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DTSTART;TZID=America/Halifax:20220920T123000
DTEND;TZID=America/Halifax:20220920T130000
DTSTAMP:20260618T171540
CREATED:20220831T150528Z
LAST-MODIFIED:20220831T150528Z
UID:97575-1663677000-1663678800@artinamericaguide.com
SUMMARY:Art Talk Live: Yasuo Kuniyoshi’s Last Act
DESCRIPTION:Yasuo Kuniyoshi once proclaimed that “an artist’s drawings are his first words.” Having emigrated from Japan to the United States at the age of 16\, Kuniyoshi relied upon drawing as his most expressive medium. Through drawing\, he translated the anxiety\, disillusionment\, and alienation faced by Japanese émigrés in the aftermath of World War II into a uniquely personal and dynamic American modernist style. \nLed by:\nElisa Germán\, Emily Rauh Pulitzer Curatorial Fellow in Contemporary Drawings\, Division of Modern and Contemporary Art \nThis talk is part of a series inspired by ReFrame\, a museum-wide initiative to reimagine the function\, role\, and future of the university art museum. These talks examine difficult histories\, foreground untold stories\, and experiment with new approaches to the collections of the Harvard Art Museums\, reflecting the concerns of our world today. \nThis talk will take place online via Zoom. The event is free and open to all\, but registration is required. To register\, please complete this online form. \nPlease read these instructions on how to join a meeting on Zoom. For general questions about Art Talks\, email am_register@harvard.edu. \nArt Talks Live are presented via Zoom every other Tuesday at 12:30pm (ET) and offer an up-close look at works from our collections with our team of curators\, conservators\, fellows\, and graduate students. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \nThe Harvard Art Museums are open to the public. Reservations are available but not required and can be made up to three weeks in advance. Please see the museum visit page for more information. \n  Save  
URL:https://artinamericaguide.com/event/art-talk-live-yasuo-kuniyoshis-last-act/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/08/Yasuo_Kuniyoshi.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220918T130000
DTEND;TZID=America/Halifax:20220918T160000
DTSTAMP:20260618T171540
CREATED:20220825T185707Z
LAST-MODIFIED:20220825T185707Z
UID:97117-1663506000-1663516800@artinamericaguide.com
SUMMARY:Photography Basics: Learn\, Practice\, Create.
DESCRIPTION:This 3-hour workshop is limited to very small groups\, with personal attention for each attendee. The course is designed to provide the students with a sound knowledge of how to operate their cameras for both solid technical results\, as well as creative applications. This class is based on multiple lecture presentations as well as extensive hands-on applications and one on one support. \n  Save  
URL:https://artinamericaguide.com/event/photography-basics-learn-practice-create-4/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
ORGANIZER;CN="FMoPA":MAILTO:info@fmopa.org
GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220918T130000
DTEND;TZID=America/New_York:20220918T150000
DTSTAMP:20260618T171540
CREATED:20220820T155837Z
LAST-MODIFIED:20220820T155837Z
UID:96929-1663506000-1663513200@artinamericaguide.com
SUMMARY:Meet-the-Artist Reception: Reynier Llanes
DESCRIPTION:Sunday\, September 18 from 1:00-3:00pm\,  visit the BIAA and meet Reynier Llanes\, one of the most complex and lucid artists of his generation\, at a reception for his new exhibition Reynier Llanes: What is Essential is Invisible to the Eye. The exhibition opens September 4\, 2022. Llanes will return September 20\, 2022 at 2:00pm to present a talk to the public\, in honor of HIspanic Heritage Month. \n  \n  Save  
URL:https://artinamericaguide.com/event/meet-the-artist-reception-reynier-llanes/
LOCATION:The Butler Institute of American Art\, 524 Wick Avenue\, Youngstown\, OH\, 44505\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/08/by-JNart-Productions-2_edit-for-butler-web.jpg
ORGANIZER;CN="The Butler Institute of American Art":MAILTO:info@butlerart.com
GEO:41.1056154;-80.6461317
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Butler Institute of American Art 524 Wick Avenue Youngstown OH 44505 United States;X-APPLE-RADIUS=500;X-TITLE=524 Wick Avenue:geo:-80.6461317,41.1056154
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220918T120000
DTEND;TZID=America/Halifax:20220918T130000
DTSTAMP:20260618T171540
CREATED:20220831T150528Z
LAST-MODIFIED:20220831T150528Z
UID:97579-1663502400-1663506000@artinamericaguide.com
SUMMARY:Exhibition Tour: Dare to Know: Prints and Drawings in the Age of Enlightenment
DESCRIPTION:Join exhibition curator Elizabeth Rudy for an in-depth tour of Dare to Know: Prints and Drawings in the Age of Enlightenment\, on view through January 15\, 2023. She will share insights about how works on paper played a critical role in the 18th century\, wielding the power to visually articulate\, reinforce\, or contradict beliefs as well as biases. \nLed by:\nElizabeth Rudy\, Carl A. Weyerhaeuser Curator of Prints\, Division of European and American Art \nTours are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The tour reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nSee the museum visit page to learn about our general policies for visiting the museums. \nThis exhibition is supported in part by an award from the National Endowment for the Arts. Support for the exhibition is provided by the Melvin R. Seiden and Janine Luke Fund for Publications and Exhibitions\, the Robert M. Light Print Department Fund\, the Stanley H. Durwood Foundation Support Fund\, the Catalogues and Exhibitions Fund for Pre-Twentieth-Century Art of the Fogg Museum\, and the Gladys Krieble Delmas Foundation. The catalogue was made possible by the Andrew W. Mellon Publication Funds\, including the Henry P. McIlhenny Fund. Related programming is supported by the M. Victor Leventritt Lecture Series Endowment Fund. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/exhibition-tour-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/08/Dagoty-2.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220916T170000
DTEND;TZID=America/Halifax:20220916T190000
DTSTAMP:20260618T171540
CREATED:20220825T181151Z
LAST-MODIFIED:20220825T181151Z
UID:97078-1663347600-1663354800@artinamericaguide.com
SUMMARY:10th Annual UPAG Exhibition
DESCRIPTION:The United Photographic Artists Gallery\, which was founded in 2013\, is committed to the creative advancement and representation of diverse international emerging and mid-career artists through the fine art photography gallery. UPAG supports the education and creative progress of our represented artists via our internet platform\, as well as on-ground exhibits in museums and galleries worldwide.\n\nThe mission is to grow the medium of photography as an overall validated art form and to support other emerging artists in their artistic endeavors with a solid track record in Fine art photographic education\, consulting on many levels\, international judging backgrounds and curatorial duties\, the founding members of UPAG are committed to supporting our members through dialogues and consultations\, the end goal residing firmly into a positive and progressive outlook for all involved.\n10th annual group exhibit of the United Photographic Artists Gallery\, Presented by the Florida Museum of Photographic Arts \n  Save  
URL:https://artinamericaguide.com/event/10th-annual-upag-exhibition/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/08/Copy-of-Copy-of-Copy-of-Copy-of-Traveling-to-Tampa-5.png
GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220916T133000
DTEND;TZID=America/Halifax:20220916T150000
DTSTAMP:20260618T171540
CREATED:20220906T174558Z
LAST-MODIFIED:20220906T174618Z
UID:98111-1663335000-1663340400@artinamericaguide.com
SUMMARY:Jazz Performance: Atlantic Connections
DESCRIPTION:Enjoy an afternoon of live music in the Calderwood Courtyard—free and open to everyone! \nThe Harvard University Committee on the Arts (HUCA) will present Atlantic Connections\, a jazz performance led by Yosvany Terry\, senior lecturer on music at Harvard\, and mezzo-soprano Alicia Hall Moran\, who will perform a work inspired by poets from the African diaspora\, including Maya Angelou. This performance will explore the themes of land\, homeland\, motherhood\, running\, love\, loss\, distance\, diasporic geographies\, and water as a spiritual connecting element. \nAdditional performers include:\nFabian Almazán\, a 2020 recipient of an honorarium from HUCA and a graduate student in creative practice and critical inquiry\nYunior Terry\, Assistant Professor of Music\, New York University\nDavid Virelles\, jazz musician \nThis is the second of two performances. The first event will take place at Farkas Hall on Thursday\, September 15\, at 7:30pm. Both events are free and open to the public. \nPlease visit the museum website to learn about our general visitor policies. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/jazz-performance-atlantic-connections/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/09/Jazz_600_400.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220915T180000
DTEND;TZID=America/Halifax:20220915T200000
