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DTSTART:20190310T060000
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190514T160000
DTEND;TZID=America/Halifax:20190514T163000
DTSTAMP:20260404T033538
CREATED:20190427T135701Z
LAST-MODIFIED:20190427T135701Z
UID:52203-1557849600-1557851400@artinamericaguide.com
SUMMARY:Mindfulness & Meditation in the Museum
DESCRIPTION:Join us for a free guided meditation session in the Bellarmine Hall Galleries\, led by certified meditation and mindfulness teacher Jackie DeLise. No prior experience or equipment necessary (though we recommend comfortable clothes). \nCome early to browse the permanent collections and to enjoy our current special exhibition\, “Hildreth Meière: The Art of Commerce”! \n  Save  
URL:https://artinamericaguide.com/event/mindfulness-meditation-in-the-museum-4/
LOCATION:Bellarmine Hall\, 200 Barlow Road\, Fairfield\, CT\, 06824
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ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bellarmine Hall 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190511T100000
DTEND;TZID=America/Halifax:20190511T150000
DTSTAMP:20260404T033538
CREATED:20190417T125604Z
LAST-MODIFIED:20190417T125604Z
UID:51367-1557568800-1557586800@artinamericaguide.com
SUMMARY:Azaleas\, Bluebells & Follies
DESCRIPTION:Saturday\, May 11 – 10:00 am to 3:00 pm \nEnjoy the spectacle of thousands of azalea blossoms and acres of spring wildflowers! The day’s events will include tours of the azaleas and Follies garden exhibition as well as a specialty sale of azalea plants propagated from specimens at Winterthur. Members free. Included with admission. \n\nAzalea Sale – 10:30 am until sold out\, Museum Store\nGuided Walking Tours of Azaleas and Follies – 11:00 am and 1:00 pm\, begin at Visitor Center Patio\nSelf-guided Tours of Azaleas and Follies – all day\, begin at Visitor Center Patio\n\nPhoto by Bob Leitch\n\n\n\n\n\n\n\n\n\n\n\n  Save  
URL:https://artinamericaguide.com/event/azaleas-bluebells-follies/
LOCATION:Winterthur Museum\, Garden & Library\, 5105 Kennett Pike\, Wilmington\, DE\, 19807\, United States
CATEGORIES:Event
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ORGANIZER;CN="Winterthur Museum%2C Garden &amp%3B Library":MAILTO:pressroom@winterthur.org
GEO:39.8087941;-75.6037258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Winterthur Museum Garden & Library 5105 Kennett Pike Wilmington DE 19807 United States;X-APPLE-RADIUS=500;X-TITLE=5105 Kennett Pike:geo:-75.6037258,39.8087941
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190510T110000
DTEND;TZID=America/Halifax:20190510T170000
DTSTAMP:20260404T033539
CREATED:20190506T143544Z
LAST-MODIFIED:20190531T152536Z
UID:52451-1557486000-1557507600@artinamericaguide.com
SUMMARY:Amsterdam Whitney’s May 2019 Exhibition
DESCRIPTION:AMSTERDAM WHITNEY GALLERY\, 531 West 25th Street-Ground Floor- Chelsea\, New York City\, is proud to show in its MAY 10-JUNE 12 2019 Exhibition leading Contemporary Master Artists\, whose work explores the abstract\, figurative and natural worlds\, exalting the realm of the aesthetic through brilliant coloration and dazzling sculptural form.  This special “SALUTE to the STARS!” exhibition boasts a sparkling constellation of art which will dazzle the senses of both art acquisitors and art aficionados alike with its incandescent renewal and regeneration of the visual realm. Soaring to new heights and pulsating with dynamic synergy and artistic creativity\, these Chelsea Art Stars’ sophisticated\, eclectic and profound representations of the world shine the spotlight on a unique\, universal artistic language. Highlighted by the glamorous and elegant Saturday\, May 11th\, 3:00- 5:00 pm “Salute to the Stars!” Champagne Reception\, each shining Art Star has the unique capacity to circumnavigate cultural barriers and nationalistic identities as they translate contemporary global art while illustrating their views. Reflecting the revitalizing penetration of compelling global ideas in our culture\, these cross-continental conversations in art inspire with incandescent aesthetic explorations of the visual realm. \n  \nMAY 10-JUNE 12\, 2019 Exhibition \n“Salute to the Stars!”  Soiree Saturday\, May 11\, 2019 3:00-5:00 pm \n  \n  Save  
URL:https://artinamericaguide.com/event/amsterdam-whitneys-may-2019-exhibition/2019-05-10/
LOCATION:Amsterdam Whitney Gallery\, 531 West 25th Street\, Ground Floor\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Amsterdam Whitney Gallery":MAILTO:amsterdamwhitney@aol.com
GEO:40.7497243;-74.0044044
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amsterdam Whitney Gallery 531 West 25th Street Ground Floor New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=531 West 25th Street\, Ground Floor:geo:-74.0044044,40.7497243
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190509T180000
DTEND;TZID=America/Halifax:20190509T200000
DTSTAMP:20260404T033539
CREATED:20190417T164532Z
LAST-MODIFIED:20190509T190816Z
UID:51400-1557424800-1557432000@artinamericaguide.com
SUMMARY:Highlight: The High Line Nine
DESCRIPTION:Hollis Taggart to Open Exhibition Exploring Contemporary Abstract Painting\, \nFeaturing the Work of Ted Gahl\, Clare Grill\, Margaux Ogden\, Gary Petersen\, \nAnd Matt Phillips \nCurated by Independent Curator Paul Efstathiou\, \nHighlight: The High Line on View May 9 – May 31\, 2019 \nOpening Reception May 9\, 6:00 – 8:00 PM \n  \nOn May 9\, Hollis Taggart will open an exhibition of recent works by five contemporary abstract \npainters\, including Ted Gahl\, Clare Grill\, Margaux Ogden\, Gary Petersen\, and Matt Phillips. Titled \nHighlight: The High Line\, the exhibition features focused explorations of each artist’s practice. While \neach artist is distinct in their vision and approach\, subtle thematic through-lines do emerge as one \nexplores the works in dialogue with each other\, including interests in the relationships between \nfiguration and abstraction and the significance of repetition and erasure within contemporary abstract \npractice. Curated by Paul Efstathiou\, an independent curator and art dealer with whom the gallery has \ncollaborated on several previous Highlight exhibitions\, Highlight: The High Line will be on view \nthrough May 31 at Hollis Taggart’s Project Space at 507 W. 27th Street. \n  \n“We are delighted to be partnering with Paul once again on a Highlight presentation\, which as a series \nfocuses on exploring the work of and developing new audiences for a wide range of artists\, especially \ncontemporary painters. The range of creative vision and technique across the featured artists is \nparticularly exciting\, and captures well the ongoing relevance of painting within contemporary \npractice\,” said Hollis Taggart. “This exhibition also provides a dynamic counterpoint to the solo \npresentation in our primary Chelsea space on the work of Knox Martin\, who at age 96 is still \nproducing new paintings that build on dialogues from across his nearly seven-decade career.” \n  \nFurther information about each featured artist as well as curator Paul Efstathiou follows below. \n  \nTed Gahl has said\, “Paintings to me are the biography of a painter\, just not in the form of a resume. It \nis a clear and tangible indication of what they were doing and seeing\, suspended in time. You’re \nlooking at a performance that you weren’t there to witness yourself.” Many of Gahl’s abstract works \nare influenced by his memories and experiences—ruminations on scenes that he has been painting and \nre-painting since childhood. Defying any easy categorization\, Gahl melds elements of figuration with \nbold\, emotive\, and even at times aggressive free-form gestures. The cohesion