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BEGIN:VEVENT
DTSTART;VALUE=DATE:20231208
DTEND;VALUE=DATE:20261207
DTSTAMP:20260821T182232
CREATED:20240522T193731Z
LAST-MODIFIED:20240522T193731Z
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SUMMARY:Isaac Julien: Lessons of the Hour — Frederick Douglass
DESCRIPTION:Sir Isaac Julien’s moving image installation Lessons of the Hour (2019) interweaves period reenactments across five screens to create a vivid picture of nineteenth-century activist\, writer\, orator\, and philosopher Frederick Douglass. Through critical research\, fictional reconstruction\, and a marriage of poetic image and sound\, Julien asserts Douglass’ enduring lessons of justice\, abolition\, and freedom that remain just as relevant today. \nLessons of the Hour features passages from Douglass’ key speeches\, including the titular “Lessons of the Hour\,” “What to the Slave Is the Fourth of July?” and “Lecture on Pictures.” \nJulien weaves together reenacted scenes from Douglass’ life and lectures\, filming at his historic home in Washington\, DC\, and a restaged studio of famed Black photographer J.P. Ball (1825–1904) as he makes a portrait of Douglass. Images of contemporary Baltimore—the city where Douglass was enslaved and escaped from bondage in 1838—including footage of fireworks and protests in 2015 following the death of Freddie Gray\, Jr. while in police custody\, are interspersed as the struggle to make good on America’s promise of equality continues. \nLessons of the Hour was jointly acquired by SAAM and the National Portrait Gallery in 2023. The 28-minute work debuted for Washington audiences December 8\, 2023\, and remains on public view through the 250th anniversary of the founding of the United States in 2026. \n  Save  
URL:https://artinamericaguide.com/event/isaac-julien-lessons-of-the-hour-frederick-douglass/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241115T080000
DTEND;TZID=America/New_York:20250817T170000
DTSTAMP:20260821T182232
CREATED:20240522T193730Z
LAST-MODIFIED:20240522T193730Z
UID:108583-1731657600-1755450000@artinamericaguide.com
SUMMARY:Pictures of Belonging: Miki Hayakawa\, Hisako Hibi\, and Miné Okubo
DESCRIPTION:Pictures of Belonging is an unprecedented examination of these three trailblazing figures.  By tracing their artistic development before\, during\, and after the mass incarceration and displacement of Japanese Americans during World War II\, the exhibition offers a nuanced view of how these women continued to explore and experiment with new artistic expression throughout their lives. Created during tumultuous decades in modern U.S. history\, their paintings\, along with their stories of resilience\, remind us of art’s power in the face of adversity and challenge. \nThe exhibition includes works by Hisako Hibi and Miné Okubo recently acquired for SAAM’s collection\, part of a multi-year initiative to expand and enrich the representation of Asian American experiences\, perspectives\, and artistic accomplishment in public displays and new scholarship. \n  Save  
URL:https://artinamericaguide.com/event/pictures-of-belonging-miki-hayakawa-hisako-hibi-and-mine-okubo/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/05/Pictures-Belonging-scaled.jpg
ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20250125T100000
DTEND;TZID=America/Denver:20250914T170000
DTSTAMP:20260821T182232
CREATED:20250123T201026Z
LAST-MODIFIED:20250123T201026Z
UID:111741-1737799200-1757869200@artinamericaguide.com
SUMMARY:Held Impermanence (Artists Select: Katherine Simóne Reynolds)
DESCRIPTION:The Clyfford Still Museum’s guest-curated exhibition\, Held Impermanence (Artists Select: Katherine Simóne Reynolds)\, illuminates multiple competing desires held in constant tension within the Museum. Organized by award-winning filmmaker\, artist\, and curator Katherine Simóne Reynolds\, the exhibition draws deeply on CSM’s collections. The exhibition runs from January 25–September 14\, 2025. \nAccording to Reynolds\, the collection testifies to Still’s ambitious attempt to keep his entire corpus intact. The commitment to the integrity of that body of work allows viewers to see not only the acclaimed masterpieces but also paintings made in painful transitions and others that bear the scars of time. Artworks change over time; their materials carry the stain of what conservators describe as inherent vice. Viewers see paintings that need to rest and heal\, bearing marks that suggest\, through their surfaces\, condition\, and textures\, metaphors of viscera\, bile\, and wounds. \nIn the Museum’s six largest galleries\, Reynolds’s exhibition asks viewers how they view healing over time\, respond with their bodies to this corpus\, and how they might approach Still’s achievements from a perspective that contends with his and their own senses of mortality—and with it\, a shared desire to hold impermanence. \nKatherine Simóne Reynolds is an artist\, scholar\, and curator who investigates emotional dialects and psychogeographies of Blackness within the Black Midwestern landscape. Her art physicalizes emotions and experiences through photo-based works\, film\, choreography\, sculpture\, and anxious writing practice. She has exhibited in national and international group and solo shows. \n  \nReynolds chose several paintings with condition issues to highlight the impact of conservation throughout the exhibition. She also selected a collection of archival photographs\, letters\, and notes to demonstrate the themes and emotions throughout the exhibition and two original archival objects. The Museum expands on exhibition content and Reynolds’ curatorial process in its free mobile guide on Bloomberg Connects. CSM also offers visitors two takeaway resources in the exhibition’s first gallery\, including Essays on Held Impermanence\, a companion booklet to the exhibition\, and Exploring Feelings and Art: A Family Guide. \nHeld Impermanence follows a chronological display of Still’s works in the Museum’s first three galleries. \n  Save  