DTSTAMP:20260618T171540
CREATED:20220513T172722Z
LAST-MODIFIED:20220513T172722Z
UID:93564-1663264800-1663272000@artinamericaguide.com
SUMMARY:Opening Reception: Out of the Kress Vaults and Specimens and Reflections
DESCRIPTION:Join us after the opening lecture for light refreshments in the Great Hall! \nJoin us as we celebrate the opening of Out of the Kress Vaults: Women in Sacred Renaissance Painting and Specimens and Reflections\, both on view in the Bellarmine Hall Galleries from September 16-December 17\, 2022. Light refreshments will be served in the Great Hall of Bellarmine Hall. The Bellarmine Hall Galleries will also be open until 8 p.m. \n  \nPlease register on our Eventbrite page prior to the event: \nhttps://www.eventbrite.com/e/opening-reception-out-of-the-kress-vaults-and-specimens-and-reflections-tickets-337428757497 \n  \nAbout the exhibitions: \nOut of the Kress Vaults: Women in Sacred Renaissance Painting and Specimens and Reflections \nThe exhibition explores representations of femininity and virtue in Italian Renaissance paintings of the Virgin Mary\, female saints\, and nuns. This exhibition is the first in the museum’s history to be co-curated with Fairfield University students. Taking inspiration from two paintings of the Madonna and Child in the museum’s own Samuel H. Kress Collection\, students in Dr. Michelle DiMarzo’s art history seminar developed the exhibition by examining Kress collections at other institutions\, with an emphasis on works typically held in storage. \nhttps://www.fairfield.edu/museum/kressvaults/ \nSpecimens and Reflections \nDigitally manipulated photographic panoramas of the interiors of Roman churches by Claudia Esslinger (Professor of Art\, Kenyon College) are accompanied by the poetry of Royal Rhodes ‘68 (Professor Emeritus of Religious Studies\, Kenyon College) in this unique exhibition that explores the intersection of word and image. \nhttps://www.fairfield.edu/museum/exhibitions/upcoming-exhibitions/specimens-and-reflections/index.html \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-out-of-the-kress-vaults-and-specimens-and-reflections/
LOCATION:Bellarmine Hall\, 200 Barlow Road\, Fairfield\, CT\, 06824
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/05/Saint-Ursula-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bellarmine Hall 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220915T173000
DTEND;TZID=America/Halifax:20220915T190000
DTSTAMP:20260618T171540
CREATED:20220831T150528Z
LAST-MODIFIED:20220831T150528Z
UID:97456-1663263000-1663268400@artinamericaguide.com
SUMMARY:Dare to Know: An Introduction
DESCRIPTION:Join us for a series of brief presentations and a discussion about our latest special exhibition\, Dare to Know: Prints and Drawings in the Age of Enlightenment\, with curators Elizabeth M. Rudy and Kristel Smentek\, along with several contributors to the exhibition catalogue. Dare to Know will be on view at the Harvard Art Museums from September 16\, 2022 through January 15\, 2023. \nFollowing the discussion\, guests are invited to visit the exhibition on Level 3\, for informal remarks by graduate student contributors to the catalogue from Harvard’s Department of History of Art and Architecture and MIT’s Department of Architecture. \nFeaturing approximately 150 works on paper and other related objects\, Dare to Know explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the Enlightenment era by encouraging individuals to follow their own reason when seeking to know more. \nAn illustrated catalogue with 26 thematic essays—an A to Z exploration of the Enlightenment quest for understanding and change—accompanies the exhibition. \nSpeakers:\nElizabeth Saari Browne\, Senior Cataloguer for the Decloux Collection\, Cooper Hewitt\, Smithsonian Design Museum\nEdouard Kopp\, John R. Eckel\, Jr.\, Foundation Chief Curator\, Menil Drawing Institute\nTamar Mayer\, Assistant Professor\, Art History and Curatorial Studies\, Tel Aviv University\nElizabeth Rudy\, Carl A. Weyerhaeuser Curator of Prints\, Division of European and American Art\, Harvard Art Museums\nKristel Smentek\, Associate Professor of Art History\, Massachusetts Institute of Technology \nModerated by Joachim Homann\, Maida and George Abrams Curator of Drawings\, Division of European and American Art\, Harvard Art Museums \nFree admission\, but seating is limited and reservations are required. Reservations may be arranged by clicking on the event on this form beginning Monday\, September 5\, after 10am. \nThe lecture will take place in Menschel Hall\, Lower Level. Doors will open at 5pm. \nPlease see the museum visit page to learn about our general policies for visiting the museums. \nLimited complimentary parking is available in the Broadway Garage\, 7 Felton Street\, Cambridge. \nThis exhibition is supported in part by an award from the National Endowment for the Arts. Support for the exhibition is provided by the Melvin R. Seiden and Janine Luke Fund for Publications and Exhibitions\, the Robert M. Light Print Department Fund\, the Stanley H. Durwood Foundation Support Fund\, the Catalogues and Exhibitions Fund for Pre-Twentieth-Century Art of the Fogg Museum\, and the Gladys Krieble Delmas Foundation. The catalogue was made possible by the Andrew W. Mellon Publication Funds\, including the Henry P. McIlhenny Fund. Related programming is supported by the M. Victor Leventritt Lecture Series Endowment Fund. \nSupport for the program is provided by the M. Victor Leventritt Fund\, which was established through the generosity of the wife\, children\, and friends of the late M. Victor Leventritt\, Harvard Class of 1935. The purpose of the fund is to present outstanding scholars of the history and theory of art to the Harvard and Greater Boston communities. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/dare-to-know-an-introduction/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/08/Dagoty-1.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220915T170000
DTEND;TZID=America/Halifax:20220915T180000
DTSTAMP:20260618T171540
CREATED:20220513T172722Z
LAST-MODIFIED:20220513T201646Z
UID:93562-1663261200-1663264800@artinamericaguide.com
SUMMARY:Opening Lecture: Out of the Kress Vaults
DESCRIPTION:Join us for an opening night lecture to celebrate the opening of Out of the Kress Vaults: Women in Sacred Renaissance Painting\, on view in the Bellarmine Hall Galleries from September 16-December 17\, 2022. Michelle DiMarzo\, PhD\, curator of Out of the Kress Vaults\, will introduce the exhibition. A reception with light refreshments will follow at 6 p.m. \nWe invite you to join the conversation via the following options: \n\nIn-person in the Diffley Board Room of Bellarmine Hall\nStreaming via thequicklive.com\n\nPlease register on our Eventbrite page prior to the event: https://www.eventbrite.com/e/opening-lecture-out-of-the-kress-vaults-tickets-337410232087 \nAbout Out of the Kress Vaults: The exhibition explores representations of femininity and virtue in Italian Renaissance paintings of the Virgin Mary\, female saints\, and nuns. This exhibition is the first in the museum’s history to be co-curated with Fairfield University students. Taking inspiration from two paintings of the Madonna and Child in the museum’s own Samuel H. Kress Collection\, students in Dr. Michelle DiMarzo’s art history seminar developed the exhibition by examining Kress collections at other institutions\, with an emphasis on works typically held in storage. \nhttps://www.fairfield.edu/museum/kressvaults/ \n  Save  
URL:https://artinamericaguide.com/event/opening-lecture-out-of-the-kress-vaults/
LOCATION:Bellarmine Hall\, 200 Barlow Road\, Fairfield\, CT\, 06824
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/05/Mantegna_Madonna-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bellarmine Hall 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220911T140000
DTEND;TZID=America/Halifax:20220911T170000
DTSTAMP:20260618T171540
CREATED:20221107T211520Z
LAST-MODIFIED:20221107T211520Z
UID:97439-1662904800-1662915600@artinamericaguide.com
SUMMARY:Screens for Teens: Clueless
DESCRIPTION:This series of contemporary and classic films is specially curated for teenagers in and around Cambridge. The selection\, including both short and feature-length films\, is meant to provide teens with an opportunity to watch work focused explicitly on their experiences. Covering a range of topics\, emotions\, and nuances\, these free films—depending on length and scope—will be followed by conversation with faculty from the Cambridge Rindge and Latin School. \nAbout today’s film:\nClueless\, 1995 (Paramount Pictures; English; 97 min.) \nJane Austen might never have imagined that her 1816 novel Emma could be turned into a fresh and satirical look at ultra-rich teenagers in a Beverly Hills high school. Cher (Alicia Silverstone) and Dionne (Stacey Dash)\, both named after “great singers of the past that now do infomercials\,” are pampered upper-class girls who care less about getting good grades than wearing the right clothes and being as popular as possible. But Cher\, who lives with her tough yet warm-hearted lawyer dad (Dan Hedaya) and hunky\, sensitive stepbrother (Paul Rudd)\, also has an innate urge to help those less fortunate like the two introverted teachers she brings together (“negotiating” improved grades for herself in the process) and new friend Tai (Brittany Murphy)\, who starts out a geek and ends up a Cher prodigy. Cher also possesses her own sensitive side\, and she is looking for the perfect boyfriend\, whom she ends up finding where she least expected. \nFree admission\, but seating is limited and reservations are required. Reservations may be arranged by clicking on the event on this form beginning on Thursday\, September 1\, after 10am. \nThe screening will take place in Menschel Hall\, Lower Level. Doors will open at 1:30pm. \nPlease see the museum visit page to learn about our general policies for visiting the museums. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/screens-for-teens-clueless/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/08/Clueless-still.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220909T180000