of these modes is \nfurther amplified in some of his large-scale canvases in which Gahl incorporates found objects\, \nadding another physical and conceptual dimension to the work. Interested in the monochrome and the \nunderpinnings of the Minimalist movement\, Gahl often plays with depth and perspective\, creating \nworks that at a distance appear flat and still but that on closer inspection reveal inflections of \nmovement and subtle forms and colors. \n  \nClare Grill takes inspiration from intricate\, handmade materials like antique lace\, quilts\, and \nembroidery. These items become the touchstones for her richly-layered abstract compositions. As she \nbegins her paintings\, she allows the canvas\, materials\, and her environment to guide her hand\, \nconsidering the ways that light illuminates imperfections in the surface\, the direction of dried strokes\, \nand the subtle shadows and lines that appear as the composition develops. Through this process\, Grill \noften paints\, scrapes away\, and repaints areas of the canvas\, sometimes many times\, until the final \nwork emerges. In this way\, much like the antique pieces that inspire her\, Grill’s paintings have a life \nand history that exists within the surface. Of this\, Grill says\, “[My paintings] are about secrets; things \nrevealed\, and things buried deep; things fading away; and the subtle\, the slip\, and the in-between.” \n  \nFascinated by the slippage between accidental and planned mark-making\, Margaux Ogden’s abstract \npaintings appear as a tangle of lines\, forms\, and color fields. Her fluid free-form gestures meld with \nmore precise geometric shapes to create a new visual vocabulary that feels at once foreign and \nfamiliar. This sensation is further accentuated by Ogden’s use of color. Inspired by the Minimalist \nembrace of the monochrome\, many of Ogden’s paintings appear as studies into a single color\, \nproduced in various degrees of saturation and dilution across her raw\, unprimed canvas. Drawn in \nparticular to pastel yellows\, pinks\, greens\, the joyful nature of these colors bely the layered and \nintense nature of the creation of the painting itself. Of her work\, Ogden has said\, “One could trace the \ncompositions back to some modernist moment when geometry began to skid. …the spatial and \nperspective shifts create a freefall effect\, dissolving any system beyond which is contained in the \nframe.” \n  \nGary Petersen’s paintings are characterized by an exuberant use of color and hard-edged lines and \ngeometric forms. Seemingly precariously stacked\, these vibrant shapes appear to move subtly within \nthe framework of canvas—prone to topple over at any moment. This spatial interplay and tension are \nin part what makes Petersen’s compositions so visually compelling\, and is achieved through the \nartist’s intuitive approach. To create his works\, Petersen first paints irregular lines and grids\, which he \nthen obscures with a transparent white wash\, creating a barely visible substructure. From here\, he \ndevelops the composition organically\, with one line and shape leading freely to the next\, connected by \nthe composition’s bright\, frequently neon\, colors. Petersen says of his work\, “…there is a range of \nreferences\, from architecture\, cartoons\, advertisements and graphic design… my geometric \nabstraction[s] address…our current predicaments: uncertainty\, imbalance\, and insecurity\, with a bit of \nhumor thrown in.” \n  \nFor his softly-colored abstract compositions\, Matt Phillips draws inspiration from a range of sources\, \nincluding maps\, quilts\, and architectural forms. Phillips’s compositions develop slowly and \norganically as he moves across the canvas\, adjusting and revisiting the colors and the lines until the \nconstellation of the work tightens into a distinct set of spatial relationships. Phillips’s methodical \napproach is captured and accentuated within the work by his use of self-made water-based paint. The \nliquidity of the paint at once allows Phillips to emphasize certain lines and angles\, while also melding \nthe paint with the canvas itself\, producing a single inextricable whole. This is in part what gives his \npaintings a sense of softness. Of his process and inspiration Phillips\, says “I often begin my paintings \nusing similar structures. They share the same bones. But as I work\, they begin to evoke a form or a \nlight or a space. I like that pivot\, when the painting starts to regard something outside itself.” \n  \n— \nAbout Paul Efstathiou \nPaul Efstathiou has worked for nearly 17 years as an art dealer and independent curator. From 2004 \nthrough 2016\, he ran PTE Fine Arts\, an arts consultancy and showroom\, in partnership with his \nbrother\, Eric Efstathiou. In 2016\, he established the exhibition series Highlight Curated\, as a means of \nbringing new attention to and advancing the careers of contemporary artists with whom he’s \ndeveloped deeply-rooted and long-lasting relationships. Efstathiou has produced five Highlight \nCurated exhibitions to-date\, including three with Hollis Taggart\, and featured the work of more than \n20 artists\, including William Buchina\, Ted Gahl\, Brenda Goodman\, John Knuth\, Matt Mignanelli\, \nEsther Ruiz\, and Devin Troy Strother. Efstathiou also previously collaborated with Hollis Taggart on \nexhibitions of works by Michael Michaeledes (2012) and Theodoros Stamos (2008 and 2010). \nEfstathiou is dedicated to nurturing the careers of emerging and under-recognized artists\, leveraging \nhis relationships in both the for and nonprofit sectors to develop their collector and audience bases. \n  \nAbout Hollis Taggart \nFounded in 1979\, Hollis Taggart—formerly known as Hollis Taggart Galleries—presents significant \nworks of American art\, showcasing the trajectory of American art movements from the Hudson River \nSchool to American Modernism and Post-War and Contemporary eras. Its program is characterized \nby a deep commitment to scholarship and bringing to the fore the work of under-recognized artists. \nThe gallery has sponsored several catalogue raisonné projects\, most recently for Surrealist artist Kay \nSage\, and has been instrumental in advancing knowledge of such compelling artists as Alfred Maurer\, \nArthur B. Carles\, and more recently\, Theodoros Stamos\, Marjorie Strider and Michael (Corinne)West. \nIn summer 2015\, the gallery moved its primary location from the Upper East Side to Chelsea. In fall \n2018\, it opened a newly renovated street-level location on W. 26th Street\, a private viewing and \nstorage annex across the street\, and a project space at the High Line. With 40 years of experience\, \nHollis Taggart is widely recognized by collectors and curators for its leadership\, expertise\, and \nopenness\, on matters of art history\, and market trends and opportunities. \n  \n### \n  \nFor more information\, please contact: \nAlina Sumajin / Sascha Freudenheim \nPAVE Communications & Consulting \nalina@paveconsult.com / sascha@paveconsult.com \n646-369-2050 / 917-544-6057 \n  Save  
URL:https://artinamericaguide.com/event/highlight-the-high-line-nine/
LOCATION:Hollis Taggart\, 521 West 26th Street\, 1st Floor\,\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190509T110000
DTEND;TZID=America/Halifax:20190509T120000
DTSTAMP:20260404T033539
CREATED:20190403T145500Z
LAST-MODIFIED:20190403T145500Z
UID:50681-1557399600-1557403200@artinamericaguide.com
SUMMARY:Art in Focus: 16th-century Italian\, Gem with Sleeping Nymph\, Satyr and Eros
