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BEGIN:VEVENT
DTSTART;VALUE=DATE:20231208
DTEND;VALUE=DATE:20261207
DTSTAMP:20260821T192926
CREATED:20240522T193731Z
LAST-MODIFIED:20240522T193731Z
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SUMMARY:Isaac Julien: Lessons of the Hour — Frederick Douglass
DESCRIPTION:Sir Isaac Julien’s moving image installation Lessons of the Hour (2019) interweaves period reenactments across five screens to create a vivid picture of nineteenth-century activist\, writer\, orator\, and philosopher Frederick Douglass. Through critical research\, fictional reconstruction\, and a marriage of poetic image and sound\, Julien asserts Douglass’ enduring lessons of justice\, abolition\, and freedom that remain just as relevant today. \nLessons of the Hour features passages from Douglass’ key speeches\, including the titular “Lessons of the Hour\,” “What to the Slave Is the Fourth of July?” and “Lecture on Pictures.” \nJulien weaves together reenacted scenes from Douglass’ life and lectures\, filming at his historic home in Washington\, DC\, and a restaged studio of famed Black photographer J.P. Ball (1825–1904) as he makes a portrait of Douglass. Images of contemporary Baltimore—the city where Douglass was enslaved and escaped from bondage in 1838—including footage of fireworks and protests in 2015 following the death of Freddie Gray\, Jr. while in police custody\, are interspersed as the struggle to make good on America’s promise of equality continues. \nLessons of the Hour was jointly acquired by SAAM and the National Portrait Gallery in 2023. The 28-minute work debuted for Washington audiences December 8\, 2023\, and remains on public view through the 250th anniversary of the founding of the United States in 2026. \n  Save  
URL:https://artinamericaguide.com/event/isaac-julien-lessons-of-the-hour-frederick-douglass/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20250125T100000
DTEND;TZID=America/Denver:20250914T170000
DTSTAMP:20260821T192926
CREATED:20250123T201026Z
LAST-MODIFIED:20250123T201026Z
UID:111741-1737799200-1757869200@artinamericaguide.com
SUMMARY:Held Impermanence (Artists Select: Katherine Simóne Reynolds)
DESCRIPTION:The Clyfford Still Museum’s guest-curated exhibition\, Held Impermanence (Artists Select: Katherine Simóne Reynolds)\, illuminates multiple competing desires held in constant tension within the Museum. Organized by award-winning filmmaker\, artist\, and curator Katherine Simóne Reynolds\, the exhibition draws deeply on CSM’s collections. The exhibition runs from January 25–September 14\, 2025. \nAccording to Reynolds\, the collection testifies to Still’s ambitious attempt to keep his entire corpus intact. The commitment to the integrity of that body of work allows viewers to see not only the acclaimed masterpieces but also paintings made in painful transitions and others that bear the scars of time. Artworks change over time; their materials carry the stain of what conservators describe as inherent vice. Viewers see paintings that need to rest and heal\, bearing marks that suggest\, through their surfaces\, condition\, and textures\, metaphors of viscera\, bile\, and wounds. \nIn the Museum’s six largest galleries\, Reynolds’s exhibition asks viewers how they view healing over time\, respond with their bodies to this corpus\, and how they might approach Still’s achievements from a perspective that contends with his and their own senses of mortality—and with it\, a shared desire to hold impermanence. \nKatherine Simóne Reynolds is an artist\, scholar\, and curator who investigates emotional dialects and psychogeographies of Blackness within the Black Midwestern landscape. Her art physicalizes emotions and experiences through photo-based works\, film\, choreography\, sculpture\, and anxious writing practice. She has exhibited in national and international group and solo shows. \n  \nReynolds chose several paintings with condition issues to highlight the impact of conservation throughout the exhibition. She also selected a collection of archival photographs\, letters\, and notes to demonstrate the themes and emotions throughout the exhibition and two original archival objects. The Museum expands on exhibition content and Reynolds’ curatorial process in its free mobile guide on Bloomberg Connects. CSM also offers visitors two takeaway resources in the exhibition’s first gallery\, including Essays on Held Impermanence\, a companion booklet to the exhibition\, and Exploring Feelings and Art: A Family Guide. \nHeld Impermanence follows a chronological display of Still’s works in the Museum’s first three galleries. \n  Save  
URL:https://artinamericaguide.com/event/held-impermanence-artists-select-katherine-simone-reynolds/
LOCATION:Clyfford Still Museum\, 1250 Bannock St.\, Denver\, CO\, 80204\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/01/Guest-curator-Katherine-Simone-Reynolds_with_CSM-director-Joyce-Tsai-by-Fireside-Production-scaled.jpg
ORGANIZER;CN="Clyfford Still Museum":MAILTO:press@clyffordstillmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250307T110000
DTEND;TZID=America/New_York:20271231T180000
DTSTAMP:20260821T192926
CREATED:20250224T180514Z
LAST-MODIFIED:20250224T180514Z
UID:112255-1741345200-1830276000@artinamericaguide.com
SUMMARY:Tending and Dreaming: Stories from the Collection
DESCRIPTION:Tending and Dreaming: Stories from the Collection launches the first dedicated collection galleries at the Museum. Providing unprecedented access to core works in San José’s only publicly held art collection\, SJMA’s collection galleries position artists as storytellers to imagine the Museum as a space where culture and meaning are actively made and always in process.  \nOrganized into thematic groupings\, Tending and Dreaming offers poetic starting points for engaging with ideas woven through the works of almost fifty artists from the Bay Area and beyond\, including  Ruth Asawa\, Martha Atienza\, Shilpa Gupta\, Yolanda López\, and Elias Sime\, among many others.  \n  Save  
