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BEGIN:VEVENT
DTSTART;VALUE=DATE:20231208
DTEND;VALUE=DATE:20261207
DTSTAMP:20260416T120837
CREATED:20240522T193731Z
LAST-MODIFIED:20240522T193731Z
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SUMMARY:Isaac Julien: Lessons of the Hour — Frederick Douglass
DESCRIPTION:Sir Isaac Julien’s moving image installation Lessons of the Hour (2019) interweaves period reenactments across five screens to create a vivid picture of nineteenth-century activist\, writer\, orator\, and philosopher Frederick Douglass. Through critical research\, fictional reconstruction\, and a marriage of poetic image and sound\, Julien asserts Douglass’ enduring lessons of justice\, abolition\, and freedom that remain just as relevant today. \nLessons of the Hour features passages from Douglass’ key speeches\, including the titular “Lessons of the Hour\,” “What to the Slave Is the Fourth of July?” and “Lecture on Pictures.” \nJulien weaves together reenacted scenes from Douglass’ life and lectures\, filming at his historic home in Washington\, DC\, and a restaged studio of famed Black photographer J.P. Ball (1825–1904) as he makes a portrait of Douglass. Images of contemporary Baltimore—the city where Douglass was enslaved and escaped from bondage in 1838—including footage of fireworks and protests in 2015 following the death of Freddie Gray\, Jr. while in police custody\, are interspersed as the struggle to make good on America’s promise of equality continues. \nLessons of the Hour was jointly acquired by SAAM and the National Portrait Gallery in 2023. The 28-minute work debuted for Washington audiences December 8\, 2023\, and remains on public view through the 250th anniversary of the founding of the United States in 2026. \n  Save  
URL:https://artinamericaguide.com/event/isaac-julien-lessons-of-the-hour-frederick-douglass/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250307T110000
DTEND;TZID=America/New_York:20271231T180000
DTSTAMP:20260416T120837
CREATED:20250224T180514Z
LAST-MODIFIED:20250224T180514Z
UID:112255-1741345200-1830276000@artinamericaguide.com
SUMMARY:Tending and Dreaming: Stories from the Collection
DESCRIPTION:Tending and Dreaming: Stories from the Collection launches the first dedicated collection galleries at the Museum. Providing unprecedented access to core works in San José’s only publicly held art collection\, SJMA’s collection galleries position artists as storytellers to imagine the Museum as a space where culture and meaning are actively made and always in process.  \nOrganized into thematic groupings\, Tending and Dreaming offers poetic starting points for engaging with ideas woven through the works of almost fifty artists from the Bay Area and beyond\, including  Ruth Asawa\, Martha Atienza\, Shilpa Gupta\, Yolanda López\, and Elias Sime\, among many others.  \n  Save  
URL:https://artinamericaguide.com/event/tending-and-dreaming-stories-from-the-collection/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250711T110000
DTEND;TZID=America/New_York:20260222T180000
DTSTAMP:20260416T120837
CREATED:20250224T180514Z
LAST-MODIFIED:20250224T180514Z
UID:112259-1752231600-1771783200@artinamericaguide.com
SUMMARY:Pao Houa Her: The Imaginative Landscape
DESCRIPTION:Pao Houa Her’s practice engages with the legacies\, potentials\, and aesthetics of landscape and portrait photography traditions\, examining the complex intertwining of desire\, homeland\, and artifice. Rooted in the experience of her Hmong community and shaped by family experiences and lore passed down by her elders\, Her’s work centers women as the knowledge bearers of both past and future. Using a formally rigorous photographic approach\, Her explores constructions of homeland that resonate across diasporas.  \nPao Houa Her: The Imaginative Landscape is an unconventional survey of over 20 years. Seen through the expansive titular series\, it traces conceptual ties between past series\, new work\, and work still under development\, connecting California agricultural landscapes to the jungles of Laos\, poppy fields in Minnesota\, and beyond. The exhibition is co-organized by Lauren Schell Dickens\, chief curator at SJMA\, and Jodi Throckmorton\, chief curator at John Michael Kohler Arts Center in Sheboygan\, Wisconsin\, and will be presented at both organizations simultaneously.  \n  Save  
