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BEGIN:VEVENT
DTSTART;VALUE=DATE:20231208
DTEND;VALUE=DATE:20261207
DTSTAMP:20260821T161853
CREATED:20240522T193731Z
LAST-MODIFIED:20240522T193731Z
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SUMMARY:Isaac Julien: Lessons of the Hour — Frederick Douglass
DESCRIPTION:Sir Isaac Julien’s moving image installation Lessons of the Hour (2019) interweaves period reenactments across five screens to create a vivid picture of nineteenth-century activist\, writer\, orator\, and philosopher Frederick Douglass. Through critical research\, fictional reconstruction\, and a marriage of poetic image and sound\, Julien asserts Douglass’ enduring lessons of justice\, abolition\, and freedom that remain just as relevant today. \nLessons of the Hour features passages from Douglass’ key speeches\, including the titular “Lessons of the Hour\,” “What to the Slave Is the Fourth of July?” and “Lecture on Pictures.” \nJulien weaves together reenacted scenes from Douglass’ life and lectures\, filming at his historic home in Washington\, DC\, and a restaged studio of famed Black photographer J.P. Ball (1825–1904) as he makes a portrait of Douglass. Images of contemporary Baltimore—the city where Douglass was enslaved and escaped from bondage in 1838—including footage of fireworks and protests in 2015 following the death of Freddie Gray\, Jr. while in police custody\, are interspersed as the struggle to make good on America’s promise of equality continues. \nLessons of the Hour was jointly acquired by SAAM and the National Portrait Gallery in 2023. The 28-minute work debuted for Washington audiences December 8\, 2023\, and remains on public view through the 250th anniversary of the founding of the United States in 2026. \n  Save  
URL:https://artinamericaguide.com/event/isaac-julien-lessons-of-the-hour-frederick-douglass/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241115T080000
DTEND;TZID=America/New_York:20250817T170000
DTSTAMP:20260821T161853
CREATED:20240522T193730Z
LAST-MODIFIED:20240522T193730Z
UID:108583-1731657600-1755450000@artinamericaguide.com
SUMMARY:Pictures of Belonging: Miki Hayakawa\, Hisako Hibi\, and Miné Okubo
DESCRIPTION:Pictures of Belonging is an unprecedented examination of these three trailblazing figures.  By tracing their artistic development before\, during\, and after the mass incarceration and displacement of Japanese Americans during World War II\, the exhibition offers a nuanced view of how these women continued to explore and experiment with new artistic expression throughout their lives. Created during tumultuous decades in modern U.S. history\, their paintings\, along with their stories of resilience\, remind us of art’s power in the face of adversity and challenge. \nThe exhibition includes works by Hisako Hibi and Miné Okubo recently acquired for SAAM’s collection\, part of a multi-year initiative to expand and enrich the representation of Asian American experiences\, perspectives\, and artistic accomplishment in public displays and new scholarship. \n  Save  
URL:https://artinamericaguide.com/event/pictures-of-belonging-miki-hayakawa-hisako-hibi-and-mine-okubo/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/05/Pictures-Belonging-scaled.jpg
ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20250125T100000
DTEND;TZID=America/Denver:20250914T170000
DTSTAMP:20260821T161853
CREATED:20250123T201026Z
LAST-MODIFIED:20250123T201026Z
UID:111741-1737799200-1757869200@artinamericaguide.com
SUMMARY:Held Impermanence (Artists Select: Katherine Simóne Reynolds)
DESCRIPTION:The Clyfford Still Museum’s guest-curated exhibition\, Held Impermanence (Artists Select: Katherine Simóne Reynolds)\, illuminates multiple competing desires held in constant tension within the Museum. Organized by award-winning filmmaker\, artist\, and curator Katherine Simóne Reynolds\, the exhibition draws deeply on CSM’s collections. The exhibition runs from January 25–September 14\, 2025. \nAccording to Reynolds\, the collection testifies to Still’s ambitious attempt to keep his entire corpus intact. The commitment to the integrity of that body of work allows viewers to see not only the acclaimed masterpieces but also paintings made in painful transitions and others that bear the scars of time. Artworks change over time; their materials carry the stain of what conservators describe as inherent vice. Viewers see paintings that need to rest and heal\, bearing marks that suggest\, through their surfaces\, condition\, and textures\, metaphors of viscera\, bile\, and wounds. \nIn the Museum’s six largest galleries\, Reynolds’s exhibition asks viewers how they view healing over time\, respond with their bodies to this corpus\, and how they might approach Still’s achievements from a perspective that contends with his and their own senses of mortality—and with it\, a shared desire to hold impermanence. \nKatherine Simóne Reynolds is an artist\, scholar\, and curator who investigates emotional dialects and psychogeographies of Blackness within the Black Midwestern landscape. Her art physicalizes emotions and experiences through photo-based works\, film\, choreography\, sculpture\, and anxious writing practice. She has exhibited in national and international group and solo shows. \n  \nReynolds chose several paintings with condition issues to highlight the impact of conservation throughout the exhibition. She also selected a collection of archival photographs\, letters\, and notes to demonstrate the themes and emotions throughout the exhibition and two original archival objects. The Museum expands on exhibition content and Reynolds’ curatorial process in its free mobile guide on Bloomberg Connects. CSM also offers visitors two takeaway resources in the exhibition’s first gallery\, including Essays on Held Impermanence\, a companion booklet to the exhibition\, and Exploring Feelings and Art: A Family Guide. \nHeld Impermanence follows a chronological display of Still’s works in the Museum’s first three galleries. \n  Save  