URL:https://artinamericaguide.com/event/tending-and-dreaming-stories-from-the-collection/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/02/2004.16_valdezpatssi_theimaginarygarden_FV_2.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250416T110000
DTEND;TZID=America/New_York:20250821T160000
DTSTAMP:20260821T192926
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113422-1744801200-1755792000@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-16/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250416T110000
DTEND;TZID=America/New_York:20251005T170000
DTSTAMP:20260821T192926
CREATED:20250403T185846Z
LAST-MODIFIED:20250403T185846Z
UID:112826-1744801200-1759683600@artinamericaguide.com
SUMMARY:Boren Banner Series: Tarrah Krajnak
DESCRIPTION:The Frye is proud to debut an all-new body of work from the internationally recognized artist Tarrah Krajnak. Known for work that blends photography\, performance\, and poetry\, Krajnak uses her body to reimagine and respond to iconic moments in photographic history and to challenge traditions of Western art history. With a keen instinct for the lyric as well as the political potential of image making\, Krajnak reshapes the boundaries of contemporary photography. \n  Save  
URL:https://artinamericaguide.com/event/boren-banner-series-tarrah-krajnak/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/04/BodyConfigurationsLima_01.jpg
ORGANIZER;CN="Frye Art Museum":MAILTO:info@fryemuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250417T110000
DTEND;TZID=America/New_York:20250822T160000
DTSTAMP:20260821T192926
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113423-1744887600-1755878400@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-17/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250419T110000
DTEND;TZID=America/New_York:20250824T160000
DTSTAMP:20260821T192926
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113424-1745060400-1756051200@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-19/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250422T110000
DTEND;TZID=America/New_York:20250827T160000
DTSTAMP:20260821T192926
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113425-1745319600-1756310400@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-22/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250423T110000
DTEND;TZID=America/New_York:20250828T160000
DTSTAMP:20260821T192926
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113426-1745406000-1756396800@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-23/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250424T110000
DTEND;TZID=America/New_York:20250829T160000
DTSTAMP:20260821T192926
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113427-1745492400-1756483200@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-24/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250426T110000
DTEND;TZID=America/New_York:20250831T160000
DTSTAMP:20260821T192926
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113428-1745665200-1756656000@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-26/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250429T110000
DTEND;TZID=America/New_York:20250903T160000
DTSTAMP:20260821T192926
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113429-1745924400-1756915200@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-29/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250524
DTEND;VALUE=DATE:20250907
DTSTAMP:20260821T192926
CREATED:20250530T145022Z
LAST-MODIFIED:20250613T201808Z
UID:113518-1748044800-1757203199@artinamericaguide.com
SUMMARY:JHB Gallery at Jetsam Studio
DESCRIPTION:JHB Gallery and Jetsam Studio are delighted to launch their summer 2025 season of art and design in Southampton\, New York\, with a new installation of contemporary artwork with modern and mid-century furniture\, lighting\, and ceramics. \nWe are excited to continue our partnership over the last five summers—and to be putting in place our program for 2025. We will be highlighting large-scale works including: Water Glasses and photographic abstracts by Amanda Means; Scott Morgan’s shimmering light-etched Surygrams; Mia Pearlman’s intricate and effervescent wall works in cut paper; Ellen Carey’s color-saturated experimental darkroom photography; classic gestural abstract painting by Mark Saltz; as well as remarkable contemporary jacquard tapestry works by Annette Cords. The artwork will be on view alongside contemporary furniture and design classics by the likes of Pierre Jeanneret\, René Gabriel and Charlotte Perriand. \nIn the summer of 2020\, the Jayne H. Baum Gallery started a unique partnership with designer Quinn Pofahl to exhibit the work of our gallery artists at his new 2\,000 square feet studio in the heart of Southampton Village on the East End of Long Island. During that first summer\, pandemic-deprived of shared cultural spaces\, the new venture provided a welcome site of intersection between art\, design\, and architecture. \nSituated at 58 Jobs Lane\, in Southampton\, Jetsam Studio is open Thursday through Monday—and by appointment. \n  \nPress Inquiries\nJHB Gallery / Jayne H. Baum \n26 Grove Street\, Suite 4C \nNew York\, NY 10014\nT: 212 255 9286 \nE: info@jhbgallery.com \n  \nJetsam Studio \n58 Jobs Lane\, Southampton\, NY 11968\nMonday\, and Thursday–Saturday 11am–5pm\nSunday 12–5pm \nAnd by appointment\nT: 631 488 4005 \nE: info@jetsamstudio.com \n  Save  
URL:https://artinamericaguide.com/event/jhb-gallery/
