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DTSTART;TZID=America/New_York:20260604T110000
DTEND;TZID=America/New_York:20260604T190000
DTSTAMP:20260610T104110
CREATED:20260430T195846Z
LAST-MODIFIED:20260430T195846Z
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SUMMARY:Free First Thursday
DESCRIPTION:FREE FIRST THURSDAY \nThursday\, May 7\, 2026 \n11 am – 7 pm \nEnjoy FREE Museum admission and 2-for-1 All Day Happy Hour on the first Thursday of every month from 11 am to 7 pm during Free First Thursday. \nNEW! Free public tours at Noon. \n\n\n\nMINI MUSE \n4 – 6:30 pm \nGet creative with us during Mini Muse for our free drop-in art-making project offered from 4 – 6:30 pm. This drop-in art-making event is open to every skill set and all ages. Grab your friends\, family\, or come alone and let your imagination run wild. \nMaterials are provided\, and all are welcome. \n\nMini Muse us sponsored by Funding Arts Broward \n  Save  
URL:https://artinamericaguide.com/event/free-first-thursday/2026-06-04/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Event,Exhibition
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GEO:26.1194368;-80.1427657
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260521T173000
DTEND;TZID=America/Los_Angeles:20260521T200000
DTSTAMP:20260610T104110
CREATED:20260511T192735Z
LAST-MODIFIED:20260511T193206Z
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SUMMARY:Opening Reception - Sora Kimberlain\, "Through Your Eyes or Someone Else's"
DESCRIPTION:Renowned for her sculptural craft\, Sora Kimberlain engages deeply with marble\, a material she describes as both demanding and endlessly compelling. Formed over vast stretches of geological time\, marble carries a sense of history and resilience that informs her approach. Its simultaneous elegance and ruggedness present both challenges and rewards—qualities that continue to draw her into an ongoing dialogue with the stone. \nWorking with hand chisels alongside power and pneumatic tools\, Kimberlain approaches carving as a process of discovery\, extracting shapes from within the material\, seeking a passionate\, sensual form that can be experienced by the viewer. The resulting sculptures balance strength and fluidity\, revealing a sensitivity to both mass and movement. \nThis exhibition also features a series of works on paper that re-shape Kimberlain’s sculptural explorations and bring them within the realm of the two dimensional. These works translate her methodical physical process into a more immediate\, energetic form of line and color that adds an expressionistic voice to the connection. Together\, the sculptures and works on paper create a cohesive presentation\, illuminating the interconnected nature of her practice. \nBy placing these mediums in conversation\, Kimberlain invites viewers to consider how form evolves across material boundaries. \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-sora-kimberlain-through-your-eyes-or-someone-elses/
LOCATION:Wessling Contemporary\, 39 Grant Avenue\, San Francisco\, CA\, 94108\, United States
CATEGORIES:Event,Exhibition
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DTSTART;TZID=America/New_York:20260515T180000
DTEND;TZID=America/New_York:20260515T200000
DTSTAMP:20260610T104110
CREATED:20260507T200731Z
LAST-MODIFIED:20260511T152433Z
UID:116439-1778868000-1778875200@artinamericaguide.com
SUMMARY:In Dialogue with the Art of Benny Andrews
DESCRIPTION:Please join us for a conversation with artists Maria de Los Angeles and William Villalongo\, moderated by Dean Daderko\, Chief Curator of the Contemporary Art Museum St. Louis. This panel discussion will explore connections between the artists’ practices and the work of Benny Andrews\, with a focus on process\, imagemaking\, and their shared meditation on histories of migration. \nSeating is limited\, RSVP to rsvp@michaelrosenfeld.com \n  Save  
URL:https://artinamericaguide.com/event/in-dialogue-with-the-art-of-benny-andrews/
LOCATION:Michael Rosenfeld Gallery\, 100 11th Ave\, New York\, NY\, New York\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Michael Rosenfeld Gallery":MAILTO:info@michaelrosenfeld.com
GEO:40.7460874;-74.0076191
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260509T120000
DTEND;TZID=America/New_York:20260509T133000
DTSTAMP:20260610T104110
CREATED:20260506T181119Z
LAST-MODIFIED:20260506T181119Z
UID:116332-1778328000-1778333400@artinamericaguide.com
SUMMARY:Creativity Exploration: Wander in Watercolor
DESCRIPTION:Inspired by the abstract paintings of Michelle Armas and Helen Frankenthaler\, wander through different approaches and techniques using watercolor painting and inks\, creating a colorful\, layered design. Activate play\, wonder\, and noticing through the intentional experimentation and exploration of working in watercolor. Creativity Exploration adult workshops promote the benefits of material exploration and the mind-to-body experience. “Research suggests that experiencing art and creativity\, even for a few minutes a day\, has tangible effects on our mental and physical health” (New York Times). In addition to producing a sense of well-being\, sessions expand participants’ perceptions of forms\, while increasing brain connectivity through visual and cognitive stimulation. The workshop is led by educator Lark Keeler\, a specialist in mindfulness education. Extend your sense of well-being after the class by visiting our galleries and the newly redesigned Huizenga Park\, located directly across Las Olas Blvd. Preregistration Required. Space is Limited. Creativity Exploration is sponsored by the Maurer Family Foundation. \n  Save  
URL:https://artinamericaguide.com/event/creativity-exploration-wander-in-watercolor/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Event,Exhibition
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ORGANIZER;CN="NSU Art Museum":MAILTO:moareservations@moafl.org
GEO:26.1194368;-80.1427657
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260507T110000
DTEND;TZID=America/New_York:20260507T190000
DTSTAMP:20260610T104110
CREATED:20260506T181119Z
LAST-MODIFIED:20260506T181119Z
UID:116323-1778151600-1778180400@artinamericaguide.com
SUMMARY:Free First Thursday
DESCRIPTION:Enjoy FREE Museum admission and 2-for-1 All Day Happy Hour on the first Thursday of every month from 11 am to 7 pm during Free First Thursday.\nMINI MUSE – 4:30 – 6:30 pm – Get creative with us during Mini Muse for our free drop-in art-making project offered from 4:30 – 6:30 pm. This drop-in art-making event is open to every skill set and all ages. Grab your friends\, family\, or come alone and let your imagination run wild.\nMaterials are provided\, and all are welcome.\n  Save  
URL:https://artinamericaguide.com/event/free-first-thursday-2/2026-05-07/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Exhibition
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GEO:26.1194368;-80.1427657
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DTSTART;TZID=America/New_York:20260507T110000
DTEND;TZID=America/New_York:20260507T190000
DTSTAMP:20260610T104110
CREATED:20260430T195845Z
LAST-MODIFIED:20260430T195845Z
UID:116312-1778151600-1778180400@artinamericaguide.com
SUMMARY:Free First Thursday
DESCRIPTION:FREE FIRST THURSDAY \nThursday\, May 7\, 2026 \n11 am – 7 pm \nEnjoy FREE Museum admission and 2-for-1 All Day Happy Hour on the first Thursday of every month from 11 am to 7 pm during Free First Thursday. \nNEW! Free public tours at Noon. \n\n\n\nMINI MUSE \n4 – 6:30 pm \nGet creative with us during Mini Muse for our free drop-in art-making project offered from 4 – 6:30 pm. This drop-in art-making event is open to every skill set and all ages. Grab your friends\, family\, or come alone and let your imagination run wild. \nMaterials are provided\, and all are welcome. \n\nMini Muse us sponsored by Funding Arts Broward \n  Save  
URL:https://artinamericaguide.com/event/free-first-thursday/2026-05-07/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Event,Exhibition
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ORGANIZER;CN="NSU Art Museum":MAILTO:moareservations@moafl.org
GEO:26.1194368;-80.1427657
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NSU Art Museum 1 E Las Olas Blvd Fort Lauderdale FL 33301 United States;X-APPLE-RADIUS=500;X-TITLE=1 E Las Olas Blvd:geo:-80.1427657,26.1194368
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260502T110000
DTEND;TZID=America/New_York:20260502T170000
DTSTAMP:20260610T104110
CREATED:20260506T181119Z
LAST-MODIFIED:20260506T181119Z
UID:116307-1777719600-1777741200@artinamericaguide.com
SUMMARY:Museums on Us
DESCRIPTION:Complimentary Admission for Card Holders and Employees\n\n\nBank of America\, Merrill Lynch and U.S. Trust credit and debit cardholders receive free access to over 200 institutions. Cardholders will receive free admission on the first full weekend of each month. Cardholders need only present their card and a photo ID to gain free general admission. The promotion doesn’t include access to special exhibits\, ticketed shows\, or fundraising events. \n\n\n\nDATE: Saturday\, May 2\, 2026 | Sunday\, May 3\, 2026\nTIME: Saturday: 11 am – 5 pm | Sunday: Noon – 5 pm\nCOST: FREE to Bank of America\, Merrill Lynch and U.S. Trust credit and debit cardholders. Free admission applies to the cardholder only\, not to any additional guests.\nLOCATION: NSU Art Museum Fort Lauderdale\n\n  Save  
URL:https://artinamericaguide.com/event/museums-on-us/2026-05-02/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="NSU Art Museum":MAILTO:moareservations@moafl.org
GEO:26.1194368;-80.1427657
