arts is pleased to announce an upcoming exhibition of new paintings by Eric Blum. This will be his fourth solo exhibition with the gallery and an artist reception will be held on May 22 from 6-8pm. \nBlum creates abstract compositions through a layered\, intuitive process of adding and subtracting thinly inked sheets of silk to panel. Between each layer Blum seals the silk with beeswax. As he works\, the compositions\, initially based on a loose drawing\, change and darken. Working on multiple paintings at once\, Blum’s practice relies on process as he covers and uncovers\, overlaps\, cuts\, and turns the panel in different orientations.  The resulting moody\, often monochromatic abstractions are Blum’s way of capturing the unknown. In the artist’s own words. “I grope around for something unfamiliar to my own eye\, as if made by the hand of a stranger\, with equal parts awkwardness\, serenity\, subversion and evocative inscrutability.” \n  \nLight and dark are at the heart of Blum’s visual language making the paintings feel connected to photographic or optical imagery. The work in this exhibition has more color and larger central forms than in previous paintings. In some\, colored inks bleed together whereas in others\, deep colors formed from the overlapping of many layers contrast with sheer\, light shapes. The paintings with less or light color are airy and fresh; their fractured forms more graphic. The wax creates a texture and depth to the surface and along with the deep colors and fluidity of ink creates a feeling of looking up from underwater. \n  \nEric Blum is a recipient of two grants from the Pollock-Krasner Foundation\, as well as one from the New York Foundation for the Arts. His work has been featured in shows at the Albright-Knox Boulder Museum of Contemporary Art\, the Knoxville Art Museum\, and The Contemporary Art Center of Cincinnati\, among other institutions. Blum studied photography at UCLA\, and currently lives and works in New York City and Los Angeles. \n  Save  
URL:https://artinamericaguide.com/event/eric-blum/
LOCATION:179 10th Ave\, 179 10th Ave\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/04/blum098-scaled.jpg
ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250522
DTEND;VALUE=DATE:20250629
DTSTAMP:20260822T230053
CREATED:20250513T153245Z
LAST-MODIFIED:20250513T153245Z
UID:113267-1747872000-1751155199@artinamericaguide.com
SUMMARY:Lucia Wilcox: LUCIA
DESCRIPTION:Berry Campbell Gallery is thrilled to announce its first exhibition of the work of Lucia Wilcox (1899–1974)\, whose extraordinary life began with her youth in Beirut and unfolded at the center of the Paris and New York art worlds. Lucia Wilcox: LUCIA will focus on her vividly hued and wildly imaginative Surrealist works from 1943 to 1948. Known professionally as “Lucia” (she was married three times)\, she referenced Fauvism\, Primitivism\, and Symbolism\, creating Surrealist compositions that stood apart for their joyous embrace of life\, freedom\, and sensual pleasures. \n  Save  
URL:https://artinamericaguide.com/event/lucia-wilcox-lucia/2025-05-22/
LOCATION:Berry Campbell Gallery\, 524 W 26th Street\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Berry Campbell":MAILTO:em@berrycampbell.com
GEO:40.7488193;-74.0052789
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Berry Campbell Gallery 524 W 26th Street New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=524 W 26th Street:geo:-74.0052789,40.7488193
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250523T110000
DTEND;TZID=America/New_York:20250726T160000
DTSTAMP:20260822T230053
CREATED:20250527T180930Z
LAST-MODIFIED:20250527T180930Z
UID:113406-1747998000-1753545600@artinamericaguide.com
SUMMARY:Famous & Family: Through the Lens of Trude Fleischmann
DESCRIPTION:About the Exhibition: Austrian-born Trude Fleischmann (1895-1990) was one of the most accomplished female photographers of the 20th century. After great success in Vienna in the 20s photographing artists\, models\, and performers\, she fled the Anschluss in 1938\, first to Paris and then New York. She opened a studio on Fifth Avenue in 1940 and photographed many of the artists and intellectuals of the day\, including Eleanor Roosevelt and Albert Einstein. This exhibition will include loans from the Wien Museum in Vienna\, Austria\, the New York Public Library\, private collections\, and as well as never-before-exhibited works from family collections. \n  Save  
URL:https://artinamericaguide.com/event/famous-family-through-the-lens-of-trude-fleischmann/
LOCATION:Bellarmine Hall Galleries\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/05/Fleischmann_15-1-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250524