URL:https://artinamericaguide.com/event/pao-houa-her-the-imaginative-landscape/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250711T110000
DTEND;TZID=America/New_York:20260222T180000
DTSTAMP:20260416T120837
CREATED:20250820T162604Z
LAST-MODIFIED:20250820T162604Z
UID:114300-1752231600-1771783200@artinamericaguide.com
SUMMARY:Pao Houa Her: The Imaginative Landscape
DESCRIPTION:Pao Houa Her’s practice engages with the legacies\, potentials\, and aesthetics of landscape and portrait photography traditions\, examining the complex intertwining of desire\, homeland\, and artifice. Rooted in the experience of her Hmong community and shaped by family experiences and lore passed down by her elders\, Her’s work centers women as the knowledge bearers of both past and future. Using a formally rigorous photographic approach\, Her explores constructions of homeland that resonate across diasporas. \nPao Houa Her: The Imaginative Landscape is an unconventional survey of over 20 years. Seen through the expansive titular series\, it traces conceptual ties between past series\, new work\, and work still under development\, connecting California agricultural landscapes to the jungles of Laos\, poppy fields in Minnesota\, and beyond. Her’s images are also dispersed across downtown San José in unexpected place—outside and indoors\, on walls and on screens—a reminder of the tenacity of diasporic communities flourishing throughout our city. \nThe exhibition is co-organized by Lauren Schell Dickens\, chief curator at SJMA\, and Jodi Throckmorton\, chief curator at John Michael Kohler Arts Center in Sheboygan\, Wisconsin\, and will be presented at both organizations simultaneously. \n  Save  
URL:https://artinamericaguide.com/event/pao-houa-her-the-imaginative-landscape-2/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250902
DTEND;VALUE=DATE:20260130
DTSTAMP:20260416T120837
CREATED:20250903T145102Z
LAST-MODIFIED:20251219T202347Z
UID:114410-1756771200-1769731199@artinamericaguide.com
SUMMARY:Performance\, Activist\, and Existential Photographs
DESCRIPTION:Ronald Feldman Gallery is pleased to present a group exhibition: \nPerformance\, Activist\, and Existential Photographs  \nA selection of photographs and photo-based works by: \nVincenzo Agnetti\, Elaine Angelopoulos\, Eleanor Antin\, Arakawa\, Conrad Atkinson\, Brandon Ballengée\, Joseph Beuys\, Chris Burden\, Cassils\, Chuck Close\, Keith Cottingham\, Terry Fox\, Tom Friedman\, Rico Gatson\, Helen & Newton Harrison\, Komar & Melamid\, Lev Nisnevich\, Robert Rauschenberg\, Man Ray\, Gerhard Richter\, Cindy Sherman\, Dmitry Shubin\, Tavares Strachan\, Diemut Strebe\, Hiroshi Sugimoto\, Eve Sussman\, Mierle Laderman Ukeles\, Andy Warhol\, Hannah Wilke \nThis selection is inspired by Marcel Duchamp’s belief that the concept behind the artwork is more important than its visual or material form.  This radical shift away from materiality created a foundation for artists to challenge traditional artistic forms and practices and opened the door to bold new directions.  All of the artists included use their work to probe into an array of subject matters\, and often redefine art in the process.  If approached with an open mind\, the photographs invite and inspire viewers to question their own assumptions about what art is.  This exhibition presents a cross-section of Ronald Feldman Gallery’s significant history and commitment to idea-driven work. \n  Save  
URL:https://artinamericaguide.com/event/performance-activist-and-existential-photographs/
LOCATION:Ronald Feldman Gallery\, 31 Mercer Street\, New York\, NY\, 10013\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Ronald Feldman Gallery":MAILTO:info@feldmangallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20250919T100000
DTEND;TZID=America/Denver:20260510T170000
DTSTAMP:20260416T120837
CREATED:20250123T201026Z
LAST-MODIFIED:20250123T201026Z
UID:111745-1758276000-1778432400@artinamericaguide.com
