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DTSTART;TZID=America/Halifax:20221023T120000
DTEND;TZID=America/Halifax:20221023T130000
DTSTAMP:20260418T093411
CREATED:20220922T114326Z
LAST-MODIFIED:20220922T114326Z
UID:98474-1666526400-1666530000@artinamericaguide.com
SUMMARY:Exhibition Tour: Dare to Know: Prints and Drawings in the Age of Enlightenment
DESCRIPTION:Join exhibition curator Elizabeth Rudy for an in-depth tour of Dare to Know: Prints and Drawings in the Age of Enlightenment\, on view through January 15\, 2023. She will share insights about how works on paper played a critical role in the 18th century\, wielding the power to visually articulate\, reinforce\, or contradict beliefs as well as biases. \nLed by:\nElizabeth Rudy\, Carl A. Weyerhaeuser Curator of Prints\, Division of European and American Art \nTours are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The tour reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nSee the museum visit page to learn about our general policies for visiting the museums. \nThis exhibition is supported in part by an award from the National Endowment for the Arts. Support for the exhibition is provided by the Melvin R. Seiden and Janine Luke Fund for Publications and Exhibitions\, the Robert M. Light Print Department Fund\, the Stanley H. Durwood Foundation Support Fund\, the Catalogues and Exhibitions Fund for Pre-Twentieth-Century Art of the Fogg Museum\, and the Gladys Krieble Delmas Foundation. The catalogue was made possible by the Andrew W. Mellon Publication Funds\, including the Henry P. McIlhenny Fund. Related programming is supported by the M. Victor Leventritt Lecture Series Endowment Fund. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/exhibition-tour-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Dagoty-2.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221020T170000
DTEND;TZID=America/Halifax:20221020T210000
DTSTAMP:20260418T093411
CREATED:20220926T141716Z
LAST-MODIFIED:20220926T141716Z
UID:98918-1666285200-1666299600@artinamericaguide.com
SUMMARY:MUSEUM AFTER HOURS: FORWARD
DESCRIPTION:On Thursday\, October 20\, 2022\, in conjunction with Museum After Hours\, from 6 PM until 7:30 PM\, Pike School of Art\, in partnership with the Mississippi Museum of Art\, will host a listening session of Charles Edward William’s work\, FORWARD and a panel discussion about the works place in the history of the Civil Rights Movement. The panel will take place at the Mississippi Museum of Art located at 380 South Lamar Street\, Jackson\, MS 39201 and will feature\, along with the artist\, Monique Davis\, Managing Director for the Center for Art and Public Exchange (CAPE) at the Mississippi Museum of Art m; Brenda Travis\, an African American veteran of the Civil Rights Movement from McComb\, Mississippi whose imprisonment for protesting a segregated bus station and participation in a peaceful high school walk out in 1961 helped catalyze public sentiment against segregation and Flonzie Brown Wright\, best-selling author of Looking Back to Move Ahead\, which chronicles her journey growing up in a small Mississippi town through her work in the Civil Rights Movement in the 1960s and 1970s\, three powerful women of color and consummate experts in their fields. \n  Save  
URL:https://artinamericaguide.com/event/museum-after-hours-forward/
LOCATION:Mississippi Museum of Art\, 380 South Lamar Street\, Jackson\, 39201\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Forward-CEW-Final-Web.jpg
ORGANIZER;CN="Pike School of Art %E2%80%93 Mississippi":MAILTO:contact@psa-ms.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221019
DTEND;VALUE=DATE:20221020
DTSTAMP:20260418T093411
CREATED:20221012T183426Z
LAST-MODIFIED:20221015T004743Z
UID:99835-1666137600-1666223999@artinamericaguide.com
SUMMARY:Opening Reception: Functional Misrepresentations
DESCRIPTION:Functional Misrepresentations\nOctober 8\, 2022 – February 5\, 2023\nInLiquid at Park Towne Place\n2200 Benjamin Franklin Parkway\nPhiladelphia\, PA 19130 \nPlease join us on October 19th from 6:00 – 8:00 PM at Park Towne Place for an opening reception in the North\, West\, and South tower galleries. \nThe reception will begin in the North Tower\, and then move to the West Tower\, and then to the South Tower. Each tower will offer an opportunity to hear short remarks from the included artist or curator\, and a chance to mingle. Refreshments and hors d’oeuvres will be served. \nWe look forward to seeing you at this next installment of art at Park Towne Place! \nRSVP required \nFunctional Misrepresentations highlights six artists whose work uses the shared language of objects to discuss how they can act as vectors of memory; both personal and societal. The included artists\, Leila Cartier\, Randall Cleaver\, Billy Colbert\, Christina P. Day\, Han Wang\, and Mallory Weston show how objects can hold onto memories and be reconstructed to tell mythical tales of what was\, and what could have been. \nChristina P. Day mines the memories of interior places through her linoleum collage series. Using salvaged linoleum flooring\, Day painstakingly cuts out the patterns\, layering and manipulating them as a way of honoring and preserving them. Also using salvaged materials\, Randall Cleaver’s assemblages utilize components that span his lifetime- an old tractor light from a yard sale in Maryland\, a children’s bicycle rescued from the trash\, and bottle caps collected over forty years\, all nod to the memories of fleeting moments and places. \nHan Wang’s Across the Ocean Project weaves together the memory of culturally significant foods\, forms\, and patterns with more darkly complex reverberations of cultural appropriation. The blue patterns\, caught between the authentic and Delftware reinterpretations\, are undeniably beautiful as they revel in their hybridity. Also hybridizing cultures is Billy Colbert\, in his work he combines a love of skateboarding in his American youth with the (often) unsung contributors of our human culture. \nBut what of worlds imagined\, mythical\, and fantastical? The unusual references Mallory Weston makes with her jewelry- a threatening snake\, an oozing wound\, a barbed cacti- offer an opportunity for escapism. They allow the wearer to amass and adorn themselves with the tokens that best represent their internal worlds on any given day. Also focusing on escapism through jewelry is Leila Cartier whose large scale collages made up of hand-cut images of jewelry from magazines give us a glimpse into a beauty that obscures hidden dangers\, excess\, and the disparity between expectations and reality. \nObjects we encounter can lose their meaning\, becoming merely another thread in our daily tapestries. But in the hands of the artists of Functional Misrepresentations\, once familiar objects are elevated to take on new meanings that challenge us to consider the ways in which we take what seems to be true for granted. \n  Save  
URL:https://artinamericaguide.com/event/functional-misrepresentations/
LOCATION:InLiquid\, 1400 N American St. #314\, Philadelphia\, PA\, 19122\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/FM_Banner_1004.jpg
ORGANIZER;CN="InLiquid":MAILTO:info@inliquid.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20221018T170000
DTEND;TZID=America/Chicago:20221018T190000
DTSTAMP:20260418T093411
CREATED:20220922T112916Z
LAST-MODIFIED:20220922T112916Z
UID:98721-1666112400-1666119600@artinamericaguide.com
SUMMARY:Choomi Chung\, (In)Visible
DESCRIPTION:Joomi Chung\, (In)Visible\nOctober 18 – November 05\, 2022\nReception: Tuesday\, October 18th\, 5-7PM MDT \nStrata Gallery presents a solo exhibition\, (In)Visible by Ohio-based artist Joomi Chung. The exhibition opens October 18 with an artist reception from 5-7pm. \n(In)Visible explores subjective experiences of time; simultaneous looking into and through another body; and the intersection between aural and visual experiences. The exhibition includes two experimental animations and a series of small-scale paintings. Transit (7:45) focuses on an experience of moving through time-space as a driver. Inside a Waterdog’s Head (6:54) portrays the world seen and felt by the artist’s dog\, recently diagnosed with a rare type of cancer. While the two time-based works evoke a sensation of passing through a flux of time\, the gouache painting series\, Still Frames\, offers a moment to contemplate the spaces contained in fractions of seconds. \nJoomi Chung is a Korean-American artist based in Oxford\, Ohio where she is currently an Associate Professor of Art at Miami University. Her work has been exhibited at national and international venues including Alice F. and Harris K. Weston Art Gallery in the Aronoff Center for the Arts\, Cincinnati\, OH; Urban Arts Space\, Ohio State University\, Columbus\, OH; Urban Institute of Contemporary Art\, Grand Rapids\, MI; Colorado State University\, Fort Collins\, CO; Seoul Art Center at Hangaram Museum and SOMA Drawing Center\, Seoul\, South Korea; and the University of West Bohemia\, Pilsen\, Czech Republic among others. Joomi Chung is excited to show her new body of work at Strata Gallery in Santa Fe\, NM. \nStrata Gallery is open from 10 a.m. to 5 p.m. Tuesday – Saturday. For more information about Strata Gallery\, the current exhibit\, and the future schedule of events\, please visit the Strata Gallery website and Instagram. \nMasks required \n  \n  Save  
