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BEGIN:VEVENT
DTSTART;VALUE=DATE:20231208
DTEND;VALUE=DATE:20261207
DTSTAMP:20260407T094127
CREATED:20240522T193731Z
LAST-MODIFIED:20240522T193731Z
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SUMMARY:Isaac Julien: Lessons of the Hour — Frederick Douglass
DESCRIPTION:Sir Isaac Julien’s moving image installation Lessons of the Hour (2019) interweaves period reenactments across five screens to create a vivid picture of nineteenth-century activist\, writer\, orator\, and philosopher Frederick Douglass. Through critical research\, fictional reconstruction\, and a marriage of poetic image and sound\, Julien asserts Douglass’ enduring lessons of justice\, abolition\, and freedom that remain just as relevant today. \nLessons of the Hour features passages from Douglass’ key speeches\, including the titular “Lessons of the Hour\,” “What to the Slave Is the Fourth of July?” and “Lecture on Pictures.” \nJulien weaves together reenacted scenes from Douglass’ life and lectures\, filming at his historic home in Washington\, DC\, and a restaged studio of famed Black photographer J.P. Ball (1825–1904) as he makes a portrait of Douglass. Images of contemporary Baltimore—the city where Douglass was enslaved and escaped from bondage in 1838—including footage of fireworks and protests in 2015 following the death of Freddie Gray\, Jr. while in police custody\, are interspersed as the struggle to make good on America’s promise of equality continues. \nLessons of the Hour was jointly acquired by SAAM and the National Portrait Gallery in 2023. The 28-minute work debuted for Washington audiences December 8\, 2023\, and remains on public view through the 250th anniversary of the founding of the United States in 2026. \n  Save  
URL:https://artinamericaguide.com/event/isaac-julien-lessons-of-the-hour-frederick-douglass/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250307T110000
DTEND;TZID=America/New_York:20271231T180000
DTSTAMP:20260407T094127
CREATED:20250224T180514Z
LAST-MODIFIED:20250224T180514Z
UID:112255-1741345200-1830276000@artinamericaguide.com
SUMMARY:Tending and Dreaming: Stories from the Collection
DESCRIPTION:Tending and Dreaming: Stories from the Collection launches the first dedicated collection galleries at the Museum. Providing unprecedented access to core works in San José’s only publicly held art collection\, SJMA’s collection galleries position artists as storytellers to imagine the Museum as a space where culture and meaning are actively made and always in process.  \nOrganized into thematic groupings\, Tending and Dreaming offers poetic starting points for engaging with ideas woven through the works of almost fifty artists from the Bay Area and beyond\, including  Ruth Asawa\, Martha Atienza\, Shilpa Gupta\, Yolanda López\, and Elias Sime\, among many others.  \n  Save  
URL:https://artinamericaguide.com/event/tending-and-dreaming-stories-from-the-collection/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20250919T100000
DTEND;TZID=America/Denver:20260510T170000
DTSTAMP:20260407T094127
CREATED:20250123T201026Z
LAST-MODIFIED:20250123T201026Z
UID:111745-1758276000-1778432400@artinamericaguide.com
SUMMARY:“Tell Clyfford I Said ‘Hi’”: An Exhibition Curated by Children of the Colville Confederated Tribes
DESCRIPTION:“Tell Clyfford I Said ‘Hi’”: An Exhibition Curated by Children of the Colville Confederated Tribes is a collaborative exhibition co-curated with youth from the Colville Confederated Tribes in Washington State\, on view from September 19\, 2025–May 10\, 2026\, at the Clyfford Still Museum. It highlights the perspectives of Colville children on Clyfford Still’s depictions of their ancestors and their home\, as well as his abstract works. Installed in all nine of the Museum’s galleries\, this exhibition investigates six themes identified by our co-curators: Family & Culture\, Connection\, Storytelling\, Wilderness\, Love\, and Paint & Color. \nClyfford Still Museum’s curatorial and education staff worked with young children (ages three years to fourteen years old) and teachers from partner schools and childcare centers on the Colville Confederated Tribes Reservation on every level of the exhibition\, including artwork selection and arrangement\, object interpretation and gallery text\, and interactive space. \nThis exhibition continues CSM’s efforts to foster engagement with its collections by sharing authority on Still’s work with the Museum’s critical communities and is an occasion to bridge various gaps—physical\, cultural\, metaphorical—that exist between Indigenous communities and the traditional art museum space. \nBackground and Development \nWhile working as an instructor at the Washington State College Fine Arts Department\, Clyfford Still assisted in founding a summer art colony for WSC community members and became one of its first instructors in the summers of 1937 and 1938. Instructors held classes in Nespelem on the Colville Reservation and Toppenish on the Yakama Indian Reservation in Washington. The Clyfford Still Museum collections include three paintings on canvas\, over 85 drawings and sketches on paper\, nearly 20 documentary photographs\, and other archival ephemera documenting Still’s time in the