URL:https://artinamericaguide.com/event/held-impermanence-artists-select-katherine-simone-reynolds/
LOCATION:Clyfford Still Museum\, 1250 Bannock St.\, Denver\, CO\, 80204\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/01/Guest-curator-Katherine-Simone-Reynolds_with_CSM-director-Joyce-Tsai-by-Fireside-Production-scaled.jpg
ORGANIZER;CN="Clyfford Still Museum":MAILTO:press@clyffordstillmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250307T110000
DTEND;TZID=America/New_York:20271231T180000
DTSTAMP:20260821T161853
CREATED:20250224T180514Z
LAST-MODIFIED:20250224T180514Z
UID:112255-1741345200-1830276000@artinamericaguide.com
SUMMARY:Tending and Dreaming: Stories from the Collection
DESCRIPTION:Tending and Dreaming: Stories from the Collection launches the first dedicated collection galleries at the Museum. Providing unprecedented access to core works in San José’s only publicly held art collection\, SJMA’s collection galleries position artists as storytellers to imagine the Museum as a space where culture and meaning are actively made and always in process.  \nOrganized into thematic groupings\, Tending and Dreaming offers poetic starting points for engaging with ideas woven through the works of almost fifty artists from the Bay Area and beyond\, including  Ruth Asawa\, Martha Atienza\, Shilpa Gupta\, Yolanda López\, and Elias Sime\, among many others.  \n  Save  
URL:https://artinamericaguide.com/event/tending-and-dreaming-stories-from-the-collection/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/02/2004.16_valdezpatssi_theimaginarygarden_FV_2.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250411T110000
DTEND;TZID=America/New_York:20250816T160000
DTSTAMP:20260821T161853
CREATED:20250319T152251Z
LAST-MODIFIED:20250523T151929Z
UID:112567-1744369200-1755360000@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-11/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250412T110000
DTEND;TZID=America/New_York:20250817T160000
DTSTAMP:20260821T161853
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113420-1744455600-1755446400@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-12/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250415T110000
DTEND;TZID=America/New_York:20250820T160000
DTSTAMP:20260821T161853
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113421-1744714800-1755705600@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-15/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250416T110000
DTEND;TZID=America/New_York:20250821T160000
DTSTAMP:20260821T161853
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113422-1744801200-1755792000@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-16/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250416T110000
DTEND;TZID=America/New_York:20251005T170000
DTSTAMP:20260821T161853
CREATED:20250403T185846Z
LAST-MODIFIED:20250403T185846Z
UID:112826-1744801200-1759683600@artinamericaguide.com
SUMMARY:Boren Banner Series: Tarrah Krajnak
DESCRIPTION:The Frye is proud to debut an all-new body of work from the internationally recognized artist Tarrah Krajnak. Known for work that blends photography\, performance\, and poetry\, Krajnak uses her body to reimagine and respond to iconic moments in photographic history and to challenge traditions of Western art history. With a keen instinct for the lyric as well as the political potential of image making\, Krajnak reshapes the boundaries of contemporary photography. \n  Save  
URL:https://artinamericaguide.com/event/boren-banner-series-tarrah-krajnak/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/04/BodyConfigurationsLima_01.jpg
ORGANIZER;CN="Frye Art Museum":MAILTO:info@fryemuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250417T110000
DTEND;TZID=America/New_York:20250822T160000
DTSTAMP:20260821T161853
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113423-1744887600-1755878400@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-17/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250419T110000
DTEND;TZID=America/New_York:20250824T160000
DTSTAMP:20260821T161853
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113424-1745060400-1756051200@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-19/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250422T110000
DTEND;TZID=America/New_York:20250827T160000
DTSTAMP:20260821T161853
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113425-1745319600-1756310400@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-22/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250423T110000
DTEND;TZID=America/New_York:20250828T160000
DTSTAMP:20260821T161853
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113426-1745406000-1756396800@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-23/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250424T110000
DTEND;TZID=America/New_York:20250829T160000
DTSTAMP:20260821T161853
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113427-1745492400-1756483200@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-24/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250426T110000
DTEND;TZID=America/New_York:20250831T160000
DTSTAMP:20260821T161853
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113428-1745665200-1756656000@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-26/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250429T110000
