BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Art in America Guide - ECPv6.7.0//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://artinamericaguide.com X-WR-CALDESC:Events for Art in America Guide REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/New_York BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20230312T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20231105T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20240310T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20241103T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20250309T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20251102T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20260308T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20261101T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20270314T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20271107T060000 END:STANDARD TZID:America/Los_Angeles BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20260308T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20261101T090000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;VALUE=DATE:20231208 DTEND;VALUE=DATE:20261207 DTSTAMP:20260609T183748 CREATED:20240522T193731Z LAST-MODIFIED:20240522T193731Z UID:108575-1701993600-1796601599@artinamericaguide.com SUMMARY:Isaac Julien: Lessons of the Hour — Frederick Douglass DESCRIPTION:Sir Isaac Julien’s moving image installation Lessons of the Hour (2019) interweaves period reenactments across five screens to create a vivid picture of nineteenth-century activist\, writer\, orator\, and philosopher Frederick Douglass. Through critical research\, fictional reconstruction\, and a marriage of poetic image and sound\, Julien asserts Douglass’ enduring lessons of justice\, abolition\, and freedom that remain just as relevant today. \nLessons of the Hour features passages from Douglass’ key speeches\, including the titular “Lessons of the Hour\,” “What to the Slave Is the Fourth of July?” and “Lecture on Pictures.” \nJulien weaves together reenacted scenes from Douglass’ life and lectures\, filming at his historic home in Washington\, DC\, and a restaged studio of famed Black photographer J.P. Ball (1825–1904) as he makes a portrait of Douglass. Images of contemporary Baltimore—the city where Douglass was enslaved and escaped from bondage in 1838—including footage of fireworks and protests in 2015 following the death of Freddie Gray\, Jr. while in police custody\, are interspersed as the struggle to make good on America’s promise of equality continues. \nLessons of the Hour was jointly acquired by SAAM and the National Portrait Gallery in 2023. The 28-minute work debuted for Washington audiences December 8\, 2023\, and remains on public view through the 250th anniversary of the founding of the United States in 2026. \n  Save   URL:https://artinamericaguide.com/event/isaac-julien-lessons-of-the-hour-frederick-douglass/ LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/05/isaac-julien-1-scaled.jpg ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20250307T110000 DTEND;TZID=America/New_York:20271231T180000 DTSTAMP:20260609T183748 CREATED:20250224T180514Z LAST-MODIFIED:20250224T180514Z UID:112255-1741345200-1830276000@artinamericaguide.com SUMMARY:Tending and Dreaming: Stories from the Collection DESCRIPTION:Tending and Dreaming: Stories from the Collection launches the first dedicated collection galleries at the Museum. Providing unprecedented access to core works in San José’s only publicly held art collection\, SJMA’s collection galleries position artists as storytellers to imagine the Museum as a space where culture and meaning are actively made and always in process.  \nOrganized into thematic groupings\, Tending and Dreaming offers poetic starting points for engaging with ideas woven through the works of almost fifty artists from the Bay Area and beyond\, including  Ruth Asawa\, Martha Atienza\, Shilpa Gupta\, Yolanda López\, and Elias Sime\, among many others.  \n  Save   URL:https://artinamericaguide.com/event/tending-and-dreaming-stories-from-the-collection/ LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/02/2004.16_valdezpatssi_theimaginarygarden_FV_2.jpg GEO:37.3327419;-121.8905201 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=San Jose Museum of Art 110 S. Market Street San Jose CA 95113 United States;X-APPLE-RADIUS=500;X-TITLE=110 S. Market Street:geo:-121.8905201,37.3327419 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260416T180000 DTEND;TZID=America/New_York:20260530T180000 DTSTAMP:20260609T183748 CREATED:20260325T165103Z LAST-MODIFIED:20260325T165103Z UID:116098-1776362400-1780164000@artinamericaguide.com SUMMARY:Jinie Park | Twins DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present\, Twins\, an exhibition featuring a new body of work by Jinie Park. In her debut solo exhibition with the gallery\, Park paints thinly layered\, translucent assemblages of linen\, muslin\, and hand-woven fiber to explore materiality and activated space. \n  Save   URL:https://artinamericaguide.com/event/jinie-park-twins/ LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001 CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/03/Screenshot-2026-03-12-at-3.18.38-PM.jpg ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com GEO:40.7493621;-74.0047021 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Winston Wächter Fine Art 530 W 25th St New York New York 10001;X-APPLE-RADIUS=500;X-TITLE=530 W 25th St:geo:-74.0047021,40.7493621 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260416T180000 DTEND;TZID=America/New_York:20260530T180000 DTSTAMP:20260609T183748 CREATED:20260325T165355Z LAST-MODIFIED:20260325T165355Z UID:116102-1776362400-1780164000@artinamericaguide.com SUMMARY:Stephanie Hirsch | Wherever You Go\, There You Are DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present\, Wherever You Go\, There You Are\, a series of beaded works by Stephanie Hirsch exploring emotional patterns and the inevitability of self. In her newest series\, Hirsch’s work is a meditation on the patterns we carry\, the stories we tell ourselves\, and the excuses we make as the same lessons repeat. \n  Save   URL:https://artinamericaguide.com/event/stephanie-hirsch-wherever-you-go-there-you-are/ LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001 CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/03/Screenshot-2026-03-12-at-10.09.08-AM.jpg ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com GEO:40.7493621;-74.0047021 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Winston Wächter Fine Art 530 W 25th St New York New York 10001;X-APPLE-RADIUS=500;X-TITLE=530 W 25th St:geo:-74.0047021,40.7493621 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260417T100000 DTEND;TZID=America/New_York:20260613T180000 DTSTAMP:20260609T183748 CREATED:20260325T165140Z LAST-MODIFIED:20260325T165140Z UID:116122-1776420000-1781373600@artinamericaguide.com SUMMARY:Dalí: The Great Years\, 1929–1939 DESCRIPTION:Di Donna Galleries is pleased to present Dalí: The Great Years\, 1929–1939\, a major exhibition tracing the pivotal decade in which Dalí established both his mature artistic language and enduring public persona. It is the most significant presentation of Dalí’s work in New York since the Museum of Modern Art’s exhibition in 2008. \n  Save   URL:https://artinamericaguide.com/event/dali-the-great-years-1929-1939/ LOCATION:Di Donna Galleries\, 744 Madison Avenue\, New York\, NY\, 10065\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/03/02-Dali-Venus-de-Milo-aux-Tiroirs-Venus-de-Milo-with-Drawers-1-scaled.jpg ORGANIZER;CN="Di Donna Galleries":MAILTO:info@didonna.