URL:https://artinamericaguide.com/event/held-impermanence-artists-select-katherine-simone-reynolds/
LOCATION:Clyfford Still Museum\, 1250 Bannock St.\, Denver\, CO\, 80204\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/01/Guest-curator-Katherine-Simone-Reynolds_with_CSM-director-Joyce-Tsai-by-Fireside-Production-scaled.jpg
ORGANIZER;CN="Clyfford Still Museum":MAILTO:press@clyffordstillmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250307T110000
DTEND;TZID=America/New_York:20271231T180000
DTSTAMP:20260821T182232
CREATED:20250224T180514Z
LAST-MODIFIED:20250224T180514Z
UID:112255-1741345200-1830276000@artinamericaguide.com
SUMMARY:Tending and Dreaming: Stories from the Collection
DESCRIPTION:Tending and Dreaming: Stories from the Collection launches the first dedicated collection galleries at the Museum. Providing unprecedented access to core works in San José’s only publicly held art collection\, SJMA’s collection galleries position artists as storytellers to imagine the Museum as a space where culture and meaning are actively made and always in process.  \nOrganized into thematic groupings\, Tending and Dreaming offers poetic starting points for engaging with ideas woven through the works of almost fifty artists from the Bay Area and beyond\, including  Ruth Asawa\, Martha Atienza\, Shilpa Gupta\, Yolanda López\, and Elias Sime\, among many others.  \n  Save  
URL:https://artinamericaguide.com/event/tending-and-dreaming-stories-from-the-collection/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250411T110000
DTEND;TZID=America/New_York:20250816T160000
DTSTAMP:20260821T182232
CREATED:20250319T152251Z
LAST-MODIFIED:20250523T151929Z
UID:112567-1744369200-1755360000@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-11/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250412T110000
DTEND;TZID=America/New_York:20250817T160000
DTSTAMP:20260821T182232
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113420-1744455600-1755446400@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-12/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250415T110000
DTEND;TZID=America/New_York:20250820T160000
DTSTAMP:20260821T182232
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113421-1744714800-1755705600@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-15/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250416T110000
DTEND;TZID=America/New_York:20250821T160000
DTSTAMP:20260821T182232
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113422-1744801200-1755792000@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-16/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250416T110000
DTEND;TZID=America/New_York:20251005T170000
DTSTAMP:20260821T182232
CREATED:20250403T185846Z
LAST-MODIFIED:20250403T185846Z
UID:112826-1744801200-1759683600@artinamericaguide.com
SUMMARY:Boren Banner Series: Tarrah Krajnak
DESCRIPTION:The Frye is proud to debut an all-new body of work from the internationally recognized artist Tarrah Krajnak. Known for work that blends photography\, performance\, and poetry\, Krajnak uses her body to reimagine and respond to iconic moments in photographic history and to challenge traditions of Western art history. With a keen instinct for the lyric as well as the political potential of image making\, Krajnak reshapes the boundaries of contemporary photography. \n  Save  
URL:https://artinamericaguide.com/event/boren-banner-series-tarrah-krajnak/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/04/BodyConfigurationsLima_01.jpg
ORGANIZER;CN="Frye Art Museum":MAILTO:info@fryemuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250417T110000
DTEND;TZID=America/New_York:20250822T160000
DTSTAMP:20260821T182232
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113423-1744887600-1755878400@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-17/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250419T110000
DTEND;TZID=America/New_York:20250824T160000
DTSTAMP:20260821T182232
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113424-1745060400-1756051200@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-19/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250422T110000
DTEND;TZID=America/New_York:20250827T160000
DTSTAMP:20260821T182232
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113425-1745319600-1756310400@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-22/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250423T110000
DTEND;TZID=America/New_York:20250828T160000
DTSTAMP:20260821T182232
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113426-1745406000-1756396800@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-23/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250424T110000
DTEND;TZID=America/New_York:20250829T160000
DTSTAMP:20260821T182232
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113427-1745492400-1756483200@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-24/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250426T110000
DTEND;TZID=America/New_York:20250831T160000
DTSTAMP:20260821T182232
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113428-1745665200-1756656000@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-26/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250429T110000
DTEND;TZID=America/New_York:20250903T160000
DTSTAMP:20260821T182232
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113429-1745924400-1756915200@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-29/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250524
DTEND;VALUE=DATE:20250907
DTSTAMP:20260821T182232
CREATED:20250530T145022Z
