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DTSTART:20210314T060000
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DTSTART:20211107T050000
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211215T130000
DTEND;TZID=America/Halifax:20211215T140000
DTSTAMP:20260406T181158
CREATED:20211208T203220Z
LAST-MODIFIED:20211208T203220Z
UID:90515-1639573200-1639576800@artinamericaguide.com
SUMMARY:Marion Palfi in the Archive: A Social Justice Photographer Across Three Collections
DESCRIPTION:Join the Center for Creative Photography\, the Spencer Museum of Art\, and the Amistad Research Center at Tulane University in this virtual panel to discuss the work of photographer and social justice advocate Marion Palfi (1907-1978). Curators and archivists from the three institutions will explore Palfi’s practice\, the history of these distinct collections and how they are used for teaching and research\, and what it means to be the custodians of an artist’s legacy. \nThis conversation is related to the exhibition Freedom Must Be Lived: Marion Palfi’s America\, 1940-1978\, organized by the Center for Creative Photography and on view at Phoenix Art Museum through January 2\, 2022. \n  Save  
URL:https://artinamericaguide.com/event/marion-palfi-in-the-archive-a-social-justice-photographer-across-three-collections/
LOCATION:Zoom
CATEGORIES:Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/12/1973.0154.jpg
ORGANIZER;CN="Spencer Museum of Art%2C University of Kansas":MAILTO:spencerart@ku.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211214T180000
DTEND;TZID=America/Halifax:20211214T200000
DTSTAMP:20260406T181158
CREATED:20211206T204158Z
LAST-MODIFIED:20211206T204158Z
UID:90499-1639504800-1639512000@artinamericaguide.com
SUMMARY:Discovering Your Creative Photographic Path Remote Learning
DESCRIPTION:Remote learning \nThese Zoom sessions will fully reflect the same content as with the on-ground workshops offered by the FMoPA institute. \nMost beginning photographers tend to randomly capture images of everything they see and experience\, resulting in confusing portfolios of single photographs and a lack of strong intellectual and aesthetical bodies of work. This intensive 3-weeks workshop is designed to encourage all students to find their unique creative voices\, resulting in solid directions for the future and applicable projects for everyone regardless of experience. \nCreative photography is a process\, one that utilizes a simple approach to establishing photography projects\, otherwise known as concepts. Four keywords\, WHY\, WHAT\, HOW\, and WHO serve as the foundation in forming intellectually and aesthetically resolved bodies of fine artwork. Finding your own creative voice is the result of applying this simple method to your photography projects\, not an elusive born talent\, but rather a process that involves writing simple artist statements\, researching a particular subject matter or techniques\, and experimenting with the aesthetics of an idea\, your idea. After an initial review of images\, each student will be encouraged to pursue a single idea or project\, resulting in a fully resolved mini body of work by the end of the workshop. Sequencing of images\, simple artist statements\, and presentation ideas will be explored throughout. \n  Save  
URL:https://artinamericaguide.com/event/discovering-your-creative-photographic-path-remote-learning-8/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211214T180000
DTEND;TZID=America/Halifax:20211214T200000
DTSTAMP:20260406T181158
CREATED:20211206T204158Z
LAST-MODIFIED:20211206T204158Z
UID:90501-1639504800-1639512000@artinamericaguide.com
SUMMARY:Introducción a Adobe Lightroom
DESCRIPTION:Introducción a Adobe Lightroom como herramienta de catalogación y edición básica de fotografías. En esta sesión intensiva de 2 horas podrán aprender cómo definir un flujo de trabajo básico en Adobe Lightroom que les permitirá mantener su trabajo fotográfico organizado. \n\nTour a travel de la interfaz y los módulos principales\nModulo de Biblioteca (Library)\nEstructura del catálogo\nImportando archivos (Import)\nRevelado rápido de imágenes (Develop)\nColecciones simples y conjuntos de colecciones\nExportación de imágenes (Export y Print)\n\n  Save  
URL:https://artinamericaguide.com/event/introduccion-a-adobe-lightroom-7/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
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GEO:27.9472272;-82.4606362
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211214T170000
DTEND;TZID=America/Halifax:20211214T180000
DTSTAMP:20260406T181158
CREATED:20211004T155339Z
LAST-MODIFIED:20211004T155339Z
UID:88775-1639501200-1639504800@artinamericaguide.com
SUMMARY:Virtual Workshop: De-Stress with Doodling
DESCRIPTION:Join us in the virtual classroom for an online art workshop! \nPlease visit the Eventbrite page to select tickets then watch this event live via https://quickcenter.fairfield.edu/thequicklive/ \nJoin Museum Educator Kate Wellen for a de-stressing workshop! Doodling can be done almost anywhere\, anytime and is a relaxing\, accessible way for anyone to be creative\, even if they don’t feel they have artistic skills or experience. Doodles are made up of the basic elements of drawing: shape\, line\, pattern and shading. Many people have developed a repertoire of patterns and shapes that they reuse in their everyday doodling practices. This workshop will guide participants to create an intentionally composed ink drawing from repeated doodled patterns bringing mindfulness to an activity typically thought of as being mindless. \n  Save  
URL:https://artinamericaguide.com/event/virtual-workshop-de-stress-with-doodling/
CATEGORIES:Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/10/De-Stress-w-Doodling.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211211T140000
DTEND;TZID=America/Halifax:20211211T150000
DTSTAMP:20260406T181158
CREATED:20211103T202334Z
LAST-MODIFIED:20211103T202334Z
UID:89757-1639231200-1639234800@artinamericaguide.com
SUMMARY:Present Tense Guided Tour: Critical Gestures (In-Person)
DESCRIPTION:Join us for an informal\, conversational walkthrough of Present Tense that explores how artists can challenge and provoke by focusing their critical lens on current events and histories. Through a selection of highlights\, we’ll take an up-close look at objects\, discuss their socio-historical context\, and explore how artworks generate complex meanings through text and image.  \nRSVP is strongly encouraged but walk-ins are welcome according to capacity. All participants must show proof of vaccination and wear a mask at all times. \n  Save  
URL:https://artinamericaguide.com/event/present-tense-guided-tour-critical-gestures-in-person/
LOCATION:International Print Center New York\, 508 West 26th Street\, 5A\, New York\, NY\, 10001\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/11/guided-tour-visual-1.jpg
ORGANIZER;CN="International Print Center New York":MAILTO:contact@ipcny.org
GEO:40.74975;-74.003741
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=International Print Center New York 508 West 26th Street 5A New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=508 West 26th Street\, 5A:geo:-74.003741,40.74975
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211211T130000
DTEND;TZID=America/Halifax:20211211T143000
DTSTAMP:20260406T181158
CREATED:20211028T154738Z
LAST-MODIFIED:20211028T154738Z
UID:89584-1639227600-1639233000@artinamericaguide.com
SUMMARY:NEA Big Read: Great Lakes Bay Region Saginaw Programs  Beyond the Book: Children’s Story Time & Art Activity!