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DESCRIPTION:Complimentary Admission for Card Holders and Employees\n\n\nBank of America Merrill Lynch and U.S. Trust credit and debit cardholders receive free access to over 200 institutions. Cardholders will receive free admission on the first full weekend of each month. Cardholders need only present their card and a photo ID to gain free general admission. The promotion doesn’t include access to special exhibits ticketed shows or fundraising events. \n\n\n\nDATE: Saturday May 2 2026 | Sunday May 3 2026\nTIME: Saturday: 11 am – 5 pm | Sunday: Noon – 5 pm\nCOST: FREE to Bank of America Merrill Lynch and U.S. Trust credit and debit cardholders. Free admission applies to the cardholder only not to any additional guests.\n NSU Art Museum Fort Lauderdale\n\n  Save  ;X-APPLE-RADIUS=500;X-TITLE=1 E Las Olas Blvd:geo:-80.1427657,26.1194368
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260430
DTEND;VALUE=DATE:20260608
DTSTAMP:20260610T104110
CREATED:20260417T194927Z
LAST-MODIFIED:20260417T195403Z
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SUMMARY:José-Ricardo Presman
DESCRIPTION:Amos Eno Gallery is pleased to present A Mountain Overlooking a Home by the Lake – The Creation of Time from the State of Duration\, a solo exhibition by artist José-Ricardo Presman. Presman was among the founding artists who established Amos Eno Gallery in 1974\, making this exhibition both a continuation of a decades-long relationship and a reflection on the evolving concerns of his practice. \nIn this new body of work\, Presman explores the relationship between perception\, time\, and scale — drawing connections between the intimate spaces of human awareness and the vastness of the cosmos. The exhibition unfolds as a contemplative installation of canvas panels layered with diluted acrylic pigments that reveal themselves slowly\, shifting as viewers spend time with the surface. \nPresman’s paintings resist immediate readability. Instead\, subtle tonal variations and restrained color fields emerge gradually\, inviting viewers into an extended act of looking. The works operate less as static images than as perceptual environments — spaces where attention itself becomes part of the experience. \nThe exhibition’s title references philosophical ideas about time and duration\, particularly the notion that reality is in constant flux. Presman approaches each exhibition as an opportunity to begin again\, deliberately avoiding stylistic repetition in order to reflect this sense of continual transformation. The resulting works encourage viewers to move beyond habitual ways of seeing and engage the work through sustained attention and imagination. \nThe exhibition also includes a related video component and a forthcoming live musical performance by composer Damien Olsen Berdichevsky\, extending Presman’s investigation of rhythm\, perception\, and time across multiple sensory registers. \nOver five decades after helping to found Amos Eno\, Presman’s latest exhibition reflects both the continuity of his philosophical inquiry and its ongoing evolution. \nThe gallery will celebrate the exhibition with an opening reception on Friday\, May 1\, from 6 to 8 p.m. Works and installation images will be available to view on Artsy. \nAbout the Artist \nJosé-Ricardo Presman was born and raised in Buenos Aires\, Argentina\, and received his MFA from Pratt Institute in Brooklyn\, NY. He is one of the co-founders of the Amos Eno Gallery in 1974\, and has exhibited in numerous solo shows at Amos Eno Gallery in New York and in various group shows throughout the US and Canada. A complete list of exhibitions is available in his CV upon request. \nAbout Amos Eno Gallery \nAmos Eno Gallery has been a fixture in the New York art scene since 1974 when it opened in Soho. The nonprofit space  is open Thursdays through Sundays from noon to 6 p.m. and run by a community of professional artists from New York City and across the country\, along with a part-time director. ​ \nThe gallery is located at 191 Henry Street between Jefferson and Clinton Streets on the Lower East Side of Manhattan. It’s a 5 minute walk from the F Train’s East Broadway Station and a 10 minute walk from the J Train’s Delancey Street – Essex Street Station. \nAmos Eno Gallery’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \nAmos Eno Gallery is also funded in part thanks to the generosity of the Joseph Roberts Foundation. \n  Save  
URL:https://artinamericaguide.com/event/jose-ricardo-presman/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Amos Eno Gallery":MAILTO:amosenogallery@gmail.com
GEO:40.7057864;-73.9331373
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260430
DTEND;VALUE=DATE:20260608
DTSTAMP:20260610T104110
CREATED:20260417T194927Z
LAST-MODIFIED:20260417T194927Z
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SUMMARY:"In Translation" Group Show
DESCRIPTION:In Translation brings together five artists whose works examine how inherited systems — linguistic\, biological\, algorithmic\, political\, and ritual — shape identity and belonging. Across drawing\, painting\, sculpture\, and collage\, the exhibition asks how forms are received and remade: to be patterned by forces larger than the self\, and to respond by constructing new visual languages. \nCurated by gallery director Ellen Sturm Niz\, the exhibition traces a shared tension between origin and invention — between what is given and what is built in response. Each artist engages a distinct system of transformation\, from cultural displacement and personal syntax to painterly fracture\, algorithmic logic\, and political interference. Translation emerges here not as loss\, but as a generative act — a process of absorbing disturbance and reconstituting it as meaning. \nAt a moment when identity is increasingly mediated by technology\, migration\, and political division\, the question of how meaning is constructed — and who constructs it — feels newly urgent. In Translation responds by foregrounding artists who do not simply receive these systems\, but actively reshape them. \nReception: Friday\, May 1\, from 6 to 8 p.m. \nArtists & Works in the Exhibition \nZoë Elena Moldenhauer \nZoë Elena Moldenhauer is a New York–based artist who received her BFA from the Maryland Institute College of Art (2019) and an MA from New York University (2022). She is the founder of The Aerogramme Center for Arts and Culture\, an online platform supporting artists and writers\, and maintains a studio at Brooklyn Art Cluster. \nSince 2017\, Moldenhauer has developed a personal alphabet rooted in her experience as a Guatemalan transracial adoptee — a tool for constructing identity in the absence of inherited language or culture. The system continues to evolve\, incorporating Nahuatl\, pictorial languages from the Nazca lines in Peru\, and cave paintings from Serra da Capivara in Brazil. Using linoleum block printing on fabric\, she builds layered surfaces with yarn\, buttons\, zippers\, and wax crayon\, forming what she describes as imaginary constellations — a language that is both invented and deeply researched. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nComposition 3  |  2025  |  Screenprint\, zipper\, wax crayon\, plastic bread tags on fabric  |  12 × 20 in.  |  $300 \nTwo panels of vivid red fabric\, joined at the center by a zipper\, bear bold black screenprinted forms — abstracted figures or glyphs — surrounded by Moldenhauer’s evolving visual syntax and arrow-like notations in yellow and purple wax crayon. Small found objects punctuate the surface: a red button\, orange and green plastic bread tags. The zipper seam running across the middle feels structurally apt: two things held together\, translatable into each other\, always capable of coming apart. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nComposition 1  |  2025  |  Yarn\, buttons\, plastic bread tags\, wax crayon\, screenprint on fabric  |  21 × 19.5 in.  |  $300 \nMade in Rio de Janeiro in response to Brazil’s Tropicália Movement\, Composition 1 works in a quieter register — a dark fabric ground against which Moldenhauer’s coded system floats alongside loosely applied black shapes and thin wax crayon marks. Buttons and bread tags act as punctuation. The work resists legibility by design\, asking to be felt before it is read. \nAllison Pottasch \nAllison Pottasch is a Brooklyn-based artist who collages\, draws\, and paints. Trained in Advertising at Pratt Institute and largely self-taught\, she works with clippings from magazines and historical mass media\, transforming them into what she describes as hieroglyphic characters. \nHer maximalist collages reassemble these fragments into dense visual systems that examine contemporary Americana — exploring sexuality and gender\, religion and mysticism\, and cultural and personal identity. Removed from their original context\, the images invite viewers to activate their own visual memory to construct meaning. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRangoli  |  2025  |  Paper collage  |  11 × 17 in.  |  $1\,200 \nSet against a ground of layered\, torn black paper\, Pottasch’s collage unfolds along a strict bilateral axis — the symmetry of a mandala or altar. At its center\, a dense horizontal band of fragments — crowns\, leopards\, religious iconography\, botanical forms\, and unmistakably American consumer imagery — is assembled into a form of unexpected ceremony. The traditional Indian rangoli\, typically made as an offering of welcome\, is here reconstructed from the detritus of print culture. The logic of accumulation becomes ceremonial\, transforming disposable imagery into a structure of attention and care. \nOlga Rudenko \nOlga Rudenko is a Ukrainian-born artist based in New York City\, trained in stone and wood carving and holding a Master’s degree in the history of philosophy. Working across sculpture\, textiles\, painting\, and digital language\, she examines how human identity is reshaped by ideology and technology. \nHer project AI_Augmented_Iconography merges Orthodox religious imagery — halos\, gold leaf\, frontal stillness — with algorithmic code\, emojis\, and scientific notation. Rooted in lived experience of cultural and personal transformation\, the work considers how technological systems alter perception\, relationships\, and the body. Slow processes like embroidery act in deliberate opposition to digital speed\, while the recurring child figure underscores the fragility of human life. