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DTSTART;VALUE=DATE:20231208
DTEND;VALUE=DATE:20261207
DTSTAMP:20260505T005613
CREATED:20240522T193731Z
LAST-MODIFIED:20240522T193731Z
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SUMMARY:Isaac Julien: Lessons of the Hour — Frederick Douglass
DESCRIPTION:Sir Isaac Julien’s moving image installation Lessons of the Hour (2019) interweaves period reenactments across five screens to create a vivid picture of nineteenth-century activist\, writer\, orator\, and philosopher Frederick Douglass. Through critical research\, fictional reconstruction\, and a marriage of poetic image and sound\, Julien asserts Douglass’ enduring lessons of justice\, abolition\, and freedom that remain just as relevant today. \nLessons of the Hour features passages from Douglass’ key speeches\, including the titular “Lessons of the Hour\,” “What to the Slave Is the Fourth of July?” and “Lecture on Pictures.” \nJulien weaves together reenacted scenes from Douglass’ life and lectures\, filming at his historic home in Washington\, DC\, and a restaged studio of famed Black photographer J.P. Ball (1825–1904) as he makes a portrait of Douglass. Images of contemporary Baltimore—the city where Douglass was enslaved and escaped from bondage in 1838—including footage of fireworks and protests in 2015 following the death of Freddie Gray\, Jr. while in police custody\, are interspersed as the struggle to make good on America’s promise of equality continues. \nLessons of the Hour was jointly acquired by SAAM and the National Portrait Gallery in 2023. The 28-minute work debuted for Washington audiences December 8\, 2023\, and remains on public view through the 250th anniversary of the founding of the United States in 2026. \n  Save  
URL:https://artinamericaguide.com/event/isaac-julien-lessons-of-the-hour-frederick-douglass/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20250307T110000
DTEND;TZID=America/New_York:20271231T180000
DTSTAMP:20260505T005613
CREATED:20250224T180514Z
LAST-MODIFIED:20250224T180514Z
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SUMMARY:Tending and Dreaming: Stories from the Collection
DESCRIPTION:Tending and Dreaming: Stories from the Collection launches the first dedicated collection galleries at the Museum. Providing unprecedented access to core works in San José’s only publicly held art collection\, SJMA’s collection galleries position artists as storytellers to imagine the Museum as a space where culture and meaning are actively made and always in process.  \nOrganized into thematic groupings\, Tending and Dreaming offers poetic starting points for engaging with ideas woven through the works of almost fifty artists from the Bay Area and beyond\, including  Ruth Asawa\, Martha Atienza\, Shilpa Gupta\, Yolanda López\, and Elias Sime\, among many others.  \n  Save  
URL:https://artinamericaguide.com/event/tending-and-dreaming-stories-from-the-collection/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20260417T100000
DTEND;TZID=America/New_York:20260613T180000
DTSTAMP:20260505T005613
CREATED:20260325T165140Z
LAST-MODIFIED:20260325T165140Z
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SUMMARY:Dalí: The Great Years\, 1929–1939
DESCRIPTION:Di Donna Galleries is pleased to present Dalí: The Great Years\, 1929–1939\, a major exhibition tracing the pivotal decade in which Dalí established both his mature artistic language and enduring public persona. It is the most significant presentation of Dalí’s work in New York since the Museum of Modern Art’s exhibition in 2008. \n  Save  
URL:https://artinamericaguide.com/event/dali-the-great-years-1929-1939/
LOCATION:Di Donna Galleries\, 744 Madison Avenue\, New York\, NY\, 10065\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Di Donna Galleries":MAILTO:info@didonna.com
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DTSTART;TZID=America/New_York:20260417T100000
DTEND;TZID=America/New_York:20260613T180000
DTSTAMP:20260505T005613
CREATED:20260325T165312Z
LAST-MODIFIED:20260325T165312Z
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SUMMARY:Dalí: The Great Years\, 1929–1939
