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BEGIN:VEVENT
DTSTART;VALUE=DATE:20231208
DTEND;VALUE=DATE:20261207
DTSTAMP:20260822T220914
CREATED:20240522T193731Z
LAST-MODIFIED:20240522T193731Z
UID:108575-1701993600-1796601599@artinamericaguide.com
SUMMARY:Isaac Julien: Lessons of the Hour — Frederick Douglass
DESCRIPTION:Sir Isaac Julien’s moving image installation Lessons of the Hour (2019) interweaves period reenactments across five screens to create a vivid picture of nineteenth-century activist\, writer\, orator\, and philosopher Frederick Douglass. Through critical research\, fictional reconstruction\, and a marriage of poetic image and sound\, Julien asserts Douglass’ enduring lessons of justice\, abolition\, and freedom that remain just as relevant today. \nLessons of the Hour features passages from Douglass’ key speeches\, including the titular “Lessons of the Hour\,” “What to the Slave Is the Fourth of July?” and “Lecture on Pictures.” \nJulien weaves together reenacted scenes from Douglass’ life and lectures\, filming at his historic home in Washington\, DC\, and a restaged studio of famed Black photographer J.P. Ball (1825–1904) as he makes a portrait of Douglass. Images of contemporary Baltimore—the city where Douglass was enslaved and escaped from bondage in 1838—including footage of fireworks and protests in 2015 following the death of Freddie Gray\, Jr. while in police custody\, are interspersed as the struggle to make good on America’s promise of equality continues. \nLessons of the Hour was jointly acquired by SAAM and the National Portrait Gallery in 2023. The 28-minute work debuted for Washington audiences December 8\, 2023\, and remains on public view through the 250th anniversary of the founding of the United States in 2026. \n  Save  
URL:https://artinamericaguide.com/event/isaac-julien-lessons-of-the-hour-frederick-douglass/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240924
DTEND;VALUE=DATE:20250728
DTSTAMP:20260822T220914
CREATED:20240628T154332Z
LAST-MODIFIED:20241112T212527Z
UID:109156-1727136000-1753660799@artinamericaguide.com
SUMMARY:Robert Earl Paige: Give the Drummer Some!
DESCRIPTION:For the Smart’s 50th anniversary\, South Side artist Robert Earl Paige creates a multi-part pattern-based installation and sprawling public art project that invites communities into a collective experience of space. \n  Save  
URL:https://artinamericaguide.com/event/robert-earl-paige-give-the-drummer-some/
LOCATION:Smart Museum of Art\, 5550 S. Greenwood Avenue\, Chicago\, IL\, 60637\, United States
CATEGORIES:Exhibition
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GEO:41.7934642;-87.6002004
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Smart Museum of Art 5550 S. Greenwood Avenue Chicago IL 60637 United States;X-APPLE-RADIUS=500;X-TITLE=5550 S. Greenwood Avenue:geo:-87.6002004,41.7934642
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240928T090000
DTEND;TZID=America/New_York:20250608T170000
DTSTAMP:20260822T220914
CREATED:20240808T143536Z
LAST-MODIFIED:20241122T192921Z
UID:109552-1727514000-1749402000@artinamericaguide.com
SUMMARY:Recent Acquisitions | Frye Art Museum
DESCRIPTION:Recent Acquisitions presents newly acquired artworks by artists with deep connections to the Pacific Northwest. Some artists were born here\, others are transplants—all have meaningfully shaped our artistic community. Reflecting the artistic production in our region\, the gathered artworks defy genre conventions\, often pushing the boundaries of their mediums. Ellen Lesperance (born 1971\, lives and works in Portland\, Oregon) meticulously translates knitting patterns into paintings\, and Gretchen Frances Bennett (born 1960\, lives and works in Seattle) evokes the grain of lo-fi digital imagery through precise color pencil marks. Margie Livingston’s (born 1953\, lives and works in Seattle) “paint object” employs acrylic paint as sculptural material\, while Natalie Ball’s (born 1980\, lives and works in Chiloquin\, Oregon) assemblages incorporate the scents of their organic materials. The museum acquired many of the included artworks through its Local Ties initiative\, which furthers the Frye’s commitment to championing local artists. \n  Save  
URL:https://artinamericaguide.com/event/recent-acquisitions-2/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Frye Art Museum":MAILTO:info@fryemuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241115T080000
DTEND;TZID=America/New_York:20250817T170000
DTSTAMP:20260822T220914
CREATED:20240522T193730Z
LAST-MODIFIED:20240522T193730Z
UID:108583-1731657600-1755450000@artinamericaguide.com
SUMMARY:Pictures of Belonging: Miki Hayakawa\, Hisako Hibi\, and Miné Okubo
DESCRIPTION:Pictures of Belonging is an unprecedented examination of these three trailblazing figures.  By tracing their artistic development before\, during\, and after the mass incarceration and displacement of Japanese Americans during World War II\, the exhibition offers a nuanced view of how these women continued to explore and experiment with new artistic expression throughout their lives. Created during tumultuous decades in modern U.S. history\, their paintings\, along with their stories of resilience\, remind us of art’s power in the face of adversity and challenge. \nThe exhibition includes works by Hisako Hibi and Miné Okubo recently acquired for SAAM’s collection\, part of a multi-year initiative to expand and enrich the representation of Asian American experiences\, perspectives\, and artistic accomplishment in public displays and new scholarship. \n  Save  
URL:https://artinamericaguide.com/event/pictures-of-belonging-miki-hayakawa-hisako-hibi-and-mine-okubo/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250125T090000
DTEND;TZID=America/New_York:20250622T170000
DTSTAMP:20260822T220914
CREATED:20241205T204737Z
LAST-MODIFIED:20241205T204737Z
UID:110879-1737795600-1750611600@artinamericaguide.com
SUMMARY:Dawn Cerny: Portmeirion
DESCRIPTION:Seattle artist Dawn Cerny’s abstract sculptures transform a museum gallery into a colorful domestic landscape. Her interactive furniture pieces crafted from humble materials celebrate the theatricality of everyday life\, often to humorous effect. \n  Save  
URL:https://artinamericaguide.com/event/dawn-cerny-portmeirion/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Frye Art Museum":MAILTO:info@fryemuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20250125T100000
DTEND;TZID=America/Denver:20250914T170000
DTSTAMP:20260822T220914
CREATED:20250123T201026Z
