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X-WR-CALDESC:Events for Art in America Guide
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TZID:America/Halifax
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DTSTART:20210314T060000
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220128T180000
DTEND;TZID=America/Halifax:20220128T200000
DTSTAMP:20260407T113222
CREATED:20220110T165605Z
LAST-MODIFIED:20220110T165605Z
UID:90866-1643392800-1643400000@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Opening Reception @ Art Works
DESCRIPTION:It is our 19th year of the annual Simply Photography exhibit at Art Works. Artists from all over Virginia submit their photography showcasing a variety of subjects and photographic methods. Also featured this month is Richmond Reframed—a very different photographic view of Richmond. Jeff Morris\, a Richmond artist will present From RVA to Virginia Beach and Karen Palmer will present Notes from the Guitar Strings. Join us on January 28th\, 6 p.m. – 8 p.m. for the opening reception. Meet the artists. There will be music and door prizes. Parking is free. The exhibits continue through February 19\, 2022. This event is free and open to the public. \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-opening-reception-art-works-23/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/01/2021-Image-Erlene-Hendrix.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220127T180000
DTEND;TZID=America/Halifax:20220127T200000
DTSTAMP:20260407T113222
CREATED:20220112T162923Z
LAST-MODIFIED:20220112T162923Z
UID:90884-1643306400-1643313600@artinamericaguide.com
SUMMARY:Opening Night Event: Adger Cowans: Sense and Sensibility
DESCRIPTION:Join us to celebrate the opening of Adger Cowans: Sense and Sensibility\, on view in Bellarmine Hall Galleries January 28 – June 18\, 2022! \nJoin us for an opening reception featuring artist Adger Cowans\, who will be signing copies of his new book\, Adger\, published by 21st Editions\, accompanied by live music by Grammy-award-winning saxophonist Patience Higgins. This special event will take place on Thursday\, January 27th from 6-8 p.m. in the Diffley Board Room and Great Hall of Bellarmine Hall. \n**The conversation between Deborah Willis\, PhD and Adger Cowans has been rescheduled to Wednesday\, March 30 at 5 p.m. in the Dogwood Room of the Barone Campus center. To register for that event please click here** \nPlease note: \n\nThere will be no food and drink served at this event\nFor all Spring 2022 in-person events\, all adult visitors and staff are required to show proof of Covid-19 vaccination and a valid ID.\nChildren under 12 are not currently required to be vaccinated to participate in any programs.\nProof of a negative Covid-19 test will not be accepted as an alternative to vaccination.\nA face mask or covering is required for all guests during indoor events\, except in designated locations.\n\nAbout the exhibition: Adger Cowans (American\, b. 1936) is a celebrated photographer whose wide-ranging work includes the civil rights movement\, jazz musicians\, landscape\, and artistic studies of the human form\, water\, and light. He is also one of the founding members of Kamoinge\, a Black photographers collective whose mission is to ‘Honor\, document\, preserve and represent the history and culture of the African Diaspora with integrity and respect for humanity through the lens of Black Photographers.’ This exhibition\, curated by Halima Taha\, presents Cowans’s use of photography to articulate the beauty within the human condition and the world we live in with over fifty images from his illustrious career. Integral to Cowan’s work is his conscious effort to remain “close to the natural movement of the universe through the vibrancy of life. I take a picture with my heart\, not my eyes. The eyes see what the heart feels.” \nhttps://www.fairfield.edu/museum/adgercowans/ \n  \nImage: Portrait of Adger Cowans\, by Gail Nogle. \n  Save  
URL:https://artinamericaguide.com/event/opening-night-event-adger-cowans-sense-and-sensibility/
LOCATION:Bellarmine Hall\, 200 Barlow Road\, Fairfield\, CT\, 06824
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/01/Adger-portrait-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bellarmine Hall 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220127T170000
DTEND;TZID=America/Halifax:20220127T183000
DTSTAMP:20260407T113222
CREATED:20220120T214950Z
LAST-MODIFIED:20220120T214950Z
UID:91039-1643302800-1643308200@artinamericaguide.com
SUMMARY:Nancy Macko in Conversation with Janie Kreines
DESCRIPTION:The Phillips Museum of Art curator\, Janie Kreines\, engages artist Nancy Macko in a dialogue about Macko’s photographic installation The Fragile Bee. This special exhibition looks closely at the world of bees\, not only to examine their biology and somatic features\, but also to study their habitat and highly organized society. The group of works consists of four interconnected multi-disciplinary and multi-media installations. This compelling work is not only meant to inform the public about the plight of the bees but also to raise awareness of our interdependent relationship with them. \n  Save  
URL:https://artinamericaguide.com/event/nancy-macko-in-conversation-with-janie-kreines/
LOCATION:Phillips Museum of Art at Franklin & Marshall College\, 628 College Ave\, Lancaster\, PA\, 17603\, United States
CATEGORIES:Event,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/01/Screen-Shot-2022-01-20-at-11.39.54-AM.png
ORGANIZER;CN="Katharine T. Carter &amp%3B Associates":MAILTO:ktc@ktcassoc.com
GEO:40.047566;-76.318242
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Phillips Museum of Art at Franklin & Marshall College 628 College Ave Lancaster PA 17603 United States;X-APPLE-RADIUS=500;X-TITLE=628 College Ave:geo:-76.318242,40.047566
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220127T163000
DTEND;TZID=America/Halifax:20220127T183000
DTSTAMP:20260407T113222
CREATED:20220124T164110Z
LAST-MODIFIED:20220124T164110Z
UID:91101-1643301000-1643308200@artinamericaguide.com
SUMMARY:Reception for the exhibition "Drawing Matters"
DESCRIPTION:Join us in celebrating the opening of the exhibition Drawing Matters \n  \nLight refreshments will be served. \nAdmission is free. RSVP to 516.463.5672 \n  Save  
URL:https://artinamericaguide.com/event/reception-for-the-exhibition-drawing-matters/
LOCATION:Hofstra University Museum of Art\, 112 Hofstra University\, Hempstead\, New York\, Select a Country:
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/01/B.West_-1.jpg
ORGANIZER;CN="Hofstra University Museum of Art":MAILTO:museum@hofstra.edu
GEO:40.7133721;-73.6015642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Hofstra University Museum of Art 112 Hofstra University Hempstead New York Select a Country:;X-APPLE-RADIUS=500;X-TITLE=112 Hofstra University:geo:-73.6015642,40.7133721
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220127T110000
DTEND;TZID=America/Halifax:20220127T113000
DTSTAMP:20260407T113222
CREATED:20211214T190050Z
LAST-MODIFIED:20211217T195137Z
UID:90655-1643281200-1643283000@artinamericaguide.com
SUMMARY:Art in Focus: Alexandre Lunois\, Bullfight\, 1897