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n<!–edited–> #3   |  2024  |  Silicone dolls\, cotton\, embroidery\, sequins\, ink\, mirrors  |  34 × 20 × 18 in.  |  $10\,000 \nA cluster of soft\, stuffed figures — childlike in form\, unsettling in implication — hangs suspended against overlapping black mirror discs. Every surface is covered in embroidered and inked genetic notation: CRISPR\, mRNA\, scissor symbols\, DNA base-pair letters. The body becomes a readable document — legible to an algorithm. Where Orthodox iconography once marked the body as sacred\, here it is rendered as code. The work asks what individuality means when reproduction is systematized and the script of life is written elsewhere. \nSasha Skulinets \nSasha Skulinets is a Ukrainian-born painter and filmmaker based in New York. Working across painting and narrative film\, she examines perception and the construction of point of view. \nHer paintings\, made primarily with acrylic on canvas and wood\, evolve through layering\, pouring\, and erasure\, emphasizing surface\, duration\, and the physical negotiation of form. The surface records what has been added\, removed\, and reworked\, locating meaning in the accumulation of time and process\, where images are continually translated through material change. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWhile the World Decays  |  2025  |  Acrylic on canvas  |  36 × 48 × 1.5 in.  |  $1\,600 \nA dark vertical stroke bisects the canvas\, splitting a bruised\, atmospheric field of lavender\, blue\, teal\, ochre\, and red into near-mirror halves. Layers of erasure and reapplication remain visible in the surrounding surface. Here\, translation emerges through paint itself — the unified image fracturing under pressure into something less resolved\, more contingent. The palette carries the weight of the title: these are not colors of resolution. \nChristopher Squier \nChristopher Squier is a New York–based visual artist who holds an MFA in Sculpture from the San Francisco Art Institute. Working across drawing\, writing\, and installation\, he explores optics and the role of light in contemporary visual culture\, framing vision as both historically shaped and politically contested. \nHis Disturbances series draws on a mid-century physics experiment visualizing light as wave interference\, using these patterns as a framework for understanding how perception is shaped by overlapping political and social forces\, including sound\, architecture\, and embodied experience. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDisturbances No. 22 (Troubadours)  |  2025  |  Colored pencil on Bristol vellum  |  17 × 11 in.  |  Framed  | $1\,500 \nMade following a trip to Guanajuato\, Mexico\, this drawing layers delicate Gothic-inspired ironwork — drawn from the city’s balconies — over a central interference pattern of concentric white rings radiating across a soft blue and lavender field. Diagonal lines cut through the composition like wave trajectories; a prismatic triangle glows with spectral color; a botanical sprig curls near the surface. Here\, interference becomes grounded in lived conditions — sound moving through streets\, bodies gathering in public space\, presence insisting on itself. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDisturbances No. 19 |  2023  |  Colored pencil on Bristol vellum  |  17 × 11 in.  |  Framed  |  $1\,500 \nPart of the same series\, this drawing extends Squier’s investigation of interference into the realm of sound. Inspired by time spent in Milan\, the work connects the vibration of light to sonic experience — footsteps echoing in humid air\, architectural acoustics\, and the internal mechanics of hearing itself. The composition draws from specific sites\, including the ear-shaped intercom of Casa Sola Busca and the staircase of Villa Necchi\, while staging a dialogue between interior and exterior space\, and between visual and sensory perception. \nTessellation (The Lighthouse\, Unfolded) | 2026 | Colored pencil on Bristol vellum | 19 × 24 in. | Unframed | $2\,200 \nA larger\, in-progress work\, Tessellation (The Lighthouse\, Unfolded) expands Squier’s interest in optical systems through the geometry of a deconstructed Fresnel lens translating its structure into a dense\, flattened field with a hypnotic\, tessellated structure. \nAbout The Project Space at Amos Eno \nIn Translation is on view at The Project Space\, Amos Eno’s experimental exhibition space in the cellar\, from April 30 through June 7\, 2026. \nThe gallery is open from 12 p.m. – 6 p.m. Thursdays through Sundays. Please note there is a steep staircase to access this area. \n\n\n\n\n\n  Save  
URL:https://artinamericaguide.com/event/in-translation-group-show/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Amos Eno Gallery":MAILTO:amosenogallery@gmail.com
GEO:40.7057864;-73.9331373
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amos Eno Gallery 191 Henry Street New York NY 10002 United States;X-APPLE-RADIUS=500;X-TITLE=191 Henry Street:geo:-73.9331373,40.7057864
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260426T120000
DTEND;TZID=America/New_York:20260426T170000
DTSTAMP:20260610T104110
CREATED:20260506T181119Z
LAST-MODIFIED:20260506T181119Z
UID:116303-1777204800-1777222800@artinamericaguide.com
SUMMARY:Rob Pruitt’s Flea Market
DESCRIPTION:NSU Art Museum Fort Lauderdale brings Rob Pruitt’s Flea Market back to Fort Lauderdale for its encore on Sunday\, April 26. The internationally renowned contemporary artist has been staging his nomadic flea markets around the world since 1999\, in locations from New York to London’s Tate Gallery and at NSU Art Museum in 2021. Pruitt is inviting local artists to sell their art and wares during the one-day happening\, which will be held at NSU Art Museum (One East Las Olas Blvd.\, Fort Lauderdale\, FL). \nTaking the form of a traditional open-air bazaar\, Rob Pruitt’s Flea Market is an opportunity to meet artists and take home an original artwork in a relaxed atmosphere. By highlighting bartering and haggling as both economic and performative\, and featuring a diverse array of goods from artwork to housewares\, Pruitt’s Flea Market blurs the line between art and commerce. \nFree to the Public \n  Save  
URL:https://artinamericaguide.com/event/rob-pruitts-flea-market-2/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Art Fair,Event,Exhibition,Pop up
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ORGANIZER;CN="NSU Art Museum":MAILTO:moareservations@moafl.org
GEO:26.1194368;-80.1427657
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NSU Art Museum 1 E Las Olas Blvd Fort Lauderdale FL 33301 United States;X-APPLE-RADIUS=500;X-TITLE=1 E Las Olas Blvd:geo:-80.1427657,26.1194368
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260423T180000
DTEND;TZID=America/New_York:20260423T200000
DTSTAMP:20260610T104110
CREATED:20260408T184731Z
LAST-MODIFIED:20260415T194226Z
UID:116187-1776967200-1776974400@artinamericaguide.com
SUMMARY:Anthony Tarsitano Selected Works 2025-2026
DESCRIPTION:As beautiful as the world is\, it ain’t always pretty. New York based artist\, Anthony Tarsitano\, feels that perhaps this statement characterizes his upcoming premiere solo show at the Atlantic Gallery. \nSelected Works on Paper 2025-2026 is his perspective of the world\, revealed through a series of varied\, at times random\, subjects. Anthony\, also a filmmaker\, noted\, “Creating the pieces for this exhibit felt much like exploring the inner\, interpersonal\, and societal perspectives of a character in one of my films”. Figurative images are used to symbolically convey his point of view. The medium of Sumi ink on paper presents a simplified black and white palette\, producing blunt graphic imagery in an almost Rorschach-like form of communication. \nSince 2017 Anthony has exhibited in group shows in NYC at the Plaxall Gallery\, The Factory and Atlantic Gallery. Anthony is also a member of the Sumi-e Society of America and his work is currently exhibited in the 2025-26 Annual Show. Prior\, he received his BFA in Painting from CW Post\, showing his earlier paintings from New York to group shows in Los Angeles. Anthony continually experimented with new mediums; creating sound installations at BACA in NYC\, 500X Gallery in Dallas\, and in SoNo Connecticut\, to name a few. His creative path also led to filmmaking; writing\, directing and producing award-winning films with premieres at the Tribeca Film Festival\, Academy-qualifying festivals\, and on Paramount Showtime. \n  Save  
URL:https://artinamericaguide.com/event/anthony-tarsitano-selected-works-2025-2026-2/
LOCATION:Atlantic Gallery\, 548 W. 28th St\, #540\, New York\, 10001\, United States
CATEGORIES:Event,Exhibition
GEO:40.7515661;-74.0041872
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Atlantic Gallery 548 W. 28th St #540 New York 10001 United States;X-APPLE-RADIUS=500;X-TITLE=548 W. 28th St\, #540:geo:-74.0041872,40.7515661
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260423
DTEND;VALUE=DATE:20260531
DTSTAMP:20260610T104110
CREATED:20260417T194937Z
LAST-MODIFIED:20260417T194937Z
UID:116260-1776902400-1780185599@artinamericaguide.com
SUMMARY:Louisa Chase: The Eighties
