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X-WR-CALDESC:Events for Art in America Guide
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TZID:America/Halifax
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DTSTART:20220313T060000
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220301T190000
DTEND;TZID=America/Halifax:20220301T200000
DTSTAMP:20260404T021254
CREATED:20220211T173744Z
LAST-MODIFIED:20220211T173744Z
UID:92086-1646161200-1646164800@artinamericaguide.com
SUMMARY:A Conversation with Queer.Archive.Work
DESCRIPTION:In conjunction with unfinished: New Prints 2022/Winter\, join us for a conversation with juror Queer.Archive.Work (QAW)––David Kim\, Paul Soulellis\, and Nafis White. QAW will discuss their work as an experimental publisher\, digital meeting space\, non-circulating library\, and print studio\, and will take a look inside their process of selecting works currently on view at IPCNY. The talk will be moderated by Be Oakley\, the writer\, facilitator\, and publisher behind GenderFail\, a publishing and programming initiative that encourages projects fostering an intersectional queer subjectivity.  \n  \nThis Zoom webinar is free and open to the public. Live captioning will be available. The event will also be recorded and made available online. Feel free to send questions in advance to contact@ipcny.org \n  Save  
URL:https://artinamericaguide.com/event/a-conversation-with-queer-archive-work/
LOCATION:Zoom
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/02/QUEER_MATTERS_2021-1.png
ORGANIZER;CN="International Print Center New York":MAILTO:contact@ipcny.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220301T160000
DTEND;TZID=America/Halifax:20220301T163000
DTSTAMP:20260404T021254
CREATED:20220202T170417Z
LAST-MODIFIED:20220226T195726Z
UID:91955-1646150400-1646152200@artinamericaguide.com
SUMMARY:Meditation and Mindfulness
DESCRIPTION:Join Jackie DeLise\, master certified meditation and mindfulness teacher and stress management expert\, for a guided meditation class. No prior experience necessary as you learn how to cultivate inner calm and clarity. All are welcome! \nTo learn more about Jackie\, click here: https://www.thewelleryllc.com/ \nPlease note:  \n\nThis event is in-person only and will not be live streamed. If you are interested in the virtual meditation event on Monday\, February 28\, register here!\n\n  Save  
URL:https://artinamericaguide.com/event/meditation-and-mindfulness-2/
LOCATION:Fairfield University Art Museum\, 200 Barlow Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/02/Meditation_in-person.png
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fairfield University Art Museum 200 Barlow Road Fairfield CT 06824 United States;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220228T180000
DTEND;TZID=America/Halifax:20220228T200000
DTSTAMP:20260404T021254
CREATED:20220203T182923Z
LAST-MODIFIED:20220203T182923Z
UID:91996-1646071200-1646078400@artinamericaguide.com
SUMMARY:Storytelling Through Photography Remote Learning
DESCRIPTION:Storytelling Through Photography Remote Learning \nThese Zoom sessions will fully reflect the same content as with the on-ground workshops offered by the FMoPA institute. \nWe all have a story to tell\, a legacy or statement\, a call to action\, a declaration of what you believe\, what makes you mad or happy\, your unique observations of the world around you\, your life itself with its peaks and valleys. The medium of photography makes it possible to tell your story and sometimes make a change. A picture tells a thousand words. Several pictures correctly sequenced tell a full story – your individual story. \nIn this workshop\, you will learn the art of telling a story through creating a visual narrative. Multiple images have the power of expressing thoughts\, ideas\, experiences and beliefs in a linear format. Storyboarding and careful sequencing of photographs following a clear concept\, your unique voice and communications to the outside world\, using many case studies and background information on the starting point of any project: The Why\, What\, Who\, and How. \nWe all have a unique story to share with others\, it can be a powerful and quiet voice\, but we have a responsibility to tell our stories as part of our background\, culture\, legacy and circumstances. The power of words through titles or series’ names are also explored\, rounding up to a full story. \n\n\n\n\n\n  Save  
URL:https://artinamericaguide.com/event/storytelling-through-photography-remote-learning-8/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/02/storytelling-through-photography.png
GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220228T080000
DTEND;TZID=America/Halifax:20220228T170000
DTSTAMP:20260404T021254
CREATED:20220228T174838Z
LAST-MODIFIED:20220228T174838Z
UID:92551-1646035200-1646067600@artinamericaguide.com
SUMMARY:Putting on the Glitz: Art Deco Fashion
DESCRIPTION:As the Art Deco era dawned in the early 1920s\, life had changed dramatically for American women. They were entering the workforce in increasing numbers\, had gained the right to vote\, and had more opportunities for education. The bicycle\, and then the car\, allowed this new “modern woman” freedom to leave her home without male escort and socialize at nightclubs and speakeasies. In this new world\, she also wore a new type of dress—one inspired by Art Deco’s blocky geometries. In the 1920s\, fashionable women wore dresses with dropped waists and calf-length hems\, often made of satin or covered in beadwork to exploit Art Deco’s fascination with light and sheen. In the 1930s—as longer gowns came back in style—women’s fashion often combined simple\, fluid construction with geometric pattern to create streamlined looks reminiscent of Art Deco architecture and industrial design. Drawn from the Wichita Art Museum and Wichita-Sedgwick County Historical Museum permanent collections\, Putting on the Glitz combines Art Deco-era clothing and accessories with prints and paintings of fashionable women on the town by artists such as John Sloan\, Martin Lewis\, and Kenneth Hayes Miller.\nPutting on the Glitz is organized in conjunction with American Art Deco: Designing for the People\, 1918–1939. \n  Save  
URL:https://artinamericaguide.com/event/putting-on-the-glitz-art-deco-fashion/