DESCRIPTION:Di Donna Galleries is pleased to present Dalí: The Great Years\, 1929–1939\, a major exhibition tracing the pivotal decade in which Dalí established both his mature artistic language and enduring public persona. It is the most significant presentation of Dalí’s work in New York since the Museum of Modern Art’s exhibition in 2008. The exhibition is on view from April 16 through June 13\, 2026 at Di Donna’s Madison Avenue gallery. \n  Save  
URL:https://artinamericaguide.com/event/dali-the-great-years-1929-1939-2/
LOCATION:FL
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260418
DTEND;VALUE=DATE:20260808
DTSTAMP:20260505T005613
CREATED:20260415T191117Z
LAST-MODIFIED:20260415T191117Z
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SUMMARY:Benny Andrews: Migrants
DESCRIPTION:Michael Rosenfeld Gallery is pleased to present Benny Andrews: Migrants\, the gallery’s fourth solo exhibition celebrating the work of Benny Andrews (1930–2006). Created between 2004 and 2006\, The Migrant Series is the artist’s last body of work created before his death in November 2006. In the series\, Andrews traced three historical migration routes that connected to his own Black\, White\, and Cherokee ancestry: the Great Migration of the 20th century\, in which millions of Black Americans moved from the South to the North\, the 1930s Dust Bowl exodus from the Great Plains that was driven by environmental and economic hardship\, and the 19th century forced migration of Native Americans in what has become known as the Trail of Tears. By shedding light on human resilience amidst the injustices of history\, the series exemplifies Andrews’ humanist approach as an artist who recognized the power of history and sought to leverage the past to inform the future. \nLearn more \n  Save  
URL:https://artinamericaguide.com/event/benny-andrews-migrants/
LOCATION:Michael Rosenfeld Gallery\, 100 11th Ave\, New York\, NY\, New York\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Michael Rosenfeld Gallery":MAILTO:info@michaelrosenfeld.com
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260430
DTEND;VALUE=DATE:20260608
DTSTAMP:20260505T005613
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LAST-MODIFIED:20260417T195403Z
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SUMMARY:José-Ricardo Presman
DESCRIPTION:Amos Eno Gallery is pleased to present A Mountain Overlooking a Home by the Lake – The Creation of Time from the State of Duration\, a solo exhibition by artist José-Ricardo Presman. Presman was among the founding artists who established Amos Eno Gallery in 1974\, making this exhibition both a continuation of a decades-long relationship and a reflection on the evolving concerns of his practice. \nIn this new body of work\, Presman explores the relationship between perception\, time\, and scale — drawing connections between the intimate spaces of human awareness and the vastness of the cosmos. The exhibition unfolds as a contemplative installation of canvas panels layered with diluted acrylic pigments that reveal themselves slowly\, shifting as viewers spend time with the surface. \nPresman’s paintings resist immediate readability. Instead\, subtle tonal variations and restrained color fields emerge gradually\, inviting viewers into an extended act of looking. The works operate less as static images than as perceptual environments — spaces where attention itself becomes part of the experience. \nThe exhibition’s title references philosophical ideas about time and duration\, particularly the notion that reality is in constant flux. Presman approaches each exhibition as an opportunity to begin again\, deliberately avoiding stylistic repetition in order to reflect this sense of continual transformation. The resulting works encourage viewers to move beyond habitual ways of seeing and engage the work through sustained attention and imagination. \nThe exhibition also includes a related video component and a forthcoming live musical performance by composer Damien Olsen Berdichevsky\, extending Presman’s investigation of rhythm\, perception\, and time across multiple sensory registers. \nOver five decades after helping to found Amos Eno\, Presman’s latest exhibition reflects both the continuity of his