DESCRIPTION:Children are invited to gather for a book reading and art activity with Bay City teacher\, Brandy Wilk! Each child will receive a free copy of the selected book. \nSaturday\, December 11\, 2021 1:00 – 2:30 PM \nBOOK: Hairs-Pelitos by Sandra Cisneros\, author of The House on Mango Street. \nART ACTIVITY: Mixed Media Collage Artwork! \nFor a complete calendar of events and to learn more go to \nhttps://www.marshallfredericks.net/bigread.html \n  Save  
URL:https://artinamericaguide.com/event/nea-big-read-great-lakes-bay-region-saginaw-programs-beyond-the-book-childrens-story-time-art-activity/
LOCATION:Marshall M. Fredericks Sculpture Museum\, 7400 Bay Rd\, University Center\, MI\, 48710\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/10/91HFNipnDKL.jpg
ORGANIZER;CN="Marshall M. Fredericks Sculpture Museum":MAILTO:JLLodico@svsu.edu
GEO:43.5182561;-83.9722204
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Marshall M. Fredericks Sculpture Museum 7400 Bay Rd University Center MI 48710 United States;X-APPLE-RADIUS=500;X-TITLE=7400 Bay Rd:geo:-83.9722204,43.5182561
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211211T120000
DTEND;TZID=America/Halifax:20211211T180000
DTSTAMP:20260406T181158
CREATED:20211115T162047Z
LAST-MODIFIED:20211115T162047Z
UID:90181-1639224000-1639245600@artinamericaguide.com
SUMMARY:Jane Beckwith : Bee-in at Home  November 30 - December 31\, 2021
DESCRIPTION:Blue Mountain Gallery is pleased to announce an exhibit of works on paper by printmaker\, Jane Beckwith. The theme\, “Bee-In at Home\,” explores the domestic sphere and appreciation of agriculture workers; farmers\, and especially\, beekeepers. \nJane will be in the gallery every Saturday in December. \n​On December 11\, from noon-6 pm she will hold a “Bee-In\, ” a free\, interactive art studio project where visitors can make bees from the materials supplied. \n  Save  
URL:https://artinamericaguide.com/event/jane-beckwith-bee-in-at-home-november-30-december-31-2021/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211210T180000
DTEND;TZID=America/Halifax:20211210T210000
DTSTAMP:20260406T181158
CREATED:20211206T204158Z
LAST-MODIFIED:20211206T204158Z
UID:90497-1639159200-1639170000@artinamericaguide.com
SUMMARY:Mentorship Program at FMoPA
DESCRIPTION:Are you starting a new photography project or body of work? Are you stuck in the middle of\nmany random images? Not sure what your next experimentation should look like? Looking to\nrefine your photographs and their impact on the viewers? Searching for a stronger meaning or\nmessage in your images? Are you struggling with inspiration or project ideas? Not sure how to\ncreate an artist statement\, exhibition proposal\, artist talk\, or how to manage a project\nfinancially? \nThe answer lies in Mentorships\, as it is for most artists who already rely on a mentor\, and often\nprovide such to others. Mentorships are flexible\, adapted to each participant\, and provide open\nexplorations of aesthetics\, intellectual and technical outcomes. \nFMoPA’s membership program is limited to 2 students per month and is conducted by our\nestablished or visiting instructors\, professional artists\, mentors\, and experts in varied\nphotography genres. \n6 Months program\, most photography projects often take that much time or more.\n12 Contact hours via Zoom as effective use of time and resources. \n  Save  
URL:https://artinamericaguide.com/event/mentorship-program-at-fmopa-2/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2021/12/mentorship.png
GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211210T110000
DTEND;TZID=America/Halifax:20211210T120000
DTSTAMP:20260406T181158
CREATED:20211115T162033Z
LAST-MODIFIED:20211115T162033Z
UID:90190-1639134000-1639137600@artinamericaguide.com
SUMMARY:Art Study Center Seminar at Home\, with Hong Chun Zhang
DESCRIPTION:In her work\, Kansas-based Chinese artist Hong Chun Zhang reimagines the world around her as enveloped in hair. In conversation with The Wave\, Harvard’s Asian literary and arts magazine\, Zhang will explore how her identity\, the environment\, and the dual pandemics are woven into her recent work. \nLed by:\nHong Chun Zhang\, artist\nJerrica Li ’22\, founder\, The Wave magazine\, Harvard University\nSarah Laursen\, Alan J. Dworsky Associate Curator of Chinese Art\, Division of Asian and Mediterranean Art\, Harvard Art Museums \nThis talk will take place online via Zoom. The event is free and open to all\, but registration is required. To register\, please complete this online form. \nPlease read these instructions on how to join a meeting on Zoom. For questions about Art Study Center Seminars at Home\, email am_register@harvard.edu. \nPlease note that closed captioning is available during this program. \nThe Harvard Art Museums have reopened to the public. Reservations are required for visitors and can be made up to three weeks in advance. Please visit the museum website for more information. \n  Save  
URL:https://artinamericaguide.com/event/art-study-center-seminar-at-home-with-hong-chun-zhang/
LOCATION:Online
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/11/Hong-Chun-Zhang_2021.42-002-1.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
GEO:42.37459;-71.1191377
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211208T040000
DTEND;TZID=America/Halifax:20211208T173000
DTSTAMP:20260406T181158
CREATED:20211206T165516Z
LAST-MODIFIED:20211206T165516Z
UID:90482-1638936000-1638984600@artinamericaguide.com
SUMMARY:Playing with States: A Conversation with Local Printmakers
DESCRIPTION:Using the exhibition States of Play: Prints from Rembrandt to Delsarte as a starting point\, curator Elizabeth Rudy and conservator Christina Taylor will lead a dynamic conversation about printmaking with a group of Boston-area printmakers. \nThe speakers will discuss the role of revision\, correction\, and adjustment in the printmaking process. Each artist will present an example of how they’ve reworked one of their projects\, and the group will explore how editing and change play a fundamental role in the creation of fine prints. \nSpanning four centuries\, the works in States of Play unveil the layers of creative revision behind finished prints. Central to this process is the concept of a “print state\,” which traditionally refers to a version of a print that precedes the final product. By decoding creative choices that the artist pursued or abandoned in each successive step\, the exhibition helps uncover the full breadth of experimentation and demystifies printmaking terminology and techniques. \nLed by:\nElizabeth Rudy\, Carl A. Weyerhaeuser Curator of Prints\, Division of European and American Art\nChristina Taylor\, Assistant Paper Conservator\, Straus Center for Conservation and Technical Studies \nPrintmakers:\nCicely Carew\nSusan Denniston\nCatherine Kernan\nDebra Olin\nRebecca Leopoldina Torres\nChristopher Wallace \nThis talk will take place online via Zoom. The event is free and open to all\, but registration is required. To register\, please complete this online form. \nPlease read these instructions on how to join a meeting on Zoom. For general questions\, email am_register@harvard.edu. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \nSupport for this program is provided by the M. Victor Leventritt Fund\, which was established through the generosity of the wife\, children\, and friends of the late M. Victor Leventritt\, Harvard Class of 1935. The purpose of the fund is to present outstanding scholars of the history and theory of art to the Harvard and Greater Boston communities. \nThe Harvard Art Museums have reopened to the public. Reservations are required for visitors and can be made up to three weeks in advance. Please visit the museum website for more information. \n  Save  