LAST-MODIFIED:20250613T201808Z
UID:113518-1748044800-1757203199@artinamericaguide.com
SUMMARY:JHB Gallery at Jetsam Studio
DESCRIPTION:JHB Gallery and Jetsam Studio are delighted to launch their summer 2025 season of art and design in Southampton\, New York\, with a new installation of contemporary artwork with modern and mid-century furniture\, lighting\, and ceramics. \nWe are excited to continue our partnership over the last five summers—and to be putting in place our program for 2025. We will be highlighting large-scale works including: Water Glasses and photographic abstracts by Amanda Means; Scott Morgan’s shimmering light-etched Surygrams; Mia Pearlman’s intricate and effervescent wall works in cut paper; Ellen Carey’s color-saturated experimental darkroom photography; classic gestural abstract painting by Mark Saltz; as well as remarkable contemporary jacquard tapestry works by Annette Cords. The artwork will be on view alongside contemporary furniture and design classics by the likes of Pierre Jeanneret\, René Gabriel and Charlotte Perriand. \nIn the summer of 2020\, the Jayne H. Baum Gallery started a unique partnership with designer Quinn Pofahl to exhibit the work of our gallery artists at his new 2\,000 square feet studio in the heart of Southampton Village on the East End of Long Island. During that first summer\, pandemic-deprived of shared cultural spaces\, the new venture provided a welcome site of intersection between art\, design\, and architecture. \nSituated at 58 Jobs Lane\, in Southampton\, Jetsam Studio is open Thursday through Monday—and by appointment. \n  \nPress Inquiries\nJHB Gallery / Jayne H. Baum \n26 Grove Street\, Suite 4C \nNew York\, NY 10014\nT: 212 255 9286 \nE: info@jhbgallery.com \n  \nJetsam Studio \n58 Jobs Lane\, Southampton\, NY 11968\nMonday\, and Thursday–Saturday 11am–5pm\nSunday 12–5pm \nAnd by appointment\nT: 631 488 4005 \nE: info@jetsamstudio.com \n  Save  
URL:https://artinamericaguide.com/event/jhb-gallery/
LOCATION:Jetsam Studio\, 58 Jobs Lane\, SOUTHAMPTON\, NY\, 11968\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/05/AC001_Annette_Cords_In_Other_Words_silver_DETAIL.jpg
ORGANIZER;CN="JHB Gallery":MAILTO:info@jhbgallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250524T100000
DTEND;TZID=America/New_York:20250817T170000
DTSTAMP:20260821T182232
CREATED:20250505T202436Z
LAST-MODIFIED:20250505T202436Z
UID:113136-1748080800-1755450000@artinamericaguide.com
SUMMARY:The Solomon Collection: Dürer to Degas and Beyond
DESCRIPTION:Explore a remarkable collection of artworks that span the centuries and discover how it was assembled over seven decades. \nThe Solomon Collection: Dürer to Degas and Beyond celebrates a significant recent bequest to the Harvard Art Museums from passionate collectors Arthur K. and Mariot F. Solomon. The exhibition spotlights over 135 works\, including paintings\, sculptures\, drawings\, and prints by some of the most significant artists from the Renaissance to the 20th century\, and offers visitors an intimate view into the highly personal yet inherently collaborative nature of art collecting. \nThe artists featured span six centuries and include virtuoso printmakers\, from the pioneers of engraving such as Hans Sebald Beham\, Martin Schongauer\, and Albrecht Dürer to inventive painter-etchers like Salvator Rosa\, Giovanni Battista Tiepolo\, and Francisco José de Goya y Lucientes; provocateurs of 19th-century painting such as Eugène Delacroix\, Théodore Géricault\, Gustave Courbet\, Claude Monet\, Edgar Degas\, and Paul Cézanne; groundbreaking sculptors like Jean-Baptiste Carpeaux\, Henry Moore\, Wilhelm Lehmbruck\, David Smith\, and Anthony Caro; trailblazers of abstraction like Kenneth Noland\, Jules Olitski\, and Larry Poons; and stalwart Boston artists Marjorie Minkin and Peter Lipsitt. \nAn accompanying print catalogue highlights works in the Solomon Collection with entries written by curators\, former and current postdoctoral fellows\, and Harvard faculty and graduate students. The volume also includes a history of the couple’s lifelong engagement with art and the dealers\, professors\, and curators who helped inform their collecting. \n  Save  
URL:https://artinamericaguide.com/event/the-solomon-collection-durer-to-degas-and-beyond/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/04/Solomon_Black-Form-in-Sky.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250529T100000
DTEND;TZID=America/New_York:20250809T170000
DTSTAMP:20260821T182232
CREATED:20250515T161307Z
LAST-MODIFIED:20250515T161307Z
UID:113318-1748512800-1754758800@artinamericaguide.com
SUMMARY:Richard Learoyd
DESCRIPTION:Fraenkel Gallery is pleased to present an exhibition of new and recent photographs by Richard Learoyd. Exploring classical subjects using exacting photographic techniques\, Learoyd creates hyper-detailed works with enigmatic depths. Highlights include new studies of ancient trees printed on gessoed canvas and largescale views of the Grand Canyon. The show also features new still lifes\, and marks the debut of photographs Learoyd made in collaboration with renowned ceramicist Frances Palmer. For the exhibition\, Palmer created vessels based on drawings made by Learoyd\, who in turn photographed the ceramics in his studio\, overflowing with flowers in a reconsideration of Rococo styles. A public reception with Learoyd and Palmer will take place on Saturday\, May 31\, from 2-4pm\, with a conversation between the artists at 2:30pm. During the opening\, Palmer’s ceramic vases will feature arrangements by floral artist Morvarid Mossavar of La Lavande Floral Studio. \n  Save  
URL:https://artinamericaguide.com/event/richard-learoyd/2025-05-29/
LOCATION:Fraenkel Gallery\, 49 Geary Street\, San Francisco\, CA\, 94108\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/05/RL-0751-Framed.jpg