DTEND;TZID=America/Halifax:20220909T193000
DTSTAMP:20260618T171540
CREATED:20220816T160720Z
LAST-MODIFIED:20220816T160720Z
UID:96218-1662746400-1662751800@artinamericaguide.com
SUMMARY:Travelers: A Book Talk with Helon Habila & Matthew Davis
DESCRIPTION:Join Nigerian-born author Helon Habila and Matthew Davis\, Director of the George Mason University Alan Cheuse International Writers Center (ACIWC)\, for a conversation about Habila’s latest book Travelers. Travelers focuses on a Nigerian scholar who travels to Berlin with his American wife for a fellowship that entails creating a portrait series of African migrants. In a quest to document “real migrants\,” the book instead uncovers a multiplicity of narratives that make up the African diaspora. \nA spotlight tour of contemporary artist Njideka Akunyili Crosby’s self-portrait in the Museum’s Fickle Mirror exhibition will follow the talk. Born in Nigeria and relocating to the United States as a teenager\, Crosby creates work that addresses the complexities of culture clash and belonging through imagery referencing her dual Nigerian and American backgrounds. \n\n\n\n\nPresented in collaboration with Shore Lit. \n\n\n\n\n  Save  
URL:https://artinamericaguide.com/event/travelers-a-book-talk-with-helon-habila-matthew-davis/
LOCATION:Academy Art Museum\, 106 South Street\, Easton\, MD\, 21601\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/08/Travelers-Flyer-3.png
ORGANIZER;CN="Academy Art Museum":MAILTO:academy@academyartmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220909T170000
DTEND;TZID=America/Halifax:20220909T190000
DTSTAMP:20260618T171540
CREATED:20220815T162028Z
LAST-MODIFIED:20220815T162028Z
UID:96124-1662742800-1662750000@artinamericaguide.com
SUMMARY:Julie England\, New Terrain
DESCRIPTION:Julie England\, New Terrain\nSeptember 6 – September 24\nReception: September 9\, 5-7pm\nStrata Gallery presents established member solo exhibition New Terrain by Texas based artist\, Julie England. The exhibition opens September 6\, 2022 and is on view until September 24\, 2022. There is a public reception with the artist on Friday\, September 9\, 5:00-7:00pm. \nJulie’s paintings\, inspired by the outdoors\, especially arid terrain\, will be shown at Strata Gallery\, Santa Fe in September. England paints earth tones and saturated color with a sense of place\, imagination and yearning. She invites the viewer to travel through topology towards the horizon\, where earth melds with sky. \nOn one wall of Strata Gallery hang paintings with aerial perspective over Georgia O’Keeffe’s New Mexico properties. Discussions with the Georgia O’Keeffe Museum in Santa Fe\, NM about photographing her sites led to this body of work. O’Keeffe’s Clouds Above Sky series from 1965\, where land observed through the airplane window was a most original pictorial idea\, is now commonplace. An aerial view enhances the viewer’s awareness of space and triggers one to immediately enter the foreground. \nThe opposing wall at Strata Gallery holds landscape paintings featuring color and mark-making that convey energy from nature. Paint gestures capture undulating surfaces enabling a sense of movement while standing still. \nJulie England is an oil painter who grew up in Wisconsin\, Florida and Texas.  Her artwork is exhibited in Texas and across the U.S. She earned a Bachelor’s degree in Chemical Engineering at Texas Tech University in Lubbock\, TX. After a career in the semiconductor industry\, England earned an Associates of Arts degree in 2015 at Brookhaven College\, Farmers Branch\, Texas. In 2018 she earned a Bachelor’s of Fine Art degree from Southern Methodist University\, Dallas\, Texas. Julie lives and works in the Dallas\, TX. \nStrata Gallery is open from 10 a.m. to 5 p.m. Tuesday – Saturday. For more information about Strata Gallery\, the current exhibit\, and the future schedule of events\, please visit the Strata Gallery website and Instagram. \nMasks required. \n  Save  
URL:https://artinamericaguide.com/event/julie-england-new-terrain/
LOCATION:Strata Gallery\, 418 Cerrillos Road\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220908T180000
DTEND;TZID=America/Halifax:20220908T200000
DTSTAMP:20260618T171540
CREATED:20220816T143807Z
LAST-MODIFIED:20220816T143807Z
UID:96196-1662660000-1662667200@artinamericaguide.com
SUMMARY:Julie Speidel | "Shikaku" Sense of Sight
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present “Shikaku” Sense of Sight\, an exhibition of new works on paper by Julie Speidel. Continuing her practice of hand-rubbed ink on Japanese paper\, Speidel creates compositions of large vibrant shapes that explore the simplicity of two-dimensional art and its power to evoke calm\, balance\, and mystery. \n  Save  
URL:https://artinamericaguide.com/event/julie-speidel-shikaku-sense-of-sight/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
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ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com
GEO:40.7493621;-74.0047021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220908T180000
DTEND;TZID=America/Halifax:20220908T200000
DTSTAMP:20260618T171540
CREATED:20220812T141702Z
LAST-MODIFIED:20220812T141702Z
UID:95837-1662660000-1662667200@artinamericaguide.com
SUMMARY:Hank Feely - According to Gongsun Long (Recent Paintings)
DESCRIPTION:Gongsun Long was a Chinese philosopher who lived from 320 to 250 BC during the Zhou dynasty. He was known for postulating paradoxes including his most famous: “White horses are not horses.” He believed that pure logic may lead to absurd conclusions. Hank Feeley believes that the world we currently live in and his paintings pretty much bear out the truth of Mr. Long. \nThis show includes some of Feeley’s typical non sequitur paradoxical works but it also includes some different work that came as the result of the isolation of the pandemic. To amuse himself during the pandemic he experimented with different styles\, contents and mediums. Some of these finished works are in the show as well as some of the preliminary sketches and drawings leading to them. Also in the show are amusing collage portraits that he did\, again\, on a pandemic fueled whim. \nAll in all\, it’s work like this that caused Billy Collins to write:\n“If Hank Feeley were not so strikingly original\, I would say that he stands at the intersection of Magritte and Marvel Comics\, but as it is\, he has his own way of disorienting the viewer so we can see again\, now with our perception refreshed.” \n  Save  
URL:https://artinamericaguide.com/event/hank-feely-according-to-gongsun-long-recent-paintings/
LOCATION:First Street Gallery\, 526 West 26th Street\, Suite 209\, NEW YORK\, NY\, 10001\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220908T180000
DTEND;TZID=America/Halifax:20220908T200000
DTSTAMP:20260618T171540
CREATED:20220808T165740Z
LAST-MODIFIED:20220808T165740Z
UID:95484-1662660000-1662667200@artinamericaguide.com
SUMMARY:Donald Sultan: THE NATURE OF THINGS
DESCRIPTION:Opening reception for Donald Sultan: THE NATURE OF THINGS\, an exhibition of new works by the acclaimed artist. The eight paintings and four drawings included in this exhibition are a continuation of Sultan’s ongoing investigation of abstraction using the aesthetic structure of the mimosa plant. The Mimosa series debuted at RYAN LEE in 2019. The exhibition will be accompanied by a catalogue with an essay by Thomas Loughman.  \n  Save  
URL:https://artinamericaguide.com/event/donald-sultan-the-nature-of-things/
LOCATION:RYAN LEE\, 515 W 26th St\, 3rd Fl\, New York\, NY\, 10001\, United States
CATEGORIES:Event,Exhibition
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ORGANIZER;CN="RYAN LEE":MAILTO:info@ryanleegallery.com
GEO:40.7500935;-74.0036112
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=RYAN LEE 515 W 26th St 3rd Fl New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=515 W 26th St\, 3rd Fl:geo:-74.0036112,40.7500935
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220908T170000
DTEND;TZID=America/Halifax:20220911T180000
DTSTAMP:20260618T171540
CREATED:20220826T172107Z
LAST-MODIFIED:20220906T142022Z
UID:97179-1662656400-1662919200@artinamericaguide.com
SUMMARY:Cross Contemporary Art Projects at Art on Paper Fair\, NYC
