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DTSTART:20190310T060000
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190423T170000
DTEND;TZID=America/Halifax:20190423T180000
DTSTAMP:20260407T023945
CREATED:20190403T145822Z
LAST-MODIFIED:20190403T145822Z
UID:50671-1556038800-1556042400@artinamericaguide.com
SUMMARY:he Great War and Beyond: Early 20th-Century Prints in the James Reed Collection
DESCRIPTION:Michelle DiMarzo\, the Curator of Education and Academic Engagement\, will present a gallery talk titled The Great War and Beyond: Early 20th-Century Prints in the James Reed Collection\, which is presented in conjunction with the exhibition The Artist Collects: Highlights from the James Reed Collection. The gallery talk is on Tuesday\, April 23rd in the Walsh Gallery at the Quick Center for the Performing Arts starting at 5 p.m. \nThe Artist Collects: Highlights from the James Reed Collection will be on view in the Walsh Gallery from March 14 – June 8\, 2019. \n  Save  
URL:https://artinamericaguide.com/event/he-great-war-and-beyond-early-20th-century-prints-in-the-james-reed-collection/
LOCATION:Bellarmine Hall\, 200 Barlow Road\, Fairfield\, CT\, 06824
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/tUv6Eo0v.jpeg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bellarmine Hall 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190420T130000
DTEND;TZID=America/Halifax:20190420T140000
DTSTAMP:20260407T023945
CREATED:20190404T124439Z
LAST-MODIFIED:20190404T124439Z
UID:50724-1555765200-1555768800@artinamericaguide.com
SUMMARY:Follies Lecture: "Learning to See and Explore at Stowe"
DESCRIPTION:April 20\, 1:00–2:00pm \nMatt Rader\, executive director of the Pennsylvania Horticultural Society\, will discuss his experiences learning to see the landscape as a young man at Stowe\, the Capability Brown-designed landscape garden in Buckinghamshire\, England. $10 per Member. $20 per nonmember. Free for Winterthur Garden and Landscape Society and Garden Associate Members.  Purchase tickets online or call 800.448.3883. \nPhoto: Courtesy of Winterthur \n  Save  
URL:https://artinamericaguide.com/event/follies-lecture-learning-to-see-and-explore-at-stowe/
LOCATION:Winterthur Museum\, Garden & Library\, 5105 Kennett Pike\, Wilmington\, DE\, 19807\, United States
CATEGORIES:Event
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ORGANIZER;CN="Winterthur Museum%2C Garden &amp%3B Library":MAILTO:pressroom@winterthur.org
GEO:39.8087941;-75.6037258
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190418T113000
DTEND;TZID=America/Halifax:20190418T120000
DTSTAMP:20260407T023945
CREATED:20190404T124852Z
LAST-MODIFIED:20190404T124852Z
UID:50669-1555587000-1555588800@artinamericaguide.com
SUMMARY:Art in Focus: Unknown Chinese\, Pair of Sancai Glazed Grooms\, ca. 618-907
DESCRIPTION:Each event in our Art in Focus series offers an opportunity for an hour of close looking and informal discussion around a single work of art\, led by Curator of Education Michelle DiMarzo. On Thursday\, April 18\, we’ll be looking at these figures in the Fairfield University Art Museum’s collection. \nJoin us for the opportunity to engage deeply with this work of art in a relaxed atmosphere. Reserve your seat now! \n  Save  
URL:https://artinamericaguide.com/event/art-in-focus-unknown-chinese-pair-of-sancai-glazed-grooms-ca-618-907/
LOCATION:Bellarmine Hall\, 200 Barlow Road\, Fairfield\, CT\, 06824
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ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bellarmine Hall 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190417T180000
DTEND;TZID=America/Halifax:20190417T193000
DTSTAMP:20260407T023945
CREATED:20190402T162934Z
LAST-MODIFIED:20190402T162934Z
UID:50457-1555524000-1555529400@artinamericaguide.com
SUMMARY:Opening Reception: Hildreth Meière: The Art of Commerce
DESCRIPTION:Hildreth Meière: The Art of Commerce will be on view in the Bellarmine Hall Galleries from April 18 – September 20\, 2019; an Opening Reception will take place on Wednesday\, April 17\, at 6:00 p.m. in the Bellarmine Hall Galleries and Great Hall. The exhibition and reception are free and open to the public. \nHildreth Meière was a prolific muralist whose commissioned works adorn the walls and ceilings of public buildings from New York to California. Born in New York in 1892\, Meière first studied art in Florence\, Italy\, where she discovered the frescoes and mosaics that were to inform her craft. Continuing her studies in New York\, California\, and Chicago\, she traveled to Europe during the summers where she was introduced to les arts decoratifs\, later to be known as Art Deco\, of which she became an early exponent. \nSome of Meière’s best known works are in New York City and include the Dance\, Drama\, and Song roundels that grace the limestone façade of Radio City Music Hall\, the arch and ark mosaics in the Temple Emanu-el\, and the red and orange glass mosaics in the Banking Room at One Wall Street. A versatile artist whose commissions were executed in glass and marble mosaic\, tile\, terra cotta\, tapestry\, leather\, wood and metal\, Meière understood that her success was in large part due to the positive collaboration she forged with corporate clients\, architects\, and the talented craftsmen who executed her works. \nHildreth Meière: The Art of Commerce highlights corporate commissions in New York\, New Jersey\, and Connecticut includes paintings\, wall sculptures\, preparatory drawings\, cartoons and gouache sketches\, as well as photographs of finished commissions. Also included in this exhibition are the full-size cartoons for the mosaic in the lobby of the Travelers Insurance Company in Hartford\, CT. \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-hildreth-meiere-the-art-of-commerce/
LOCATION:Bellarmine Hall\, 200 Barlow Road\, Fairfield\, CT\, 06824
CATEGORIES:Exhibition
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ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bellarmine Hall 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190417T170000
DTEND;TZID=America/Halifax:20190417T180000
DTSTAMP:20260407T023945
CREATED:20190402T142419Z
LAST-MODIFIED:20190402T142419Z
UID:50455-1555520400-1555524000@artinamericaguide.com
SUMMARY:Opening Night Lecture: Classical Influences in the Corporate Murals of Hildreth Meière
DESCRIPTION:Joseph A. LoSchiavo\, President and CEO of SDG Music Foundation\, will present a lecture titled\, “Classical Influences in the Corporate Murals of Hildreth Meière.” This lecture is on the evening of the opening of the exhibition Hildreth Meière: The Art of Commerce Wednesday\, April 17th at 5 p.m. in the Diffley Board Room in Bellarmine Hall. \n  Save  
URL:https://artinamericaguide.com/event/opening-night-lecture-classical-influences-in-the-corporate-murals-of-hildreth-meiere/
LOCATION:Bellarmine Hall\, 200 Barlow Road\, Fairfield\, CT\, 06824
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/GE4q30Cg.jpg
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bellarmine Hall 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190416T160000
DTEND;TZID=America/Halifax:20190416T163000
DTSTAMP:20260407T023945
CREATED:20190402T162910Z
LAST-MODIFIED:20190403T021012Z
UID:50459-1555430400-1555432200@artinamericaguide.com
SUMMARY:Mindfulness & Meditation in the Museum
DESCRIPTION:This year\, sit back and chill out on Tuesday\, April 16\, 2019\, for National Stress Awareness Day. What better way to relax and clear your mind than a calming guided meditation? \nJoin us for a free guided meditation session in the Bellarmine Hall Galleries\, led by certified meditation and mindfulness teacher Jackie DeLise. No prior experience or equipment necessary (though we recommend comfortable clothes). \n  Save  
URL:https://artinamericaguide.com/event/mindfulness-meditation-in-the-museum/
LOCATION:Bellarmine Hall\, 200 Barlow Road\, Fairfield\, CT\, 06824
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/bA4tzxGw.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bellarmine Hall 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190413T150000
DTEND;TZID=America/Halifax:20190413T170000
DTSTAMP:20260407T023945
CREATED:20190402T192028Z
LAST-MODIFIED:20190529T182649Z
UID:50601-1555167600-1555174800@artinamericaguide.com
SUMMARY:Opening for Charles Ray: two ghosts