LOCATION:Wichita Art Museum\, 1400 West Museum Boulevard\, Wichita\, KS\, 67203\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/02/Glitz_2_1920x1080.jpg
ORGANIZER;CN="Wichita Art Museum":MAILTO:pr@wichitaartmuseum.org
GEO:37.6949375;-97.3561859
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Wichita Art Museum 1400 West Museum Boulevard Wichita KS 67203 United States;X-APPLE-RADIUS=500;X-TITLE=1400 West Museum Boulevard:geo:-97.3561859,37.6949375
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220226T130000
DTEND;TZID=America/Halifax:20220226T170000
DTSTAMP:20260404T021254
CREATED:20220203T182923Z
LAST-MODIFIED:20220203T182923Z
UID:91994-1645880400-1645894800@artinamericaguide.com
SUMMARY:Photo 101 Express In Person
DESCRIPTION:This 4-hour workshop is designed to provide the student with a sound knowledge of how to operate their camera for both solid technical results\, as well as creative applications. This class is based on multiple lecture presentations as well as extensive hands-on applications and one on one support. \nThe topics covered in this workshop include: \n\nCamera and lens basics\, F-Stops\, shutter speeds\, ISO\, focal lengths\nAutomatic versus manual captures\, RAW versus JPG\nUnderstanding histograms\, correct exposures in varied conditions\nColor temperature\, white balance\nFocus points\, depth of field\, including for creative purposes\nDrive modes; from single images to high speed multiple captures\nFreezing action or capturing movement\nBasic composition principles and creative approaches\nBasic photo editing in Photoshop\n\nStudent requirements: Camera and lens (or multiple lenses)\, fully charged battery\, media card\, camera manual\, and tripod if available \n  Save  
URL:https://artinamericaguide.com/event/photo-101-express-in-person-9/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/02/photo-101-3-1.png
GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220226T080000
DTEND;TZID=America/Halifax:20220226T170000
DTSTAMP:20260404T021254
CREATED:20220228T174903Z
LAST-MODIFIED:20220228T174947Z
UID:92539-1645862400-1645894800@artinamericaguide.com
SUMMARY:The International Block Print Renaissance Then and Now
DESCRIPTION:The International Block Print Renaissance began in the last decades of the 19th century in Europe\, as artists and collectors rediscovered the block print medium. Wichita played a major role in expanding this renaissance throughout America. In 1922\, the newly assembled Wichita Art Association presented American Block Print Makers as one of its first exhibitions. The exhibition inaugurated a century-long relationship between Wichita and prints. Beginning in 1928\, Wichita hosted an annual juried block print exhibition. It continued through the 1990s and became one of the most important print competitions in America. In these same years\, the Wichita-based Prairie Print Makers—a national print artist collective—was founded\, and from 1931 through 1965 assembled annual exhibitions. Together\, these events firmly established Wichita’s position in the history of printmaking and American art.\nThe International Block Print Renaissance Then and Now includes over 140 prints. Together with its accompanying catalogue\, the exhibition explores Wichita’s important role in the history of this international renaissance. It features prints by European leaders including Emil Orlik\, Walther Klemm\, Henri Riviére\, Frank Morley Fletcher\, John Platt\, Allen Seaby\, Jules Chadel\, Hans Neumann\, and Auguste Lepére. It also includes works by the Japanese masters Katsushika Hokusai and Ando Hiroshige. These European and Japanese masters influenced and inspired the American printmakers featured in the show\, including B.J.O. Nordfeldt\, Ernest Watson\, Helen Hyde\, Frances Gearhart\, Gustave Baumann\, and C.A. Seward. Many of these artists were chosen for the initial 1922 exhibition and the annual print shows that followed.\nThe International Block Print Renaissance Then and Now also celebrates the ongoing vigor of this renaissance through the work of 12 contemporary printmakers—Jean Gumpper\, Mark Sisson\, Mike Lyon\, Karen Kunc\, Leon Loughridge\, Gordon Mortenson\, Micah Schwaberow\, Walt Padgett\, Michelle Martin\, Tim High\, Louise Fisher\, and Linda Lee Boyd. These artists—like their predecessors who worked a century before—continue to push the artistic possibilities of the block print medium. Join WAM in celebrating the 100th anniversary of block prints in our city\, then and now. \n  Save  
URL:https://artinamericaguide.com/event/the-international-block-print-renaissance-then-and-now/
LOCATION:Wichita Art Museum\, 1400 West Museum Boulevard\, Wichita\, KS\, 67203\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/02/Gumpper-grass-scaled.jpg
ORGANIZER;CN="Wichita Art Museum":MAILTO:pr@wichitaartmuseum.org
GEO:37.6949375;-97.3561859
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Wichita Art Museum 1400 West Museum Boulevard Wichita KS 67203 United States;X-APPLE-RADIUS=500;X-TITLE=1400 West Museum Boulevard:geo:-97.3561859,37.6949375
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220226
DTEND;VALUE=DATE:20220227
DTSTAMP:20260404T021254
CREATED:20211215T214934Z
LAST-MODIFIED:20211215T214934Z
UID:90715-1645833600-1645919999@artinamericaguide.com
SUMMARY:Family Day: Roman Art
DESCRIPTION:Join the Fairfield University Art Museum for a virtual Family Day inspired by ancient Rome! \nJoin us for  family-friendly arts and crafts inspired by Roman mosaics\, vessels\, and coins currently on view at the Fairfield University Art Museum! Suitable for ages 4-10. \nAll who have selected tickets will receive the link to our exclusive\, Family Day YouTube playlist prior to Saturday\, January 29th. \nWe invite you to join this event via the following options: \n\nLocal Pickup ONLY tickets: Please sign up with the name of each child attending. 1 ticket=1 child. This option is only available to local residents who are available to pick up supplies. Further instructions for bag pickup will be sent only to these 20 subscribers.\nVirtual ONLY tickets: open to both local and distant families. No art supplies will be provided.\n\nTag us on social media at @FairfieldUAM with your completed projects to be entered into a monthly raffle for a $25 gift card to Michaels! \n  \nImage: Unknown Roman Artist\, Jug with Dionysiac Symbols\, 1st century AD\, glass. Lent by the Yale University Art Gallery\, Hobart and Edward Small Moore Memorial Collection\, Gift of Mrs. William H. Moore. \n  Save  