DESCRIPTION:Berry Campbell is pleased to present Louisa Chase: The Eighties\, on view April 23 through May 30\, 2026. Marking the artist’s first exhibition with the gallery since announcing representation of her estate\, this exhibition features paintings and works on paper from the mid-1970s to the mid-1980s\, a pivotal and emotionally expressive period of Chase’s practice. This exhibition will be Chase’s largest and most comprehensive in New York City in over 25 years. \n  Save  
URL:https://artinamericaguide.com/event/louisa-chase-the-eighties/
LOCATION:Berry Campbell Gallery\, 524 W 26th Street\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Berry Campbell":MAILTO:em@berrycampbell.com
GEO:40.7488193;-74.0052789
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Berry Campbell Gallery 524 W 26th Street New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=524 W 26th Street:geo:-74.0052789,40.7488193
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260416T180000
DTEND;TZID=America/New_York:20260530T180000
DTSTAMP:20260610T104110
CREATED:20260325T165355Z
LAST-MODIFIED:20260325T165355Z
UID:116102-1776362400-1780164000@artinamericaguide.com
SUMMARY:Stephanie Hirsch | Wherever You Go\, There You Are
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present\, Wherever You Go\, There You Are\, a series of beaded works by Stephanie Hirsch exploring emotional patterns and the inevitability of self. In her newest series\, Hirsch’s work is a meditation on the patterns we carry\, the stories we tell ourselves\, and the excuses we make as the same lessons repeat. \n  Save  
URL:https://artinamericaguide.com/event/stephanie-hirsch-wherever-you-go-there-you-are/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
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ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Winston Wächter Fine Art 530 W 25th St New York New York 10001;X-APPLE-RADIUS=500;X-TITLE=530 W 25th St:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260416T180000
DTEND;TZID=America/New_York:20260530T180000
DTSTAMP:20260610T104110
CREATED:20260325T165103Z
LAST-MODIFIED:20260325T165103Z
UID:116098-1776362400-1780164000@artinamericaguide.com
SUMMARY:Jinie Park | Twins
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present\, Twins\, an exhibition featuring a new body of work by Jinie Park. In her debut solo exhibition with the gallery\, Park paints thinly layered\, translucent assemblages of linen\, muslin\, and hand-woven fiber to explore materiality and activated space.  \n  Save  
URL:https://artinamericaguide.com/event/jinie-park-twins/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/03/Screenshot-2026-03-12-at-3.18.38-PM.jpg
ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Winston Wächter Fine Art 530 W 25th St New York New York 10001;X-APPLE-RADIUS=500;X-TITLE=530 W 25th St:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260402
DTEND;VALUE=DATE:20260510
DTSTAMP:20260610T104110
CREATED:20260408T184656Z
LAST-MODIFIED:20260415T194119Z
UID:116179-1775088000-1778371199@artinamericaguide.com
SUMMARY:Jacquelyn Strycker: Pattern of a Pattern
DESCRIPTION:Kathryn Markel Fine Arts is pleased to announce Pattern of a Pattern\, an exhibition of new mixed media works on paper by Jacquelyn Strycker. This will be her first solo exhibition with the gallery.  A reception will be held on April 9th\, 6-8pm. \n  Save  
URL:https://artinamericaguide.com/event/jacquelyn-strycker-pattern-of-a-pattern/
LOCATION:Kathryn Markel Fine Arts\, 179 Tenth Avenue\, New York\, 10011\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/03/str046-scaled.jpg
ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260319
DTEND;VALUE=DATE:20260427
DTSTAMP:20260610T104110
CREATED:20260304T164457Z
LAST-MODIFIED:20260304T164457Z
UID:116034-1773878400-1777247999@artinamericaguide.com
SUMMARY:Nishiki Sugawara-Beda: Scale and Tonality
DESCRIPTION:Amos Eno Gallery\, a non-profit\, artist-run gallery\, is pleased to present Scale and Tonality\, a solo exhibition by artist Nishiki Sugawara-Beda\, featuring the new series of work\, KuroKuroShiro+. The exhibition will be on view from March 19 to April 26\, 2026\, with an opening reception on Friday\, March 20\, from 6 to 8 p.m. at the gallery at 191 Henry St. on New York’s Lower East Side. \nLive music by the renowned duo Shoko Nagai and Satoshi Takeishi\, inspired by Sugawara-Beda’s paintings\, will be performed on Thursday\, April 9 at 6 p.m.\, followed by an art discussion moderated by Kyoko Sato\, a New York-based curator and Editor-in-Chief and Publisher of Japan Contemporaries. A closing reception is also scheduled on Saturday\, April 25\, from 2 to 5pm. Works and installation images are available to view via Artsy. \nFor many years\, Sugawara-Beda researched and used Sumi ink in her works—a material traditionally used in East Asia for writing and drawing\, made from soot and animal glue. She has made her own Sumi by collecting organic materials to burn into soot from various locations across the world. The resulting paintings\, a series called KuroKuroShiro\, act as a stage for the fusing together of this traditional Japanese craft and matter sourced from specific places that she has been drawn to over the course of her life. \nFor Scale and Tonality\, she is debuting a brand-new body of work\, KuroKuroShiro+\, which she began in early 2024 with the invitation to artistically respond to Palo Duro Canyon in west Texas\, the second largest canyon in the U.S. Multiple visits to the canyon allowed her to touch\, feel\, and extract materials from the canyon system and create this series of work that incorporated the materials from Texas. In addition\, she collaborated with a New York-based composer\, pianist\, and accordionist\, Shoko Nagai\, who created two pieces of music after visiting the canyon with Sugawara-Beda. Springboarded from this experience\, Scale and Tonality explores how the titular themes intersect in both the visual and aural realms. Ultimately\, this exhibition explores the relationship between scales and tonalities across music and painting through the materials she has harvested and collected from her current home state\, Texas\, and her native country\, Japan. \nAmos Eno Gallery’s new\, narrow gallery space in Manhattan inspired Sugawara-Beda to envision this exhibition with a large-scale painting\, KuroKuroShiro+ Scale and Tonality\, consisting of 6 panels as the center piece and aiming to occupy the majority of the viewer’s field of vision. The viewer’s visual experience will be accompanied by music that guides them and highlights the notions of scale and tonality\, both physically in the space and visually in the painting. Sugawara-Beda notes that “tonality becomes a guide for the viewer to navigate the painting; in the music\, the tonal shifts will help navigate the painting—the observation of tonality is really to create a more meaningful\, engaged experience with the painting itself.” Through the monumentality of the painting\, as well as the recording of Nagai’s music that will play throughout the gallery\, Sugawara-Beda hopes to guide the viewer into new emotional depths of reflection. \nFor the live music event on April 9\, the layers of interpretations can be witnessed through this performance which is the ultimate culmination of the collaboration between the musician and the artist. For this project\, Sugawara-Beda said “this synthesis began when I interpreted the music by Nagai and the land to produce a series of work. Then in this live music event\, Nagai will interpret my large painting which was the result of my exploration of the relationship between the visual and aural\, specifically her music”. Therefore\, this event will be the cycle of interpretation through a multi-sensory experience both for the viewers and herself. \nScale and Tonality welcomes the viewers to be immersed both physically with a large-scale painting and aurally with the sound of Nagai’s music\, bringing Texas and Japan to New York City. \nAbout the Artist \nNishiki Sugawara-Beda is a Japan-born\, Japanese-American visual artist. Through her art\, she seeks to find the core of shared humanity\, connecting across space and time. To do this\, she centers traditional artistic methods from multiple cultures and foregrounds the origins of materials in her artworks. \nShe holds an MFA in Painting from Indiana University in Bloomington\, Indiana\, exhibits her work in solo and group exhibitions\, and lectures nationwide and abroad. Her works are in private and public collections including the Dallas Museum of Art (TX) and the Dennos Museum (MI). Currently\, she is an Associate Professor and Cox Family Endowed Professor of Painting and Drawing at Southern Methodist University in Dallas\, Texas. \nAbout Amos Eno Gallery \nAmos Eno Gallery has been a fixture in the New York art scene since 1974 when it opened in Soho. The gallery is open Thursdays through Sundays from noon to 6 p.m. and is run by a small community of professional artists\, both from New York City and across the country\, and a part-time director. ​ \nAmos Eno Gallery’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \nAmos Eno Gallery is also partially funded thanks to the generosity of the Joseph Roberts Foundation. \n  Save  
URL:https://artinamericaguide.com/event/nishiki-sugawara-beda-scale-and-tonality/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Amos Eno Gallery":MAILTO:amosenogallery@gmail.com
GEO:40.7057864;-73.9331373
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amos Eno Gallery 191 Henry Street New York NY 10002 United States;X-APPLE-RADIUS=500;X-TITLE=191 Henry Street:geo:-73.9331373,40.7057864
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260317T140000
DTEND;TZID=America/New_York:20260317T143000
DTSTAMP:20260610T104110
CREATED:20260218T163632Z
LAST-MODIFIED:20260218T163632Z
UID:115862-1773756000-1773757800@artinamericaguide.com
SUMMARY:Gallery Talk: American Works of Art at the 250th