DTEND;TZID=America/New_York:20250903T160000
DTSTAMP:20260821T161853
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113429-1745924400-1756915200@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-29/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250524
DTEND;VALUE=DATE:20250907
DTSTAMP:20260821T161853
CREATED:20250530T145022Z
LAST-MODIFIED:20250613T201808Z
UID:113518-1748044800-1757203199@artinamericaguide.com
SUMMARY:JHB Gallery at Jetsam Studio
DESCRIPTION:JHB Gallery and Jetsam Studio are delighted to launch their summer 2025 season of art and design in Southampton\, New York\, with a new installation of contemporary artwork with modern and mid-century furniture\, lighting\, and ceramics. \nWe are excited to continue our partnership over the last five summers—and to be putting in place our program for 2025. We will be highlighting large-scale works including: Water Glasses and photographic abstracts by Amanda Means; Scott Morgan’s shimmering light-etched Surygrams; Mia Pearlman’s intricate and effervescent wall works in cut paper; Ellen Carey’s color-saturated experimental darkroom photography; classic gestural abstract painting by Mark Saltz; as well as remarkable contemporary jacquard tapestry works by Annette Cords. The artwork will be on view alongside contemporary furniture and design classics by the likes of Pierre Jeanneret\, René Gabriel and Charlotte Perriand. \nIn the summer of 2020\, the Jayne H. Baum Gallery started a unique partnership with designer Quinn Pofahl to exhibit the work of our gallery artists at his new 2\,000 square feet studio in the heart of Southampton Village on the East End of Long Island. During that first summer\, pandemic-deprived of shared cultural spaces\, the new venture provided a welcome site of intersection between art\, design\, and architecture. \nSituated at 58 Jobs Lane\, in Southampton\, Jetsam Studio is open Thursday through Monday—and by appointment. \n  \nPress Inquiries\nJHB Gallery / Jayne H. Baum \n26 Grove Street\, Suite 4C \nNew York\, NY 10014\nT: 212 255 9286 \nE: info@jhbgallery.com \n  \nJetsam Studio \n58 Jobs Lane\, Southampton\, NY 11968\nMonday\, and Thursday–Saturday 11am–5pm\nSunday 12–5pm \nAnd by appointment\nT: 631 488 4005 \nE: info@jetsamstudio.com \n  Save  
URL:https://artinamericaguide.com/event/jhb-gallery/
LOCATION:Jetsam Studio\, 58 Jobs Lane\, SOUTHAMPTON\, NY\, 11968\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/05/AC001_Annette_Cords_In_Other_Words_silver_DETAIL.jpg
ORGANIZER;CN="JHB Gallery":MAILTO:info@jhbgallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250524T100000
DTEND;TZID=America/New_York:20250817T170000
DTSTAMP:20260821T161853
CREATED:20250505T202436Z
LAST-MODIFIED:20250505T202436Z
UID:113136-1748080800-1755450000@artinamericaguide.com
SUMMARY:The Solomon Collection: Dürer to Degas and Beyond
DESCRIPTION:Explore a remarkable collection of artworks that span the centuries and discover how it was assembled over seven decades. \nThe Solomon Collection: Dürer to Degas and Beyond celebrates a significant recent bequest to the Harvard Art Museums from passionate collectors Arthur K. and Mariot F. Solomon. The exhibition spotlights over 135 works\, including paintings\, sculptures\, drawings\, and prints by some of the most significant artists from the Renaissance to the 20th century\, and offers visitors an intimate view into the highly personal yet inherently collaborative nature of art collecting. \nThe artists featured span six centuries and include virtuoso printmakers\, from the pioneers of engraving such as Hans Sebald Beham\, Martin Schongauer\, and Albrecht Dürer to inventive painter-etchers like Salvator Rosa\, Giovanni Battista Tiepolo\, and Francisco José de Goya y Lucientes; provocateurs of 19th-century painting such as Eugène Delacroix\, Théodore Géricault\, Gustave Courbet\, Claude Monet\, Edgar Degas\, and Paul Cézanne; groundbreaking sculptors like Jean-Baptiste Carpeaux\, Henry Moore\, Wilhelm Lehmbruck\, David Smith\, and Anthony Caro; trailblazers of abstraction like Kenneth Noland\, Jules Olitski\, and Larry Poons; and stalwart Boston artists Marjorie Minkin and Peter Lipsitt. \nAn accompanying print catalogue highlights works in the Solomon Collection with entries written by curators\, former and current postdoctoral fellows\, and Harvard faculty and graduate students. The volume also includes a history of the couple’s lifelong engagement with art and the dealers\, professors\, and curators who helped inform their collecting. \n  Save  
URL:https://artinamericaguide.com/event/the-solomon-collection-durer-to-degas-and-beyond/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/04/Solomon_Black-Form-in-Sky.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250529T100000
DTEND;TZID=America/New_York:20250809T170000
DTSTAMP:20260821T161853
CREATED:20250515T161307Z
LAST-MODIFIED:20250515T161307Z
UID:113318-1748512800-1754758800@artinamericaguide.com
SUMMARY:Richard Learoyd
DESCRIPTION:Fraenkel Gallery is pleased to present an exhibition of new and recent photographs by Richard Learoyd. Exploring classical subjects using exacting photographic techniques\, Learoyd creates hyper-detailed works with enigmatic depths. Highlights include new studies of ancient trees printed on gessoed canvas and largescale views of the Grand Canyon. The show also features new still lifes\, and marks the debut of photographs Learoyd made in collaboration with renowned ceramicist Frances Palmer. For the exhibition\, Palmer created vessels based on drawings made by Learoyd\, who in turn photographed the ceramics in his studio\, overflowing with flowers in a reconsideration of Rococo styles. A public reception with Learoyd and Palmer will take place on Saturday\, May 31\, from 2-4pm\, with a conversation between the artists at 2:30pm. During the opening\, Palmer’s ceramic vases will feature arrangements by floral artist Morvarid Mossavar of La Lavande Floral Studio. \n  Save  