URL:https://artinamericaguide.com/event/playing-with-states-a-conversation-with-local-printmakers/
LOCATION:Online
CATEGORIES:Event,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/12/20210904_R.-Leopoldina-Torres_IMG-260_cropped-calendar.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
GEO:42.37459;-71.1191377
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211207T160000
DTEND;TZID=America/Halifax:20211207T170000
DTSTAMP:20260406T181158
CREATED:20211206T204158Z
LAST-MODIFIED:20211206T204158Z
UID:90495-1638892800-1638896400@artinamericaguide.com
SUMMARY:Happy Talks
DESCRIPTION:HAPPY TALKS = HAPPY COUPLE = HAPPY HOLIDAYS \nFrom walking through blossoming orange groves to kissing at midnight on NYE\, the holidays seem like the perfect time to be in love. So why do most couples find the festive season stressful? Join us on Tuesday\, December 7\, 2021\, at 4 PM for a virtual conversation led by licensed therapist Dr. Rosana Marzullo-Dove. We will learn how to improve communication with our partners and keep the romance in the relationship at any stage. Tip: once in a while\, try staying beyond topics revolving around households and children. To attend this event\, please join the FMoPA group on Facebook: https://www.facebook.com/groups/355771931575304/?ref=share \n \nDr. Rosana Marzullo-Dove is the Founder of Tampa Therapy Group.  She received her Psy.D. in Clinical Psychology from the American School of Professional Psychology\, her Masters in Clinical Psychology from Argosy University\, and her Bachelors in Psychology from the University of Mary Washington.\nShe specializes in Psychotherapy\, Couple Therapy\, Group Therapy\, CBT\, DBT\, EFT\, Behavioral Therapy\, Experiential Therapy\, and Mindfulness. \n  Save  
URL:https://artinamericaguide.com/event/happy-talks-3/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/12/happy-talks-december.jpg
GEO:27.9472272;-82.4606362
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211204T190000
DTEND;TZID=America/Halifax:20211204T220000
DTSTAMP:20260406T181158
CREATED:20211201T230747Z
LAST-MODIFIED:20211201T230747Z
UID:90415-1638644400-1638655200@artinamericaguide.com
SUMMARY:Michael O’Neill\, On Yoga: The Architecture of Peace
DESCRIPTION:Etherton Gallery is pleased to present our new exhibition\, Michael O’Neill\, On Yoga: The Architecture of Peace\, opening with a reception 7:00-10:00 pm\, Saturday\, December 4\, 2021 at our new location\, 340 South Convent Avenue. The show runs through Feb. 5\, 2022. Michael O’Neill spent ten years photographing the masters and gurus of yoga\, meditating with monks in the Tibetan Plateau\, living with sadhus in their tents at the Kumbh Mela\, and marveling at the boys who practice the little known discipline of Mallakhamba at the wrestling grounds in Kochi\, India. His portraits reveal the essence of yoga\, what O’Neill calls\, “the architecture of peace… a series of postures that bring the practitioner closer to touching the infinite.” \nA documentary about O’Neill’s project\, On Yoga: The Architecture of Peace will be shown 2:00 pm\, Sunday\, December 5th at The Screening Room\, 127 East Congress Street.  To view the trailer visit:  https://vimeo.com/501728440. \nFor more information\, call or email Daphne Srinivasan at the gallery at:  info@ethertongallery.com  or (520) 624-7370. \nImage Credit: Rooted\, 2009 ©️ Michael O’Neill \n  Save  
URL:https://artinamericaguide.com/event/michael-oneill-on-yoga-the-architecture-of-peace/2021-12-04/
LOCATION:Etherton Gallery\, 135 S. 6th Ave.\, Tucson\, AZ\, 85701\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/12/Rooted-2009a-scaled.jpg
ORGANIZER;CN="Etherton Gallery":MAILTO:info@ethertongallery.com
GEO:32.2206237;-110.9684067
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Etherton Gallery 135 S. 6th Ave. Tucson AZ 85701 United States;X-APPLE-RADIUS=500;X-TITLE=135 S. 6th Ave.:geo:-110.9684067,32.2206237
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211204T180000
DTEND;TZID=America/Halifax:20211204T200000
DTSTAMP:20260406T181158
CREATED:20211129T143740Z
LAST-MODIFIED:20211129T143740Z
UID:90364-1638640800-1638648000@artinamericaguide.com
SUMMARY:Live & In-Person Poetry at First Street Gallery
DESCRIPTION:First Street Gallery Affiliate Artist Jane Shoenfeld will be reading from her new poetry book\, Petals in the Tunnel\, which includes images of her art as well as poems that have been published in a number of literary magazines. Jane is also a licensed art therapist in Santa Fe\, NM\, and both her art and poetry incorporate psychological “deep image” perspectives. \nNEA Fellow Donald Levering will be reading from his forthcoming 16th poetry book\, Breaking Down Familiar. This book explores addiction\, dementia\, and dying through a compassionate poetic perspective. Donald is the winner of the Tor House Robinson Jeffers Award Prize\, the Carve Poetry Prize\, and the Literal Latté Poetry Award. His work has been featured on Garrison Keillor’s Writer’s Almanac podcast. \nThe 2021 Affiliates Show\, which includes Shoenfeld’s art\, will be on display during the reading.  Light refreshments will be served. \nPlease RSVP via email: jane@skyfields.net \n  Save  
URL:https://artinamericaguide.com/event/live-in-person-poetry-at-first-street-gallery/
LOCATION:First Street Gallery\, 526 West 26th Street\, Suite 209\, NEW YORK\, NY\, 10001\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/11/PetalsCover_BIGGER.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211204T130000
DTEND;TZID=America/Halifax:20211204T150000
DTSTAMP:20260406T181158
CREATED:20211117T004121Z
LAST-MODIFIED:20211117T004121Z
UID:90198-1638622800-1638630000@artinamericaguide.com
SUMMARY:Create & Take SATURDAY: Solar Prints with Saginaw artist Misty Grumbley
DESCRIPTION:Drop in and join artist Misty Grumbley at the Museum from 1 to 3 pm to create a solar print using the sun or ultraviolet light\, photo negatives or leaves placed on a light sensitive sheet and developed in water. All ages welcome! \n  Save  
URL:https://artinamericaguide.com/event/create-take-saturday-solar-prints-with-saginaw-artist-misty-grumbley/
LOCATION:Marshall M. Fredericks Sculpture Museum\, 7400 Bay Rd\, University Center\, MI\, 48710\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2021/11/Create-and-take-solar-prints-.png
ORGANIZER;CN="Marshall M. Fredericks Sculpture Museum":MAILTO:JLLodico@svsu.edu
GEO:43.5182561;-83.9722204
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Marshall M. Fredericks Sculpture Museum 7400 Bay Rd University Center MI 48710 United States;X-APPLE-RADIUS=500;X-TITLE=7400 Bay Rd:geo:-83.9722204,43.5182561
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211203T170000
DTEND;TZID=America/Halifax:20211203T190000
DTSTAMP:20260406T181158
CREATED:20211115T170826Z
LAST-MODIFIED:20211115T171127Z
UID:90192-1638550800-1638558000@artinamericaguide.com
SUMMARY:Mind the Gap
DESCRIPTION:STRATA GALLERY\nExhibition: Mind the Gap\nArtists: David Olivant\, Jennifer Van\nDates: November 30 – December 18\, 2021\nReception: December 03\, 2021 \nMind the Gap\nStrata Gallery presents its first two-person exhibition\, Mind the Gap by New Mexico based artists David Olivant and Jennifer Van. The exhibition runs from November 30 – December 18\, with a special reception on December 3 from 5-7pm. \nMind the Gap is Strata Gallery’s first two-person exhibition to showcase an established and an emerging artist together and in dialog. David Olivant’s Retrogylphs reinvent characters and imagery from earlier sculptures and assemblages. Jennifer Van’s photography centers on emotional expression and the human form. \nWhile on the surface the artwork is quite different\, each artist is deeply concerned with the expression and communication of nuanced emotional states filtered through diverse perspectives. Together these works explore the fraught dynamics of human contact and the nature of the interpersonal “gap” that humans constantly have to “mind”. \nDavid Olivant is a native of England and got his MA from the Royal College of Art in London. After three years living in New Delhi in the mid-eighties where he had his first solo exhibition he moved to the US. Since then\, he has shown in NYC\, Chicago\, LA\, Fresno\, Santa Fe and Davis. \nJennifer Van received her BFA in Graphic Arts and a BA in Art History from California State University Stanislaus. Her work has been exhibited in California and New Mexico. \nStrata Gallery is open from 10 a.m. to 5 p.m. Tuesday – Saturday. For more information about Strata Gallery\, the current exhibit\, and the future schedule of events\, please visit the Strata Gallery website and Instagram. \n  Save  