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260417T100000 DTEND;TZID=America/New_York:20260613T180000 DTSTAMP:20260609T183748 CREATED:20260325T165312Z LAST-MODIFIED:20260325T165312Z UID:116116-1776420000-1781373600@artinamericaguide.com SUMMARY:Dalí: The Great Years\, 1929–1939 DESCRIPTION:Di Donna Galleries is pleased to present Dalí: The Great Years\, 1929–1939\, a major exhibition tracing the pivotal decade in which Dalí established both his mature artistic language and enduring public persona. It is the most significant presentation of Dalí’s work in New York since the Museum of Modern Art’s exhibition in 2008. The exhibition is on view from April 16 through June 13\, 2026 at Di Donna’s Madison Avenue gallery. \n  Save   URL:https://artinamericaguide.com/event/dali-the-great-years-1929-1939-2/ LOCATION:NY CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/03/02-Dali-Venus-de-Milo-aux-Tiroirs-Venus-de-Milo-with-Drawers-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260418 DTEND;VALUE=DATE:20260808 DTSTAMP:20260609T183748 CREATED:20260415T191117Z LAST-MODIFIED:20260415T191117Z UID:116255-1776470400-1786147199@artinamericaguide.com SUMMARY:Benny Andrews: Migrants DESCRIPTION:Michael Rosenfeld Gallery is pleased to present Benny Andrews: Migrants\, the gallery’s fourth solo exhibition celebrating the work of Benny Andrews (1930–2006). Created between 2004 and 2006\, The Migrant Series is the artist’s last body of work created before his death in November 2006. In the series\, Andrews traced three historical migration routes that connected to his own Black\, White\, and Cherokee ancestry: the Great Migration of the 20th century\, in which millions of Black Americans moved from the South to the North\, the 1930s Dust Bowl exodus from the Great Plains that was driven by environmental and economic hardship\, and the 19th century forced migration of Native Americans in what has become known as the Trail of Tears. By shedding light on human resilience amidst the injustices of history\, the series exemplifies Andrews’ humanist approach as an artist who recognized the power of history and sought to leverage the past to inform the future. \nLearn more \n  Save   URL:https://artinamericaguide.com/event/benny-andrews-migrants/ LOCATION:Michael Rosenfeld Gallery\, 100 11th Ave\, New York\, NY\, New York\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/04/02.jpg ORGANIZER;CN="Michael Rosenfeld Gallery":MAILTO:info@michaelrosenfeld.com GEO:40.7460874;-74.0076191 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Michael Rosenfeld Gallery 100 11th Ave New York NY New York United States;X-APPLE-RADIUS=500;X-TITLE=100 11th Ave:geo:-74.0076191,40.7460874 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260423 DTEND;VALUE=DATE:20260531 DTSTAMP:20260609T183748 CREATED:20260417T194937Z LAST-MODIFIED:20260417T194937Z UID:116260-1776902400-1780185599@artinamericaguide.com SUMMARY:Louisa Chase: The Eighties DESCRIPTION:Berry Campbell is pleased to present Louisa Chase: The Eighties\, on view April 23 through May 30\, 2026. Marking the artist’s first exhibition with the gallery since announcing representation of her estate\, this exhibition features paintings and works on paper from the mid-1970s to the mid-1980s\, a pivotal and emotionally expressive period of Chase’s practice. This exhibition will be Chase’s largest and most comprehensive in New York City in over 25 years. \n  Save   URL:https://artinamericaguide.com/event/louisa-chase-the-eighties/ LOCATION:Berry Campbell Gallery\, 524 W 26th Street\, New York\, NY\, 10001\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/04/chase_LCHA_00257_f-copy.jpg ORGANIZER;CN="Berry Campbell":MAILTO:em@berrycampbell.com GEO:40.7488193;-74.0052789 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Berry Campbell Gallery 524 W 26th Street New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=524 W 26th Street:geo:-74.0052789,40.7488193 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260430 DTEND;VALUE=DATE:20260608 DTSTAMP:20260609T183748 CREATED:20260417T194927Z LAST-MODIFIED:20260417T195403Z UID:116270-1777507200-1780876799@artinamericaguide.com SUMMARY:José-Ricardo Presman DESCRIPTION:Amos Eno Gallery is pleased to present A Mountain Overlooking a Home by the Lake – The Creation of Time from the State of Duration\, a solo exhibition by artist José-Ricardo Presman. Presman was among the founding artists who established Amos Eno Gallery in 1974\, making this exhibition both a continuation of a decades-long relationship and a reflection on the evolving concerns of his practice. \nIn this new body of work\, Presman explores the relationship between perception\, time\, and scale — drawing connections between the intimate spaces of human awareness and the vastness of the cosmos. The exhibition unfolds as a contemplative installation of canvas panels layered with diluted acrylic pigments that reveal themselves slowly\, shifting as viewers spend time with the surface. \nPresman’s paintings resist immediate readability. Instead\, subtle tonal variations and restrained color fields emerge gradually\, inviting viewers into an extended act of looking. The works operate less as static images than as perceptual environments — spaces where attention itself becomes part of the experience. \nThe exhibition’s title references philosophical ideas about time and duration\, particularly the notion that reality is in constant flux. Presman approaches each exhibition as an opportunity to begin again\, deliberately avoiding stylistic repetition in order to reflect this sense of continual transformation. The resulting works encourage viewers to move beyond habitual ways of seeing and engage the work through sustained attention and imagination. \nThe exhibition also includes a related video component and a forthcoming live musical performance by composer Damien Olsen Berdichevsky\, extending Presman’s investigation of rhythm\, perception\, and time across multiple sensory registers. \nOver five decades after helping to found Amos Eno\, Presman’s latest exhibition reflects both the continuity of his philosophical inquiry and its ongoing evolution. \nThe gallery will celebrate the exhibition with an opening reception on Friday\, May 1\, from 6 to 8 p.m. Works and installation images will be available to view on Artsy. \nAbout the Artist \nJosé-Ricardo Presman was born and raised in Buenos Aires\, Argentina\, and received his MFA from Pratt Institute in Brooklyn\, NY. He is one of the co-founders of the Amos Eno Gallery in 1974\, and has exhibited in numerous solo shows at Amos Eno Gallery in New York and in various group shows throughout the US and Canada. A complete list of exhibitions is available in his CV upon request. \nAbout Amos Eno Gallery \nAmos Eno Gallery has been a fixture in the New York art scene since 1974 when it opened in Soho. The nonprofit space  is open Thursdays through Sundays from noon to 6 p.m. and run by a community of professional artists from New York City and across the country\, along with a part-time director. ​ \nThe gallery is located at 191 Henry Street between Jefferson and Clinton Streets on the Lower East Side of Manhattan. It’s a 5 minute walk from the F Train’s East Broadway Station and a 10 minute walk from the J Train’s Delancey Street – Essex Street