DESCRIPTION:From late January to early July 2026\, curator of American art Horace D. Ballard will lead a series of gallery talks to coincide with the 250th anniversary of the signing of the Declaration of Independence. Each talk will closely examine a work of art that speaks to the historical\, social\, and political contexts that continue to shape the events and ideas of the United States within the broader context of the colonial and political framework of the Americas. Please note that each month\, the work of art experienced will change. \nThis gallery talk is part of our New on View series\, highlighting recent gallery installations and presenting new insights into recent acquisitions or old favorites. \nLed by:\nHorace D. Ballard\, Theodore E. Stebbins\, Jr.\, Curator of American Art\, Division of European and American Art \nPlease check in with museum staff at the Visitor Services desk in the Calderwood Courtyard to request to join the gallery talk. Space is limited\, and talks are available on a first-come\, first-served basis; no registration is required. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-american-works-of-art-at-the-250th-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Exhibition
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ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260313T140000
DTEND;TZID=America/New_York:20260313T150000
DTSTAMP:20260610T104110
CREATED:20260304T164615Z
LAST-MODIFIED:20260304T164615Z
UID:116044-1773410400-1773414000@artinamericaguide.com
SUMMARY:Art in Context: An Informal History of Art Series led by Ariella Wolens\, Bryant-Taylor Curator
DESCRIPTION:Join us for part two of the three-part art history course presented by Ariella Wolens\, Bryant Taylor Curator\, designed for curious learners of all backgrounds. Held on the second Friday of each month\, continuing in March and April at 2 pm\, this lecture series offers a broad and accessible journey through the history of art. \nEach session builds chronologically\, beginning with the foundations of art history and moving through key movements\, ideas\, and artists\, concluding with contemporary and current-day practices. Through lively discussion\, images\, and curatorial insight\, participants will gain a deeper understanding of how art reflects and shapes the world across time. \nNo prior art history experience is required\, just curiosity and a willingness to explore. This casual\, three-part series invites participants to learn\, ask questions\, and connect across centuries of artistic expression. \nAdmission is free for members\, $16 per class for non-members. Space is limited. Preregistration Required. \nAriella Wolens \nAriella Wolens is Bryant-Taylor Curator at NSU Art Museum Fort Lauderdale\, where she has organized exhibitions including Jacqueline de Jong: Vicious Circles (2024-2025)\, Walasse Ting: Parrot Jungle (2023-2024) and Cosmic Mirrors: Haitian Art Highlights from the Collection (2023-2024). Wolens received her BA in Art History from University College London and master’s from Columbia University in Curating and Criticism of Modern Art. Prior to joining NSU Art Museum Fort Lauderdale\, Wolens served as Assistant Curator at SCAD Museum of Art in Savannah\, Georgia\, where she curated exhibitions of artists such as Sanford Biggers\, Raúl de Nieves\, Paulina Olowska\, Wong Ping and Rose B. Simpson. Her writings have appeared in publications such as Art in America\, Flash Art\, Gagosian Quarterly and Spike Art Magazine. \nImage: Édouard Manet\, Le Fifre (The Fifer)\, 1866\, Oil on canvas\, 63.1 x 38.1 inches\, Musée d’Orsay\, Paris. 01 \n  Save  
URL:https://artinamericaguide.com/event/art-in-context-an-informal-history-of-art-series-led-by-ariella-wolens-bryant-taylor-curator-2/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="NSU Art Museum":MAILTO:moareservations@moafl.org
GEO:26.1194368;-80.1427657
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NSU Art Museum 1 E Las Olas Blvd Fort Lauderdale FL 33301 United States;X-APPLE-RADIUS=500;X-TITLE=1 E Las Olas Blvd:geo:-80.1427657,26.1194368
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260312T180000
DTEND;TZID=America/New_York:20260312T200000
DTSTAMP:20260610T104110
CREATED:20260304T164715Z
LAST-MODIFIED:20260304T164715Z
UID:116030-1773338400-1773345600@artinamericaguide.com
SUMMARY:Functional Aesthetics: Contemporary Art in Use
DESCRIPTION:Functional Aesthetics: Contemporary Art in Use\nCurated by Raluca Anchidin\nMarch 10 – March 28\, 2026\nOpening Reception:\nThursday\, March 12\, 6 – 8 PM\nAtlantic Gallery is pleased to present Functional Aesthetics: Contemporary Art in Use\, curated by Raluca Anchidin\, on view March 10–28\, 2026. An opening reception for the artists will be held on Thursday\, March 12 from 6 to 8 PM. In addition to the reception\, the gallery will host a one-day Market Meets Salon event on Saturday\, March 14\, from 1 to 5 PM. \nFunctional Aesthetics: Contemporary Art in Use brings together inventive\, hand-made\, and uniquely designed works that expand the definition of functionality in contemporary art and everyday life. It explores the intersection of art\, craft\, and design: pottery that transforms into feel-good art\, wearables that double as sculpture\, furniture and light fixtures that merge aesthetic experimentation with everyday use. \nWith more than 50 artists participating\, the show becomes a collective statement: art does not need to hang at a distance to be meaningful. It can sit beside us\, illuminate our evenings\, hold our coffee\, frame our bodies. \nEach work asks: What does it mean for art to be used? \nFunctional Aesthetics celebrates objects that refuse to choose between beauty and utility. What connects them is not a single style or material\, but a shared belief that art can exist within daily life. Regular interaction changes how we experience these objects; they become companions rather than decorations. \nThe juror and curator\, Raluca Anchidin will award one artist the prize of Feature on the Atlantic Gallery website and in the gallery newsletter\, plus a one-week social media takeover of the Atlantic Gallery Instagram account\, at a future date. \nMarket Meets Salon  \nThe Saturday afternoon event is designed to bring the artworks to life\, turning the gallery into a living space shaped by the work itself. Visitors will be invited to converse with participating artists\, explore the works\, and connect with them — drinking from a ceramic cup\, trying on jewelry\, or sitting on a piece of furniture before making a purchase. \nThe program affirms that creativity is accessible to everyone and celebrates the vibrancy of functional art as both an autonomous artistic practice and a form of daily experience. \n  Save  
URL:https://artinamericaguide.com/event/functional-aesthetics-contemporary-art-in-use/
LOCATION:Atlantic Gallery\, 548 W. 28th St\, #540\, New York\, 10001\, United States
CATEGORIES:Exhibition
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GEO:40.7515661;-74.0041872
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Atlantic Gallery 548 W. 28th St #540 New York 10001 United States;X-APPLE-RADIUS=500;X-TITLE=548 W. 28th St\, #540:geo:-74.0041872,40.7515661
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260308T120000
DTEND;TZID=America/New_York:20260308T150000
DTSTAMP:20260610T104110
CREATED:20260310T172521Z
LAST-MODIFIED:20260310T172521Z
UID:116074-1772971200-1772982000@artinamericaguide.com
SUMMARY:"Under The Red Tent" Opening @ CAMP
DESCRIPTION:The Contemporary Art Modern Project is proud to announce our March exhibition in collaboration with Red Thread Art Studio Miami\, Under The Red Tent\, an immersive fiber exhibition that brings together artists whose practices engage thread and textile as tools of storytelling\, connection\, and resistance. Under The Red Tent opens with a brunch in celebration of International Women’s day Sunday\, March 8th and will be on view through Sunday\, April 26th. In alignment with The CAMP Gallery’s  emphasis on participation and dialogue\, Under The Red Tent incorporates a living oral-history archive that unfolds throughout the exhibition.  \nFounded by fiber artist Aurora Molina\, the Red Thread Art Studio Miami functions as both production space and cultural hub\, rooted in Miami’s rich landscape while maintaining a global outlook\, advancing textile-based practices as vital forms of contemporary artistic expression and civic dialogue. The exhibition takes its name from a book brought to the group by member Sarah Laing: The Red Tent by Anita Diamant. \n The novel centers on the red tent\, a sanctuary where women gather during menstruation and childbirth\, as a symbol of feminine community\, strength\, and generational wisdom. For this exhibition\, a collective of over twenty women have come together to reimagine the gallery as a contemporary sanctuary. Through performances\, activations\, and community gatherings\, participants are invited to share personal narratives that become integrated into an evolving audio component. The red tent invites us to enter a protected space of reflection and exchange\, to consider what flourishes when we give ourselves to building something together\, and to follow the thread.  \n  Save  
URL:https://artinamericaguide.com/event/under-the-red-tent-opening-camp-2/
LOCATION:The CAMP Gallery\, 791 NE 125 St\, Miami\, FL\, 33161\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2026/03/RedTent_Invite-2.png
ORGANIZER;CN="The Contemporary Art Modern Project":MAILTO:maria@thecampgallery.com
GEO:25.8434605;-80.1895077
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The CAMP Gallery 791 NE 125 St Miami FL 33161 United States;X-APPLE-RADIUS=500;X-TITLE=791 NE 125 St:geo:-80.1895077,25.8434605
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260305
DTEND;VALUE=DATE:20260522
DTSTAMP:20260610T104110
CREATED:20260226T200253Z
LAST-MODIFIED:20260310T180350Z