DESCRIPTION:Our Art in Focus series offers the opportunity for a close look at a single work of art! \nWe’re so excited to kick off our series of in-person Art in Focus events in the Bellarmine Hall Galleries with Alexandre Lunois’ Bullfight lithograph. Take a look at the piece here and bring your questions and observations to the Bellarmine Hall Galleries at 11 a.m. on January 27! \nPlease note:  \n\nThis event is in-person only and will not be livestreamed. If you are interested in the virtual Art in Focus event on Thursday\, January 20\, register here!\n\n\nFor all Spring 2022 in-person events\, all adult visitors and staff are required to show proof of Covid-19 vaccination and a valid ID.\n\n\nChildren under 12 are not currently required to be vaccinated to participate in any programs.\n\n\nProof of a negative Covid-19 test will not be accepted as an alternative to vaccination.\n\n\nA face mask or covering is required for all guests during indoor events\, except in designated locations.\n\n  \nImage: Alexandre Lunois (1863-1916)\, Bullfight\, 1897\, print\, color lithograph. Fairfield University Art Museum. Gift of James Reed\, 2021.11.19. \n  Save  
URL:https://artinamericaguide.com/event/art-in-focus-alexandre-lunois-bullfight-1897/
LOCATION:Bellarmine Hall\, 200 Barlow Road\, Fairfield\, CT\, 06824
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/12/Bullfight-1-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bellarmine Hall 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220126T170000
DTEND;TZID=America/Halifax:20220126T190000
DTSTAMP:20260407T113222
CREATED:20220110T165605Z
LAST-MODIFIED:20220110T165605Z
UID:90862-1643216400-1643223600@artinamericaguide.com
SUMMARY:Fundamentals of Travel Photography
DESCRIPTION:Do you have a passion for travel?  Do you wish you could take better photographs of your vacations\, explorations\, and adventures?  Do you want to be inspired with fresh ideas to make more creative — and unforgettable — images?  If so\, this workshop is for you! Join award-winning fine art photographer\, Scott Bolendz\, and embark on a fun\, story-filled\, interactive\, 2-hour presentation-style workshop designed for all types of camera enthusiasts – whether you shoot with a DSLR\, mirror-less or smartphone camera. \nStudents will learn how to select appropriate camera gear for different kinds of travel\, how to plan ahead to be more productive with your time\, review practical photography tips and explore 20 creative ideas for getting those priceless shots of people\, places and things (with many examples!).  Students will also review several types of photo editing software (both smartphone and computer-based) to make those priceless shots look even better! \nThere will be opportunities for Q&A\, student image critiques and photo- editing demonstrations (if time permits).  So feel free to bring a few of your favorite travel images to share for this fun photographic journey of discovery.  No passport needed! \n  Save  
URL:https://artinamericaguide.com/event/fundamentals-of-travel-photography-2/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/01/travel.jpeg
GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220125T180000
DTEND;TZID=America/Halifax:20220125T200000
DTSTAMP:20260407T113222
CREATED:20220110T165605Z
LAST-MODIFIED:20220110T165605Z
UID:90860-1643133600-1643140800@artinamericaguide.com
SUMMARY:Discovering Your Creative Photographic Path Remote Learning
DESCRIPTION:Remote learning \nThese Zoom sessions will fully reflect the same content as with the on-ground workshops offered by the FMoPA institute. \nMost beginning photographers tend to randomly capture images of everything they see and experience\, resulting in confusing portfolios of single photographs and a lack of strong intellectual and aesthetical bodies of work. This intensive 3-weeks workshop is designed to encourage all students to find their unique creative voices\, resulting in solid directions for the future and applicable projects for everyone regardless of experience. \nCreative photography is a process\, one that utilizes a simple approach to establishing photography projects\, otherwise known as concepts. Four keywords\, WHY\, WHAT\, HOW and WHO serve as the foundation in forming intellectually and aesthetically resolved bodies of fine artwork. Finding your own creative voice is the result of applying this simple method to your photography projects\, not an elusive born talent\, but rather a process that involves writing simple artist statements\, researching a particular subject matter or techniques and experimenting with the aesthetics of an idea\, your idea. After an initial review of images\, each student will be encouraged to pursue a single idea or project\, resulting in a fully resolved mini body of work by the end of the workshop. Sequencing of images\, simple artist statements and presentation ideas will be explored throughout. \n  Save  
URL:https://artinamericaguide.com/event/discovering-your-creative-photographic-path-remote-learning-9/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/01/discovering.jpeg
GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220125T160000
DTEND;TZID=America/Halifax:20220125T163000
DTSTAMP:20260407T113222
CREATED:20211214T200143Z
LAST-MODIFIED:20211217T195101Z
UID:90653-1643126400-1643128200@artinamericaguide.com
SUMMARY:Meditation and Mindfulness
DESCRIPTION:Start the new year right by joining our first in-person Meditation and Mindfulness class of 2022! \nJoin Jackie DeLise\, master certified meditation and mindfulness teacher and stress management expert\, for a guided meditation class. No prior experience necessary as you learn how to cultivate inner calm and clarity. All are welcome! \nTo learn more about Jackie\, click here: https://www.thewelleryllc.com/ \nPlease note:  \n\nThis event is in-person only and will not be live streamed. If you are interested in the virtual meditation event on Monday\, January 24\, register here!\n\n\nFor all Spring 2022 in-person events\, all adult visitors and staff are required to show proof of Covid-19 vaccination and a valid ID.\n\n\nChildren under 12 are not currently required to be vaccinated to participate in any programs.\n\n\nProof of a negative Covid-19 test will not be accepted as an alternative to vaccination.\nA face mask or covering is required for all guests during indoor events\, except in designated locations.\n\n  Save  
URL:https://artinamericaguide.com/event/meditation-and-mindfulness/
LOCATION:Bellarmine Hall\, 200 Barlow Road\, Fairfield\, CT\, 06824
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2021/12/meditation_in-person.png
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bellarmine Hall 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220124T160000
DTEND;TZID=America/Halifax:20220124T163000
DTSTAMP:20260407T113222
CREATED:20211214T184839Z
LAST-MODIFIED:20211214T184839Z
UID:90651-1643040000-1643041800@artinamericaguide.com
SUMMARY:Virtual Meditation and Mindfulness
DESCRIPTION:Start the new year right by joining our first virtual Meditation and Mindfulness class of 2022! \nJoin Jackie DeLise\, master certified meditation and mindfulness teacher and stress management expert\, for a guided meditation class. No prior experience necessary as you learn how to cultivate inner calm and clarity. All are welcome! \nTo learn more about Jackie\, click here: https://www.thewelleryllc.com/ \nThis event is virtual only. If you are interested in the in-person meditation event on Tuesday\, January 25\, register here! \nPlease go to www.thequicklive.com to watch this event live on January 24th at 4:00 p.m.! \n  Save  
URL:https://artinamericaguide.com/event/virtual-meditation-and-mindfulness/