DESCRIPTION:Matthew Marks is pleased to announce Charles Ray: two ghosts\, the next exhibition in his galleries at 1062 North Orange Grove and 7818 Santa Monica Boulevard. The exhibition includes three new sculptures and more than twenty works on paper. \nThe centerpiece of the exhibition is Ray’s first work in stone\, Two Horses Relief (2018)\, carved from a single block of Virginia granite. The sculpture is twelve feet tall and fourteen feet wide and weighs more than six tons. \nClothespile (2018) is a portrait of the artist’s own clothes\, a recurring subject for Ray since the early 1970s. Ray began Clothespile more than fifteen years ago\, ultimately completing it through a process called direct metal laser sintering (DMLS)\, which uses lasers to fuse powdered metal into solid structures with an intricacy that cannot be achieved through casting or carving. \nMountain Lion Attacking a Dog (2018) is a hypothetical scene from the hills around Ray’s home in Los Angeles. Each animal has been machined from a solid block of aluminum\, producing a reflective surface that enhances the finely sculpted details on their bodies. \nOn view in the gallery at 7818 Santa Monica Boulevard is a selection of Ray’s recent drawings\, the first such presentation since the 2010 Whitney Biennial in New York. These pictures of flowers\, drawn in ink on paper\, have an immediacy in direct contrast to the sculptures\, although one drawing\, at seven feet tall\, shares the sculptures’ monumental scale. The paper for some of these works was hand-made by the artist\, including several sheets with embossed imagery. Also on display are four scroll-like notebooks\, each about eight feet long\, that were hand-bound by Ray in his studio. \nCharles Ray (born 1953) lives and works in Los Angeles. His work has been featured in Documenta (1992)\, the Venice Biennale (1993\, 2003\, 2013)\, and the Whitney Biennial (1989\, 1993\, 1995\, 1997\, 2010)\, and his sculptures have been the subject of two retrospectives. The first was organized in 1998 by the Museum of Contemporary Art\, Los Angeles\, and traveled to the Whitney Museum of American Art\, New York\, and the Museum of Contemporary Art\, Chicago. The second was held at the Kunstmuseum Basel and the Art Institute of Chicago in 2014–15. The exhibition “Charles Ray: four patterns” is currently on view at the Reina Sofía in Madrid from March 28 to September 8. \nCharles Ray: two ghosts is on view at 1062 North Orange Grove and 7818 Santa Monica Boulevard from April 13 to June 22\, 2019\, Tuesday through Saturday\, from 10:00 to 6:00 PM. \nFor additional information\, please contact Stephanie Dorsey at 212-243-0200 or stephanie@matthewmarks.com. \n  Save  
URL:https://artinamericaguide.com/event/charles-ray-two-ghosts-2/
LOCATION:Matthew Marks Gallery LA\, 1062 North Orange Grove/7818 Santa Monica Boulevard\, Los Angeles\, CA\, 90046\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/44382_050.jpg
ORGANIZER;CN="Matthew Marks Gallery LA":MAILTO:info@matthewmarks.com
GEO:34.0904185;-118.3604255
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190413T140000
DTEND;TZID=America/Halifax:20190413T160000
DTSTAMP:20260407T023945
CREATED:20190325T163837Z
LAST-MODIFIED:20190325T163837Z
UID:50120-1555164000-1555171200@artinamericaguide.com
SUMMARY:Anton Ginzburg in Conversation with Meghan Forbes
DESCRIPTION:Helwaser Gallery is pleased to present VIEWs\, the first solo exhibition of works with artist Anton Ginzburg. The exhibition introduces the newest body of works by the artist\, which includes the VIEW painting series\, a site-specific mural\, and ceramic sculptures. VIEWs presents Ginzburg’s engagement with the development of modernist-formal vocabulary in Eastern Europe\, which addresses theories of viewing. Marking the inaugural exhibition at Helwaser Gallery’s new location (833 Madison Avenue\, Third Floor)\, the show will be on view March 28–May 23\, 2019\, with an opening reception to be held Thursday\, March 28\, 2019. The core of the exhibition is the VIEW painting series. Executed on wooden panels of two distinct sizes\, each work references diagrammatic representations of the binocular field of human vision. Based on the shape and geometry of the panels\, abstract compositions are developed through color\, plane\, and line. \nIn smaller-scale works\, different planes of color overlap and intersect with each other\, demonstrating the figure and ground perception within each work. In larger works\, Ginzburg draws on the effects of the movement of color through space. Collectively\, the VIEW series analyzes the act of viewing and demonstrates the process through the material practice of painting. \nAlso on show are Polychrome Columns (2018)\, a pair of multi-colored porcelain sculptures measuring 10 feet in height. Segmented into different colored modules\, which are stacked on top of each other\, the columns introduce a spatial dimension to the exhibition. Accompanying these columns is a site-specific mural\, comprising bands of colored lines with mirrored\, glass pieces superimposed over it. Placed in dialogue with the space of the gallery\, these works create a dynamic viewing process\, allowing visitors to immerse themselves within the works. Also presented in the exhibition\, the artist’s earlier video work Color and Line (2013) echoes this notion of space. A playful interpretation of Suprematist paintings and cinematic structure\, the work was filmed in a laundry room\, in between “cuts” of darkness (achieved by switching on and off the lights)\, creating a continuous sequence of color compositions that vary in placement. Ginzburg’s practice explores the direct relationship between the viewer and the process of observing. Through referencing theories of viewing proposed by two artists of historical avantgarde\, Mikhail Matyushin and Władysław Strzeminski\, Ginzburg applies his own methodology to painting\, sculpture\, and video. \nThis inquiry began three years ago during Ginzburg’s residency in Canada in 2016\, where the artist engaged in visual exercises used in the curriculum of the VkHUTEMAS (a modern art and technical school established by the Soviet Union in 1920). These exercises included color and spatial studies\, photography\, and graphic explorations\, which strived to re-animate the avant-garde methodology of the 20th into the present-day context. \nAbout the artist \nAnton Ginzburg (b. 1974\, St. Petersburg\, Russia) is a New York-based artist\, known for his films\, paintings\, sculptures\, and text-based printed work investigating historical narratives and poetic studies of place\, representation\, and post-Soviet identity. He earned a B.F.A. from Parsons School of Design\, The New School and M.F.A. degree from Bard College\, Milton Avery Graduate School of Arts\, Annandale-on-Hudson\, New York. His work has been shown at the 54th Venice Biennale; the Blaffer Art Museum at the University of Houston; Southern Alberta Art Gallery\, Canada; Palais de Tokyo\, Paris; the San Francisco Museum of Modern Art; White Columns\, New York; Lille 3000\, Euralille\, France; and the first and second Moscow Biennales. His films have been screened at the Whitechapel Gallery\, London; Rotterdam International Film Festival (IFFR); Dallas Symphony Orchestra; Nasher Sculpture Center\, Dallas; Les Rencontres Internationales\, Paris; Haus der Kulturen der Welt\, Berlin; and New York Film Festival/Projections among others. \nwww.antonginzburg.com \nAbout the speaker \nMeghan Forbes is currently the C-MAP Fellow for Central and Eastern Europe at The Museum of Modern Art\, New York and a Visiting Scholar at the Institute for Public Knowledge at New York University. She holds a Ph.D. from the Department of Slavic Languages and Literatures at the University of Michigan\, Ann Arbor. Meghan recently co-curated the exhibition BAUHAUS↔VKhUTEMAS: Intersecting Parallels (2018) in the MoMA Library. She is the sole editor of International Perspectives on Publishing Platforms: Image\, Object\, Text (Routledge\, 2019). Besides her academic publications\, Meghan publishes regularly in venues of wider readership such as Hyperallergic\, Literary Hub\, The Los Angeles Review of Books\, Words Without Borders\, and the Michigan Quarterly Review. \n  Save  
URL:https://artinamericaguide.com/event/anton-ginzburg-in-conversation-with-meghan-forbes/
LOCATION:Helwaser Gallery\, 833 Madison Avenue\, 3rd Floor\, New York\, NY\, 10021\, United States
CATEGORIES:Event,Exhibition
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ORGANIZER;CN="Helwaser Gallery":MAILTO:info@helwasergallery.com