URL:https://artinamericaguide.com/event/family-day-roman-art/
LOCATION:Bellarmine Hall\, 200 Barlow Road\, Fairfield\, CT\, 06824
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/12/Roman-jug.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bellarmine Hall 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220225T180000
DTEND;TZID=America/Halifax:20220225T200000
DTSTAMP:20260404T021254
CREATED:20220214T165256Z
LAST-MODIFIED:20220218T181255Z
UID:92139-1645812000-1645819200@artinamericaguide.com
SUMMARY:4th Friday Opening Reception @ Art Works
DESCRIPTION:In February Michael O’Neal\, teacher\, scholar\, and master painter will present New Works in Art Works’ main gallery. Carolyn Pitts will exhibit a new body of work\, The End in Mind\, a colorful and delightful twist on the concept of Memento Mori (Latin for remember your death). And Corinne Schofield will display Folds: Small Images\, intricate color pencil drawings of the many facets of folds. \nDid you know that March 13th – 19th is Virginia Flood Awareness Week? The Virginia Department of Conservation and Recreation (DCR) asked us to invite artists to exhibit artwork that captures the devastation and results of floods and high water. DCR will provide educational information on flood awareness \nJoin us on February 25th\, 6 p.m. – 8 p.m. for the opening reception. Meet the artists. We have a special treat of poetry readings by two poet laureates and music. Parking is free. The exhibits continue through March 19\, 2022. This event is free and open to the public. \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-opening-reception-art-works/
LOCATION:art works\, 320 Hull Street\, 4th Street\, Richmond\, VA\, 23224\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/02/2022.02-Michael-ONeal-Pandemic-Something-Or-Other.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.5252169;-77.4371727
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=art works 320 Hull Street 4th Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street\, 4th Street:geo:-77.4371727,37.5252169
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220225T150000
DTEND;TZID=America/Halifax:20220225T160000
DTSTAMP:20260404T021254
CREATED:20220124T165053Z
LAST-MODIFIED:20220124T165053Z
UID:91377-1645801200-1645804800@artinamericaguide.com
SUMMARY:Romare Bearden: Overlapping Meanings
DESCRIPTION:Session 4: Virtual Family Art Activity: Creating Personal Narrative Through Collage \nViewers will participate in a hands-on virtual art experience led by a Museum Educator. \nAdmission is free. Advance registration is required. \nhttps://hofstra.zoom.us/j/93638744364?pwd=cnFTQzVkUlB3NEQzb25neWVJYkx4QT09 \n  Save  
URL:https://artinamericaguide.com/event/romare-bearden-overlapping-meanings-2/
LOCATION:Zoom
CATEGORIES:Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/01/Mother-and-Child.jpg
ORGANIZER;CN="Hofstra University Museum of Art":MAILTO:museum@hofstra.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220224T190000
DTEND;TZID=America/Halifax:20220224T200000
DTSTAMP:20260404T021254
CREATED:20220211T173727Z
LAST-MODIFIED:20220211T173727Z
UID:92084-1645729200-1645732800@artinamericaguide.com
SUMMARY:New Prints Artist Conversation I
DESCRIPTION:In conjunction with unfinished: New Prints 2022/Winter\, join us for a live conversation with exhibiting artists Katie Kaplan\, Anukriti Kaushik\, and Erin Wohletz as they discuss queer identity\, gender performance\, and materiality in their work. This is the first of two online Artist Conversations IPCNY is hosting during the winter 2022 season of New Prints. The second will be on Tuesday\, March 15. \n  \nThis Zoom webinar is free and open to the public. Live captioning will be available. The event will also be recorded and made available online. Feel free to send questions in advance to contact@ipcny.org. \n  Save  
URL:https://artinamericaguide.com/event/new-prints-artist-conversation-i/
LOCATION:Zoom
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/02/Instagram-Group.png
ORGANIZER;CN="International Print Center New York":MAILTO:contact@ipcny.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220224T180000
DTEND;TZID=America/Halifax:20220224T200000
DTSTAMP:20260404T021254
CREATED:20220203T182923Z
LAST-MODIFIED:20220203T182923Z
UID:91992-1645725600-1645732800@artinamericaguide.com
SUMMARY:Creative Portraiture
DESCRIPTION:In this class\, I will share with you some of the fun approaches I use to get families and kids interacting together and laughing for those amazing shots. Half the class will be with live subjects to show you the posing techniques and how to interact with the family and children.\n\n\n\n\n  Save  
URL:https://artinamericaguide.com/event/creative-portraiture-4/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/02/creative-portraiture.jpg
GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220223T170000
DTEND;TZID=America/Halifax:20220223T190000
DTSTAMP:20260404T021254
CREATED:20220203T182923Z
LAST-MODIFIED:20220203T182923Z
UID:91990-1645635600-1645642800@artinamericaguide.com
SUMMARY:Smartphone Photography
DESCRIPTION:This 2-hour workshop is an introduction to the exciting world of mobile photography.  Students will learn the fundamentals of taking a good photograph\, review smartphone camera and native editing functions\, explore popular third-party photo-editing apps and discover other mobile camera-related accessories.  This course is designed for people who want to improve their skills and understanding of mobile photography in order to take better — and more artful — pictures of people\, places and things.  This presentation-style workshop is open to all mobile device-users\, but please be aware that live classroom demonstrations and some course material will be specific to the iPhone.  Students only need to bring their mobile phones and their imaginations. \n  Save  
URL:https://artinamericaguide.com/event/smartphone-photography/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/02/smartphone.jpg
GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220223T163000
DTEND;TZID=America/Halifax:20220223T180000
DTSTAMP:20260404T021254
CREATED:20211105T150320Z
LAST-MODIFIED:20211105T150320Z
UID:89722-1645633800-1645639200@artinamericaguide.com
SUMMARY:NEA Big Read: Great Lakes Bay Region Saginaw Programs  Beyond the Book: Children’s Story Time & Art Activity!