URL:https://artinamericaguide.com/event/mind-the-gap/
LOCATION:Strata Gallery\, 418 Cerrillos Road\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/11/Divergence_Inkjet-on-Moab-Entrada_24x36in.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211202T180000
DTEND;TZID=America/Halifax:20211202T200000
DTSTAMP:20260406T181158
CREATED:20211129T143740Z
LAST-MODIFIED:20211129T143740Z
UID:90360-1638468000-1638475200@artinamericaguide.com
SUMMARY:Opening Reception: 2021 Annual Affiliates Exhibition
DESCRIPTION:Opening Reception: Thursday\, December 2nd\, 6-8PM \n  \nMichele BonDurant My art is anchored in looking. My paintings and collages are based on observation. An economy of expression and the role that color plays is the focus of my work. \nMy motivation is to manipulate color\, shape\, composition and subject matter in such a way that it engages the viewer and invites closer investigation and interpretation. \n  \nGilles Giuntini ‘s collage pieces are a product of the imposed isolation and consequent focus that Corona has granted us. They attempt to break away from more established conventions of collage. At their core the pieces are about contradictions both natural and political; contradictions inherent in the profound state of transition in which he believes we currently find ourselves. \n  \nKathy A. Moore paints and draws from intense visual observation based on the still life motif. Her intent is to place the viewer within her immediate visual perspective\, as if the viewer is present\, stepping out of a spectator role. Within each still life\, she aspires to convey a luminous\, quiet\, and intimate order. \n  \nJohn Rohlfing New ceramic vessels. \n  \nCarolyn Sheehan creates art works that are best described by color and images. She combines creativity and imagination with emotions in every piece with the sole purpose of not only creating an aesthetic that impacts the feelings but causes pleasure as well. Every piece is worked like a sculpture which is three dimensional and they take shape in a style in which the icon is always the focal point. \n  \nJane Shoenfeld Although my paintings are grounded in the natural world of forms\, movement\, and light\, much of my work is abstract and invokes the world of dreams. I alter colors to express emotion. Vivid hues\, kinesthetic mark making\, and the resonance of layers\, both literal and metaphoric\, characterize my pastel paintings.  \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-2021-annual-affiliates-exhibition/
LOCATION:First Street Gallery\, 526 West 26th Street\, Suite 209\, NEW YORK\, NY\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/11/Final_-21AFFILIATES.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211202T180000
DTEND;TZID=America/Halifax:20211202T200000
DTSTAMP:20260406T181158
CREATED:20211129T143740Z
LAST-MODIFIED:20211129T143740Z
UID:90371-1638468000-1638475200@artinamericaguide.com
SUMMARY:Art for Grabs: Invitational & Members Show
DESCRIPTION:Please join us for the opening reception for Art For Grabs on Thursday December 2 from 6:00-8:00 p.m. Light refreshments will be served in the lobby area outside the gallery. (Once inside\, we ask that you wear a mask.) \nLooking for the perfect gift for someone who doesn’t need or want another electronic gadget\, socks or underwear? Affordable art is a great solution! At Pictor Gallery we are decking the walls with every kind of beautiful\, professional art\, just in time for the holidays! Throughout December you’ll find landscapes\, abstracts\, dreamscapes\, portraits and everything in between — all small enough to fit anywhere. It’s Art For Grabs…inexpensive and ready to go! We might even gift wrap for you if you’ve been off the naughty list for awhile. \nOn view from November 30 – December 30\, 2021 \n  \n  Save  
URL:https://artinamericaguide.com/event/art-for-grabs-invitational-members-show/
LOCATION:Pictor Gallery\, 547 West 27th Street\, Suite 204\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/11/Invitational-December-Square-2-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211202T130000
DTEND;TZID=America/Halifax:20211202T140000
DTSTAMP:20260406T181158
CREATED:20211122T203502Z
LAST-MODIFIED:20211122T203502Z
UID:90275-1638450000-1638453600@artinamericaguide.com
SUMMARY:Live from London: the Lubaina Himid exhibition at the Tate Modern
DESCRIPTION:Join Lisa Merrill\, PhD.\, Professor of Performance Studies\, Rhetoric and Public Advocacy Program\, Department of Writing Studies and Rhetoric at Hofstra University\, for a virtual conversation\, live from London\, discussing the Lubaina Himid exhibition\, which is on view at the Tate Modern from November 25\, 2021 to July 3\, 2022. Professor Merrill is a contributor to the exhibition catalogue. \nThe Lubaina Himid exhibition\, including recent work and selections from throughout her career\, takes inspiration from Himid’s interest in theater and unfolds in a sequence of scenes designed to place visitors centerstage and backstage. Initially trained in theater design\, Himid is known for her innovative approaches to painting and to social engagement. She has been pivotal in the UK since the 1980s for her contributions to the British Black arts movement\, making space for the expression and recognition of Black experience and women’s creativity. Over the last decade\, she has earned international recognition for her figurative paintings\, which explore overlooked and invisible aspects of history and of contemporary everyday life. In 2017\, she was awarded the Turner Prize and in 2018 she was bestowed with the honorary title of CBE for her contributions to the arts. \nProfessor Merrill is a performance and cultural historian\, specializing in 19th century performances and social issues on stage and in the streets. She applies her research and publications about performance history and critical race and cultural studies\, and spectatorship\, to a range of cultural artifacts\, artworks\, and performances. Currently Professor Merrill’s work on Turner Prize-winning artist Lubaina Himid’s “Memorial to Zong” is part of an exhibition at Lancaster Maritime Museum. \nAdmission is free. Advance registration is required. \nProfessor Merrill thanks the Hofstra University Museum of Art\, the Hofstra Cultural Center and the Center for ‘Race’\, Culture\, and Social Justice for making this talk possible. \n\n\nZoom Link: https://hofstra.zoom.us/meeting/register/tJcqf-2orj8uGtXdqV46oPjG4XpYTW6BURZ3\n\n\nImage Caption:\nLubaina Himid Le Rodeur: The Exchange 2016 © Lubaina Himid Courtesy of the artist and Hollybush Gardens\, London. \n  Save  
URL:https://artinamericaguide.com/event/live-from-london-the-lubaina-himid-exhibition-at-the-tate-modern/
LOCATION:Zoom
CATEGORIES:Virtual Events + Viewing Rooms
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ORGANIZER;CN="Hofstra University Museum of Art":MAILTO:museum@hofstra.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211202
DTEND;VALUE=DATE:20211205