Station. \nAmos Eno Gallery’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \nAmos Eno Gallery is also funded in part thanks to the generosity of the Joseph Roberts Foundation. \n  Save   URL:https://artinamericaguide.com/event/jose-ricardo-presman/ LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2026/04/Jose-Presman-Mountain-Lake.png ORGANIZER;CN="Amos Eno Gallery":MAILTO:amosenogallery@gmail.com GEO:40.7057864;-73.9331373 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amos Eno Gallery 191 Henry Street New York NY 10002 United States;X-APPLE-RADIUS=500;X-TITLE=191 Henry Street:geo:-73.9331373,40.7057864 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260430 DTEND;VALUE=DATE:20260608 DTSTAMP:20260609T183748 CREATED:20260417T194927Z LAST-MODIFIED:20260417T194927Z UID:116274-1777507200-1780876799@artinamericaguide.com SUMMARY:"In Translation" Group Show DESCRIPTION:In Translation brings together five artists whose works examine how inherited systems — linguistic\, biological\, algorithmic\, political\, and ritual — shape identity and belonging. Across drawing\, painting\, sculpture\, and collage\, the exhibition asks how forms are received and remade: to be patterned by forces larger than the self\, and to respond by constructing new visual languages. \nCurated by gallery director Ellen Sturm Niz\, the exhibition traces a shared tension between origin and invention — between what is given and what is built in response. Each artist engages a distinct system of transformation\, from cultural displacement and personal syntax to painterly fracture\, algorithmic logic\, and political interference. Translation emerges here not as loss\, but as a generative act — a process of absorbing disturbance and reconstituting it as meaning. \nAt a moment when identity is increasingly mediated by technology\, migration\, and political division\, the question of how meaning is constructed — and who constructs it — feels newly urgent. In Translation responds by foregrounding artists who do not simply receive these systems\, but actively reshape them. \nReception: Friday\, May 1\, from 6 to 8 p.m. \nArtists & Works in the Exhibition \nZoë Elena Moldenhauer \nZoë Elena Moldenhauer is a New York–based artist who received her BFA from the Maryland Institute College of Art (2019) and an MA from New York University (2022). She is the founder of The Aerogramme Center for Arts and Culture\, an online platform supporting artists and writers\, and maintains a studio at Brooklyn Art Cluster. \nSince 2017\, Moldenhauer has developed a personal alphabet rooted in her experience as a Guatemalan transracial adoptee — a tool for constructing identity in the absence of inherited language or culture. The system continues to evolve\, incorporating Nahuatl\, pictorial languages from the Nazca lines in Peru\, and cave paintings from Serra da Capivara in Brazil. Using linoleum block printing on fabric\, she builds layered surfaces with yarn\, buttons\, zippers\, and wax crayon\, forming what she describes as imaginary constellations — a language that is both invented and deeply researched. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nComposition 3  |  2025  |  Screenprint\, zipper\, wax crayon\, plastic bread tags on fabric  |  12 × 20 in.  |  $300 \nTwo panels of vivid red fabric\, joined at the center by a zipper\, bear bold black screenprinted forms — abstracted figures or glyphs — surrounded by Moldenhauer’s evolving visual syntax and arrow-like notations in yellow and purple wax crayon. Small found objects punctuate the surface: a red button\, orange and green plastic bread tags. The zipper seam running across the middle feels structurally apt: two things held together\, translatable into each other\, always capable of coming apart. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nComposition 1  |  2025  |  Yarn\, buttons\, plastic bread tags\, wax crayon\, screenprint on fabric  |  21 × 19.5 in.  |  $300 \nMade in Rio de Janeiro in response to Brazil’s Tropicália Movement\, Composition 1 works in a quieter register — a dark fabric ground against which Moldenhauer’s coded system floats alongside loosely applied black shapes and thin wax crayon marks. Buttons and bread tags act as punctuation. The work resists legibility by design\, asking to be felt before it is read. \nAllison Pottasch \nAllison Pottasch is a Brooklyn-based artist who collages\, draws\, and paints. Trained in Advertising at Pratt Institute and largely self-taught\, she works with clippings from magazines and historical mass media\, transforming them into what she describes as hieroglyphic characters. \nHer maximalist collages reassemble these fragments into dense visual systems that examine contemporary Americana — exploring sexuality and gender\, religion and mysticism\, and cultural and personal identity. Removed from their original context\, the images invite viewers to activate their own visual memory to construct meaning. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRangoli  |  2025  |  Paper collage  |  11 × 17 in.  |  $1\,200 \nSet against a ground of layered\, torn black paper\, Pottasch’s collage unfolds along a strict bilateral axis — the symmetry of a mandala or altar. At its center\, a dense horizontal band of fragments — crowns\, leopards\, religious iconography\, botanical forms\, and unmistakably American consumer imagery — is assembled into a form of unexpected ceremony. The traditional Indian rangoli\, typically made as an offering of welcome\, is here reconstructed from the detritus of print culture. The logic of accumulation becomes ceremonial\, transforming disposable imagery into a structure of attention and care. \nOlga Rudenko \nOlga Rudenko is a Ukrainian-born artist based in New York City\, trained in stone and wood carving and holding a Master’s degree in the history of philosophy. Working across sculpture\, textiles\, painting\, and digital language\, she examines how human identity is reshaped by ideology and technology. \nHer project AI_Augmented_Iconography merges Orthodox religious imagery — halos\, gold leaf\, frontal stillness — with algorithmic code\, emojis\, and scientific notation. Rooted in lived experience of cultural and personal transformation\, the work considers how technological systems alter perception\, relationships\, and the body. Slow processes like embroidery act in deliberate opposition to digital speed\, while the recurring child figure underscores the fragility of human life. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n #3   |  2024  |  Silicone dolls\, cotton\, embroidery\, sequins\, ink\, mirrors  |  34 × 20 × 18 in.  |  $10\,000 \nA cluster of soft\, stuffed figures — childlike in form\, unsettling in implication — hangs suspended against overlapping black mirror discs. Every surface is covered in embroidered and inked genetic notation: CRISPR\, mRNA\, scissor symbols\, DNA base-pair letters. The body becomes a readable document — legible to an algorithm. Where Orthodox iconography once marked the body as sacred\, here it is rendered as code. The work asks what individuality means when reproduction is systematized and the script of life is written elsewhere. \nSasha Skulinets \nSasha Skulinets is a Ukrainian-born painter and filmmaker based in New York. Working across painting and narrative film\, she examines perception and the construction of point of view. \nHer paintings\, made primarily with acrylic on canvas and wood\, evolve through layering\, pouring\, and erasure\, emphasizing surface\, duration\, and the physical negotiation of form. The surface records what has been added\, removed\, and reworked\, locating meaning in the accumulation of time and process\, where images are continually translated through material change. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWhile the World Decays  |  2025  |  Acrylic on canvas  |  36 × 48 × 1.5 in.  |  $1\,600 \nA dark vertical stroke bisects the canvas\, splitting a bruised\, atmospheric field of lavender\, blue\, teal\, ochre\, and red into near-mirror halves. Layers of erasure and reapplication remain visible in the surrounding surface. Here\, translation emerges through paint itself — the unified image fracturing under pressure into something less resolved\, more contingent. The palette carries the weight of the title: these are not colors of resolution. \nChristopher Squier \nChristopher Squier is a New York–based visual artist who holds an MFA in Sculpture from the San Francisco Art Institute. Working across drawing\, writing\, and installation\, he explores optics and the role of light in contemporary visual culture\, framing vision as both historically shaped and politically contested. \nHis Disturbances series draws on a mid-century physics experiment visualizing light as wave interference\, using these patterns as a framework for understanding how perception is shaped by overlapping political and social forces\, including sound\, architecture\, and embodied experience. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDisturbances No. 22 (Troubadours)  |  2025  |  Colored pencil on Bristol vellum  |  17 × 11 in.  |  Framed  | $1\,500 \nMade following a trip to Guanajuato\, Mexico\, this drawing layers delicate Gothic-inspired ironwork — drawn from the city’s balconies — over a central interference pattern of concentric white rings radiating across a soft blue and lavender field. Diagonal lines cut through the composition like wave trajectories; a prismatic triangle glows with spectral color; a botanical sprig curls near the surface. Here\, interference becomes grounded in lived conditions — sound moving through streets\, bodies gathering in public space\, presence insisting on itself. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDisturbances No. 19 |  2023  |  Colored pencil on Bristol vellum  |  17 × 11 in.  |  Framed  |  $1\,500 \nPart of the same series\, this drawing extends Squier’s investigation of interference into the realm of sound. Inspired by time spent in Milan\, the work connects the vibration of light to sonic experience — footsteps echoing in humid air\, architectural acoustics\, and the internal mechanics of hearing itself. The composition draws from specific sites\, including the ear-shaped intercom of Casa Sola Busca and the staircase of Villa Necchi\, while staging a dialogue between interior and exterior space\, and between visual and sensory perception. \nTessellation (The Lighthouse\, Unfolded) | 2026 | Colored pencil on Bristol vellum | 19 × 24 in. | Unframed | $2\,200 \nA larger\, in-progress work\, Tessellation (The Lighthouse\, Unfolded) expands Squier’s interest in optical systems through the geometry of a deconstructed Fresnel lens translating its structure into a dense\, flattened field with a hypnotic\, tessellated structure. \nAbout The Project Space at Amos Eno \nIn Translation is on view at The Project Space\, Amos Eno’s experimental exhibition space in the cellar\, from April 30 through June 7\, 2026. \nThe gallery is open from 12 p.m. – 6 p.m. Thursdays through Sundays. Please note there is a steep staircase to access this area. \n\n\n\n\n\n  Save   URL:https://artinamericaguide.com/event/in-translation-group-show/ LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2026/04/Best-graphic-scaled.png ORGANIZER;CN="Amos Eno Gallery":MAILTO:amosenogallery@gmail.com GEO:40.7057864;-73.9331373 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amos Eno Gallery 191 Henry Street New York NY 10002 United States;X-APPLE-RADIUS=500;X-TITLE=191 Henry Street:geo:-73.9331373,40.7057864 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260514 DTEND;VALUE=DATE:20260621 DTSTAMP:20260609T183748 CREATED:20260506T181008Z LAST-MODIFIED:20260506T181008Z UID:116386-1778716800-1781999999@artinamericaguide.com SUMMARY:Charles Ritchie: Drawings from a Room DESCRIPTION:Kathryn Markel Fine Arts in collaboration with BravinLee Programs is pleased to announce Drawings from a Room\, an exhibition of new works on paper by Charles Ritchie. This will be his first solo exhibition with the gallery and a reception will be held on May 21st\, 6-8pm. \n\nCharles Ritchie’s intimate watercolor and ink drawings are the result of sustained attention to his immediate surroundings: details of his neighbors’ homes and yards\, and vignettes of his lived-in rooms. For more than forty years\, his suburban Maryland neighborhood has been his muse\, though light remains his essential subject. \n\n\nMany of these drawings take shape over the course of many years. Ritchie explains\,”My inspirations come in a flash and I hope to convey that initial excitement. When I begin to work\, I am often dependent on the ephemeral: a slant of light\, a certain season\, a subject in a temporary state. When the state passes\, I often put the work aside until it reappears. However\, by the time the drawing is finished\, the site may be vastly different than when I started; trees have come down\, houses have new additions\, etc. The exhibited work is an abstracted accumulation of many different experiences and events.” \n\nRitchie’s drawings move beyond what a camera can offer. His respect for detail is patient and precise. The ordinariness of the everyday becomes suffused with tenderness. Vast amounts of information is contained in these small works\, and their intimate scale invites the viewer to look closely\, to explore the details of spaces familiar and transformed. It is Ritchie’s careful attention\, and then our own\, that transforms the ordinary into something of wonder. \n\nCharles Ritchie has exhibited his watercolor and ink drawings in public and private galleries throughout the United States and Asia.  His works are in such prestigious collections as the Baltimore Museum of Art\, The Metropolitan Museum of Art\, the Boston Public Library\, the Philadelphia Museum of Art\, the New York Public Library\, and the Yale University Art Gallery.  The work is in many private collections such as the Cartin Collection and the Louis-Dreyfus Collection. https://vimeo.com/1004168821 \n  Save   URL:https://artinamericaguide.com/event/charles-ritchie-drawings-from-a-room/ LOCATION:179 10th Ave\, 179 10th Ave\, New York\, NY\, 10011\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/05/rit005-scaled.jpg ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260521 DTEND;VALUE=DATE:20260628 DTSTAMP:20260609T183748 CREATED:20260506T181008Z LAST-MODIFIED:20260506T181008Z UID:116394-1779321600-1782604799@artinamericaguide.com SUMMARY:D. Jack Solomon DESCRIPTION:Kathryn Markel Fine Arts is pleased to announce an upcoming exhibition of paintings by D. Jack Solomon titled  ALL IN GOOD TIME.  