DESCRIPTION:Children are invited to gather for a book reading and art activity with Bay City teacher\, Brandy Wilk! Each child will receive a free copy of the selected book. \n\n\n Wednesday\, February 23\, 2022 4:30 – 6:00 PM \n\n\nBOOK: “Nosotros Means Us” by Paloma Valdivia \nART ACTIVITY: Learn Spanish during a coloring art activity! \n\n\nFor a complete calendar of events and to learn more go to \n\n\nhttps://www.marshallfredericks.net/bigread.html  \n\n  Save  
URL:https://artinamericaguide.com/event/nea-big-read-great-lakes-bay-region-saginaw-programs-beyond-the-book-childrens-story-time-art-activity-3/
LOCATION:Marshall M. Fredericks Sculpture Museum\, 7400 Bay Rd\, University Center\, MI\, 48710\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/11/9780593305140.jpg
ORGANIZER;CN="Marshall M. Fredericks Sculpture Museum":MAILTO:JLLodico@svsu.edu
GEO:43.5182561;-83.9722204
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Marshall M. Fredericks Sculpture Museum 7400 Bay Rd University Center MI 48710 United States;X-APPLE-RADIUS=500;X-TITLE=7400 Bay Rd:geo:-83.9722204,43.5182561
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220223T150000
DTEND;TZID=America/Halifax:20220223T170000
DTSTAMP:20260404T021254
CREATED:20220203T182923Z
LAST-MODIFIED:20220203T182923Z
UID:91988-1645628400-1645635600@artinamericaguide.com
SUMMARY:Slow Art Day
DESCRIPTION:Come to FMoPA from 3-5 PM to participate in a Slow Art Day\, where you can absorb and take in the art for personal enjoyment and growth. Take your time with our art and turn your thoughts inward\, and when you’re done\, participate in a creative hands-on activity where you can express gratitude\, reminiscence\, and other positive emotions. Come on your own or bring your family for this relaxing and fun museum experience. \n\n\n\n\n\n  Save  
URL:https://artinamericaguide.com/event/slow-art-day-5/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/02/slow-art.jpg
GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220222T180000
DTEND;TZID=America/Halifax:20220222T200000
DTSTAMP:20260404T021254
CREATED:20220203T182923Z
LAST-MODIFIED:20220203T182923Z
UID:91986-1645552800-1645560000@artinamericaguide.com
SUMMARY:Introducción a Adobe Lightroom
DESCRIPTION:Introducción a Adobe Lightroom como herramienta de catalogación y edición básica de fotografías. En esta sesión intensiva de 2 horas podrán aprender cómo definir un flujo de trabajo básico en Adobe Lightroom que les permitirá mantener su trabajo fotográfico organizado. \n\nTour a travel de la interfaz y los módulos principales\nModulo de Biblioteca (Library)\nEstructura del catálogo\nImportando archivos (Import)\nRevelado rápido de imágenes (Develop)\nColecciones simples y conjuntos de colecciones\nExportación de imágenes (Export y Print)\n\n  Save  
URL:https://artinamericaguide.com/event/introduccion-a-adobe-lightroom-9/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/02/introduccio.png
GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220222T170000
DTEND;TZID=America/Halifax:20220222T210000
DTSTAMP:20260404T021254
CREATED:20220218T195638Z
LAST-MODIFIED:20220218T195638Z
UID:92275-1645549200-1645563600@artinamericaguide.com
SUMMARY:Not Dior’s New Look III
DESCRIPTION:In November of 2021\, The Contemporary Art Modern Project formally announced a partnership with Fashion Fights Cancer\, a non-profit organization founded in 2004 that offers innovative and therapeutic programs in fashion and design. To celebrate the partnership\, The Contemporary Art Modern Project will exhibit works from Anya Anti\, Elly Azizian\, Franck de las Mercedes\, Isher Dhiman\, Alice de Kruijs\, Vicky Martin\, Fares Micue\, Miss Aniela\, Nikolina Petolas\, Evelyn Politzer\, Christy Powers\, Sonya Revell\, Julie de Waroquier\, Naomi White and Hans Withoos in the third installment of Not Dior’s New Look\, during National Cancer Prevention Month in their Westport\, CT locale. \nThis exhibition stands as a statement of the legitimacy of fashion within the fine art realm\, but more importantly\, it stands as a reclamation of the power that has historically been denied to marginalized perspectives on the basis of appearance. It is a breathtaking exploration of the ways in which self-perception and aesthetic choices are mutually influential. Not Dior’s New Look presents a collective prioritizing of understanding with oneself\, one’s need\, one’s wants and that is where the true power of fashion lies- the power to change the perception of others and your perception of yourself. \nOpening February 22\, 2022\, Not Dior’s New Look III\, will be on display until March22\, 2022\, at The CAMP Gallery: 190 Main Street\, Westport\, CT 06880. The opening reception will be held on February 22\, 2022\, from 5:00-9:00PM; VIP showings will be available February 22-26\, 2022. \n  Save  
URL:https://artinamericaguide.com/event/not-diors-new-look-iii/
LOCATION:The CAMP Gallery Westport\, 190 Main Street\, Westport\, CT\, 06880\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/02/FFC-Invite-1.png
ORGANIZER;CN="The Contemporary Art Modern Project":MAILTO:maria@thecampgallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220222T170000
DTEND;TZID=America/Halifax:20220222T180000
DTSTAMP:20260404T021254
CREATED:20211215T214934Z
LAST-MODIFIED:20211217T200514Z
UID:90713-1645549200-1645552800@artinamericaguide.com
SUMMARY:Lecture: Reconsidering the Landscape in Chinese Contemporary Art Practices
DESCRIPTION:Michelle Yun Mapplethorpe\, Director at the Asia Society Museum in New York City\, presents a lecture on Chinese contemporary art. \nMichelle Yun Mapplethorpe\, Director at the Asia Society Museum in New York City\, will present a lecture entitled “Reconsidering the Landscape in Chinese Contemporary Art Practices\,” inspired by the two exhibitions of Chinese contemporary art on view in the Walsh Gallery: ink/stone and SEEING IS BELIEVING: Crossings and Transpositions\, Part II (January 21-March 5\, 2022). \nYun Mapplethorpe’s lecture is part of the Edwin L. Weisl\, Jr. Lectureships in Art History\, funded by the Robert Lehman Foundation. \nWe invite you to join the conversation via the following options: \n\nIn person in the Kelley Theater\, located in the Quick Center for the Arts\n\n\nStreaming via thequicklive.com\n\nPlease note: \n\nFor all Spring 2022 in-person events\, all adult visitors and staff are required to show proof of Covid-19 vaccination and a valid ID.\n\n\nChildren under 12 are not currently required to be vaccinated to participate in any programs.\n\n\nProof of a negative Covid-19 test will not be accepted as an alternative to vaccination.\n\n\nA face mask or covering is required for all guests during indoor events\, except in designated locations.