philosophical inquiry and its ongoing evolution. \nThe gallery will celebrate the exhibition with an opening reception on Friday\, May 1\, from 6 to 8 p.m. Works and installation images will be available to view on Artsy. \nAbout the Artist \nJosé-Ricardo Presman was born and raised in Buenos Aires\, Argentina\, and received his MFA from Pratt Institute in Brooklyn\, NY. He is one of the co-founders of the Amos Eno Gallery in 1974\, and has exhibited in numerous solo shows at Amos Eno Gallery in New York and in various group shows throughout the US and Canada. A complete list of exhibitions is available in his CV upon request. \nAbout Amos Eno Gallery \nAmos Eno Gallery has been a fixture in the New York art scene since 1974 when it opened in Soho. The nonprofit space  is open Thursdays through Sundays from noon to 6 p.m. and run by a community of professional artists from New York City and across the country\, along with a part-time director. ​ \nThe gallery is located at 191 Henry Street between Jefferson and Clinton Streets on the Lower East Side of Manhattan. It’s a 5 minute walk from the F Train’s East Broadway Station and a 10 minute walk from the J Train’s Delancey Street – Essex Street Station. \nAmos Eno Gallery’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \nAmos Eno Gallery is also funded in part thanks to the generosity of the Joseph Roberts Foundation. \n  Save  
URL:https://artinamericaguide.com/event/jose-ricardo-presman/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260430
DTEND;VALUE=DATE:20260608
DTSTAMP:20260505T005613
CREATED:20260417T194927Z
LAST-MODIFIED:20260417T194927Z
UID:116274-1777507200-1780876799@artinamericaguide.com
SUMMARY:"In Translation" Group Show
DESCRIPTION:In Translation brings together five artists whose works examine how inherited systems — linguistic\, biological\, algorithmic\, political\, and ritual — shape identity and belonging. Across drawing\, painting\, sculpture\, and collage\, the exhibition asks how forms are received and remade: to be patterned by forces larger than the self\, and to respond by constructing new visual languages. \nCurated by gallery director Ellen Sturm Niz\, the exhibition traces a shared tension between origin and invention — between what is given and what is built in response. Each artist engages a distinct system of transformation\, from cultural displacement and personal syntax to painterly fracture\, algorithmic logic\, and political interference. Translation emerges here not as loss\, but as a generative act — a process of absorbing disturbance and reconstituting it as meaning. \nAt a moment when identity is increasingly mediated by technology\, migration\, and political division\, the question of how meaning is constructed — and who constructs it — feels newly urgent. In Translation responds by foregrounding artists who do not simply receive these systems\, but actively reshape them. \nReception: Friday\, May 1\, from 6 to 8 p.m. \nArtists & Works in the Exhibition \nZoë Elena Moldenhauer \nZoë Elena Moldenhauer is a New York–based artist who received her BFA from the Maryland Institute College of Art (2019) and an MA from New York University (2022). She is the founder of The Aerogramme Center for Arts and Culture\, an online platform supporting artists and writers\, and maintains a studio at Brooklyn Art Cluster. \nSince 2017\, Moldenhauer has developed a personal alphabet rooted in her experience as a Guatemalan transracial adoptee — a tool for constructing identity in the absence of inherited language or culture. The system continues to evolve\, incorporating Nahuatl\, pictorial languages from the Nazca lines in Peru\, and cave paintings from Serra da Capivara in Brazil. Using linoleum block printing on fabric\, she builds layered surfaces with yarn\, buttons\, zippers\, and wax crayon\, forming what she describes as imaginary constellations — a language that is both invented and deeply researched. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nComposition 3  |  2025  |  Screenprint\, zipper\, wax crayon\, plastic bread tags on fabric  |  12 × 20 in.  |  $300 \nTwo panels of vivid red fabric\, joined at the center by a zipper\, bear bold black screenprinted forms — abstracted figures or glyphs — surrounded by Moldenhauer’s evolving visual syntax and arrow-like notations in yellow and purple wax crayon. Small found objects punctuate the surface: a red button\, orange and green plastic bread tags. The zipper seam running across the middle feels structurally apt: two things held together\, translatable into each other\, always capable of coming apart. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nComposition 1  |  2025  |  Yarn\, buttons\, plastic bread tags\, wax crayon\, screenprint on fabric  |  21 × 19.5 in.  |  $300 \nMade in Rio de Janeiro in response to Brazil’s Tropicália Movement\, Composition 1 works in a quieter register — a dark fabric ground against which Moldenhauer’s coded system floats alongside loosely applied black shapes and thin wax crayon marks. Buttons and bread tags act as punctuation. The work resists legibility by design\, asking to be felt before it is read. \nAllison Pottasch \nAllison Pottasch is a Brooklyn-based artist who collages\, draws\, and paints. Trained in Advertising at Pratt Institute and largely self-taught\, she works with clippings from magazines and historical mass media\, transforming them into what she describes as hieroglyphic characters. \nHer maximalist collages reassemble these fragments into dense visual systems that examine contemporary Americana — exploring sexuality and gender\, religion and mysticism\, and cultural and personal identity. Removed from their original context\, the images invite viewers to activate their own visual memory to construct meaning. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRangoli  |  2025  |  Paper collage  |  11 × 17 in.  |  $1\,200 \nSet against a ground of layered\, torn black paper\, Pottasch’s collage unfolds along a strict bilateral axis — the symmetry of a mandala or altar. At its center\, a dense horizontal band of fragments — crowns\, leopards\, religious iconography\, botanical forms\, and unmistakably American consumer imagery — is assembled into a form of unexpected ceremony. The traditional Indian rangoli\, typically made as an offering of welcome\, is here reconstructed from the detritus of print culture. The logic of accumulation becomes ceremonial\, transforming disposable imagery into a structure of attention and care. \nOlga Rudenko \nOlga Rudenko is a Ukrainian-born artist based in New York City\, trained in stone and wood carving and holding a Master’s degree in the history of philosophy. Working across sculpture\, textiles\, painting\, and digital language\, she examines how human identity is reshaped by ideology and technology. \nHer project AI_Augmented_Iconography merges Orthodox religious imagery — halos\, gold leaf\, frontal stillness — with algorithmic code\, emojis\, and scientific notation. Rooted in lived experience of cultural and personal transformation\, the work considers how technological systems alter perception\, relationships\, and the body. Slow processes like embroidery act in deliberate opposition to digital speed\, while the recurring child figure underscores the fragility of human life. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n<!–edited–> #3   |  2024  |  Silicone dolls\, cotton\, embroidery\, sequins\, ink\, mirrors  |  34 × 20 × 18 in.  |  $10\,000 \nA cluster of soft\, stuffed figures — childlike in form\, unsettling in implication — hangs suspended against overlapping black mirror discs. Every surface is covered in embroidered and inked genetic notation: CRISPR\, mRNA\, scissor symbols\, DNA base-pair letters. The body becomes a readable document — legible to an algorithm. Where Orthodox iconography once marked the body as sacred\, here it is rendered as code. The work asks what individuality means when reproduction is systematized and the script of life is written elsewhere. \nSasha Skulinets \nSasha Skulinets is a Ukrainian-born painter and filmmaker based in New York. Working across painting and narrative film\, she examines perception and the construction of point of view. \nHer paintings\, made primarily with acrylic on canvas and wood\, evolve through layering\, pouring\, and erasure\, emphasizing surface\, duration\, and the physical negotiation of form. The surface records what has been added\, removed\, and reworked\, locating meaning in the accumulation of time and process\, where images are continually translated through material change. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWhile the World Decays  |  2025  |  Acrylic on canvas  |  36 × 48 × 1.5 in.  |  $1\,600 \nA dark vertical stroke bisects the canvas\, splitting a bruised\, atmospheric field of lavender\, blue\, teal\, ochre\, and red into near-mirror halves. Layers of erasure and reapplication remain visible in the surrounding surface. Here\, translation emerges through paint itself — the unified image fracturing under pressure into something less resolved\, more contingent. The palette carries the weight of the title: these are not colors of resolution. \nChristopher Squier \nChristopher Squier is a New York–based visual artist who holds an MFA in Sculpture from the San Francisco Art Institute. Working across drawing\, writing\, and installation\, he explores optics and the role of light in contemporary visual culture\, framing vision as both historically shaped and politically contested. \nHis Disturbances series draws on a mid-century physics experiment visualizing light as wave interference\, using these patterns as a framework for understanding how perception is shaped by overlapping political and social forces\, including sound\, architecture\, and embodied experience. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDisturbances No. 22 (Troubadours)  |  2025  |  Colored pencil on Bristol vellum  |  17 × 11 in.  |  Framed  | $1\,500 \nMade following a trip to Guanajuato\, Mexico\, this drawing layers delicate Gothic-inspired ironwork — drawn from the city’s balconies — over a central interference pattern of concentric white rings radiating across a soft blue and lavender field. Diagonal lines cut through the composition like wave trajectories; a prismatic triangle glows with spectral color; a botanical sprig curls near the surface. Here\, interference becomes grounded in lived conditions — sound moving through streets\, bodies gathering in public space\, presence insisting on itself. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDisturbances No. 19 |  2023  |  Colored pencil on Bristol vellum  |  17 × 11 in.  |  Framed  |  $1\,500 \nPart of the same series\, this drawing extends Squier’s investigation of interference into the realm of sound. Inspired by time spent in Milan\, the work connects the vibration of light to sonic experience — footsteps echoing in humid air\, architectural acoustics\, and the internal mechanics of hearing itself. The composition draws from specific sites\, including the ear-shaped intercom of Casa Sola Busca and the staircase of Villa Necchi\, while staging a dialogue between interior and exterior space\, and between visual and sensory perception. \nTessellation (The Lighthouse\, Unfolded) | 2026 | Colored pencil on Bristol vellum | 19 × 24 in. | Unframed | $2\,200 \nA larger\, in-progress work\, Tessellation (The Lighthouse\, Unfolded) expands Squier’s interest in optical systems through the geometry of a deconstructed Fresnel lens translating its structure into a dense\, flattened field with a hypnotic\, tessellated structure. \nAbout The Project Space at Amos Eno \nIn Translation is on view at The Project Space\, Amos Eno’s experimental exhibition space in the cellar\, from April 30 through June 7\, 2026. \nThe gallery is open from 12 p.m. – 6 p.m. Thursdays through Sundays. Please note there is a steep staircase to access this area. \n\n\n\n\n\n  Save  
URL:https://artinamericaguide.com/event/in-translation-group-show/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260604T110000
DTEND;TZID=America/New_York:20260604T190000
DTSTAMP:20260505T005613
CREATED:20260430T195846Z
LAST-MODIFIED:20260430T195846Z
UID:116314-1780570800-1780599600@artinamericaguide.com
SUMMARY:Free First Thursday