LAST-MODIFIED:20250123T201026Z
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SUMMARY:Held Impermanence (Artists Select: Katherine Simóne Reynolds)
DESCRIPTION:The Clyfford Still Museum’s guest-curated exhibition\, Held Impermanence (Artists Select: Katherine Simóne Reynolds)\, illuminates multiple competing desires held in constant tension within the Museum. Organized by award-winning filmmaker\, artist\, and curator Katherine Simóne Reynolds\, the exhibition draws deeply on CSM’s collections. The exhibition runs from January 25–September 14\, 2025. \nAccording to Reynolds\, the collection testifies to Still’s ambitious attempt to keep his entire corpus intact. The commitment to the integrity of that body of work allows viewers to see not only the acclaimed masterpieces but also paintings made in painful transitions and others that bear the scars of time. Artworks change over time; their materials carry the stain of what conservators describe as inherent vice. Viewers see paintings that need to rest and heal\, bearing marks that suggest\, through their surfaces\, condition\, and textures\, metaphors of viscera\, bile\, and wounds. \nIn the Museum’s six largest galleries\, Reynolds’s exhibition asks viewers how they view healing over time\, respond with their bodies to this corpus\, and how they might approach Still’s achievements from a perspective that contends with his and their own senses of mortality—and with it\, a shared desire to hold impermanence. \nKatherine Simóne Reynolds is an artist\, scholar\, and curator who investigates emotional dialects and psychogeographies of Blackness within the Black Midwestern landscape. Her art physicalizes emotions and experiences through photo-based works\, film\, choreography\, sculpture\, and anxious writing practice. She has exhibited in national and international group and solo shows. \n  \nReynolds chose several paintings with condition issues to highlight the impact of conservation throughout the exhibition. She also selected a collection of archival photographs\, letters\, and notes to demonstrate the themes and emotions throughout the exhibition and two original archival objects. The Museum expands on exhibition content and Reynolds’ curatorial process in its free mobile guide on Bloomberg Connects. CSM also offers visitors two takeaway resources in the exhibition’s first gallery\, including Essays on Held Impermanence\, a companion booklet to the exhibition\, and Exploring Feelings and Art: A Family Guide. \nHeld Impermanence follows a chronological display of Still’s works in the Museum’s first three galleries. \n  Save  
URL:https://artinamericaguide.com/event/held-impermanence-artists-select-katherine-simone-reynolds/
LOCATION:Clyfford Still Museum\, 1250 Bannock St.\, Denver\, CO\, 80204\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Clyfford Still Museum":MAILTO:press@clyffordstillmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250218T100000
DTEND;TZID=America/Chicago:20250706T170000
DTSTAMP:20260822T220914
CREATED:20250220T163324Z
LAST-MODIFIED:20250416T140059Z
UID:112232-1739872800-1751821200@artinamericaguide.com
SUMMARY:Bold Women
DESCRIPTION:Bold Women explores how women have pushed the boundaries of art and spurred social and cultural change across generations and geographies. The exhibition showcases more than 75 works of art by nearly 50 artists in a variety of mediums including photography\, video\, painting\, sculpture\, textiles\, and installations. Bold Women remains on view through July 6\, 2025. \n\nImage caption: \nJamelie Hassan\nYeah/Neon manuscript page\n2005–2015\nCourtesy of the Spencer Museum of Art \n\n  Save  
URL:https://artinamericaguide.com/event/bold-women/
LOCATION:Spencer Museum of Art\, University of Kansas\, 1301 Mississippi St.\, Lawrence\, KS\, 66045\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/02/2025.0001.jpg
ORGANIZER;CN="Spencer Museum of Art%2C University of Kansas":MAILTO:spencerart@ku.edu
GEO:38.9596803;-95.244588
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250221T080000
DTEND;TZID=America/New_York:20250622T170000
DTSTAMP:20260822T220914
CREATED:20241211T193249Z
LAST-MODIFIED:20241211T193249Z
UID:110963-1740124800-1750611600@artinamericaguide.com
SUMMARY:David Goldblatt: No Ulterior Motive
DESCRIPTION:David Goldblatt: No Ulterior Motive is a major traveling retrospective exhibition that spans the seven decades of this South African photographer’s career\, from the 1950s to the 2010s\, demonstrating Goldblatt’s commitment to showing the realities of daily life in his country. The exhibition and accompanying publication bring together roughly 150 works by Goldblatt from the collections of the Yale University Art Gallery and the Art Institute of Chicago—two major Goldblatt repositories—including his early black-and-white photography and his post-apartheid\, large-format color photography. Also included in the exhibition are photographs by some of Goldblatt’s contemporaries\, such as Josef Koudelka and Shomei Tomatsu\, as well as fellow South Africans Lebohang Kganye\, Jo Ractliffe\, and Zanele Muholi\, placing Goldblatt within a global and intergenerational network of photographers. This ambitious project honors the life and career of an artist who used his work to celebrate his country’s working-class people\, the landscape\, and the built environment. \n  Save  
URL:https://artinamericaguide.com/event/david-goldblatt-no-ulterior-motive/
LOCATION:Yale University Art Gallery\, 1111 Chapel St\, New Haven\, CT\, 06510\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Yale University Art Gallery":MAILTO:artgalleryinfo@yale.edu
GEO:41.30839;-72.930958
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Yale University Art Gallery 1111 Chapel St New Haven CT 06510 United States;X-APPLE-RADIUS=500;X-TITLE=1111 Chapel St:geo:-72.930958,41.30839
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250221T160000
DTEND;TZID=America/New_York:20250622T180000
DTSTAMP:20260822T220914
CREATED:20250211T183445Z
LAST-MODIFIED:20250211T183445Z
UID:112098-1740153600-1750615200@artinamericaguide.com
SUMMARY:MARTIN WEINSTEIN | Looking through Times
DESCRIPTION:MARTIN WEINSTEIN | LookingThrough Times \nFeb 21 – June 22\, 2025 \nSouthern Vermont Art Center\n860 Southern Vermont Arts Center Dr\,\nManchester\, VT 05254 \n(802) 362-1405 \nCross Contemporary Art Project presents the multi-dimensional paintings of Martin Weinstein at the Southern Vermont Art Center. Weinstein’s unique practice of painting on different layers of acrylic sheets\, then re-assembling them in a clear plastic enclosure\, creates the experience of deep space. In this new series\, Looking Through Times\, Weinstein plays with this optical illusion by reshuffling the layers and creating dimensional ambiguities. \n  Save  