DESCRIPTION:Cross Contemporary Art Projects goes to New York City for the annual Art on Paper Art Fair located in downtown Manhattan’s Pier 36 Sept 8 -11\, 2022.  Featuring artwork on (and of) paper by Virginia Bradley\, Susan Copich\, Priscilla Heine\, Nikolaos Katranis\, Iain Machell\, Alvin Roy\, Christy Rupp\, Melinda Stickney-Gibson\, Lou Tavelli\, Francine Tint and Millicent Young \, Cross Contemporary Art Projects exhibits a cross-section of Contemporary Art by noted mid-career artists and is located in booth A-13. \nArt on Paper Location: \nPier 36\, Downtown Manhattan\n299 South Street\nNew York\, 10002 \nExhibition Hours: \nSelect VIP Preview\nThursday\, September 8\, 2022 — 5:00pm to 6:00pm\nExclusive Entry for Select VIPs \nOpening Evening\nThursday\, September 8\, 2022 — 6:00pm to 9:00pm\nExclusive Entry for Fair Pass Holders & Select VIPs \nPublic Hours\nFriday\, September 9\, 2022 — 11:00am to 7:00pm\nSaturday\, September 10\, 2022 — 11:00am to 7:00pm\nSunday\, September 11\, 2022 — 11:00am to 6:00pm \n  Save  
URL:https://artinamericaguide.com/event/cross-contemporary-art-projects-at-art-on-paper-fair-nyc/
LOCATION:Pier 36\, 299 South Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Art Fair,Event,Exhibition,Pop up
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ORGANIZER;CN="Art Market Productions":MAILTO:info@amp.events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220908T170000
DTEND;TZID=America/Halifax:20220908T200000
DTSTAMP:20260618T171540
CREATED:20220906T174709Z
LAST-MODIFIED:20220906T174709Z
UID:98068-1662656400-1662667200@artinamericaguide.com
SUMMARY:Doug Anderson: New Work opening reception
DESCRIPTION:Opening reception of new work by Doug Anderson \n  Save  
URL:https://artinamericaguide.com/event/doug-anderson-new-work-opening-reception/
LOCATION:Blue Mountain Gallery\, 547 W 27th St\, Suite 200\, New York\, NY\, 10001\, United States
CATEGORIES:Event
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ORGANIZER;CN="Blue Mountain Gallery":MAILTO:bluemountaingallery@verizon.net
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220908T163000
DTEND;TZID=America/Halifax:20220908T183000
DTSTAMP:20260618T171540
CREATED:20220817T144626Z
LAST-MODIFIED:20220817T144626Z
UID:96269-1662654600-1662661800@artinamericaguide.com
SUMMARY:Reception for the Fall Exhibitions
DESCRIPTION:Join us in celebrating the opening of New York\, New York: Photographs from the Collection and Off the Press. \n  \nLight refreshments will be available. \nAdmission is free. RSVP to 516.463.5672 \n  Save  
URL:https://artinamericaguide.com/event/reception-for-the-fall-exhibitions/
LOCATION:Emily Lowe Gallery at Hofstra University\, 112 Hofstra University\, Hempstead\, NY\, 11549\, United States
CATEGORIES:Event
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ORGANIZER;CN="Hofstra University Museum of Art":MAILTO:museum@hofstra.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220908
DTEND;VALUE=DATE:20220912
DTSTAMP:20260618T171540
CREATED:20220907T153259Z
LAST-MODIFIED:20220910T165644Z
UID:98124-1662595200-1662940799@artinamericaguide.com
SUMMARY:Michael Rosenfeld Gallery at The Armory Show 2022
DESCRIPTION:Michael Rosenfeld Gallery is pleased to be participating in The Armory Show 2022 with a group exhibition encapsulating the gallery’s exciting and diverse program. Featuring an interdisciplinary selection of works dating from the interwar period through the present\, our presentation offers a showcase of artists and movements central to the history of American art in the 20th and 21st centuries. The focus of the presentation is a wall-sized masterpiece by gallery artist William T. Williams (b.1942)\, Sister Puss (1968)\, which correlates to the artist’s solo exhibition at the gallery’s 19th Street space\, William T. Williams: Tension to the Edge (September 8–November 5\, 2022). Additional highlights include standout works by Benny Andrews (1930–2006)\, Robert Colescott (1925–2009)\, Joseph Cornell (1903–1972)\, and Agnes Pelton (1881–1961). \nWilliams’ Sister Puss (titled after a family member’s nickname that references the fairytale character Puss in Boots) belongs to a body of work that constitutes the genesis of the artist’s “diamond-in-a-box” motif\, which became a formal and thematic continuum in his oeuvre. Williams has referred to this form as a “stabilizing force” that structures the chaos he sought to convey within these works as a reflection of the tumultuous conditions of the era. Such works embody “place as a specific type of poetry\,” in Williams’ words\, offering a composite of experiences and memories both personal and collective. \nWilliams’ historic painting will be complemented by a range of masterworks by artists consistently featured in gallery programming\, including a standout collage painting from the same period by Benny Andrews. Liberty #6 (Study for Trash) (1971) is one of several finished paintings the artist referred to as a “study” for his monumental\, multi-panel work Trash\, also executed in 1971 and now in the collection of The Studio Museum in Harlem. Trash is the second work in Andrews’ Bicentennial Series (1969–1976)\, a cycle of six monumental paintings that convey\, as the artist stated\, “a Black artist’s expression of …his dreams\, experiences\, and hopes along with the despair\, anger\, and depression [felt in response] to so many other Americans’ actions.” \nCarrying the torch of 20th-century figurative expressionism with a clear political message is Robert Colescott’s 1994 painting\, Shakespeare’s Africans (Suicide\, Tragedy). Working in a distinct style characterized by cartoonish figuration\, gestural brushwork\, and dissonant color\, Colescott’s satirical paintings contain razor-sharp critiques of American life and the Western cultural canon\, often addressing the intertwined themes of race\, sex\, and class. Here the artist skewers the racism embedded in the Bard’s portrayal of Black figures through two of his best-known characters of African descent\, Othello and Cleopatra\, both of whom are fated to die by suicide in his plays. \nA theatrical reimagining of a major artifact of European culture is also the basis for another highlight of the presentation\, Joseph Cornell’s box construction Flemish Princess (c.1950). The diorama is exemplary of the artist’s surrealist assemblages\, which juxtapose an array of symbolically loaded objects in arrangements that reflect his myriad interests\, from astronomy and space exploration to ballet and opera. In Flemish Princess\, Cornell positions printed reproductions of a Renaissance painting\, Early Netherlandish painter Jean Hey’s portrait Suzanne de Bourbon (c.1492–93)\, behind wooden spheres resembling a child’s toy; the contents of the box are drenched in sepia tones\, heightening the sense of nostalgia for past ages\, both personal (i.e.\, childhood) and historical. \nFinally\, rounding out the gallery’s presentation is a rare example of Transcendental Painting Group artist Agnes Pelton’s abstract landscapes; these metaphysical compositions express the spiritual life of the natural world through the artist’s signature language of rhythmic forms\, brilliant colors\, and radiant light. Untitled (c.1942) was inspired by the stark yet elegant vista of the California desert (where Pelton lived and worked for nearly thirty years)\, particularly the purple form in the left half of the composition\, which resembles a seed pod of the Japanese magnolia tree. Though not strictly religious\, the artist practiced meditation and was deeply inspired by Agni Yoga\, Buddhism\, Theosophy\, and the theories of Carl Jung\, absorbing their teachings into her visionary painting practice. \nThe works discussed above are merely a sampling from the expansive checklist of works available at Booth 317. Here follows a complete list of the artists included in the gallery’s presentation: \nCharles Alston\, Benny Andrews\, Robert Arneson\, Hannelore Baron\, Richmond Barthé\, Mary Bauermeister\, William Baziotes\, Romare Bearden\, Harry Bertoia\, John Biggers\, Giorgio Cavallon\, Ed Clark\, Robert Colescott\, Joseph Cornell\, Harold Cousins\, Beauford Delaney\, Claire Falkenstein\, John Ferren\, Albert E. Gallatin\, Sam Gilliam\, Michael Goldberg\, Adolph Gottlieb\, Nancy Grossman\, William H. Johnson\, Raymond Jonson\, Lee Krasner\, Yayoi Kusama\, Jacob Lawrence\, Norman Lewis\, Conrad Marca-Relli\, George L.K. Morris\, Louise Nevelson\, Alfonso Ossorio\, Agnes Pelton\, Faith Ringgold\, Charles G. Shaw\, Dorothea Tanning\, Alma Thomas\, Bob Thompson\, Mark Tobey\, Jack Tworkov\, Esteban Vicente\, Charmion von Wiegand\, Stuart Walker\, Charles White\, William T. Williams\, and Hale Woodruff. \n  Save  
URL:https://artinamericaguide.com/event/michael-rosenfeld-gallery-at-the-armory-show-2022/
LOCATION:The Armory Show at the Javits Center\, 11th Avenue at 35th Street\, New York\, NY\, NY\, 10001\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220906T110000
DTEND;TZID=America/Halifax:20220906T180000
DTSTAMP:20260618T171540
CREATED:20220912T150048Z
LAST-MODIFIED:20220915T214228Z
UID:98245-1662462000-1662487200@artinamericaguide.com
SUMMARY:Dorothy Frey: Studio Farm