LOCATION:Jetsam Studio\, 58 Jobs Lane\, SOUTHAMPTON\, NY\, 11968\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/05/AC001_Annette_Cords_In_Other_Words_silver_DETAIL.jpg
ORGANIZER;CN="JHB Gallery":MAILTO:info@jhbgallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250628T110000
DTEND;TZID=America/New_York:20250928T170000
DTSTAMP:20260821T192926
CREATED:20250403T185846Z
LAST-MODIFIED:20250403T185846Z
UID:112817-1751108400-1759078800@artinamericaguide.com
SUMMARY:Hugh Hayden: American Vernacular
DESCRIPTION:In Hugh Hayden’s first solo museum presentation on the West Coast\, the complexities of identity\, desire\, and belonging are explored through meticulously crafted and darkly humorous wooden sculptures and multimedia installations. From tree bark-hewn designer shoes to basketball hoops woven from grain stalks\, the artist’s works reveal how everyday objects reflect the values and tensions of our society. Centered around thematic touchstones like athletics\, food\, fashion\, and childhood\, Hayden’s art provokes us to rethink the ordinary and explore how “vernacular” items carry multifaceted stories that encompass the joy\, pain\, and resilience woven into the fabric of American life. \n  Save  
URL:https://artinamericaguide.com/event/hugh-hayden-american-vernacular/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/04/HAYD240024_001.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250711T110000
DTEND;TZID=America/New_York:20260222T180000
DTSTAMP:20260821T192926
CREATED:20250224T180514Z
LAST-MODIFIED:20250224T180514Z
UID:112259-1752231600-1771783200@artinamericaguide.com
SUMMARY:Pao Houa Her: The Imaginative Landscape
DESCRIPTION:Pao Houa Her’s practice engages with the legacies\, potentials\, and aesthetics of landscape and portrait photography traditions\, examining the complex intertwining of desire\, homeland\, and artifice. Rooted in the experience of her Hmong community and shaped by family experiences and lore passed down by her elders\, Her’s work centers women as the knowledge bearers of both past and future. Using a formally rigorous photographic approach\, Her explores constructions of homeland that resonate across diasporas.  \nPao Houa Her: The Imaginative Landscape is an unconventional survey of over 20 years. Seen through the expansive titular series\, it traces conceptual ties between past series\, new work\, and work still under development\, connecting California agricultural landscapes to the jungles of Laos\, poppy fields in Minnesota\, and beyond. The exhibition is co-organized by Lauren Schell Dickens\, chief curator at SJMA\, and Jodi Throckmorton\, chief curator at John Michael Kohler Arts Center in Sheboygan\, Wisconsin\, and will be presented at both organizations simultaneously.  \n  Save  
URL:https://artinamericaguide.com/event/pao-houa-her-the-imaginative-landscape/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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GEO:37.3327419;-121.8905201
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=San Jose Museum of Art 110 S. Market Street San Jose CA 95113 United States;X-APPLE-RADIUS=500;X-TITLE=110 S. Market Street:geo:-121.8905201,37.3327419
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250711T110000
DTEND;TZID=America/New_York:20260222T180000
DTSTAMP:20260821T192926
CREATED:20250820T162604Z
LAST-MODIFIED:20250820T162604Z
UID:114300-1752231600-1771783200@artinamericaguide.com
SUMMARY:Pao Houa Her: The Imaginative Landscape
DESCRIPTION:Pao Houa Her’s practice engages with the legacies\, potentials\, and aesthetics of landscape and portrait photography traditions\, examining the complex intertwining of desire\, homeland\, and artifice. Rooted in the experience of her Hmong community and shaped by family experiences and lore passed down by her elders\, Her’s work centers women as the knowledge bearers of both past and future. Using a formally rigorous photographic approach\, Her explores constructions of homeland that resonate across diasporas. \nPao Houa Her: The Imaginative Landscape is an unconventional survey of over 20 years. Seen through the expansive titular series\, it traces conceptual ties between past series\, new work\, and work still under development\, connecting California agricultural landscapes to the jungles of Laos\, poppy fields in Minnesota\, and beyond. Her’s images are also dispersed across downtown San José in unexpected place—outside and indoors\, on walls and on screens—a reminder of the tenacity of diasporic communities flourishing throughout our city. \nThe exhibition is co-organized by Lauren Schell Dickens\, chief curator at SJMA\, and Jodi Throckmorton\, chief curator at John Michael Kohler Arts Center in Sheboygan\, Wisconsin\, and will be presented at both organizations simultaneously. \n  Save  
URL:https://artinamericaguide.com/event/pao-houa-her-the-imaginative-landscape-2/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/54254885621_c920238389_o.jpg
GEO:37.3327419;-121.8905201
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=San Jose Museum of Art 110 S. Market Street San Jose CA 95113 United States;X-APPLE-RADIUS=500;X-TITLE=110 S. Market Street:geo:-121.8905201,37.3327419
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250712T110000
DTEND;TZID=America/New_York:20251005T170000
DTSTAMP:20260821T192926
CREATED:20250403T185846Z
LAST-MODIFIED:20250403T185846Z
UID:112822-1752318000-1759683600@artinamericaguide.com
SUMMARY:Jamie Wyeth: Unsettled