UID:115993-1772668800-1779407999@artinamericaguide.com
SUMMARY:Unseen Layers
DESCRIPTION:“The most beautiful emotion we can experience is the mysterious. \nIt is the fundamental emotion that stands at the cradle of all true art and science.” \nAlbert Einstein \nfrom a 1931 essay\, included later in Ideas and Opinions and quoted by Eleanor Heartney in Unseen Layers catalogue. \n  \nRonald Feldman Gallery presents a series of new science-inspired paintings by Edwin Schlossberg\, marking his fifteenth solo exhibition with the gallery.  Compelled by his study of visual realms newly observed by scientists using innovative techniques and cutting-edge technology\, the works expound upon a broad range of subjects: biological and cosmic processes\, cellular emergence\, organic composition\, neural phenomenon\, and many others – all united by their alive-ness.  The artist approaches life’s activities from an expansive perspective\, where art\, science and humanity fundamentally interconnect\, and opportunities for crosspollination and renewal continually exist. \n  \nNotably\, Schlossberg considers each work a type of portrait\, with titles such as Portrait of Cells Dividing\, Portrait of Mouse Brain\, and Portrait of the Sun Shining.  At once corporeal and spiritual\, the paintings are made of luminous\, metallic colors with daubed or web-like compositions; the multiple paint layers applied to highly-reflective backgrounds portray structural\, life-supporting (or potentially life-threatening) entities. \nSchlossberg’s Making Visible will be played in the gallery’s street window.  The visionary\, 26:38 minute\, black and white video was commissioned by the Dilexi Foundation for public television in 1969.  The experimental work\, narrated by the artist and Buckminster Fuller\, is an essayistic exploration of the vast potential for electronic communication\, and embodies the promise of technology facilitating human interaction and understanding. \nThe exhibition is accompanied by a catalogue featuring contributors invited by Edwin Schlossberg and Lara Pan. The publication includes texts and reflections by John Alexander\, Céline Fribourg\, Steven Heller\, Eleanor Heartney\, Brett Littman\, Debbie Millman\, George Musser\, Lara Pan\, Rose Schlossberg\, Sasha Stiles\, Sacha Wade\, and Kevin Wade\, edited by Lara Pan. \n  \nEdwin Schlossberg has been represented by Ronald Feldman Gallery since 1978.  For over five decades\, he has worked across conventional and unconventional media to create visual and poetic worlds that bridge language\, image and perception.  His work has been exhibited widely in the United States and internationally and is included in major public and private collections\, including the Art Institute of Chicago\, the Solomon R. Guggenheim Museum\, the Metropolitan Museum of Art\, and the Museum of Modern Art.  In 2004\, he received the National Arts Club Medal of Honor\, and in 2011 he was appointed by President Barack Obama to the U.S. Commission of Fine Arts. \n  \nGallery hours are Tuesday through Thursday and Saturday\, 1-5pm (closed Saturday March 7th and April 4th) \nFor press and image inquiries\, contact Cat Zhou at (212) 226-3232 or catherine@feldmangallery.com \nReception: Thursday\, March 5\, 6-8pm\nPanel Discussion: Saturday March 28\, 5pm with Edwin Schlossberg\, Eleanor Heartney\, and George Musser\, moderated by Lara Pan \n  Save  
URL:https://artinamericaguide.com/event/unseen-layers/
LOCATION:Ronald Feldman Gallery\, 31 Mercer Street\, New York\, NY\, 10013\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260226T180000
DTEND;TZID=America/New_York:20260226T200000
DTSTAMP:20260610T104110
CREATED:20260202T204925Z
LAST-MODIFIED:20260202T204925Z
UID:115735-1772128800-1772136000@artinamericaguide.com
SUMMARY:Andreas Kocks | Keep Your Eyes Open
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present Keep Your Eyes Open\, an exhibition featuring a series of new sculptural works by Andreas Kocks. In his sixth solo exhibition with the gallery\, Kocks carefully chooses materials and forms that reflect a balance of elements and activate space in relation to the viewer.   \n  \nKocks’ practice involves cutting\, layering and shaping metals and paper to form structured lines that activate light and shadow. Fascinated by the intersection of drawing and sculpture\, the line is a crucial part of Kocks’ work. More than a mere mark\, Kocks wields his materials to turn a drawn line into a physical gesture\, transforming the solid form to create cutouts\, hollowed spaces\, and warped three dimensional structures. This equality of positive and negative\, convex and concave\, is essential to Kocks’ practice\, reflecting the tension that is inherent to creating works of metal and paper structures. \n  \nThrough this use of metal\, Kocks’ expands the possibility of a traditional wall hanging\, allowing the works to merge with the environment and for the wall to become a part of the composition of each piece. For example\, some of his pieces have polished\, mirrorlike surfaces\, allowing the surrounding space to be reflected in the sculpture. His use of watercolor paper offers a similar opportunity. Kocks delicately builds up layers of paper that rest upon one another\, carving lines and shapes that create pockets of shadow\, warping as the location and surrounding light changes. In some works\, Kocks even places parts of the piece detached from the main structure\, with single elements literally jumping out of the constraints of the frame.  \n  \nIn Keep Your Eyes Open\, Kocks creates a dialogue between the artwork\, the viewer\, and the space that they are in. Each material is carefully chosen to engage negative spaces and surrounding frameworks\, thus drawing the viewer in closer\, creating a deep relationship to locality that is present in each piece. \n  \nBorn in Oberhausen\, Germany\, Andreas Kocks received his MFA in sculpture from the Kunstakademie Düsseldorf. His work has been featured in museum exhibitions worldwide including the Museum of Art and Design in New York\, Manchester Art Museum\, England\, the Museum August-Macke-Haus in Bonn\, Haus der Kunst Munich\, Germany\, and the Kerawa Art Museum in Helsinki\, Finland. In 2006 Kocks was awarded a Pollock-Krasner Foundation fellowship. In 2010 and 2011 he was a lecturing artist at the Savannah College of Art and Design in Lacoste\, France\, and in Atlanta and Savannah\, GA. He has received numerous commissions from private and public clients\, and his work has been written about in numerous publications\, including Art in America\, Architectural Digest\, Kunstforum\, Time Out\, Platinum Magazine and the Financial Times. After living in New York for over a decade\, Andreas is currently living and working in Munich\, Germany. \n  Save  
URL:https://artinamericaguide.com/event/andreas-kocks-keep-your-eyes-open/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
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ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Winston Wächter Fine Art 530 W 25th St New York New York 10001;X-APPLE-RADIUS=500;X-TITLE=530 W 25th St:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260226
DTEND;VALUE=DATE:20260427
DTSTAMP:20260610T104110
CREATED:20260226T210131Z
LAST-MODIFIED:20260409T173434Z
UID:116008-1772064000-1777247999@artinamericaguide.com
SUMMARY:Robert The: Book Work
DESCRIPTION:Artist Robert The creates sculptural works in which books are transformed with subversive wit and scrupulous invention. Often working with remaindered volumes that were part of large-scale mass-market editions\, the artist transfigures these objects through singular gestures such as through-slicing words and cutting out new iconic forms. Always uniquely appropriate to his source material\, the artist’s interventions have included turning a bible into a grenade and a Malevich monograph into a Kalashnikov. \nFor History of Art\, 2017\, The modifies a copy of H.W. Janson’s ubiquitous art history doorstopper by slicing ‘bristles’ into its leaved edge and affixing a broom handle to its spine. This remarkable sculptural hybrid could be designed for sweeping away the remnants of a dated art history—or reminding us of the alternate histories swept under the carpet by Janson’s grand narrative. \nWith The Illustrated Story of “O”\, 2005\, the artist highlights the violence at the core of the notorious “erotic” novel\, cutting a nested handgun through the book. As with all his work\, The’s disruptive gesture manages to hold the original book and its new form in an urgent\, engaging open conversation with one another. \nIn Philosophical Investigations\, 2017\, the artist cuts the word THIS all the way through a copy of Wittgenstein’s opus\, suggesting both an analog for indexical meaning\, as well as a counter to linguistic relativity through a gesture toward presentness. \nView the exhibition online here. \nWhile the precision of Robert The’s work suggests the use of die or laser-cut processes\, the works are in fact all directly cut by the artist. Playfully referring to his work as “precision vandalism”\, The prefers to avoid marks of the hand-crafted and high-end: his book works instead foreground the laser-like sharpness of their creator’s inventiveness. \n  \nRobert The studied philosophy and mathematics at the University of Wisconsin\, Madison\, and design at the Institute of Lettering and Design in Chicago. His work has been included in exhibitions at Yale University Art Gallery\, New Haven\, CT; the Bonner Kunstverein\, Bonn\, Germany; Momenta Art\, Brooklyn NY; Walker Art Center\, Minneapolis\, MN; Samuel Dorsky Museum of Art\, SUNY\, New Paltz\, NY; Center for Book Arts\, New York\, NY; and Parsons School of Design\, New York\, NY. The artist’s work can be found in the permanent collections of Los Angeles Museum of Contemporary Art\, Los Angeles\, CA; The Museum of Modern Art Artist Book Collection\, New York\, NY; New York Public Library\, Print Collection\, New York\, NY; Walker Art Center Library\, Minneapolis\, MN; Yale University Library\, Arts of the Book Collection\, New Haven\, CT; and Banff Centre Library\, Banff\, Alberta\, Canada\, among many others. \n  Save  