DESCRIPTION:Exhibition dates: September 6 – October 1\, 2022 \nOpening Reception: Thursday\, September 8\, 2022\, 5:00-8:00pm \nArtist Talk: Saturday\, September 10\,  2022\, 2pm \n  \nBowery Gallery is pleased to present “Studio Farm” by Dorothy Frey. The exhibition runs from September 6 – October 1 with a reception for the artist on Thursday\, September 8 from 5-8pm. The artist will give a talk on her work on Saturday\, September 10 at 2pm at the gallery. This is Frey’s first solo exhibition at Bowery Gallery. \nDorothy Frey is a painter who works from perception and invention\, examining sense of place at her Lancaster County\, Pennsylvania farmstead. Subject matter in her paintings stems from day-to-day living on and tending a multigenerational farm. Working onsite and in the studio\, colors develop as intuitive fusions of weather events\, seasons\, memories and various times of day. Cool tranquil shadows ground the compositions. Luminous pathways weave through the well-trodden land. Trees reach for one another creating protective arched canopies. \n “Dorothy Frey’s paintings are not the nomadic paintings of a landscape painter setting up their easel here or there long enough to complete a painting and move on. Frey is dug in. From Hans Herr\, the first Mennonite Bishop to immigrate to America in the early 1700s to her own young son (who makes an appearance in at least one of these paintings)\, this area of Lancaster County\, Pennsylvania has been cultivated and storied in her family for 10+ generations. Frey’s paintings are living participants in this persistent generational story\, laying bare their content through poetic weight found in painterly momentum and rhythms of trees; planes of grass\, sky\, and fields; and pockets of memory suspended in time as vignettes under boughs of trees.” \n-Jay Noble\, Artist\, Executive Director\, Mount Gretna School of Art \n  \nDorothy Frey also shows at Lancaster Galleries\, Lancaster\, PA. Her work has been included in shows at the Demuth Museum in Lancaster\, PA; Stein Galleries in Dayton\, OH; Art at Kings Oaks\, Newtown\, PA; Jessie Wilson Gallery\, Anderson\, IN; and Gross McCleaf Gallery in Philadelphia\, PA. \n  \nAbout Bowery Gallery:   \nFounded in 1969\, Bowery Gallery has been showing contemporary art of the highest quality for more than six decades. Bowery Gallery is a cooperative\, founded by artists and directed by the collective decision making of its member artists. From its beginnings\, Bowery Gallery has been a force for the expansion of art’s traditions in a venue unconstrained by commercial pressures. Named after its original location\, Bowery Gallery is now located in the heart of the Chelsea art district. \n  \nGeneral information: \nBowery Gallery \n547 West 27th Street\, Suite 508 \nNew York\, NY 10001 \n  \nHours: Tuesday-Saturday\, 11am-6pm \nAll visitors to the gallery must wear a mask. \n  \ninfo@bowerygallery.org  \n646-230-6655 \nwww.bowerygallery.org              \n  Save  
URL:https://artinamericaguide.com/event/dorothy-frey-studio-farm-2/2022-09-06/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220906
DTEND;VALUE=DATE:20220907
DTSTAMP:20260618T171540
CREATED:20220906T174709Z
LAST-MODIFIED:20220906T174709Z
UID:98109-1662422400-1662508799@artinamericaguide.com
SUMMARY:Katherine Sherwood\, 'Pandemic Madonnas and Other Views from the Garden'
DESCRIPTION:The George Adams Gallery is pleased to present our second exhibition of paintings by Bay Area artist Katherine Sherwood titled\, Pandemic Madonnas and Other Views from the Garden. Building on two on-going bodies of work\, her Venuses and Brain Flowers\, the exhibition will show the evolution of both series while also introducing Sherwood’s Pandemic Madonnas\, completed within the past year. Accompanying the exhibition is an extensively illustrated catalogue\, In the Garden of the Yelling Clinic\, surveying the development of all three\, ongoing bodies of work\, with scholarly essays by Ginny Treanor and Farley Gwazda\, along with a personal reflection by the artist. \nSherwood has long used her artwork to engage with concerns around disability and feminism\, by considering how both ableism and gender play a role in our understanding of art from both a historical and contemporary perspective. Herself disabled following a debilitating cerebral hemorrhage at forty-four\, in the decades since\, such concerns have only become more urgent and visible in Sherwood’s work. In these recent paintings\, she continues with her strategy of making revisionist additions to art historical images\, collaging in scans of her own brain or depicting her subjects with assistive medical devices – particularly those she uses herself. Simultaneously\, she has deepened her exploration of the historical precedent of female artists\, notably in a major self-portrait after an altarpiece by the 17th century Portuguese painter\, Josefa de Óbidos. While the original painting combines elements from devotional paintings and still-lives\, a hallmark of de Óbidos’s oeuvre\, Sherwood replaces the central Christ child with her own disabled body\, offering a two-fold critique: of the limitations in subject matter female painters historically faced and the liberating potential of the self-portrait. \nThe duality present in Venus (after de Óbidos) reflects two broader\, inter-related aspects of Sherwood’s work. She addresses the concept of the male gaze and preconceived notions of beauty in her Venus paintings\, modeled after classical odalisques\, while the Brain Flower series flips the script\, re-inserting the female gaze by considering the work of Renaissance female painters\, who were often limited in their subject matter to still-lives. As art historian Ginny Treanor points out in her contribution to the catalogue\, for the women whose paintings Sherwood appropriates\, the floral arrangements they painted were as much a scientific enterprise as an artistic one. Following in this tradition\, by replacing select flowers with collaged scans of her own brain; Sherwood draws a parallel between the beauty and complexity within both structures. \nAnother commonality across these series is the use of art historical reproductions as a substrate\, where Sherwood is literally working on the back of historical paintings or\, as in the case of her Pandemic Madonnas\, on the front. Working from examples of the Madonna and Child by Dürer\, Botticelli\, Raphael and others\, she directly alters the image\, adding in prosthetics\, braces\, crutches and other devices to the subjects as a commentary on the immaculate\, idealized body. Pointedly\, Sherwood intentionally models these interventions after antiquated\, outdated medical devices\, further drawing attention to our preconceptions around the visible markers of disability. A seated Madonna may be placed in a wheelchair\, the baby Jesus given a prosthetic limb or brace\, however the effect is not to undermine\, but rather transcend. As these paintings were intended to reveal the divine as more perfect beings\, Sherwood’s manipulations offer a more nuanced understanding of our inherent humanity. \nAs Sherwood discusses the trajectory of her work over the last ten years in the catalogue accompanying the exhibition\, she elaborates on her understanding of the “Garden” as a conceptual extension of the imaginary “Yelling Clinic:” a space for healing that has served as the inspiration for her paintings since 2010. The Yelling Clinic is also a disability collective Sherwood co-founded in 2008\, which among its goals\, combines art and activism to move conversations around disability outside a medical context. For Sherwood\, the interventions and re-contextualizing she manifests within her paintings are in themselves acts of healing and therefore an extension of her activism. Her “Garden” is home to the Brain Flowers\, where the blooms she paints are equally reminders of mortality and objects of beauty in their own right. \n  Save  
URL:https://artinamericaguide.com/event/katherine-sherwood-pandemic-madonnas-and-other-views-from-the-garden/
LOCATION:George Adams Gallery\, 38 Walker Street\, New York\, NY\, 10013\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220828
DTEND;VALUE=DATE:20220829
DTSTAMP:20260618T171540
CREATED:20220815T162127Z
LAST-MODIFIED:20220815T162133Z
UID:96162-1661644800-1661731199@artinamericaguide.com
SUMMARY:By the Sea\, By the Sea: Waterscapes and Beach Scenes By William J. Glackens and the Ashcan School
DESCRIPTION:The exhibition By the Sea\, By the Sea will draw from the Museum’s vast collection of masterful seascapes by William J. Glackens and members of the artist’s milieu\, created in the late 19th and early 20th century. These paintings\, photographs\, prints and sketches portray unfettered\, modern visions of leisure and labor by the waterfront. \nOn view August 28\, 2022 through Fall 2023 \n  Save  
URL:https://artinamericaguide.com/event/by-the-sea-by-the-sea-waterscapes-and-beach-scenes-by-william-j-glackens-and-the-ashcan-school/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Exhibition
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GEO:26.1194368;-80.1427657
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NSU Art Museum 1 E Las Olas Blvd Fort Lauderdale FL 33301 United States;X-APPLE-RADIUS=500;X-TITLE=1 E Las Olas Blvd:geo:-80.1427657,26.1194368
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220827T190000
DTEND;TZID=America/Halifax:20220827T210000
DTSTAMP:20260618T171540