URL:https://artinamericaguide.com/event/martin-weinstein-looking-through-times-3/
LOCATION:Southern  Vermont Art Center\, 860 SVAC Drive\, Manchester\, VT\, 05255\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Cross Contemporary Art Projects":MAILTO:crosscontemporaryprojects@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250222T090000
DTEND;TZID=America/New_York:20250608T170000
DTSTAMP:20260822T220914
CREATED:20241205T204736Z
LAST-MODIFIED:20241220T212741Z
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SUMMARY:Alex Katz: Theater and Dance
DESCRIPTION:Alex Katz: Theater and Dance explores six decades of the New York painter’s dynamic collaborations with choreographers and avant-garde theater groups\, offering an exciting glimpse into the intersection of the visual and performing arts. \n  Save  
URL:https://artinamericaguide.com/event/alex-katz-theater-and-dance/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250304
DTEND;VALUE=DATE:20250711
DTSTAMP:20260822T220914
CREATED:20250225T153434Z
LAST-MODIFIED:20250505T183817Z
UID:112266-1741046400-1752191999@artinamericaguide.com
SUMMARY:You what?
DESCRIPTION:“Applebroog pursues issues that transcend gender – issues of innocence and vulnerability\, of self-knowledge and mortality.  She does not want us to forget the reality of mass murders and political terrorism or to accept nuclear weapons as a fact of life.  Applebroog does not offer solutions.  Rather\, she makes us see what’s there – the poignancy\, the devastation\, and the potential for goodness.  This is political art of the highest order.” \nRuth Bass\, excerpt from Ordinary People\, ARTnews  (May\, 1988) \nIn a post-truth era\, with surging racism\, chauvinism\, sexism\, transphobia\, and other alarming trends\, Ronald Feldman Gallery announces an exhibition of work by Ida Applebroog (1929-2023).  Finding inspiration from an expansive psychological perspective\, this acclaimed artist is known for her razor-sharp explorations of contemporary life. Her art transforms current events into human events by employing carefully selected examples of individual lives as representations of collective society – in short\, an inside-out versus clinical (outside-looking-in) approach.  By presenting emotionally-charged “mid-situations” – narratives with undefined beginnings and ends\, and\, later on\, loaded juxtapositions – Applebroog masterfully empowers viewers to use their hearts and minds to “finish” the work by determining the meaning for themselves.  Singular and affecting\, Applebroog’s art offers a space for visceral experiences as a path for engaging with a spectrum of issues\, and a doorway into the diverseness of the human psyche. \nYou what? focuses on work created by the artist in the 1980s and early 1990s – a fascinating period of development and maturation into greater scale and complexity.  During this time\, Applebroog had eight solo exhibitions at the Ronald Feldman Gallery\, who represented her work between 1981 and 2005\, featuring it in a total of twelve solo exhibitions. \nIn Shake (1980)\, Applebroog depicts a decisive moment: the meeting of two well-dressed couples who are framed by curtains\, as if seen through a window or on a stage.  Classic for its voyeurism and “instant coffee” style of drawing (intentionally minimal and generic)\, the work is augmented by a shadow panel which echoes the subjects’ formality and constraint.  Another vellum work\, Not This Time (1982)\, composed like a comic strip with multiple frames in a long row\, is not an action sequence: the image of a woman seated beside her suitcase is carefully repeated seven times.  The text “I’d better not” and “Not this time” suggests tentativeness and doubt\, while the repetition clearly describes the event as a recurring pattern.  Does this silent struggle represent the very real limits of oppression and abuse that one can endure? \nSeveral large paintings are included in the exhibition.  Rainbow Caverns (1987) is among the first the artist imagined as a combination of several paintings united into a single work.  Here\, a solo\, duo and trio of figures are repeated three times\, respectively\, each on their own predella-like panel.  They join a giant female body builder\, posing in profile\, in surrounding a domestic scene of a matronly woman knitting in an armchair. Surrealistically\, the floor around this central image morphs into a corn field occupied by a flock of birds.  Camp Compazine (1988)\, with its large side panels extending out from the wall\, is Applebroog’s first example of a 3-D composition.  Immediately grabbing the viewer’s attention\, is a homunculus trapped in the mouth of a giant\, calling to mind Francisco Goya’s Saturn Devouring His Son.  A pair of executives\, who look to be mirror images of each other\, a young man seated on a stool but facing away\, and a protester carrying a sign reading “GOD” complete the periphery\, and in the center is a gang of turkeys.  Landscape is incorporated almost as a parody; the fields are not nostalgic places where people coexist within the harmony of nature\, but rather emotional terrain. \nIn the artist’s first catalogue\, her friend and dealer Ronald Feldman writes:  “Applebroog’s ability to get us to project [ourselves] into her work is exceptional.  She sets the stage; we are the players.  Drawn in to figure out what’s going on\, we soon realize that what’s going on is us.  We are more directly participants and less observers than in the roles provided for us by Vermeer or Rembrandt.  Our excitement is provided through direct self-discovery rather than through an unraveling of the secrets of the personages in the paintings.  As we enter Applebroog’s work our breath becomes more present and frightening.  We realize we are hiding secrets not only from each other but\, more importantly\, from ourselves.” \nIda Applebroog’s work has been the subject of many monographs and museum exhibitions\, and is included in the most prestigious public collections in the U.S. and abroad.  She was acknowledged as a genius when she received a MacArthur Foundation Fellowship in 1998.  In addition\, she received an Honorary Doctorate from The New School University/Parsons School of Design in 1997\, a Lifetime Achievement Award from the College Art Association in 1995\, among many other distinctions of excellence. \nGallery viewing hours are Tuesday through Thursday\, 1pm – 5pm\, or by appointment.\nFor more information\, contact Cat Zhou at (212) 226-3232 or catherine@feldmangallery.com \n  Save  