This is his first solo exhibition with the gallery and a reception will be held on May 21st from 6-8pm. \nSolomon’s newest paintings are complex\, richly colored geometric abstractions with a debt to Kandinsky and the Bauhaus. His traditional constructive sensibility is infused with personality and wit. Lines and circles create rhythm and movement\, while arbitrary geometric forms such as checkered spheres\, striped ovals\, and architectural fragments  float in and out of the canvas\, creating visual depth without illusionistic space. Many of these forms seem to develop personalities\, conversing across the canvas in a geometric language all their own. \nD. Jack Solomon has shown at numerous galleries nationally and internationally including Rolf Nelson Gallery\, LA; Jefferson Place Gallery\, Washington DC; James Yu Gallery\, NYC; Pam Adler Galleries\, NYC; and at Gallerie Taksu\, KL\, Malaysia. He has also exhibited widely in the Upstate New York and Berkshire regions including at John Davis Gallery\, Hudson NY; AD-D Gallery\, Hudson NY; and Carrie Haddad Gallery\, Hudson\, NY; ThompsonGiroux\, Chatham\, NY; Carrie Chen Gallery\, Great Barrington\, MA; The Albany Center Galleries\, Albany\, NY; 68 Prince Street\, Kingston NY; and Lockwood Gallery\, Kingston NY. Solomon is the recipient of the National Endowment for the Arts Individual Artist grant and the Pollock Krasner Foundation Grant for painting. He received his MA in painting from San Francisco State University. At 92 years of age Solomon is working in the studio most days. He resides in Hudson NY with his wife\, painter\, Jeanette Fintz. \n  Save   URL:https://artinamericaguide.com/event/d-jack-solomon/ LOCATION:529 W 20th St. 6W\, 529 W 20th St. 6W\, New York\, NY\, 10011\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/05/5-REDUX-17-2024-30-X-3022-Acrylic-on-Canvas.jpg ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260521 DTEND;VALUE=DATE:20260628 DTSTAMP:20260609T183748 CREATED:20260506T181008Z LAST-MODIFIED:20260506T181008Z UID:116390-1779321600-1782604799@artinamericaguide.com SUMMARY:Mary Didoardo: Short Story DESCRIPTION:Kathryn Markel Fine Arts is pleased to announce an upcoming exhibition of new paintings by Mary Didoardo titled Short Story.  This is her third solo exhibition with the gallery. A reception for the artist will be held on May 21st from 6-8pm. \n\nMary Didoardo builds her oil paintings on panel in accumulated layers\, then excavates them. After several painted passages\, she covers the surface with packaging tape and carries a gestural\, looping\, and often continuous line across it. The line is not a single passage but is often wiped away and redrawn until the gesture “feels right.” Only then is it cut\, slowly and deliberately\, as she follows that path with an X-Acto knife\, lifting the tape and removing the line from the surface.  The resulting channel is painted\, the surface covered again\, and the process repeated. When all of the tape is finally removed\, flakes of paint lift with it\, revealing earlier colors sealed beneath and exposing the full history of the painting. As the artist notes\, “ This process integrates and embeds the line and keeps it from being simply a design element. It draws the space. The many stages are visible and are there for the viewer to read. Consistent in most of these paintings is the underlying evidence of previous stages of “failed paintings” rising to the surface through layers built up\, scraped down\, enriching the final version.”In the resulting compositions\, fields of bold color are activated by generous\, looping lines that hover between control and release. The lines read as instinctive\, but are in fact adjusted\, erased\, and painstakingly cut into place. The work meanders at the edge of chaos\, then settles into balance. That tension between intuition and labor\, gesture and incision\, is held in the physical presence of the surface. \n\nMary Didoardo lives and works in Long Island City. She received her BFA in Art Education from Pratt Institute where she studied Sculpture and Painting. Her work has been exhibited extensively in New York\, including at the Strohl Art Gallery at Chautauqua Institution\, White Columns\, the C.G Jung Foundation\, and the Painting Center. She is a recipient of the Enrico Donati Foundation Grant and a resident at the Millay Colony. \n  Save   URL:https://artinamericaguide.com/event/mary-didoardo-short-story/ LOCATION:529 W 20th St. 6W\, 529 W 20th St. 6W\, New York\, NY\, 10011\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/05/dido124.jpg ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260604T110000 DTEND;TZID=America/New_York:20260604T190000 DTSTAMP:20260609T183748 CREATED:20260430T195846Z LAST-MODIFIED:20260430T195846Z UID:116314-1780570800-1780599600@artinamericaguide.com SUMMARY:Free First Thursday DESCRIPTION:FREE FIRST THURSDAY \nThursday\, May 7\, 2026 \n11 am – 7 pm \nEnjoy FREE Museum admission and 2-for-1 All Day Happy Hour on the first Thursday of every month from 11 am to 7 pm during Free First Thursday. \nNEW! Free public tours at Noon. \n\n\n\nMINI MUSE \n4 – 6:30 pm \nGet creative with us during Mini Muse for our free drop-in art-making project offered from 4 – 6:30 pm. This drop-in art-making event is open to every skill set and all ages. Grab your friends\, family\, or come alone and let your imagination run wild. \nMaterials are provided\, and all are welcome. \n\nMini Muse us sponsored by Funding Arts Broward \n  Save   URL:https://artinamericaguide.com/event/free-first-thursday/2026-06-04/ LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States CATEGORIES:Event,Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/04/FreeFirstThursdayThumbnail-01-scaled-1.jpg ORGANIZER;CN="NSU Art Museum":MAILTO:moareservations@moafl.org GEO:26.1194368;-80.1427657 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NSU Art Museum 1 E Las Olas Blvd Fort Lauderdale FL 33301 United States;X-APPLE-RADIUS=500;X-TITLE=1 E Las Olas Blvd:geo:-80.1427657,26.1194368 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260604T180000 DTEND;TZID=America/New_York:20260718T180000 DTSTAMP:20260609T183748 CREATED:20260506T181158Z LAST-MODIFIED:20260506T181158Z UID:116408-1780596000-1784397600@artinamericaguide.com SUMMARY:Entangled DESCRIPTION:Winston Wächter Fine Art is pleased to present Entangled\, an exhibition featuring works by Carolina Ponte\, Dinorá Justice and Livia Mourao. In this group exhibition\, the artists have come together to present a kaleidoscopic perspective of the ways in which the natural systems that we live in are enmeshed.  \nCarolina Ponte works in a variety of mediums\, including painting\, watercolor\, ceramics\, and crochet. Her work is centered on the idea of ornamentation embedded in everyday life and the enduring presence of traditional handcraft practices. Fascinated by the transformation of materials\, Ponte uses yarn and clay\, transforming them into installations and sculptures that pull each material out of their everyday context\, placing them prominently in the realm of fine art. As a result\, the works suggest a sense of uncontrolled growth\, with accumulations of color and pattern that\, at first\, may appear unreadable. However\, upon closer inspection\, the viewer may begin to recognize references drawn from natural forms. \nWorking with acrylic on canvas\, Livia Mourao builds her paintings through densely layered application of color. Rather than recreating a specific place in each piece\, her goal is to evoke a sense of it—something more intuitive than descriptive. Blending imagined and remembered landscapes\, her paintings suggest fragments of forests\, though not entirely real ones\, enmeshing environments\, human experience\, and sensory impressions—each shaping and influencing the other rather than existing