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DTSTART;VALUE=DATE:20231208
DTEND;VALUE=DATE:20261207
DTSTAMP:20260507T061852
CREATED:20240522T193731Z
LAST-MODIFIED:20240522T193731Z
UID:108575-1701993600-1796601599@artinamericaguide.com
SUMMARY:Isaac Julien: Lessons of the Hour — Frederick Douglass
DESCRIPTION:Sir Isaac Julien’s moving image installation Lessons of the Hour (2019) interweaves period reenactments across five screens to create a vivid picture of nineteenth-century activist\, writer\, orator\, and philosopher Frederick Douglass. Through critical research\, fictional reconstruction\, and a marriage of poetic image and sound\, Julien asserts Douglass’ enduring lessons of justice\, abolition\, and freedom that remain just as relevant today. \nLessons of the Hour features passages from Douglass’ key speeches\, including the titular “Lessons of the Hour\,” “What to the Slave Is the Fourth of July?” and “Lecture on Pictures.” \nJulien weaves together reenacted scenes from Douglass’ life and lectures\, filming at his historic home in Washington\, DC\, and a restaged studio of famed Black photographer J.P. Ball (1825–1904) as he makes a portrait of Douglass. Images of contemporary Baltimore—the city where Douglass was enslaved and escaped from bondage in 1838—including footage of fireworks and protests in 2015 following the death of Freddie Gray\, Jr. while in police custody\, are interspersed as the struggle to make good on America’s promise of equality continues. \nLessons of the Hour was jointly acquired by SAAM and the National Portrait Gallery in 2023. The 28-minute work debuted for Washington audiences December 8\, 2023\, and remains on public view through the 250th anniversary of the founding of the United States in 2026. \n  Save  
URL:https://artinamericaguide.com/event/isaac-julien-lessons-of-the-hour-frederick-douglass/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250307T110000
DTEND;TZID=America/New_York:20271231T180000
DTSTAMP:20260507T061852
CREATED:20250224T180514Z
LAST-MODIFIED:20250224T180514Z
UID:112255-1741345200-1830276000@artinamericaguide.com
SUMMARY:Tending and Dreaming: Stories from the Collection
DESCRIPTION:Tending and Dreaming: Stories from the Collection launches the first dedicated collection galleries at the Museum. Providing unprecedented access to core works in San José’s only publicly held art collection\, SJMA’s collection galleries position artists as storytellers to imagine the Museum as a space where culture and meaning are actively made and always in process.  \nOrganized into thematic groupings\, Tending and Dreaming offers poetic starting points for engaging with ideas woven through the works of almost fifty artists from the Bay Area and beyond\, including  Ruth Asawa\, Martha Atienza\, Shilpa Gupta\, Yolanda López\, and Elias Sime\, among many others.  \n  Save  
URL:https://artinamericaguide.com/event/tending-and-dreaming-stories-from-the-collection/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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GEO:37.3327419;-121.8905201
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=San Jose Museum of Art 110 S. Market Street San Jose CA 95113 United States;X-APPLE-RADIUS=500;X-TITLE=110 S. Market Street:geo:-121.8905201,37.3327419
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260417T100000
DTEND;TZID=America/New_York:20260613T180000
DTSTAMP:20260507T061852
CREATED:20260325T165140Z
LAST-MODIFIED:20260325T165140Z
UID:116122-1776420000-1781373600@artinamericaguide.com
SUMMARY:Dalí: The Great Years\, 1929–1939
DESCRIPTION:Di Donna Galleries is pleased to present Dalí: The Great Years\, 1929–1939\, a major exhibition tracing the pivotal decade in which Dalí established both his mature artistic language and enduring public persona. It is the most significant presentation of Dalí’s work in New York since the Museum of Modern Art’s exhibition in 2008. \n  Save  
URL:https://artinamericaguide.com/event/dali-the-great-years-1929-1939/
LOCATION:Di Donna Galleries\, 744 Madison Avenue\, New York\, NY\, 10065\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Di Donna Galleries":MAILTO:info@didonna.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260417T100000
DTEND;TZID=America/New_York:20260613T180000
DTSTAMP:20260507T061852
CREATED:20260325T165312Z
LAST-MODIFIED:20260325T165312Z
UID:116116-1776420000-1781373600@artinamericaguide.com