ORGANIZER;CN="Fraenkel Gallery":MAILTO:mail@fraenkelgallery.com
GEO:37.7876041;-122.4042781
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fraenkel Gallery 49 Geary Street San Francisco CA 94108 United States;X-APPLE-RADIUS=500;X-TITLE=49 Geary Street:geo:-122.4042781,37.7876041
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250612T180000
DTEND;TZID=America/New_York:20250803T180000
DTSTAMP:20260821T182232
CREATED:20250530T145022Z
LAST-MODIFIED:20250530T145022Z
UID:113523-1749751200-1754244000@artinamericaguide.com
SUMMARY:2024 Mercedes Matter Awards Exhibition
DESCRIPTION:The New York Studio School is delighted to host the 2024 Mercedes Matter Award WinnersExhibition. Selected by jurors Samira Abbassy and Jason Stopa from the 2024 Alumni Exhibition\, these artists were honored for the exceptional quality of their work—chosen from six decades of NYSS history—and presented with the Mercedes Matter Prize\, named in tribute to the School’s founder\, Mercedes Matter. The Exhibition is on view in the main gallery from June 12th\, 2025 to August 3rd\, 2025\, with an opening reception on June 12th from 6-8 PM. \n  Save  
URL:https://artinamericaguide.com/event/2024-mercedes-matter-awards-exhibition/
LOCATION:New York Studio School of Drawing\, Painting & Sculpture\, 8 West 8th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/05/Allen-Jamie_EPROMO.jpg
ORGANIZER;CN="new york studio school":MAILTO:rrickert@nyss.org
GEO:40.7329524;-73.998005
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New York Studio School of Drawing Painting & Sculpture 8 West 8th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=8 West 8th Street:geo:-73.998005,40.7329524
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250626
DTEND;VALUE=DATE:20250816
DTSTAMP:20260821T182232
CREATED:20250612T211424Z
LAST-MODIFIED:20250612T211424Z
UID:113687-1750896000-1755302399@artinamericaguide.com
SUMMARY:Victory Over the Sun
DESCRIPTION:CFGNY\, Phil Chang\, Barnett Cohen\, Bethany Collins\, Liz Deschenes\, Kota Ezawa\, Corinne Jones\, Gina Osterloh\, Stephanie Syjuco\, Stewart Uoo\, and Anicka Yi \nRYAN LEE Gallery is pleased to present Victory Over the Sun\, inspired by the 1913 Futurist opera Victory Over the Sun in which Kazimir Malevich’s Black Square debuted. The black square represented a repudiation of all past images in order to start anew to forge a utopian vision and society. In a time when we have become enslaved to images fed to us via the digital infrastructures that dictate how and what we consume visually\, this exhibition celebrates contemporary works that rebel against the generation of images created to serve the endless demand for content. It will feature a selection of work in a variety of mediums by contemporary artists exploring ideas of negation\, interpretation\, voids\, spirituality\, physicality\, and impermanence\, all of which refuse to be captured as an image. \nThe absurdist opera depicted allegorical strongmen\, bolstered by new technologies like airplanes\, who fought a battle with the sun to repudiate old values and make a new world. Malevich wrote\, “The black square is the antithesis of the sun\, the anti-sun. It swallows the light\, but it seems to be charged with energy.” \nThroughout history\, artists have often sought to create new forms of expression as a way to challenge the society in which they lived. In the early twentieth century\, we saw the birth of Dadaism\, Suprematism\, Constructivism and then conceptual practices in the 1960s\, such as Minimalism\, land art\, institutional critique and later on\, relational aesthetics\, all of which addressed the inadequacies of the dominant art forms at the time. Lucy Lippard wrote that conceptual artists used “the power of imagination” to “escape from cultural confinement.” Each of these moments were times of unrest that pushed artists to think of new ways to express their desire for social change. \nToday\, our contemporary capitalist society has been overpowered with digital technology bombarding our every second of existence with images\, whether advertisements\, TV shows\, video content\, photos of everything imaginable available on our phones\, tablets\, and monitors. This exhibition proposes that we step back and think about how to harness our humanity and our capacity to imagine as well as engage our physical human presence and attention. The works on view refuse to contend with the onslaught of images we are faced with\, and cannot be easily reproduced via social media. We invite viewers to experience the work in person\, to slow down and contemplate new possibilities. \n  Save  
URL:https://artinamericaguide.com/event/victory-over-the-sun/
LOCATION:RYAN LEE\, 515 W 26th St\, 3rd Fl\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2025/06/Screenshot-2025-06-06-at-12.53.13 PM.png
ORGANIZER;CN="RYAN LEE":MAILTO:info@ryanleegallery.com
GEO:40.7500935;-74.0036112
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=RYAN LEE 515 W 26th St 3rd Fl New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=515 W 26th St\, 3rd Fl:geo:-74.0036112,40.7500935
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250626
DTEND;VALUE=DATE:20250802
DTSTAMP:20260821T182232
CREATED:20250616T142734Z
LAST-MODIFIED:20250616T142734Z
UID:113705-1750896000-1754092799@artinamericaguide.com
SUMMARY:Stanley Bielen: A Modest Arrangement