DTSTAMP:20260406T181158
CREATED:20211130T191040Z
LAST-MODIFIED:20211130T191040Z
UID:90407-1638403200-1638662399@artinamericaguide.com
SUMMARY:'Manhatta: City of Ambition' at Art Basel Miami Beach\, Booth G3
DESCRIPTION:Michael Rosenfeld Gallery is pleased to present a group exhibition inspired by Paul Strand and Charles Sheeler’s avant-garde documentary film Manhatta (1920–21) at Art Basel Miami Beach 2021. Brought together in celebration of the centennial of Manhatta’s premiere\, the works on view explore themes of urbanity\, industry and immigration\, conjuring visions of urban life that capture the scintillating energy and soaring aspirations of a densely populated metropolis. Featuring a broad selection of artists central to the gallery program\, Manhatta: City of Ambition celebrates urban centers as loci of inspiration\, highlighting artworks that exalt the struggles and triumphs of life in a major city rebuilding itself in the wake of global catastrophe. \nA diverse group of works by artists associated with the 20th century New York avant-garde anchors the presentation in the city to which Manhatta is dedicated. Commuters (1954) by Norman Lewis (1909–1979)\, portrays the frenetic bustle of midcentury New York through the artist’s signature calligraphic line and sublimely atmospheric abstraction. George Tooker’s (1920–2011) otherworldly vision of Washington Square Park\, Fountain (1949–50)\, is an early example of the artist’s masterful figurative practice containing all the hallmarks of his mature career\, including an intensely psychological set of symbols and a radiant palette executed in his signature egg tempera medium. Beauford Delaney (1901–1979) likewise portrays the popular gathering place of the Greenwich Village creative community in his 1949 painting Washington Square\, an exemplary work from his Greene Street period in which his fauvist-inflected palette and expressionistic facture affectively describe the site as an idyllic oasis within the concrete expanse of Lower Manhattan. Howard Cook’s (1901–1980) iconic rendition of the Brooklyn Bridge\, The Bridge No. 1 (c.1951)\, constitutes an ode to the feat of modern engineering that connects the city’s two most populous boroughs. Embodying the electrified visual environment of the modern cityscape are Red Grooms’ (b.1937) monumental tribute to turn-of-the-century architectures\, Flatiron Building (1995)\, which incorporates a live electrical component\, and Irene Rice Pereira’s (1907–1971) Glass Construction (c.1944)\, a textured glass lightbox composition that echoes the nested\, luminescent grid of an urban environment after sunset. \nWhile many of the artists included in Manhatta: City of Ambition were luminaries of the New York scene\, the purview of the exhibition encompasses urban centers across the United States. Two major paintings from the interwar years effectively convey the grand architectural achievements of Chicago’s swiftly rising skyline in City Lights (1933) and City Ultimate (1936) by Raymond Jonson (1891–1992). In Edmund Lewandowski’s (1914–1998) Industry (1942)\, workers toil in a factory scene set in the artist’s native city of Milwaukee; Lewandowski (who ran in the same Precisionist painting circles as Sheeler) sought to elevate the sleek\, complex forms of modern industrial machinery as well as the workers who operated them\, who he considered to be exemplars of American progress. A particularly architectonic example of Claire Falkenstein’s (1908–1997) Fusion series will be on view; using an original technique she developed in Europe\, Untitled (Fusion) (c.1970) melds copper with jewel-toned glass similar to the artisanal Murano glassware that inspired the series’ conception\, transforming a centuries-old Venetian tradition into a thoroughly modernist American masterpiece constructed in Venice Beach\, California. A rare study by Harlem Renaissance master Aaron Douglas (1899–1979) evidences the artist’s refined graphic sensibilities\, applied at the height of his faculties in advance of his most ambitious mural commission\, the Cravath Hall cycle at Fisk University in Nashville. Another mural study\, Untitled (Mural Study\, Camp Wo-Chi-Ca) (1945)\, demonstrates Charles White’s (1918–1979) unparalleled draftsmanship; inspired by the artist’s experiences at a progressive summer camp in Hunterdon County\, New Jersey\, the composition advances a multicultural vision of society defined by access to education and protected workers’ rights. Finally\, a prime example of Harry Bertoia’s (1915–1978) high modernist metalwork sculpture reflects the midcentury architectures in which many of his public artworks were installed throughout the Midwest; constructed in the years after he left a wildly successful career as a designer to create sculpture full-time in his eastern Pennsylvania farmhouse\, Untitled (1956) constitutes an experiment in embodied variation limited to a stripped-down set of component parts and repetitive constituent motifs to create a structure simultaneously solid and transparent. \nVisitors will have the opportunity to view Manhatta in a dedicated alcove of the booth; the silent film contains verses from Walt Whitman poems in lieu of narrational exposition. Sheeler and Strand shot the film at various locations in Lower Manhattan throughout 1920; in fact\, fans of Strand’s photography will notice several locations that the artist also documented in some of his most famous photographs. Both Strand and Sheeler were protégés of Alfred Stieglitz\, and many of the film’s sixty-five shots resemble the sharp focus and richly varied tonal scale of a platinum print. Often using extreme camera angles evocative of a Cubist perspective\, the 11-minute film comprises a series of vignettes that echo the structure of Whitman’s verse. Manhatta is considered by most film historians to be the first avant-garde film produced in America\, amounting to a moving portrait of the island wherein visions of modern life are captured via a non-narrative\, documentary approach. The film was digitally restored in 2008\, as most extant versions were jittery\, scratched celluloid prints that had been overexposed due to years of screenings and poor storage practices. Thanks to the efforts of Anthology Film Archives\, The British Film Institute\, DTS Digital Images\, Lane Collection at the Museum of Fine Arts Boston\, The Library of Congress\, The Museum of Modern Art\, The National Gallery of Art and Eye Filmmuseum\, all 11\,223 frames on view at Michael Rosenfeld Gallery’s booth have been corrected to reflect the crystal-clear\, steadily shot film audiences saw in the 1920s. Enhanced by Whitman’s rhapsodic words\, Manhatta’s silvery impressions of the era’s achievements in architectural innovation\, urban infrastructure and industrial efficiency perfectly reflect the thematic concerns of the works on view. \nManhatta: City of Ambition is Michael Rosenfeld Gallery’s fifteenth presentation at Art Basel Miami Beach. \n  Save  
URL:https://artinamericaguide.com/event/manhatta-city-of-ambition-at-art-basel-miami-beach-booth-g3/
LOCATION:Art Basel Miami Beach\, Miami Beach Convention Center 1901 Convention Center Drive Miami Beach\, FL 33139\, Miami Beach\, FL\, 33139\, United States
CATEGORIES:Art Fair
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/11/JONSON0017-image.jpg
ORGANIZER;CN="Michael Rosenfeld Gallery":MAILTO:info@michaelrosenfeld.com
GEO:25.7950215;-80.1345386
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Basel Miami Beach Miami Beach Convention Center 1901 Convention Center Drive Miami Beach FL 33139 Miami Beach FL 33139 United States;X-APPLE-RADIUS=500;X-TITLE=Miami Beach Convention Center 1901 Convention Center Drive Miami Beach\, FL 33139:geo:-80.1345386,25.7950215
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211201T190000