GEO:40.7700197;-73.9664595
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190413T100000
DTEND;TZID=America/Halifax:20190413T150000
DTSTAMP:20260407T023945
CREATED:20190325T163906Z
LAST-MODIFIED:20190325T163906Z
UID:50065-1555149600-1555167600@artinamericaguide.com
SUMMARY:Daffodils and Follies Day
DESCRIPTION:Saturday\, April 13 – 10 am to 3 pm \nCelebrate the beauty of the daffodil\, enjoy Winterthur’s amazing daffodil display\, and see the Follies garden exhibition! Henry Francis du Pont used his collector’s eye in assembling his collection of hundreds of heirloom daffodil bulbs arranged in cloud-like drifts on Sycamore Hill. The day’s events will include tours\, kids’ crafts\, and a daffodil show. Members free. Included with admission. \nChildren’s Daffodil Show – 10:00 am\, Visitor Center (entries accepted through 11:00 am) \nDaffodil Day Craft – 10:00 am to 2:00 pm\, Visitor Center \nGuided Walking Tours of the Daffodils – 11:30 am and 1:30 pm\, begin at Visitor Center Patio \nSelf-guided Tours of the Daffodils – all day\, begin at Visitor Center Patio \nPhoto Credit: Courtesy of Winterthur\, photo by Bob Leitch \n  Save  
URL:https://artinamericaguide.com/event/daffodils-and-follies-day/
LOCATION:Winterthur Museum\, Garden & Library\, 5105 Kennett Pike\, Wilmington\, DE\, 19807\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/03/Daffodil_and_Follies_Bob_Leitch.jpg
ORGANIZER;CN="Winterthur Museum%2C Garden &amp%3B Library":MAILTO:pressroom@winterthur.org
GEO:39.8087941;-75.6037258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Winterthur Museum Garden & Library 5105 Kennett Pike Wilmington DE 19807 United States;X-APPLE-RADIUS=500;X-TITLE=5105 Kennett Pike:geo:-75.6037258,39.8087941
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190409T180000
DTEND;TZID=America/Halifax:20190409T200000
DTSTAMP:20260407T023945
CREATED:20190325T163625Z
LAST-MODIFIED:20190327T143717Z
UID:50169-1554832800-1554840000@artinamericaguide.com
SUMMARY:Royal Trivia Nights
DESCRIPTION:Gather a team of mates\, grab a drink\, and go head to head with other royal aficionados for a fun night of trivia related to all things royal. \nApril 9\, 6:00–8:00 pm\nTheme: “Royal Conundrums”\nPurchase tickets online or call 800.448.3883. \nMay 14\, 6:00–8:00 pm\nTheme: “Royal Weddings”\nPurchase tickets online or call 800.448.3883. \nPhoto credit: Courtesy of Winterthur \n  Save  
URL:https://artinamericaguide.com/event/royal-trivia-nights/2019-04-09/
LOCATION:Winterthur Museum\, Garden & Library\, 5105 Kennett Pike\, Wilmington\, DE\, 19807\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/03/Royal_trivia_night.jpg
ORGANIZER;CN="Winterthur Museum%2C Garden &amp%3B Library":MAILTO:pressroom@winterthur.org
GEO:39.8087941;-75.6037258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Winterthur Museum Garden & Library 5105 Kennett Pike Wilmington DE 19807 United States;X-APPLE-RADIUS=500;X-TITLE=5105 Kennett Pike:geo:-75.6037258,39.8087941
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190404T180000
DTEND;TZID=America/Halifax:20190404T200000
DTSTAMP:20260407T023945
CREATED:20190402T153857Z
LAST-MODIFIED:20190402T153857Z
UID:50497-1554400800-1554408000@artinamericaguide.com
SUMMARY:Opening Reception for Raqib Shaw: Landscapes
DESCRIPTION:Pace Gallery is privileged to present new paintings by Raqib Shaw. The exhibition showcases Shaw’s first work in the long tradition of landscape painting\, signifying a new direction for the London-based Kashmiri artist. Drawing inspiration from his childhood memories of Kashmir and the nature and architecture of the Indian subcontinent\, Shaw has mined and re-envisioned his own personal history through the compulsively-detailed\, meticulously-painted\, and emotionally-potent works. Raqib Shaw: Landscapes will be on view at 537 West 24th Street from April 5 – May 18\, 2019\, with an opening reception on Thursday\, April 4 from 6 – 8 PM. A full-color catalogue featuring a conversation between the artist and Pace Gallery Founder Arne Glimcher will accompany the exhibition. \nImage: Raqib Shaw\, The Four Seasons “Spring”\, 2018-2019. Acrylic liner and enamel on Birch wood\, 44-7/8″ x 47-1/4″ (114 cm x 120 cm). \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-for-raqib-shaw-landscapes/
LOCATION:Pace Gallery 24th Street\, 537 West 24th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2019/04/landscapes.png
ORGANIZER;CN="Pace Gallery":MAILTO:info@pacegallery.com
GEO:40.749373;-74.0054596
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Pace Gallery 24th Street 537 West 24th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=537 West 24th Street:geo:-74.0054596,40.749373
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190404T180000
DTEND;TZID=America/Halifax:20190404T200000
DTSTAMP:20260407T023945
CREATED:20190325T164149Z
LAST-MODIFIED:20190325T164149Z
UID:50125-1554400800-1554408000@artinamericaguide.com
SUMMARY:Opening Reception for Andrea Belag: Inheritance
DESCRIPTION:Morgan Lehman presents recent abstractions by painter Andrea Belag in the artist’s first solo exhibition with the gallery. \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-for-andrea-belag-inheritance/
LOCATION:Morgan Lehman Gallery\, 526 West 26 Street\, Suite 419\, New York\, NY\, 10001\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/03/Belag_Cave-_2019_60x70_oil_linen.jpg
ORGANIZER;CN="Morgan Lehman Gallery":MAILTO:art@morganlehmangallery.com
GEO:40.7500464;-74.0042596
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Morgan Lehman Gallery 526 West 26 Street Suite 419 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=526 West 26 Street\, Suite 419:geo:-74.0042596,40.7500464
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190404T180000
DTEND;TZID=America/Halifax:20190404T200000
DTSTAMP:20260407T023945
CREATED:20190325T164122Z
LAST-MODIFIED:20190325T164218Z
UID:50279-1554400800-1554408000@artinamericaguide.com
SUMMARY:Donald Sultan: Mimosa\, PAINTINGS & DRAWINGS exhibition opening
DESCRIPTION:RYAN LEE is pleased to announce Donald Sultan: Mimosa\, PAINTINGS AND DRAWINGS\, an exhibition of new work by the acclaimed artist. Inspired by a gift of mimosa blossoms he received from a friend in the South of France\, Sultan began using the structure of the mimosa plant to continue his interrogation of the space between abstraction and representation\, the organic and the industrial\, as well as the history of modern art. The exhibition includes large-scale drawings and monumental paintings\, ranging from four to eight feet wide\, respectively. This is the first exhibition of Sultan’s Mimosa paintings and the show will be accompanied by a catalogue. \n  Save  
URL:https://artinamericaguide.com/event/donald-sultan-mimosa-paintings-drawings-exhibition-opening/
LOCATION:NY\, United States
GEO:43.2994285;-74.2179326
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190402T180000
DTEND;TZID=America/Halifax:20190402T200000
DTSTAMP:20260407T023945
CREATED:20190402T160721Z
LAST-MODIFIED:20190402T162017Z
UID:50505-1554228000-1554235200@artinamericaguide.com
SUMMARY:Opening Reception for Richard Learoyd: Curious
DESCRIPTION:Pace and Pace/MacGill are pleased to present an exhibition of recent photographs by Richard Learoyd\, on view on the second and ninth floors of 32 East 57th Street.Marking the British artist’s second solo show with the galleries\, Richard Learoyd: Curious will feature never-before-seen large-scale gelatin silver prints\, as well as unique color images made with a camera obscura. Comprising landscapes\, portraits and still lifes\, among other subjects\, Learoyd’s latest work advances his continued exploration of the technical possibilities of the medium and the limits of photographic expression. The public is invited to attend an opening reception with the artist on Tuesday\, April 2 from 6 to 8 PM. \nImage: Installation view\, “Richard Learoyd: Curious\,” April 3 – May 4\, 2019\, Pace Gallery\, New York © Richard Learoyd. \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-for-richard-learoyd-curious/
LOCATION:Pace Gallery 57th Street\, 32 East 57th Street\, New York\, NY\, 10022\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2019/04/Richard-Learoyd.png
ORGANIZER;CN="Pace Gallery":MAILTO:info@pacegallery.com
GEO:40.7618922;-73.9720405
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Pace Gallery 57th Street 32 East 57th Street New York NY 10022 United States;X-APPLE-RADIUS=500;X-TITLE=32 East 57th Street:geo:-73.9720405,40.7618922