SUMMARY:“Tell Clyfford I Said ‘Hi’”: An Exhibition Curated by Children of the Colville Confederated Tribes
DESCRIPTION:“Tell Clyfford I Said ‘Hi’”: An Exhibition Curated by Children of the Colville Confederated Tribes is a collaborative exhibition co-curated with youth from the Colville Confederated Tribes in Washington State\, on view from September 19\, 2025–May 10\, 2026\, at the Clyfford Still Museum. It highlights the perspectives of Colville children on Clyfford Still’s depictions of their ancestors and their home\, as well as his abstract works. Installed in all nine of the Museum’s galleries\, this exhibition investigates six themes identified by our co-curators: Family & Culture\, Connection\, Storytelling\, Wilderness\, Love\, and Paint & Color. \nClyfford Still Museum’s curatorial and education staff worked with young children (ages three years to fourteen years old) and teachers from partner schools and childcare centers on the Colville Confederated Tribes Reservation on every level of the exhibition\, including artwork selection and arrangement\, object interpretation and gallery text\, and interactive space. \nThis exhibition continues CSM’s efforts to foster engagement with its collections by sharing authority on Still’s work with the Museum’s critical communities and is an occasion to bridge various gaps—physical\, cultural\, metaphorical—that exist between Indigenous communities and the traditional art museum space. \nBackground and Development \nWhile working as an instructor at the Washington State College Fine Arts Department\, Clyfford Still assisted in founding a summer art colony for WSC community members and became one of its first instructors in the summers of 1937 and 1938. Instructors held classes in Nespelem on the Colville Reservation and Toppenish on the Yakama Indian Reservation in Washington. The Clyfford Still Museum collections include three paintings on canvas\, over 85 drawings and sketches on paper\, nearly 20 documentary photographs\, and other archival ephemera documenting Still’s time in the area. These objects reveal how Still’s experiences with the Colville community profoundly impacted his work for years. \nWhile culturally distinct and diverse\, the twelve bands of the Confederated Tribes of the Colville Reservation—Chelan\, Chief Joseph Band of Nez Perce\, Colville\, Entiat\, Lakes\, Methow\, Moses-Columbia\, Nespelem\, Okanogan\, Palus\, San Poil\, and Wenatchi—share cultural practices and 1.4 million acres of land. Though CSM has focused past exhibitions and programs on Still’s work from Nespelem since 2013\, this exhibition seeks to extend and deepen CSM’s relationship with the Colville Tribal community. \nCo-curated with children in the Colville Confederated Tribes in northeastern Washington\, this exhibition explores Clyfford Still’s work through the perspectives of children\, some of whom are direct descendants of individuals Still portrayed in his art. “Tell Clyfford I Said ‘Hi’” centers young Indigenous voices by engaging them to collaboratively develop an exhibition that builds upon previous evaluation\, research\, and CSM exhibitions. \n  Save  
URL:https://artinamericaguide.com/event/tell-clyfford-i-said-hi-an-exhibition-curated-by-children-of-the-colville-confederated-tribes/
LOCATION:Clyfford Still Museum\, 1250 Bannock St.\, Denver\, CO\, 80204\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Clyfford Still Museum":MAILTO:press@clyffordstillmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251114
DTEND;VALUE=DATE:20260201
DTSTAMP:20260416T120837
CREATED:20251201T210733Z
LAST-MODIFIED:20251212T182101Z
UID:115194-1763078400-1769903999@artinamericaguide.com
SUMMARY:Mary Bauermeister: St.one-d
DESCRIPTION:Learn more \n  Save  
URL:https://artinamericaguide.com/event/mary-bauermeister-st-one-d/
LOCATION:Michael Rosenfeld Gallery\, 100 11th Ave\, New York\, NY\, New York\, United States
CATEGORIES:Exhibition
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GEO:40.7460874;-74.0076191
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260106T100000
DTEND;TZID=America/New_York:20260220T160000