SUMMARY:Dalí: The Great Years\, 1929–1939
DESCRIPTION:Di Donna Galleries is pleased to present Dalí: The Great Years\, 1929–1939\, a major exhibition tracing the pivotal decade in which Dalí established both his mature artistic language and enduring public persona. It is the most significant presentation of Dalí’s work in New York since the Museum of Modern Art’s exhibition in 2008. The exhibition is on view from April 16 through June 13\, 2026 at Di Donna’s Madison Avenue gallery. \n  Save  
URL:https://artinamericaguide.com/event/dali-the-great-years-1929-1939-2/
LOCATION:New York
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/03/02-Dali-Venus-de-Milo-aux-Tiroirs-Venus-de-Milo-with-Drawers-scaled.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260418
DTEND;VALUE=DATE:20260808
DTSTAMP:20260507T061852
CREATED:20260415T191117Z
LAST-MODIFIED:20260415T191117Z
UID:116255-1776470400-1786147199@artinamericaguide.com
SUMMARY:Benny Andrews: Migrants
DESCRIPTION:Michael Rosenfeld Gallery is pleased to present Benny Andrews: Migrants\, the gallery’s fourth solo exhibition celebrating the work of Benny Andrews (1930–2006). Created between 2004 and 2006\, The Migrant Series is the artist’s last body of work created before his death in November 2006. In the series\, Andrews traced three historical migration routes that connected to his own Black\, White\, and Cherokee ancestry: the Great Migration of the 20th century\, in which millions of Black Americans moved from the South to the North\, the 1930s Dust Bowl exodus from the Great Plains that was driven by environmental and economic hardship\, and the 19th century forced migration of Native Americans in what has become known as the Trail of Tears. By shedding light on human resilience amidst the injustices of history\, the series exemplifies Andrews’ humanist approach as an artist who recognized the power of history and sought to leverage the past to inform the future. \nLearn more \n  Save  
URL:https://artinamericaguide.com/event/benny-andrews-migrants/
LOCATION:Michael Rosenfeld Gallery\, 100 11th Ave\, New York\, NY\, New York\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/04/02.jpg
ORGANIZER;CN="Michael Rosenfeld Gallery":MAILTO:info@michaelrosenfeld.com
GEO:40.7460874;-74.0076191
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260514
DTEND;VALUE=DATE:20260621
DTSTAMP:20260507T061852
CREATED:20260506T181008Z
LAST-MODIFIED:20260506T181008Z
UID:116386-1778716800-1781999999@artinamericaguide.com
SUMMARY:Charles Ritchie: Drawings from a Room
DESCRIPTION:Kathryn Markel Fine Arts in collaboration with BravinLee Programs is pleased to announce Drawings from a Room\, an exhibition of new works on paper by Charles Ritchie. This will be his first solo exhibition with the gallery and a reception will be held on May 21st\, 6-8pm. \n\nCharles Ritchie’s intimate watercolor and ink drawings are the result of sustained attention to his immediate surroundings: details of his neighbors’ homes and yards\, and vignettes of his lived-in rooms. For more than forty years\, his suburban Maryland neighborhood has been his muse\, though light remains his essential subject. \n\n\nMany of these drawings take shape over the course of many years. Ritchie explains\,”My inspirations come in a flash and I hope to convey that initial excitement. When I begin to work\, I am often dependent on the ephemeral: a slant of light\, a certain season\, a subject in a temporary state. When the state passes\, I often put the work aside until it reappears. However\, by the time the drawing is finished\, the site may be vastly different than when I started; trees have come down\, houses have new additions\, etc. The exhibited work is an abstracted accumulation of many different experiences and events.” \n\nRitchie’s drawings move beyond what a camera can offer. His respect for detail is patient and precise. The ordinariness of the everyday becomes suffused with tenderness. Vast amounts of information is contained in these small works\, and their intimate scale invites the viewer to look closely\, to explore the details of spaces familiar and transformed. It is Ritchie’s careful attention\, and then our own\, that transforms the ordinary into something of wonder. \n\nCharles Ritchie has exhibited his watercolor and ink drawings in public and private galleries throughout the United States and Asia.  His works are in such prestigious collections as the Baltimore Museum of Art\, The Metropolitan Museum of Art\, the Boston Public Library\, the Philadelphia Museum of Art\, the New York Public Library\, and the Yale University Art Gallery.  The work is in many private collections such as the Cartin Collection and the Louis-Dreyfus Collection. https://vimeo.com/1004168821 \n  Save  