CREATED:20220823T191527Z
LAST-MODIFIED:20220823T191527Z
UID:96980-1661626800-1661634000@artinamericaguide.com
SUMMARY:WE ARE NATURE: Breakdown\, Breakthrough
DESCRIPTION:Gjert Rognli: What Nature Knows | Performance\, Film\, Photos\, and Installation\nFritjof Capra: The Emergence of Novelty\nGjert Rognli’s multimedia project What Nature Knows – Dan maid luondu diehtá reflects a visceral\, personal connection with Arctic Northern Norway – a region defined by light\, darkness\, and stark seasonal contrasts. Rognli\, who hails from the Indigenous Sámi people\, draws on his childhood experiences among shamans steeped in the ancient animist folk religion. Through film\, photography\, sculpture\, and performance\, the artist explores his passionate bond with the organic world. With this immersive experience\, Rognli invites us all on a mythological journey into deep forests and across misty waterways—where surreal phenomena guide the viewer through the unknown.\nGjert Rognli was selected by NOoSPHERE Arts’ international jury as our 2021 Residency Award winner after careful consideration of hundreds of applications originating from forty-seven countries. We are very pleased to finally welcome him onboard Mothership NYC after a long\, pandemic-induced delay. For more details about Rognli’s residency project\, his inspirations\, and how he came to be an artist\, we invite you to read this interview announcing last year’s NOoSPHERE Arts Residency Award.\nFritjof Capra: As an overarching theme for WE ARE NATURE 2022\, we have selected from our very own favorite Scholar-in-Residence’s book Patterns of Connection (2021) four essential characteristics embodied in all forms of life. According to the “systems view\,” which has recently been developed at the forefront of science\, life organizes itself in networks; and these living networks are inherently regenerative\, creative\, and intelligent.\nWE ARE NATURE: Patterns of Connection is the 3rd iteration of our annual rooftop series combining Arts\, Environmental Activism\, and Community Building @ and around Kingsland Wildflowers @ Broadway Stages. Set in a surreally beautiful nature sanctuary sprouting on top of an ExxonMobil industrial plant on the bank of Superfund site Newton Creek\, the recurring WE ARE NATURE summer series offers a combination of multiple art forms – dance\, music\, performance\, visual art\, poetry\, prose and film – addressing humanity’s place on Earth in aims of engaging a diverse audience in environmental efforts through art.\n“We often forget that we are nature. Nature is not something separate from us. So\, when we say that we have lost our connection to nature\, we’ve lost our connection to ourselves.” —Andy Goldsworthy\nWE ARE NATURE 2022 is sponsored\, in part\, by the National Endowment for the Arts and also the Greater New York Arts Development Fund of the NYC Department of Cultural Affairs\, administered by Brooklyn Arts Council (BAC). NOoSPHERE Arts’ programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.\n  Save  
URL:https://artinamericaguide.com/event/we-are-nature-breakdown-breakthrough/
LOCATION:520 Kingsland Avenue\, Greenpoint\, Brooklyn\, 520 Kingsland Avenue\, Greenpoint\, Brooklyn\, New York City\, NY\, 11222\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/08/Eventbrite.png
ORGANIZER;CN="NOoSPHERE Arts":MAILTO:daniela@no-in-nyc.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220827T190000
DTEND;TZID=America/Halifax:20220827T210000
DTSTAMP:20260618T171540
CREATED:20220819T141250Z
LAST-MODIFIED:20220820T155325Z
UID:96866-1661626800-1661634000@artinamericaguide.com
SUMMARY:WE ARE NATURE: Patterns of Connection | Breakdown\, Breakthrough
DESCRIPTION:Gjert Rognli: What Nature Knows | Performance\, Film\, Photos\, and Installation\nFritjof Capra: The Emergence of Novelty \nGjert Rognli’s multimedia project What Nature Knows – Dan maid luondu diehtá reflects a visceral\, personal connection with Arctic Northern Norway – a region defined by light\, darkness\, and stark seasonal contrasts. Rognli\, who hails from the Indigenous Sámi people\, draws on his childhood experiences among shamans steeped in the ancient animist folk religion. Through film\, photography\, sculpture\, and performance\, the artist explores his passionate bond with the organic world. With this immersive experience\, Rognli invites us all on a mythological journey into deep forests and across misty waterways—where surreal phenomena guide the viewer through the unknown. \nWE ARE NATURE: Patterns of Connection is the 3rd iteration of our annual rooftop series combining Arts\, Environmental Activism\, and Community Building @ and around Kingsland Wildflowers @ Broadway Stages. Set in a surreally beautiful nature sanctuary sprouting on top of an ExxonMobil industrial plant on the bank of Superfund site Newton Creek\, the recurring WE ARE NATURE summer series offers a combination of multiple art forms – dance\, music\, performance\, visual art\, poetry\, prose and film – addressing humanity’s place on Earth in aims of engaging a diverse audience in environmental efforts through art.\n \n  Save  
URL:https://artinamericaguide.com/event/we-are-nature-patterns-of-connection-breakdown-breakthrough/
LOCATION:NOoSPHERE Arts\, 520 Kingsland Avenue\, Brooklyn\, NY\, 11222\, United States
CATEGORIES:Event,Exhibition
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ORGANIZER;CN="NOoSPHERE Arts":MAILTO:daniela@no-in-nyc.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220827T140000
DTEND;TZID=America/Halifax:20220827T150000
DTSTAMP:20260618T171540
CREATED:20220823T191502Z
LAST-MODIFIED:20220823T191502Z
UID:96985-1661608800-1661612400@artinamericaguide.com
SUMMARY:Artist talks: August/September exhibitions
DESCRIPTION:Learn about the August-September featured artists and their artwork at this informal artist talk.\nArtists include: Scott McCarney\, Margaret Buchanan\, and Carol Meese.\n\nScott McCarney presents photography and artists books in his exhibition\, Table to Wall. Artist books have been the main focus of McCarney’s art practice since 1980. He feels the book is the perfect form to combine his academic background in photography and design with his love for the “corporeality of craft and philosophic possibilities of sculpture.” He states\, “The interpretive space of the book and the interaction of a reader engage my interest in communication as process and form.”\n\nMcCarney’s decision to make artists books is for both practical and formal reasons: they are easy to transport\, access\, and share; their history is socially and culturally saturated; and everyone has some relationship with a book. According to McCarney\, “a book’s materiality and proximity to the reader offer a unique experience for expressing ideas quietly and with purpose.”\n\nMargaret Buchanan’s oil paintings will be displayed in her exhibition\, The Quiet. For Buchanan\, painting is “a place of agitation and excitement mixed with utter calm and joy.” Buchanan responds to composition\, light\, color\, space\, and texture\, and how those elements orchestrate our everyday moments. Her paintings suggest the presence of figures that do not appear in the composition\, referenced by a space where “someone is about to enter or has just left\, the liminal spaces between people\, the aftermath of human activity.” The Quiet articulates a dynamic space\, one that negotiates many states of being to create a sense of place.\n\nA book artist\, painter\, and designer\, Margaret Buchanan divides her working life between painting and her graphic design business\, Buchanan Design. She studied graphic design and painting at Virginia Commonwealth University\, in Richmond\, Virginia\, where she earned a BFA with honors.\n\nThe mystery of unspoken words\, unconscious thoughts\, and unheard prayers emerge in Carol Meese’s exhibition of paintings\, Prayer Books. Meese’s previous career in psychology provides her with an “understanding of what motivates others\,” how to relate on an emotional level\, and of the importance of the subconscious and unconscious helping (her) to communicate on a subliminal level. Saying things that have no words.”\n\nDuring our pandemic time was spent reading and thinking about solitude. Buried in these paintings are words from Theodore Rilke’s poem “Solitude.” and personal prayers. A pentimento effect is created with paint\, plaster\, ink and graphite. Thoughts about solitude are inscribed then obscured as if by smoke or fog or ignored thoughts or speech. The meaning is obscured\, left to the viewer to complete.\n\nArtist Talks: Saturday\, August 27\, 2pm\nExhibition Dates: August 26-September 17\, 2022 \n\n  Save  
URL:https://artinamericaguide.com/event/artist-talks-august-september-exhibitions/
LOCATION:Artspace\, 2833-A Hathaway Rd.\, Richmond\, VA\, 23225\, United States
CATEGORIES:Event
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ORGANIZER;CN="Artspace":MAILTO:artspaceorg@gmail.com
GEO:37.5245353;-77.4369568
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220827T110000
DTEND;TZID=America/Halifax:20220917T170000
DTSTAMP:20260618T171540
CREATED:20220728T142240Z
LAST-MODIFIED:20220728T142240Z
UID:95295-1661598000-1663434000@artinamericaguide.com
SUMMARY:August – September Exhibits @ Art Works!