DTSTAMP:20260416T120837
CREATED:20260105T214507Z
LAST-MODIFIED:20260105T214526Z
UID:115419-1767693600-1771603200@artinamericaguide.com
SUMMARY:Shared Horizon: New Editions from Tandem Press
DESCRIPTION:This exhibition presents new editions and monoprints created at Tandem Press by Michelle Grabner\, Marie Lorenz\, Alison Saar\, Marie Watt\, and Dyani White Hawk. \nExhibition dates: January 6-Feburary 20\, 2026 \nGallery hours: Tuesday-Friday\, 10am-4pm and by appointment \n  Save  
URL:https://artinamericaguide.com/event/shared-horizon-new-editions-from-tandem-press/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
GEO:43.1056427;-89.3616646
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tandem Press 1743 Commercial Avenue Madison WI 53704 United States;X-APPLE-RADIUS=500;X-TITLE=1743 Commercial Avenue:geo:-89.3616646,43.1056427
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260108
DTEND;VALUE=DATE:20260215
DTSTAMP:20260416T120837
CREATED:20260105T214327Z
LAST-MODIFIED:20260105T214327Z
UID:115473-1767830400-1771113599@artinamericaguide.com
SUMMARY:Hung Liu: Shaping\, Pouring\, Layering
DESCRIPTION:RYAN LEE is pleased to announce Shaping\, Pouring\, Layering\, an exhibition of paintings\, mixed media resin works\, and works on paper by Hung Liu (b. Changchun\, China\, 1948 – d. Oakland\, California\, 2021). This show explores the inventive processes that Liu employed to outmaneuver the limitations of media\, merging painting and sculpture as she brought historical images to life. “I create and destroy an image concurrently by working freely – being both careful and careless at the same time\,” Liu said. \n  Save  
URL:https://artinamericaguide.com/event/hung-liu-shaping-pouring-layering/
LOCATION:RYAN LEE\, 515 W 26th St\, 3rd Fl\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="RYAN LEE":MAILTO:info@ryanleegallery.com
GEO:40.7500935;-74.0036112
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=RYAN LEE 515 W 26th St 3rd Fl New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=515 W 26th St\, 3rd Fl:geo:-74.0036112,40.7500935
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260108
DTEND;VALUE=DATE:20260215
DTSTAMP:20260416T120837
CREATED:20260109T152334Z
LAST-MODIFIED:20260109T152334Z
UID:115582-1767830400-1771113599@artinamericaguide.com
SUMMARY:Sara MacCulloch: Sun Fog Rain
DESCRIPTION:Kathryn Markel Fine Arts is pleased to announce Sun Fog Rain\, an exhibition of new paintings by Sara Maculloch. This will be her fourth solo exhibition with the gallery. An opening reception will be held on January 15 from 6-8pm. \nSara MacCulloch is a landscape painter who paints in order to capture the transient experiences of nature. She paints seasonally\, leaving her home in Toronto for the familiar vistas of Maine and Nova Scotia where she grew up. Summer days immersed in nature provide necessary relief from the challenges of today’s world.  As Maculloch says\, “Finding solace even in the bad weather\, in the skies made opaque from fog or forest fire smoke\, in the rain\, or despite the drought\, in the hot sun.” \nAll the small changes in time of day\, weather\, plant growth\, and shoreline variations interest her. With photos and sketches\, she absorbs the subtleties and feelings of a specific landscape and a specific experience. \nIn the fall\, she returns to her studio to paint. She paints with deliberation\, commits to each brushstroke strategically\, and completes most paintings in one sitting. If\, occasionally\, a painting doesn’t work in a day or two\, she scrapes it away and starts over.  Intuitive\, sensual brush strokes and a creamy palette create a sense of immediacy and clarity.  The resulting paintings are a distillation of the experience and an invitation to enter these spaces and share a precise moment. \nSara MacCulloch is based in Toronto and studied painting at the Nova Scotia College of Art and Design. She exhibits extensively throughout Canada and  work is represented in various public and private collections including TD Bank\, Mayo Clinic\, Bank of Montreal\, the Art Gallery of Nova Scotia\, University of Toronto\, University of Iowa\, Department of Foreign Affairs\, Royal Bank of Canada\, and Gotlands Kunstmuseum\, SE. She has also received numerous grants and awards including the Canada council for the Arts and the Brucebo Scholarship in Gotland\, Sweden. \n  Save  