DESCRIPTION:Each event in our Art in Focus series offers an opportunity for an hour of close looking and informal discussion around a single work of art\, led by Curator of Education Michelle DiMarzo. On Thursday\, May 9th\, we’ll be looking at this piece in the Fairfield University Art Museum’s collection. \nJoin us for the opportunity to engage deeply with this work of art in a relaxed atmosphere. Reserve your seat now! \n  Save  
URL:https://artinamericaguide.com/event/art-in-focus-16th-century-italian-gem-with-sleeping-nymph-satyr-and-eros/
LOCATION:Bellarmine Hall\, 200 Barlow Road\, Fairfield\, CT\, 06824
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/i3jXXCmS.jpeg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bellarmine Hall 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190505T113000
DTEND;TZID=America/Halifax:20190505T160000
DTSTAMP:20260404T033539
CREATED:20190408T185605Z
LAST-MODIFIED:20190408T185605Z
UID:50826-1557055800-1557072000@artinamericaguide.com
SUMMARY:41st Annual Point-to-Point
DESCRIPTION:Sunday\, May 5\, 2019 \nEnjoy a day of elite horse racing and celebrate the 41st Annual Point-to-Point. Join us for kids’ activities\, festive tailgating\, and beautiful hospitality tents with elegant luncheons. Tailgate spots and wristband sales start March 1\, 2019. \nGeneral Admission wristbands include access to all of the race day activities\, free remote parking on Winterthur grounds\, and the option to picnic on the Infield hill overlooking the race track and finish line. Please note that General Admission wristband holders do not have access to the tailgating areas. To purchase tailgate spots\, visit ptptailgate2019.com \nTo Purchase Wristbands \nOnline (beginning March 1 until April 26)\nBy phone at 800.448.3883\nAt Winterthur\nAt satellite wristband partners’ sites. See list below.\n*Credit card sales only\nPlease note: after April 26\, General Admission wristbands must be purchased at the Visitor Center or purchased at a satellite location.\nCost \n$40 adult General Admission (March 1–April 26)\n$25 under 21\, ages 12–20\nChildren under 12 free\, but must have a wristband for admittance (not available on race day)\nWinterthur Member discounts available\nPremium Parking\nShorten your walk to the races and gain early entrance for $15–$25 per car. See the Point-to-Point map for locations. \n\n\n  Save  
URL:https://artinamericaguide.com/event/41st-annual-point-to-point/
LOCATION:Winterthur Museum\, Garden & Library\, 5105 Kennett Pike\, Wilmington\, DE\, 19807\, United States
CATEGORIES:Event
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ORGANIZER;CN="Winterthur Museum%2C Garden &amp%3B Library":MAILTO:pressroom@winterthur.org
GEO:39.8087941;-75.6037258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Winterthur Museum Garden & Library 5105 Kennett Pike Wilmington DE 19807 United States;X-APPLE-RADIUS=500;X-TITLE=5105 Kennett Pike:geo:-75.6037258,39.8087941
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190504T160000
DTEND;TZID=America/Halifax:20190504T180000
DTSTAMP:20260404T033539
CREATED:20190409T211955Z
LAST-MODIFIED:20190409T212245Z
UID:50961-1556985600-1556992800@artinamericaguide.com
SUMMARY:Closing Event for Naama Tsabar: Dedicated
DESCRIPTION:Melodies of Certain Damage (OPUS 4) \nTsabar and a group of female musicians will explore a new vocabulary of movement and sound\, culminating in a performance with Tsabar and her collaborators on the exhibition’s closing night\, May 4\, between 4-6pm. This will be her first performance in New York City since 2017. \nWith the works installed in the gallery\, each Melody is plugged into one of the Transition canvases\, works that Tsabar has repurposed the internal and external components of the amplifier—wires\, speaker\, circuit board—to create a new formal visual experience whilst retaining the object’s ability to broadcast sound. Tsabar then invites a group of female musicians to collaboratively compose a unique composition on the sculptures. Activating the Melodies requires the performers to insert their bodies\, either sitting or lying\, into the spaces between the fragments. By dispersing the centralized phallic order of the objects and the position of the body in relation\, Tsabar and the performers assume the reclining physical position as an act of sensual\, creative and non-hierarchical power. \nThe collaborators performing are: \nRose Blanshei\nRosana Caban\nTaja Cheek\nFrederique Gnaman\nSarah Strauss\nNaama Tsabar \nPerformances will be held at 4pm and 5pm. RSVP is essential. To secure space\, please email events@kasmingallery.com \n  Save  
URL:https://artinamericaguide.com/event/closing-event-for-naama-tsabar-dedicated/
LOCATION:Kasmin Gallery\, 293\, 293 10th Ave\, New York\, NY\, 10001\, United States
CATEGORIES:Event
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ORGANIZER;CN="Kasmin Gallery":MAILTO:info@kasmingallery.com
GEO:40.7502176;-74.0027053
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Kasmin Gallery 293 293 10th Ave New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=293 10th Ave:geo:-74.0027053,40.7502176
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190504T150000
DTEND;TZID=America/Halifax:20190504T160000
DTSTAMP:20260404T033539
CREATED:20190425T212747Z
LAST-MODIFIED:20190425T212747Z
UID:52189-1556982000-1556985600@artinamericaguide.com
SUMMARY:Abstract Painting-Who Cares?!
DESCRIPTION:Join us for a panel discussion on contemporary abstract painting with artists Nora Griffin\, Jason Stopa\, and Mark Sheinkman\, moderated by Sharon Butler. The panel discussion coincides with the final day of Andrea Belag’s solo show “Inheritance” at Morgan Lehman Gallery. \n  Save  
URL:https://artinamericaguide.com/event/abstract-painting-who-cares/
LOCATION:Morgan Lehman Gallery\, 526 West 26 Street\, Suite 419\, New York\, NY\, 10001\, United States
CATEGORIES:Event
ORGANIZER;CN="Morgan Lehman Gallery":MAILTO:art@morganlehmangallery.com
GEO:40.7500464;-74.0042596
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Morgan Lehman Gallery 526 West 26 Street Suite 419 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=526 West 26 Street\, Suite 419:geo:-74.0042596,40.7500464
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190504T110000
DTEND;TZID=America/Halifax:20190504T120000
DTSTAMP:20260404T033539
CREATED:20190426T164952Z
LAST-MODIFIED:20190426T164952Z
UID:52201-1556967600-1556971200@artinamericaguide.com
SUMMARY:Bellarmine Hall Tour
DESCRIPTION:Join us for a special tour of Bellarmine Hall\, one of Fairfield University’s loveliest and most historic buildings! \nBuilt in 1921\, the 44-room mansion\, which commands a stunning view over Long Island Sound\, was the home of Walter and Amelia Lashar. In 1942\, it became the first building of the newly-founded Fairfield University\, and was rechristened Bellarmine Hall in honor of the university’s patron saint\, Robert Bellarmine. Since 1981\, Bellarmine Hall has housed the office of the President\, as well as other university departments. \nThe tour includes the history of the building and its connection to the university\, as well as a privileged look at its remarkable architectural and decorative elements. Don’t miss this unique opportunity! The tour begins at 11 a.m. in the foyer of Bellarmine Hall. \n  Save  
URL:https://artinamericaguide.com/event/bellarmine-hall-tour/
LOCATION:Bellarmine Hall\, 200 Barlow Road\, Fairfield\, CT\, 06824
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/Bellarmine.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bellarmine Hall 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190503T180000
DTEND;TZID=America/Halifax:20190503T200000
DTSTAMP:20260404T033539
CREATED:20190424T202631Z
LAST-MODIFIED:20190502T142848Z
UID:52085-1556906400-1556913600@artinamericaguide.com
SUMMARY:Public Talk with Ian Berry and members of K.O.S.