DESCRIPTION:See these new exhibits and 85 artist studios Tuesday – Sunday\, 11 am – 5 pm. Admission is free and open to the public \nAll Media Exhibit and James River Renderings 2022 \n  \nThe James River is Richmond’s defining natural resource. All during the year the Friends of the James River Park and James River Advisory Council (JRAC) work to conserve\, preserve\, and promote the river with clean-ups\, holiday boating parades and stewardship awareness. Art Works is only two blocks from the James. We have asked artists to capture images of the river for this exhibit. \n  \n\n\n\n Historic Westover on the James – Ginny Good\n\n\n\nThis month\, artists can submit work of any subject matter and medium. In addition to the usual prizes\, we will have a special award and prize for the best James River rendering. This exhibit is open to all artists and all mediums. Call for entries is July 22\, 2022 – August 16\, 2022. \nThe juror is John Lee from William and Mary. The exhibit will be in the Jane Sandelin Gallery. \n  \nKeenan Cross Recent Work \nAn accomplished artist\, illustrator and videographer Keenan Cross has pushed the boundaries of the style of his work to include different substrates\, digital art\, and even some animation. This exhibit emphasizes this evolution of style. \n  \nThe exhibit is in the Centre Gallery. \n  \n  \n  \n  \nLife in Grunge by Cathy Cazares \n  \nCathy Cazares is a resident artist at Art Works. She combines photography\, sketches\, drawings\, paintings and found objects to create her mixed media artwork. She is fascinated with people and the urban environment. What may look like grunge to many\, she finds beauty therein. The exhibit will be in the Corner Gallery. \n  \n  \n  \n  \n  \n  \n  \nUnconscious Voyages by Elizabeth Caffery \n  \nElizabeth Caffery’s work reveals a story book assembly of images and often depicts the intermingling of opposing emotions–wounds versus triumphs\, human tragedies versus successes. Sometimes a happy\, optimistic piece will emerge. The process is not deliberated but evolves on its own\, changing direction where needed. When two parallel planes of thought like light and dark reach an equilibrium\, an understanding\, Elizabeth express this realization in the artwork. Elizabeth’s personal growth is reflected in her art. Gratitude for Life\, both the good and bad that life offers are her incentives that keep her art moving forward. \nElizabeth received a Bachelor of Arts degree with an emphasis on Studio Art in 1986\, from Randolph Macon College. \n  Save  
URL:https://artinamericaguide.com/event/august-september-exhibits-art-works-4/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220826T180000
DTEND;TZID=America/Halifax:20220826T210000
DTSTAMP:20260618T171540
CREATED:20220823T191502Z
LAST-MODIFIED:20220823T191502Z
UID:96983-1661536800-1661547600@artinamericaguide.com
SUMMARY:Opening Reception: August/September 2022 Exhibitions
DESCRIPTION:Artspace presents four solo exhibitions which revolve around communication with the viewer. The opening reception\, scheduled for Friday\, August 26\, 2022\, 6-9pm\, features artwork by Scott McCarney\, Margaret Buchanan\, Carol Meese and Elisabeth Flynn-Chapman. Exhibition dates are August 26 – September 17\, 2022.\n\nScott McCarney presents photography and artists books in his exhibition\, Table to Wall. Artist books have been the main focus of McCarney’s art practice since 1980. He feels the book is the perfect form to combine his academic background in photography and design with his love for the “corporeality of craft and philosophic possibilities of sculpture.” He states\, “The interpretive space of the book and the interaction of a reader engage my interest in communication as process and form.”\n\nMcCarney’s decision to make artists books is for both practical and formal reasons: they are easy to transport\, access\, and share; their history is socially and culturally saturated; and everyone has some relationship with a book. According to McCarney\, “a book’s materiality and proximity to the reader offer a unique experience for expressing ideas quietly and with purpose.”\n\nMargaret Buchanan’s oil paintings will be displayed in her exhibition\, The Quiet. For Buchanan\, painting is “a place of agitation and excitement mixed with utter calm and joy.” Buchanan responds to composition\, light\, color\, space\, and texture\, and how those elements orchestrate our everyday moments. Her paintings suggest the presence of figures that do not appear in the composition\, referenced by a space where “someone is about to enter or has just left\, the liminal spaces between people\, the aftermath of human activity.” The Quiet articulates a dynamic space\, one that negotiates many states of being to create a sense of place.\n\nA book artist\, painter\, and designer\, Margaret Buchanan divides her working life between painting and her graphic design business\, Buchanan Design. She studied graphic design and painting at Virginia Commonwealth University\, in Richmond\, Virginia\, where she earned a BFA with honors.\n\nThe mystery of unspoken words\, unconscious thoughts\, and unheard prayers emerge in Carol Meese’s exhibition of paintings\, Prayer Books. Meese’s previous career in psychology provides her with an “understanding of what motivates others\,” how to relate on an emotional level\, and of the importance of the subconscious and unconscious helping (her) to communicate on a subliminal level. Saying things that have no words.”\n\nDuring our pandemic time was spent reading and thinking about solitude. Buried in these paintings are words from Theodore Rilke’s poem “Solitude.” and personal prayers. A pentimento effect is created with paint\, plaster\, ink and graphite. Thoughts about solitude are inscribed then obscured as if by smoke or fog or ignored thoughts or speech. The meaning is obscured\, left to the viewer to complete.\n\nPhotographs by Elisabeth Flynn-Chapman will be on display in her exhibition\, Reflections. Flynn-Chapman is a photographer and art historian. She began taking photographs to illustrate her doctoral thesis on architecture while at Northwestern University. She found she had a natural affinity for composition saying\, “the buildings told me what to shoot.” These photos communicate each building’s presence and their history with the viewer. Her architectural photos became the cornerstone of Flynn-Chapman’s portfolio which expanded to include locations as well as people from around the world.\n\nA long time member of Artspace\, Flynn-Chapman has recently been recognized for her contributions to the gallery with the naming of our multi-purpose space in her honor. The space will be officially inaugurated in her name during the opening reception for this month’s shows at 7pm. The Flynn-Chapman Gallery will feature a variety of exhibitions and events including Spotlight shows for our artist members and exhibitions of work by other area nonprofits and schools. The Flynn-Chapman Gallery will also provide space for art classes and workshops.\n\nA Spotlight exhibition of three Artspace artist members\, Ed Tepper\, Susanne K. Arnold\, and Joel Moses\, will be on view in the Flynn-Chapman Gallery during the August-September exhibition period.\n\nExhibition Dates: August 26-September 17\, 2022\nOpening Reception: Friday\, August 26\, 6-9pm\nInauguration of the Flynn-Chapman Gallery\, 7pm\nArtist Talks: Saturday\, August 27\, 2pm\n  Save  
URL:https://artinamericaguide.com/event/opening-reception-august-september-2022-exhibitions/
LOCATION:Artspace\, 2833-A Hathaway Rd.\, Richmond\, VA\, 23225\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/08/Shards-of-Glory....48x72.-acrylic-plaster-charcoal-graphite-on-canvas.-2022-scaled.jpg
ORGANIZER;CN="Artspace":MAILTO:artspaceorg@gmail.com
GEO:37.5245353;-77.4369568
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Artspace 2833-A Hathaway Rd. Richmond VA 23225 United States;X-APPLE-RADIUS=500;X-TITLE=2833-A Hathaway Rd.:geo:-77.4369568,37.5245353
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220826T180000
DTEND;TZID=America/Halifax:20220826T200000
DTSTAMP:20260618T171540
CREATED:20220728T190959Z
LAST-MODIFIED:20220728T190959Z
UID:95293-1661536800-1661544000@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Opening Reception @ Art Works!