DESCRIPTION:Kathryn Markel Fine Arts is pleased to announce an upcoming exhibition of new paintings by Stanley Bielen.  This is his fifth exhibition with the gallery and features his intimate still life paintings. An artist reception will be held June 26th from 6-8pm. \nBielen’s process begins outside of the studio with planting the flowers he will later paint. He brings the clippings he cultivates to his studio and renders them in voluminous\, rich brushwork. The blooms are typically painted at scale in one session\, immortalizing them in that moment. Reveling in the paint itself\, Bielen depicts the objects with a sense of immediacy\, as if glimpsed and remembered in an instant. \nFlowers\, fruits\, and vessels are modeled with gestural\, loaded brushstrokes. The forms take on a dimensional\, tactile quality as Bielen sculpts shadow\, builds up dense backgrounds\, or lays down generous daubs of paint to portray petals. Irregular\, impasto shapes define structure\, light\, and shadow\, making the work at once abstract and recognizable. Lush colors emerge vividly against stark black or white grounds. \nIn subject and medium the paintings are traditional\, echoing still-life conventions\, but Bielen’s lavish paint handling and pared-down settings feel decidedly contemporary. His work draws on the dramatic chiaroscuro of the Baroque\, channeling its theatrical lighting and deep tonal contrasts to intensify the physicality of each painting. \nStanley Bielen was born in the Podkarpackie region of Poland.  He studied at the Pennsylvania Academy of Fine Art and is influenced by the long regional realist tradition called the Philadelphia School.  He exhibits nationally and is represented in public and private collections including the Hirschhorn Museum and Sculpture Garden and the Pennsylvania Academy of Fine Art.  Stanley lives and works in Philadelphia\, Pennsylvania and Bridgton\, Maine. \n  Save  
URL:https://artinamericaguide.com/event/stanley-bielen-a-modest-arrangement/
LOCATION:529 W 20th St. 6W\, 529 W 20th St. 6W\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/06/bie092.jpg
ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250626
DTEND;VALUE=DATE:20250802
DTSTAMP:20260821T182232
CREATED:20250616T142734Z
LAST-MODIFIED:20250616T142734Z
UID:113701-1750896000-1754092799@artinamericaguide.com
SUMMARY:Marilla Palmer: Ecstatic Earth
DESCRIPTION:Kathryn Markel Fine Arts is pleased to announce Ecstatic Earth\, featuring new paintings by Marilla Palmer. This will be her sixth solo exhibition with the gallery. A reception will be held on June 26th from 6-8pm. \nPalmer’s mixed-media works immortalize the temporality of nature. In all her work\, but particularly the newest works on panel\, nature is exalted in shimmering details that shift with light and movement. This is the first exhibition of her botanical paintings on panel\, and also the first to include an underwater scene. \nHer deceptively serious still lifes become playful\, fantastical tableaus upon closer inspection. Delicate watercolor brushstrokes are accompanied by plastic sequins\, dried petals\, sumptuous fabrics\, gold leaf\, and more. This juxtaposition is both humorous and lovely\, theatrical and erudite. Palmer cultivates her own garden that she observes for both inspiration and material. She explains\, “Working so directly with nature makes it feel like I’m collaborating\, but with an unpredictable partner. Who knows what will appear in my studio garden? How will the petals change when pressed or if the wet watercolor\, interference paint or sequins will capture the ecstasy of what I see?” \nGlittering collage elements and iridescent backgrounds add movement and lively energy to the static depictions and signify the growth and life associated with the imagery. In the work\, insects\, flowers\, and leaves are frozen in time\, their impending end suggested in the dried petals and leaves the artist incorporates. Tendrils stretch across the surface as if reaching for the sun. In her statement\, when contemplating mother nature\, the artist quotes Goethe\, “We live in her midst and know her not. She is incessantly speaking to us\, but betrays not her secret.” Palmer preserves the ephemeral and depicts exuberant abundance all at once. \nMarilla Palmer lives and works in Brooklyn\, NY and Connecticut.  Her work has been exhibited at the Brooklyn Museum\, Brooklyn Academy of Music\, Carlsbad Museum and Art Center\, MoMA PS1\, and extensively among other galleries and institutions throughout the United States.. She received her B.F.A from the Philadelphia College of Art. \n  Save  
URL:https://artinamericaguide.com/event/marilla-palmer-ecstatic-earth/
LOCATION:179 10th Ave\, 179 10th Ave\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/06/pal252-scaled.jpeg
ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250626
DTEND;VALUE=DATE:20250802
DTSTAMP:20260821T182232
CREATED:20250620T161244Z
LAST-MODIFIED:20250620T161244Z
UID:113734-1750896000-1754092799@artinamericaguide.com
SUMMARY:Susan Mastrangelo: The Beat Goes On
DESCRIPTION:Kathryn Markel Fine Arts is pleased to announce an exhibition of recent paintings by Susan Mastrangelos\, The Beat Goes On. This will be her first solo exhibition with the gallery and will take place in The Pocket Gallery at 179 10th Avenue. An opening reception will be held on June 26th from 6-8pm. \nMastrangelo’s paintings are boldly sculptural\, utilizing a variety of media to produce their abstract\, biomorphic forms. Throughout her career\, Mastrangelo’s oeuvre has shifted between abstraction and figuration and the most recent works marry the two. These paintings\, while fully abstract\, reference the body and its connection to making. Each canvas is a riot of color and texture as bold\, bright hues intersect patterned textiles and loops of braided cords.  \nHer assemblage-like paintings begin by creating a lyrical abstraction with upholstery cord. These looping shapes create a rhythm within the paintings as they swirl and meander through her world of pattern and color. Net-like\, knitted yarn stretches over passages and twists around forms. Repetition and pattern appear throughout each canvas furthering the energy and rhythm that hums within each. \nCraft takes center stage in these works through large swaths of knitting. Mastrangelo explains the importance of this medium\, “My grandmother taught me to knit\, and consequently\, the act of knitting has always brought me great comfort. The repetitive act of building one stitch upon another seems to synchronize with the beating of my own heart while I imagine it working to create a protective tissue inducing an internal healing process.” Working meditatively and intuitively through repeated motions and layered processes\, she composes tender\, emotive scenes. \n  Save  