URL:https://artinamericaguide.com/event/choomi-chung-invisible/
LOCATION:Strata Gallery\, 418 Cerrillos Road\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/waterdog044414.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221016T100000
DTEND;TZID=America/Halifax:20221016T130000
DTSTAMP:20260418T093411
CREATED:20220922T113309Z
LAST-MODIFIED:20220922T113309Z
UID:98723-1665914400-1665925200@artinamericaguide.com
SUMMARY:Materials Lab Workshop: Making Faces
DESCRIPTION:This workshop accompanies the exhibition Funerary Portraits from Roman Egypt: Facing Forward\, which invites viewers to ask more about the complicated histories of these portraits and the people they depict. The exhibition explores what can be learned about the artistic process and current condition of these works through scientific analysis and technical research conducted by staff in the Harvard Art Museums’ Straus Center for Conservation and Technical Studies. Funerary Portraits is on view through December 30\, 2022. \nIn this two-part workshop\, join us first in the exhibition galleries with curator Susanne Ebbinghaus and conservator Kate Smith for a close look at the portraits and learn what our curators\, conservators\, and scientists have discovered about them. Then take that experience to the Materials Lab\, where you’ll make your own version of an ancient tempera painting using some of the same materials and techniques used by Roman-period artists. This workshop aims to honor and remember the woman in the ancient portrait we will copy\, and to celebrate the relationship between artist and sitter that allowed the woman’s essence to be captured so powerfully. \nLed by:\nSusanne Ebbinghaus\, George M.A. Hanfmann Curator of Ancient Art and Head\, Division of Asian and Mediterranean Art\nKate Smith\, Conservator of Paintings and Head of Paintings Lab\, Straus Center for Conservation and Technical Studies \nNo prior experience necessary. This workshop will take place in the Materials Lab\, Lower Level. \n$15 materials fee. Registration is required and space is limited. Registration for this workshop will open on Thursday\, October 6\, 2022 at this link\, and participants will be admitted on a first-come\, first-served basis. To join the waitlist\, please email am_register@harvard.edu. Minimum age of 14. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/materials-lab-workshop-making-faces-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Portrait-of-a-woman_Funerary-Portraits-1.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221015T150000
DTEND;TZID=America/Halifax:20221015T170000
DTSTAMP:20260418T093411
CREATED:20221010T152059Z
LAST-MODIFIED:20221010T154932Z
UID:99803-1665846000-1665853200@artinamericaguide.com
SUMMARY:Strange Figurations
DESCRIPTION:The Limner Gallery features a group exhibition of figurative work on view from October 13 – November 5\, 2022 with a reception for the artists on Friday\, Oct. 15\, 3-5pm. Image: “Critical Family” © Lowell Miller 2018\, ceramic\, epoxy\, oil paint More about Lowell Miller and his work: https://bit.ly/ccaplmiller\nStrange Figurations\nLimner Gallery\n123 Warren Street\nHudson\, NY 12534\n518-567-7858\nHours: Thurs – Sat 12 -5pm \n  Save  
URL:https://artinamericaguide.com/event/strange-figurations/
LOCATION:Limner Gallery\, 123 Warren Street\, Hudson\, NY\, 12434\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/IMG_8481.jpg
ORGANIZER;CN="Limner Gallery":MAILTO:thelimner@aol.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221013T180000
DTEND;TZID=America/Halifax:20221014T210000
DTSTAMP:20260418T093411
CREATED:20221012T183426Z
LAST-MODIFIED:20221012T183426Z
UID:99833-1665684000-1665781200@artinamericaguide.com
SUMMARY:Beauty of Stillness