URL:https://artinamericaguide.com/event/charles-ritchie-drawings-from-a-room/
LOCATION:179 10th Ave\, 179 10th Ave\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260521
DTEND;VALUE=DATE:20260628
DTSTAMP:20260507T061852
CREATED:20260506T181008Z
LAST-MODIFIED:20260506T181008Z
UID:116390-1779321600-1782604799@artinamericaguide.com
SUMMARY:Mary Didoardo: Short Story
DESCRIPTION:Kathryn Markel Fine Arts is pleased to announce an upcoming exhibition of new paintings by Mary Didoardo titled Short Story.  This is her third solo exhibition with the gallery. A reception for the artist will be held on May 21st from 6-8pm. \n\nMary Didoardo builds her oil paintings on panel in accumulated layers\, then excavates them. After several painted passages\, she covers the surface with packaging tape and carries a gestural\, looping\, and often continuous line across it. The line is not a single passage but is often wiped away and redrawn until the gesture “feels right.” Only then is it cut\, slowly and deliberately\, as she follows that path with an X-Acto knife\, lifting the tape and removing the line from the surface.  The resulting channel is painted\, the surface covered again\, and the process repeated. When all of the tape is finally removed\, flakes of paint lift with it\, revealing earlier colors sealed beneath and exposing the full history of the painting. As the artist notes\, “ This process integrates and embeds the line and keeps it from being simply a design element. It draws the space. The many stages are visible and are there for the viewer to read. Consistent in most of these paintings is the underlying evidence of previous stages of “failed paintings” rising to the surface through layers built up\, scraped down\, enriching the final version.”In the resulting compositions\, fields of bold color are activated by generous\, looping lines that hover between control and release. The lines read as instinctive\, but are in fact adjusted\, erased\, and painstakingly cut into place. The work meanders at the edge of chaos\, then settles into balance. That tension between intuition and labor\, gesture and incision\, is held in the physical presence of the surface. \n\nMary Didoardo lives and works in Long Island City. She received her BFA in Art Education from Pratt Institute where she studied Sculpture and Painting. Her work has been exhibited extensively in New York\, including at the Strohl Art Gallery at Chautauqua Institution\, White Columns\, the C.G Jung Foundation\, and the Painting Center. She is a recipient of the Enrico Donati Foundation Grant and a resident at the Millay Colony. \n  Save  
URL:https://artinamericaguide.com/event/mary-didoardo-short-story/
LOCATION:529 W 20th St. 6W\, 529 W 20th St. 6W\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260521
DTEND;VALUE=DATE:20260628
DTSTAMP:20260507T061852
CREATED:20260506T181008Z
LAST-MODIFIED:20260506T181008Z
UID:116394-1779321600-1782604799@artinamericaguide.com
SUMMARY:D. Jack Solomon
DESCRIPTION:Kathryn Markel Fine Arts is pleased to announce an upcoming exhibition of paintings by D. Jack Solomon titled  ALL IN GOOD TIME.  This is his first solo exhibition with the gallery and a reception will be held on May 21st from 6-8pm. \nSolomon’s newest paintings are complex\, richly colored geometric abstractions with a debt to Kandinsky and the Bauhaus. His traditional constructive sensibility is infused with personality and wit. Lines and circles create rhythm and movement\, while arbitrary geometric forms such as checkered spheres\, striped ovals\, and architectural fragments  float in and out of the canvas\, creating visual depth without illusionistic space. Many of these forms seem to develop personalities\, conversing across the canvas in a geometric language all their own. \nD. Jack Solomon has shown at numerous galleries nationally and internationally including Rolf Nelson Gallery\, LA; Jefferson Place Gallery\, Washington DC; James Yu Gallery\, NYC; Pam Adler Galleries\, NYC; and at Gallerie Taksu\, KL\, Malaysia. He has also exhibited