URL:https://artinamericaguide.com/event/you-what/
LOCATION:Ronald Feldman Gallery\, 31 Mercer Street\, New York\, NY\, 10013\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Ronald Feldman Gallery":MAILTO:info@feldmangallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250307T100000
DTEND;TZID=America/New_York:20250727T170000
DTSTAMP:20260822T220914
CREATED:20241211T193211Z
LAST-MODIFIED:20241227T204216Z
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SUMMARY:Edvard Munch: Technically Speaking
DESCRIPTION:Discover the experimental methods of Edvard Munch\, who creatively explored materials and techniques across media. \nA dynamic collaboration between curatorial and conservation experts at the Harvard Art Museums\, Edvard Munch: Technically Speaking offers rare insight into the Norwegian artist’s innovative techniques and the recurring themes across his paintings\, woodcuts\, lithographs\, etchings\, and combination prints. The Harvard Art Museums house one of the largest and most significant collections of artwork by Munch in the United States\, and the exhibition showcases roughly 70 works\, including key loans from Munchmuseet\, Oslo. \nVisitors are invited to explore Munch’s artistic process\, uncovering his playful approach and fascination with materiality. He returned to some themes repeatedly during his lifetime\, carrying motifs across printmaking and painting and demonstrating how a single idea can evoke different responses through shifts in color and orientation. In the exhibition\, prints are displayed alongside the original copper plates\, woodblocks\, and lithography stones used to create them\, providing further access into Munch’s experimental practice. Edvard Munch: Technically Speaking also features groundbreaking research that sheds new light on the artist’s techniques and processes. \nCurated by Elizabeth M. Rudy\, Carl A. Weyerhaeuser Curator of Prints\, and Lynette Roth\, Daimler Curator of the Busch-Reisinger Museum; with Peter Murphy\, Stefan Engelhorn Curatorial Fellow in the Busch-Reisinger Museum. \nResearch in collaboration with Ellen Davis\, Associate Paintings Conservator\, Penley Knipe\, Philip and Lynn Straus Senior Conservator of Works on Paper and Head of the Paper Lab\, Abby Schleicher\, Assistant Paper Conservator\, and Kate Smith\, Senior Conservator of Paintings and Head of the Paintings Lab\, all in the Straus Center for Conservation and Technical Studies; and with contributions from Cambra Sklarz\, Diane and Michael Maher Curatorial Fellow of American Art\, and Kacper Kolęda and Tai Mitsuji\, Ph.D. candidates in the Department of History of Art and Architecture at Harvard University. \n  Save  
URL:https://artinamericaguide.com/event/edvard-munch-technically-speaking/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Exhibition
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ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250307T110000
DTEND;TZID=America/New_York:20271231T180000
DTSTAMP:20260822T220914
CREATED:20250224T180514Z
LAST-MODIFIED:20250224T180514Z
UID:112255-1741345200-1830276000@artinamericaguide.com
SUMMARY:Tending and Dreaming: Stories from the Collection
DESCRIPTION:Tending and Dreaming: Stories from the Collection launches the first dedicated collection galleries at the Museum. Providing unprecedented access to core works in San José’s only publicly held art collection\, SJMA’s collection galleries position artists as storytellers to imagine the Museum as a space where culture and meaning are actively made and always in process.  \nOrganized into thematic groupings\, Tending and Dreaming offers poetic starting points for engaging with ideas woven through the works of almost fifty artists from the Bay Area and beyond\, including  Ruth Asawa\, Martha Atienza\, Shilpa Gupta\, Yolanda López\, and Elias Sime\, among many others.  \n  Save  
URL:https://artinamericaguide.com/event/tending-and-dreaming-stories-from-the-collection/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/02/2004.16_valdezpatssi_theimaginarygarden_FV_2.jpg
GEO:37.3327419;-121.8905201
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=San Jose Museum of Art 110 S. Market Street San Jose CA 95113 United States;X-APPLE-RADIUS=500;X-TITLE=110 S. Market Street:geo:-121.8905201,37.3327419
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250405T080000
DTEND;TZID=America/New_York:20250608T170000
DTSTAMP:20260822T220914
CREATED:20250331T174519Z
LAST-MODIFIED:20250522T163615Z
UID:112790-1743840000-1749402000@artinamericaguide.com
SUMMARY:BRUCE CAHN | Woodstock Work
DESCRIPTION:Opus 40 presents works on paper and sculptures by the late Woodstock artist Bruce Cahn (1942 – 2020). Cahn’s work is known not only for his accomplished techniques but also for his powerful symbolic imagery. These artworks range from abstract mandalas that boldly chart a spiritual journey to hand-carved\, figurative sculptures influenced by his teacher and colleague\, Harvey Fite\, the artist who created Opus 40. \n  Save  
URL:https://artinamericaguide.com/event/bruce-cahn-woodstock-work/
LOCATION:Opus 40\, 356 George Sickle Road\, Saugerties\, NY\, 12477\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2025/03/SF-Bruce-Cahn-flower-mandala.png
ORGANIZER;CN="Cross Contemporary Art Projects":MAILTO:crosscontemporaryprojects@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250411T110000
DTEND;TZID=America/New_York:20250816T160000
DTSTAMP:20260822T220914
CREATED:20250319T152251Z
LAST-MODIFIED:20250523T151929Z
UID:112567-1744369200-1755360000@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-11/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250412T110000
DTEND;TZID=America/New_York:20250817T160000
DTSTAMP:20260822T220914
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113420-1744455600-1755446400@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-12/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250415T110000
DTEND;TZID=America/New_York:20250820T160000
DTSTAMP:20260822T220914
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113421-1744714800-1755705600@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-15/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250416T110000
DTEND;TZID=America/New_York:20250821T160000
DTSTAMP:20260822T220914