DESCRIPTION:FREE FIRST THURSDAY \nThursday\, May 7\, 2026 \n11 am – 7 pm \nEnjoy FREE Museum admission and 2-for-1 All Day Happy Hour on the first Thursday of every month from 11 am to 7 pm during Free First Thursday. \nNEW! Free public tours at Noon. \n\n\n\nMINI MUSE \n4 – 6:30 pm \nGet creative with us during Mini Muse for our free drop-in art-making project offered from 4 – 6:30 pm. This drop-in art-making event is open to every skill set and all ages. Grab your friends\, family\, or come alone and let your imagination run wild. \nMaterials are provided\, and all are welcome. \n\nMini Muse us sponsored by Funding Arts Broward \n  Save  
URL:https://artinamericaguide.com/event/free-first-thursday/2026-06-04/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Event,Exhibition
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ORGANIZER;CN="NSU Art Museum":MAILTO:moareservations@moafl.org
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260702T110000
DTEND;TZID=America/New_York:20260702T190000
DTSTAMP:20260505T005613
CREATED:20260430T195846Z
LAST-MODIFIED:20260430T195846Z
UID:116315-1782990000-1783018800@artinamericaguide.com
SUMMARY:Free First Thursday
DESCRIPTION:FREE FIRST THURSDAY \nThursday\, May 7\, 2026 \n11 am – 7 pm \nEnjoy FREE Museum admission and 2-for-1 All Day Happy Hour on the first Thursday of every month from 11 am to 7 pm during Free First Thursday. \nNEW! Free public tours at Noon. \n\n\n\nMINI MUSE \n4 – 6:30 pm \nGet creative with us during Mini Muse for our free drop-in art-making project offered from 4 – 6:30 pm. This drop-in art-making event is open to every skill set and all ages. Grab your friends\, family\, or come alone and let your imagination run wild. \nMaterials are provided\, and all are welcome. \n\nMini Muse us sponsored by Funding Arts Broward \n  Save  
URL:https://artinamericaguide.com/event/free-first-thursday/2026-07-02/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Event,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260806T110000
DTEND;TZID=America/New_York:20260806T190000
DTSTAMP:20260505T005613
CREATED:20260430T195846Z
LAST-MODIFIED:20260430T195846Z
UID:116316-1786014000-1786042800@artinamericaguide.com
SUMMARY:Free First Thursday
DESCRIPTION:FREE FIRST THURSDAY \nThursday\, May 7\, 2026 \n11 am – 7 pm \nEnjoy FREE Museum admission and 2-for-1 All Day Happy Hour on the first Thursday of every month from 11 am to 7 pm during Free First Thursday. \nNEW! Free public tours at Noon. \n\n\n\nMINI MUSE \n4 – 6:30 pm \nGet creative with us during Mini Muse for our free drop-in art-making project offered from 4 – 6:30 pm. This drop-in art-making event is open to every skill set and all ages. Grab your friends\, family\, or come alone and let your imagination run wild. \nMaterials are provided\, and all are welcome. \n\nMini Muse us sponsored by Funding Arts Broward \n  Save  
URL:https://artinamericaguide.com/event/free-first-thursday/2026-08-06/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/04/FreeFirstThursdayThumbnail-01-scaled-1.jpg
ORGANIZER;CN="NSU Art Museum":MAILTO:moareservations@moafl.org
GEO:26.1194368;-80.1427657
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NSU Art Museum 1 E Las Olas Blvd Fort Lauderdale FL 33301 United States;X-APPLE-RADIUS=500;X-TITLE=1 E Las Olas Blvd:geo:-80.1427657,26.1194368
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260903T110000
DTEND;TZID=America/New_York:20260903T190000
DTSTAMP:20260505T005613
CREATED:20260430T195847Z
LAST-MODIFIED:20260430T195847Z
UID:116317-1788433200-1788462000@artinamericaguide.com
SUMMARY:Free First Thursday
DESCRIPTION:FREE FIRST THURSDAY \nThursday\, May 7\, 2026 \n11 am – 7 pm \nEnjoy FREE Museum admission and 2-for-1 All Day Happy Hour on the first Thursday of every month from 11 am to 7 pm during Free First Thursday. \nNEW! Free public tours at Noon. \n\n\n\nMINI MUSE \n4 – 6:30 pm \nGet creative with us during Mini Muse for our free drop-in art-making project offered from 4 – 6:30 pm. This drop-in art-making event is open to every skill set and all ages. Grab your friends\, family\, or come alone and let your imagination run wild. \nMaterials are provided\, and all are welcome. \n\nMini Muse us sponsored by Funding Arts Broward \n  Save  
URL:https://artinamericaguide.com/event/free-first-thursday/2026-09-03/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/04/FreeFirstThursdayThumbnail-01-scaled-1.jpg
ORGANIZER;CN="NSU Art Museum":MAILTO:moareservations@moafl.org