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/12/Meditation_virtual-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220123T130000
DTEND;TZID=America/Halifax:20220123T170000
DTSTAMP:20260407T113222
CREATED:20220110T165605Z
LAST-MODIFIED:20220110T165605Z
UID:90858-1642942800-1642957200@artinamericaguide.com
SUMMARY:Photo 101 Express In Person
DESCRIPTION:This 4-hour workshop is designed to provide the student with a sound knowledge of how to operate their camera for both solid technical results\, as well as creative applications. This class is based on multiple lecture presentations as well as extensive hands-on applications and one on one support. \nThe topics covered in this workshop include: \n\nCamera and lens basics\, F-Stops\, shutter speeds\, ISO\, focal lengths\nAutomatic versus manual captures\, RAW versus JPG\nUnderstanding histograms\, correct exposures in varied conditions\nColor temperature\, white balance\nFocus points\, depth of field\, including for creative purposes\nDrive modes; from single images to high speed multiple captures\nFreezing action or capturing movement\nBasic composition principles and creative approaches\nBasic photo editing in Photoshop\n\nStudent requirements: Camera and lens (or multiple lenses)\, fully charged battery\, media card\, camera manual\, and tripod if available \n  Save  
URL:https://artinamericaguide.com/event/photo-101-express-in-person-8/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/01/photo-101.png
GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220122T140000
DTEND;TZID=America/Halifax:20220122T180000
DTSTAMP:20260407T113222
CREATED:20220113T210533Z
LAST-MODIFIED:20220113T210533Z
UID:90890-1642860000-1642874400@artinamericaguide.com
SUMMARY:“2020 Beyond Words: The Street Art Guide to a Breathtaking Year” Book Party
DESCRIPTION:Join us for our Book Party on January 22nd to celebrate Cindi Adler’s new book!\n\n“2020 Beyond Words: The Street Art Guide to a Breathtaking Year” features more than 180 images of street art\, by more than 150 artists around the globe. This refreshing compilation tells the story of 2020 through urban self-expressionism.\n\nCome stop by to meet the author\, and get your own copy of her latest book.\n\nVisit Pictor Gallery at 547 W 27th St\, Suite 204\, New York NY 10001\n  Save  
URL:https://artinamericaguide.com/event/2020-beyond-words-the-street-art-guide-to-a-breathtaking-year-book-party/
LOCATION:Pictor Gallery\, 547 West 27th Street\, Suite 204\, New York\, NY\, 10001\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/01/book-party.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220122T140000
DTEND;TZID=America/Halifax:20220122T150000
DTSTAMP:20260407T113222
CREATED:20220104T163509Z
LAST-MODIFIED:20220104T163509Z
UID:90792-1642860000-1642863600@artinamericaguide.com
SUMMARY:Artist Talks: January/February 2022 Exhibitions
DESCRIPTION:Artist Talks for three solo exhibitors including April Flanders\, Donna Frostick\, Hope Morgan.\nFree and Open to the Public\nExhibition Continues through February 19\, 2022.\nGallery Hours: Noon to 4pm\, Tuesday-Sunday.\nMore information about these shows:\nApril Flanders: https://artspacegallery.org/2022/exhibits/april_flanders/\nDonna Frostick: https://artspacegallery.org/2022/exhibits/donna_frostick/\nHope Morgan: https://artspacegallery.org/2022/exhibits/hope_morgan/ \n  Save  
URL:https://artinamericaguide.com/event/artist-talks-january-february-2022-exhibitions/
LOCATION:Artspace\, 2833-A Hathaway Rd.\, Richmond\, VA\, 23225\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/01/the_signal_reaches_the_suburbs_1500.jpg
ORGANIZER;CN="Artspace":MAILTO:artspaceorg@gmail.com
GEO:37.5245353;-77.4369568
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Artspace 2833-A Hathaway Rd. Richmond VA 23225 United States;X-APPLE-RADIUS=500;X-TITLE=2833-A Hathaway Rd.:geo:-77.4369568,37.5245353
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220121T180000
DTEND;TZID=America/Halifax:20220121T210000
DTSTAMP:20260407T113222
CREATED:20220104T140842Z
LAST-MODIFIED:20220104T140842Z
UID:90790-1642788000-1642798800@artinamericaguide.com
SUMMARY:Opening Reception: January/February 2022 Exhibitions
DESCRIPTION:Opening Reception for three solo exhibitions by April Flanders\, Donna Frostick\, Hope Morgan and a group exhibition by Artspace Artist Members.\nExhibition Dates: January 21 – February 19\, 2022\nArtist Talks: Saturday\, January 22\, 2pm\nFree and Open to the Public\nMore information about these shows:\nApril Flanders: https://artspacegallery.org/2022/exhibits/april_flanders/\nDonna Frostick: https://artspacegallery.org/2022/exhibits/donna_frostick/\nHope Morgan: https://artspacegallery.org/2022/exhibits/hope_morgan/ \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-january-february-2022-exhibitions/
LOCATION:Artspace\, 2833-A Hathaway Rd.\, Richmond\, VA\, 23225\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/01/corollary_denouement_detail_1500.jpg
ORGANIZER;CN="Artspace":MAILTO:artspaceorg@gmail.com
GEO:37.5245353;-77.4369568
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Artspace 2833-A Hathaway Rd. Richmond VA 23225 United States;X-APPLE-RADIUS=500;X-TITLE=2833-A Hathaway Rd.:geo:-77.4369568,37.5245353
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220120T180000
DTEND;TZID=America/Halifax:20220120T200000
DTSTAMP:20260407T113222
CREATED:20211214T184839Z
LAST-MODIFIED:20211217T194757Z
UID:90649-1642701600-1642708800@artinamericaguide.com
SUMMARY:Opening Reception: ink/stone and SEEING IS BELIEVING
DESCRIPTION:Join us as we celebrate the dual opening of ink/stone and SEEING IS BELIEVING\, on view in the Walsh Gallery from January 21-March 5\, 2022! \nJoin us from 6-8 p.m. on Thursday\, January 20 to celebrate the dual opening of ink/stone and SEEING IS BELIEVING! Refreshments and appetizers will be provided. This reception is both free and open to the public. \nTo register for the opening conversation\, click here. \nPlease note: \n\nFor all Spring 2022 in-person events\, all adult visitors and staff are required to show proof of Covid-19 vaccination and a valid ID.\n\n\nChildren under 12 are not currently required to be vaccinated to participate in any programs.\n\n\nProof of a negative Covid-19 test will not be accepted as an alternative to vaccination.\n\n\nA face mask or covering is required for all guests during indoor events\, except in designated locations.\n\nAbout SEEING IS BELIEVING: CROSSINGS AND TRANSPOSITIONS\, PART II: This exhibition\, organized by Professor of Studio Art Jo Yarrington\, features work by five contemporary Chinese artists: He Jiancheng\, Xiao Yao Ning\, Luo Biwu\, Zuo Zeng Yao and Zhang Zeng Min. Yarrington travelled to China in 2019 with four other American artists\, where they presented Part I of this international exchange. \nAbout ink/stone: This exhibition presents works by Chinese artists from the 20th and 21st centuries who engage with ink and stone as materials\, subjects\, and concepts. Employing a range of techniques and media\, the artists make diverse points of contact with older Chinese artistic traditions. Some embrace the emphasis on ink brushstrokes on paper or silk to render mountainous landscapes or rock forms; others incorporate media and styles usually associated with western painting: oil on canvas\, or gouache and watercolor. Yet others use photography\, industrial processes of fabrication\, or create conceptual and performance art. The contemporary works are shown together with older stone objects such as Buddhist steles\, a scholar’s rock\, and inkstones\, which provide historical touchpoints for the artists’ reinterpretations of these forms and media. The exhibition is curated by Ive Covaci\, PhD\, Adjunct Professor of Art History at Fairfield University. \nBoth exhibitions will be on view in the Walsh Gallery in the Quick Center for the Arts from January 21-March 5\, 2022! \n  \nImage: Huang Yan 黃岩 (Chinese\, b. 1966)\, Chinese Shan-Shui Tattoo\, 1999\, photograph\, C-print. Lent by Asia Society\, New York: Gift of Ethan Cohen in honor of Professor Jerome A. Cohen and Joan Lebold Cohen\, 2016.1.10. Photography by Synthescape © Huang Yan\, courtesy of Asia Society \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-ink-stone-and-seeing-is-believing/