DESCRIPTION:Lehmann Maupin is pleased to announce Tim Rollins and K.O.S.: Workshop. The exhibition marks the first solo survey show for the art collective since Rollins’ passing in December 2017\, presented with the late artist’s estate. Curated by Ian Berry\, who organized the group’s first major traveling retrospective and monograph\, Tim Rollins and K.O.S.: A History\, in 2009 at Skidmore College’s Tang Teaching Museum\, Tim Rollins and K.O.S.: Workshop will feature many of the collective’s most significant series that deal with issues of race\, identity\, history\, and politics\, spanning from 1987 to 2016. Continuing the legacy of the group\, the exhibition also marks the launch of Studio K.O.S.\, which will host Saturday workshops at the gallery throughout the exhibition (participants will be coordinated with local schools). As the collective’s second iteration\, Studio K.O.S. will continue arts education and youth mentorship spearheaded by several of the foundational members\, including Angel Abreu\, Jorge Abreu\, Robert Branch\, and Rick Savinon. The gallery will host an opening reception with many of the group members in attendance on Thursday\, April 18\, at 536 West 22nd Street\, from 6 to 8 PM\, followed by a public talk on Friday\, May 3\, from 6 to 8 PM\, with Ian Berry and members of K.O.S. \n  Save  
URL:https://artinamericaguide.com/event/public-talk-with-ian-berry-and-members-of-k-o-s/
LOCATION:Lehmann Maupin\, 22nd St\, 536 West 22nd Street\, New York\, NY\, 10011\, United States
CATEGORIES:Event
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ORGANIZER;CN="Lehmann Maupin":MAILTO:newyork@lehmannmaupin.com
GEO:40.7474992;-74.0062747
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Lehmann Maupin 22nd St 536 West 22nd Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=536 West 22nd Street:geo:-74.0062747,40.7474992
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190503T180000
DTEND;TZID=America/Halifax:20190503T200000
DTSTAMP:20260404T033539
CREATED:20190402T145444Z
LAST-MODIFIED:20190402T145444Z
UID:50470-1556906400-1556913600@artinamericaguide.com
SUMMARY:Opening Reception for Joan Mitchell: I carry my landscapes around with me
DESCRIPTION:David Zwirner is pleased to present Joan Mitchell: I carry my landscapes around with me\, the first exhibition to focus on the artist’s multipaneled paintings\, on view at the gallery’s 537 West 20th Street location in New York. \nOrganized in collaboration with the Joan Mitchell Foundation\, the works on view—which span four decades of Mitchell’s career—will allow for a unique opportunity to explore the range of scale and formal experimentation of this innovative facet of her oeuvre. One of the few artists of her generation to embrace polyptych compositions\, Mitchell over time refined and expanded her approach to this format\, orchestrating a distinctive balance between continuity and rupture both within and across panels. The horizontally oriented\, panoramic expanse of these paintings is ideally suited to landscape—an important and enduring subject for Mitchell that she linked directly to memory. \nFeaturing paintings from both public and private collections as well as the holdings of the Joan Mitchell Foundation\, this show will be the gallery’s first exhibition of Mitchell’s work since having announced exclusive representation of the Foundation in 2018. On the occasion of the exhibition\, a fully illustrated catalogue is forthcoming from David Zwirner Books\, with new scholarship by art historians Suzanne Hudson and Robert Slifkin. \nFor all press inquiries\, contact\nJulia Lukacher (212) 727-2070\, jlukacher@davidzwirner.com \nImage: Joan Mitchell\, Edrita Fried\, 1981 \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-for-joan-mitchell-i-carry-my-landscapes-around-with-me/
LOCATION:David Zwirner\, 537 West 20th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2019/04/joan-mitchell.png
ORGANIZER;CN="David Zwirner 20th Street":MAILTO:newyork@davidzwirner.com
GEO:40.7467702;-74.0072895
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=David Zwirner 537 West 20th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=537 West 20th Street:geo:-74.0072895,40.7467702
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190502T180000
DTEND;TZID=America/Halifax:20190502T200000
DTSTAMP:20260404T033539
CREATED:20190425T174944Z
LAST-MODIFIED:20190425T174944Z
UID:52156-1556820000-1556827200@artinamericaguide.com
SUMMARY:Paul Villinski: Now
DESCRIPTION:Morgan Lehman Gallery is very pleased to present Paul Villinski: Now\, a dramatic survey of works by this long-time New York City artist\, in conjunction with the launch of a new monograph which chronicles three decades of the artist’s work. The immersive\, 270-page monograph published by Vivant Books features insightful essays by eleven noted critics\, curators\, and authors\, and will be available for purchase at the opening and closing events. \n  Save  
URL:https://artinamericaguide.com/event/paul-villinski-now/
LOCATION:High Line Nine\, 507 West 27th Street \, Gallery #9\, New York\, NY\, 10001\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/lepidopterist.1-LR.jpg
ORGANIZER;CN="Morgan Lehman Gallery":MAILTO:art@morganlehmangallery.com
GEO:40.750639;-74.003003
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=High Line Nine 507 West 27th Street  Gallery #9 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=507 West 27th Street \, Gallery #9:geo:-74.003003,40.750639
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190502T180000
DTEND;TZID=America/Halifax:20190502T190000
DTSTAMP:20260404T033539
CREATED:20190403T145558Z
LAST-MODIFIED:20190403T145558Z
UID:50678-1556820000-1556823600@artinamericaguide.com
SUMMARY:Demonstration: Etching Demo with Artist Nomi Silverman
DESCRIPTION:Join us in the Walsh Gallery as artist Nomi Silverman presents a live demonstration of the etching technique used by Goya\, Daubigny\, and others! This event is co-sponsored by the Center for Contemporary Printmaking (Norwalk\, CT) and presented in conjunction with The Artist Collects: Highlights from the James Reed Collection (March 14 – June 8\, 2019). \n  Save  
URL:https://artinamericaguide.com/event/demonstration-etching-demo-with-artist-nomi-silverman/
LOCATION:Quick Center for the Arts\, 200 Barlow Road\, Fairfield\, CT\, 06824
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/fJxMTcxd.jpeg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Quick Center for the Arts 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190502
DTEND;VALUE=DATE:20190506
DTSTAMP:20260404T033539
CREATED:20190415T135544Z
LAST-MODIFIED:20190427T183127Z
UID:51121-1556755200-1557100799@artinamericaguide.com
SUMMARY:William T. Williams: 1970 at Frieze New York 2019