\n\nAbout SEEING IS BELIEVING: CROSSINGS AND TRANSPOSITIONS\, PART II: This exhibition\, organized by Professor of Studio Art Jo Yarrington\, features work by five contemporary Chinese artists: He Jiancheng\, Xiao Yao Ning\, Luo Biwu\, Zuo Zeng Yao and Zhang Zeng Min. Yarrington traveled to China in 2019 with four other American artists\, where they presented Part I of this international exchange. \nAbout ink/stone: This exhibition presents works by Chinese artists from the 20th and 21st centuries who engage with ink and stone as materials\, subjects\, and concepts. Employing a range of techniques and media\, the artists make diverse points of contact with older Chinese artistic traditions. Some embrace the emphasis on ink brush strokes on paper or silk to render mountainous landscapes or rock forms; others incorporate media and styles usually associated with western painting: oil on canvas\, or gouache and watercolor. Yet others use photography\, industrial processes of fabrication\, or create conceptual and performance art. The contemporary works are shown together with older stone objects such as Buddhist steles\, a scholar’s rock\, and inkstones\, which provide historical touchpoints for the artists’ reinterpretations of these forms and media. The exhibition is curated by Ive Covaci\, PhD\, Adjunct Professor of Art History at Fairfield University. \n  \nImage: An Ho 安和(Chinese b. 1924)\, Coming Ashore\, ca. late 20thcentury\, album leaf\, ink and color on silk. Lent by Jane and Leopold Swergold © An Ho  \n  Save  
URL:https://artinamericaguide.com/event/lecture-reconsidering-the-landscape-in-chinese-contemporary-art-practices/
LOCATION:Quick Center for the Arts\, 200 Barlow Road\, Fairfield\, CT\, 06824
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/12/Coming-Ashore-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Quick Center for the Arts 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220220T130000
DTEND;TZID=America/Halifax:20220220T170000
DTSTAMP:20260404T021254
CREATED:20220203T182923Z
LAST-MODIFIED:20220203T182923Z
UID:91984-1645362000-1645376400@artinamericaguide.com
SUMMARY:En Espanol Photo 101 Express
DESCRIPTION:Este workshop de 4 horas esta diseñado para proveer a los estudiantes con un conocimiento integral de como operar sus cámaras\, tanto para obtener resultados técnicamente solidos\, como para aplicaciones creativas. Esta clase consta de varias presentaciones\, prácticas\, y tutorías personalizadas. \n  \nLos tópicos a cubrir incluyen: \nFundamentos de la cámara y los lentes\, F-Stops\, shutter speeds\, ISO\, focal lengths \nModo de captura manual y automático\, RAW versus JPG \nHistogramas\, exposiciones correctas bajo varias condiciones \nTemperatura de color\, white balance \nPuntos de foco\, depth of field\, incluyendo propósitos creativos \nDrive modes; Desde capturas simples hasta múltiples capturas a alta velocidad \nCongelamiento y captura de movimiento \nComposición básica y enfoques creativos \nEdición fotográfica básica en Adobe Lightroom \n  \nRequisitos: Camera y lentes\, batería cargada completamente\, tarjeta de memoria\, trípode de estar disponible. \n  Save  
URL:https://artinamericaguide.com/event/en-espanol-photo-101-express-2/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/02/photo-101-3.png
GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220218T180000
DTEND;TZID=America/Halifax:20220218T200000
DTSTAMP:20260404T021254
CREATED:20220203T182923Z
LAST-MODIFIED:20220203T182923Z
UID:91982-1645207200-1645214400@artinamericaguide.com
SUMMARY:Discovering Your Creative Photographic Path Remote Learning
DESCRIPTION:Remote learning \nThese Zoom sessions will fully reflect the same content as with the on-ground workshops offered by the FMoPA institute. \nMost beginning photographers tend to randomly capture images of everything they see and experience\, resulting in confusing portfolios of single photographs and a lack of strong intellectual and aesthetical bodies of work. This intensive 3-weeks workshop is designed to encourage all students to find their unique creative voices\, resulting in solid directions for the future and applicable projects for everyone regardless of experience. \nCreative photography is a process\, one that utilizes a simple approach to establishing photography projects\, otherwise known as concepts. Four keywords\, WHY\, WHAT\, HOW and WHO serve as the foundation in forming intellectually and aesthetically resolved bodies of fine artwork. Finding your own creative voice is the result of applying this simple method to your photography projects\, not an elusive born talent\, but rather a process that involves writing simple artist statements\, researching a particular subject matter or techniques and experimenting with the aesthetics of an idea\, your idea. After an initial review of images\, each student will be encouraged to pursue a single idea or project\, resulting in a fully resolved mini body of work by the end of the workshop. Sequencing of images\, simple artist statements and presentation ideas will be explored throughout. \n  Save  
URL:https://artinamericaguide.com/event/discovering-your-creative-photographic-path-remote-learning-10/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/02/discovering-2.jpg
GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220218T150000
DTEND;TZID=America/Halifax:20220218T160000
DTSTAMP:20260404T021254
CREATED:20220124T165244Z
LAST-MODIFIED:20220124T165244Z
UID:91375-1645196400-1645200000@artinamericaguide.com
SUMMARY:Romare Bearden: Overlapping Meanings
DESCRIPTION:Session 3: LIVE from the EFA Robert Blackburn Studio in NYC! A Virtual Printmaking Demonstration \nHUMA is partnering with the EFA Robert Blackburn Studio for a virtual demonstration that explores Bearden’s printmaking process. The Studio will also explain the history of Blackburn and Bearden’s collaboration. \nAdmission is free. Advance registration is required. \nhttps://hofstra.zoom.us/j/93638744364?pwd=cnFTQzVkUlB3NEQzb25neWVJYkx4QT09 \n  Save  
URL:https://artinamericaguide.com/event/romare-bearden-overlapping-meanings-5/
LOCATION:Zoom
CATEGORIES:Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/01/Bearden-in-studio.jpg
ORGANIZER;CN="Hofstra University Museum of Art":MAILTO:museum@hofstra.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220217T160000
DTEND;TZID=America/Halifax:20220217T180000
DTSTAMP:20260404T021254
CREATED:20220203T182923Z
LAST-MODIFIED:20220203T182923Z
UID:91980-1645113600-1645120800@artinamericaguide.com
SUMMARY:Photo Safari: Exploring Tampa’s Riverfront
