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DTSTART;TZID=America/New_York:20250410T173000
DTEND;TZID=America/New_York:20250410T183000
DTSTAMP:20260703T010414
CREATED:20250319T152354Z
LAST-MODIFIED:20250319T152354Z
UID:112543-1744306200-1744309800@artinamericaguide.com
SUMMARY:Livestream Opening Lecture: An Gorta Mór
DESCRIPTION:Livestream Opening Lecture: Join William Abbott\, associate professor of History\, as he discusses the historical origins of the Great Hunger/Irish Famine on Thursday\, April 10 at 5:30 p.m. in the Quick Center for the Arts\, Kelley Theatre\, streaming here! \nPresented in conjunction with An Gorta Mór: Selections from Ireland’s Great Hunger Museum\, organized by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition (Walsh Gallery\, April 11-August 16). \nAbout the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: James Arthur O’Connor\, Scene in Connemara\, 1828\, oil on canvas. Courtesy of Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \n  Save  
URL:https://artinamericaguide.com/event/livestream-opening-lecture-an-gorta-mor/
LOCATION:Virtual
CATEGORIES:Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/OConnor-Connemara-Scene-1-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250415T180000
DTEND;TZID=America/New_York:20250415T190000
DTSTAMP:20260703T010414
CREATED:20250319T152354Z
LAST-MODIFIED:20250319T152354Z
UID:112559-1744740000-1744743600@artinamericaguide.com
SUMMARY:Virtual Lecture: The History of the Ireland’s Great Hunger Museum Collection
DESCRIPTION:Curator Niamh O’Sullivan joins us from Dublin to recount the development of the collection of Ireland’s Great Hunger Museum\, . The museum formed part of Quinnipiac University in Hamden\, CT before its closure in 2022\, and will reopen in a new space in Fairfield\, CT in the future. \nJoin the livestream here! \nAbout the Exhibition: This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum\, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan\, Daniel Macdonald\, James Arthur O’Connor and Jack B. Yeats\, as well as sculptures\, paintings\, and works on paper by contemporary artists including John Behan\, Rowan Gillespie\, Brian Maguire\, and Hughie O’Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition. \nImage: Rowan Gillespie\, Statistic I\, 2010\, bronze. Courtesy Quinnipiac University and the Ireland’s Great Hunger Museum Fairfield Exhibition.© Rowan Gillespie \n  Save  
URL:https://artinamericaguide.com/event/virtual-lecture-the-history-of-the-irelands-great-hunger-museum-collection/
LOCATION:Virtual
CATEGORIES:Event,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/03/EB-Connemara-Girls.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260202
DTEND;VALUE=DATE:20270203
DTSTAMP:20260703T010414
CREATED:20260202T204903Z
LAST-MODIFIED:20260202T204903Z
UID:115743-1769990400-1801612799@artinamericaguide.com
SUMMARY:Inner Vision: Judy Ledgerwood's Monotypes
DESCRIPTION:In 2020 Judy Ledgerwood produced a significant body of unique prints with Manneken Press. a project that continued over a period of months and resulted in more than thirty monotypes. \nUsing watercolor\, rather tan traditional printing inks\, the aqueous media flowed\, allowing the colors to pool\, run together\, settle and dry in unique patterns and textures\, emphasizing its physical materiality as a substance and producing results distinctly different from working with watercolor in an unmediated\, direct manner on paper. Ledgerwood’s signature quatrefoil shapes\, loose\, diagonal grids\, floral and yonic symbols\, references to quilts and the “feminine arts” and intense\, penetrating colors are found throughout the monotype series. \n  Save  
URL:https://artinamericaguide.com/event/inner-vision-judy-ledgerwoods-monotypes-2/
LOCATION:IFPDA Viewing Room
CATEGORIES:Virtual Events + Viewing Rooms
ORGANIZER;CN="Manneken Press":MAILTO:ink@mannekenpress.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260202
DTEND;VALUE=DATE:20270203
DTSTAMP:20260703T010414
CREATED:20260202T204903Z
LAST-MODIFIED:20260202T204903Z
UID:115748-1769990400-1801612799@artinamericaguide.com
SUMMARY:Inner Vision: Judy Ledgerwood's Monotypes