DESCRIPTION:Michael Rosenfeld Gallery presents William T. Williams: 1970 in Booth D10 with an exhibition that focuses on the pivotal year 1970\, highlighting a selection of seminal paintings and never-before-exhibited works on paper from the artist’s first mature series\, Diamond in a Box. William T. Williams (b.1942) exploded onto the New York art scene in 1968 after graduating from Yale University (MFA). Paintings from this time were exhibited in Williams’ groundbreaking first solo exhibition at Reese Palley Gallery in 1971. The exhibition launched a period of great success; reviewed in The New York Times\, paintings in the show were acquired by notable collectors; some of these paintings can now be found in prestigious institutions\, including The Museum of Modern Art\, The Studio Museum in Harlem\, and Yale University Art Gallery. Recently\, while relocating his studio practice from New York City to Connecticut\, Williams discovered approximately eighteen works on paper created during the same period as these monumental paintings. Michael Rosenfeld Gallery will present these works alongside two major paintings. Michael Rosenfeld Gallery is the exclusive representative of William T. Williams (b.1942). \nOn Sunday\, May 5\, 2019\, Frieze will present a conversation between William T. Williams and Courtney J. Martin\, Deputy Director and Chief Curator\, Dia Art Foundation. Transcending the Social – 1970 and Today considers the role of abstraction and formalism in an age of social awareness\, and will be held in the MatchesFashion Lounge at 12:30PM. \n  Save  
URL:https://artinamericaguide.com/event/william-t-williams-1970-at-frieze-new-york-2019/
LOCATION:Frieze New York\, Randall’s Island Park\, New York\, 10035\, United States
CATEGORIES:Art Fair
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/Listing.jpg
GEO:40.795813;-73.922517
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Frieze New York Randall’s Island Park New York 10035 United States;X-APPLE-RADIUS=500;X-TITLE=Randall’s Island Park:geo:-73.922517,40.795813
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190502
DTEND;VALUE=DATE:20190506
DTSTAMP:20260404T033539
CREATED:20190415T135522Z
LAST-MODIFIED:20190427T174041Z
UID:51126-1556755200-1557100799@artinamericaguide.com
SUMMARY:Norman Lewis: The Last Decade at Frieze New York 2019
DESCRIPTION:Norman Lewis: The Last Decade will be presented in Booth JAM3\, one of seven booths dedicated to the historical significance of the non-profit New York arts organization Just Above Midtown (JAM)\, its founder Linda Goode Bryant\, and the artists she championed. This special section has been curated by Franklin Sirmans\, Director\, Pérez Art Museum Miami as a tribute to the pioneering gallery. Michael Rosenfeld Gallery’s solo presentation of the work of Norman Lewis (1909-1979) will feature paintings and works on paper created during the last decade of the artist’s life\, reflecting two distinctive elements of Lewis’ abstract expressionist practice–calligraphic and atmospheric abstraction. A 1973 painting–one of two exhibited in the inaugural 1974 JAM exhibition Synthesis: A combination of parts or elements into a complex whole–will be on view in the booth\, along with works from the same period that typify Lewis’ signature abstractions and masterful use of color\, line and form. Michael Rosenfeld Gallery proudly represents the Estate of Norman Lewis and this exhibition has been organized with their cooperation. \n  Save  
URL:https://artinamericaguide.com/event/norman-lewis-the-last-decade-at-frieze-new-york-2019/
LOCATION:Frieze New York\, Randall’s Island Park\, New York\, 10035\, United States
CATEGORIES:Art Fair
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/Listing-1.jpg
GEO:40.795813;-73.922517
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Frieze New York Randall’s Island Park New York 10035 United States;X-APPLE-RADIUS=500;X-TITLE=Randall’s Island Park:geo:-73.922517,40.795813
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190501T190000
DTEND;TZID=America/Halifax:20190501T210000
DTSTAMP:20260404T033539
CREATED:20190403T145800Z
LAST-MODIFIED:20190403T145800Z
UID:50675-1556737200-1556744400@artinamericaguide.com
SUMMARY:A Drawing Party
DESCRIPTION:Come alone or grab some friends for a relaxing evening at the museum! Visit the museum on Wednesday\, May 1\, from 7-9 p.m. to sketch in the Bellarmine Galleries or create still lifes in the classroom studio. \nDrawing supplies and light refreshments will be provided. Sponsored by the Creative Life Residential College and presented in conjunction with the exhibition Hildreth Meière: The Art of Commerce (April 18 – September 20\, 2019) \n  Save  
URL:https://artinamericaguide.com/event/a-drawing-party/
LOCATION:Bellarmine Hall\, 200 Barlow Road\, Fairfield\, CT\, 06824
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/1Qu2hTMu.jpeg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bellarmine Hall 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190501T180000
DTEND;TZID=America/Halifax:20190501T200000
DTSTAMP:20260404T033539
CREATED:20190430T130425Z
LAST-MODIFIED:20190430T130425Z
UID:52295-1556733600-1556740800@artinamericaguide.com
SUMMARY:Morgan O'Hara: TIME STUDIES - LETTERPRESS - SILVERPOINT
DESCRIPTION:This spring\, ANITA ROGERS GALLERY will present an exhibition of work by Morgan O’Hara from three distinct series: TIME STUDIES\, LETTERPRESS EDITIONS and SILVERPOINT. Simultaneously\, Mitchell Algus Gallery and Magdalena Keck Gallery will present three other series: LIVE TRANSMISSION DRAWINGS\, PORTRAITS FOR THE TWENTY-FIRST CENTURY and HANDWRITING THE CONSTITUTION. Together\, the solo exhibitions at the three galleries will provide unprecedented insight into the artist’s body of conceptual work.  The opening reception at Anita Rogers Gallery will take place on Wednesday\, May 1\, 6-8pm. The artist will be in attendance. \nTIME STUDIES \nAn attempt at understanding the meaning of life yielded a process begun by observing closely and making a visual and color-coded accounting of how personal time was spent. TIME STUDIES yielded daily reports\, monthly summaries\, ends of the year reports\, etc. The large body of work was carefully studied at the end of 10 years. Since the conceptual base for the work was strong\, there seemed to be only two alternatives: end the process and identify it as a 10-year work\, or make a lifetime commitment to it. I chose the latter and the process is now in its 47th year. Daily statistical recording continues in small notebooks. Color coded recordings\, beyond the statistics\, are done during circumscribed periods of time\, i.e. a two-month residency\, a clearly defined segment of time. \nLETTERPRESS EDITIONS \nI made my first letterpress piece in 1978 in French: Le desordre est une forme d’art while teaching in the French-American bilingual school in San Francisco. Over the years I have done letterpress work in Polish\, Czech\, Italian\, Hungarian and English\, most often for an installation or performance. In 2016\, thanks to residencies at the Emily Harvey foundation in Venice\, I have done special editions in Italian. The most elaborate editions are PERDUTO E TROVATO A VENEZIA and ITSELF using 100 year old handcarved wooden letters\, printed at La Bottega del Tintoretto in Canareggio with master printer Roberto Mazzetto and with the collaboration of Pier Paolo Pregnolato of Damocle Editions. Editions of 12 with detailed colophon pages\, signed and numbered. \nSILVERPOINT DRAWINGS \nI was asked to make drawings with silverpoint for an exhibition. I painted white watercolor paper with black gesso and drew silver points on the black ground\, each one pointing in a different direction\, image and concept becoming one and the same. \n– Morgan O’Hara \nO’Hara received the Lee Krasner Award for Lifetime Achievement as an artist in October 2018 and her work is in the permanent collections of The Metropolitan Museum of Art in New York\, The National Gallery in Washington D.C.\, and The British Museum in London among many other institutions worldwide. \nPORTRAITS FOR THE TWENTY-FIRST CENTURY and HANDWRITING THE CONSTITUTION will be on view at Mitchell Algus Gallery April 27 – June 2. Magdalena Keck Gallery is exhibiting LIVE TRANSMISSION DRAWINGS at Roll and Hill February 27- May 13. \nOn Saturday\, May 4\, Anita Rogers Gallery invites the public to join us for a session of HANDWRITING THE CONSTITUTION from 2:30-4:30pm. We will have copies of documents created to protect human rights\, pens and paper to share. There will be a reception hosted by Magdalena Keck Gallery immediately following the session at the nearby Roll & Hill showroom from 4:30 – 6pm. \nFor further information and photographs\, please contact Elizabeth Thompson at elizabeth.thompson@anitarogersgallery.com\, or call 347.604.2346. The gallery is open Monday through Saturday 10am – 6pm. \n  Save  