DESCRIPTION:About this event\n\n\n\n\n\n\n\nJoin FMoPA for a two-hour photo safari as we explore Tampa’s riverfront with our cameras. Professional photographer Amy Pezzicara will guide you through hands-on photographic challenges\, on-the-spot critiques\, and techniques. \nIn this hands-on photo safari\, we’ll explore the photographic techniques you can use to capture the essence of a place. Bring your camera and get to know Julian B. Lane Riverfront Park from every angle. We will work through shooting challenges and on-the-spot critiques to expand upon your thought processes. Amy will help you with questions that arise as you are photographing. Take this time to practice with a new camera\, brush up on rusty skills\, or just enjoy a few hours devoted to fun photography. \nThis class is appropriate for all levels of photography\, ages 13 and up. Please bring a camera that you know how to use and adjust settings. A phone is acceptable if you use an app that allows you to manually control the camera (such VSCO). Dress is casual as we will be outside and quite possibly on the ground at times. \n\n\n\n\n  Save  
URL:https://artinamericaguide.com/event/photo-safari-exploring-tampas-riverfront/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
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GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220217T110000
DTEND;TZID=America/Halifax:20220217T113000
DTSTAMP:20260404T021254
CREATED:20211215T214934Z
LAST-MODIFIED:20211217T200422Z
UID:90711-1645095600-1645097400@artinamericaguide.com
SUMMARY:Art in Focus: Luo Biwu\, Parts\, 2015\, silkscreen print
DESCRIPTION:Our Art in Focus series offers the opportunity for a close look at a single work of art. \nJoin us in the Walsh Gallery at 11 a.m. on February 17 for some close looking and conversation about Luo Biwu’s screenprint Parts\, on view as a part of  SEEING IS BELIEVING: Crossings and Transpositions\, Part II! \nPlease note: \n\nThis event is in-person only and will not be livestreamed. If you are interested in the virtual Art in Focus event on Thursday\, February 10\, register here!\nFor all Spring 2022 in-person events\, all adult visitors and staff are required to show proof of Covid-19 vaccination and a valid ID.\n\n\nChildren under 12 are not currently required to be vaccinated to participate in any programs.\n\n\nProof of a negative Covid-19 test will not be accepted as an alternative to vaccination.\n\n\nA face mask or covering is required for all guests during indoor events\, except in designated locations.\n\nAbout SEEING IS BELIEVING: CROSSINGS AND TRANSPOSITIONS\, PART II: This exhibition\, organized by Professor of Studio Art Jo Yarrington\, features work by five contemporary Chinese artists: He Jiancheng\, Xiao Yao Ning\, Luo Biwu\, Zuo Zeng Yao and Zhang Zeng Min. Yarrington traveled to China in 2019 with four other American artists\, where they presented Part I of this international exchange. \n  \nImage: Luo Biwu (罗必武) (Chinese\, b. 1964)\, Parts\, 2015\, silkscreen print\, edition: 7/15. Courtesy of the artist       \n  Save  
URL:https://artinamericaguide.com/event/art-in-focus-luo-biwu-parts-2015-silkscreen-print/
LOCATION:Bellarmine Hall\, 200 Barlow Road\, Fairfield\, CT\, 06824
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/12/Luo-Biwu_Parts-1.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bellarmine Hall 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220217T060000
DTEND;TZID=America/Halifax:20220217T200000
DTSTAMP:20260404T021254
CREATED:20220214T165229Z
LAST-MODIFIED:20220214T165229Z
UID:92143-1645077600-1645128000@artinamericaguide.com
SUMMARY:“The Persistence of Nasty”
DESCRIPTION:Pictor Gallery and Plays for us present ” The Persistence of Nasty” on Thursday February 17th. The performance will feature Yvette Heyliger’s “Bridge to Baraka\,” Christine Toy Johnson’s “Expression of Regret\,” & Alice Eve Cohen’s “Mrs. Satan & The Nasty Woman.” \nWe welcome back Kathryn Markey and Dee Peletier and the Plays For Us Troupe for 3 short play readings dealing with feminism\, politics as well as social and racial justice in: The Persistence of Nasty. \n\n\n\n\n\nCome join us Thursday Feb. 17th\, 6-8 PM! Refreshments will be served.\n\n\n\n\nOn display at Pictor Gallery is Denise Adler’s solo show “Making Sense\,” and “States of Mind\,” a group show featuring Terry Fraser\, Judith Luongo\, and Liz Stern\n\n\nhttps://www.eventbrite.com/e/268959253367\n\n  Save  
URL:https://artinamericaguide.com/event/the-persistence-of-nasty/
LOCATION:Pictor Gallery\, 547 West 27th Street\, Suite 204\, New York\, NY\, 10001\, United States
CATEGORIES:Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/02/nasty.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220217
DTEND;VALUE=DATE:20220221
DTSTAMP:20260404T021254
CREATED:20220217T151431Z
LAST-MODIFIED:20220217T151431Z
UID:92165-1645056000-1645401599@artinamericaguide.com
SUMMARY:Michael Rosenfeld Gallery at Frieze Los Angeles\, Booth D20
DESCRIPTION:For its inaugural participation at Frieze Los Angeles\, Michael Rosenfeld Gallery (Booth D20) is pleased to present an exhibition of historical works by eight artists essential to the canon of 20th-century figurative art: Benny Andrews (1930–2006)\, Richmond Barthé (1901–1989)\, Elizabeth Catlett (1915–2012)\, Robert Colescott (1925–2009)\, Beauford Delaney (1901–1979)\, Augusta Savage (1892–1962)\, Bob Thompson (1937–1966) and Charles White (1918–1979). The exhibition is curated to complement the Black American Portraits exhibition currently on view at the Los Angeles County Museum of Art (LACMA) and builds upon the successes of the 2019 shows Charles White: A Retrospective at LACMA and Soul of a Nation: Art in the Age of Black Power\, 1963–1983 at The Broad. Spanning nearly three-quarters of a century\, works on view provide deeper insight into the history of American art laid out by Los Angeles’ premiere institutions. At a time when the art world finds itself in the midst of a figurative renaissance among contemporary Black artists\, Michael Rosenfeld Gallery is proud to assemble an exhibition celebrating the exceptional vision of the artists who were essential precedents to the current era. \nThree of the artists in the presentation have direct ties to California. Charles White resided in Los Angeles from 1956 until his death in 1979\, creating several of his most renowned works in his Altadena studio while teaching at the Otis Art Institute (now Otis College of Art and Design). Notably\, White mentored David Hammons and Kerry James Marshall when they were students at Otis. In his socially conscious art\, White sought to portray African Americans in a manner that foregrounded his subjects’ dignity and humanity. A standout work in our Frieze exhibition is White’s Leadbelly (1975)\, a monumental portrait of the legendary folk and blues musician Huddie William “Leadbelly” Ledbetter. The work is the result of a commission White received to illustrate the album cover for the soundtrack to Gordon Parks’ feature film Leadbelly (Paramount Studios\, 1976). Oakland native Robert Colescott addresses the contradictions inherent to Black American life through his satirical compositions\, which simultaneously skewer and lay claim to the national collective memory from which people of color are often excluded. In