DESCRIPTION:Beauty of Stillness\nat the InLiquid Gallery\n1400  American Street\nPhiladelphia PA 19122 \nCrispness is in the air. A modest destabilization. Your jacket crossed tight to guard against a chilly wind. A confusion. Ennui. Loneliness. Autumn\, though full of decay\, has a marked beauty\, like a poem written in longing. Like the season of fall itself\, the four artists of The Beauty of Stillness conjure tender reflective moments that are marked by pangs of uncertainty\, yearning\,  and beauty. \nIn his work\, Geoffrey Ansel Agrons memorializes scenes that are haunting and lonely\, devoid of any recent mark of civilization. These are fleeting sites. Soon after Argons leaves\, they vanish: the wind changes the shape of the snow bank\, a scavenger carries off a carcass for a meal. The “melancholigraphs\,” as he terms them\, are all that remain to remember the moment by. \nAlso capturing nature through photography is Daria Panichas. Unlike Agrons\, Panichas’ photographs are unrecognizable subjects in unrecognizable moments. Panichas shoots from non-traditional angles\, from uncomfortably close\, and cropped beyond recognizability. Her stark backgrounds recall chiaroscuro paintings and nod to the long history of memento mori. Simultaneously familiar and unsettlingly foreign\, Panichas’ subjects highlight the nature that we are removed from\, twisting it until only its beauty is recognizable. \nConstance McBride alters nature and brings it into the gallery space to confront us with the reality that we as humans are removed from the natural world. Nature’s detritus\, fallen limbs\, shells of animals\, and bones\, are coated in white ceramic slip making them white and\, pure\, and suitable for a pristine\, traditional gallery view. \nSimilar to McBrides’ desaturation\, Richard Hricko’s practice alters nature to encourage us to better see its beauty. Hricko collects items that he sees in his daily life like weeds and litter from an abandoned lot across the street from his studio. He weaves these things together to create a tableau\, which he then photographs and uses as the bases for his printmaking. \nAll these artists carefully balance the natural and artificial\, the spontaneous and the curated. \n  Save  
URL:https://artinamericaguide.com/event/beauty-of-stillness/
LOCATION:InLiquid\, 1400 N American St. #314\, Philadelphia\, PA\, 19122\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/Beauty-of-stillness-install.jpg
ORGANIZER;CN="InLiquid":MAILTO:info@inliquid.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221011T100000
DTEND;TZID=America/Halifax:20221011T130000
DTSTAMP:20260418T093411
CREATED:20220926T141840Z
LAST-MODIFIED:20220926T210553Z
UID:98861-1665482400-1665493200@artinamericaguide.com
SUMMARY:Materials Lab Workshop: Modeling Material Culture in Paper
DESCRIPTION:This workshop is inspired by the exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment\, which explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the so-called age of reason. It invites visitors to embrace the Enlightenment’s same spirit of inquiry—to investigate\, to persuade\, and to imagine. The exhibition is on view at the Harvard Art Museums through January 15\, 2023. \nWe will first gather in the galleries with Elizabeth Rudy\, the Carl A. Weyerhaeuser Curator of Prints\, and visiting artist Angela Lorenz. Rudy will explain the main themes of the exhibition and focus on a few works that present mysteries that remain unsolved. Lorenz will show examples of her “McSpheres” (Material Culture Spheres). These spheres serve as a low-tech\, open model for the 3-D visualization of objects. She developed them as tools to explore\, categorize\, and describe any object in the world—and to create connections with other objects. Participants will have an opportunity to closely examine and discuss the selected works together in the galleries. We will then proceed to the Materials Lab to fashion our own McSpheres. A conversation about the participants’ creations and the works in the exhibition will conclude the workshop. \nLorenz sees the McSphere as “a call and response specific to Dare to Know\, but [also as] a way to access critical thinking that applies to any object\, environment\, cupboard\, refrigerator\, living room or neighborhood. Some people will go micro to the carbon atom and the water cycle\, others macro to settler colonialism and global trade.” The artist’s hope is that the McSphere will serve as a tool for the exploration of objects in other museums\, neighborhoods\, and contexts. \nLed by:\nElizabeth Rudy\, Carl A. Weyerhaeuser Curator of Prints\, Harvard Art Museums\nAngela Lorenz\, Artist \nNo prior experience necessary. Bring your imagination\, curiosity\, and creativity! This workshop will take place in the Materials Lab\, Lower Level. \n$15 materials fee. Registration is required and space is limited. Registration for this workshop will open on Saturday\, October 1\, 2022 at this link\, and participants will be admitted on a first-come\, first-served basis. To join the waitlist\, please email am_register@harvard.edu. Minimum age of 14. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/materials-lab-workshop-modeling-material-culture-in-paper-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Angela-Lorenz-1.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221009T140000