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190402T103000
DTEND;TZID=America/Halifax:20190402T113000
DTSTAMP:20260407T023945
CREATED:20190327T130015Z
LAST-MODIFIED:20190327T130032Z
UID:50362-1554201000-1554204600@artinamericaguide.com
SUMMARY:NEW! Curious Kids
DESCRIPTION:Tuesdays\, April 2\, 9\, 16\, 23 & 30\n10:30–11:30 am \nThis weekly program introduces preschoolers\, ages 3 to 5\, to the wonderful world of museums through hands-on activities and exploration in the Galleries. Kids will discover why museums are important\, meet some of the people who work at Winterthur\, and learn about creating and caring for collections. Each week will focus on a different topic. Registration strongly encouraged! Included with admission. Members free. \nPhoto: Courtesy of Winterthur \n  Save  
URL:https://artinamericaguide.com/event/new-curious-kids/2019-04-02/
LOCATION:Winterthur Museum\, Garden & Library\, 5105 Kennett Pike\, Wilmington\, DE\, 19807\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/03/Curious_Kids.jpg
ORGANIZER;CN="Winterthur Museum%2C Garden &amp%3B Library":MAILTO:pressroom@winterthur.org
GEO:39.8087941;-75.6037258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Winterthur Museum Garden & Library 5105 Kennett Pike Wilmington DE 19807 United States;X-APPLE-RADIUS=500;X-TITLE=5105 Kennett Pike:geo:-75.6037258,39.8087941
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190328T180000
DTEND;TZID=America/Halifax:20190328T200000
DTSTAMP:20260407T023945
CREATED:20190326T194302Z
LAST-MODIFIED:20190326T194302Z
UID:49423-1553796000-1553803200@artinamericaguide.com
SUMMARY:Opening Reception of Anton Ginzburg: VIEWs
DESCRIPTION:Opening Reception: Thursday\, March 28\, 2019 from 6 to 8pm \nArtist-in-Conversation with Meghan Forbes: Saturday\, April 13\, 2019 from 2 – 4 pm \nHelwaser Gallery is pleased to present VIEWs\, the first solo exhibition of works with artist Anton Ginzburg. The exhibition introduces the newest body of works by the artist\, which includes the VIEW painting series\, a site-specific mural\, and ceramic sculptures. VIEWs presents Ginzburg’s engagement with the development of modernist-formal vocabulary in Eastern Europe\, which addresses theories of viewing. Marking the inaugural exhibition at Helwaser Gallery’s new location (833 Madison Avenue\, Third Floor)\, the show will be on view March 28–May 23\, 2019\, with an opening reception to be held Thursday\, March 28\, 2019. The core of the exhibition is the VIEW painting series. Executed on wooden panels of two distinct sizes\, each work references diagrammatic representations of the binocular field of human vision. Based on the shape and geometry of the panels\, abstract compositions are developed through color\, plane\, and line. \nIn smaller-scale works\, different planes of color overlap and intersect with each other\, demonstrating the figure and ground perception within each work. In larger works\, Ginzburg draws on the effects of the movement of color through space. Collectively\, the VIEW series analyzes the act of viewing and demonstrates the process through the material practice of painting. \nAlso on show are Polychrome Columns (2018)\, a pair of multi-colored porcelain sculptures measuring 10 feet in height. Segmented into different colored modules\, which are stacked on top of each other\, the columns introduce a spatial dimension to the exhibition. Accompanying these columns is a site-specific mural\, comprising bands of colored lines with mirrored\, glass pieces superimposed over it. Placed in dialogue with the space of the gallery\, these works create a dynamic viewing process\, allowing visitors to immerse themselves within the works. Also presented in the exhibition\, the artist’s earlier video work Color and Line (2013) echoes this notion of space. A playful interpretation of Suprematist paintings and cinematic structure\, the work was filmed in a laundry room\, in between “cuts” of darkness (achieved by switching on and off the lights)\, creating a continuous sequence of color compositions that vary in placement. Ginzburg’s practice explores the direct relationship between the viewer and the process of observing. Through referencing theories of viewing proposed by two artists of historical avantgarde\, Mikhail Matyushin and Władysław Strzeminski\, Ginzburg applies his own methodology to painting\, sculpture\, and video. \nThis inquiry began three years ago during Ginzburg’s residency in Canada in 2016\, where the artist engaged in visual exercises used in the curriculum of the VkHUTEMAS (a modern art and technical school established by the Soviet Union in 1920). These exercises included color and spatial studies\, photography\, and graphic explorations\, which strived to re-animate the avant-garde methodology of the 20th into the present-day context. \nAbout the artist \nAnton Ginzburg (b. 1974\, St. Petersburg\, Russia) is a New York-based artist\, known for his films\, paintings\, sculptures\, and text-based printed work investigating historical narratives and poetic studies of place\, representation\, and post-Soviet identity. He earned a B.F.A. from Parsons School of Design\, The New School and M.F.A. degree from Bard College\, Milton Avery Graduate School of Arts\, Annandale-on-Hudson\, New York. His work has been shown at the 54th Venice Biennale; the Blaffer Art Museum at the University of Houston; Southern Alberta Art Gallery\, Canada; Palais de Tokyo\, Paris; the San Francisco Museum of Modern Art; White Columns\, New York; Lille 3000\, Euralille\, France; and the first and second Moscow Biennales. His films have been screened at the Whitechapel Gallery\, London; Rotterdam International Film Festival (IFFR); Dallas Symphony Orchestra; Nasher Sculpture Center\, Dallas; Les Rencontres Internationales\, Paris; Haus der Kulturen der Welt\, Berlin; and New York Film Festival/Projections among others. \nwww.antonginzburg.com \nAbout the speaker \nMeghan Forbes is currently the C-MAP Fellow for Central and Eastern Europe at The Museum of Modern Art\, New York and a Visiting Scholar at the Institute for Public Knowledge at New York University. She holds a Ph.D. from the Department of Slavic Languages and Literatures at the University of Michigan\, Ann Arbor. Meghan recently co-curated the exhibition BAUHAUS↔VKhUTEMAS: Intersecting Parallels (2018) in the MoMA Library. She is the sole editor of International Perspectives on Publishing Platforms: Image\, Object\, Text (Routledge\, 2019). Besides her academic publications\, Meghan publishes regularly in venues of wider readership such as Hyperallergic\, Literary Hub\, The Los Angeles Review of Books\, Words Without Borders\, and the Michigan Quarterly Review. \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-of-anton-ginzburg-views/2019-03-28/
LOCATION:Helwaser Gallery\, 833 Madison Avenue\, 3rd Floor\, New York\, NY\, 10021\, United States
CATEGORIES:Event,Exhibition
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ORGANIZER;CN="Helwaser Gallery":MAILTO:info@helwasergallery.com
GEO:40.7700197;-73.9664595
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Helwaser Gallery 833 Madison Avenue 3rd Floor New York NY 10021 United States;X-APPLE-RADIUS=500;X-TITLE=833 Madison Avenue\, 3rd Floor:geo:-73.9664595,40.7700197
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190326T110000
DTEND;TZID=America/Halifax:20190326T180000
DTSTAMP:20260407T023945
CREATED:20190418T175600Z
LAST-MODIFIED:20190418T184558Z
UID:51615-1553598000-1553623200@artinamericaguide.com
SUMMARY:Martha Armstrong at Bowery Gallery
DESCRIPTION:In 2015\, Roberta Smith wrote\, “Ms. Armstrong is the suave disciplinarian of a muscular style. She stacks blocky shapes of color that describe one landscape- a hill with some woods and a shack-visible from the window of her Vermont studio that may be her Mont Sainte-Victoire. But her shapes also maintain a nearly sculptural independence\, hovering slightly above the image\, just beyond legibility…They wear their devotions on their sleeves-Cezanne\, Fauvism\, Cubism\, Arthur Dove- but their bigness\, blockiness and electric spontaneity are quite their own…” (NYTimes\, 9/25/15) \nMartha Armstrong studied at the Cincinnati Art Academy\, Smith College\, and the Rhode Island School of Design. She has exhibited in the United States since 1967\, in Italy since 2000\, and has taught in community colleges\, art schools\, summer programs and graduate programs since the early 1970’s. \nFor more information visit: MarthaArmstrong.com \n  Save  