URL:https://artinamericaguide.com/event/morgan-ohara-time-studies-letterpress-silverpoint/
LOCATION:Anita Rogers Gallery\, 494 Greenwich Street\, Ground Floor\, New York\, NY\, 10013\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/MO-017.jpg
GEO:40.721061;-74.003009
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Anita Rogers Gallery 494 Greenwich Street Ground Floor New York NY 10013 United States;X-APPLE-RADIUS=500;X-TITLE=494 Greenwich Street\, Ground Floor:geo:-74.003009,40.721061
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190430T180000
DTEND;TZID=America/Halifax:20190430T193000
DTSTAMP:20260404T033539
CREATED:20190410T164724Z
LAST-MODIFIED:20190410T164724Z
UID:50962-1556647200-1556652600@artinamericaguide.com
SUMMARY:Evening Lecture: "Elizabeth the Queen: The Woman\, the Family\, the Life"
DESCRIPTION:April 30\, 6:00 pm  \nIn Copeland Lecture Hall \nBiographer Sally Bedell Smith parts the curtain and describes what Queen Elizabeth II is really like as a human being-a wife\, a mother\, a friend-along with the secrets to her effectiveness as a highly respected leader. Ms. Smith will share what she discovered about the Queen’s life and reign that people either don’t know about or fully appreciate. $10 per Member. $15 per nonmember. Purchase tickets online or call 800.448.3883. *Costuming THE CROWN exhibition open until 6:00 pm. \n Photo Credit: Detail of cover from Sally Bedell Smith\, Elizabeth the Queen: The Life of a Modern Monarch (New York: Random House\, 2012). \n  Save  
URL:https://artinamericaguide.com/event/evening-lecture-elizabeth-the-queen-the-woman-the-family-the-life/
LOCATION:Winterthur Museum\, Garden & Library\, 5105 Kennett Pike\, Wilmington\, DE\, 19807\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/SMALL_ELIZABETH-THE-QUEEN_jacket-art.jpg
ORGANIZER;CN="Winterthur Museum%2C Garden &amp%3B Library":MAILTO:pressroom@winterthur.org
GEO:39.8087941;-75.6037258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Winterthur Museum Garden & Library 5105 Kennett Pike Wilmington DE 19807 United States;X-APPLE-RADIUS=500;X-TITLE=5105 Kennett Pike:geo:-75.6037258,39.8087941
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190430T160000
DTEND;TZID=America/Halifax:20190430T163000
DTSTAMP:20260404T033539
CREATED:20190426T165016Z
LAST-MODIFIED:20190426T165016Z
UID:52199-1556640000-1556641800@artinamericaguide.com
SUMMARY:Mindfulness & Meditation in the Museum
DESCRIPTION:Join us for a free guided meditation session in the Bellarmine Hall Galleries\, led by certified meditation and mindfulness teacher Jackie DeLise. No prior experience or equipment necessary (though we recommend comfortable clothes). \nCome early to browse the permanent collections and to enjoy our current special exhibition\, “Hildreth Meière: The Art of Commerce”! \n  Save  
URL:https://artinamericaguide.com/event/mindfulness-meditation-in-the-museum-2/
LOCATION:Bellarmine Hall\, 200 Barlow Road\, Fairfield\, CT\, 06824
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/Screen_Shot_2019-02-15_at_11.12.50_AM_1400x.progressive.png.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bellarmine Hall 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190429T180000
DTEND;TZID=America/Halifax:20190429T200000
DTSTAMP:20260404T033539
CREATED:20190409T200049Z
LAST-MODIFIED:20190409T200049Z
UID:50910-1556560800-1556568000@artinamericaguide.com
SUMMARY:Opening reception: ‘Soto. Vibrations\, 1950–1960’
DESCRIPTION:Join us for the opening reception of work by Soto\, art history’s leading kinetic artist. Soto explored the dematerialization\, or ‘disintegration’ of the art object\, breaking new ground while anticipating conceptual strategies to come. Hauser & Wirth is pleased to present the first exhibition to focus on the critical first decade of the artist’s life in Paris\, from 1950 – 1960. During this period\, Soto exhibited at the Salon des Réalités Nouvelles alongside established European artists like Josef Albers and Fernand Léger as well as members of Grupo Madí\, an artist collective founded in Buenos Aires in 1946. A believer in art historical evolution\, Soto built upon the work of the masters that preceded him in order to challenge figurative tradition via abstraction and repetition. Imbued with vibration and movement\, these early works constitute a breakthrough in Soto’s output\, laying crucial groundwork for his later kinetic works and the uniquely fluid style that shaped his artistic vocabulary. \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-soto-vibrations-1950-1960/
LOCATION:Hauser & Wirth\, 69th St\, 32 East 69th Street\, New York\, NY\, 10021\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/lowres-jpg-72dpi-SOTOJ91948.jpg
ORGANIZER;CN="Hauser & Wirth%2C 69th St":MAILTO:newyork@hauserwirth.com
GEO:40.76947;-73.966566
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Hauser & Wirth 69th St 32 East 69th Street New York NY 10021 United States;X-APPLE-RADIUS=500;X-TITLE=32 East 69th Street:geo:-73.966566,40.76947
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190427T120000
DTEND;TZID=America/Halifax:20190427T170000
DTSTAMP:20260404T033539
CREATED:20190417T191639Z
LAST-MODIFIED:20190417T191639Z
UID:51417-1556366400-1556384400@artinamericaguide.com
SUMMARY:ISDay Studio Visit – Martha Dunham
DESCRIPTION:Martha Dunham is pleased to open her woodland studio to the public on Saturday April 27\, 2019. On view and available will be a collection of sculptures\, paintings\, photography and works on paper spanning her career\, as well as new work completed in the last three months. \n  Save  
URL:https://artinamericaguide.com/event/isday-studio-visit-martha-dunham/
LOCATION:WA\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/Rounding-all-the-Corners-small.jpeg
ORGANIZER;CN="Dendroica Gallery":MAILTO:info@dendroica.gallery
GEO:47.7510741;-120.7401385
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190426T180000
DTEND;TZID=America/Halifax:20190426T210000
DTSTAMP:20260404T033539
CREATED:20190422T131302Z
LAST-MODIFIED:20190422T131302Z
UID:51914-1556301600-1556312400@artinamericaguide.com
SUMMARY:Rosebud
DESCRIPTION:Charles Moffett is pleased to present Rosebud\, featuring artist Maggie Ellis. The exhibition is the artist’s inaugural solo show in New York\, presenting a series of new figurative paintings. \n  Save  
URL:https://artinamericaguide.com/event/rosebud/
LOCATION:Charles Moffett\, 265 Canal Street\, Suite 306\, New York\, NY\, 10013
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/ROSEBUD_06.jpg
GEO:40.7190077;-74.0008427