URL:https://artinamericaguide.com/event/richard-learoyd/2025-05-29/
LOCATION:Fraenkel Gallery\, 49 Geary Street\, San Francisco\, CA\, 94108\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/05/RL-0751-Framed.jpg
ORGANIZER;CN="Fraenkel Gallery":MAILTO:mail@fraenkelgallery.com
GEO:37.7876041;-122.4042781
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fraenkel Gallery 49 Geary Street San Francisco CA 94108 United States;X-APPLE-RADIUS=500;X-TITLE=49 Geary Street:geo:-122.4042781,37.7876041
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250612T180000
DTEND;TZID=America/New_York:20250803T180000
DTSTAMP:20260821T161853
CREATED:20250530T145022Z
LAST-MODIFIED:20250530T145022Z
UID:113523-1749751200-1754244000@artinamericaguide.com
SUMMARY:2024 Mercedes Matter Awards Exhibition
DESCRIPTION:The New York Studio School is delighted to host the 2024 Mercedes Matter Award WinnersExhibition. Selected by jurors Samira Abbassy and Jason Stopa from the 2024 Alumni Exhibition\, these artists were honored for the exceptional quality of their work—chosen from six decades of NYSS history—and presented with the Mercedes Matter Prize\, named in tribute to the School’s founder\, Mercedes Matter. The Exhibition is on view in the main gallery from June 12th\, 2025 to August 3rd\, 2025\, with an opening reception on June 12th from 6-8 PM. \n  Save  
URL:https://artinamericaguide.com/event/2024-mercedes-matter-awards-exhibition/
LOCATION:New York Studio School of Drawing\, Painting & Sculpture\, 8 West 8th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/05/Allen-Jamie_EPROMO.jpg
ORGANIZER;CN="new york studio school":MAILTO:rrickert@nyss.org
GEO:40.7329524;-73.998005
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New York Studio School of Drawing Painting & Sculpture 8 West 8th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=8 West 8th Street:geo:-73.998005,40.7329524
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250626
DTEND;VALUE=DATE:20250816
DTSTAMP:20260821T161853
CREATED:20250612T211424Z
LAST-MODIFIED:20250612T211424Z
UID:113687-1750896000-1755302399@artinamericaguide.com
SUMMARY:Victory Over the Sun
DESCRIPTION:CFGNY\, Phil Chang\, Barnett Cohen\, Bethany Collins\, Liz Deschenes\, Kota Ezawa\, Corinne Jones\, Gina Osterloh\, Stephanie Syjuco\, Stewart Uoo\, and Anicka Yi \nRYAN LEE Gallery is pleased to present Victory Over the Sun\, inspired by the 1913 Futurist opera Victory Over the Sun in which Kazimir Malevich’s Black Square debuted. The black square represented a repudiation of all past images in order to start anew to forge a utopian vision and society. In a time when we have become enslaved to images fed to us via the digital infrastructures that dictate how and what we consume visually\, this exhibition celebrates contemporary works that rebel against the generation of images created to serve the endless demand for content. It will feature a selection of work in a variety of mediums by contemporary artists exploring ideas of negation\, interpretation\, voids\, spirituality\, physicality\, and impermanence\, all of which refuse to be captured as an image. \nThe absurdist opera depicted allegorical strongmen\, bolstered by new technologies like airplanes\, who fought a battle with the sun to repudiate old values and make a new world. Malevich wrote\, “The black square is the antithesis of the sun\, the anti-sun. It swallows the light\, but it seems to be charged with energy.” \nThroughout history\, artists have often sought to create new forms of expression as a way to challenge the society in which they lived. In the early twentieth century\, we saw the birth of Dadaism\, Suprematism\, Constructivism and then conceptual practices in the 1960s\, such as Minimalism\, land art\, institutional critique and later on\, relational aesthetics\, all of which addressed the inadequacies of the dominant art forms at the time. Lucy Lippard wrote that conceptual artists used “the power of imagination” to “escape from cultural confinement.” Each of these moments were times of unrest that pushed artists to think of new ways to express their desire for social change. \nToday\, our contemporary capitalist society has been overpowered with digital technology bombarding our every second of existence with images\, whether advertisements\, TV shows\, video content\, photos of everything imaginable available on our phones\, tablets\, and monitors. This exhibition proposes that we step back and think about how to harness our humanity and our capacity to imagine as well as engage our physical human presence and attention. The works on view refuse to contend with the onslaught of images we are faced with\, and cannot be easily reproduced via social media. We invite viewers to experience the work in person\, to slow down and contemplate new possibilities. \n  Save  
URL:https://artinamericaguide.com/event/victory-over-the-sun/
LOCATION:RYAN LEE\, 515 W 26th St\, 3rd Fl\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2025/06/Screenshot-2025-06-06-at-12.53.13 PM.png
ORGANIZER;CN="RYAN LEE":MAILTO:info@ryanleegallery.com
GEO:40.7500935;-74.0036112
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=RYAN LEE 515 W 26th St 3rd Fl New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=515 W 26th St\, 3rd Fl:geo:-74.0036112,40.7500935
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250628T110000