DTEND;TZID=America/Halifax:20211201T200000
DTSTAMP:20260406T181158
CREATED:20211122T203428Z
LAST-MODIFIED:20211122T203428Z
UID:90296-1638385200-1638388800@artinamericaguide.com
SUMMARY:Panel Discussion: Devour the Land
DESCRIPTION:In this virtual panel discussion\, curator Makeda Best will be in conversation with scholars to dissect the wider impacts of military activity on the American landscape. Their discussion is inspired by our latest special exhibition\, Devour the Land: War and American Landscape Photography since 1970\, on view at the Harvard Art Museums through January 16\, 2022. \nDevour the Land explores the unknown and often hidden consequences of militarism on habitats and well-being in the United States. Featuring approximately 160 photographs across 6 thematic groupings\, the exhibition reveals the nationwide footprint of the U.S. military\, the wide network of industries that support and supply its work\, and the impacts of—and responses to—this activity. \nSpeakers:\nMakeda Best\, Richard L. Menschel Curator of Photography\, Division of Modern and Contemporary Art\, Harvard Art Museums\nNeta C. Crawford\, Professor and Chair of Political Science\, Boston University; Co-Director\, Costs of War\nAbrahm Lustgarten\, Reporter\, ProPublica\nCatherine Lutz\, Thomas J. Watson\, Jr. Family Professor Emerita of Anthropology and International Studies\, Watson Institute for International and Public Affairs\, Brown University; Co-Director\, Costs of War \nThis panel discussion will take place online via Zoom. The event is free and open to all\, but registration is required. To register\, please complete this online form. \nPlease read these instructions on how to join a meeting on Zoom. For general questions\, email am_register@harvard.edu. \nThis exhibition is made possible in part by the generosity of the Terra Foundation for American Art and The Andy Warhol Foundation for the Visual Arts. Additional support is provided by the Andrew W. Mellon Publication Fund and the Rosenblatt Fund for Postwar American Art. Related programming is supported by the M. Victor Leventritt Lecture Series Endowment Fund. Modern and contemporary art programs at the Harvard Art Museums are made possible in part by generous support from the Emily Rauh Pulitzer and Joseph Pulitzer\, Jr.\, Fund for Modern and Contemporary Art. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \nThe Harvard Art Museums have reopened to the public. Reservations are required for visitors and can be made up to three weeks in advance. Please visit the museum website for more information. \n  Save  
URL:https://artinamericaguide.com/event/panel-discussion-devour-the-land/
LOCATION:Online
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/11/491876894-1.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
GEO:42.37459;-71.1191377
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211201T171500
DTEND;TZID=America/Halifax:20211201T181500
DTSTAMP:20260406T181158
CREATED:20211130T191059Z
LAST-MODIFIED:20211130T191059Z
UID:90378-1638378900-1638382500@artinamericaguide.com
SUMMARY:Land and Sovereignty: The Foundation for Public Art and Studio Practice
DESCRIPTION:Internationally recognized artist and KU alum Hock E Aye Vi Edgar Heap of Birds speaks about issues of place and power in his art. Five text-based panels from his Native Hosts series are installed in front of the Spencer Museum of Art and were selected as this year’s KU Common Work of Art. Native Hosts is just one example of Heap of Birds’s thought-provoking public interventions that acknowledge the historical displacement of Native Americans from their homelands and the contemporary presence of Native Americans across the Americas and the world. \nRegister in advance to join this virtual talk: kansas.zoom.us/webinar/register/WN_QQf9cOKxSZOaIpN8wzz6kQ \nSponsored By: History of Art DEAI Student Committee\, Kress Foundation Department of Art History\, Spencer Museum of Art\, Haskell Indian Nations University\, KU First Nations Student Association \n  Save  
URL:https://artinamericaguide.com/event/land-and-sovereignty-the-foundation-for-public-art-and-studio-practice/
LOCATION:Virtual
CATEGORIES:Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/11/2021.0305-9view003_0.jpg
ORGANIZER;CN="Spencer Museum of Art%2C University of Kansas":MAILTO:spencerart@ku.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211201T160000
DTEND;TZID=America/Halifax:20211201T170000
DTSTAMP:20260406T181158
CREATED:20211130T191122Z
LAST-MODIFIED:20211130T191122Z
UID:90376-1638374400-1638378000@artinamericaguide.com
SUMMARY:Pictures at an Exhibition: The Perception of Color in the Museum Environment
DESCRIPTION:Although there is no single correct way to perform a musical score\, there are many ways to diminish the quality of the experience. Similarly\, the conditions of an exhibition influence our experience of the works of art on display. Join Steven Weintraub of Art Preservation Services in New York for a discussion of the factors that affect the appearance of colors in visual art. Weintraub specializes in the preservation of museum collections and researches color perception and illumination. Weintraub is a visiting conservator at the Spencer Museum as part of the Collaborative Conservation Initiative funded by the Andrew W. Mellon Foundation. \nRegister in advance to join this virtual talk: kansas.zoom.us/webinar/register/WN_jRHag4EORoW1cw4OhlT5OA \n  Save  
URL:https://artinamericaguide.com/event/pictures-at-an-exhibition-the-perception-of-color-in-the-museum-environment/
LOCATION:Virtual
CATEGORIES:Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/11/Weintraub_2.jpg
ORGANIZER;CN="Spencer Museum of Art%2C University of Kansas":MAILTO:spencerart@ku.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211130T180000
DTEND;TZID=America/Halifax:20211130T200000
DTSTAMP:20260406T181158
CREATED:20211110T213746Z
LAST-MODIFIED:20211110T213746Z
UID:90056-1638295200-1638302400@artinamericaguide.com
SUMMARY:Storytelling Through Photography Remote Learning
DESCRIPTION:Storytelling Through Photography Remote Learning \nThese Zoom sessions will fully reflect the same content as with the on-ground workshops offered by the FMoPA institute. \nWe all have a story to tell\, a legacy or statement\, a call to action\, a declaration of what you believe\, what makes you mad or happy\, your unique observations of the world around you\, your life itself with its peaks and valleys. The medium of photography makes it possible to tell your story and sometimes make a change. A picture tells a thousand words. Several pictures correctly sequenced tell a full story – your individual story. \nIn this workshop\, you will learn the art of telling a story through creating a visual narrative. Multiple images have the power of expressing thoughts\, ideas\, experiences and beliefs in a linear format. Storyboarding and careful sequencing of photographs following a clear concept\, your unique voice and communications to the outside world\, using many case studies and background information on the starting point of any project: The Why\, What\, Who\, and How. \nWe all have a unique story to share with others\, it can be a powerful and quiet voice\, but we have a responsibility to tell our stories as part of our background\, culture\, legacy and circumstances. The power of words through titles or series’ names are also explored\, rounding up to a full story. \n  Save  
URL:https://artinamericaguide.com/event/storytelling-through-photography-remote-learning-7/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2021/11/storytelling.png
GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211130T180000
DTEND;TZID=America/Halifax:20211130T200000
DTSTAMP:20260406T181158
CREATED:20211110T213745Z
LAST-MODIFIED:20211110T213745Z