URL:https://artinamericaguide.com/event/susan-mastrangelo-the-beat-goes-on/
LOCATION:179 10th Ave\, 179 10th Ave\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2025/06/Screenshot-2025-06-20-at-12.02.26 PM.png
ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250627
DTEND;VALUE=DATE:20250802
DTSTAMP:20260821T182232
CREATED:20250528T192836Z
LAST-MODIFIED:20250528T204938Z
UID:113501-1750982400-1754092799@artinamericaguide.com
SUMMARY:Sadie Barnette: How to Win
DESCRIPTION:Sean Kelly is delighted to announce How to Win\, a solo exhibition of new work by Sadie Barnette. In this conceptually rigorous presentation\, Barnette offers a poetic visual lexicon for navigating contemporary life. Featuring meticulously rendered drawings\, candid photography\, and text-based sculpture\, the exhibition mines the tension between public and private\, structure and improvisation\, the mundane and the monumental. There will be an opening reception on Thursday\, June 26 from 6-8pm. The artist will be present. \nBarnette’s body of work is an investigation of language and legacy. Her “how-to” manuals—modular compositions that explore how we learn to exist within and in resistance to imposed systems—consider not only what it means to “act normal\,” but who defines the metrics of success\, and how those judgments are internalized. Formally restrained yet conceptually expansive\, Barnette’s drawings eschew gesture in favor of precision and control. Their flat planes of color and detailed linework call attention to the labor of drawing itself. So exacting\, they almost conceal the hand of the artist proffering an anti-preciousness that challenges the conventions of artmaking. \nPresented as polyptychs that combine drawing and photography\, these works create layered narratives that span the micro and the macro\, the personal and the political. The photographs\, ranging in source material from family archives to street scenes and gritty smartphone snapshots\, act as documentary fragments of lived experience. Paired with the drawings\, they become visual anchors in Barnette’s ongoing investigation of the human dilemma: how to be\, how to behave\, how to belong. \nA large text-based wall sculpture fuses the words “winner” and “loser” into a single contranym. Styled like a nameplate necklace\, this bold text piece embraces duality and contradiction\, emphasizing the layered meanings in language and the arbitrary binaries that shape our lives. As Barnette notes\, even in an imagined future where world issues may be resolved\, we remain entangled in the paradoxes of being human. \nThrough her multidimensional approach\, Barnette’s work speaks to both internal reflection and broader societal critique. Drawing on the traditions of conceptualism\, minimalism\, and West Coast vernacular\, she distills complex ideas about identity\, power\, family\, and resistance into deceptively simple forms that leave space for doubt\, multiplicity\, and reinterpretation. \nBorn in Oakland\, CA in 1984\, Barnette received a BFA from CalArts and an MFA from University of California\, San Diego. Her work has been presented in major solo exhibitions at institutions including the ICA Los Angeles; SFMOMA; The Lab and the Museum of the African Diaspora\, San Francisco; MCA San Diego; the Manetti Shrem Museum\, UC Davis; the Benton Museum of Art at Pomona College; and The Kitchen in New York. Barnette’s work has been included in exhibitions at LACMA\, Los Angeles\, CA; the Solomon R. Guggenheim Museum\, New York; Monument Lab\, Philadelphia\, PA. She has been awarded grants and residencies by The Studio Museum in Harlem\, Art Matters\, Artadia\, Eureka Fellowship\, Skowhegan School of Painting and Sculpture\, the Headlands Center for the Arts\, and the Carmago Foundation in France and was an Artist Fellow at UC Berkeley’s Black Studies Collaboratory. Her work is featured in many permanent collections\, including the Whitney Museum\, The Metropolitan Museum of Art\, the Los Angeles County Museum of Art\, the Brooklyn Museum\, the Pérez Art Museum\, the Guggenheim Museum\, the Oakland Museum of California\, the Studio Museum in Harlem\, and the Walker Art Center. She is represented by Jessica Silverman\, San Francisco. Barnette is currently working on a forthcoming permanent\, site-specific commission for the Los Angeles International Airport\, CA. \n\n\n\n\n\n\n\n\nFor media inquiries\, please email Adair Lentini at Adair@skny.com \nFor all other inquiries\, please email Lauren Kelly at Lauren@skny.com \n  \nImage: Sadie Barnette\, How to Win\, 2025\, colored pencil on paper\, archival pigment prints\, paper: 30 x 24 inches each. Photo: Philip Maisel © Sadie Barnette Courtesy: the artist\, Sean Kelly\, New York/Los Angeles and Jessica Silverman\, San Francisco. \n\n\n\n\n  Save  
URL:https://artinamericaguide.com/event/sadie-barnette-how-to-win/
LOCATION:Sean Kelly\, New York\, 475 Tenth Avenue\, New York\, NY\, 10018\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/05/2025_0523-JSG-BARNETTE_Press_27-scaled.jpg
ORGANIZER;CN="Sean Kelly":MAILTO:info@skny.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250627
DTEND;VALUE=DATE:20250802
DTSTAMP:20260821T182232
CREATED:20250611T151357Z
LAST-MODIFIED:20250611T151357Z
UID:113630-1750982400-1754092799@artinamericaguide.com