DTEND;TZID=America/New_York:20250928T170000
DTSTAMP:20260821T161853
CREATED:20250403T185846Z
LAST-MODIFIED:20250403T185846Z
UID:112817-1751108400-1759078800@artinamericaguide.com
SUMMARY:Hugh Hayden: American Vernacular
DESCRIPTION:In Hugh Hayden’s first solo museum presentation on the West Coast\, the complexities of identity\, desire\, and belonging are explored through meticulously crafted and darkly humorous wooden sculptures and multimedia installations. From tree bark-hewn designer shoes to basketball hoops woven from grain stalks\, the artist’s works reveal how everyday objects reflect the values and tensions of our society. Centered around thematic touchstones like athletics\, food\, fashion\, and childhood\, Hayden’s art provokes us to rethink the ordinary and explore how “vernacular” items carry multifaceted stories that encompass the joy\, pain\, and resilience woven into the fabric of American life. \n  Save  
URL:https://artinamericaguide.com/event/hugh-hayden-american-vernacular/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/04/HAYD240024_001.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250711T110000
DTEND;TZID=America/New_York:20260222T180000
DTSTAMP:20260821T161853
CREATED:20250224T180514Z
LAST-MODIFIED:20250224T180514Z
UID:112259-1752231600-1771783200@artinamericaguide.com
SUMMARY:Pao Houa Her: The Imaginative Landscape
DESCRIPTION:Pao Houa Her’s practice engages with the legacies\, potentials\, and aesthetics of landscape and portrait photography traditions\, examining the complex intertwining of desire\, homeland\, and artifice. Rooted in the experience of her Hmong community and shaped by family experiences and lore passed down by her elders\, Her’s work centers women as the knowledge bearers of both past and future. Using a formally rigorous photographic approach\, Her explores constructions of homeland that resonate across diasporas.  \nPao Houa Her: The Imaginative Landscape is an unconventional survey of over 20 years. Seen through the expansive titular series\, it traces conceptual ties between past series\, new work\, and work still under development\, connecting California agricultural landscapes to the jungles of Laos\, poppy fields in Minnesota\, and beyond. The exhibition is co-organized by Lauren Schell Dickens\, chief curator at SJMA\, and Jodi Throckmorton\, chief curator at John Michael Kohler Arts Center in Sheboygan\, Wisconsin\, and will be presented at both organizations simultaneously.  \n  Save  
URL:https://artinamericaguide.com/event/pao-houa-her-the-imaginative-landscape/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/02/54207754387_238e103efd_o.jpg
GEO:37.3327419;-121.8905201
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=San Jose Museum of Art 110 S. Market Street San Jose CA 95113 United States;X-APPLE-RADIUS=500;X-TITLE=110 S. Market Street:geo:-121.8905201,37.3327419
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250711T110000
DTEND;TZID=America/New_York:20260222T180000
DTSTAMP:20260821T161853
CREATED:20250820T162604Z
LAST-MODIFIED:20250820T162604Z
UID:114300-1752231600-1771783200@artinamericaguide.com
SUMMARY:Pao Houa Her: The Imaginative Landscape
DESCRIPTION:Pao Houa Her’s practice engages with the legacies\, potentials\, and aesthetics of landscape and portrait photography traditions\, examining the complex intertwining of desire\, homeland\, and artifice. Rooted in the experience of her Hmong community and shaped by family experiences and lore passed down by her elders\, Her’s work centers women as the knowledge bearers of both past and future. Using a formally rigorous photographic approach\, Her explores constructions of homeland that resonate across diasporas. \nPao Houa Her: The Imaginative Landscape is an unconventional survey of over 20 years. Seen through the expansive titular series\, it traces conceptual ties between past series\, new work\, and work still under development\, connecting California agricultural landscapes to the jungles of Laos\, poppy fields in Minnesota\, and beyond. Her’s images are also dispersed across downtown San José in unexpected place—outside and indoors\, on walls and on screens—a reminder of the tenacity of diasporic communities flourishing throughout our city. \nThe exhibition is co-organized by Lauren Schell Dickens\, chief curator at SJMA\, and Jodi Throckmorton\, chief curator at John Michael Kohler Arts Center in Sheboygan\, Wisconsin\, and will be presented at both organizations simultaneously. \n  Save  
URL:https://artinamericaguide.com/event/pao-houa-her-the-imaginative-landscape-2/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/54254885621_c920238389_o.jpg
GEO:37.3327419;-121.8905201
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=San Jose Museum of Art 110 S. Market Street San Jose CA 95113 United States;X-APPLE-RADIUS=500;X-TITLE=110 S. Market Street:geo:-121.8905201,37.3327419
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250712T110000
DTEND;TZID=America/New_York:20251005T170000
DTSTAMP:20260821T161853
CREATED:20250403T185846Z
LAST-MODIFIED:20250403T185846Z
UID:112822-1752318000-1759683600@artinamericaguide.com
SUMMARY:Jamie Wyeth: Unsettled
DESCRIPTION:Jamie Wyeth’s painterly eye for tense\, cinematic storytelling is on full display in Unsettled\, the only West Coast venue for this nationally touring exhibition organized by the Brandywine Museum of Art. Featuring nearly fifty works\, this show unearths a darker side of Wyeth’s six-decade career\, tracing a throughline of unsettling imagery and emotional nuance often hidden beneath his more idyllic coastal views and farm scenes. From haunting portraits to supernatural landscapes\, Wyeth’s vivid compositions explore the ominous side of rural American environments spanning the rugged Maine coast to the forests of Pennsylvania. \n  Save  