LOCATION:Quick Center for the Arts\, 200 Barlow Road\, Fairfield\, CT\, 06824
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/12/Chinese-Tattoo-1.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Quick Center for the Arts 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220120T170000
DTEND;TZID=America/Halifax:20220120T180000
DTSTAMP:20260407T113222
CREATED:20211214T184839Z
LAST-MODIFIED:20211217T194645Z
UID:90647-1642698000-1642701600@artinamericaguide.com
SUMMARY:Opening Night Conversation: ink/stone and SEEING IS BELIEVING
DESCRIPTION:Join us as we celebrate the dual opening of ink/stone and SEEING IS BELIEVING\, on view in the Walsh Gallery from January 21-March 5\, 2022! \nJoin us for a special event to celebrate the dual opening of ink/stone and SEEING IS BELIEVING: CROSSINGS AND TRANSPOSITIONS\, PART II. Ive Covaci\, PhD\, curator of ink/stone\, will briefly introduce the exhibition\, followed by a (filmed) interview between Jo Yarrington\, professor of Studio Art at Fairfield University\, and Chinese artists He Jiang Cheng\, Luo Biwu and Zuo Zhengyao. \nWe invite you to join the conversation via the following options: \n\nIn person in the Kelley Theatre located in the Quick Center for the Arts\n\n\nStreaming via thequicklive.com\n\nFor those attending in person\, an opening reception will follow at 6 p.m. with refreshments in the Quick Center lobby. Click here to register for the opening reception. \nPlease note: \n\nFor all Spring 2022 in-person events\, all adult visitors and staff are required to show proof of Covid-19 vaccination and a valid ID.\n\n\nChildren under 12 are not currently required to be vaccinated to participate in any programs.\n\n\nProof of a negative Covid-19 test will not be accepted as an alternative to vaccination.\n\n\nA face mask or covering is required for all guests during indoor events\, except in designated locations.\n\nAbout SEEING IS BELIEVING: CROSSINGS AND TRANSPOSITIONS\, PART II: This exhibition\, organized by Professor of Studio Art Jo Yarrington\, features work by five contemporary Chinese artists: He Jiancheng\, Xiao Yao Ning\, Luo Biwu\, Zuo Zeng Yao and Zhang Zeng Min. Yarrington travelled to China in 2019 with four other American artists\, where they presented Part I of this international exchange. \nAbout ink/stone: This exhibition presents works by Chinese artists from the 20th and 21st centuries who engage with ink and stone as materials\, subjects\, and concepts. Employing a range of techniques and media\, the artists make diverse points of contact with older Chinese artistic traditions. Some embrace the emphasis on ink brushstrokes on paper or silk to render mountainous landscapes or rock forms; others incorporate media and styles usually associated with western painting: oil on canvas\, or gouache and watercolor. Yet others use photography\, industrial processes of fabrication\, or create conceptual and performance art. The contemporary works are shown together with older stone objects such as Buddhist steles\, a scholar’s rock\, and inkstones\, which provide historical touchpoints for the artists’ reinterpretations of these forms and media. The exhibition is curated by Ive Covaci\, PhD\, Adjunct Professor of Art History at Fairfield University. \nBoth exhibitions will be on view in the Walsh Gallery in the Quick Center for the Arts from January 21-March 5\, 2022! \n  \nImage: Huang Yan 黃岩 (Chinese\, b. 1966)\, Chinese Shan-Shui Tattoo\, 1999\, photograph\, C-print. Lent by Asia Society\, New York: Gift of Ethan Cohen in honor of Professor Jerome A. Cohen and Joan Lebold Cohen\, 2016.1.10. Photography by Synthescape © Huang Yan\, courtesy of Asia Society \n  Save  
URL:https://artinamericaguide.com/event/opening-night-conversation-ink-stone-and-seeing-is-believing/
LOCATION:Quick Center for the Arts\, 200 Barlow Road\, Fairfield\, CT\, 06824
CATEGORIES:Exhibition
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ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Quick Center for the Arts 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220120T110000
DTEND;TZID=America/Halifax:20220120T113000
DTSTAMP:20260407T113222
CREATED:20211214T184839Z
LAST-MODIFIED:20211214T184839Z
UID:90645-1642676400-1642678200@artinamericaguide.com
SUMMARY:Virtual Art in Focus: Alexandre Lunois\, Bullfight\, 1897
DESCRIPTION:Our virtual Art in Focus series offers the opportunity for a close look at a single work of art! \nWe’re kicking off our spring 2022 Art in Focus series with Alexandre Lunois’s Bullfight lithograph! Take a look at the piece here. Send your observations or questions to Michelle DiMarzo\, Curator of Education and Academic Engagement (mdimarzo@fairfield.edu) prior to joining the virtual conversation! \nThis event is virtual only. If you are interested in the in-person Art in Focus event on Thursday\, January 27\, register here! \n  \nImage: Alexandre Lunois (1863-1916)\, Bullfight\, 1897\, print\, color lithograph. Fairfield University Art Museum: Gift of James Reed\, 2021.11.19. \n  Save  
URL:https://artinamericaguide.com/event/virtual-art-in-focus-alexandre-lunois-bullfight-1897/
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/12/Bullfight-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220120
DTEND;VALUE=DATE:20220124
DTSTAMP:20260407T113222
CREATED:20220119T200458Z
LAST-MODIFIED:20220119T200458Z
UID:91029-1642636800-1642982399@artinamericaguide.com
SUMMARY:Romare Bearden: Collage/In Context at FOG Design+Art
DESCRIPTION:For its inaugural presentation at FOG Design+Art\, Michael Rosenfeld Gallery is pleased to announce Romare Bearden: Collage/In Context\, a dual presentation of exhibitions exploring the evolution of collage practices throughout the 20th and 21st centuries. A solo exhibition of collage works by Romare Bearden (1911–1988)\, will feature nineteen masterworks created throughout the 1960s and 1970s\, when the artist’s creative prowess was at its height. Seeking to convey the unparalleled status of Bearden’s contributions to the medium\, the booth will also feature a group exhibition curated to contextualize Bearden’s work among other major American artists working in collage from 1937 to 2019\, providing unique insight into the precedents\, impact\, and legacy of Bearden’s work. \nRomare Bearden began his career as a political cartoonist in the 1930s\, an endeavor that anticipated his later work with ephemeral\, mass-produced printed matter. He even used a collage technique in several of his cartoons from this period\, pasting clippings from newspaper articles into his panels to set up his strip’s message\, which often focused on the political struggles of the African diaspora in the US and abroad. The clean\, expressive