URL:https://artinamericaguide.com/event/robert-the-book-work/
LOCATION:JHB Gallery New York\, 26 Grove Street\, 4C\, New York\, NY\, 10014\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="JHB Gallery":MAILTO:info@jhbgallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260221T150000
DTEND;TZID=America/New_York:20260221T170000
DTSTAMP:20260610T104110
CREATED:20260120T172930Z
LAST-MODIFIED:20260120T172930Z
UID:115691-1771686000-1771693200@artinamericaguide.com
SUMMARY:Reading between the Brushstrokes: Imagery and Meaning in Italian Renaissance Painting
DESCRIPTION:While famous masterpieces such as the “Mona Lisa\,” the “Birth of Venus\,” and the “Sistine Chapel\, Ceiling” draw massive crowds in Italy\, most Italian Renaissance paintings in US museums are passed over for more readable\, recognizable\, and user-friendly 19th and/or 20th-century paintings. Museum-goers today often have a difficult time recognizing the characters\, knowing the theology\, identifying with the morality\, or understanding the function of most Italian Renaissance paintings. Dr. Rocky Ruggiero will “read between the brushstrokes” to explain the meaning behind the imagery of painted masterpieces from the Italian Renaissance. \nAdmission is free for members\, $16 per class for non-members. Space is limited. Preregistration Required. \nRocky Ruggiero has been a professor of Art and Architectural History since 1999. He received his BA from the College of the Holy Cross and a Master of Arts degree from Syracuse University\, where he was awarded a prestigious Florence Fellowship in 1996. He furthered his art historical studies at the University of Exeter\, UK\, where he received a Ph.D. in Art History and Visual Culture. \nIn addition to lecturing for various American universities in Florence\, Italy\, including Syracuse\, Kent State\, Vanderbilt\, and Boston College\, Rocky has starred in various TV documentaries concerning the Italian Renaissance. He recently appeared as an expert witness for NBC News\, as well as in the History Channel’s “Engineering an Empire: Da Vinci’s World” and “Museum Secrets: the Uffizi Gallery”\, and the recent NatGeo/NOVA PBS program on Brunelleschi’s dome entitled “Great Cathedral Mystery.” \nAfter living in Florence\, Italy\, for 20 years\, Rocky and his family moved to East Greenwich\, RI\, and he now divides his time between the US and Italy. \nRocky also shares his knowledge and love of Italian art as an academic advisory board member of the non-profit group Friends of Florence and as a frequent collaborator and lecturer for the Friends of the Uffizi Gallery\, both of which have provided funds for the restoration of numerous works of art throughout Florence. He also lectures and serves as a college liaison for the prestigious Jay Pritzker Academy in Siem Reap\, Cambodia. \nIf you or someone you know needs help registering\, please call 954-262-0204 or email museumeducation@nova.edu \n  Save  
URL:https://artinamericaguide.com/event/reading-between-the-brushstrokes-imagery-and-meaning-in-italian-renaissance-painting/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="NSU Art Museum":MAILTO:moareservations@moafl.org
GEO:26.1194368;-80.1427657
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NSU Art Museum 1 E Las Olas Blvd Fort Lauderdale FL 33301 United States;X-APPLE-RADIUS=500;X-TITLE=1 E Las Olas Blvd:geo:-80.1427657,26.1194368
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260219T173000
DTEND;TZID=America/New_York:20260219T200000
DTSTAMP:20260610T104110
CREATED:20260205T192323Z
LAST-MODIFIED:20260205T192323Z
UID:115792-1771522200-1771531200@artinamericaguide.com
SUMMARY:The Interior Wild
DESCRIPTION:The Interior Wild \nFebruary 17th – March 7th\, 2026 \nOpening Reception: \nThursday\, February 19th 5:30 – 8 PM \nAtlantic Gallery is very pleased to present\, The Interior Wild\, curated by Etty Yaniv. The Interior Wild invites artists to explore how feeling\, memory\, and perception take shape through connection with materials\, engagement with space\, and gestures of making. During this challenging time\, as our world undergoes significant shifts on multiple levels\, the exhibition emphasizes states of transformation—emotional\, physical\, and perceptual. Works may convey fluctuating mental states\, emotional tension\, biological processes\, or memory through texture\, repetition\, and form. \nThe Exhibition will be on view February 17th – March 7th\, 2026. An opening reception will be held for the artists on Thursday\, February 19th 5:30 – 8 PM. \nThe juror and curator\, Etty Yaniv\, will award one artist a grand-prize of a one-week solo show at Atlantic Gallery at a future date. \n  Save  
URL:https://artinamericaguide.com/event/the-interior-wild/
LOCATION:Atlantic Gallery\, 548 W. 28th St\, #540\, New York\, 10001\, United States
CATEGORIES:Exhibition
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GEO:40.7515661;-74.0041872
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Atlantic Gallery 548 W. 28th St #540 New York 10001 United States;X-APPLE-RADIUS=500;X-TITLE=548 W. 28th St\, #540:geo:-74.0041872,40.7515661
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260213T140000
DTEND;TZID=America/New_York:20260213T150000
DTSTAMP:20260610T104110
CREATED:20260127T172445Z
LAST-MODIFIED:20260127T172445Z
UID:115713-1770991200-1770994800@artinamericaguide.com
SUMMARY:Art in Context: An Informal History of Art Series led by Ariella Wolens\, Bryant-Taylor Curator
DESCRIPTION:Join us for an engaging and informal three-part art history course presented by Ariella Wolens\, Bryant Taylor Curator\, designed for curious learners of all backgrounds. Held on the second Friday of each month from February through April at 2:00 pm\, this lecture series offers a broad and accessible journey through the history of art. \nEach session builds chronologically\, beginning with the foundations of art history and moving through key movements\, ideas\, and artists\, concluding with contemporary and current-day practices. Through lively discussion\, images\, and curatorial insight\, participants will gain a deeper understanding of how art reflects and shapes the world across time. \nNo prior art history experience is required\, just curiosity and a willingness to explore. This casual\, three-part series invites participants to learn\, ask questions\, and connect across centuries of artistic expression. \nAdmission is free for members\, $16 per class for non-members. Space is limited. Preregistration Required. \nIf you or someone you know needs help registering\, please call 954-262-0204 or email museumeducation@nova.edu \nAriella Wolens is Bryant-Taylor Curator at NSU Art Museum Fort Lauderdale\, where she has organized exhibitions including Jacqueline de Jong: Vicious Circles (2024-2025)\, Walasse Ting: Parrot Jungle (2023-2024) and Cosmic Mirrors: Haitian Art Highlights from the Collection (2023-2024). Wolens received her BA in Art History from University College London and master’s from Columbia University in Curating and Criticism of Modern Art. Prior to joining NSU Art Museum Fort Lauderdale\, Wolens served as Assistant Curator at SCAD Museum of Art in Savannah\, Georgia\, where she curated exhibitions of artists such as Sanford Biggers\, Raúl de Nieves\, Paulina Olowska\, Wong Ping and Rose B. Simpson. Her writings have appeared in publications such as Art in America\, Flash Art\, Gagosian Quarterly and Spike Art Magazine. \nImage: Laocoön and His Sons\, c.40-30 BCE\, Marble\, 6 ft 10 in × 5 ft 4 in × 3 ft 8 in\, Vatican Museums\, Vatican City. \n  Save  
URL:https://artinamericaguide.com/event/art-in-context-an-informal-history-of-art-series-led-by-ariella-wolens-bryant-taylor-curator/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="NSU Art Museum":MAILTO:moareservations@moafl.org
GEO:26.1194368;-80.1427657
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NSU Art Museum 1 E Las Olas Blvd Fort Lauderdale FL 33301 United States;X-APPLE-RADIUS=500;X-TITLE=1 E Las Olas Blvd:geo:-80.1427657,26.1194368
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260212
DTEND;VALUE=DATE:20260315
DTSTAMP:20260610T104110
CREATED:20260210T204450Z
LAST-MODIFIED:20260210T204450Z
UID:115828-1770854400-1773532799@artinamericaguide.com
SUMMARY:Lilian Thomas Burwell: The Journey