URL:https://artinamericaguide.com/event/jamie-wyeth-unsettled/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/04/Bean-Boots-1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250712T110000
DTEND;TZID=America/Los_Angeles:20251005T170000
DTSTAMP:20260821T161853
CREATED:20250624T143711Z
LAST-MODIFIED:20250624T143724Z
UID:113782-1752318000-1759683600@artinamericaguide.com
SUMMARY:Jamie Wyeth: Unsettled
DESCRIPTION:Jamie Wyeth’s painterly eye for tense\, cinematic storytelling is on full display in Unsettled\, the only West Coast venue for this nationally touring exhibition organized by the Brandywine Museum of Art. Featuring nearly fifty works\, this show unearths a darker side of Wyeth’s six-decade career\, tracing a throughline of unsettling imagery and emotional nuance often hidden beneath his more idyllic coastal views and farm scenes. From haunting portraits to supernatural landscapes\, Wyeth’s vivid compositions explore the ominous side of rural American environments spanning the rugged Maine coast to the forests of Pennsylvania. \n  Save  
URL:https://artinamericaguide.com/event/jamie-wyeth-unsettled-2/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/06/Julia-0n-the-Swing_small.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250717
DTEND;VALUE=DATE:20250831
DTSTAMP:20260821T161853
CREATED:20250616T142734Z
LAST-MODIFIED:20250616T142734Z
UID:113692-1752710400-1756598399@artinamericaguide.com
SUMMARY:Ground Work\, Curated by Joey Lico
DESCRIPTION:Sean Kelly\, Los Angeles is delighted to present Ground Work\, a group exhibition organized by Los Angeles-based curator and Executive Director of The Cultivist\, Joey Lico. The exhibition brings together fifteen artists whose works respond to the material\, psychic\, and political dimensions of landscape. Anchored by Duchamp’s seminal photograph Dust Breeding\, 1920\, Ground Work considers the trace as a radical gesture\, foregrounding atmosphere\, residue\, and the weight of absence over pictorial representation. As Lico states\, the artists “gather materials touched by time—ashes\, dust\, silence\, memory—and offer us not declarations\, but traces. This is not a show about landscape. It is about what it means to inhabit one.” There will be an opening reception on Thursday\, July 17\, from 5 to 8pm. Curator Joey Lico and several of the featured artists will be present. \nGround Work unfolds through three thematic undercurrents: Traces of Passage\, Spatial Resistance\, and Temporal Compression. Taken on the surface of Marcel Duchamp’s The Large Glass\, Dust Breeding captures the entropy of material\, the residue\, and accumulation as a slow representation of time. It offers a conceptual and historical aperture for the exhibition\, introducing the idea that what we leave behind can speak louder than what we make. Through photography\, sculpture\, installation\, and painting\, the artists in Ground Work echo this ethos\, turning away from direct depiction to instead engage with memory\, pressure\, and transformation. \nArtists addressing the theme of Traces of Passage consider terrain as archive and absence as narrative. Harold Mendez’s works hold the imprint of migration\, labor\, and layered memory. Drawing from Latin American histories and cultural inheritance\, his practice is a quiet excavation—tracing resilience across geography and time. Dionne Lee’s silver gelatin prints layer fragility and resistance\, weaving diasporic placemaking into fractured geographies. Caleb Hahne Quintana paints atmospheric portraits suspended between memory and departure\, while Athena LaTocha embeds earth\, ash\, and ink into her monumental abstractions\, transforming the landscape into surface and scar. Cauleen Smith’s poetic photo-based works and sculptural interventions meditate on grief\, resistance\, and speculative care. \nSeveral artists demonstrate Spatial Resistance as they negotiate constraint and collapse in their work. Adrián S. Bará and Sofía Fernández Díaz use industrial and ephemeral materials to sculpt tension between structure and fragility\, form and failure. Jacqueline Kiyomi Gork’s installations transform the space through sculptural systems of sound and textiles\, creating a conceptual architecture imbued with spatial perception. Phaan Howng’s saturated post-landscape sculputres are rooted in speculative survival and ecological resistance. Maggie West’s immersive underwater projection\, lush with color and endangered marine life\, offers a crescendo of visual rupture and sensory immersion. \nTemporal Compression folds into form in the work of Rodrigo Valenzuela\, whose staged photographs of collapse interrogate labor\, construction\, and failure. Leslie Hewitt’s conceptual rigor lends gravitas to stillness\, with photo-sculptural works that compress personal and historical time. Jose de Jesus Rodriguez uses fragile materials—fresco\, lime\, wire—to evoke the vulnerability of built environments. Julian Charrière’s sculpture confronts the ruins of industrial progress and the sublime collapse of nature\, holding spectacle and decay in uneasy balance. In Nobuhito Nishigawara’s ceramic sculptures\, ancestral forms and contemporary abstraction collide\, collapsing generations into gesture and glaze. \nTogether\, these artists approach the landscape not as image but as site of erasure and endurance\, collapse and continuity. They negotiate with the ground\, registering its silences and tensions\, refusing to resolve it into a view. Ground Work is an excavation of what lingers: the poetic residue of time\, labor\, and memory pressed into form. \nFor additional information on the exhibition\, please visit seankellyla.com \nFor media inquiries\, please email Adair Lentini at Adair@skny.com \nFor inquiries\, please email Thomas Kelly at Thomas@seankellyla.com \n  Save  