URL:https://artinamericaguide.com/event/martha-armstrong-recent-paintings-2/2019-03-26/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Event
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GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bowery Gallery 547 W 27TH ST Suite 508 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=547 W 27TH ST Suite 508:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190326T110000
DTEND;TZID=America/Halifax:20190326T180000
DTSTAMP:20260407T023945
CREATED:20190418T175447Z
LAST-MODIFIED:20190418T183157Z
UID:51633-1553598000-1553623200@artinamericaguide.com
SUMMARY:Martha Armstrong at Bowery Gallery
DESCRIPTION:In 2015\, Roberta Smith wrote\, “Ms. Armstrong is the suave disciplinarian of a muscular style. She stacks blocky shapes of color that describe one landscape- a hill with some woods and a shack-visible from the window of her Vermont studio that may be her Mont Sainte-Victoire. But her shapes also maintain a nearly sculptural independence\, hovering slightly above the image\, just beyond legibility…They wear their devotions on their sleeves-Cezanne\, Fauvism\, Cubism\, Arthur Dove- but their bigness\, blockiness and electric spontaneity are quite their own…” (NYTimes\, 9/25/15) \nMartha Armstrong studied at the Cincinnati Art Academy\, Smith College\, and the Rhode Island School of Design. She has exhibited in the United States since 1967\, in Italy since 2000\, and has taught in community colleges\, art schools\, summer programs and graduate programs since the early 1970’s. \nFor more information visit: MarthaArmstrong.com \n  Save  
URL:https://artinamericaguide.com/event/martha-armstrong-recent-paintings/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/armstrong-2019a-1.jpg
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bowery Gallery 547 W 27TH ST Suite 508 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=547 W 27TH ST Suite 508:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190322
DTEND;VALUE=DATE:20190421
DTSTAMP:20260407T023945
CREATED:20190325T164324Z
LAST-MODIFIED:20190326T190336Z
UID:49997-1553212800-1555804799@artinamericaguide.com
SUMMARY:March-April Exhibits @ Art Works
DESCRIPTION:Visit 6 new exhibits and 75 artist studios. Admission is free Tuesdays – Sundays 12 – 6 pm. The exhibits continue through April 20\, 2019. \nExhibits Include: \nOK OK by Kevin Sabo \nOK OK is a collection of gestural figures that twist their way into the perimeter of the canvas. Sabo is insistent on keeping their bodies and limbs squished inside the borders of the painting\, which is a challenge to engineer new proportions of the body. \nThe exhibit will be in the Jane Sandelin Gallery. \nExperiencing Nature by Mark Best \nMark Best grew up in Waynesboro\, Virginia and spent many hours rafting the South River\, building tree forts in the woods\, and hiking in the mountains. In fact\, he felt more at home in the outdoors than inside. In nature\, he found a feeling of peace and wonder rarely experience elsewhere. In his photographs\, he hopes you will experience the same sense of peace and wonder that he does. \nThe exhibit will be in the Centre Gallery\, East. \nPeople and Places by Robert Wynne \nRobert Wynne’s paintings range from abstract to figures\, nature to mechanics. They are an expression of the artist’s travels\, love of nature and nature’s creatures. \nThis exhibit will be in the Centre Gallery\, West. \nHope & Struggle by Crystal George \nCrystal George is fascinated with the human face and form and how it can be the physical expression of intangible emotion. She uses mixed media-acrylic\, photography and ink to express ideas about humanity and about our human experience. This collection is realistic surrealism. The work expresses the battle between hope and despair and seeks to find beauty in the forgotten. \nA mini collection within the collection is a four-part work based on the statement of President Trump that there are “shithole countries”. The four-part series focuses on the hidden treasure that the people of those countries are and is a contrast and a rebuke to the idea that any person or nation is a throwaway. The exhibit will be in the Skylight Gallery. \nSuperman? by Steve Applegate \nSteve Applegate created a series of ten assemblages to explore the following truths about Superman. Is Superman our struggle between spirituality vs. self-will? Is Superman the magic bullet of society? Is Superman a societal enabler\, solving social ills with one painless swoop\, allowing us to avoid personal responsibility? Is Superman ironically an anti-hero? Is Superman actually a stubborn\, clueless man who awaits the “House of Mirrors” as Don Quixote did? Finally\, will Superman on Judgement Day have to answer to a power greater than himself? \nThe exhibit will be in the Corner Gallery. \n  Save  
URL:https://artinamericaguide.com/event/march-april-exhibits-art-works/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2019/03/2019-03-Kevin-Sabo7-1.png
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190314T180000
DTEND;TZID=America/Halifax:20190413T180000
DTSTAMP:20260407T023945
CREATED:20190404T125532Z
LAST-MODIFIED:20190404T125532Z
UID:49394-1552586400-1555178400@artinamericaguide.com
SUMMARY:Norman Bluhm: The '70s
DESCRIPTION:Hollis Taggart is pleased to announce representation of the Estate of Norman Bluhm\, Abstract Expressionist painter (1921-1999). From his early richly-layered canvases to his more structured and vibrant later works\, Bluhm’s paintings are recognized for their compelling evocations of movement and energy. To mark the new collaboration\, Hollis Taggart will present an exhibition focused on Bluhm’s work from the 1970s at its primary Chelsea location at 521 W. 26th Street\, opening on March 14\, 2019. The exhibition\, Norman Bluhm: The ‘70s\, will be accompanied by an essay by the poet and art critic John Yau\, a long-time friend and advocate of Bluhm’s work. \n  \n“Norman Bluhm was an exceptionally gifted painter\, who showed extensively in New York and Europe throughout his career. Despite his artistic achievements\, Bluhm’s full creative trajectory has not garnered the critical evaluation and scholarship it deserves. With the upcoming exhibition—and the others that will follow—we look forward to bringing new audiences and attention to his work\, and in doing so\, supporting a more robust examination and understanding of the artists that participated in and propelled Abstract Expressionism and the movements that have followed\,” said Hollis Taggart. “We have shown Bluhm’s work in numerous group exhibitions over the years\, and are excited for the opportunity to examine and present his work more expansively and with greater focus on his particular vision and techniques.” \n  \nBluhm studied architecture at the Armour Institute of Technology (now the Illinois Institute of Technology) under Mies van der Rohe. Two weeks after Pearl Harbor in 1941\, he enlisted in the United States Army Air Corps and served as a B-26 pilot in World War II. Returning from war\, and no longer interested in architecture\, Bluhm briefly studied fresco painting in Florence. In 1947\, he moved to Paris to study at the Académie de la Grande Chaumière and the École des Beaux Arts under the G.I. Bill. While in Paris he formed relationships with a wide range of artists\, including Alberto Giacometti\, Antonin Artaud\, Sam Francis\, Jean Paul Riopelle\, and Joan Mitchell\, and began following his own artistic path. In 1950\, he married Claude Souvrain\, a French national who was herself a creative spirit. \n  \nHis early work in Paris consisted mostly of delicate line drawings\, depicting still lives\, cathedrals\, rooftops\, nudes and gestural semi-abstract heads. In the early 50s\, he began layering watercolors to create abstract landscapes and seascapes\, and worked with oil on canvas when he could afford it. \n  \nIn 1956\, with little left following the end of his marriage\, Bluhm moved to New York. The following year\, he held his first solo exhibition at Leo Castelli Gallery. During the late 1950s and into the 1960s\, Bluhm showed extensively in solo and group exhibitions in the U.S. and abroad\, and continued to experiment and push the boundaries of free-form expression within his work. In 1961\, he married his second wife\, Cary. \n  \nOver the next three decades\, Bluhm’s work would go through several