UID:90058-1638295200-1638302400@artinamericaguide.com
SUMMARY:Lightroom Remote Learning
DESCRIPTION:Lightroom Through Remote Learning. \nThese Zoom sessions will fully reflect the same content as with the on-ground workshops offered by the FMoPA institute. \nA basic introduction to Adobe Lightroom. In this course you will learn importing images\, using catalogs\, file naming\, using the developing tools\, establishing a constant plan for editing\, keyboard shortcuts\, using Lightroom’s file system\, keywords\, and exporting images. \nIn this course\, you will become familiar with the basic editing tools of Lightroom. It will concentrate on using the Library and Develop Modules. \nStudents should have Lightroom and bring your laptop if you have one. If you bring your Laptop bring some images to import. If you don’t have a laptop you will be able to follow along and then work from home on your desktop. \nThings to bring to class. \nYour computer loaded with Lightroom Classic. \nA card or hard drive with images to use to populate your catalog. You will get the most from this class if these images are in a RAW format (whichever RAW format your camera system uses) \n  Save  
URL:https://artinamericaguide.com/event/lightroom-remote-learning-4/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2021/11/lightroom.png
GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211130T123000
DTEND;TZID=America/Halifax:20211130T130000
DTSTAMP:20260406T181158
CREATED:20211115T162033Z
LAST-MODIFIED:20211115T162033Z
UID:90183-1638275400-1638277200@artinamericaguide.com
SUMMARY:Art Talk Live: Hans-Christian Schink’s Traffic Projects German Unity
DESCRIPTION:Curator Lynette Roth will speak with artist Hans-Christian Schink about his large-scale photograph A 38\, Schkortleben Bridge [1] (1999)\, which is part of his series Traffic Projects German Unity. They’ll discuss how the work raises key issues about German identity—from the time when the country was first reunified to this day. \nSpeakers:\nLynette Roth\, Daimler Curator of the Busch-Reisinger Museum and Head\, Division of Modern and Contemporary Art\nHans-Christian Schink\, artist \nThis talk is part of a series inspired by ReFrame\, a museum-wide initiative to reimagine the function\, role\, and future of the university art museum. These talks examine difficult histories\, foreground untold stories\, and experiment with new approaches to the collections of the Harvard Art Museums\, reflecting the concerns of our world today. \nThis talk will take place online via Zoom. The event is free and open to all\, but registration is required. To register\, please complete this online form. \nPlease read these instructions on how to join a meeting on Zoom. If you have any questions\, please email am_register@harvard.edu. \nArt Talks Live are presented via Zoom every other Tuesday at 12:30pm (ET) and offer an up-close look at works from our collections with our team of curators\, conservators\, fellows\, and graduate students. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \nThe Harvard Art Museums have reopened to the public. Reservations are required for visitors and can be made up to three weeks in advance. Please visit the museum website for more information. \n  Save  
URL:https://artinamericaguide.com/event/art-talk-live-hans-christian-schinks-traffic-projects-german-unity/
LOCATION:Online
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/11/A-38-Bruecke-Schkortleben-1-.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
GEO:42.37459;-71.1191377
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211130T080000
DTEND;TZID=America/Halifax:20211130T233000
DTSTAMP:20260406T181158
CREATED:20211110T213746Z
LAST-MODIFIED:20211110T213746Z
UID:90054-1638259200-1638315000@artinamericaguide.com
SUMMARY:GivingTuesday 2021
DESCRIPTION:The Florida Museum of Photographic Arts’ Visual Literacy Program is an important resource in educating the children of today to become the great artists of tomorrow. FMoPA works hands-on to provide minority and underprivileged children with the opportunities to express themselves and develop their passion for arts and culture.\n\n\n\n\nAnna’s Story\nFMoPA gave seven-year old Anna access to an artistic medium to share her story\, which sends a powerful message for immigrants and those struggling with language barriers. Through our Visual Literacy Program\, we were able to give Anna an opportunity to express herself with a camera. She only photographed images of locks and fences\, illustrating her time spent in an immigration detainment center. To share a story through pictures is important for every individual\, but even more so for those who have less ability to communicate and be understood verbally. Although this narrative is told through the lens of a single child\, it tells a story about so many others who have also experienced the isolation of living in a foreign place with little ability to communicate. Becoming a solution for issues that extend beyond our exhibitions\, issues that are much bigger than us\, makes our work feel worthwhile and meaningful. Watching Anna grow from a traumatic experience and express her trauma in a way that is both constructive and healing has changed the way we view our impact. We are not just an art museum; we go so far beyond that. \n\n\nDanny’s Story \nAmongst many others\, one child spoke loud through his photography instead of his voice. Within FMoPA’s Visual Literacy Program\, Danny found a way to connect with his peers in a way he never had before. Danny is on the Autism Spectrum\, many of the ways he processes and communicates with the world differs from what we are used to\, this shows primarily through the fact that Danny is nonverbal. This did not necessarily make him the target of bullies but it did alienate his relationship with his classmates\, causing him to be outcasted and pushed to the side. However\, once his class begun taking courses with FMoPA and got a camera in their hands\, they quickly learned a whole new side of Danny. His photographs were ethereal and abstract\, he enjoyed taking photography and often shone above others as he consistently practiced and improved. Danny’s peers loved his photographs and often took the time to try and communicate with him to improve their own photography\, even if it wasn’t by conventional means of speaking. All Danny needed was a new form of expression for his classmates to better understand him. We at FMoPA love watching children grow and interact through our programs. Danny’s story is an amazing outcome; he is one of the many that we hope to impact within the photography community of Tampa Bay. \n  \n\n\n\n\nTo make this impact possible we rely on the generous donations of our members and supporters. $100 will buy a camera that children like Anna and Danny can use to participate in this program. For $10 alone\, you can bring us one step closer to making more of these stories possible. \n\n\n\n\n  Save  
URL:https://artinamericaguide.com/event/givingtuesday-2021/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211126T180000
DTEND;TZID=America/Halifax:20211126T200000
DTSTAMP:20260406T181158
CREATED:20211105T150211Z
LAST-MODIFIED:20211105T150211Z
UID:89789-1637949600-1637956800@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Opening Reception at Art Works