such paintings as The French in Louisiana (1988)\, Colescott lampoons the social conventions surrounding identity and desire\, revealing the larger power structures that establish and enforce them. Harlem Renaissance sculptor Richmond Barthé spent the majority of his career in New York and Jamaica but relocated to the mild climes of Pasadena in 1977. There he met actor James Garner\, who became a dear friend and important benefactor. It was around this time that another highlight of our presentation\, a 1970s cast of Barthé’s celebrated sculpture The Negro Looks Ahead was created (the original clay sculpture dates to 1942). Celebrating the beauty\, strength\, and fortitude of Black men\, the work testifies to Barthé’s masterful technical ability as well as his exceptional capacity for imbuing his subjects with a sense of grace and vitality. \nAnother eminent Harlem Renaissance sculptor\, Augusta Savage\, will also be featured in Booth D20. Gamin (c.1930) is one of Savage’s best-known works and is emblematic of the artist’s superior talent for capturing her sitters’ distinguishing features while conveying a clear impression of their interior life. Here the artist frames her subject—her nephew\, Ellis Ford—in a format traditionally reserved for royalty or persons of influence; yet\, where classical busts portray their subjects in a detached\, idealized manner\, Savage includes the boy’s informal dress and engaging expression\, accentuating his individuality and vulnerability. Rounding out the presentation’s sculpture selection is Pensive (1946\, cast 1967) by Elizabeth Catlett.  Known for her commitment to social justice in both her art and her life\, Catlett built her career on the faithful representation of working-class Black women’s struggles and joys. Pensive is one of her earliest works and features all the hallmarks of her mature style\, including a finely detailed texture\, simplified features\, and a balanced juxtaposition of curves and angles—all of which coalesce into a highly emotive portrayal of a contemplative\, melancholic woman. \nAdditional highlights in the exhibition’s painting selection include Bob Thompson’s Untitled (Oh Lawd!) (1962)\, a compelling work demonstrative of the artist’s unique compositional approach\, wherein select elements of historic European masterpieces are reimagined in his own expressionistic\, fauvist-inflected style. Here Thompson borrows from one of Francisco Goya’s Los Caprichos etchings (1797–1799)\, rendering Goya’s composition in simplified forms and a high-keyed palette while inserting his own personal symbolism. Thompson was deeply inspired by jazz\, and art historians have often compared his revision of Old Master paintings to jazz’s emphasis on riffing and reiteration. A similarly imposing work\, Malice (1978) by Benny Andrews—one of Thompson’s peers on the Lower Manhattan scene—is also included in the exhibition. Emotionally detached and impenetrably cryptic\, Andrews’ anonymous sitter exemplifies the artist’s career-long engagement with archetypal figures and embodied themes. His highly symbolic compositions are executed with paint\, fabric and various found materials\, and often convey an intense psychological state. In contrast to the foreboding tone of Thompson and Andrews’ works\, Beauford Delaney’s Untitled (Portrait of a Young Man) (c.1963) constitutes a reverent celebration of the human spirit. Notable for its profusion of yellow\, the work demonstrates Delaney’s unparalleled mastery of color\, capturing the essence of its sitter through the artist’s distinctive blend of abstraction and figuration. For Delaney\, the color yellow held connotations of sanctity\, and he applied it generously to subjects he wanted to portray as sources of a radiant\, spiritual light. \nOrganized to provide art historical context to LACMA’s presentation of The Obama Portraits by Kehinde Wiley and Amy Sherald (currently on view at the High Museum of Art in Atlanta)\, Black American Portraits features over 140 works drawn primarily from the museum’s collection. The museum’s works are augmented by several loans from Michael Rosenfeld Gallery\, which has provided paintings by Charles Alston\, Benny Andrews\, John Biggers\, Beauford Delaney\, Eldzier Cortor and Archibald Motley to expand the parameters of this important chronicle of Black American portraiture. The exhibition comes nearly half a century after David Driskell’s groundbreaking 1976 exhibition at LACMA\, Two Centuries of Black American Art 1750–1950. Coinciding with the nation’s bicentennial\, the show provided a revelatory understanding of Black artists’ contributions to American culture. In 2008\, Michael Rosenfeld Gallery staged African American Art: 200 Years\, a historical survey in the legacy of Driskell’s exhibition; accompanied by a catalogue publishing new scholarship by Lowery Stokes Sims\, the show featured 38 artists ranging from 19th-century masters Henry Ossawa Tanner and Charles Ethan Porter to midcentury figures such as Hughie Lee-Smith and Alma Thomas\, as well as current stars of the contemporary scene Betye Saar and Sam Gilliam. \nFounded in 1989\, Michael Rosenfeld Gallery has consistently championed the careers of the eight artists in our Frieze Los Angeles presentation. Recent gallery group and solo exhibitions have included RISING UP/UPRISING: Twentieth Century African American Art (March–May 2014); Figuratively Speaking (November 2017–January 2018); Truth & Beauty: Charles White and His Circle (September–November 2018); Benny Andrews: A Real Person Before the Eyes (September 2020–January 2021); and Be Your Wonderful Self: The Portraits of Beauford Delaney (September–December 2021). Presently\, the gallery represents the estates of Benny Andrews\, Beauford Delaney and Bob Thompson. \nVisit Michael Rosenfeld Gallery in Booth D20 \n  Save  
URL:https://artinamericaguide.com/event/michael-rosenfeld-gallery-at-frieze-los-angeles-booth-d20/
LOCATION:Frieze Los Angeles\, 9900 Wilshire Boulevard\, Beverly Hills\, 90210\, United States
CATEGORIES:Art Fair
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/02/White_crop-scaled.jpg
ORGANIZER;CN="Michael Rosenfeld Gallery":MAILTO:info@michaelrosenfeld.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220215T180000
DTEND;TZID=America/Halifax:20220215T200000
DTSTAMP:20260404T021254
CREATED:20220203T182923Z
LAST-MODIFIED:20220203T182923Z
UID:91978-1644948000-1644955200@artinamericaguide.com
SUMMARY:En Espanol Fotografia Contemporanea Remote