DESCRIPTION:In 2020 Judy Ledgerwood produced a significant body of unique prints with Manneken Press. a project that continued over a period of months and resulted in more than thirty monotypes. \nUsing watercolor\, rather tan traditional printing inks\, the aqueous media flowed\, allowing the colors to pool\, run together\, settle and dry in unique patterns and textures\, emphasizing its physical materiality as a substance and producing results distinctly different from working with watercolor in an unmediated\, direct manner on paper. Ledgerwood’s signature quatrefoil shapes\, loose\, diagonal grids\, floral and yonic symbols\, references to quilts and the “feminine arts” and intense\, penetrating colors are found throughout the monotype series. \n  Save  
URL:https://artinamericaguide.com/event/inner-vision-judy-ledgerwoods-monotypes/
LOCATION:IFPDA Viewing Room
CATEGORIES:Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/02/field_of_flowers_blue_black.jpg
ORGANIZER;CN="Manneken Press":MAILTO:ink@mannekenpress.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260202
DTEND;VALUE=DATE:20270203
DTSTAMP:20260703T010414
CREATED:20260202T204903Z
LAST-MODIFIED:20260202T204903Z
UID:115756-1769990400-1801612799@artinamericaguide.com
SUMMARY:Sarah Smelser: Sandia
DESCRIPTION:Sarah Smelser’s “Sandia” images filter her experience of the desert environments of the American Southwest\, its particular qualities of light\, heat\, emptiness and expansive spaces of the landscape through an abstract sensibility. \n  Save  
URL:https://artinamericaguide.com/event/sarah-smelser-sandia/
CATEGORIES:Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/02/sandia_XXII_web.jpg
ORGANIZER;CN="Manneken Press":MAILTO:ink@mannekenpress.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260202
DTEND;VALUE=DATE:20260602
DTSTAMP:20260703T010414
CREATED:20260202T204903Z
LAST-MODIFIED:20260310T180514Z
UID:115760-1769990400-1780358399@artinamericaguide.com
SUMMARY:Toward What Sun? Vol. I
DESCRIPTION:“Toward What Sun? Vol. I” is the first installment of a four-part online exhibition of prints by Philip Van Keuren featuring forty photogravures made between 2016 and 2026\, presented by Manneken Press.\n\n\nPhilip Van Keuren has been making photographs for many years\, guided by everyday observations that reveal the world as both sublimely beautiful and fundamentally unknowable. His images form a sustained meditation on time\, memory\, and place\, unfolding slowly across decades rather than moments.\n  Save  
URL:https://artinamericaguide.com/event/toward-what-sun-vol-i/
CATEGORIES:Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/02/Snowstorm_2016_cropped.jpg
ORGANIZER;CN="Manneken Press":MAILTO:ink@mannekenpress.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260202T080000
DTEND;TZID=America/New_York:20270202T170000
DTSTAMP:20260703T010414
CREATED:20260202T204903Z
LAST-MODIFIED:20260202T204903Z
UID:115752-1770019200-1801587600@artinamericaguide.com
SUMMARY:Array: A Woodcut Opus by Rupert Deese
DESCRIPTION:“Array” are twenty circular woodcuts by Rupert Deese\, the series unfolded over seven years: Array 700 appeared in 2005\, followed by Array 350 and Array 500 in 2006\, with the project culminating in Array 1000 in 2012. Each print divides the circular field into a distinct tiling system. Beginning with nine equal radial divisions\, Deese further organizes the space through additional radial lines and inscribed circles\, producing intricate\, balanced configurations that are unique to each work. \nWhile firmly abstract\, the Array images maintain a subtle relationship to the landscapes and watersheds of California’s upper Merced and Tuolumne Rivers—regions central to the artist’s experience and to his larger practice. The suite can be understood as an extended meditation on these geographies\, translating their rhythms and structures into ordered\, contemplative visual systems. \n  Save  
URL:https://artinamericaguide.com/event/array-a-woodcut-opus-by-rupert-deese/
CATEGORIES:Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/02/array_pair.jpg
ORGANIZER;CN="Manneken Press":MAILTO:ink@mannekenpress.com
END:VEVENT
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