in isolation. These paintings are inspired by places including Rio de Janeiro\, Florianopolis and Parati\, and reflect how natural systems are deeply interconnected\, not just ecologically but through memory\, place\, and perception. \nDinorá Justice’s paintings emerge from a base layer of hand-marbled designs in organic patterns reminiscent of foliage\, veins\, and cellular structures. Figures and landscape intermingle\, outlined by textiles and plants\, in a visual language that embraces the entanglements of natural systems. Drawing from art historical references\, Justice explores the works of male artists to create connections with contemporary issues. For the works included in Entangled\, Justice was influenced by a recent residency in Vienna studying Gustav Klimt’s work. The artist finds parallels between Klimt’s decorative\, organic style and her own\, transformed into a vision of nature not as something to control or idealize but as a dynamic\, interwoven force central to our histories\, identities\, and shared future. \nIn Entangled\, Ponte\, Mourao and Justice unite to reflect on the ways in which tradition\, materiality and art history inform our presence in the world. Through different techniques and influences\, each artist transforms materials\, landscapes and figures\, emphasizing the fluidity of the human experience\, natural systems\, and how we are\, inevitably\, entangled. \n  Save   URL:https://artinamericaguide.com/event/entangled/ LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001 CATEGORIES:Exhibition ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2026/05/Screenshot-2026-05-05-at-12.15.45-PM-scaled.png ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com GEO:40.7493621;-74.0047021 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Winston Wächter Fine Art 530 W 25th St New York New York 10001;X-APPLE-RADIUS=500;X-TITLE=530 W 25th St:geo:-74.0047021,40.7493621 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20260606T110000 DTEND;TZID=America/Los_Angeles:20260927T170000 DTSTAMP:20260609T183748 CREATED:20260430T200214Z LAST-MODIFIED:20260603T171154Z UID:116369-1780743600-1790528400@artinamericaguide.com SUMMARY:Lotus L. Kang: I hear the hollow boom of time DESCRIPTION:Lotus L. Kang creates installations that respond to the spaces they inhabit and reveal the surprising possibilities of ‘misusing’ materials—specifically\, the tools of photography. In her largest museum exhibition to date\, she presents two major new installations alongside a series of works on paper\, all developed in dialogue with the Frye Art Museum’s distinctive architecture.\n\nInterweaving poetic reflections on memory\, translation\, and inheritance\, Kang works iteratively\, revisiting forms and materials across her artworks. For the Frye\, she creates an installation featuring large sheets of unfixed industrial film that have been exposed to varied light sources in a process she calls “tanning\,” likening the film’s sensitive surface to skin. Sculptures using tatami mats as their foundation punctuate the spaces between the suspended\, cascading film sheets. Secondly\, Kang will present a kinetic sculpture: evoking an enlarged ribcage\, a rotating drum wrapped in celluloid film projects shifting bands of color and light throughout the gallery\, its motion timed to a rhythmic score based on lines of poetry.\n\nTogether\, these works embrace leaky boundaries—between inside and outside\, life and death\, deterioration and regeneration—exploring how we are continually shaped and transformed by the environments we move through.\n  Save   URL:https://artinamericaguide.com/event/lotus-l-kang-i-hear-the-hollow-boom-of-time/ LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/04/Molt_2022-25-scaled.jpg ORGANIZER;CN="Frye Art Museum":MAILTO:info@fryemuseum.org END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260611 DTEND;VALUE=DATE:20260720 DTSTAMP:20260609T183748 CREATED:20260521T195655Z LAST-MODIFIED:20260521T195655Z UID:116498-1781136000-1784505599@artinamericaguide.com SUMMARY:Miguel A. Aragón & Eddy A. López: Echoes of Absence DESCRIPTION:Reception: Friday\, June 12\, from 6 to 8 p.m. \nEchoes of Absence presents the works of Miguel A. Aragón and Eddy A. López\, artists who explore collective memory and trauma through print media. Aragón\, born in Ciudad Juarez\, uses erasure as language to examine the US-Mexico border with a lens of violence\, memory\, and perception alongside processes that are reductive. López\, a survivor of the Nicaraguan civil war\, uses censorship and obfuscation to interrogate the use of war imagery in the media\, exploring the tension between lived experience and representation\, remembering and forgetting. Together\, Aragón and López critique visual representations of conflict and war -– and the power systems that perpetuate this violence — by centering the victims within loud echoes of absence. \nAbout the Artists \nMiguel A. Aragón (*Juárez\, México) lives and works in New York\, USA and Berlin\, Germany; he is an Associate Professor at the College of Staten Island. He has exhibited internationally at venues in the United States\, Germany\, and Canada to name a few. His awards and residences include the East London Printmakers Keyholder Residency\, UK; The Scuola Internazionale di Grafica Venezia fellowship residency\, Italy\, among many others. His work is in collections including the Museum of Fine Arts\, Boston; National Museum of Mexican Art\, Chicago; his work has been published in A Survey of Contemporary Printmaking (2012)\, ¡Printing the Revolution!: The Rise and Impact of Chicano Graphics\, 1965 to Now (2020) and more. \nEddy A. López\, born in Matagalpa\, Nicaragua in the midst of the Sandinista revolution\, is a printmedia artist whose work explores collective memory and trauma. His work has been exhibited at the International Print Center New York\, the Janet Turner Print Museum\, The Central Academy of Fine Arts in Beijing\, and many other national and international venues. He is the recipient of various awards and grants including an Andrew Mellon Foundation Fellow and his work can be found in the collections of the Fort Wayne Museum of Art\, National Museum of Mexican Art\, Frost Art Museum\, and more. Currently\, he is an Associate Professor of Art at Bucknell University in Lewisburg\, Pennsylvania. \nAbout The Project Space at Amos Eno \nEchoes of Absence is on view at The Project Space\, Amos Eno’s experimental exhibition space in the cellar\, from June 11 through July 19\, 2026. \nThe gallery is open from 12 p.m. – 6 p.m. Thursdays through Sundays. Please note there is a steep staircase to access this area. \n  Save   URL:https://artinamericaguide.com/event/miguel-a-aragon-eddy-a-lopez-echoes-of-absence/ LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2026/05/echoes.png ORGANIZER;CN="Amos Eno Gallery":MAILTO:amosenogallery@gmail.com GEO:40.7057864;-73.9331373 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amos Eno Gallery 191 Henry Street New York NY 10002 United States;X-APPLE-RADIUS=500;X-TITLE=191 Henry Street:geo:-73.9331373,40.7057864 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260611 DTEND;VALUE=DATE:20260720 DTSTAMP:20260609T183748 CREATED:20260521T195656Z LAST-MODIFIED:20260521T195656Z UID:116492-1781136000-1784505599@artinamericaguide.com SUMMARY:Tulu Bayar: What Remains\, What Connects: Stories in Assembly DESCRIPTION:Reception: Friday\, June 12\, from 6 to 8 p.m. \nAmos Eno Gallery is pleased to present