area. These objects reveal how Still’s experiences with the Colville community profoundly impacted his work for years. \nWhile culturally distinct and diverse\, the twelve bands of the Confederated Tribes of the Colville Reservation—Chelan\, Chief Joseph Band of Nez Perce\, Colville\, Entiat\, Lakes\, Methow\, Moses-Columbia\, Nespelem\, Okanogan\, Palus\, San Poil\, and Wenatchi—share cultural practices and 1.4 million acres of land. Though CSM has focused past exhibitions and programs on Still’s work from Nespelem since 2013\, this exhibition seeks to extend and deepen CSM’s relationship with the Colville Tribal community. \nCo-curated with children in the Colville Confederated Tribes in northeastern Washington\, this exhibition explores Clyfford Still’s work through the perspectives of children\, some of whom are direct descendants of individuals Still portrayed in his art. “Tell Clyfford I Said ‘Hi’” centers young Indigenous voices by engaging them to collaboratively develop an exhibition that builds upon previous evaluation\, research\, and CSM exhibitions. \n  Save  
URL:https://artinamericaguide.com/event/tell-clyfford-i-said-hi-an-exhibition-curated-by-children-of-the-colville-confederated-tribes/
LOCATION:Clyfford Still Museum\, 1250 Bannock St.\, Denver\, CO\, 80204\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Clyfford Still Museum":MAILTO:press@clyffordstillmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260207T110000
DTEND;TZID=America/Los_Angeles:20260517T170000
DTSTAMP:20260407T094127
CREATED:20260109T153801Z
LAST-MODIFIED:20260109T153801Z
UID:115662-1770462000-1779037200@artinamericaguide.com
SUMMARY:Wallflowers
DESCRIPTION:Wallflowers is a dialogue across time centered on one of art history’s most underestimated genres: the floral still life. Bringing together eleven paintings from the Frye’s collection with newly commissioned wallpaper designs from eleven contemporary artists\, the exhibition explores how artists from the nineteenth century to the present have turned to floral imagery as fertile ground for experimentation and reinvention. \nThe floral still life genre has proven remarkably durable\, capable of holding centuries’ worth of ideas about beauty\, impermanence\, social class\, and the shifting relationship between art and craft. Today\, contemporary artists continue to redeploy the floral as both image and symbol: an unassuming bouquet is actually neither quaint nor static\, but full of cultural memory\, and a site for subversive social critique. \nStructured to mimic the delights of navigating a cultivated garden\, Wallflowers oscillates between discrete paintings and immersive patterns\, between contemplation and exuberance. The selected works tell a broader story of industrialization\, design\, and modernism’s ongoing flirtation with the decorative\, and celebrate the ability of artists to invest familiar forms with fresh meaning. \n  Save  
URL:https://artinamericaguide.com/event/wallflowers/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/John-Marshall-Gamble_Chrysanthemums.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260305
DTEND;VALUE=DATE:20260522
DTSTAMP:20260407T094128
CREATED:20260226T200253Z
LAST-MODIFIED:20260310T180350Z
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SUMMARY:Unseen Layers
DESCRIPTION:“The most beautiful emotion we can experience is the mysterious. \nIt is the fundamental emotion that stands at the cradle of all true art and science.” \nAlbert Einstein \nfrom a 1931 essay\, included later in Ideas and Opinions and quoted by Eleanor Heartney in Unseen Layers catalogue. \n  \nRonald Feldman Gallery presents a series of new science-inspired paintings by Edwin Schlossberg\, marking his fifteenth solo exhibition with the gallery.  Compelled by his study of visual realms newly observed by scientists using innovative techniques and cutting-edge technology\, the works expound upon a broad range of subjects: biological and cosmic processes\, cellular emergence\, organic composition\, neural phenomenon\, and many others – all united by their alive-ness.  The artist approaches life’s activities from an expansive perspective\, where art\, science and humanity fundamentally interconnect\, and opportunities for crosspollination and renewal continually exist. \n  \nNotably\, Schlossberg considers each work a type of portrait\, with titles such as Portrait of Cells Dividing\, Portrait of Mouse Brain\, and Portrait of the Sun Shining.  At once corporeal and spiritual\, the paintings are made of luminous\, metallic colors with daubed or web-like compositions; the multiple paint layers applied to highly-reflective backgrounds portray structural\, life-supporting (or potentially life-threatening) entities. \nSchlossberg’s Making Visible will be played in the gallery’s street window.  The visionary\, 26:38 minute\, black and white video was commissioned by the Dilexi Foundation for public television in 1969.  