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113422-1744801200-1755792000@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-16/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250416T110000
DTEND;TZID=America/New_York:20251005T170000
DTSTAMP:20260822T220914
CREATED:20250403T185846Z
LAST-MODIFIED:20250403T185846Z
UID:112826-1744801200-1759683600@artinamericaguide.com
SUMMARY:Boren Banner Series: Tarrah Krajnak
DESCRIPTION:The Frye is proud to debut an all-new body of work from the internationally recognized artist Tarrah Krajnak. Known for work that blends photography\, performance\, and poetry\, Krajnak uses her body to reimagine and respond to iconic moments in photographic history and to challenge traditions of Western art history. With a keen instinct for the lyric as well as the political potential of image making\, Krajnak reshapes the boundaries of contemporary photography. \n  Save  
URL:https://artinamericaguide.com/event/boren-banner-series-tarrah-krajnak/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/04/BodyConfigurationsLima_01.jpg
ORGANIZER;CN="Frye Art Museum":MAILTO:info@fryemuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250417
DTEND;VALUE=DATE:20250615
DTSTAMP:20260822T220914
CREATED:20250327T200844Z
LAST-MODIFIED:20250327T200844Z
UID:112746-1744848000-1749945599@artinamericaguide.com
SUMMARY:The Garden Reveals Me
DESCRIPTION:The Garden Reveals Me\nApril 17 – June 14\, 2025\nOpening reception: Thursday\, April 17\, 2025\, 6:00-8:00 pm\nIncluding work by Tim Braden\, Samella Lewis\, Cathy Lu\, Michael Mazur\, and Andrew Raftery \n  \nRYAN LEE Gallery is pleased to present The Garden Reveals Me. This group exhibition explores the ways in which artists use depictions of nature – from seeds to leaves to flowers – as a form of self-expression that reveals their desires\, history\, ancestry\, and culture. In a way\, an artist is like a gardener as they choose colors\, lines\, and textures and arrange them in a precise composition. The cyclical nature of the four seasons is explored in the works on view here through various mediums including painting\, ceramics\, engraving\, and sculpture. Just like the interconnected\, interdependent ecosystem of plants\, insects\, and animals that live in a garden\, the works in this exhibition exist in symbiotic harmony. \nIn Michael Mazur’s Seasons by a Pond (2000)\, he depicts images of nature that verge into abstraction. The paintings transition from white and blue-gray ice\, to the soft chartreuse hues of spring\, to the vibrant red and purple blooms of summer\, and finally the brown decay seen in autumn. Influenced by elements of Impressionist art\, abstract expressionism\, and traditional Chinese landscape scroll painting\, Mazur combines aspects of several periods of art history separated by nearly seven centuries to create lush and luminous work. A larger set of the Seasons paintings can be found in the collection of the Museum of Fine Arts\, Boston. \nCathy Lu reimagines garden creation myths like the Garden of Eden and the Immortal Peach Garden as a way to think about the United States as both a utopian and dystopian space for historically excluded communities struggling to belong. Incorporating images of peach pits\, Lu references the Chinese symbology of peaches as signifying immortality as well as the creation myth of the mother goddess Nüwa\, who hand-sculpted humankind from the soil. \nThe title of the show derives from a quote by artist Andrew Raftery\, writing about his series of twelve engraved plates that explore the life cycle of a backyard garden. Inspired by nineteenth century transferware\, Raftery created unique designs for each ceramic plate that depict the artist working in his garden. With these works\, Raftery sought a different approach to autobiography – revealing himself selectively through the narrow lens of garden imagery. \nIn the early 1960s\, Samella Lewis became deeply engaged with Chinese studies\, traveling to Taiwan and China to study Chinese art\, language\, and history. Her painting The Garden (1962) is an expressionistic\, abstract portrayal of a flower garden\, bursting with exuberant color. Individual blossoms merge together into a mass of vivid\, swirling brushstrokes. Lewis described the marks in this work as “calligraphic\,” inspired by her time in Taiwan. \nTim Braden’s paintings verge into abstraction while still conveying a specificity of place. An abundance of shapes and colors makes these works as bountiful as a well-tended garden. Braden says\, “I have always been interested in color charts\, how colors affect and change depending on what is put next to them\, and how my mood can be altered by certain color combinations.” Braden’s work\, based on keen observation with a painter’s eye\, translates a saturated color palette into a light-filled vision. \n  \nTim Braden (b. 1975) is an artist who uses different types of paint\, support\, and application to explore subtle shifts in space\, mood and tone. Braden’s work is ultimately drawn from a close reading of his environment and an attempt to depict the act of looking. He often combines patches of color and light to produce scenes that recall both the specificity of personal experience and nostalgia for another time and place. \nSamella Lewis (b. 1924 – d. 2022) was an artist who studied with Elizabeth Catlett and later became an art historian\, writer\, curator\, and activist. Through her artwork\, she sought to uplift the Black community and portray them as beautiful. Perhaps best known for figurative works on paper\, she also created paintings and sculptures. \nCathy Lu (b. 1984) creates ceramic sculptures and installations that manipulate traditional Chinese imagery and presentation as a way to deconstruct assumptions about Chinese diasporic identity and cultural authenticity. Unpacking how experiences of immigration\, cultural hybridity\, and cultural assimilation become part of American identity is central to her work. \nMichael Mazur (b. 1935 – d. 2009) is known for his use of abstract and figurative visual vocabulary across a wide range of media\, including painting\, drawing\, pastels and printmaking. Influenced by elements of Impressionist art\, abstract expressionism and traditional Chinese landscape scroll painting\, Mazur uniquely combines aspects of several periods of art history separated by nearly seven centuries to create lush and luminous work. \nAndrew Raftery (b. 1962) is an artist whose work explores both observational and autobiographic narratives of