DESCRIPTION:Berry Campbell is pleased to present Lilian Thomas Burwell: The Journey\, the gallery’s third exhibition of Lilian Thomas Burwell (b. 1927). On view from February 12 through March 14\, 2026\, The Journey examines the evolution of Burwell’s practice\, highlighting her evolution from two-dimensional painting into three-dimensional sculpture. The Journey brings together paintings\, wall sculptures\, and installations spanning the 1960s through the 2000s. Central to the exhibition is Burwell’s monumental installation\, Orison Piece (1982). This 24-piece installation is her largest work and marks a pivotal movement into an immersive environment\, in which sculptural viewers to move through and within. \nThe Journey reflects Burwell’s own articulation of her creative path. Both an artist and an art educator\, Burwell balanced teaching with her own studio practice\, viewing education as inseparable from artistic inquiry. Beginning with abstract painting in the early 1960s\, her work evolved into sculptural forms\, as she cut\, shaped\, and constructed wooden elements with painted canvas stretched over them\, creating works that move from the wall into physical space. Throughout her career\, Burwell has understood art as an evolutionary process rooted in intuition and material exploration\, a means of personal and collective survival as well as hope. \nIn recent years\, Burwell’s work has received renewed critical and institutional attention. In December 2022\, she was featured in the New York Times as the “Tom Brady of Artists\,” recognizing her continued artistic activity at the age of 95. In April 2022\, Burwell received a Lifetime Achievement Award from Howard University\, Washington\, D.C.\, where she was honored alongside Betye Saar and Dr. Alvia Wardlaw. Her work was also included in Magnetic Fields: Expanding American Abstraction\, 1960s to Today\, an intergenerational exhibition of 21 Black women abstract artists that traveled from the Kemper Museum of Contemporary Art\, Kansas City\, to the National Museum of Women in the Arts\, Washington\, D.C.\, and the Museum of Fine Arts\, St. Petersburg\, Florida. \nLilian Thomas Burwell: The Journey opens with a reception on February 12\, 2026\, from 6 to 8 pm and continues through March 14\, 2026. The exhibition is accompanied by a 56-page catalogue featuring an essay by Lilian Thomas Burwell\, originally appearing in her 1997 monograph\, The Journey\, published in conjunction with Hampton University Museum\, Virginia. \n  Save  
URL:https://artinamericaguide.com/event/lilian-thomas-burwell-the-journey/
LOCATION:Berry Campbell Gallery\, 524 W 26th Street\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Berry Campbell":MAILTO:em@berrycampbell.com
GEO:40.7488193;-74.0052789
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Berry Campbell Gallery 524 W 26th Street New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=524 W 26th Street:geo:-74.0052789,40.7488193
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260212
DTEND;VALUE=DATE:20260316
DTSTAMP:20260610T104110
CREATED:20260210T204436Z
LAST-MODIFIED:20260210T204436Z
UID:115832-1770854400-1773619199@artinamericaguide.com
SUMMARY:Matt Greco: More Cave Painting
DESCRIPTION:Amos Eno Gallery\, a non-profit\, artist-run space\, is pleased to present More Cave Painting\, a solo exhibition by Brooklyn-based artist Matt Greco. The exhibition brings together new and recent works that position myth not as ancient fantasy\, but as a living\, contemporary framework—one that continues to shape how we understand ourselves\, each other\, and the world we inhabit. \nGreco’s thinking aligns with ideas articulated by Joseph Campbell\, who argued that myth is not escapism but a lens through which people interpret lived experience. In More Cave Painting\, Greco treats myth in this way—not as something distant or fixed\, but as an active condition of daily life. “I’m never quite sure whether I discover myths or whether they discover me\,” he notes\, “but I’m drawn to the idea of living in the mythological—not the mythical\, but the mythological.” \nFor Greco\, myth is not about fantasy or nostalgia\, but about shared human patterns—stories that persist across cultures\, eras\, and belief systems because they speak to fundamental aspects of lived experience. At a moment defined by division\, acceleration\, and the erosion of shared narratives\, his work offers myth as a connective tissue rather than a relic. “This may seem counterintuitive in a world marked by such diversity and division\,” he writes\, “but it is precisely these myths—with their different places\, characters\, and creatures\, yet shared lessons—that speak to our common condition.” \nThe exhibition’s title points directly to Greco’s method. “I’m marking some myths by making a few more cave paintings\,” he explains\, “recording moments large and small—living in the mythological by scratching a bit of pigment into the rock.” This impulse to inscribe—to leave evidence of presence—runs throughout the work\, linking ancient modes of communication to present-day acts of remembrance and meaning-making. \nGreco’s practice is rooted in close observation. “I’m a student of human behavior—I can’t stop watching people: what they do\, how they act\, what they wear\, and how they hold themselves\,” he says. These observations intersect with his fascination for systems\, material processes\, and invisible forces\, resulting in works that balance curiosity with rigor\, and intuition with structure. \nEqually central is the act of making itself. “The preparation\, the hard work\, and the tactility of materials all speak to an amazement at how the world works\,” Greco reflects. In an era increasingly mediated by screens and algorithms\, his materially driven practice insists on slowness\, labor\, and physical presence. Through this synthesis of observation\, making\, and memory\, Greco’s work suggests that the ways we collaborate\, commemorate\, and construct meaning reveal how deeply interconnected we remain. As he notes\, “These reflections of ourselves—how we interact and collaborate—often show that we are more the same than we are different.” \nAbout the Artist \nMatt Greco is an artist and educator living and working in Brooklyn\, NY. He is an Assistant Professor of Photography & Imaging at Queens College\, CUNY; a co–principal investigator on MakeSTEAM Q\, an NSF-HSI funded project; and Co-founder and Faculty Supervisor of the Klapper Digital Imaging Lab and Digital Fabrication Lab at Queens College. \nGreco received his BFA from Armstrong Atlantic University and his MFA from Queens College\, CUNY. His work has been exhibited nationally and internationally\, including at Amos Eno Gallery (NY)\, The Museum of Arts and Design (NY)\, apexart (NY)\, The NY Studio Gallery (NY)\, The Telfair Museum of Art (GA)\, Gallery 126 (Ireland)\, The Beacon Gallery (CA)\, and The Baron Gallery (OH). He is also one half of the collaborative duo Damfino\, which focuses on public art projects rooted in traditional construction methods and reclaimed building materials. \nAbout Amos Eno Gallery \nAmos Eno Gallery has been a fixture in the New York art scene since 1974 when it opened in Soho. The gallery is open Thursdays through Sundays from noon to 6 p.m. and is run by a small community of professional artists\, both from New York City and across the country\, and a part-time director. ​ \n   \nAmos Eno Gallery’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n  Save  
URL:https://artinamericaguide.com/event/matt-greco-more-cave-painting/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Amos Eno Gallery":MAILTO:amosenogallery@gmail.com
GEO:40.7057864;-73.9331373
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amos Eno Gallery 191 Henry Street New York NY 10002 United States;X-APPLE-RADIUS=500;X-TITLE=191 Henry Street:geo:-73.9331373,40.7057864
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260207T110000
DTEND;TZID=America/Los_Angeles:20260517T170000
DTSTAMP:20260610T104110
CREATED:20260109T153801Z
LAST-MODIFIED:20260109T153801Z
UID:115662-1770462000-1779037200@artinamericaguide.com
SUMMARY:Wallflowers
DESCRIPTION:Wallflowers is a dialogue across time centered on one of art history’s most underestimated genres: the floral still life. Bringing together eleven paintings from the Frye’s collection with newly commissioned wallpaper designs from eleven contemporary artists\, the exhibition explores how artists from the nineteenth century to the present have turned to floral imagery as fertile ground for experimentation and reinvention. \nThe floral still life genre has proven remarkably durable\, capable of holding centuries’ worth of ideas about beauty\, impermanence\, social class\, and the shifting relationship between art and craft. Today\, contemporary artists continue to redeploy the floral as both image and symbol: an unassuming bouquet is actually neither quaint nor static\, but full of cultural memory\, and a site for subversive social critique. \nStructured to mimic the delights of navigating a cultivated garden\, Wallflowers oscillates between discrete paintings and immersive patterns\, between contemplation and exuberance. The selected works tell a broader story of industrialization\, design\, and modernism’s ongoing flirtation with the decorative\, and celebrate the ability of artists to invest familiar forms with fresh meaning. \n  Save  
URL:https://artinamericaguide.com/event/wallflowers/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/John-Marshall-Gamble_Chrysanthemums.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260207
DTEND;VALUE=DATE:20260405
DTSTAMP:20260610T104110
CREATED:20260205T191953Z
LAST-MODIFIED:20260210T223810Z
UID:115808-1770422400-1775347199@artinamericaguide.com
SUMMARY:William T. Williams: Word of Eye
DESCRIPTION:William T. Williams: Word of Eye is the debut presentation for a new series of paintings by William T. Williams (b.1942). The gallery’s fourth solo exhibition of the artist’s work\, the show includes eleven paintings created between 2024 and 2025. Imbued with a sense of monumentality that is expressed through their beauty\, compositional complexity\, and perceptual impact\, Williams states: “I wanted to make a body of work that demanded and would require a person looking and looking for a sustained amount of time. It’s not a 30 second pass\, its stopping\, looking\, inquiring\, and allowing the painting and the viewer to become one in the same.” \nLearn more \n  Save  
URL:https://artinamericaguide.com/event/william-t-williams-word-of-eye/
LOCATION:Michael Rosenfeld Gallery\, 100 11th Ave\, New York\, NY\, New York\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/02/William-T.-Williams.jpg
ORGANIZER;CN="Michael Rosenfeld Gallery":MAILTO:info@michaelrosenfeld.com
GEO:40.7460874;-74.0076191
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Michael Rosenfeld Gallery 100 11th Ave New York NY New York United States;X-APPLE-RADIUS=500;X-TITLE=100 11th Ave:geo:-74.0076191,40.7460874
END:VEVENT
END:VCALENDAR