GEO:26.1194368;-80.1427657
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261001T110000
DTEND;TZID=America/New_York:20261001T190000
DTSTAMP:20260505T005613
CREATED:20260430T195847Z
LAST-MODIFIED:20260430T195847Z
UID:116318-1790852400-1790881200@artinamericaguide.com
SUMMARY:Free First Thursday
DESCRIPTION:FREE FIRST THURSDAY \nThursday\, May 7\, 2026 \n11 am – 7 pm \nEnjoy FREE Museum admission and 2-for-1 All Day Happy Hour on the first Thursday of every month from 11 am to 7 pm during Free First Thursday. \nNEW! Free public tours at Noon. \n\n\n\nMINI MUSE \n4 – 6:30 pm \nGet creative with us during Mini Muse for our free drop-in art-making project offered from 4 – 6:30 pm. This drop-in art-making event is open to every skill set and all ages. Grab your friends\, family\, or come alone and let your imagination run wild. \nMaterials are provided\, and all are welcome. \n\nMini Muse us sponsored by Funding Arts Broward \n  Save  
URL:https://artinamericaguide.com/event/free-first-thursday/2026-10-01/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/04/FreeFirstThursdayThumbnail-01-scaled-1.jpg
ORGANIZER;CN="NSU Art Museum":MAILTO:moareservations@moafl.org
GEO:26.1194368;-80.1427657
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NSU Art Museum 1 E Las Olas Blvd Fort Lauderdale FL 33301 United States;X-APPLE-RADIUS=500;X-TITLE=1 E Las Olas Blvd:geo:-80.1427657,26.1194368
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261105T110000
DTEND;TZID=America/New_York:20261105T190000
DTSTAMP:20260505T005613
CREATED:20260430T195847Z
LAST-MODIFIED:20260430T195847Z
UID:116319-1793876400-1793905200@artinamericaguide.com
SUMMARY:Free First Thursday
DESCRIPTION:FREE FIRST THURSDAY \nThursday\, May 7\, 2026 \n11 am – 7 pm \nEnjoy FREE Museum admission and 2-for-1 All Day Happy Hour on the first Thursday of every month from 11 am to 7 pm during Free First Thursday. \nNEW! Free public tours at Noon. \n\n\n\nMINI MUSE \n4 – 6:30 pm \nGet creative with us during Mini Muse for our free drop-in art-making project offered from 4 – 6:30 pm. This drop-in art-making event is open to every skill set and all ages. Grab your friends\, family\, or come alone and let your imagination run wild. \nMaterials are provided\, and all are welcome. \n\nMini Muse us sponsored by Funding Arts Broward \n  Save  
URL:https://artinamericaguide.com/event/free-first-thursday/2026-11-05/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/04/FreeFirstThursdayThumbnail-01-scaled-1.jpg
ORGANIZER;CN="NSU Art Museum":MAILTO:moareservations@moafl.org
GEO:26.1194368;-80.1427657
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NSU Art Museum 1 E Las Olas Blvd Fort Lauderdale FL 33301 United States;X-APPLE-RADIUS=500;X-TITLE=1 E Las Olas Blvd:geo:-80.1427657,26.1194368
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261203T110000
DTEND;TZID=America/New_York:20261203T190000
DTSTAMP:20260505T005613
CREATED:20260430T195847Z
LAST-MODIFIED:20260430T195847Z
UID:116320-1796295600-1796324400@artinamericaguide.com
SUMMARY:Free First Thursday
DESCRIPTION:FREE FIRST THURSDAY \nThursday\, May 7\, 2026 \n11 am – 7 pm \nEnjoy FREE Museum admission and 2-for-1 All Day Happy Hour on the first Thursday of every month from 11 am to 7 pm during Free First Thursday. \nNEW! Free public tours at Noon. \n\n\n\nMINI MUSE \n4 – 6:30 pm \nGet creative with us during Mini Muse for our free drop-in art-making project offered from 4 – 6:30 pm. This drop-in art-making event is open to every skill set and all ages. Grab your friends\, family\, or come alone and let your imagination run wild. \nMaterials are provided\, and all are welcome. \n\nMini Muse us sponsored by Funding Arts Broward \n  Save  
URL:https://artinamericaguide.com/event/free-first-thursday/2026-12-03/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/04/FreeFirstThursdayThumbnail-01-scaled-1.jpg
ORGANIZER;CN="NSU Art Museum":MAILTO:moareservations@moafl.org
GEO:26.1194368;-80.1427657
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NSU Art Museum 1 E Las Olas Blvd Fort Lauderdale FL 33301 United States;X-APPLE-RADIUS=500;X-TITLE=1 E Las Olas Blvd:geo:-80.1427657,26.1194368
END:VEVENT
END:VCALENDAR