The experimental work\, narrated by the artist and Buckminster Fuller\, is an essayistic exploration of the vast potential for electronic communication\, and embodies the promise of technology facilitating human interaction and understanding. \nThe exhibition is accompanied by a catalogue featuring contributors invited by Edwin Schlossberg and Lara Pan. The publication includes texts and reflections by John Alexander\, Céline Fribourg\, Steven Heller\, Eleanor Heartney\, Brett Littman\, Debbie Millman\, George Musser\, Lara Pan\, Rose Schlossberg\, Sasha Stiles\, Sacha Wade\, and Kevin Wade\, edited by Lara Pan. \n  \nEdwin Schlossberg has been represented by Ronald Feldman Gallery since 1978.  For over five decades\, he has worked across conventional and unconventional media to create visual and poetic worlds that bridge language\, image and perception.  His work has been exhibited widely in the United States and internationally and is included in major public and private collections\, including the Art Institute of Chicago\, the Solomon R. Guggenheim Museum\, the Metropolitan Museum of Art\, and the Museum of Modern Art.  In 2004\, he received the National Arts Club Medal of Honor\, and in 2011 he was appointed by President Barack Obama to the U.S. Commission of Fine Arts. \n  \nGallery hours are Tuesday through Thursday and Saturday\, 1-5pm (closed Saturday March 7th and April 4th) \nFor press and image inquiries\, contact Cat Zhou at (212) 226-3232 or catherine@feldmangallery.com \nReception: Thursday\, March 5\, 6-8pm\nPanel Discussion: Saturday March 28\, 5pm with Edwin Schlossberg\, Eleanor Heartney\, and George Musser\, moderated by Lara Pan \n  Save  
URL:https://artinamericaguide.com/event/unseen-layers/
LOCATION:Ronald Feldman Gallery\, 31 Mercer Street\, New York\, NY\, 10013\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/02/Schlossberg-Portrait-of-Mouse-Brain-2023.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260416T180000
DTEND;TZID=America/New_York:20260530T180000
DTSTAMP:20260407T094128
CREATED:20260325T165103Z
LAST-MODIFIED:20260325T165103Z
UID:116098-1776362400-1780164000@artinamericaguide.com
SUMMARY:Jinie Park | Twins
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present\, Twins\, an exhibition featuring a new body of work by Jinie Park. In her debut solo exhibition with the gallery\, Park paints thinly layered\, translucent assemblages of linen\, muslin\, and hand-woven fiber to explore materiality and activated space.  \n  Save  
URL:https://artinamericaguide.com/event/jinie-park-twins/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/03/Screenshot-2026-03-12-at-3.18.38-PM.jpg
ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com
GEO:40.7493621;-74.0047021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260416T180000
DTEND;TZID=America/New_York:20260530T180000
DTSTAMP:20260407T094128
CREATED:20260325T165355Z
LAST-MODIFIED:20260325T165355Z
UID:116102-1776362400-1780164000@artinamericaguide.com
SUMMARY:Stephanie Hirsch | Wherever You Go\, There You Are
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present\, Wherever You Go\, There You Are\, a series of beaded works by Stephanie Hirsch exploring emotional patterns and the inevitability of self. In her newest series\, Hirsch’s work is a meditation on the patterns we carry\, the stories we tell ourselves\, and the excuses we make as the same lessons repeat. \n  Save  
URL:https://artinamericaguide.com/event/stephanie-hirsch-wherever-you-go-there-you-are/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
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ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com
GEO:40.7493621;-74.0047021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260417T100000
DTEND;TZID=America/New_York:20260613T180000
DTSTAMP:20260407T094128
CREATED:20260325T165140Z
LAST-MODIFIED:20260325T165140Z
UID:116122-1776420000-1781373600@artinamericaguide.com
SUMMARY:Dalí: The Great Years\, 1929–1939
DESCRIPTION:Di Donna Galleries is pleased to present Dalí: The Great Years\, 1929–1939\, a major exhibition tracing the pivotal decade in which Dalí established both his mature artistic language and enduring public persona. It is the most significant presentation of Dalí’s work in New York since the Museum of Modern Art’s exhibition in 2008. \n  Save  
URL:https://artinamericaguide.com/event/dali-the-great-years-1929-1939/
LOCATION:Di Donna Galleries\, 744 Madison Avenue\, New York\, NY\, 10065\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Di Donna Galleries":MAILTO:info@didonna.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260417T100000
DTEND;TZID=America/New_York:20260613T180000
DTSTAMP:20260407T094128
CREATED:20260325T165312Z
LAST-MODIFIED:20260325T165312Z
UID:116116-1776420000-1781373600@artinamericaguide.com
SUMMARY:Dalí: The Great Years\, 1929–1939
DESCRIPTION:Di Donna Galleries is pleased to present Dalí: The Great Years\, 1929–1939\, a major exhibition tracing the pivotal decade in which Dalí established both his mature artistic language and enduring public persona. It is the most significant presentation of Dalí’s work in New York since the Museum of Modern Art’s exhibition in 2008. The exhibition is on view from April 16 through June 13\, 2026 at Di Donna’s Madison Avenue gallery. \n  Save  
URL:https://artinamericaguide.com/event/dali-the-great-years-1929-1939-2/
LOCATION:New York
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/03/02-Dali-Venus-de-Milo-aux-Tiroirs-Venus-de-Milo-with-Drawers-scaled.jpg
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