widely in the Upstate New York and Berkshire regions including at John Davis Gallery\, Hudson NY; AD-D Gallery\, Hudson NY; and Carrie Haddad Gallery\, Hudson\, NY; ThompsonGiroux\, Chatham\, NY; Carrie Chen Gallery\, Great Barrington\, MA; The Albany Center Galleries\, Albany\, NY; 68 Prince Street\, Kingston NY; and Lockwood Gallery\, Kingston NY. Solomon is the recipient of the National Endowment for the Arts Individual Artist grant and the Pollock Krasner Foundation Grant for painting. He received his MA in painting from San Francisco State University. At 92 years of age Solomon is working in the studio most days. He resides in Hudson NY with his wife\, painter\, Jeanette Fintz. \n  Save  
URL:https://artinamericaguide.com/event/d-jack-solomon/
LOCATION:529 W 20th St. 6W\, 529 W 20th St. 6W\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/05/5-REDUX-17-2024-30-X-3022-Acrylic-on-Canvas.jpg
ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260604T180000
DTEND;TZID=America/New_York:20260718T180000
DTSTAMP:20260507T061852
CREATED:20260506T181158Z
LAST-MODIFIED:20260506T181158Z
UID:116408-1780596000-1784397600@artinamericaguide.com
SUMMARY:Entangled
DESCRIPTION:Winston Wächter Fine Art is pleased to present Entangled\, an exhibition featuring works by Carolina Ponte\, Dinorá Justice and Livia Mourao. In this group exhibition\, the artists have come together to present a kaleidoscopic perspective of the ways in which the natural systems that we live in are enmeshed.  \nCarolina Ponte works in a variety of mediums\, including painting\, watercolor\, ceramics\, and crochet. Her work is centered on the idea of ornamentation embedded in everyday life and the enduring presence of traditional handcraft practices. Fascinated by the transformation of materials\, Ponte uses yarn and clay\, transforming them into installations and sculptures that pull each material out of their everyday context\, placing them prominently in the realm of fine art. As a result\, the works suggest a sense of uncontrolled growth\, with accumulations of color and pattern that\, at first\, may appear unreadable. However\, upon closer inspection\, the viewer may begin to recognize references drawn from natural forms. \nWorking with acrylic on canvas\, Livia Mourao builds her paintings through densely layered application of color. Rather than recreating a specific place in each piece\, her goal is to evoke a sense of it—something more intuitive than descriptive. Blending imagined and remembered landscapes\, her paintings suggest fragments of forests\, though not entirely real ones\, enmeshing environments\, human experience\, and sensory impressions—each shaping and influencing the other rather than existing in isolation. These paintings are inspired by places including Rio de Janeiro\, Florianopolis and Parati\, and reflect how natural systems are deeply interconnected\, not just ecologically but through memory\, place\, and perception. \nDinorá Justice’s paintings emerge from a base layer of hand-marbled designs in organic patterns reminiscent of foliage\, veins\, and cellular structures. Figures and landscape intermingle\, outlined by textiles and plants\, in a visual language that embraces the entanglements of natural systems. Drawing from art historical references\, Justice explores the works of male artists to create connections with contemporary issues. For the works included in Entangled\, Justice was influenced by a recent residency in Vienna studying Gustav Klimt’s work. The artist finds parallels between Klimt’s decorative\, organic style and her own\, transformed into a vision of nature not as something to control or idealize but as a dynamic\, interwoven force central to our histories\, identities\, and shared future. \nIn Entangled\, Ponte\, Mourao and Justice unite to reflect on the ways in which tradition\, materiality and art history inform our presence in the world. Through different techniques and influences\, each artist transforms materials\, landscapes and figures\, emphasizing the fluidity of the human experience\, natural systems\, and how we are\, inevitably\, entangled. \n  Save  
URL:https://artinamericaguide.com/event/entangled/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2026/05/Screenshot-2026-05-05-at-12.15.45-PM-scaled.png
ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com
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