contemporary American life. His artistic practice rests upon a deep expertise and appreciation for the antique medium of engraving\, and his precise and labor-intensive works demonstrate the enduring relevance—and efficiency—of this medium’s application on contemporary subjects to disseminate images that are universally accessible. \n  \nAbout RYAN LEE\nCelebrating emerging and established artists and estates\, RYAN LEE presents innovative and scholarly exhibitions across all spectrums of art practices\, including painting\, photography\, video\, sculpture\, and performance. The gallery takes chances on a wide variety of boundary-pushing artists; their work consistently transcends political\, cultural\, material\, or technical boundaries. In addition\, RYAN LEE has\, throughout its history\, demonstrated its long-standing interest and dedication to feminist\, Black and Asian American\, as well as queer narratives in the twentieth and twenty-first centuries. Founded in 2013 by Mary Ryan and Jeffrey Lee\, the gallery is led by partners of different generations and backgrounds with over six decades of combined experiences informing its unique approach. \n  Save  
URL:https://artinamericaguide.com/event/the-garden-reveals-me/
LOCATION:RYAN LEE\, 515 W 26th St\, 3rd Fl\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/MMA-99-02-scaled.jpg
ORGANIZER;CN="RYAN LEE":MAILTO:info@ryanleegallery.com
GEO:40.7500935;-74.0036112
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=RYAN LEE 515 W 26th St 3rd Fl New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=515 W 26th St\, 3rd Fl:geo:-74.0036112,40.7500935
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250417T110000
DTEND;TZID=America/New_York:20250822T160000
DTSTAMP:20260822T220914
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113423-1744887600-1755878400@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-17/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250419T110000
DTEND;TZID=America/New_York:20250824T160000
DTSTAMP:20260822T220914
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113424-1745060400-1756051200@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-19/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250422T110000
DTEND;TZID=America/New_York:20250827T160000
DTSTAMP:20260822T220914
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113425-1745319600-1756310400@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-22/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250423T110000
DTEND;TZID=America/New_York:20250828T160000
DTSTAMP:20260822T220914
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113426-1745406000-1756396800@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-23/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250424T110000
DTEND;TZID=America/New_York:20250829T160000
DTSTAMP:20260822T220914
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113427-1745492400-1756483200@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-24/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250426T110000
DTEND;TZID=America/New_York:20250831T160000
DTSTAMP:20260822T220914
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113428-1745665200-1756656000@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-26/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-2-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250429T110000
DTEND;TZID=America/New_York:20250903T160000
DTSTAMP:20260822T220914
CREATED:20250319T152251Z
LAST-MODIFIED:20250319T152251Z
UID:113429-1745924400-1756915200@artinamericaguide.com
SUMMARY:An Gorta Mór: Selections from Ireland’s Great Hunger Museum
DESCRIPTION:About the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/an-gorta-mor-selections-from-irelands-great-hunger-museum/2025-04-29/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250501
DTEND;VALUE=DATE:20250616
DTSTAMP:20260822T220914
CREATED:20250411T193504Z
LAST-MODIFIED:20250411T193504Z
UID:112950-1746057600-1750031999@artinamericaguide.com
SUMMARY:Joyce Yamada's 'Animalia: Other Eyes\, Other Lives"
DESCRIPTION:Amos Eno Gallery\, a non-profit\, artist-run gallery\, is pleased to present Animalia: Other Eyes\, Other Lives\, a solo exhibition by artist Joyce Yamada. The exhibition draws its name from the scientific classification for the animal kingdom and offers a celebration of the myriad ways different species perceive and exist in the world. \nAnimalia: Other Eyes\, Other Lives will be on view from May 1 to June 15\, 2025\, with an opening reception on Friday\, May 2\, from 6 to 8 p.m. at the gallery at 191 Henry St. on the Lower East Side. Works are also available to view on Artsy. \nFollowing a 2022 solo show at Amos Eno that addressed protest and environmental anxiety\, Yamada’s work has taken a transformative turn — shifting toward exploration\, celebration\, and scientific insight. Through vivid imagery and conceptual depth\, Animalia invites viewers to see through other eyes and live other lives: to imagine navigating the world like a bee\, gliding through the air like a flying squirrel\, or perceiving the light spectrum in a way that reveals a pink-glowing counterpart. \n“This show is a celebration of different ways of seeing and of being\, an appreciation of the many paths by which we earthlings evolve in order to survive and to prosper\,” Yamada says. “No one species is superior to any other; we are shaped by our histories and by our environments.” \nYamada’s art reflects a deep appreciation for the evolutionary ingenuity of life on Earth. From bees who read ultraviolet patterns on flowers to locate nourishment for their hives\, to squirrels who defy gravity with skin-bound membranes and may see each other bathed in radiant hues\, Animalia prompts awe at the complexity and resilience of the natural world. \n​“Flying squirrels can climb up a tree\, leap into space\, glide to a new tree with the assistance of their special membrane\, land on the trunk\, and then quickly scurry to the other side of the tree to evade watching predators\,” Yamada explains. “We have also surmised that squirrels see the light spectrum differently and more thoroughly than we humans can\, and see each other in a lovely pink glow.” \nAmid an era of disconnection\, conflict\, and environmental degradation\, Yamada’s work underscores the interdependence of life forms and the urgent need for collaborative stewardship between all creatures. By illuminating alternate perspectives and honoring the intricate webs of survival that have evolved over millennia\, Animalia