URL:https://artinamericaguide.com/event/sara-macculloch-sun-fog-rain/
LOCATION:179 10th Ave\, 179 10th Ave\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260108T180000
DTEND;TZID=America/New_York:20260221T200000
DTSTAMP:20260416T120837
CREATED:20251208T211309Z
LAST-MODIFIED:20251208T211309Z
UID:115347-1767895200-1771704000@artinamericaguide.com
SUMMARY:Susan Dory | Inner Weather
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present Inner Weather\, a series of new works by Susan Dory. In her sixth solo exhibition with the gallery\, Dory continues her long-standing investigation into interconnectivity and perception through a dynamic interplay of color\, transparency\, and layered form. \nIn Inner Weather\, Dory’s biomorphic and linear shapes congregate and reorganize in intricate\, structured patterns. Each composition emerges from color: this series centers on radiant reds\, oranges\, and yellows\, tones that the artist describes as an act of optimism and hope. Dory has also introduced more translucent pigments into her process\, combining acrylic paint with a transparent varnish to produce a luminous\, “seeing through” effect that suggests movement and transformation. \nWorking in a studio suffused with natural light\, Dory is attuned to the shifts of shadow and reflection that traverse her workspace throughout the day. As sunlight rakes across her canvases—laid flat on sawhorses—shadows distort and reform\, leaving traces that she translates into painted form. These ephemeral impressions of light and negative space become an integral part of her compositions\, transforming fleeting environmental moments into lasting visual structures. \nFurthermore\, Dory draws on the irregular geometries of gerrymandered maps\, expanding them into a broader meditation on impermanence. These shifting boundaries along with the movement of light and shadow serve as markers that anchor an ongoing inquiry into the temporary states that define our experience. Each painting becomes an artifact of this investigation: a singular object that compresses months of decision-making\, revision\, and fleeting perception into a single encounter. Unlike a film or novel that unfolds over time\, Dory’s paintings offer its entire history at once\, revealing the accumulation of moments that brought it into being. \nDory’s meticulous layering process creates both a physical and temporal depth. Each layer acts as a record of time\, allowing viewers to peer through one form and into another\, evoking the constant flux of perception. The resulting surfaces are at once pristine and tactile\, inviting contemplation on how memory\, observation\, and sensation continuously overlap. For Dory\, the layered compositions in Inner Weather serve as repositories of experience—a visual metaphor for the fluid nature of temporal landscapes. \nSusan Dory was born in Oklahoma City\, OK and currently works and resides in Seattle\, WA. She studied at Iowa State University in Ames\, IA where she received a Bachelor’s of Arts. Dory has received both national and local awards including the Pollock-Krasner Foundation Grant\, the Netty Award\, the Willard R. Espy Foundation Artist-In-Residence Fellowship and the Ballinglen Art Foundation Fellowship in Ballycastle\, County Mayo\, Ireland. Dory’s works have been featured in The Seattle Times\, Art in America and Blouin Art Info. Her work is held in numerous public collections including The Tacoma Art Museum\, Ballinglen Museum of Contemporary Art\, the U.S. Embassy and the Seattle Arts Commission Collection. \n  Save  
URL:https://artinamericaguide.com/event/susan-dory-inner-weather/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
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ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com
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END:VEVENT
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