DESCRIPTION:Jamie Wyeth’s painterly eye for tense\, cinematic storytelling is on full display in Unsettled\, the only West Coast venue for this nationally touring exhibition organized by the Brandywine Museum of Art. Featuring nearly fifty works\, this show unearths a darker side of Wyeth’s six-decade career\, tracing a throughline of unsettling imagery and emotional nuance often hidden beneath his more idyllic coastal views and farm scenes. From haunting portraits to supernatural landscapes\, Wyeth’s vivid compositions explore the ominous side of rural American environments spanning the rugged Maine coast to the forests of Pennsylvania. \n  Save  
URL:https://artinamericaguide.com/event/jamie-wyeth-unsettled/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/04/Bean-Boots-1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250712T110000
DTEND;TZID=America/Los_Angeles:20251005T170000
DTSTAMP:20260821T192926
CREATED:20250624T143711Z
LAST-MODIFIED:20250624T143724Z
UID:113782-1752318000-1759683600@artinamericaguide.com
SUMMARY:Jamie Wyeth: Unsettled
DESCRIPTION:Jamie Wyeth’s painterly eye for tense\, cinematic storytelling is on full display in Unsettled\, the only West Coast venue for this nationally touring exhibition organized by the Brandywine Museum of Art. Featuring nearly fifty works\, this show unearths a darker side of Wyeth’s six-decade career\, tracing a throughline of unsettling imagery and emotional nuance often hidden beneath his more idyllic coastal views and farm scenes. From haunting portraits to supernatural landscapes\, Wyeth’s vivid compositions explore the ominous side of rural American environments spanning the rugged Maine coast to the forests of Pennsylvania. \n  Save  
URL:https://artinamericaguide.com/event/jamie-wyeth-unsettled-2/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/06/Julia-0n-the-Swing_small.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250717
DTEND;VALUE=DATE:20250831
DTSTAMP:20260821T192926
CREATED:20250616T142734Z
LAST-MODIFIED:20250616T142734Z
UID:113692-1752710400-1756598399@artinamericaguide.com
SUMMARY:Ground Work\, Curated by Joey Lico
DESCRIPTION:Sean Kelly\, Los Angeles is delighted to present Ground Work\, a group exhibition organized by Los Angeles-based curator and Executive Director of The Cultivist\, Joey Lico. The exhibition brings together fifteen artists whose works respond to the material\, psychic\, and political dimensions of landscape. Anchored by Duchamp’s seminal photograph Dust Breeding\, 1920\, Ground Work considers the trace as a radical gesture\, foregrounding atmosphere\, residue\, and the weight of absence over pictorial representation. As Lico states\, the artists “gather materials touched by time—ashes\, dust\, silence\, memory—and offer us not declarations\, but traces. This is not a show about landscape. It is about what it means to inhabit one.” There will be an opening reception on Thursday\, July 17\, from 5 to 8pm. Curator Joey Lico and several of the featured artists will be present. \nGround Work unfolds through three thematic undercurrents: Traces of Passage\, Spatial Resistance\, and Temporal Compression. Taken on the surface of Marcel Duchamp’s The Large Glass\, Dust Breeding captures the entropy of material\, the residue\, and accumulation as a slow representation of time. It offers a conceptual and historical aperture for the exhibition\, introducing the idea that what we leave behind can speak louder than what we make. Through photography\, sculpture\, installation\, and painting\, the artists in Ground Work echo this ethos\, turning away from direct depiction to instead engage with memory\, pressure\, and transformation. \nArtists addressing the theme of Traces of Passage consider terrain as archive and absence as narrative. Harold Mendez’s works hold the imprint of migration\, labor\, and layered memory. Drawing from Latin American histories and cultural inheritance\, his practice is a quiet excavation—tracing resilience across geography and time. Dionne Lee’s silver gelatin prints layer fragility and resistance\, weaving diasporic placemaking into fractured geographies. Caleb Hahne Quintana paints atmospheric portraits suspended between memory and departure\, while Athena LaTocha embeds earth\, ash\, and ink into her monumental abstractions\, transforming the landscape into surface and scar. Cauleen Smith’s poetic photo-based works and sculptural interventions meditate on grief\, resistance\, and speculative care. \nSeveral artists demonstrate Spatial Resistance as they negotiate constraint and collapse in their work. Adrián S. Bará and Sofía Fernández Díaz use industrial and ephemeral materials to sculpt tension between structure and fragility\, form and failure. Jacqueline Kiyomi Gork’s installations transform the space through sculptural systems of sound and textiles\, creating a conceptual architecture imbued with spatial perception. Phaan Howng’s saturated post-landscape sculputres are rooted in speculative survival and ecological resistance. Maggie West’s immersive underwater projection\, lush with color and endangered marine life\, offers a crescendo of visual rupture and sensory immersion. \nTemporal Compression folds into form in the work of Rodrigo Valenzuela\, whose staged photographs of collapse interrogate labor\, construction\, and failure. Leslie Hewitt’s conceptual rigor lends gravitas to stillness\, with photo-sculptural works that compress personal and historical time. Jose de Jesus Rodriguez uses fragile materials—fresco\, lime\, wire—to evoke the vulnerability of built environments. Julian Charrière’s sculpture confronts the ruins of industrial progress and the sublime collapse of nature\, holding spectacle and decay in uneasy balance. In Nobuhito Nishigawara’s ceramic sculptures\, ancestral forms and contemporary abstraction collide\, collapsing generations into gesture and glaze. \nTogether\, these artists approach the landscape not as image but as site of erasure and endurance\, collapse and continuity. They negotiate with the ground\, registering its silences and tensions\, refusing to resolve it into a view. Ground Work is an excavation of what lingers: the poetic residue of time\, labor\, and memory pressed into form. \nFor additional information on the exhibition\, please visit seankellyla.com \nFor media inquiries\, please email Adair Lentini at Adair@skny.com \nFor inquiries\, please email Thomas Kelly at Thomas@seankellyla.com \n  Save  