DESCRIPTION:To wind up the summer\, in August we pick a non-profit to support and have an artful fund raiser along with our exhibits. In considering our town and the beautiful river that runs through Richmond\, we think Friends of the James River Park is the perfect pick. Anything we do to keep the city clean directly affects the health of the James. Friends of the James River Park are citizen stewards of the park and provide ongoing support for conservation\, enhancement\, and recreational enjoyment of the park\, while protecting its natural and historic environments. Now that’s a mission! \n  \nAt our opening reception you will see renderings of the James River that depict the essence of Richmond’s greatest natural resource—in photographs\, paintings\, and sculpture all by Virginia artists. In addition\, the All Media Show will include a variety of subject matter and mediums. Three solo shows open artists: Keenan Cross\, Cathy Cazares\, and Elizabeth Caffery.   \n  \nPlease join us on August 26th\, 6 p.m. – 8 p.m. for the opening reception. Make donations to the Friends of the James River Park through online links\, buy a ticket for the auction of a Bill Draper photograph of the James River\, bid on the silent auction items and for any purchase in the main gallery\, a portion will be donated to this cause. The exhibits continue through September 17\, 2022. Parking is free.  This event is free and open to the public. \n  \nAll Media Exhibit and James River Renderings 2022 \n  \nThe James River is Richmond’s defining natural resource. All during the year the Friends of the James River Park and James River Advisory Council (JRAC) work to conserve\, preserve\, and promote the river with clean-ups\, holiday boating parades and stewardship awareness. Art Works is only two blocks from the James. We have asked artists to capture images of the river for this exhibit. \n  \nThis month\, artists can submit work of any subject matter and medium. In addition to the usual prizes\, we will have a special award and prize for the best James River rendering. This exhibit is open to all artists and all mediums. Call for entries is July 22\, 2022 – August 16\, 2022. Submit your entries through our online form. Check our website for details on submitting your artwork:  artworksrva.com   \n  \nThe juror is John Lee from William and Mary. The exhibit will be in the Jane Sandelin Gallery. \n  \n  \n  \n  \n  \n  \n  \nKeenan Cross Recent Work \nAn accomplished artist\, illustrator and videographer Keenan Cross has pushed the boundaries of the style of his work to include different substrates\, digital art\, and even some animation. This exhibit emphasizes this evolution of style. \n  \nThe exhibit is in the Centre Gallery. \n  \n  \n  \n  \n  \nLife in Grunge by Cathy Cazares \n  \n  \n  \nCathy Cazares is a resident artist at Art Works. She combines photography\, sketches\, drawings\, paintings and found objects to create her mixed media artwork. She is fascinated with people and the urban environment. What may look like grunge to many\, she finds beauty therein. The exhibit will be in the Corner Gallery. \n  \n  \n  \n  \n  \n  \n  \n  \nUnconscious Voyages by Elizabeth Caffery \n  \nElizabeth Caffery’s work reveals a story book assembly of images and often depicts the intermingling of opposing emotions–wounds versus triumphs\, human tragedies versus successes. Sometimes a happy\, optimistic piece will emerge. The process is not deliberated but evolves on its own\, changing direction where needed. When two parallel planes of thought like light and dark reach an equilibrium\, an understanding\, Elizabeth express this realization in the artwork. Elizabeth’s personal growth is reflected in her art. Gratitude for Life\, both the good and bad that life offers are her incentives that keep her art moving forward. \nElizabeth received a Bachelor of Arts degree with an emphasis on Studio Art in 1986\, from Randolph Macon College. \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-opening-reception-art-works-26/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
CATEGORIES:Event,Exhibition
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ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220826T170000
DTEND;TZID=America/Halifax:20220826T190000
DTSTAMP:20260618T171540
CREATED:20220815T162046Z
LAST-MODIFIED:20220815T162846Z
UID:95975-1661533200-1661540400@artinamericaguide.com
SUMMARY:Amanda Means at Jetsam Studio
DESCRIPTION:Opening reception and meet the artist:\nFriday\, August 26\, 5–7pm\nExhibition continues through September 30\, 2022 \nJHB Gallery is delighted to present its second exhibition of work by artist Amanda Means at Jetsam Studio\, Southampton\, Long Island. Following the artist’s 2021 presentation at the same venue\, this year’s exhibition will focus on examples of Means’ iconic Light Bulb works—including new digital lightbulbs—alongside Abstractions produced using the artist’s characteristic innovative darkroom processes. \nFor over forty years\, Amanda Means has created a body of work that has pushed the boundaries of the photographic medium with her celebrated Leaf\, Flower\, Water Glass\, Light Bulb\, and Abstraction series. Means has been a darkroom innovator throughout her career: adapting a 19th century camera for use as an enlarger\, photographing objects without the use of negatives\, working with a large-format Polaroid camera\, and creating a series of remarkable abstracts working only with light and photographic materials. The artist’s darkroom alchemy was cited by the Guggenheim Foundation in awarding Means their prestigious Fellowship in 2017 for her contribution to contemporary photography. \nOur exhibition will include examples from all phases of the artist’s career. Alongside key works from Means’ ongoing series in which the materials and chemistry of the darkroom are masterfully manipulated to create sumptuous Abstractions\, we will also be debuting new works from the artist’s Light Bulb series in archival pigment prints. \nAmanda Means has exhibited widely in the U.S. and abroad\, and in 2021\, was honored with a career retrospective at University Art Gallery\, University of Massachusetts\, Dartmouth. The artist’s work is included in many public collections including the Whitney Museum of American Art\, New York; San Francisco Museum of Modern Art; Los Angeles County Museum of Art; Museum of Fine Arts\, Boston; Philadelphia Museum of Art; The Nicola Erni Collection\, Switzerland; and National Museum of Photography\, Film and Television\, Bradford\, England. \n  Save  
URL:https://artinamericaguide.com/event/amanda-means-at-jetsam-studio-event/
LOCATION:Jetsam Studio\, 58 Jobs Lane\, SOUTHAMPTON\, NY\, 11968\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/08/LB-2022.png
ORGANIZER;CN="JHB Gallery":MAILTO:info@jhbgallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220826T170000
DTEND;TZID=America/Chicago:20220826T190000
DTSTAMP:20260618T171540
CREATED:20220728T190959Z
LAST-MODIFIED:20220728T190959Z
UID:95288-1661533200-1661540400@artinamericaguide.com
SUMMARY:Julia C. Martin\, Roots
DESCRIPTION:STRATA GALLERY \nJulia C. Martin\, Roots\nAugust 23 – September 3rd\nReception: Friday\, August 26th\, 5-7PM \nStrata Gallery presents an Emerging Member solo exhibition\, Roots by Arizona based artist Julia C. Martin. The exhibition opens August 23rd\, with a special reception on August 26th from 5-7pm. \nJulia C. Martin’s work deals primarily with the topics of mortality\, ephemerality\, and time. She photographs in the land to explore these concepts. Roots will explore the body’s relationship to the earth and their tactile and intimate connection. \nMartin stated\, “I’m excited to be an Emerging Artist Member at Strata Gallery and to be a part of the Santa Fe art community. Having previously lived here\, I’ve always admired it. My work is about the relationship between the female body and the land. I’m interested in exploring how we perceive this connection and how the ephemeral nature of both the body and the land plays into the cycles of life\, death\, and rebirth. I work in a tactile manner and this exhibition will be just as much about the installation as it is about the images.” \nJulia C. Martin received her MFA in Photography from Arizona State University and her BA in Film & Photography from Montana State University. Her work has been exhibited and published nationally. She is currently based in Phoenix\, Arizona. This is her first solo show in New Mexico. \nStrata Gallery is open from 10 a.m. to 5 p.m. Tuesday – Saturday. For more information about Strata Gallery\, the current exhibit\, and the future schedule of events\, please visit the Strata Gallery website and Instagram. \n  Save  
URL:https://artinamericaguide.com/event/julia-c-martin-roots/
LOCATION:Strata Gallery\, 418 Cerrillos Road\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/07/JuliaCMartin_Rooted-scaled.jpg
END:VEVENT
END:VCALENDAR