What Remains\, What Connects: Stories in Assembly\, a solo exhibition by Tulu Bayar. On view from June 11 through July 19\, 2026\, the exhibition brings together two of the Turkish-American artist’s recent bodies of work that examine how memory\, identity\, and belonging are constructed through material\, process\, and collective experience. \nAt a moment when migration\, authorship\, and national identity are being actively contested\, Bayar’s work offers a distinct and necessary perspective: one that shifts attention from fixed narratives to lived\, shared\, and continually evolving experiences of home. Her practice foregrounds collaboration\, material transformation\, and the accumulation of traces. This proposes that meaning is not singular or stable\, but assembled across people\, places\, and time. \nWorking across photography and interdisciplinary media\, Bayar uses paper\, soil\, plant matter\, photographic transfer\, and textile processes to create surfaces that hold both image and residue. These materials are not neutral; they carry embedded histories. Through acts of collecting\, layering\, transferring\, and erasing\, Bayar constructs works that operate simultaneously as images and as records of touch\, of movement\, and of exchange. \nThe exhibition centers on two interconnected projects. Mosaic: Immigrant Stories is a collaborative\, community-based work developed through workshops with immigrant participants. Responding to the question “What does home mean?”\, participants share photographs and personal reflections that Bayar translates through transfer processes onto handmade surfaces. Images shift\, fragment\, and partially dissolve\, resisting singular authorship. The resulting works function as both individual artifacts and collective compositions; portraits not of a single subject\, but of a shared condition shaped by displacement\, memory\, and adaptation. The unique book is currently on display at the National Liberty Museum in Philadelphia through August 2027. For this exhibition\, Bayar will present limited-edition rice prints derived from the book. \nIn Cultivated\, developed during a residency in Wyoming\, Bayar turns to the land as both subject and material. She creates paper from soil\, plant matter\, and organic debris gathered on site\, embedding the physical substance of place into each work. Onto these surfaces\, she transfers wide-angle landscape imagery\, bringing together proximity and distance\, material presence and visual representation. These works hold a tension between permanence and fragility\, and between what is fixed in the land and what is continually altered by time\, use\, and perception. \nAcross both series\, Bayar repositions “home” as something constructed through relationships rather than rooted in geography alone. Her work proposes that stories are carried not only across borders\, but through materials\, gestures\, and acts of sharing. In doing so\, she expands the idea of authorship\, inviting multiple voices and histories into the making of each piece. \nBayar’s practice feels particularly urgent now. As debates around migration\, democracy\, and belonging intensify\, especially in the context of the United States’ 250th anniversary\, her work offers a quieter but deeply resonant counterpoint. Rather than asserting fixed identities or boundaries\, it reveals how communities are formed through accumulation\, care\, and exchange\, and how meaning emerges through processes that are collective\, contingent\, and ongoing. \nIn conjunction with the exhibition\, Amos Eno Gallery will host a special live performance by Brooklyn-based saxophonist and composer Caroline Davis on Saturday\, June 13 from 3–5 p.m. Celebrating the release of her album Fallows\, featuring artwork by Tulu Bayar\, the program creates a direct dialogue between sound and material practice. Davis’s improvisational approach — grounded in listening\, responsiveness\, and collective exchange — resonates with Bayar’s exploration of authorship as something distributed and evolving. The event will include an intimate live set\, followed by a vinyl signing\, with albums available for purchase. (RSVP here. Space is limited.) \nAbout the Artist \nTulu Bayar is a Turkish-born American artist and educator based in Lewisburg\, PA. Her interdisciplinary practice spans photography and material-based processes\, and has been exhibited widely in the United States and internationally\, including in Germany\, Denmark\, the United Kingdom\, France\, Turkey\, Italy\, and China. Her work is held in collections including Belfast Exposed Photography\, the Samuel Dorsky Museum\, the Elgiz Museum of Contemporary Art\, the Textile Museum at George Washington University\, and the Samek Art Museum. She is the recipient of numerous grants and residencies\, including a Fulbright Scholar Grant\, and is currently Professor of Photography and Related Media at Bucknell University. \nAbout Amos Eno Gallery \nAmos Eno Gallery has been a fixture in the New York art scene since 1974 when it opened in Soho. The gallery is open Thursdays through Sundays from noon to 6 p.m. and is run by a small community of professional artists\, both from New York City and across the country\, and a part-time director. ​ \nThe gallery is located at 191 Henry Street between Jefferson and Clinton Streets on the Lower East Side of Manhattan. It’s a 5 minute walk from the F Train’s East Broadway Station and a 10 minute walk from the J Train’s Delancey Street – Essex Street Station. \nAmos Eno Gallery’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \nAmos Eno Gallery is also funded in part thanks to the generosity of the Joseph Roberts Foundation. \nFor more information\, please contact Gallery Director Ellen Sturm Niz at info@amoseno.org. \n  Save   URL:https://artinamericaguide.com/event/tulu-bayar-what-remains-what-connects-stories-in-assembly/ LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/05/01_MosaicPage14jpg.jpg ORGANIZER;CN="Amos Eno Gallery":MAILTO:amosenogallery@gmail.com GEO:40.7057864;-73.9331373 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amos Eno Gallery 191 Henry Street New York NY 10002 United States;X-APPLE-RADIUS=500;X-TITLE=191 Henry Street:geo:-73.9331373,40.7057864 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260702T110000 DTEND;TZID=America/New_York:20260702T190000 DTSTAMP:20260609T183748 CREATED:20260430T195846Z LAST-MODIFIED:20260430T195846Z UID:116315-1782990000-1783018800@artinamericaguide.com SUMMARY:Free First Thursday DESCRIPTION:FREE FIRST THURSDAY \nThursday\, May 7\, 2026 \n11 am – 7 pm \nEnjoy FREE Museum admission and 2-for-1 All Day Happy Hour on the first Thursday of every month from 11 am to 7 pm during Free First Thursday. \nNEW! Free public tours at Noon. \n\n\n\nMINI MUSE \n4 – 6:30 pm \nGet creative with us during Mini Muse for our free drop-in art-making project offered from 4 – 6:30 pm. This drop-in art-making event is open to every skill set and all ages. Grab your friends\, family\, or come alone and let your imagination run wild. \nMaterials are provided\, and all are welcome. \n\nMini Muse us sponsored by Funding Arts Broward \n  Save   URL:https://artinamericaguide.com/event/free-first-thursday/2026-07-02/ LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States CATEGORIES:Event,Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/04/FreeFirstThursdayThumbnail-01-scaled-1.jpg ORGANIZER;CN="NSU Art Museum":MAILTO:moareservations@moafl.org GEO:26.1194368;-80.1427657 