DTEND;TZID=America/Halifax:20221009T170000
DTSTAMP:20260418T093411
CREATED:20220922T113536Z
LAST-MODIFIED:20220922T113536Z
UID:98476-1665324000-1665334800@artinamericaguide.com
SUMMARY:Screens for Teens: Sublime and The One You Never Forget
DESCRIPTION:This series of contemporary and classic films is specially curated for teenagers in and around Cambridge. The selection\, including both short and feature-length films\, is meant to provide teens with an opportunity to watch work focused explicitly on their experiences. Covering a range of topics\, emotions\, and nuances\, these free films—depending on length and scope—will be followed by conversation with faculty from the Cambridge Rindge and Latin School. \nAbout today’s films:\nThe One You Never Forget\, 2019 (Morgan Jon Fox; English; 9 min.) \nA 14-year-old African American excitedly prepares for his first prom\, but when his date arrives he’s faced with a split-second decision. \nSublime\, 2022 (Meinkincine; Spanish with English subtitles; 100 min.) \nSixteen-year-old Manuel lives in a small coastal town. He plays bass in a band with his best friends. One of them is Felipe\, with whom he shares a strong friendship from a very young age. Manuel is dating Azul\, a relationship that they are intensely exploring. But when it comes time to have their first time together\, Manuel feels something completely new that makes him see Felipe with different eyes. Routine situations of that friendship change tenor. Manuel tries to figure out if the impulse is mutual. The challenge is not putting the friendship at risk. \nFree admission\, but seating is limited and reservations are required. Reservations may be arranged by clicking on the event on this form beginning on Friday\, September 30\, after 10am. \nThe screening will take place in Menschel Hall\, Lower Level. Doors will open at 1:30pm. \nPlease see the museum visit page to learn about our general policies for visiting the museums. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/screens-for-teens-sublime-and-the-one-you-never-forget/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/09/Sublime_900_600.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221009T100000
DTEND;TZID=America/Halifax:20221009T130000
DTSTAMP:20260418T093411
CREATED:20220922T113149Z
LAST-MODIFIED:20220922T113149Z
UID:98733-1665309600-1665320400@artinamericaguide.com
SUMMARY:Materials Lab Workshop: Modeling Material Culture in Paper
DESCRIPTION:This workshop is inspired by the exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment\, which explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the so-called age of reason. It invites visitors to embrace the Enlightenment’s same spirit of inquiry—to investigate\, to persuade\, and to imagine. The exhibition is on view at the Harvard Art Museums through January 15\, 2023. \nWe will first gather in the galleries with Elizabeth Rudy\, the Carl A. Weyerhaeuser Curator of Prints\, and visiting artist Angela Lorenz. Rudy will explain the main themes of the exhibition and focus on a few works that present mysteries that remain unsolved. Lorenz will show examples of her “McSpheres” (Material Culture Spheres). These spheres serve as a low-tech\, open model for the 3-D visualization of objects. She developed them as tools to explore\, categorize\, and describe any object in the world—and to create connections with other objects. Participants will have an opportunity to closely examine and discuss the selected works together in the galleries. We will then proceed to the Materials Lab to fashion our own McSpheres. A conversation about the participants’ creations and the works in the exhibition will conclude the workshop. \nLorenz sees the McSphere as “a call and response specific to Dare to Know\, but [also as] a way to access critical thinking that applies to any object\, environment\, cupboard\, refrigerator\, living room or neighborhood. Some people will go micro to the carbon atom and the water cycle\, others macro to settler colonialism and global trade.” The artist’s hope is that the McSphere will serve as a tool for the exploration of objects in other museums\, neighborhoods\, and contexts. \nLed by:\nElizabeth Rudy\, Carl A. Weyerhaeuser Curator of Prints\, Harvard Art Museums\nAngela Lorenz\, Artist \nNo prior experience necessary. Bring your imagination\, curiosity\, and creativity! This workshop will take place in the Materials Lab\, Lower Level. \n$15 materials fee. Registration is required and space is limited. Registration for this workshop will open on Thursday\, September 29\, 2022 at this link\, and participants will be admitted on a first-come\, first-served basis. To join the waitlist\, please email am_register@harvard.edu. Minimum age of 14. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/materials-lab-workshop-modeling-material-culture-in-paper/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Angela-Lorenz.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221008T140000
DTEND;TZID=America/Halifax:20221008T160000
DTSTAMP:20260418T093411
CREATED:20220926T141715Z
LAST-MODIFIED:20220926T141715Z
UID:98970-1665237600-1665244800@artinamericaguide.com
SUMMARY:"Chelsea Biennale" Exhibition
DESCRIPTION:AMSTERDAM WHITNEY GALLERY\, 210 Eleventh Avenue-Chelsea\, New York City\, is proud to showcase its OCTOBER 8-DECEMBER 2022  \n“CHELSEA BIENNALE” Exhibition featuring award-winning\, leading contemporary artists whose acclaimed works explore the abstract\, figurative and natural worlds. This Autumnal nexus of enchantment exhibition\, highlighted by the glamorous “LA DOLCE VITA!” Champagne Soiree on SATURDAY\, OCTOBER 8th from 2:00-4:00 pm\, invites the artists and guests to “Paint the Town Pink\,” offering a mesmerizing elixir of the arts which will captivate the senses of both art acquisitors and art aficionados alike. Pulsating with a charismatic vortex\, these artists’ sophisticated\, eclectic\, and often joyful representations of life provide a visual syntax of our world. Their hypnotic canvases explore spiritual emotions as they synthesize a cornucopia of imaginative artistic visions and stimulate visceral sensations. \nOCTOBER  8-DECEMBER 2022 “CHELSEA BIENNALE”  EXHIBIT \nSaturday\, OCTOBER 8\, 2022    2:00-4:00 “La Dolce Vita”  Champagne Soiree \n\n\n\n  Save  
URL:https://artinamericaguide.com/event/chelsea-biennale-exhibition/
LOCATION:Amsterdam Whitney Gallery\, 531 West 25th Street\, Ground Floor\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/09/JUMBO-INVITE-fRONT.png
ORGANIZER;CN="Amsterdam Whitney Gallery":MAILTO:amsterdamwhitney@aol.com
GEO:40.7497243;-74.0044044
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amsterdam Whitney Gallery 531 West 25th Street Ground Floor New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=531 West 25th Street\, Ground Floor:geo:-74.0044044,40.7497243
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221007T183000
DTEND;TZID=America/Halifax:20221007T200000
DTSTAMP:20260418T093411
CREATED:20220922T113536Z
LAST-MODIFIED:20220922T113536Z
UID:98486-1665167400-1665172800@artinamericaguide.com
SUMMARY:Disrupt the View: A Conversation with Arlene Shechet
DESCRIPTION:In her installation Disrupt the View: Arlene Shechet at the Harvard Art Museums\, contemporary sculptor Arlene Shechet presents her recent work alongside historical German\, Japanese\, and Chinese porcelain objects from the Harvard Art Museums. \nJoin curator Lynette Roth as she talks with Shechet about her artistic process\, her past collaborations with German porcelain manufactory workers\, and how she recontextualizes these remarkable objects to speak to the larger history of labor\, class\, and global trade. \nDisrupt the View is on view through July 6\, 2025. \nSpeakers:\nArlene Shechet\, Artist \nLynette Roth\, Daimler Curator of the Busch-Reisinger Museum\, Division of Modern and Contemporary Art\, Harvard Art Museums \nBefore the lecture\, guests are invited to visit the exhibition on Level 1. \nFree admission\, but seating is limited\, and reservations are required. Reservations may be arranged by clicking on the event on this form beginning on Tuesday\, September 27\, after 10am. \nThe lecture will take place in Menschel Hall\, Lower Level. Doors will open at 5:30pm from the Broadway entrance for gallery access\, and at 6:00pm for seating for the lecture. The lecture begins at 6:30pm. Please review our general visitor policies\, including details on COVID-related precautions. \nLimited complimentary parking is available in the Broadway Garage\, 7 Felton Street\, Cambridge. \nThis installation and related programming are supported by the Charles Kuhn Endowment Fund in the Busch-Reisinger Museum. Support for the lecture is also provided by the M. Victor Leventritt Fund\, which was established through the generosity of the wife\, children\, and friends of the late M. Victor Leventritt\, Harvard Class of 1935. The purpose of the fund is to present outstanding scholars of the history and theory of art to the Harvard and Greater Boston communities. Modern and contemporary art programs at the Harvard Art Museums are made possible in part by generous support from the Emily Rauh Pulitzer and Joseph Pulitzer\, Jr.\, Fund for Modern and Contemporary Art. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/disrupt-the-view-a-conversation-with-arlene-shechet/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/09/Shechet_600_400.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221007T170000