DESCRIPTION:Tópicos en Fotografía contemporánea \nEn este curso exploramos diversos caminos que transita la Fotografía contemporánea\, con énfasis en el desarrollo de una metodología personal de estudio y practica de la Fotografía en el contexto actual. \nEn la medida en que las disciplinas de creación y expresión se han ido agregando en el tiempo\, formando tradiciones cada vez más complejas\, nos encontramos con que los géneros\, tópicos y aproximaciones tradicionales no son aplicables de forma directa y requieren un trabajo de búsqueda\, re-interpretación y adaptación. \nAdicionalmente\, veremos como los temas contemporáneos\, vinculados a la sociedad\, la identidad y la política\, pueden ser abordados desde un espectro amplio de posibilidades visuales. \nObjetivos \n\nConocer los tópicos más destacados en las disciplinas de creación contemporáneas\, en especial en la Fotografía.\nExplorar los principales autores que incorporan la Fotografía como herramienta de expresión pertinente en la contemporaneidad.\nConocer las técnicas de revisión\, investigación y concepción de trabajos fotográficos con base en nuestra experiencia como individuos y miembros de una sociedad.\nExplorar el desarrollo y producción de un proyecto de creación que resulte pertinente para el autor y sus interlocutores.\n\n  Save  
URL:https://artinamericaguide.com/event/en-espanol-fotografia-contemporanea-remote-3/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/02/espanol-cont.jpg
GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220212T160000
DTEND;TZID=America/Halifax:20220212T180000
DTSTAMP:20260404T021254
CREATED:20220204T200521Z
LAST-MODIFIED:20220204T200521Z
UID:92019-1644681600-1644688800@artinamericaguide.com
SUMMARY:2022 Contemporary Art Network
DESCRIPTION:The Contemporary Art Network at First Street Gallery. \nReception will be held on Saturday\, February 12th from 4:00-6:00PM with light refreshments. \nCAN supports a small\, diverse group of artists whose work is curated on a regular basis and seeks to promote their work. The exhibit will feature selections from bodies of work from each artist. \n  Save  
URL:https://artinamericaguide.com/event/2022-contemporary-art-network/
LOCATION:First Street Gallery\, 526 West 26th Street\, Suite 209\, NEW YORK\, NY\, 10001\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/02/CAN_homepage2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220212T100000
DTEND;TZID=America/Halifax:20220213T180000
DTSTAMP:20260404T021254
CREATED:20220131T165028Z
LAST-MODIFIED:20220131T165028Z
UID:91926-1644660000-1644775200@artinamericaguide.com
SUMMARY:The Bay Area Fine Print Fair
DESCRIPTION:Manneken Press will join fine print dealers and publishers from across the United States at The Bay Area Fine Print Fair to offer fine prints and works on paper for sale to the public. There will be a wide range of works available in all styles and time periods\, including Contemporary\, historical and Japanese works\, at all scales and price points. This event is free and masks are required. \n  Save  
URL:https://artinamericaguide.com/event/the-bay-area-fine-print-fair/2022-02-12/
LOCATION:Kala Art Institute\, 2990 San Pablo Avenue\, Berkeley\, CA\, 94702\, United States
CATEGORIES:Art Fair
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/01/judy_ledgerwood_field_of_flowers_garden.jpg
ORGANIZER;CN="OnPaper.Art":MAILTO:info@onpaper.art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220211T230000
DTEND;TZID=America/Halifax:20220211T230000
DTSTAMP:20260404T021254
CREATED:20220118T161222Z
LAST-MODIFIED:20220118T161222Z
UID:90904-1644620400-1644620400@artinamericaguide.com
SUMMARY:Art Study Center Seminar at Home: George Abrams on Rembrandt
DESCRIPTION:From quick sketches of figures and faces to Dutch landscapes to biblical scenes\, Rembrandt animated his renderings of a now-lost world. George Abrams\, a distinguished collector of Dutch drawings\, will share insights and observations about his favorite works by Rembrandt in his own collection and those at the Harvard Art Museums. He will also introduce prominent followers and students of the great Dutch artist\, whose identities are coming to light thanks to ongoing research. \nLed by:\nGeorge Abrams\, Harvard College ’54\, Harvard Law ’57\, collector \nJoachim Homann\, Maida and George Abrams Curator of Drawings\, Division of European and American Art \nThis talk will take place online via Zoom. The event is free and open to all\, but registration is required. To register\, please complete this online form. \nPlease read these instructions on how to join a meeting on Zoom. For questions about Art Study Center Seminars at Home\, email am_register@harvard.edu. \nPlease note that closed captioning is available during this program. \nThe Harvard Art Museums have reopened to the public. Reservations are required for visitors and can be made up to three weeks in advance. Please visit the museum website for more information. \n  Save  
URL:https://artinamericaguide.com/event/art-study-center-seminar-at-home-george-abrams-on-rembrandt/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/01/17387963.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220211T150000
DTEND;TZID=America/Halifax:20220211T160000
DTSTAMP:20260404T021255
CREATED:20220124T165138Z
LAST-MODIFIED:20220124T165138Z
UID:91373-1644591600-1644595200@artinamericaguide.com
SUMMARY:Romare Bearden: Overlapping Meanings
DESCRIPTION:Session 2: Exploring Influences and Themes from the Harlem Renaissance to Homer’s Classical Hero \nThe second Session will explain the narrative quality of Bearden’s work and its relationship to the Black American experience\, touching on elements of the Great Migration\, the Harlem Renaissance\, family life and universal hero themes. \nAdmission is free. Advance registration is required. \nhttps://hofstra.zoom.us/j/93638744364?pwd=cnFTQzVkUlB3NEQzb25neWVJYkx4QT09 \n  Save  
URL:https://artinamericaguide.com/event/romare-bearden-overlapping-meanings-3/
LOCATION:Zoom
CATEGORIES:Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/01/Sirens-Song.jpg
ORGANIZER;CN="Hofstra University Museum of Art":MAILTO:museum@hofstra.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220210T163000
DTEND;TZID=America/Halifax:20220210T183000
DTSTAMP:20260404T021255
CREATED:20220124T163651Z
LAST-MODIFIED:20220124T164150Z
UID:91228-1644510600-1644517800@artinamericaguide.com
SUMMARY:Reception for the exhibition “Art of the Dogon”
DESCRIPTION:Join us in celebrating the opening of the exhibition Art of the Dogon. \n  \nLight refreshments will be served. \nAdmission is free. RSVP to 516.463.5672 \n  Save  
URL:https://artinamericaguide.com/event/reception-for-the-exhibition-art-of-the-dogon/
LOCATION:David Filderman Gallery at Hofstra University\, 112 Hofstra University\, Hempstead\, New York
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/01/Dogon-1.jpg
ORGANIZER;CN="Hofstra University Museum of Art":MAILTO:museum@hofstra.edu
GEO:40.7133721;-73.6015642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=David Filderman Gallery at Hofstra University 112 Hofstra University Hempstead New York;X-APPLE-RADIUS=500;X-TITLE=112 Hofstra University:geo:-73.6015642,40.7133721
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