SUMMARY:Faktura / Tektonika
DESCRIPTION:The exhibition Faktura / Tektonika presents a selection of works that highlight two foundational components of early 20th-century Constructivism: faktura\, the material properties of an object\, and tektonika\, an object’s spatial presence. In the lineage of the Constructivist movement\, the exhibition foregrounds artists who emphasize material and form as active forces in artistic production. Through a range of practices that include the use of industrial media\, alternative photographic processes\, and an exploration of the self-reflexive properties of a chosen material\, the works on view investigate the ways in which surface\, structure\, and perception intersect. Bringing together artists from within and beyond the gallery’s program\, Faktura / Tektonika draws connections between emerging and established artists across multiple generations in the enduring spirit of this revolutionary movement in the history of art. There will be an opening reception on Thursday\, June 26\, from 5:30-7:30pm. \nEmbodying Faktura / Tektonika is the work of pioneering Cuban artist Dolores “Loló” Soldevilla (1901–1971) whose geometric constructions emphasize modularity\, spatial relationships\, and a Constructivist approach to building form through her use of material and exploration of dimensionality. Works on paper by Marco Castillo (b. 1971) are a result of his observations of quotidian materials and bring geometric elements from the historical context of Modernist\, Soviet\, and Cuban design into the present moment. Similarly\, circular forms from throughout art history are graphically employed in the paintings of Jose Dávila (b. 1975). Dávila’s stone and concrete sculptures echo architectural structure and stability\, highlighting the Constructivist emphasis of industrial materials. \nAlso engaging with industrial materials are Ernesto Burgos (b. 1979)\, Harminder Judge (b. 1982)\, Sam Moyer (b. 1983)\, and Hugo McCloud (b. 1980). The works of Ernesto Burgos exist at the intersection of painting and sculpture with substrates composed of cardboard\, fiberglass\, and resin finished with oil and charcoal; these pieces assert themselves into space through their corporeal presence. Harminder Judge layers pigment into wet plaster\, sanding\, polishing\, and oiling his panels to luminous\, sensuous effect. Sam Moyer\, in contrast\, paints plaster-coated canvas to serve as the ground for pieces of salvaged stone embedded into her paintings\, which\, along with her freestanding sculptures\, highlight texture\, composition\, and assemblage. Hugo McCloud’s “stamped” paintings reference industrial construction and material labor with repetitive patterns that have been impressed on malleable tar paper. \nWhile photography is often associated with capturing reality\, Faktura / Tektonika foregrounds artists who challenge this assumption by using alternative photographic processes to construct their images rather than simply capture them. James Casebere (b. 1953) builds intricate architectural models\, which he then lights and photographs\, to create images that reimagine both the context and content of the structures that influence them. Julian Charrière’s (b. 1987) heliographs of California oil fields are created with the raw materials of their depicted sites by incorporating naturally occurring tar into a light-sensitive emulsion on highly polished stainless-steel plates. Wu Chi-Tsung (b. 1981) engages with the Constructivist affinity for photomontage and collage in his Cyano-collage series\, in which the artist layers torn pieces of exposed cyanotype paper on aluminum panels\, blurring the lines between figuration\, abstraction and representation. In a rarely exhibited early work by Anthony McCall (b. 1943)\, the artist carefully burnt documentation photographs of his groundbreaking performance Landscape for Fire\, 1972\, an act that collapses the dichotomy of ephemerality and permanence by utilizing the enduring effects of a temporal element. \nA number of the artists exhibited articulate the intersection of faktura and tektonika by engaging with spatial presence through the material substance of their work. Among them are Brian Rochefort (b. 1985)\, whose sculptures aggregate ceramic and glass across multiple firings. Donna Huanca’s (b. 1980)\, stainless steel freestanding sculptures evoke pierced biomorphic forms\, becoming an extension and reflection of the body and space. Likewise\, the surfaces of Nir Hod’s (b. 1970) paintings\, on which layers of chrome and oil paint are built up and worn away\, transmogrify the relationship between viewer\, space\, and the art object itself. Anthony Olubunmi Akinbola’s (b. 1991) sewn durag “paintings” merge the literal and metaphorical fabric of cultural symbolism with formal construction. \nCanvases by Janaina Tschäpe (b. 1973)\, Lindsay Adams (b. 1990)\, Nour Malas (b. 1995)\, and Ilana Savdie (b. 1986) emphasize the material qualities of paint. Tschäpe and Adams’ bold use of color and gesture creates abstracted landscapes rooted in emotional experience that blur the lines between imagination and reality. Malas’ works feature oil and pastel emerging from the ground of the canvas with a powerful and pulsating palette\, reflecting an ever-fluid and turbulent psychic presence. Savdie’s vibrant compositions suggest the language of collage with layers of stain-like washes of color\, contrasting visible brushwork with smooth applications of paint\, and incorporating highly textural beeswax to create dreamlike works with mutable figuration and meaning. \nTogether\, the artists and works presented in Faktura / Tektonika underscore the dynamic relationship between materiality\, form\, and space\, and challenge conventional perceptions of how art is made and experienced. Through their innovative use of materials\, each artist contributes to a broader dialogue about how both physical and conceptual construction shapes our understanding of the world around us. \nThis exhibition has been curated by Robert Spring. \n\n\n\n\n\n\n\n\nFor media inquiries\, please email Adair Lentini at Adair@skny.com \nFor all other inquiries\, please email info@skny.com \n\n\n\n\n  Save  