is a call for wonder\, respect\, and renewed commitment to life on Earth. \n“We currently live in difficult times characterized by excessive anger and hatred\,” Yamada says. “We inadequately appreciate Earth’s complex networks that bind all animals\, plants\, and physical environments. This can lead to blind blundering and to the destruction of complex environments that once supported us. Hatred\, anger\, and rampant selfishness multiply under these conditions\, but it doesn’t need to be this way. Our survival will require working together generously and intelligently\, with full respect for the complexity of life on Earth.” \n​About the ArtistJoyce Yamada is a New York City-based artist who splits her time between the East Coast and the San Francisco Bay Area. After earning a medical degree from University of Texas Southwestern Medical school\, she worked as a physician until 2004. She also trained as an artist at the San Francisco Art Institute\, University of California\, Berkeley\, and the Alliance for International Studies in Italy. After transitioning to art full-time\, her work has been shown at Front Room Gallery\, ABC No Rio\, Edward Morgan Ballet\, David Schweitzer Gallery\, M.David Studios\, and Denise Bibro Fine Arts. For more information\, visit joyceyamada.com.​ \nAbout Amos Eno Gallery \nAmos Eno Gallery has been a fixture in the New York art scene since 1974 when it opened in Soho. The gallery is open Thursdays through Sundays from noon to 6 p.m. and is run by a small community of professional artists\, both from New York City and across the country\, and a part-time director.  \n​The gallery is located at 191 Henry Street between Jefferson and Clinton Streets on the Lower East Side of Manhattan. It’s a 5 minute walk from the F Train’s East Broadway Station and a 10 minute walk from the J Train’s Delancey Street – Essex Street Station. \nAmos Eno Gallery’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \nFor more information\, please contact Gallery Director Ellen Sturm Niz at amosenogallery@gmail.com. \n  Save  
URL:https://artinamericaguide.com/event/joyce-yamadas-animalia-other-eyes-other-lives/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Amos Eno Gallery":MAILTO:amosenogallery@gmail.com
GEO:40.7057864;-73.9331373
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amos Eno Gallery 191 Henry Street New York NY 10002 United States;X-APPLE-RADIUS=500;X-TITLE=191 Henry Street:geo:-73.9331373,40.7057864
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250502
DTEND;VALUE=DATE:20250615
DTSTAMP:20260822T220914
CREATED:20250410T145308Z
LAST-MODIFIED:20250410T145308Z
UID:112885-1746144000-1749945599@artinamericaguide.com
SUMMARY:Sam Moyer: Subject to change
DESCRIPTION:Sean Kelly is delighted to present Subject to change\, Sam Moyer’s fourth solo exhibition with the gallery. Featuring a dynamic body of new work\, the exhibition features Moyer’s latest stone paintings\, highlighting her distinctive combination of reclaimed stone and painted canvas\, as well as oil on panel paintings and handmade paper works produced as artist in residence at Dieu Donné in the Brooklyn Navy Yard. There will be an opening reception on Thursday\, May 1 from 6-8pm. The artist will be present. \nSam Moyer’s works merge abstraction and materiality\, redefining conventional sculptural forms through her innovative use of natural materials. Inlaying stone into canvas\, she blurs the boundaries between painting and sculpture\, creating wall-mounted works that emphasize variations in surface and light. In these new paintings\, Moyer meditates on the dualities inherent in life—the coexistence of decay and growth\, loss and perspective\, endings and emergent beginnings. Reflecting on what she describes as a “bifurcation in meaning\,” the works are born from trying times\, capturing a moment of balance between extremities. Moyer describes these dualities in the work as\, “The bridge between early life and death\, the transformative period between the decline of outdated systems and the emergence of new paradigms.” \nThe palette of this body of work draws inspiration from Claude Monet’s late paintings. As Monet moved toward a purity of color and light in response to his waning eyesight\, Moyer interprets this evolution as an investigation of the essential\, a filtering that reduces visual language to its core elements. Through her unique approach\, Moyer continues this exploration\, using color and light as the fundamental building blocks of abstraction. \nThe Large Payne series\, an ongoing body of oil-on-panel paintings initiated in 2020\, extends Moyer’s long-standing engagement with the effects of light. Evolving from her earlier Payne works on paper\, which she began in 2017\, these paintings are unified by a restrained palette dominated by Payne’s Gray—a color that captures the fleeting glow of the “magic hour\,” the brief moment between sunset and nightfall when light softens\, and contrast intensifies. Reinforcing the sculptural nature of her work\, Moyer’s tactile application of oil paint\, creates surfaces that shift and transform as the viewer moves. \nIn 2024\, Moyer was selected as the Dieu Donné Lab Grant Resident\, a prestigious year-long program dedicated to advancing the art of handmade paper. Her residency resulted in a series of works composed of multiple layers of paper pulp\, each featuring varying materials and hues. By manipulating the wet pulp through removal and layering techniques\, Moyer constructed intricate compositions that were then pressed and dried\, yielding richly textured and structurally complex works. \nConcurrent with her exhibition at the gallery\, the Hill Art Foundation will present\, Woman with Holes\, a survey exhibition spanning early dyed canvas works\, a monumental stone painting and recent handmade paper works. Presented in dialogue with selections from the Hill Collection\, the exhibition examines Moyer’s engagement with abstraction and places her work alongside artists including Robert Gober\, Liz Glynn\, Jasper Johns\, Brice Marden\, and Isamu Noguchi\, from whose sculpture the title of the show is derived. The exhibition opens on Thursday\, May 1 from 5-7pm and will be on view through August 1\, 2025. We hope you can visit both exhibitions. \nSam Moyer earned her BFA from the Corcoran College of Art and Design\, Washington\, DC\, and her MFA from Yale University\, New Haven\, CT. Her work has been the subject of solo exhibitions at institutions including the Parrish Art Museum\, Water Mill\, NY\, and the Jule Collins Museum of Fine Art\, Auburn University\, AL. Moyer’s work has been featured in national and international group exhibitions at MoMA PS1\, New York\, NY; the Drawing Center\, New York\, NY; the Bass Museum\, Miami\, FL; the Wexner Center for the Arts\, Columbus\, OH; the Public Art Fund\, New York\, NY; The FLAG Art Foundation\, New York\, NY; and Tensta Konsthall\, Stockholm\, Sweden\, amongst others. Her work is included in the permanent collections of the Whitney Museum of American Art\, New York; the Museum of Modern Art\, New York; the Morgan Library & Museum\, New York; the Yale University Art Gallery\, New Haven\, CT; and the Louis Vuitton Foundation\, Paris\, among others. Moyer lives and works in Brooklyn\, NY. \n\n\n\n\n\n\n\n\nFor press inquiries\, please email Adair Lentini at Adair@skny.com \nFor all other inquiries\, please email Lauren Kelly at Lauren@skny.com \n\n\n\n\n  Save  