URL:https://artinamericaguide.com/event/ground-work-curated-by-joey-lico/
LOCATION:Sean Kelly LA\, 1357 N Highland Ave\, Los Angeles\, CA\, 90028\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20250724T000000
DTEND;TZID=America/New_York:20250913T100000
DTSTAMP:20260821T161853
CREATED:20250805T184537Z
LAST-MODIFIED:20250821T203242Z
UID:114112-1753315200-1757757600@artinamericaguide.com
SUMMARY:Robert Wilson: Animals reception
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present Robert Wilson: Animals\, an exhibition of video portraits by renowned theater director and visual artist Robert Wilson. This solo exhibition presents Wilson’s captivating series of animal portraits—featuring snow owls\, a black panther\, skunk\, an elk\, and more. These portraits showcase Wilson’s acclaimed mastery of light and color and reflect his fascination with animals\, which he describes as having “a way of listening interiorly.” \nWilson first debuted his video portraiture at Paula Cooper Gallery in his 2007 exhibition\, where he staged a series of high-definition video portraits featuring artists\, musicians\, actors\, animals\, and other notable figures. Animals is the first exhibition devoted exclusively to his animal portraits\, created over the years since that initial presentation\, including video works from his 2016 collaboration with Hermès. \nThe Hermès installation at Cedar Lake in New York City\, titled Here Elsewhere\, brought together Robert Wilson’s avant-garde vision with Hermès’ renowned commitment to craftsmanship and material excellence. Animal portraits were interwoven with pieces from the Hermès collection\, alongside sound and performance\, to create a fully immersive\, 360-degree environment. Works such as Quincy (Red fox) from the series Hermès by Nature demonstrate how Wilson’s scenographic sensibility amplified the narrative power of both the portraits and the surrounding elements. \nWithin these portraits\, Robert Wilson explores numerous references to mythology\, art history\, and popular culture. His Snowy Owls references the owl in Greek mythology which was often associated with Athena\, goddess of wisdom\, arts\, and skill. Similarly\, in his portrait of an Elk\, the animal stands almost motionless within a stark setting as subtle movements such as the flick of an ear or the rise and fall of the elk’s breath\, slowly reveal themselves. In Wilson’s Panther piece\, the artist’s signature use of theatrical lighting enhances the sense of quiet drama. The backdrop is spare\, recalling the atmosphere of a stage set or a dream. \nBy incorporating a multitude of creative elements; lighting\, gesture\, text\, voice\, set design\, and narrative – the video portraits act as a synthesis of all the media in the realm of Wilson’s art making. The medium is video but the form blurs time-based cinematography with the frozen moment of still photography. The final result on the screen resembles a photograph\, but on closer inspection reveals Wilson’s highly developed theatrical language in a striking visual experience that is both meditative and deeply expressive. \nBorn in Waco\, Texas\, Robert Wilson is among the world’s foremost theater and visual artists. His works for the stage unconventionally integrate a wide variety of artistic media\, including dance\, movement\, lighting\, sculpture\, music and text. His images are aesthetically striking and emotionally charged\, and his productions have earned the acclaim of audiences and critics worldwide. After being educated at the University of Texas and Brooklyn’s Pratt Institute\, Wilson founded the New York-based performance collective “The Byrd Hoffman School of Byrds” in the mid-1960s\, and developed his first signature works. With Philip Glass he wrote the seminal opera Einstein on the Beach (1976). Wilson’s artistic collaborators include many writers and musicians such as Heiner Müller\, Tom Waits\, Susan Sontag\, Laurie Anderson\, William Burroughs\, Lou Reed\, Jessye Norman and Anna Calvi. He has also left his imprint on masterworks such as Beckett’s Krapp’s Last Tape\, Brecht/Weill’s Threepenny Opera\, Debussy’s Pelléas et Melisande\, Puccini’s Madama Butterfly\, Verdi’s La Traviata and several of Shakespeare’s works. Wilson’s drawings\, paintings and sculptures have been presented around the world in hundreds of solo and group showings\, and his works are held in private collections and museums throughout the world. Wilson has been honored with numerous awards for excellence\, including a Pulitzer Prize nomination\, two Premio Ubu awards\, the Golden Lion of the Venice Biennale\, and an Olivier Award. He was elected to the American Academy of Arts and Letters\, as well as the German Academy of the Arts\, and holds 8 Honorary Doctorate degrees. He is a Commander of the Order of Arts and Letters and Officer of the Legion of Honor in France\, bearer of the German Officer’s Cross of the Order of Merit\, and laureate of the 2023 Praemium Imperiale. Wilson is the founder and Artistic Director of The Watermill Center\, a laboratory for the Arts in Water Mill\, New York. \n  Save  
URL:https://artinamericaguide.com/event/robert-wilson-animals-reception/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20250726T110000
DTEND;TZID=America/New_York:20250816T170000
DTSTAMP:20260821T161853
CREATED:20250609T135917Z
LAST-MODIFIED:20250609T135930Z
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SUMMARY:July – August @ Art Works!