URL:https://artinamericaguide.com/event/ground-work-curated-by-joey-lico/
LOCATION:Sean Kelly LA\, 1357 N Highland Ave\, Los Angeles\, CA\, 90028\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Sean Kelly":MAILTO:info@skny.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250724T000000
DTEND;TZID=America/New_York:20250913T100000
DTSTAMP:20260821T192926
CREATED:20250805T184537Z
LAST-MODIFIED:20250821T203242Z
UID:114112-1753315200-1757757600@artinamericaguide.com
SUMMARY:Robert Wilson: Animals reception
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present Robert Wilson: Animals\, an exhibition of video portraits by renowned theater director and visual artist Robert Wilson. This solo exhibition presents Wilson’s captivating series of animal portraits—featuring snow owls\, a black panther\, skunk\, an elk\, and more. These portraits showcase Wilson’s acclaimed mastery of light and color and reflect his fascination with animals\, which he describes as having “a way of listening interiorly.” \nWilson first debuted his video portraiture at Paula Cooper Gallery in his 2007 exhibition\, where he staged a series of high-definition video portraits featuring artists\, musicians\, actors\, animals\, and other notable figures. Animals is the first exhibition devoted exclusively to his animal portraits\, created over the years since that initial presentation\, including video works from his 2016 collaboration with Hermès. \nThe Hermès installation at Cedar Lake in New York City\, titled Here Elsewhere\, brought together Robert Wilson’s avant-garde vision with Hermès’ renowned commitment to craftsmanship and material excellence. Animal portraits were interwoven with pieces from the Hermès collection\, alongside sound and performance\, to create a fully immersive\, 360-degree environment. Works such as Quincy (Red fox) from the series Hermès by Nature demonstrate how Wilson’s scenographic sensibility amplified the narrative power of both the portraits and the surrounding elements. \nWithin these portraits\, Robert Wilson explores numerous references to mythology\, art history\, and popular culture. His Snowy Owls references the owl in Greek mythology which was often associated with Athena\, goddess of wisdom\, arts\, and skill. Similarly\, in his portrait of an Elk\, the animal stands almost motionless within a stark setting as subtle movements such as the flick of an ear or the rise and fall of the elk’s breath\, slowly reveal themselves. In Wilson’s Panther piece\, the artist’s signature use of theatrical lighting enhances the sense of quiet drama. The backdrop is spare\, recalling the atmosphere of a stage set or a dream. \nBy incorporating a multitude of creative elements; lighting\, gesture\, text\, voice\, set design\, and narrative – the video portraits act as a synthesis of all the media in the realm of Wilson’s art making. The medium is video but the form blurs time-based cinematography with the frozen moment of still photography. The final result on the screen resembles a photograph\, but on closer inspection reveals Wilson’s highly developed theatrical language in a striking visual experience that is both meditative and deeply expressive. \nBorn in Waco\, Texas\, Robert Wilson is among the world’s foremost theater and visual artists. His works for the stage unconventionally integrate a wide variety of artistic media\, including dance\, movement\, lighting\, sculpture\, music and text. His images are aesthetically striking and emotionally charged\, and his productions have earned the acclaim of audiences and critics worldwide. After being educated at the University of Texas and Brooklyn’s Pratt Institute\, Wilson founded the New York-based performance collective “The Byrd Hoffman School of Byrds” in the mid-1960s\, and developed his first signature works. With Philip Glass he wrote the seminal opera Einstein on the Beach (1976). Wilson’s artistic collaborators include many writers and musicians such as Heiner Müller\, Tom Waits\, Susan Sontag\, Laurie Anderson\, William Burroughs\, Lou Reed\, Jessye Norman and Anna Calvi. He has also left his imprint on masterworks such as Beckett’s Krapp’s Last Tape\, Brecht/Weill’s Threepenny Opera\, Debussy’s Pelléas et Melisande\, Puccini’s Madama Butterfly\, Verdi’s La Traviata and several of Shakespeare’s works. Wilson’s drawings\, paintings and sculptures have been presented around the world in hundreds of solo and group showings\, and his works are held in private collections and museums throughout the world. Wilson has been honored with numerous awards for excellence\, including a Pulitzer Prize nomination\, two Premio Ubu awards\, the Golden Lion of the Venice Biennale\, and an Olivier Award. He was elected to the American Academy of Arts and Letters\, as well as the German Academy of the Arts\, and holds 8 Honorary Doctorate degrees. He is a Commander of the Order of Arts and Letters and Officer of the Legion of Honor in France\, bearer of the German Officer’s Cross of the Order of Merit\, and laureate of the 2023 Praemium Imperiale. Wilson is the founder and Artistic Director of The Watermill Center\, a laboratory for the Arts in Water Mill\, New York. \n  Save  
URL:https://artinamericaguide.com/event/robert-wilson-animals-reception/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/Robert-Wilson-Install-07-1040x687-1.jpg
ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Winston Wächter Fine Art 530 W 25th St New York New York 10001;X-APPLE-RADIUS=500;X-TITLE=530 W 25th St:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250801T110000
DTEND;TZID=America/New_York:20250830T163000
DTSTAMP:20260821T192926
CREATED:20250729T162705Z
LAST-MODIFIED:20250729T162705Z
UID:114061-1754046000-1756571400@artinamericaguide.com
SUMMARY:Pablo Picasso: Original Stone Lithographs from “La Comédie Humaine”
DESCRIPTION:La Comédie Humaine is a volume of 164 heliogravures and 12 original color stone lithographs by Picasso. They are Picasso’s interpretation of Balzac’s La Comédie Humaine. Often said to be the writer’s greatest work\, La Comédie Humaine addresses themes such as money\, power\, and social success during the Restoration period after the French Revolution. Picasso’s La Comédie Humaine examines his own personal crisis with aging and its effects on the Artist /Muse relationship. \n  Save  
URL:https://artinamericaguide.com/event/pablo-picasso-original-stone-lithographs-from-la-comedie-humaine/
LOCATION:Gallery C\, 540 N. Blount Street\, Raleigh\, NC\, 27604\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/07/La-Comedie-Humaine-31.1.54-VII-12.5x9.5-1954.jpg
ORGANIZER;CN="Gallery C":MAILTO:art@galleryc.net
GEO:35.7876224;-78.6357733
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Gallery C 540 N. Blount Street Raleigh NC 27604 United States;X-APPLE-RADIUS=500;X-TITLE=540 N. Blount Street:geo:-78.6357733,35.7876224
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250805T110000
DTEND;TZID=America/New_York:20250823T180000
DTSTAMP:20260821T192926
CREATED:20250806T150815Z
LAST-MODIFIED:20250806T150828Z
UID:114135-1754391600-1755972000@artinamericaguide.com
SUMMARY:34th Annual Juried Exhibition
DESCRIPTION:Exhibition Dates: August 5 – 23\, 2025 \nOpening Reception: Thursday\, August 7\, 2025\, from 5 PM to 8 PM \nJuror: Elisa Jensen \n  \nBowery Gallery is pleased to present its 34th Annual Juried Exhibition of work in two dimensions\, juried this year by Elisa Jensen. \n  \nThe exhibition features 50 artists: Neyla Arnas\, Irit Baniel\, Cee Cee Belford\, Catherine Bickford\, Robert Brodesky\, Lisa Brody\, Jill Bulitt\, Sagrario Chamorro\, Sunny Chapman\, Irene Cole\, Francie Cook\, Lucy Copper\, Kristen Cormier\, Stephen Dinsmore\, Katherine Fichthorn\, Jill Finsen\, Tom Fitzharris\, Shruti Ghatak\, Paul Goss\, Nicholas Grassi\, Yael Herzog\, Shelley Himmelstein\, Sam Kelly\, Colleen Kelsey\, Ryan Kerr\, David Kuehler\, Lucy Lamphere\, Herbert Steven Lemon\, Patrice Lorenz\, Tucker Love\, Joseph Mann\, Deena Margolis\, quinn mcnichol\, Liam Murphy-Torres\, William Norton\, Holly Overton\, Leo Psaros\, Kyle Ragsdale\, ransome\, Sonia Redfern\, Robin Scully\, Narelle Sissons\, Christine Slevin\, Susan Stillman\, Susan Taverna\, Nathalie Vogel\, Tyler Weeks\, Lenore Wolf\, Amelia Wykes\, and ZOLO. \n  \nBowery Gallery’s annual juried exhibition gives the art-loving public a first look—or a fresh look—at artists young and new to the scene\, as well as mid-career artists. This international group of artists includes many who live and work in the Northeast\, as well as artists from other regions of the United States and abroad.  The show presents work in a wide and eclectic range of media\, including oil\, acrylic\, pastel\, gouache\, flashe\, and mixed media. \n  \nThis year’s juror\, Elisa Jensen\, teaches at the Pratt Institute and the New York Studio School. She has received awards for her work from the New York Foundation for the Arts\, the National Academy Museum\, and the American Academy of Arts and Letters. Her work has been reviewed and featured in Two Coats of Paint\, Hyperallergic\, and The New York Times\, and she has exhibited at David & Schweitzer Contemporary\, the Painting Center\, and the Pamela Salisbury Gallery\, among others.  \n  \n  Save  
URL:https://artinamericaguide.com/event/34th-annual-juried-exhibition/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/2025-Juried-Show-image-matrix-1.jpg
ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bowery Gallery 547 W 27TH ST Suite 508 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=547 W 27TH ST Suite 508:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250812T100000
DTEND;TZID=America/New_York:20251214T170000
DTSTAMP:20260821T192926
CREATED:20250505T202637Z
LAST-MODIFIED:20250505T202637Z
UID:113148-1754992800-1765731600@artinamericaguide.com
SUMMARY:Soundings: Making Culture at Sea
DESCRIPTION:Soundings: Making Culture at Sea explores how visual representations of oceans from different times and places across history have helped humans articulate questions and concerns that are political\, cultural\, and environmental. Soundings remains on view through December 14\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/soundings-making-culture-at-sea/
LOCATION:Spencer Museum of Art\, University of Kansas\, 1301 Mississippi St.\, Lawrence\, KS\, 66045\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/04/1928.1781.jpg
ORGANIZER;CN="Spencer Museum of Art%2C University of Kansas":MAILTO:spencerart@ku.edu
GEO:38.9596803;-95.244588
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Spencer Museum of Art University of Kansas 1301 Mississippi St. Lawrence KS 66045 United States;X-APPLE-RADIUS=500;X-TITLE=1301 Mississippi St.:geo:-95.244588,38.9596803
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250822T180000
DTEND;TZID=America/New_York:20250822T200000
DTSTAMP:20260821T192926
CREATED:20250722T184747Z
LAST-MODIFIED:20250722T184747Z
UID:114027-1755885600-1755892800@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Opening Reception @ Art Works!