URL:https://artinamericaguide.com/event/sam-moyer-subject-to-change/
LOCATION:Sean Kelly\, New York\, 475 Tenth Avenue\, New York\, NY\, 10018\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/04/SM-P.24.1664_photo-JSP-Art-Photography_001-copy-1-scaled.jpg
ORGANIZER;CN="Sean Kelly":MAILTO:info@skny.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250502
DTEND;VALUE=DATE:20250615
DTSTAMP:20260822T220914
CREATED:20250513T153140Z
LAST-MODIFIED:20250513T153140Z
UID:113220-1746144000-1749945599@artinamericaguide.com
SUMMARY:Sam Moyer: Subject to change
DESCRIPTION:Sean Kelly is delighted to present Subject to change\, Sam Moyer’s fourth solo exhibition with the gallery. Featuring a dynamic body of new work\, the exhibition features Moyer’s latest stone paintings\, highlighting her distinctive combination of reclaimed stone and painted canvas\, as well as oil on panel paintings and handmade paper works produced as artist in residence at Dieu Donné in the Brooklyn Navy Yard. There will be an opening reception on Thursday\, May 1 from 6-8pm. The artist will be present. \nSam Moyer’s works merge abstraction and materiality\, redefining conventional sculptural forms through her innovative use of natural materials. Inlaying stone into canvas\, she blurs the boundaries between painting and sculpture\, creating wall-mounted works that emphasize variations in surface and light. In these new paintings\, Moyer meditates on the dualities inherent in life—the coexistence of decay and growth\, loss and perspective\, endings and emergent beginnings. Reflecting on what she describes as a “bifurcation in meaning\,” the works are born from trying times\, capturing a moment of balance between extremities. Moyer describes these dualities in the work as\, “The bridge between early life and death\, the transformative period between the decline of outdated systems and the emergence of new paradigms.” \nThe palette of this body of work draws inspiration from Claude Monet’s late paintings. As Monet moved toward a purity of color and light in response to his waning eyesight\, Moyer interprets this evolution as an investigation of the essential\, a filtering that reduces visual language to its core elements. Through her unique approach\, Moyer continues this exploration\, using color and light as the fundamental building blocks of abstraction. \n\n\n\nThe Large Payne series\, an ongoing body of oil-on-panel paintings initiated in 2020\, extends Moyer’s long-standing engagement with the effects of light. Evolving from her earlier Payne works on paper\, which she began in 2017\, these paintings are unified by a restrained palette dominated by Payne’s Gray—a color that captures the fleeting glow of the “magic hour\,” the brief moment between sunset and nightfall when light softens\, and contrast intensifies. Reinforcing the sculptural nature of her work\, Moyer’s tactile application of oil paint\, creates surfaces that shift and transform as the viewer moves. \nIn 2024\, Moyer was selected as the Dieu Donné Lab Grant Resident\, a prestigious year- long program dedicated to advancing the art of handmade paper. Her residency resulted in a series of works composed of multiple layers of paper pulp\, each featuring varying materials and hues. By manipulating the wet pulp through removal and layering techniques\, Moyer constructed intricate compositions that were then pressed and dried\, yielding richly textured and structurally complex works. \nConcurrent with her exhibition at the gallery\, the Hill Art Foundation will present\, Woman with Holes\, a survey exhibition spanning early dyed canvas works\, a monumental stone painting and recent handmade paper works. Presented in dialogue with selections from the Hill Collection\, the exhibition examines Moyer’s engagement with abstraction and places her work alongside artists including Robert Gober\, Liz Glynn\, Jasper Johns\, Brice Marden\, and Isamu Noguchi\, from whose sculpture the title of the show is derived. The exhibition opens on Thursday\, May 1 from 5-7pm and will be on view through August 1\, 2025. We hope you can visit both exhibitions. \nSam Moyer earned her BFA from the Corcoran College of Art and Design\, Washington\, DC\, and her MFA from Yale University\, New Haven\, CT. Her work has been the subject of solo exhibitions at institutions including the Parrish Art Museum\, Water Mill\, NY\, and the Jule Collins Smith Museum of Fine Art at Auburn University\, AL. Moyer’s work has been featured in national and international group exhibitions at MoMA PS1\, New York\, NY; the Drawing Center\, New York\, NY; the Bass Museum\, Miami\, FL; the Wexner Center for the Arts\, Columbus\, OH; the Public Art Fund\, New York\, NY; The FLAG Art Foundation\, New York\, NY; and Tensta Konsthall\, Stockholm\, Sweden\, amongst others. Her work is included in the permanent collections of the Whitney Museum of American Art\, New York; the Museum of Modern Art\, New York; the Morgan Library & Museum\, New York; the Yale University Art Gallery\, New Haven\, CT; and the Louis Vuitton Foundation\, Paris\, among others. Moyer lives and works in Brooklyn\, NY. \nFor additional information on Sam Moyer please visit\, skny.com \nFor press inquiries please email Adair Lentini at Adair@skny.com \nFor all other inquiries\, please email Lauren Kelly at Lauren@skny.com \n\n\n\n\n\n\n  Save  
URL:https://artinamericaguide.com/event/sam-moyer-subject-to-change-2/
LOCATION:Sean Kelly\, New York\, 475 Tenth Avenue\, New York\, NY\, 10018\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Sean Kelly":MAILTO:info@skny.com
END:VEVENT
END:VCALENDAR