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Charles Moffett 265 Canal Street Suite 306 New York NY 10013;X-APPLE-RADIUS=500;X-TITLE=265 Canal Street\, Suite 306:geo:-74.0008427,40.7190077
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190426T180000
DTEND;TZID=America/Halifax:20190426T210000
DTSTAMP:20260404T033539
CREATED:20190401T193948Z
LAST-MODIFIED:20190401T193948Z
UID:50441-1556301600-1556312400@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Opening Reception @ Art Works
DESCRIPTION:Exhibits April 26– May 18\, 2019\nThe city is in bloom in April. Celebrations include Earth Day and garden shows. Resident artist\, Carmen Bendersky provides a garden of florals in her solo show in the Centre Gallery. Sharon Denmark brings us nature in her solo exhibit. No garden is complete without a rabbit about. Janine Matthews exhibit in the main gallery has us Contemplating the Rabbit Hole. Things get animated in the Skylight gallery with VCU Animation Club presenting: Reflection. And as always local artists will amaze and awe you with the monthly April All Media Show. Join us at the opening reception\, April 26th\, 6 p.m. – 9 p.m. for refreshments and live music. The exhibits continue through May 18\, 2019. This event is free and open to the public.\nExhibits include:\n________________________________________\nContemplating the Rabbit Hole by Janine Matthews\nJanine Matthews a British artist\, graduate of VCU Painting and Printmaking\, will earn her MFA in May\,2019 from Savannah College of Art and Design. Her exhibit at Art Works explores personal insecurities by unravelling unique fantasies\, dreams\, obsessions and life events through nonsensical visual narratives. The exhibit will be in the Jane Sandelin Gallery through May 12\, 2019. \n________________________________________\nVibrant Floral International by Carmen Bendersky\nCarmen Bendersky explores flowers that grow here in Virginia and abroad. Her exhibit of florals\, oil on canvas will be in the Centre Gallery. \n________________________________________\nThe Connected Landscape: Paintings by Sharon Denmark\nSharon Denmark’s work reflects her love of the natural world. She favors rich\, luxurious colors. Working with acrylic paint allows her to be a little impatient in the process. Even so her artwork takes a significant amount of time to complete. The exhibit will be in the Corner Gallery. \n________________________________________\nReflection by VCU Animation Club\nThe VCU Animation Club is bringing a real treat to Art Works. The club’s mission is to spread the joy of animating to all skill levels. The club allows members to build portfolios and have fun with fellow animators and artists. The exhibit will be in the Skylight Gallery \n________________________________________\nAPRIL 2019 ALL MEDIA ART SHOW\nThis exhibit is a focal point of all Art Works’ openings. It is a juried show with cash prizes and is open to all artists and all mediums. The juror is Matt Lively. \n  \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-opening-reception-art-works/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/2019-04-Janine-Matthews-ContemplatingTheRabbitHole.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190426T180000
DTEND;TZID=America/Halifax:20190426T200000
DTSTAMP:20260404T033539
CREATED:20190424T204525Z
LAST-MODIFIED:20190424T204525Z
UID:52092-1556301600-1556308800@artinamericaguide.com
SUMMARY:Public Talk for Heidi Bucher: The Site of Memory
DESCRIPTION:Lehmann Maupin is pleased to announce Heidi Bucher: The Site of Memory. Organized with the artist’s estate\, the exhibition marks Bucher’s first solo presentation since her landmark survey last year at Parasol unit foundation for contemporary art\, London\, and her first with the gallery. This exhibition features work from the mid-1970s through the 1980s and will include some of her most significant sculptures\, including Borg (1976)\, a sculpture modeled on the entire cellar of Bucher’s studio\, and the first work to use her signature latex casting method\, as well as works that will be exhibited for the first time in the United States\, such as Untitled (Door to the Herrenzimmer) (1978) and Elfenbornhaut (1982). The gallery will host an opening reception on Thursday\, April 25\, from 6 to 8 PM\, followed by a public talk on Friday\, April 26\, from 6 to 8 PM with Ziba Ardalan\, Founder and Director\, Parasol unit; Simon Castets\, Director\, Swiss Institute; and Ruth Erickson\, Mannion Family Curator\, ICA Boston\, moderated by Lehmann Maupin Curatorial Director\, Anna Stothart at 501 West 24th Street. \n  Save  
URL:https://artinamericaguide.com/event/public-talk-for-heidi-bucher-the-site-of-memory/
LOCATION:Lehmann Maupin\, 24th St\, 501 W 24th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/6e02d1d6c83cc7c3ebed1e68016744b7.jpeg
ORGANIZER;CN="Lehmann Maupin":MAILTO:newyork@lehmannmaupin.com
GEO:40.7485806;-74.0038204
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Lehmann Maupin 24th St 501 W 24th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=501 W 24th Street:geo:-74.0038204,40.7485806
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190425T183000
DTEND;TZID=America/Halifax:20190425T200000
DTSTAMP:20260404T033539
CREATED:20190418T154852Z
LAST-MODIFIED:20190418T154852Z
UID:51508-1556217000-1556222400@artinamericaguide.com
SUMMARY:Curator Talk with Jeff Fleming
DESCRIPTION:Join us for a talk on artist Neo Rauch with Jeff Fleming\, Director of the Des Moines Art Center\, Iowa\, and co-organizer of Neo Rauch: Aus dem Boden/ From the Floor. Learn more about the exhibition’s curatorial framework. \nJeff Fleming was appointed director of the Des Moines Art Center in the fall of 2005\, where he served as acting director\, deputy director\, senior curator\, and curator since 1999. Previously\, he held the position of chief curator of exhibitions at the Southeastern Center for Contemporary Art in Winston-Salem\, North Carolina. Fleming holds a bachelor of fine arts degree from East Carolina University in Greenville\, North Carolina\, and a master of fine arts degree from Pratt Institute in Brooklyn\, New York. His numerous exhibition projects have focused on presenting the first one-person museum shows in the United States for younger\, international artists. These artists include the American artists Tom Sachs\, John Currin\, Ellen Gallagher\, and Tom Friedman\, as well as the British artist Glenn Brown\, the German artists Christian Jankowski and Anselm Reyle\, and the Chinese artist Yan Pei Ming. Other group exhibition projects have included Magic Markers: Objects of Transformation; Aisle 5; and My Reality: Contemporary Art and the Culture of Japanese Animation. In 2009\, Fleming\, in collaboration with the City of Des Moines\, created the John and Mary Pappajohn Sculpture Park. Located in the heart of downtown\, the park includes 29 significant sculptures by 23 internationally-acclaimed artists\, such as Yayoi Kusama\, Louise Bourgeois\, Ai Wei Wei\, Olafur Eliasson\, Richard Serra\, Ellsworth Kelly\, Willem de Kooning\, Keith Haring\, Jaume Plensa\, and Yoshitomo Nara. Fleming’s initiatives as director of the Art Center has been to open its doors to diverse communities\, present thought-provoking contemporary art\, upgrade the physical facilities\, and place the institution on solid financial ground. Art and Living magazine recently named him one of eleven innovative directors of American museums. \n  Save  