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NSU Art Museum 1 E Las Olas Blvd Fort Lauderdale FL 33301 United States;X-APPLE-RADIUS=500;X-TITLE=1 E Las Olas Blvd:geo:-80.1427657,26.1194368 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260806T110000 DTEND;TZID=America/New_York:20260806T190000 DTSTAMP:20260609T183748 CREATED:20260430T195846Z LAST-MODIFIED:20260430T195846Z UID:116316-1786014000-1786042800@artinamericaguide.com SUMMARY:Free First Thursday DESCRIPTION:FREE FIRST THURSDAY \nThursday\, May 7\, 2026 \n11 am – 7 pm \nEnjoy FREE Museum admission and 2-for-1 All Day Happy Hour on the first Thursday of every month from 11 am to 7 pm during Free First Thursday. \nNEW! Free public tours at Noon. \n\n\n\nMINI MUSE \n4 – 6:30 pm \nGet creative with us during Mini Muse for our free drop-in art-making project offered from 4 – 6:30 pm. This drop-in art-making event is open to every skill set and all ages. Grab your friends\, family\, or come alone and let your imagination run wild. \nMaterials are provided\, and all are welcome. \n\nMini Muse us sponsored by Funding Arts Broward \n  Save   URL:https://artinamericaguide.com/event/free-first-thursday/2026-08-06/ LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States CATEGORIES:Event,Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/04/FreeFirstThursdayThumbnail-01-scaled-1.jpg ORGANIZER;CN="NSU Art Museum":MAILTO:moareservations@moafl.org GEO:26.1194368;-80.1427657 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NSU Art Museum 1 E Las Olas Blvd Fort Lauderdale FL 33301 United States;X-APPLE-RADIUS=500;X-TITLE=1 E Las Olas Blvd:geo:-80.1427657,26.1194368 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260903T110000 DTEND;TZID=America/New_York:20260903T190000 DTSTAMP:20260609T183748 CREATED:20260430T195847Z LAST-MODIFIED:20260430T195847Z UID:116317-1788433200-1788462000@artinamericaguide.com SUMMARY:Free First Thursday DESCRIPTION:FREE FIRST THURSDAY \nThursday\, May 7\, 2026 \n11 am – 7 pm \nEnjoy FREE Museum admission and 2-for-1 All Day Happy Hour on the first Thursday of every month from 11 am to 7 pm during Free First Thursday. \nNEW! Free public tours at Noon. \n\n\n\nMINI MUSE \n4 – 6:30 pm \nGet creative with us during Mini Muse for our free drop-in art-making project offered from 4 – 6:30 pm. This drop-in art-making event is open to every skill set and all ages. Grab your friends\, family\, or come alone and let your imagination run wild. \nMaterials are provided\, and all are welcome. \n\nMini Muse us sponsored by Funding Arts Broward \n  Save   URL:https://artinamericaguide.com/event/free-first-thursday/2026-09-03/ LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States CATEGORIES:Event,Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/04/FreeFirstThursdayThumbnail-01-scaled-1.jpg ORGANIZER;CN="NSU Art Museum":MAILTO:moareservations@moafl.org GEO:26.1194368;-80.1427657 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NSU Art Museum 1 E Las Olas Blvd Fort Lauderdale FL 33301 United States;X-APPLE-RADIUS=500;X-TITLE=1 E Las Olas Blvd:geo:-80.1427657,26.1194368 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20261001T110000 DTEND;TZID=America/New_York:20261001T190000 DTSTAMP:20260609T183748 CREATED:20260430T195847Z LAST-MODIFIED:20260430T195847Z UID:116318-1790852400-1790881200@artinamericaguide.com SUMMARY:Free First Thursday DESCRIPTION:FREE FIRST THURSDAY \nThursday\, May 7\, 2026 \n11 am – 7 pm \nEnjoy FREE Museum admission and 2-for-1 All Day Happy Hour on the first Thursday of every month from 11 am to 7 pm during Free First Thursday. \nNEW! Free public tours at Noon. \n\n\n\nMINI MUSE \n4 – 6:30 pm \nGet creative with us during Mini Muse for our free drop-in art-making project offered from 4 – 6:30 pm. This drop-in art-making event is open to every skill set and all ages. Grab your friends\, family\, or come alone and let your imagination run wild. \nMaterials are provided\, and all are welcome. \n\nMini Muse us sponsored by Funding Arts Broward \n  Save   URL:https://artinamericaguide.com/event/free-first-thursday/2026-10-01/ LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States CATEGORIES:Event,Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/04/FreeFirstThursdayThumbnail-01-scaled-1.jpg ORGANIZER;CN="NSU Art Museum":MAILTO:moareservations@moafl.org GEO:26.1194368;-80.1427657 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NSU Art Museum 1 E Las Olas Blvd Fort Lauderdale FL 33301 United States;X-APPLE-RADIUS=500;X-TITLE=1 E Las Olas Blvd:geo:-80.1427657,26.1194368 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20261105T110000 DTEND;TZID=America/New_York:20261105T190000 DTSTAMP:20260609T183748 CREATED:20260430T195847Z LAST-MODIFIED:20260430T195847Z UID:116319-1793876400-1793905200@artinamericaguide.com SUMMARY:Free First Thursday DESCRIPTION:FREE FIRST THURSDAY \nThursday\, May 7\, 2026 \n11 am – 7 pm \nEnjoy FREE Museum admission and 2-for-1 All Day Happy Hour on the first Thursday of every month from 11 am to 7 pm during Free First Thursday. \nNEW! Free public tours at Noon. \n\n\n\nMINI MUSE \n4 – 6:30 pm \nGet creative with us during Mini Muse for our free drop-in art-making project offered from 4 – 6:30 pm. This drop-in art-making event is open to every skill set and all ages. Grab your friends\, family\, or come alone and let your imagination run wild. \nMaterials are provided\, and all are welcome. \n\nMini Muse us sponsored by Funding Arts Broward \n  Save   URL:https://artinamericaguide.com/event/free-first-thursday/2026-11-05/ LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States CATEGORIES:Event,Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/04/FreeFirstThursdayThumbnail-01-scaled-1.jpg ORGANIZER;CN="NSU Art Museum":MAILTO:moareservations@moafl.org GEO:26.1194368;-80.1427657 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NSU Art Museum 1 E Las Olas Blvd Fort Lauderdale FL 33301 United States;X-APPLE-RADIUS=500;X-TITLE=1 E Las Olas Blvd:geo:-80.1427657,26.1194368 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20261203T110000 DTEND;TZID=America/New_York:20261203T190000 DTSTAMP:20260609T183748 CREATED:20260430T195847Z LAST-MODIFIED:20260430T195847Z UID:116320-1796295600-1796324400@artinamericaguide.com SUMMARY:Free First Thursday DESCRIPTION:FREE FIRST THURSDAY \nThursday\, May 7\, 2026 \n11 am – 7 pm \nEnjoy FREE Museum admission and 2-for-1 All Day Happy Hour on the first Thursday of every month from 11 am to 7 pm during Free First Thursday. \nNEW! Free public tours at Noon. \n\n\n\nMINI MUSE \n4 – 6:30 pm \nGet creative with us during Mini Muse for our free drop-in art-making project offered from 4 – 6:30 pm. This drop-in art-making event is open to every skill set and all ages. Grab your friends\, family\, or come alone and let your imagination run wild. \nMaterials are provided\, and all are welcome. \n\nMini Muse us sponsored by Funding Arts Broward \n  Save   URL:https://artinamericaguide.com/event/free-first-thursday/2026-12-03/ LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States CATEGORIES:Event,Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/04/FreeFirstThursdayThumbnail-01-scaled-1.jpg ORGANIZER;CN="NSU Art Museum":MAILTO:moareservations@moafl.org GEO:26.1194368;-80.1427657 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NSU Art Museum 1 E Las Olas Blvd Fort Lauderdale FL 33301 United States;X-APPLE-RADIUS=500;X-TITLE=1 E Las Olas Blvd:geo:-80.1427657,26.1194368 END:VEVENT END:VCALENDAR