linework seen in his cartoons carried over into his painting career of the 1940s and 1950s\, when he authored a vibrant body of modernist works whose imagery gradually vacillated between process-based abstraction and cubist-inflected figuration. Although the timeline of the artist’s earliest mature experiments in collage is uncertain—dates range from 1956 to 1961—Bearden did not earnestly begin his collage practice until the months spanning 1963 to 1964\, at the age of fifty-one. The US political climate had reached a fever pitch in advance of the March on Washington for Jobs and Freedom in August of 1963\, and the artist\, who had grown up in the south and was eminently aware of the nation’s civic failings\, found his practice reinvigorated by possibilities he discovered in figurative collage. Working in a mode that incorporated approaches from the cubist and dada collages with which he was familiar\, Bearden began producing collage works at an intrepid pace. \nRomare Bearden: Collage will present a survey of Bearden’s masterful\, intricate compositions focused on themes as expansive as his own talent and wide-ranging interests\, which included Greek mythology\, jazz\, blues\, European Old Masters\, and Black American life in both urban and rural settings. Highlights of the presentation will include La Primavera (1964)\, one of the artist’s first major collages that converges cultural signifiers from southern Black American life with allegories of the European Renaissance; Spring Way (c.1968)\, a work the artist revisited over a period of several years that was inspired by his family history and the Great Migration; and Blue Shade (1973)\, a collage that incorporates an especially diverse array of media and improvisational composition techniques. Ultimately\, Bearden was enamored of the medium’s potential to lay bare the foundational structures of pictorial representation\, in both social and formal terms. As Thelma Golden writes\, Bearden was drawn to collage’s capacity to get at an “essential notion of representation [by] opening up the authentic and the experiential through formal means.”[I] \nWhile Bearden’s collages drew widespread acclaim and recognition for their originality and influence\, the medium as a whole experienced a renaissance in the middle decades of the twentieth century\, as all manner of painters\, printmakers\, filmmakers\, and sculptors likewise found the medium replete with generative possibility. In fact\, the increasing prevalence of collage techniques in 20th-century art was the subject of a landmark exhibition at the Museum of Modern Art in 1961 called The Art of Assemblage\, which Bearden visited. Exhibiting 250 works by 130 artists\, the show traced the evolution of the medium from the cubist experiments of Pablo Picasso and Juan Gris through the movements of dada\, surrealism\, nouveau réalisme\, abstract expressionism\, and neo-dada. Curated by William Seitz\, the exhibition’s sprawling parameters sought to demonstrate the immense impact of collage and assemblage practices on the primary movements of 20th-century Western art. \nCollage/In Context takes an approach similar to The Art of Assemblage\, bringing together a diverse range of artists working in collage across multiple decades\, but with revised parameters to focus on artists working in proximity to Bearden. Many of the artists included here were also represented in the 1961 MoMA exhibition\, including Bruce Conner (1933–2008)\, Conrad Marca-Relli (1913–2000)\, Louise Nevelson (1899–1988)\, Richard Pousette-Dart (1916–1992)\, Anne Ryan (1889–1954)\, Joseph Stella (1877–1946)\, Esteban Vicente (1903–2001) and Charmion von Wiegand (1896–1983). Expounding on the indelible impact of Bearden’s work are collages by such artists as Nancy Grossman (b.1940)\, who worked closely with Bearden to develop a new technique to preserve the integrity of their supports under the weight of several layers of paper and glue. A strong selection of collages by Betye Saar (b.1926) dating from the 1970s through the early 1990s juxtapose objects of particular familial or autobiographical significance with an array of other elements\, often referencing sociopolitical ideas or mystical concepts. A small but potent group of works by Jay DeFeo (1929–1989) demonstrate the artist’s iterative process of formal experimentation\, wherein ordinary inanimate objects are anthropomorphized to suggest unexpected connections between subjects. Rounding out the presentation are works by artists that could have easily fit into the 1961 MoMA exhibition but were a bit less prominent—but no less important—at the time\, such as Hannelore Baron (1926–1987)\, Burgoyne Diller (1906–1965)\, Balcomb (1904–1990) and Gertrude Greene (1904–1956)\, Grace Hartigan (1922–2008)\, Alfred Leslie (b.1927)\, Larry Rivers (1923–2002) and Lenore Tawney (1907–2007). Finally\, a selection of works created in the decades following Bearden’s death\, including collages by Benny Andrews (1930–2006)\, Al Hansen (1927–1995) and William T. Williams (b.1942) emphasize the enduring influence of Bearden’s work. \nWhile the conceptual underpinnings of these artists’ collage works range from complex narrative\, to aesthetic experimentation\, to theoretical postulates\, all share a common impulse to transform fragmented materials into a new image bearing the significance of both its component parts and the reconstituted\, holistic composition. For many of these artists\, collage was a means to incorporate the substance of their lived reality into their art through a process that balanced degeneration and regeneration\, which was often a reflection of the social upheavals of their era. Bearden stands out as a leader in this arena\, as he recursively sought to translate American and African themes that survived or grew out of the ruptures of slavery and diaspora into a visual language created from the manufactured imagery of his moment. He was fascinated by the continuum he perceived in the rituals surrounding birth and death\, as well as the traditions that brought factions of society together to observe and reminisce. As Ruth Fine observes\, “One great legacy of Bearden’s art is its insight that what we share as a global community is equal in both interest and importance to what makes each of us unique…In the materiality of his expansive expression\, method and message become one.”[II] \n[I] Thelma Golden\, “Projecting Blackness\,” Romare Bearden in Black-and-White: Photomontage Projections (New York: Whitney Museum of American Art\, 1997) p. 40.\n[II] Ruth Fine\, “Bearden: The Spaces Between\,” in Fine et al.\, The Art of Romare Bearden. (Washington\, DC: National Gallery of Art\, 2003) p. 4.\n  Save  
URL:https://artinamericaguide.com/event/romare-bearden-collage-in-context-at-fog-designart/
LOCATION:FOG Design+Art\, Fort Mason Center\, 2 Marina Blvd\, San Francisco\, CA\, CA\, 94123\, United States
CATEGORIES:Art Fair
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/01/Romare-Bearden-BEARDEN131-original.jpg
ORGANIZER;CN="Michael Rosenfeld Gallery":MAILTO:info@michaelrosenfeld.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220118T180000
DTEND;TZID=America/Halifax:20220118T200000
DTSTAMP:20260407T113222
CREATED:20220110T165605Z
LAST-MODIFIED:20220110T165605Z
UID:90856-1642528800-1642536000@artinamericaguide.com
SUMMARY:Lightroom Remote Learning