critical transformations. In the 1970s\, the female form would come to dominate his aesthetic. Strong curving lines and organic forms coalesced with flat fields of color\, ranging from bright violets and pinks to vibrant reds and blues. The mixture of color and form\, along with a flattening of the surface plane\, produced strong sensations of movement\, suggesting in some instances a figure in the throes of metamorphosis and in others a violent collision of elements. “While Bluhm’s earlier works may be better known—perhaps because of their greater visual affinity to Abstract Expressionism—it is these powerful works of the 1970s that capture in particular Bluhm’s tremendous creative vision and capacity. For our first solo presentation of his work\, it seemed fitting that we highlight the aesthetic and conceptual impact and quality of these mid-career paintings\,” Taggart added. \n  \nIn 1969\, Bluhm and his family left New York City\, and a year later settled in Millbrook\, NY\, where they spent the next decade. Pop Art and the social networking of the New York art world pushed him further from the epicenters of activity and some of the acclaim his contemporaries achieved. He continued to show work throughout his life\, however\, and was especially respected in Europe where the tradition of painting remained important. \n  \nIn the 1980s and 1990s\, Bluhm continued to innovate. He incorporated decorative motifs and references to Asian and Indian art in his large-scale triptychs and multi-panel paintings. The last decade of his life he spent in Vermont. His steadfast commitment to gestural and expressive painting remained\, and was now reincarnated within an architectural structure. With every transition in his work he elevated the experience of emotion\, spirituality\, and passion inherent to his nature. \n  \n  Save  
URL:https://artinamericaguide.com/event/norman-bluhm-the-70s/
LOCATION:Hollis Taggart\, 521 West 26th Street\, 1st Floor\,\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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GEO:40.7505732;-74.0028708
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Hollis Taggart 521 West 26th Street 1st Floor New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=521 West 26th Street\, 1st Floor\,:geo:-74.0028708,40.7505732
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190314
DTEND;VALUE=DATE:20190421
DTSTAMP:20260407T023945
CREATED:20190402T223741Z
LAST-MODIFIED:20190402T223741Z
UID:50268-1552521600-1555804799@artinamericaguide.com
SUMMARY:Judy Fox\, "Garden"
DESCRIPTION:The next exhibition at Nancy Hoffman Gallery is Judy Fox’s inaugural show with this gallery entitled “Garden\,” opening on March 14 and continuing through April 20\, 2019. \n  Save  
URL:https://artinamericaguide.com/event/judy-fox-garden/
LOCATION:Nancy Hoffman Gallery\, 520 W. 27th St\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/03/JF19x_Eve_front_STree3.jpg
GEO:40.7505456;-74.003671
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Nancy Hoffman Gallery 520 W. 27th St New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=520 W. 27th St:geo:-74.003671,40.7505456
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190309T103000
DTEND;TZID=America/Halifax:20190420T173000
DTSTAMP:20260407T023945
CREATED:20190419T175257Z
LAST-MODIFIED:20190420T192155Z
UID:51762-1552127400-1555781400@artinamericaguide.com
SUMMARY:Oleg Dou: Select Works
DESCRIPTION:Oleg Dou \nSelect Works \nMarch 9th through April 20th\, 2019 \nOpening Reception: Saturday\, March 9th\, 6:00 to 8:00 pm. \n  \nDeborah Colton Gallery is pleased to announce Oleg Dou: Select Works\, an exhibition of contemporary multimedia artworks by Russian artist Oleg Dou. The exhibition opens Saturday\, March 9th\, with a public reception from 6:00 pm until 8:00 pm. \nOleg Dou was first shown in Houston during FotoFest 2012’s Focus on Russia\, where his work was featured in exhibitions both at FotoFest and Deborah Colton Gallery. Since this Texas debut\, Deborah Colton Gallery has brought Dou’s work nation-wide\, placing his work in prestigious collections throughout the United States. \nOleg Dou was born in 1983 in Moscow and graduated from the Moscow State Institute of Steel and Alloys in 2006. Since then\, he has worked as an artist in cooperation with art institutions and curators around the world. Dou has won many international awards and has been represented at the photographic festivals\, including the Pingyao International Photography Festival\, China; the Seoul Photo Festival\, Republic of Korea; the FotoFestival Naarden\, Netherlands and the International Photography Awards Festival. His works were exhibited twice at the Kandinsky Prize\, which is the main contemporary art exhibition award in Moscow. Dou had a solo exhibition at the Multimedia Art Museum in Moscow\, titled Another Face and has also shown his works internationally throughout Russia\, France\, Istanbul\, Belgium\, China\, Republic of Korea\, Poland\, Turkey\, Spain and the United States. Dou’s work is in the collections of the Arts Santa Monica\, Barcelona; Centre de Cultura Contemporània de Barcelona\, Barcelona; JeJu Museum of Art\, Republic of Korea; Ekaterina Cultural Foundation\, Moscow; the Moscow Museum of Art and the Samawi Collection – The Royal Family of Dubai\, among many others which also include a number of prominent New York and Texas collections. \nAccording to the July 2012 article in Artprice\, which is one of the leaders in art market information\, Oleg Dou was one of the top three artists under thirty years old world-wide in relation to auction prices of his work. His work has been published in art magazines worldwide and he has released a book with distribution in Europe\, “28. Oleg Dou”. \nDou’s work is continuously inspired by his interest in human individuality and self-expression and the attempts to solve the problem of identity in our times. Visually inspired by the culture of fashion and surrealists\, many of his projects are devoted to the relationship between human’s inner self and their behavior in society and suggest that the expectations of society set the standards of behavior and thought\, in terms of what is appropriate and acceptable. In Dou’s solo exhibition at Deborah Colton Gallery during FotoFest 2016\, titled Broken Mirror\, Oleg Dou reflected on the instability of world order and the clashing of civilizations. Civilizations that are all losing their individual identity\, which will create a world where in some ways all people will be closer and in other ways everyone will be further away from their true human nature. Through this exhibition he also explored his own identity and personal journey. \n  \nDeborah Colton Gallery is founded on being an innovative showcase for ongoing presentation and promotion of strong historical and visionary contemporary artists worldwide\, whose diverse practices include painting\, works on paper\, sculpture\, video\, photography\, performance\, conceptual future media and public space installations. \n  Save  
URL:https://artinamericaguide.com/event/oleg-dou-select-works/
LOCATION:Deborah Colton Gallery\, 2445 North Boulevard\, Houston\, 77098\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2019/04/unicorn.png
ORGANIZER;CN="Deborah Colton Gallery":MAILTO:info@deborahcoltongallery.com
GEO:29.7276234;-95.4166597
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Deborah Colton Gallery 2445 North Boulevard Houston 77098 United States;X-APPLE-RADIUS=500;X-TITLE=2445 North Boulevard:geo:-95.4166597,29.7276234
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190308T080000
DTEND;TZID=America/Halifax:20190308T170000
DTSTAMP:20260407T023945
CREATED:20190404T125418Z
LAST-MODIFIED:20190404T125418Z
UID:50034-1552032000-1552064400@artinamericaguide.com
SUMMARY:Blackface: A Reclamation of Beauty\, Power\, and Narrative