DESCRIPTION:Winter Exhibits at Art Works!\nNovember 27th – January 22nd\, 2022\nSee 5 new art shows and tour 75 artist studios. Visit us Tuesdays – Sundays 11- 5 PM. These exhibits continue through January 22nd\, 2022. Admission is free and open to the public.\nCelebrate the holidays with us beginning November with our Made in RVA Holiday Shop! You’ll find handmade gift items by local artists—things that bring comfort\, joy and celebrate the season. Also enjoy our new exhibits: Recurring Dreams by Glenda Creamer\, Dimensional Work by Mary F. Vivo and the annual SMALL WORKS All Media Show—tiny masterpieces—perfect for gift giving. \nThe Made in RVA Holiday Shop remains open through December 30th. The exhibits continue through January 22\, 2022. Admission is free and open to the public 11 am – 5 pm Tuesdays thru Sundays.\n________________________________________\nRecurring Dreams by Glenda Creamer \nGlenda Creamer’s paintings show abstract worlds that appear to be either microscopic or telescopic. Colors vibrate against each other\, coming forward or receding in space. The cartoon like marks float\, dance or explode across the canvas. Sometimes the background color is on top\, creating new forms by editing out superfluous marks. Creamer has been working with these ideas for many years\, experimenting with scale\, thickness\, or thinness of paint\, and with busy and simple compositions.\nThis exhibit will be in the Jane Sandelin Gallery\n________________________________________\nDimensions by Mary F. Vivo\nThe exhibit by Mary F. Vivo are “Housculptures”: handcrafted\, three-dimensional miniatures of buildings\, street scenes and landscapes duplicated in fine detail that depict the actual structure and their surroundings. They represent a variety of subjects including: vintage shops and places of business; historic buildings; unusual architectural designs.\nThis exhibit will be in the Skylight Gallery. \n________________________________________\nSMALL WORKS NOVEMBER 2021 All Media Show\nThis exhibit is a focal point of all Art Works’ openings. It is a juried show with cash prizes and is open to all artists and all mediums. The theme for this exhibit is Small Works. These tiny masterpieces make great holiday gifts. Call for entries is October 18 – November 17\, 2021. Submit your entries through our online form. Check our website for details on submitting your artwork: https://artworksrva.com/blog/events/call-for-entries-november/\nThe exhibit will be in the Centre Gallery. \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-opening-reception-at-art-works/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
CATEGORIES:Event,Exhibition
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ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211126T180000
DTEND;TZID=America/Halifax:20211126T190000
DTSTAMP:20260406T181158
CREATED:20211110T213746Z
LAST-MODIFIED:20211110T213746Z
UID:90052-1637949600-1637953200@artinamericaguide.com
SUMMARY:Artist Talk: Glenna Jennings
DESCRIPTION:Please join us on Friday\, November 26 as Glenna Jennings joins us in person to talk about her exhibition At Table. Jennings documents spaces of connection and communication around food\, drink\, and culinary happenings. The artist photographs friends\, family\, and strangers at kitchen tables\, restaurants\, dining rooms\, bars\, and coffee tables to which she has been invited throughout the world. At Table gives a dynamic view into human interaction through the presentation of the seemingly commonplace table where we gather each day. \n  Save  
URL:https://artinamericaguide.com/event/artist-talk-glenna-jennings/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211121T130000
DTEND;TZID=America/Halifax:20211121T170000
DTSTAMP:20260406T181158
CREATED:20211110T213746Z
LAST-MODIFIED:20211110T213746Z
UID:90049-1637499600-1637514000@artinamericaguide.com
SUMMARY:En Espanol Photo 101 Express
DESCRIPTION:Este workshop de 4 horas esta diseñado para proveer a los estudiantes con un conocimiento integral de como operar sus cámaras\, tanto para obtener resultados técnicamente solidos\, como para aplicaciones creativas. Esta clase consta de varias presentaciones\, prácticas\, y tutorías personalizadas. \n  \nLos tópicos a cubrir incluyen: \nFundamentos de la cámara y los lentes\, F-Stops\, shutter speeds\, ISO\, focal lengths \nModo de captura manual y automático\, RAW versus JPG \nHistogramas\, exposiciones correctas bajo varias condiciones \nTemperatura de color\, white balance \nPuntos de foco\, depth of field\, incluyendo propósitos creativos \nDrive modes; Desde capturas simples hasta múltiples capturas a alta velocidad \nCongelamiento y captura de movimiento \nComposición básica y enfoques creativos \nEdición fotográfica básica en Adobe Lightroom \n  \nRequisitos: Camera y lentes\, batería cargada completamente\, tarjeta de memoria\, trípode de estar disponible. \n  Save  
URL:https://artinamericaguide.com/event/en-espanol-photo-101-express/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211120T160000
DTEND;TZID=America/Halifax:20211120T170000
DTSTAMP:20260406T181158
CREATED:20211115T162033Z
LAST-MODIFIED:20211115T170439Z
UID:90185-1637424000-1637427600@artinamericaguide.com
SUMMARY:Art and Thought in the Dutch Republic: Part 3
DESCRIPTION:In collaboration with the Department of History of Art and Architecture\, the Harvard Art Museums present Art and Thought in the Dutch Republic\, a three-part lecture series delivered by Hanneke Grootenboer\, professor of art history at Radboud University Nijmegen\, The Netherlands\, and the 2021 Erasmus Lecturer on the History and Civilization of the Netherlands and Flanders at Harvard University. \nRoom for Reflection: The Space of Painting \nThe new genre of interior painting enjoyed great popularity among 17th-century Dutch citizens. Its indoor scenes featuring people involved in mundane activities resemble the domestic settings in which they were hung. Other art forms such as perspective boxes and dollhouses further reinforce the link connecting physical\, pictorial\, and mental space by relating home to the interiority of the individual. \nIn this lecture\, Professor Grootenboer explores how paintings\, such as those by Samuel van Hoogstraten\, Pieter Janssens Elinga\, and Pieter de Hooch\, provided a space for reflection for Dutch audiences and helped shape concepts of privacy and intimacy that remain with us today. \nLed by:\nHanneke Grootenboer\, Professor of Art History at Radboud University Nijmegen\, The Netherlands\, and the 2021 Erasmus Lecturer on the History and Civilization of the Netherlands and Flanders at Harvard University \nThis talk will take place online via Zoom. The event is free and open to all\, but registration is required. To register\, please complete this online form. \nPlease read these instructions on how to join a meeting on Zoom. For general questions\, email am_register@harvard.edu. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \nThe Harvard Art Museums have reopened to the public. Reservations are required for visitors and can be made up to three weeks in advance. Please visit the museum website for more information. \nThe 2021 Erasmus Lectures are presented by the Harvard Art Museums in collaboration with the Department of History of Art and Architecture at Harvard. \nPlease join us for the other lectures in this three-part series (all times Eastern):\nPart 1\, Friday\, November 5\, 4pm\nPart 2\, Friday\, November 12\, 4pm \nSeparate registration is required for each lecture. \nThe Erasmus Lectureship on the History and Civilization of the Netherlands and Flanders invites lecturers to spend a semester in any department of the Faculty of Arts and Sciences at Harvard University. The lectureship was endowed in 1967 by donations from individuals and businesses in the Netherlands and from Dutch expatriates in the United States. In 1994\, the endowment was enlarged by a donation from the Government of Flanders. \n  Save  
URL:https://artinamericaguide.com/event/art-and-thought-in-the-dutch-republic-part-3/
LOCATION:Online
CATEGORIES:Event
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ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
GEO:42.37459;-71.1191377
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END:VCALENDAR