DESCRIPTION:Join us on August 22\, 2025\, from 6 p.m. to 8 p.m. for an exciting opening reception of our new exhibits at Art Works. Meet the talented artists\, and enjoy live music\, refreshments\, and libations sponsored by RVA Thriving Artists. \n  \nIn August of each year\, we select a community organization to partner with and raise funds to support them. This year we’ve partnered with NAMI\, (National Alliance on Mental Illness). The All Media show theme is Mental Health Matters: Celebrating Resilience Through Art. The community has donated terrific items that we will be auctioning to benefit NAMI\, and Art Works will donate the sales from the All Media Show to NAMI. \n  \nAlso featured in August is Adam and Anita Bradley\, Anne Chamblin\, and Hannah Anderson with solo exhibits. \n  \nThis event is free and open to the public. Convenient and free parking is available. The exhibits will continue through September 20\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-opening-reception-art-works-55/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/07/August-4th-Friday.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250830T100000
DTEND;TZID=America/New_York:20260104T170000
DTSTAMP:20260821T192926
CREATED:20250718T162925Z
LAST-MODIFIED:20250718T163036Z
UID:113900-1756548000-1767546000@artinamericaguide.com
SUMMARY:Edna Andrade: Imagination Is Never Static
DESCRIPTION:Celebrate a 20th-century artist whose innovative abstract drawings and paintings continue to inspire. \nEdna Andrade: Imagination Is Never Static offers a new look at the practice of acclaimed artist and educator Edna Andrade (1917–2008). Presenting a selection of drawings recently gifted to the Harvard Art Museums by the artist’s estate\, this exhibition emphasizes the central role of drawing as well as interdisciplinary exploration in her art and in modernist movements of the 20th century. \nAndrade is best known for her geometric compositions\, which were inspired by her interest in studying structures in nature\, architecture\, astronomy\, mathematics\, and art history. She carried this same set of wide-ranging inspirations and inquiry to her teaching. Her classroom bridged her own traditional artistic training of drawing from observation and the principles of the Bauhaus school that transformed U.S. arts curricula after faculty émigrés took up leadership positions in art and architecture programs\, such as Harvard’s Graduate School of Design. Andrade taught courses on color and design at the Philadelphia Museum School of Art and was part of an intellectual salon called Form Forum\, which brought mathematicians\, artists\, architects\, and philosophers together in an exchange of ideas. Presented on a university campus\, the exhibition explores the way that Andrade used drawing as a process of experimentation\, channeling her own multifaceted approach to art and design. \nCurated by Mitra Abbaspour\, Houghton Curator of Modern and Contemporary Art and Head of the Division of Modern and Contemporary Art\, and Madeline Murphy Turner\, Emily Rauh Pulitzer Curatorial Fellow in Contemporary Drawings; with Bridget Hinz\, Senior Curatorial Assistant for Special Exhibitions and Publications. \n  Save  
URL:https://artinamericaguide.com/event/edna-andrade-imagination-is-never-static/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/07/Edna-Andrade.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250902
DTEND;VALUE=DATE:20260130
DTSTAMP:20260821T192926
CREATED:20250903T145102Z
LAST-MODIFIED:20251219T202347Z
UID:114410-1756771200-1769731199@artinamericaguide.com
SUMMARY:Performance\, Activist\, and Existential Photographs
DESCRIPTION:Ronald Feldman Gallery is pleased to present a group exhibition: \nPerformance\, Activist\, and Existential Photographs  \nA selection of photographs and photo-based works by: \nVincenzo Agnetti\, Elaine Angelopoulos\, Eleanor Antin\, Arakawa\, Conrad Atkinson\, Brandon Ballengée\, Joseph Beuys\, Chris Burden\, Cassils\, Chuck Close\, Keith Cottingham\, Terry Fox\, Tom Friedman\, Rico Gatson\, Helen & Newton Harrison\, Komar & Melamid\, Lev Nisnevich\, Robert Rauschenberg\, Man Ray\, Gerhard Richter\, Cindy Sherman\, Dmitry Shubin\, Tavares Strachan\, Diemut Strebe\, Hiroshi Sugimoto\, Eve Sussman\, Mierle Laderman Ukeles\, Andy Warhol\, Hannah Wilke \nThis selection is inspired by Marcel Duchamp’s belief that the concept behind the artwork is more important than its visual or material form.  This radical shift away from materiality created a foundation for artists to challenge traditional artistic forms and practices and opened the door to bold new directions.  All of the artists included use their work to probe into an array of subject matters\, and often redefine art in the process.  If approached with an open mind\, the photographs invite and inspire viewers to question their own assumptions about what art is.  This exhibition presents a cross-section of Ronald Feldman Gallery’s significant history and commitment to idea-driven work. \n  Save  
URL:https://artinamericaguide.com/event/performance-activist-and-existential-photographs/
LOCATION:Ronald Feldman Gallery\, 31 Mercer Street\, New York\, NY\, 10013\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Ronald Feldman Gallery":MAILTO:info@feldmangallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250902T100000
DTEND;TZID=America/Chicago:20251003T160000
DTSTAMP:20260821T192926
CREATED:20250812T154808Z
LAST-MODIFIED:20250812T154808Z
UID:114234-1756807200-1759507200@artinamericaguide.com
SUMMARY:In Tandem: Ruhl & Caporael
DESCRIPTION:In Tandem: Ruhl & Caporael\nOn view: September 2 – October 3\, 2025\nExhibition reception: Friday\, September 12\, 5-8pm\n\nAn exhibition of mixed media collages created collaboratively between artists Jason Ruhl\, who is also one of Tandem Press’s printmakers\, and Suzanne Caporael\, a long-time Tandem Press artist.\n\nOur ground floor gallery and studio are wheelchair accessible. Please contact us for more information.\n  Save  
URL:https://artinamericaguide.com/event/in-tandem-ruhl-caporael/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
GEO:43.1056427;-89.3616646
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tandem Press 1743 Commercial Avenue Madison WI 53704 United States;X-APPLE-RADIUS=500;X-TITLE=1743 Commercial Avenue:geo:-89.3616646,43.1056427