DESCRIPTION:Lightroom Through Remote Learning. \nThese Zoom sessions will fully reflect the same content as with the on-ground workshops offered by the FMoPA institute. \nA basic introduction to Adobe Lightroom. In this course you will learn importing images\, using catalogs\, file naming\, using the developing tools\, establishing a constant plan for editing\, keyboard shortcuts\, using Lightroom’s file system\, keywords\, and exporting images. \nIn this course\, you will become familiar with the basic editing tools of Lightroom. It will concentrate on using the Library and Develop Modules. \nStudents should have Lightroom and bring your laptop if you have one. If you bring your Laptop bring some images to import. If you don’t have a laptop you will be able to follow along and then work from home on your desktop. \nThings to bring to class. \nYour computer loaded with Lightroom Classic. \nA card or hard drive with images to use to populate your catalog. You will get the most from this class if these images are in a RAW format (whichever RAW format your camera system uses) \n  Save  
URL:https://artinamericaguide.com/event/lightroom-remote-learning-6/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/01/lightroom.png
GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220116T140000
DTEND;TZID=America/Halifax:20220116T160000
DTSTAMP:20260407T113222
CREATED:20220110T165605Z
LAST-MODIFIED:20220110T165605Z
UID:90854-1642341600-1642348800@artinamericaguide.com
SUMMARY:Members Advisory Panel: Museum Membership in a New Era
DESCRIPTION:Members Advisory Panel: Museum Membership in a New Era \nThe past two years have brought rapid and sweeping change to our world\, and as we enter 2022\, we at FMoPA acknowledge that the time has come to rethink the synergy between the museum and our members.\n\nOn January 16\, 2022\, at 2:00 PM\, FMoPA will be hosting a Members Advisory Panel meeting\, where we ask our members to share their thoughts on what museum membership should look like\, what services FMoPA should provide in the fast-approaching future\, and what FMoPA can do to make our member community stronger.\n\nIf you would like to speak\, please contact membership@fmopa.org to be placed on the agenda. Speaking time is first come first served\, so please reach out to reserve a spot at your earliest convenience\n  Save  
URL:https://artinamericaguide.com/event/members-advisory-panel-museum-membership-in-a-new-era/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/01/MAP-Meeting.jpeg
GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220114T180000
DTEND;TZID=America/Halifax:20220114T200000
DTSTAMP:20260407T113222
CREATED:20220104T140554Z
LAST-MODIFIED:20220111T210615Z
UID:90787-1642183200-1642190400@artinamericaguide.com
SUMMARY:Margaret Roleke’s March on Society
DESCRIPTION:The Contemporary Art Modern Project is honored to present March On Society\, a Margaret Roleke solo exhibition that provokes deeper investigation into what the American legacy truly is—not what the age-old myth of American Exceptionalism has preserved\, but what the day-to-day lived reality is cementing into history. \nWe are pleased to invite you to the opening reception on Friday\, Jan 14th 6-8pm to see Margaret Roleke’s sculptural and cyanotype works. \nMarch on Society will open at The CAMP Gallery’s Westport location\, 190 Main St\, Westport\, Connecticut\, on January 5th\, and be on view through February 5th\, 2022. \n  Save  
URL:https://artinamericaguide.com/event/margaret-rolekes-march-on-society/
LOCATION:The CAMP Gallery Westport\, 190 Main Street\, Westport\, CT\, 06880\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/01/MargaretRoleke_MarchonSociety_Jan_2022_Westport_Invite.png
ORGANIZER;CN="The Contemporary Art Modern Project":MAILTO:maria@thecampgallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220111T180000
DTEND;TZID=America/Halifax:20220111T200000
DTSTAMP:20260407T113222
CREATED:20220110T165606Z
LAST-MODIFIED:20220110T165606Z
UID:90852-1641924000-1641931200@artinamericaguide.com
SUMMARY:Introducción a Adobe Lightroom
DESCRIPTION:Introducción a Adobe Lightroom como herramienta de catalogación y edición básica de fotografías. En esta sesión intensiva de 2 horas podrán aprender cómo definir un flujo de trabajo básico en Adobe Lightroom que les permitirá mantener su trabajo fotográfico organizado. \n\nTour a travel de la interfaz y los módulos principales\nModulo de Biblioteca (Library)\nEstructura del catálogo\nImportando archivos (Import)\nRevelado rápido de imágenes (Develop)\nColecciones simples y conjuntos de colecciones\nExportación de imágenes (Export y Print)\n\n  Save  
URL:https://artinamericaguide.com/event/introduccion-a-adobe-lightroom-8/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/01/introduccion.png
GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220110T180000
DTEND;TZID=America/Halifax:20220110T210000
DTSTAMP:20260407T113222
CREATED:20220110T165606Z
LAST-MODIFIED:20220110T165606Z
UID:90850-1641837600-1641848400@artinamericaguide.com
SUMMARY:Mentorship Program at FMoPA
DESCRIPTION:Are you starting a new photography project or body of work? Are you stuck in the middle of\nmany random images? Not sure what your next experimentation should look like? Looking to\nrefine your photographs and their impact on the viewers? Searching for a stronger meaning or\nmessage in your images? Are you struggling with inspiration or project ideas? Not sure how to\ncreate an artist statement\, exhibition proposal\, artist talk\, or how to manage a project\nfinancially? \nThe answer lies in Mentorships\, as it is for most artists who already rely on a mentor\, and often\nprovide such to others. Mentorships are flexible\, adapted to each participant\, and provide open\nexplorations of aesthetics\, intellectual and technical outcomes. \nFMoPA’s membership program is limited to 2 students per month and is conducted by our\nestablished or visiting instructors\, professional artists\, mentors\, and experts in varied\nphotography genres. \n6 Months program\, most photography projects often take that much time or more.\n12 Contact hours via Zoom as effective use of time and resources. \n  Save  
URL:https://artinamericaguide.com/event/mentorship-program-at-fmopa-3/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/01/mentorship.png
GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220107T170000
DTEND;TZID=America/Halifax:20220107T190000
DTSTAMP:20260407T113222
CREATED:20211214T200143Z
LAST-MODIFIED:20220113T212027Z
UID:90657-1641574800-1641582000@artinamericaguide.com
SUMMARY:Howard Smith | Marks in Time