DESCRIPTION:Throughout July Art Works is open to the public\, offering a variety of engaging exhibits. Adam and Anita Bradley present life-size figurative sculptures and paintings capturing a chaotic world. Mike Bily’s exhibit investigates ecosystems; Sharon Denmark captures light flowing through glass. Rachel Rowden exhibit is a portal of mysteries and Rebecca Visger provides a view from behind the wheel. And in the Community Bridge Project space\, Blake Bottoms presents self-discovery themes. \n  \nJoin us for a fun-filled scavenger hunt with prizes\, perfect for both the young and the young at heart. The activity culminates with prizes for all who participate. We also offer two figure drawing sessions on the 1st and 3rd Sundays as well as Queer Life Drawing at Gold Lion Community Café on August 20th. \n  \nMake a day of it by exploring the local eateries\, including Continental\, Stock\, Pig and Brew\, Iron Clad Pizza\, Café Zata\, and The Gold Lion. \n  \nBradley + Bradley: The Weight of Vanishing Shadows \nAdam and Anita Bradley explore the human condition through their unique mediums. Adam presents life-sized figurative sculptures in wood\, steel\, ceramics\, and smaller bronze pieces\, reflecting themes of anxiety\, loss\, and grief. Anita complements this with layered paintings and mixed media collages\, capturing the struggle for order in a chaotic world. Their intertwined approaches invite contemplation of deep human experiences. \n  \nThe exhibition will be in the Jane Sandelin Gallery at Art Works and will continue through September 20\, 2025. \n  \nAbstract in Nature by Mike Bily \nMike Bily’s exhibit invites you to explore the astonishing ecosystems beneath our feet\, teeming with life as diverse as coral reefs and as complex as any environment on Earth. For billions of years\, natural forces like wind\, heat\, and water have sculpted our world\, creating awe-inspiring landscapes and hidden habitats. As an artist\, Mike Bily’s work leans towards figurative art\, often categorized as abstract realism or impressionism. His spontaneous depiction captures fleeting moments and passing messages for others to witness and enjoy. \n  \nThe exhibit will be in the Port I Gallery at Art Works through August 16\, 2025. \n  \n  \nFound My Marbles by Sharon Denmark \nSharon Denmark’s art exhibit invites you to experience the meditative process of painting through her eyes. Working with acrylics and oils\, Sharon captures the world’s intricate forms\, from the curl of water to light filtering through glass. Her marble paintings\, inspired by her late mother’s vintage collection\, blend joy and nostalgia. Each piece reflects her deliberate choices in color and form\, encouraging viewers to uncover the layers of story and emotion within her art. \nThe exhibit will be in the Port II Gallery at Art Works through August 16\, 2025. \n  \nIt Is Caring For You by Rachel Rowden \n  \nOriginally from California\, Rachel Rowden has spent most of her adult life as a teacher and clinician. In 2023\, she discovered Nicholas Wilton’s Creative Visionary Program\, which sparked a newfound passion for painting every day. Now residing in central Virginia with an ever-growing menagerie of rescue cats\, Rachel’s artist statement reflects her unique approach to art. She believes that making art does not have to express personal thoughts or feelings; instead\, it serves as a meditation on life and the unending decisions we make subconsciously. For Rachel\, art becomes a portal into the mysteries that surround us\, offering a wonderful gift and an absolute surprise with each creation. \n  \nThe exhibit will be in the Centre Gallery at Art Works through August 16\, 2025. \nIt’s All Ahead of Us by Rebecca Visger \nRebecca Visger’s exhibit showcases impasto and impressionistic acrylic paintings of road scenes and views from behind the wheel. This series explores the road as a metaphor for the infinite potential and possibilities ahead. The paintings reflect the excitement and fear of new experiences\, symbolizing both independence and the isolation of choosing one’s own path. \n  \nThe exhibit will be in the Corner Gallery at Art Works through August 16\, 2025. \n  \nJuly 2025 All Media Show\n  \nThis exhibit is a focal point of all Art Works’ openings. It is a juried show with cash prizes for 1st\, 2nd and 3rd place. The show is open to all artists and all mediums. There is no theme this month. Call for entries is June 15 – July 13\, 2025\, and may be submitted through the online form. The juror will be Naomi Chung–an award-winning painter with an MFA from the University of Pennsylvania and a BFA from Virginia Commonwealth University\, represented by the Gross McCleaf Gallery in Philadelphia for over 20 years\, and affiliated with the Art Registry Group in Washington\, DC. \n  \nThe exhibit will be in the Skylight Gallery at Art Works through August 14\, 2025. Check our website for details on submitting artwork:  Call for Entries \nThe Bridge Project – Blake Bottoms \n  \nRVA Thriving Artists introduces Blake Bottoms in the most current Community Bridge Project.   Blake Bottoms explores identity\, self-discovery\, and transformation through watercolor\, using botanical symbolism to reflect human experience. Pieces like Nexus\, Entwined\, and Jesus Hands examine intersectionality\, intimacy\, and non-binary identity\, while Metamorphoses and Dionysus celebrate transformation and fluid self-expression.  Through these works\, the artist fosters dialogue on authenticity and introspection. \nThis exhibit is in the upstairs Bridge Project space at Art Works and will continue through August 30\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/july-august-art-works-2/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
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DTSTART;TZID=America/New_York:20250801T110000
DTEND;TZID=America/New_York:20250830T163000
DTSTAMP:20260821T161853
CREATED:20250729T162705Z
LAST-MODIFIED:20250729T162705Z
UID:114061-1754046000-1756571400@artinamericaguide.com
SUMMARY:Pablo Picasso: Original Stone Lithographs from “La Comédie Humaine”
DESCRIPTION:La Comédie Humaine is a volume of 164 heliogravures and 12 original color stone lithographs by Picasso. They are Picasso’s interpretation of Balzac’s La Comédie Humaine. Often said to be the writer’s greatest work\, La Comédie Humaine addresses themes such as money\, power\, and social success during the Restoration period after the French Revolution. Picasso’s La Comédie Humaine examines his own personal crisis with aging and its effects on the Artist /Muse relationship. \n  Save  
URL:https://artinamericaguide.com/event/pablo-picasso-original-stone-lithographs-from-la-comedie-humaine/
LOCATION:Gallery C\, 540 N. Blount Street\, Raleigh\, NC\, 27604\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Gallery C":MAILTO:art@galleryc.net
GEO:35.7876224;-78.6357733
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