URL:https://artinamericaguide.com/event/faktura-tektonika/
LOCATION:Sean Kelly\, New York\, 475 Tenth Avenue\, New York\, NY\, 10018\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20250628T110000
DTEND;TZID=America/New_York:20250928T170000
DTSTAMP:20260821T182232
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SUMMARY:Hugh Hayden: American Vernacular
DESCRIPTION:In Hugh Hayden’s first solo museum presentation on the West Coast\, the complexities of identity\, desire\, and belonging are explored through meticulously crafted and darkly humorous wooden sculptures and multimedia installations. From tree bark-hewn designer shoes to basketball hoops woven from grain stalks\, the artist’s works reveal how everyday objects reflect the values and tensions of our society. Centered around thematic touchstones like athletics\, food\, fashion\, and childhood\, Hayden’s art provokes us to rethink the ordinary and explore how “vernacular” items carry multifaceted stories that encompass the joy\, pain\, and resilience woven into the fabric of American life. \n  Save  
URL:https://artinamericaguide.com/event/hugh-hayden-american-vernacular/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20250711T110000
DTEND;TZID=America/New_York:20260222T180000
DTSTAMP:20260821T182232
CREATED:20250224T180514Z
LAST-MODIFIED:20250224T180514Z
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SUMMARY:Pao Houa Her: The Imaginative Landscape
DESCRIPTION:Pao Houa Her’s practice engages with the legacies\, potentials\, and aesthetics of landscape and portrait photography traditions\, examining the complex intertwining of desire\, homeland\, and artifice. Rooted in the experience of her Hmong community and shaped by family experiences and lore passed down by her elders\, Her’s work centers women as the knowledge bearers of both past and future. Using a formally rigorous photographic approach\, Her explores constructions of homeland that resonate across diasporas.  \nPao Houa Her: The Imaginative Landscape is an unconventional survey of over 20 years. Seen through the expansive titular series\, it traces conceptual ties between past series\, new work\, and work still under development\, connecting California agricultural landscapes to the jungles of Laos\, poppy fields in Minnesota\, and beyond. The exhibition is co-organized by Lauren Schell Dickens\, chief curator at SJMA\, and Jodi Throckmorton\, chief curator at John Michael Kohler Arts Center in Sheboygan\, Wisconsin\, and will be presented at both organizations simultaneously.  \n  Save  
URL:https://artinamericaguide.com/event/pao-houa-her-the-imaginative-landscape/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20250711T110000
DTEND;TZID=America/New_York:20260222T180000
DTSTAMP:20260821T182232
CREATED:20250820T162604Z
LAST-MODIFIED:20250820T162604Z
UID:114300-1752231600-1771783200@artinamericaguide.com
SUMMARY:Pao Houa Her: The Imaginative Landscape
DESCRIPTION:Pao Houa Her’s practice engages with the legacies\, potentials\, and aesthetics of landscape and portrait photography traditions\, examining the complex intertwining of desire\, homeland\, and artifice. Rooted in the experience of her Hmong community and shaped by family experiences and lore passed down by her elders\, Her’s work centers women as the knowledge bearers of both past and future. Using a formally rigorous photographic approach\, Her explores constructions of homeland that resonate across diasporas. \nPao Houa Her: The Imaginative Landscape is an unconventional survey of over 20 years. Seen through the expansive titular series\, it traces conceptual ties between past series\, new work\, and work still under development\, connecting California agricultural landscapes to the jungles of Laos\, poppy fields in Minnesota\, and beyond. Her’s images are also dispersed across downtown San José in unexpected place—outside and indoors\, on walls and on screens—a reminder of the tenacity of diasporic communities flourishing throughout our city. \nThe exhibition is co-organized by Lauren Schell Dickens\, chief curator at SJMA\, and Jodi Throckmorton\, chief curator at John Michael Kohler Arts Center in Sheboygan\, Wisconsin\, and will be presented at both organizations simultaneously. \n  Save  
URL:https://artinamericaguide.com/event/pao-houa-her-the-imaginative-landscape-2/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250712T110000
DTEND;TZID=America/New_York:20251005T170000
DTSTAMP:20260821T182232
CREATED:20250403T185846Z
LAST-MODIFIED:20250403T185846Z
UID:112822-1752318000-1759683600@artinamericaguide.com
SUMMARY:Jamie Wyeth: Unsettled
DESCRIPTION:Jamie Wyeth’s painterly eye for tense\, cinematic storytelling is on full display in Unsettled\, the only West Coast venue for this nationally touring exhibition organized by the Brandywine Museum of Art. Featuring nearly fifty works\, this show unearths a darker side of Wyeth’s six-decade career\, tracing a throughline of unsettling imagery and emotional nuance often hidden beneath his more idyllic coastal views and farm scenes. From haunting portraits to supernatural landscapes\, Wyeth’s vivid compositions explore the ominous side of rural American environments spanning the rugged Maine coast to the forests of Pennsylvania. \n  Save  
URL:https://artinamericaguide.com/event/jamie-wyeth-unsettled/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States
CATEGORIES:Exhibition
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