URL:https://artinamericaguide.com/event/curator-talk-with-jeff-fleming/
LOCATION:The Drawing Center\, 35 Wooster\, New York\, NY\, 10013\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/event_Jeff.jpg
ORGANIZER;CN="The Drawing Center":MAILTO:info@drawingcenter.org
GEO:40.7224391;-74.0028823
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Drawing Center 35 Wooster New York NY 10013 United States;X-APPLE-RADIUS=500;X-TITLE=35 Wooster:geo:-74.0028823,40.7224391
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190425T180000
DTEND;TZID=America/Halifax:20190425T200000
DTSTAMP:20260404T033539
CREATED:20190424T204355Z
LAST-MODIFIED:20190424T204355Z
UID:52091-1556215200-1556222400@artinamericaguide.com
SUMMARY:Opening Reception for Heidi Bucher: The Site of Memory
DESCRIPTION:Lehmann Maupin is pleased to announce Heidi Bucher: The Site of Memory. Organized with the artist’s estate\, the exhibition marks Bucher’s first solo presentation since her landmark survey last year at Parasol unit foundation for contemporary art\, London\, and her first with the gallery. This exhibition features work from the mid-1970s through the 1980s and will include some of her most significant sculptures\, including Borg (1976)\, a sculpture modeled on the entire cellar of Bucher’s studio\, and the first work to use her signature latex casting method\, as well as works that will be exhibited for the first time in the United States\, such as Untitled (Door to the Herrenzimmer) (1978) and Elfenbornhaut (1982). The gallery will host an opening reception on Thursday\, April 25\, from 6 to 8 PM\, followed by a public talk on Friday\, April 26\, from 6 to 8 PM with Ziba Ardalan\, Founder and Director\, Parasol unit; Simon Castets\, Director\, Swiss Institute; and Ruth Erickson\, Mannion Family Curator\, ICA Boston\, moderated by Lehmann Maupin Curatorial Director\, Anna Stothart at 501 West 24th Street. \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-for-heidi-bucher-the-site-of-memory/
LOCATION:Lehmann Maupin\, 24th St\, 501 W 24th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/6e02d1d6c83cc7c3ebed1e68016744b7.jpeg
ORGANIZER;CN="Lehmann Maupin":MAILTO:newyork@lehmannmaupin.com
GEO:40.7485806;-74.0038204
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Lehmann Maupin 24th St 501 W 24th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=501 W 24th Street:geo:-74.0038204,40.7485806
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190425T180000
DTEND;TZID=America/Halifax:20190425T200000
DTSTAMP:20260404T033539
CREATED:20190416T202230Z
LAST-MODIFIED:20220804T190620Z
UID:51358-1556215200-1556222400@artinamericaguide.com
SUMMARY:Frank Stella: Recent Work
DESCRIPTION:Join us to celebrate the opening of Frank Stella: Recent Work at Marianne Boesky Gallery. The exhibition will feature new works by Stella including several large-scale sculptures. Our opening reception will be held on April 25 from 6 to 8 PM. Image: Frank Stella\, Atalanta and Hippomenes\, 2017\, © 2019 Frank Stella / Artists Rights Society (ARS)\, New York \n  Save  
URL:https://artinamericaguide.com/event/frank-stella-recent-work-2/
LOCATION:Marianne Boesky Gallery – 507 West 24th\, 507 West 24th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/FS.13442.jpg
ORGANIZER;CN="Marianne Boesky Gallery":MAILTO:info@boeskygallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190425T180000
DTEND;TZID=America/Halifax:20190425T200000
DTSTAMP:20260404T033539
CREATED:20190409T195402Z
LAST-MODIFIED:20190409T195402Z
UID:50905-1556215200-1556222400@artinamericaguide.com
SUMMARY:Opening reception: ‘Lorna Simpson. Darkening’
DESCRIPTION:Join us for the opening reception of works by Lorna Simpson in New York. Over the past 30 years\, Simpson has continued to probe questions about the nature of representation\, identity\, gender\, race\, and history\, while expanding her oeuvre to encompass various media including film and video\, painting\, drawing\, and\, most recently\, sculpture. Her powerful works entangle viewers in an equivocal web of meaning: what is unseen and left unsaid is equally important as that which the artist does disclose. In this exhibition of new paintings\, collages\, and sculptures\, Simpson continues to engage viewers with layers of paradox\, threading dichotomies of figuration and abstraction\, destruction and creation\, past and present. \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-lorna-simpson-darkening/
LOCATION:Hauser & Wirth\, 22nd St\, 548 West 22nd Street\, New York\, NY\, 10011\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/lowres-jpg-72dpi-Darkening_LSimpson_2018_Photocred_JamesWang_300dpi.jpg
ORGANIZER;CN="Hauser & Wirth%2C 22nd St":MAILTO:newyork@hauserwirth.com
GEO:40.747812;-74.007014
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Hauser & Wirth 22nd St 548 West 22nd Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=548 West 22nd Street:geo:-74.007014,40.747812
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190425T180000
DTEND;TZID=America/Halifax:20190425T200000
DTSTAMP:20260404T033539
CREATED:20190402T144329Z
LAST-MODIFIED:20190402T144329Z
UID:50465-1556215200-1556222400@artinamericaguide.com
SUMMARY:Opening Reception for Josh Smith: Emo Jungle
DESCRIPTION:David Zwirner is pleased to present an exhibition by Josh Smith. The show marks the artist’s inaugural solo presentation with David Zwirner since joining the gallery in 2017. On view in the gallery’s West 19th Street spaces in New York\, the exhibition will debut a range of new paintings. \nImage: Josh Smith\, Turtle\, 2019 (detail) \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-for-josh-smith-emo-jungle/
LOCATION:David Zwirner\, 525 West 19th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2019/04/emo-jungle.png
ORGANIZER;CN="David Zwirner":MAILTO:newyork@davidzwirner.com
GEO:40.7458819;-74.007014
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=David Zwirner 525 West 19th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=525 West 19th Street:geo:-74.007014,40.7458819
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190424T170000
DTEND;TZID=America/Halifax:20190424T193000
DTSTAMP:20260404T033539
CREATED:20190403T145707Z
LAST-MODIFIED:20190403T145707Z
UID:50673-1556125200-1556134200@artinamericaguide.com
SUMMARY:Film Screening: Art Is…The Permanent Revolution
DESCRIPTION:Join us for a film screening of Art Is…The Permanent Revolution (2012) on Wednesday\, April 24 at 5 p.m. in the Multi-Media Room of the DiMenna-Nyselius Library. Thedocumentary\, by Manfred Kircheimer\, explores how politics and the artists of the past have affected the art and process of four artists presented in documentary. \nThe film is presented in conjunction with The Artist Collects: Highlights from the James Reed Collection (March 14 – June 8\, 2019). \n  Save  
URL:https://artinamericaguide.com/event/film-screening-art-isthe-permanent-revolution/
LOCATION:DiMenna-Nyselius Library\, 1073 North Benson Road\, Fairfield\, CT\, 06824
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/3dbbPIBn.jpeg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1587647;-73.257359
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=DiMenna-Nyselius Library 1073 North Benson Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=1073 North Benson Road:geo:-73.257359,41.1587647
END:VEVENT
END:VCALENDAR