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250902T110000
DTEND;TZID=America/New_York:20250902T180000
DTSTAMP:20260821T192926
CREATED:20250826T120402Z
LAST-MODIFIED:20250903T165012Z
UID:114323-1756810800-1756836000@artinamericaguide.com
SUMMARY:Rachel Siporin: Bathers
DESCRIPTION:Exhibition Dates: September 2 – 27\, 2025 \nOpening Reception: Saturday\, September 6\, 2025\, 2PM-5PM \nClosing Reception: Saturday\, September 27\, 2025\, 3PM-5PM\, with poetry reading by Alan Shapiro at 3:30PM \nGallery Hours: Tuesday – Saturday\, 11AM-6PM \nRachel Siporin’s fourth show at Bowery Gallery\, Bathers\, focuses on figure compositions inspired by bathers at nearby Cotton Hollow Nature Preserve’s Roaring Brook. The artist writes “Initially I have no relationship to the people portrayed\, but as I draw\, paint and build the intaglio prints\, a deep connection develops as they become characters in the play. The paintings begin with an application of a color ground that sets the key for the interaction of hue\, value and intensity. Cotton Hollow’s formidable cliffs\,  huge rocks\, and water that is seldom blue\, but predominantly green and orange\, creates a unique backdrop for the bathers. Bold brushstroke and a painterly approach have been a constant in Siporin’s work over decades. The water at Cotton Hollow establishes the perfect vehicle to explore color\, transparency and layering. \nRachel Siporin is Professor of Art Emeritus at Central Connecticut State University where she taught Painting and Drawing for decades. Siporin has exhibited widely in Massachusetts\, Connecticut and New York and her work has been reviewed in Art New England\, the Hartford Courant\, and the Hartford Advocate. \n  Save  
URL:https://artinamericaguide.com/event/rachel-siporin-bathers-3/2025-09-02/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250902T120000
DTEND;TZID=America/New_York:20250927T180000
DTSTAMP:20260821T192926
CREATED:20250903T144908Z
LAST-MODIFIED:20250903T144908Z
UID:114396-1756814400-1758996000@artinamericaguide.com
SUMMARY:Heather Stivison-Ebb & Flow: The Many Faces of Water
DESCRIPTION:In her third New York City solo exhibition\, Heather Stivison explores the intersection of environmental science and visual art in immersive paintings of the ocean. Her latest exhibition\, Ebb & Flow: The Many Faces of Water opens on September 2 at Pleiades Gallery\, 547 West 27th Street\, Suite 304. The gallery is open Tuesday through Saturday\, 12-6 p.m. \n  \nSome of the paintings on view are the result of Stivison’s multi-year\, grant funded collaboration with Noah Germolus\, a scientist at Woods Hole Oceanographic Institute who was researching ocean chemistry. This collaboration led to a unique special feature of this exhibition. After Stivison interpreted his data in paint\, he in turn\, interpreted four of her paintings in music. The exhibition includes a play-on-demand sound installation of original jazz music composed and performed by Germolus. \n  \nCurator Renee Phillips writes\, “Stivison ventures beyond nature’s physical boundaries into abstraction with the profusion of free-flowing biomorphic patterns and tonal ranges. In her paintings the innate attributes of water evolve into metaphors\, symbolism and visual poetry.” \n  \nThe exhibition features a sampling of the many ways Stivison’s oil and acrylic paintings capture the essence of water. Searching for water’s most primary qualities\, she uses light\, color\, form\, shape\, line\, to engender a sense of water. Stivison is fascinated by the reflections and patterns created by the coastal ocean surface. She paints variations on patterns\, exploring how much she can change them and still maintain the sense that the subject is surface water. Other paintings explore chemical mysteries within specific ocean zones of exploration. A massive 110-inch quadriptych offers a sense of weightlessness and mystery that she finds in the unknown ocean depths. \n  \nIndependent curator Kathy Imlay writes\, “Stivison’s paintings have a luminous glow—accomplished by the artist building up layer upon layer of viscous paint\, which she pours\, smears\, scrapes and otherwise manipulates to create fields of color that conjure the watery depths of the ocean or intergalactic space\, depending on the palette.” \n  \nHeather Stivison is an award-winning artist who has exhibited from coast to coast in the United States and in juried shows in Asia and Europe. For more information about the artist and her work\, visit https://www.heatherstivisonart.com/. \n  Save  
URL:https://artinamericaguide.com/event/heather-stivison-ebb-flow-the-many-faces-of-water-2/
LOCATION:Pleiades Gallery\, 547 W 27th St. Suite 304\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250904
DTEND;VALUE=DATE:20251005
DTSTAMP:20260821T192926
CREATED:20250805T184537Z
LAST-MODIFIED:20250811T153844Z
UID:114088-1756944000-1759622399@artinamericaguide.com
SUMMARY:Alcatraz is an Idea
DESCRIPTION:RYAN LEE Gallery is pleased to announce Alcatraz is an Idea\, an exhibition of work across media including video\, lightboxes\, and an acrylic pigment print on wood. Making its East Coast debut\, the centerpiece two-channel video with vinyl mural is a collaboration between Kota Ezawa and Julian Brave NoiseCat that depicts the 2019 Alcatraz Canoe Journey that commemorated 50 years since the Alcatraz Occupation.  \nEzawa used hand-drawn animation to re-interpret footage of the canoes traversing San Francisco Bay. Co-organized by NoiseCat\, the event invited Indigenous peoples from across the West Coast and beyond to commemorate the fiftieth anniversary of the 1969 occupation of Alcatraz Island by the activist group Indians of All Tribes. The video installation was exhibited earlier this year at Ezawa’s landmark solo exhibition at the Fort Mason Center for Arts & Culture in San Francisco\, Kota Ezawa: Here and There — Now and Then.  \n  Save  
URL:https://artinamericaguide.com/event/alcatraz-is-an-idea/
LOCATION:RYAN LEE\, 515 W 26th St\, 3rd Fl\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="RYAN LEE":MAILTO:info@ryanleegallery.com
GEO:40.7500935;-74.0036112
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END:VEVENT
END:VCALENDAR