DESCRIPTION:Jane Lombard Gallery is pleased to present Marks in Time\, an exhibition of new paintings  by Howard Smith. Since the 1960s\, Smith has dedicated his practice to exploring how brushstrokes and marks accrue to make color\, space\, shape and light. An abstract painter\, he was a member of the Radical Painting group meeting in New York in the 1980s. \nIn Smith’s paintings the brushstroke is just as important as the paint applied to the surface. The mark\, then\, is always working with the plane to elicit light. Here\, even with the use of only one color\, the applied color is always interacting with the ground to “make” a new color. The artist primarily paints in his studio by natural light\, which will vary depending on the time of day and time of year. Time becomes a visible theme within the work. The relationship between what is going on in the painting and external light is critical in how the viewer experiences the work. The surfaces of his works are constructed by individual dots\, strokes and lines – an additive process that requires time not only in application but within periods of non-action as well for layers to dry. \nThis need for both action and non-action in his process often means that Smith will work on multiple pieces at one time. He embraces relationality within his bodies of work – one series often informs another series or set of singular works to forge a kind of kinship or lineage. The artist refers to bodies of work as such – families\, beginnings and universes – and their presentation is arranged so that the works have a voice as both individuals and parts of a whole. His ongoing series of “Beginnings\,” for instance\, applies his painting methodology to very small formats. Each work within a “beginning” may only be a few inches across\, but composed of complex layers in color and stroke\, like a cell under a microscope. Smith’s series of “Universes\,” the predecessor to “Beginnings\,” explores the same idea in a slightly larger form with more complex\, detailed compositions – a generational devolution\, distilling process to its essence. \nThe exhibition’s title\, Marks in Time\, highlights this notion of temporal lineage in Smith’s process. The end results of his paintings are never predetermined\, in fact\, frequently he decides to leave them in a state of suspension\, or balanced tension. For him\, making is a slow\, careful process. The artist places great importance on giving the work a pulse; creating living\, breathing macrocosms\, universes with different languages and ways of being. \nAbout the Artist\nHoward Smith (b. 1943\, Chicago\, IL) lives and works in New York City and Pine Bush NY. Smith earned his B.A. from Colorado College in 1965 and went on to graduate school at Stanford University in 1965 & 1966. Smith has also resided in Maine\, Massachusetts\, Chicago\, and Paris. He has taught at the University of Colorado\, Pratt Institute\, School of Visual Arts\, New York University and CUNY College of Staten Island\, where he continues to teach. His work has been exhibited at Williams College Art Museum\, Williamstown\, MA; The Colorado Springs Fine Arts Center\, Colorado Springs\, CO; Kunstmuseum Villa Zanders\, Bergisch Gladbach\, Germany; Kunstmuseum Appenzell\, Appenzell\, Switzerland; Academy of the Fine Arts\, Philadelphia\, PA; Kimmel Galleries\, NYU\, New York\, NY; The Milton Resnick and Pat Passlof Foundation\, New York\, NY; MAMCO\, Geneva\, Switzerland and Magazzini Di Palazzo Gatti\, Viterbo\, Italy. \n  Save  
URL:https://artinamericaguide.com/event/howard-smith-marks-in-time/
LOCATION:Jane Lombard Gallery\, 58 White Street\, New York\, NY\, 10013\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/12/13261-copy.jpg
ORGANIZER;CN="Jane Lombard Gallery":MAILTO:info@janelombardgallery.com
GEO:40.7185462;-74.0036001
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jane Lombard Gallery 58 White Street New York NY 10013 United States;X-APPLE-RADIUS=500;X-TITLE=58 White Street:geo:-74.0036001,40.7185462
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220106T180000
DTEND;TZID=America/Halifax:20220106T200000
DTSTAMP:20260407T113222
CREATED:20220104T140622Z
LAST-MODIFIED:20220104T140622Z
UID:90809-1641492000-1641499200@artinamericaguide.com
SUMMARY:Looking Forward Looking Back
DESCRIPTION:Looking Forward Looking Back is the story of Chelsea’s newest art gallery\, told in a Member’s Exhibit during January 2022. \n  \nAt 7 months young\, Pictor Gallery can already look back on some major milestones: Our membership has grown to a very diverse group of 30 talented\, interesting artists. We have been showcasing our work in monthly exhibits and have also invited guest artists to take part in some of these.  Our monthly salons have entertained the art loving public with music\, dance\, poetry\, theater\, film\, environmental speakers and writers. Looking forward\, we will continue doing what we do\, maybe even better.  As a gallery visitor noted recently: “Your events are just great. I brought a friend who had been depressed\, and he left so happy.” \n  \nJoin us for our opening night\, Thursday January 6 from 6-8 pm. Light refreshments will be served in the lobby area outside the gallery (Once inside\, we ask that you wear a mask) \n  \n“Looking Forward Looking Back” will be on display January 5th-29th \n\n  Save  
URL:https://artinamericaguide.com/event/looking-forward-looking-back/
LOCATION:Pictor Gallery\, 547 West 27th Street\, Suite 204\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220106T170000
DTEND;TZID=America/Halifax:20220106T200000
DTSTAMP:20260407T113222
CREATED:20220104T221950Z
LAST-MODIFIED:20220104T221950Z
UID:90813-1641488400-1641499200@artinamericaguide.com
SUMMARY:From the Studio:Blue Mountain Gallery Artists - opening reception
DESCRIPTION:On view: January 4-29\, 2022\nReception: January 6\, 5 – 8 p.m. \nReading by Clifford Thompson: January 20\, 6:30 pm\nClosing Day Concert: January 29\, 2-4 pm\, Bill Warfield and friends \n  Save  
URL:https://artinamericaguide.com/event/from-the-studioblue-mountain-gallery-artists-opening-reception/
LOCATION:Blue Mountain Gallery\, 547 W 27th St\, Suite 200\, New York\, NY\, 10001\, United States
CATEGORIES:Event,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220104T120000
DTEND;TZID=America/Halifax:20220122T180000
DTSTAMP:20260407T113222
CREATED:20211210T200601Z
LAST-MODIFIED:20211210T200601Z
UID:90520-1641297600-1642874400@artinamericaguide.com
SUMMARY:Atlantic Gallery Presents: Sense of Place by Susan Rostow
DESCRIPTION:Susan Rostow’s sculptures resemble archeological artifacts with biomorphic traits\, prompting us to probe into their origin and meaning. Peppered throughout the gallery space\, the visceral and mysterious smaller scale sculptures titled Naiads\, allude to the nymphs from Greek mythology who protect and reside over rivers and marshes. In the background along the walls these hybrid creatures form a comical procession. Going about their business\, each projects a distinct gesture–a bulbous loner in orange hues by a tall pale figure with a protruding belly\, a pair pausing to engage in a vivid conversation or perhaps an argument. In the front\, duos or extended groups of mixed-scale sculptures hint at Rostow’s background as a prolific book artist. Here the sculptures reference spliced or carved book spines in myriad playful ways. They metamorphize into volumes of organic forms resembling abstracted human figures\, imaginary animals\, or both–all painted with rich colors ranging from earth tones to reds and vibrant yellows to algae greens—evoking natural matter. \nSusan Rostow is a Brooklyn-based multi-media artist. Her sculptural works remind us how to dream and reimagine our world: past\, present\, and future. Her recent work has been influenced by her Research Residencies at the New York Academy of Medicine and the New York Historical Society\, a collaborative project with CENTRAL BOOKING. Her work has earned a New York Foundation for the Arts Fellowship\, and a Pollock Krasner Foundation Grant. Susan’s work has been exhibited throughout the United States\, Europe\, Peru\, Korea\, and Japan. Her work is in public and private collections including the Allan Chasanoff Bookwork Collection\, Yale University Art Gallery and the Library of Congress\, National Print Archives. \n  Save  
URL:https://artinamericaguide.com/event/atlantic-gallery-presents-sense-of-place-by-susan-rostow/