DTEND;VALUE=DATE:20250907
DTSTAMP:20260822T230053
CREATED:20250530T145022Z
LAST-MODIFIED:20250613T201808Z
UID:113518-1748044800-1757203199@artinamericaguide.com
SUMMARY:JHB Gallery at Jetsam Studio
DESCRIPTION:JHB Gallery and Jetsam Studio are delighted to launch their summer 2025 season of art and design in Southampton\, New York\, with a new installation of contemporary artwork with modern and mid-century furniture\, lighting\, and ceramics. \nWe are excited to continue our partnership over the last five summers—and to be putting in place our program for 2025. We will be highlighting large-scale works including: Water Glasses and photographic abstracts by Amanda Means; Scott Morgan’s shimmering light-etched Surygrams; Mia Pearlman’s intricate and effervescent wall works in cut paper; Ellen Carey’s color-saturated experimental darkroom photography; classic gestural abstract painting by Mark Saltz; as well as remarkable contemporary jacquard tapestry works by Annette Cords. The artwork will be on view alongside contemporary furniture and design classics by the likes of Pierre Jeanneret\, René Gabriel and Charlotte Perriand. \nIn the summer of 2020\, the Jayne H. Baum Gallery started a unique partnership with designer Quinn Pofahl to exhibit the work of our gallery artists at his new 2\,000 square feet studio in the heart of Southampton Village on the East End of Long Island. During that first summer\, pandemic-deprived of shared cultural spaces\, the new venture provided a welcome site of intersection between art\, design\, and architecture. \nSituated at 58 Jobs Lane\, in Southampton\, Jetsam Studio is open Thursday through Monday—and by appointment. \n  \nPress Inquiries\nJHB Gallery / Jayne H. Baum \n26 Grove Street\, Suite 4C \nNew York\, NY 10014\nT: 212 255 9286 \nE: info@jhbgallery.com \n  \nJetsam Studio \n58 Jobs Lane\, Southampton\, NY 11968\nMonday\, and Thursday–Saturday 11am–5pm\nSunday 12–5pm \nAnd by appointment\nT: 631 488 4005 \nE: info@jetsamstudio.com \n  Save  
URL:https://artinamericaguide.com/event/jhb-gallery/
LOCATION:Jetsam Studio\, 58 Jobs Lane\, SOUTHAMPTON\, NY\, 11968\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/05/AC001_Annette_Cords_In_Other_Words_silver_DETAIL.jpg
ORGANIZER;CN="JHB Gallery":MAILTO:info@jhbgallery.com
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250524T100000
DTEND;TZID=America/New_York:20250817T170000
DTSTAMP:20260822T230053
CREATED:20250505T202436Z
LAST-MODIFIED:20250505T202436Z
UID:113136-1748080800-1755450000@artinamericaguide.com
SUMMARY:The Solomon Collection: Dürer to Degas and Beyond
DESCRIPTION:Explore a remarkable collection of artworks that span the centuries and discover how it was assembled over seven decades. \nThe Solomon Collection: Dürer to Degas and Beyond celebrates a significant recent bequest to the Harvard Art Museums from passionate collectors Arthur K. and Mariot F. Solomon. The exhibition spotlights over 135 works\, including paintings\, sculptures\, drawings\, and prints by some of the most significant artists from the Renaissance to the 20th century\, and offers visitors an intimate view into the highly personal yet inherently collaborative nature of art collecting. \nThe artists featured span six centuries and include virtuoso printmakers\, from the pioneers of engraving such as Hans Sebald Beham\, Martin Schongauer\, and Albrecht Dürer to inventive painter-etchers like Salvator Rosa\, Giovanni Battista Tiepolo\, and Francisco José de Goya y Lucientes; provocateurs of 19th-century painting such as Eugène Delacroix\, Théodore Géricault\, Gustave Courbet\, Claude Monet\, Edgar Degas\, and Paul Cézanne; groundbreaking sculptors like Jean-Baptiste Carpeaux\, Henry Moore\, Wilhelm Lehmbruck\, David Smith\, and Anthony Caro; trailblazers of abstraction like Kenneth Noland\, Jules Olitski\, and Larry Poons; and stalwart Boston artists Marjorie Minkin and Peter Lipsitt. \nAn accompanying print catalogue highlights works in the Solomon Collection with entries written by curators\, former and current postdoctoral fellows\, and Harvard faculty and graduate students. The volume also includes a history of the couple’s lifelong engagement with art and the dealers\, professors\, and curators who helped inform their collecting. \n  Save  
URL:https://artinamericaguide.com/event/the-solomon-collection-durer-to-degas-and-beyond/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/04/Solomon_Black-Form-in-Sky.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
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