DESCRIPTION:Galerie Myrtis and The Agora Culture present Blackface: A Reclamation of Beauty\, Power\, and Narrative. \nIn asserting the beauty of the black body\, affirming its power— and societal and historical place\, curators Myrtis Bedolla and Jessica Stafford Davis offer a counter narrative to the racist archetypes that evolved from 18th century minstrelsy\, and its negative stereotyping of African Americans that prevails today. \nThe exhibition explores contemporary notions of black identity through photography by Tawny Chatmon\, and painters Alfred Conteh\, Jerrell Gibbs\, and Jas Knight; and an investigation of blackface from a historic perspective presented in paintings by Arvie Smith and multidisciplinary works by Felandus Thames. The addition of a compiling video by filmmaker Karina Griffith captured in Berlin\, Germany evokes the maligning of blackness through an international lens. \nIn addressing the insidious nature of minstrelsy and the appropriation of black culture —to deploy and rationalize the subjugation of African Americans for financial gain\, Frederick Douglass described blackface performers as: \n“…the filthy scum of white society\, who have stolen from us a complexion\, denied them by      nature\, in which to make money\, and pander to the corrupt taste of their white fellow citizens.” [i] \n[i]  Lott\, Eric (1993). Love and Theft: Blackface Minstrelsy and the American Working Class. New York: Oxford University Press. \n  \n  Save  
URL:https://artinamericaguide.com/event/blackface-a-reclamation-of-beauty-power-and-narrative/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/03/TawnyChatmon-Redemption-GirlEnlightened-reduced-size-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190307T180000
DTEND;TZID=America/Halifax:20190406T180000
DTSTAMP:20260407T023945
CREATED:20190509T135028Z
LAST-MODIFIED:20190509T135028Z
UID:49554-1551981600-1554573600@artinamericaguide.com
SUMMARY:CAROL JACOBSEN: LIFE ON TRIAL
DESCRIPTION:Denise Bibro Fine Art\, Chelsea\, NYC is pleased to present Life on Trial\, a video installation and photography by Carol Jacobsen\, running March 7 – April 6\, 2019. \nThe exhibition includes Life on Trial\, a video installation that investigates women’s criminalization from the perspective of a woman who killed her rapist in self-defense. She was then convicted to first-degree murder and sentenced to life in prison. She was named plaintiff on six different lawsuits against the State for sexual assaults by guards and other issues on behalf of women prisoners. Also exhibited is Letters of the Law\, a photographic series on incarcerated women with whom Jacobsen has worked through her nonprofit\, Michigan Women’s Justice & Clemency. Her work has helped free 13 women from life sentences. \nCarol Jacobsen is an award-winning artist whose work actively confronts issues of women’s criminalization\, human rights and censorship. Her films and photography have been exhibited and screened worldwide\, including Lincoln Center\, New York; Cultura Contemporanea\, Barcelona; Kunstforum; Bonn and many others. She has received awards from the National Endowment for the Arts\, Paul Robeson Foundation\, Women in Film Foundation\, and others. Her exhibitions and screenings in New York and abroad have been sponsored by Amnesty International since 1998. Her book\, For Dear Life: Women’s Decriminalization and Human Rightswill be featured in a discussion with the artists exhibiting in MSDEMEANORS and their books on April 4\, 6-8 pm. She is Professor of Art and Women’s Studies at The University of Michigan and serves as Director of the Michigan Women’s Justice & Clemency Project. She he has given talks and lectures including Oxford University in England and John Jay College of Criminal Justice in New York. \nThis exhibition is co-sponsored by Amnesty International\, with support from The University of Michigan Office of Research\, Institute for the Humanities\, the Penny W. Stamps School of Art & Design\, and Institute for Research on Women and Gender. If you are interested in learning more about Jacobsen’s nonprofit please visit: http:www.umich.edu/~clemency. \nThere will be a panel discussion with the artists about their work and books at the gallery on Thursday\, April 4\, 6-8pm. \nOpening reception is Thursday\, March 7\, 6-8pm. The artist will be present. \n  Save  
URL:https://artinamericaguide.com/event/carol-jacobsen-life-on-trial/
LOCATION:Denise Bibro Fine Art\, 529 West 20th Street\, 4th Floor\, New York\, 10011\, United States
CATEGORIES:Exhibition
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GEO:40.7465935;-74.0067876
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Denise Bibro Fine Art 529 West 20th Street 4th Floor New York 10011 United States;X-APPLE-RADIUS=500;X-TITLE=529 West 20th Street\, 4th Floor:geo:-74.0067876,40.7465935
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190301
DTEND;VALUE=DATE:20190414
DTSTAMP:20260407T023945
CREATED:20190402T161337Z
LAST-MODIFIED:20190402T161337Z
UID:50506-1551398400-1555199999@artinamericaguide.com
SUMMARY:Adolph Gottlieb: Classic Paintings
DESCRIPTION:Pace Gallery is honored to present an exhibition of paintings by Adolph Gottlieb (1903 – 1974)\, a leader of the New York School and seminal force in abstraction. Drawing together works from the Adolph and Esther Gottlieb Foundation alongside a number of paintings on loan from major institutions—including the Albright-Knox Art Gallery\, the Blanton Museum of Art\, the Jewish Museum\, the Princeton University Art Museum\, the Museum of Modern Art\, the Walker Art Center\, and the Whitney Museum of American Art\, among others—Adolph Gottlieb: Classic Paintings features over 20 large-scale paintings created by Gottlieb from the mid-1950s until his death in 1974.To accompany the exhibition\, Pace will publish a full-color catalogue with a new essay by Dr. Kent Minturn. \nImage: Installation view\, “Adolph Gottlieb: Classic Paintings\,” March 1 – April 13\, 2019\, Pace Gallery\, New York © Adolph and Esther Gottlieb Foundation / Artists Rights Society (ARS)\, New York. \n  Save  
URL:https://artinamericaguide.com/event/adolph-gottlieb-classic-paintings/
LOCATION:Pace Gallery 25th Street\, 540 West 25th Street\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Pace Gallery 25th Street":MAILTO:info@pacegallery.com
GEO:40.7497336;-74.0051016
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Pace Gallery 25th Street 540 West 25th Street New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=540 West 25th Street:geo:-74.0051016,40.7497336
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190228
DTEND;VALUE=DATE:20190421
DTSTAMP:20260407T023945
CREATED:20190402T151815Z
LAST-MODIFIED:20190402T151815Z
UID:50489-1551312000-1555804799@artinamericaguide.com
SUMMARY:Sherrie Levine: After Reinhardt
DESCRIPTION:David Zwirner is pleased to present Sherrie Levine: After Reinhardt at the gallery’s 34 East 69th Street location in New York. This will be the artist’s third solo exhibition with the gallery. \nLevine’s work engages many of the core tenets of postmodern art\, in particular challenging notions of originality\, authenticity\, and identity. Levine rose to prominence as a member of the Pictures Generation\, a group of artists based in New York in the late 1970s and 1980s whose work examined the structures of signification underlying mass-circulated images—and\, in many cases\, directly appropriated these images in order to imbue them with new\, critically inflected meaning. Since then\, Levine has created a singular and complex body of work in a variety of media (including photography\, painting\, and sculpture) that often explicitly reproduces artworks and motifs from the Western art-historical canon. \nImage: Installation view\, Sherrie Levine: After Reinhardt\, David Zwirner\, New York\, 2019 \n  Save  
URL:https://artinamericaguide.com/event/sherrie-levine-after-reinhardt/
LOCATION:David Zwirner 69th Street\, 34 East 69th Street\, New York\, NY\, 10021\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="David Zwirner 69th Street":MAILTO:newyork@davidzwirner.com
GEO:40.769442;-73.966502
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=David Zwirner 69th Street 34 East 69th Street New York NY 10021 United States;X-APPLE-RADIUS=500;X-TITLE=34 East 69th Street:geo:-73.966502,40.769442
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190226
DTEND;VALUE=DATE:20190414
DTSTAMP:20260407T023945
CREATED:20190402T151327Z
LAST-MODIFIED:20190402T151327Z
UID:50487-1551139200-1555199999@artinamericaguide.com
SUMMARY:Alice Neel: Freedom