LOCATION:Atlantic Gallery\, 548 W. 28th St\, #540\, New York\, 10001\, United States
CATEGORIES:Exhibition
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GEO:40.7515661;-74.0041872
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Atlantic Gallery 548 W. 28th St #540 New York 10001 United States;X-APPLE-RADIUS=500;X-TITLE=548 W. 28th St\, #540:geo:-74.0041872,40.7515661
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220104T110000
DTEND;TZID=America/Halifax:20220104T180000
DTSTAMP:20260407T113222
CREATED:20220104T221530Z
LAST-MODIFIED:20220104T221530Z
UID:90829-1641294000-1641319200@artinamericaguide.com
SUMMARY:Glen Cebulash: Places and Things
DESCRIPTION:“Places and Things” is Glen Cebulash’s first show at Bowery Gallery. The show features new works created during the current pandemic\, including striking large-scale abstract painting and intricate abstract drawings. \nArtist Statement from Glen Cebulash: \nLike many people during the pandemic\, I found myself spending an inordinate amount of time on the internet. Aside from trying to make peace with Zoom and virtual museum visits\, I indulged a longstanding interest in wandering the world on google maps. Of particular fascination was the “street-view” function\, which allowed me to maneuver through cities and towns\, as if driving. None of this has anything to do with painting. Nor is there any concrete connection between any of it and my work\, which I see as something more akin to a formal\, constructive game. Still\, these journeys were always on my mind and\, in some very real sense\, they informed my painting imagination\, hence Places and Things. \nThe painter Leland Bell\, once said “all painting comes from nature.” I have often reflected on this\, particularly as my own painting habit went from the perceptual to the non-objective. With its color\, density\, weight and rhythm\, the world and my ongoing desire to connect to it\, are always present for me in the studio. \nGlen Cebulash has shown throughout the United States\, in solo and group exhibitions\, and as a member of the Midwest Paint Group. He teaches at Wright State University in Dayton\, OH\, where he is Chair of the Department of Art and Art History. \nAn opening reception for the show is Thursday\, January 6\, 5-8 pm. \nThe reception is free\, open to the public\, and does not require tickets or a reservation. \n  \nThe show is on view at Bowery Gallery January 4-29\, 2022. \nBowery Gallery is open Tuesday through Saturday\, 11am to 6pm. \nBowery Gallery is one of New York City’s longstanding cooperative galleries\, with a history of over six decades of showing contemporary art. The gallery is now located in the heart of Chelsea\, at 547 West 27th Street\, Suite 508\, New York City. \nIn accordance with New York City requirements\, all visitors to the gallery must show proof of vaccination and wear a mask. \nFor more information\, contact Bowery Gallery at info@bowerygallery.org or 646-230-6655. \n  Save  
URL:https://artinamericaguide.com/event/glen-cebulash-places-and-things/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bowery Gallery 547 W 27TH ST Suite 508 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=547 W 27TH ST Suite 508:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211228T180000
DTEND;TZID=America/Halifax:20211228T200000
DTSTAMP:20260407T113222
CREATED:20211206T204158Z
LAST-MODIFIED:20211206T204158Z
UID:90509-1640714400-1640721600@artinamericaguide.com
SUMMARY:Lightroom Remote Learning
DESCRIPTION:Lightroom Through Remote Learning. \nThese Zoom sessions will fully reflect the same content as with the on-ground workshops offered by the FMoPA institute. \nA basic introduction to Adobe Lightroom. In this course you will learn importing images\, using catalogs\, file naming\, using the developing tools\, establishing a constant plan for editing\, keyboard shortcuts\, using Lightroom’s file system\, keywords\, and exporting images. \nIn this course\, you will become familiar with the basic editing tools of Lightroom. It will concentrate on using the Library and Develop Modules. \nStudents should have Lightroom and bring your laptop if you have one. If you bring your Laptop bring some images to import. If you don’t have a laptop you will be able to follow along and then work from home on your desktop. \nThings to bring to class. \nYour computer loaded with Lightroom Classic. \nA card or hard drive with images to use to populate your catalog. You will get the most from this class if these images are in a RAW format (whichever RAW format your camera system uses) \n  Save  
URL:https://artinamericaguide.com/event/lightroom-remote-learning-5/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2021/12/lightroom.png
GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211219T130000
DTEND;TZID=America/Halifax:20211219T160000
DTSTAMP:20260407T113222
CREATED:20211206T204158Z
LAST-MODIFIED:20211206T204158Z
UID:90507-1639918800-1639929600@artinamericaguide.com
SUMMARY:Photoshop Basics
DESCRIPTION:Adobe Photoshop is a digital photo-editing program commonly referred to as the Digital Darkroom. It allows you to push the boundaries of digital editing and is widely used by professionals\, emerging photographers\, and artists. Within this 4-hour workshop\, you will encounter the useful camera raw function through the Adobe Raw Interface\, resizing and saving your images in different formats\, the basic tools for retouching spots\, dust\, and flaws\, and how to work with layers and color corrections. This course is designed for photographers who want to establish a sound foundation with processing their images through an in-depth software program but without the complexities of learning every aspect of this technology.\nRequirements: Attendees must have the current PS Software and a laptop. \n  Save  
URL:https://artinamericaguide.com/event/photoshop-basics-2/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2021/12/photoshop-basics.png
GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211218T130000
DTEND;TZID=America/Halifax:20211218T170000
DTSTAMP:20260407T113222
CREATED:20211206T204158Z
LAST-MODIFIED:20211206T204158Z
UID:90505-1639832400-1639846800@artinamericaguide.com
SUMMARY:Photo 101 Express In Person
DESCRIPTION:This 4-hour workshop is designed to provide the student with a sound knowledge of how to operate their camera for both solid technical results\, as well as creative applications. This class is based on multiple lecture presentations as well as extensive hands-on applications and one on one support. \nThe topics covered in this workshop include: \n\nCamera and lens basics\, F-Stops\, shutter speeds\, ISO\, focal lengths\nAutomatic versus manual captures\, RAW versus JPG\nUnderstanding histograms\, correct exposures in varied conditions\nColor temperature\, white balance\nFocus points\, depth of field\, including for creative purposes\nDrive modes; from single images to high speed multiple captures\nFreezing action or capturing movement\nBasic composition principles and creative approaches\nBasic photo editing in Photoshop\n\nStudent requirements: Camera and lens (or multiple lenses)\, fully charged battery\, media card\, camera manual\, and tripod if available \n\n\n\n\n\n  Save  
URL:https://artinamericaguide.com/event/photo-101-express-in-person-7/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2021/12/photo-101.png
GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
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END:VCALENDAR