DESCRIPTION:On view at David Zwirner’s 537 West 20th Street gallery in New York from February 26 through April 13\, 2019\, Alice Neel: Freedom will include a selection of paintings and significant works on paper by Alice Neel (1900–1984). With a range of works spanning her career\, this exhibition focuses primarily on Neel’s portrayal of the nude figure and the ways in which the artist resolutely challenged traditional perceptions of sexuality\, motherhood\, and beauty. \nOne of the foremost American figurative painters of the twentieth century\, Neel was a humanist—she was fascinated by people. She loved to paint them in all their complexities—to penetrate and reveal their fears and anxieties\, their defiance and survival. She also loved to paint the unadorned human figure. Her nudes explore the body with frankness while celebrating the individuality of each of her subjects\, and they exemplify the freedom and courage with which she approached her work and her life. In their mastery of form\, color\, and implied social commentary\, her nudes are as relevant today as when they were painted. \nOrganized by Ginny Neel of The Estate of Alice Neel\, the exhibition will comprise significant loans from museum and private collections. It will be accompanied by a fully illustrated catalogue that will include newly commissioned scholarship by Helen Molesworth\, an introduction by Ginny Neel\, and a contribution by Marlene Dumas. \nImage: Installation view\, Alice Neel: Freedom\, David Zwirner\, New York\, 2019 \n  Save  
URL:https://artinamericaguide.com/event/alice-neel-freedom/
LOCATION:David Zwirner\, 537 West 20th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="David Zwirner 20th Street":MAILTO:newyork@davidzwirner.com
GEO:40.7467702;-74.0072895
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=David Zwirner 537 West 20th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=537 West 20th Street:geo:-74.0072895,40.7467702
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190222
DTEND;VALUE=DATE:20190421
DTSTAMP:20260407T023945
CREATED:20190402T190849Z
LAST-MODIFIED:20190402T190849Z
UID:50594-1550793600-1555804799@artinamericaguide.com
SUMMARY:Magic Ben Big Boy: Lutz Bacher\, Nayland Blake\, Vincent Fecteau
DESCRIPTION:Matthew Marks is pleased to announce Magic Ben Big Boy: Lutz Bacher\, Nayland Blake\, Vincent Fecteau\, the next exhibition in his gallery at 526 West 22nd Street. \nConceived by Vincent Fecteau\, the exhibition centers on a re-creation of the artist’s first one-person show\, “Ben\,” originally presented twenty-five years ago at Kiki\, a short-lived but influential artist-run gallery in San Francisco’s Mission District. The title “Ben” comes from a 1972 movie and its theme song of the same name\, sung by Michael Jackson. A love song from a boy to his pet rat\, it became a #1 hit single and was nominated for an Academy Award. The works in the exhibition include collages of found photographs of cats\, sculptures made from old shoeboxes\, and eggshells painted to look like eyes. \nTwo important works made in San Francisco a few years earlier by Nayland Blake and Lutz Bacher are installed in the adjacent galleries. Bacher’s sculpture Big Boy (1992) replicates an anatomically detailed stuffed doll\, like those used in child-abuse assessments\, but expands it to larger than human size. Blake’s Magic (1990–91) is an assemblage featuring Madame\, the puppet star of Wayland Flowers’s 1980s sitcom Madame’s Place. At the time of “Ben\,” Fecteau was working as an assistant in Blake’s studio. “Magic is one of my favorite pieces from that period of Nayland’s work\,” says Fecteau. “Nayland also introduced me to Lutz when she approached him about finding someone to help fabricate Big Boy.” Fecteau worked on Bacher’s sculpture in his bedroom for several months before it was finished with help from a costume designer for the San Francisco Opera. \nLutz Bacher lives and works in New York. Bacher’s work has been the subject of one-person museum exhibitions in Düsseldorf\, Vienna\, and New York\, and has been included in three Whitney Biennials. \nNayland Blake (b.1960) lives and works in New York. Blake’s work has been the subject of one-person museum exhibitions in San Francisco\, Houston\, and New York\, and been included in the Whitney Biennial and the Venice Biennale. In September the most comprehensive survey of Blake’s work to date will open at the Institute of Contemporary Art\, Los Angeles. \nVincent Fecteau (b.1969) lives and works in San Francisco. Fecteau’s work has been the subject of several one-person museum exhibitions\, most recently in Vienna and Basel\, and has been included in the Carnegie International and two Whitney Biennials. In 2016 Fecteau was awarded a MacArthur prize. \nMagic Ben Big Boy: Lutz Bacher\, Nayland Blake\, Vincent Fecteau is on view at 526 West 22nd Street from February 22 to April 20\, 2019\, Tuesday through Saturday\, from 10:00 AM to 6:00 PM. \nFor additional information\, please contact Ted Turner at 212-243-0200 or ted@matthewmarks.com. \n  Save  
URL:https://artinamericaguide.com/event/magic-ben-big-boy-lutz-bacher-nayland-blake-vincent-fecteau/
LOCATION:Matthew Marks Gallery 526\, 526 West 22nd Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Matthew Marks Gallery NY":MAILTO:info@matthewmarks.com
GEO:40.747344;-74.006027
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Matthew Marks Gallery 526 526 West 22nd Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=526 West 22nd Street:geo:-74.006027,40.747344
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190221
DTEND;VALUE=DATE:20190421
DTSTAMP:20260407T023945
CREATED:20190404T125335Z
LAST-MODIFIED:20190404T125335Z
UID:50257-1550707200-1555804799@artinamericaguide.com
SUMMARY:Jonathan Gardner\, "Desert Wind"
DESCRIPTION:Jonathan Gardner presents fantastical\, layered tableaus of the quotidian for Desert Wind\, his second exhibition at Casey Kaplan. Oil paint is rendered in bizarre\, flattened compositions that are suspended between art historical motifs culled from a variety of sources\, and uncanny manifestations of the artist’s mind.\n  Save  
URL:https://artinamericaguide.com/event/jonathan-gardner-desert-wind/
LOCATION:Casey Kaplan\, 121 W. 27th St\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/03/Casey-Kaplan_Jonathan-Gardner_Desert-Wind_022019_0003-1.jpg
GEO:40.7460684;-73.9919615
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Casey Kaplan 121 W. 27th St New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=121 W. 27th St:geo:-73.9919615,40.7460684
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190221
DTEND;VALUE=DATE:20190414
DTSTAMP:20260407T023945
CREATED:20190402T151006Z
LAST-MODIFIED:20190402T152410Z
UID:50485-1550707200-1555199999@artinamericaguide.com
SUMMARY:The Young and Evil
DESCRIPTION:David Zwirner is pleased to present The Young and Evil\, a group exhibition curated by Jarrett Earnest\, at the gallery’s 533 West 19th Street location in New York. The exhibition will feature significant works from the first half of the twentieth century by Paul Cadmus\, Fidelma Cadmus Kirstein\, Charles Henri Ford\, Jared French\, Margaret Hoening French\, George Platt Lynes\, Bernard Perlin\, Pavel Tchelitchew\, George Tooker\, Jensen Yow\, and their circle. This group of artists and writers looked away from abstraction toward older sources and models—classical and archaic forms of figuration and Renaissance techniques. What might be seen as a reactionary aesthetic maneuver was made in the service of radical content—endeavoring to depict their own lives. \nDrawn from important public and private collections\, key works include a painting from Paul Cadmus’s infamous sailor trilogy\, Shore Leave (1933)\, on loan from the Whitney Museum of American Art; a major canvas by Pavel Tchelitchew featuring vignettes of George Platt Lynes at work; rare paintings by Margaret French and works on paper by Fidelma Cadmus Kirstein; and never-before-seen erotic drawings and photographs from the Kinsey Institute at Indiana University. On the occasion of the exhibition\, a fully illustrated\, comprehensive catalogue featuring new scholarship by art historians Ann Reynolds and Kenneth E. Silver is forthcoming from David Zwirner Books. \nKindly note that some material in the exhibition may not be suitable for children. \nImage: Installation view\, The Young and Evil\, David Zwirner\, New York\, 2019 \n  Save  
URL:https://artinamericaguide.com/event/the-young-and-evil/
LOCATION:David Zwirner\, 525 West 19th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2019/04/the-young-and-evil.png
ORGANIZER;CN="David Zwirner":MAILTO:newyork@davidzwirner.com
GEO:40.7458819;-74.007014
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=David Zwirner 525 West 19th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=525 West 19th Street:geo:-74.007014,40.7458819
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END:VCALENDAR