DTEND;TZID=America/Halifax:20221007T190000
DTSTAMP:20260418T093411
CREATED:20220912T150010Z
LAST-MODIFIED:20220912T150010Z
UID:98276-1665162000-1665169200@artinamericaguide.com
SUMMARY:Nishiki Sugawara-Beda\, Tidal Time
DESCRIPTION:Nishiki Sugawara-Beda\n\nSeptember 27 – October 15\, 2022\nReception: October 7th\, 5-7PM\nStrata Gallery presents an Established Member solo exhibition\, Tidal Time by Dallas based artist Nishiki Sugawara-Beda. The exhibition opens September 17th and an artist reception will be held on October 7th from 5-7pm. \nNishiki Sugawara-Beda is a Japanese-American visual artist working primarily on painting. She draws upon her Japanese heritage to explore themes related to culture\, language\, and spirituality rooted in Zen Buddhism. Connecting across space and time\, she experiments in ancient Japanese materials and techniques including Sumi ink and Kakejiku landscapes to merge them with abstract and expressive forms familiar to the modern Western aesthetic. \nSugawara-Beda stated\, “the series of work\, KuroKuroShiro\, meaning black-black-white in Japanese\, offers internal landscape for all of us to wonder in and navigate through. I am fascinated with Sumi ink which allows me to connect me not only with my own cultural heritage but also with the land we stand on. I am thrilled to share my work with the Santa Fe Community!” \nSugawara-Beda exhibits her work nationally and internationally. Exhibition venues include Spartanburg Art Museum (SC)\, Morris Graves Museum of Art (CA)\, Dennos Museum (MI)\, Amos Eno Gallery (NY)\, Cris Worley Fine Arts (TX)\, and Asia and Europe. Publications include New American Paintings\, AEQAI\,  Athenaeum Review\, London Post\, and Art Spiel. Currently\, she is an Assistant Professor at SMU. \nStrata Gallery is open from 10 a.m. to 5 p.m. Tuesday – Saturday. For more information about Strata Gallery\, the current exhibit\, and the future schedule of events\, please visit the Strata Gallery website and Instagram. \n  Save  
URL:https://artinamericaguide.com/event/nishiki-sugawara-beda-tidal-time/
LOCATION:Strata Gallery\, 418 Cerrillos Road\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/KuroKuroShiro-TS-VIII-no-wall-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221007T130000
DTEND;TZID=America/Halifax:20221007T180000
DTSTAMP:20260418T093411
CREATED:20220928T173450Z
LAST-MODIFIED:20220928T173450Z
UID:99151-1665147600-1665165600@artinamericaguide.com
SUMMARY:We Are Made of Stories: Selfhood and Experience in Art: The Margaret Z. Robson Symposium Series
DESCRIPTION:This half-day symposium addresses recent scholarship centering on the critical role of content and culture in the field of self-taught American art. \nArtists Joseph Yoakum\, Henry Darger\, Nellie Mae Rowe\, Sam Doyle\, Judith Scott\, and Dan Miller are highlighted for their creative abilities while challenging the notions of invisibility and historical hierarchies. Co-moderated by SAAM curator Leslie Umberger and Tom di Maria\, director emeritus of Creative Growth Art Center\, a five-speaker panel addresses these six artists’ contributions to American art. \nThis program is presented both in person and online. We Are Made of Stories: Selfhood and Experience in Art is the second program in the Margaret Z. Robson Symposium Series. Support for the series is provided by Douglas O. Robson. \nDoors open at 12:30 p.m. for in-person attendees. Registrants can also participate via the museum’s livestream on its YouTube channel. \n  Save  
URL:https://artinamericaguide.com/event/we-are-made-of-stories-selfhood-and-experience-in-art-the-margaret-z-robson-symposium-series/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
CATEGORIES:Event,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/SAAM-2016.38.43R-V_2.jpg
ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221006T180000
DTEND;TZID=America/Halifax:20221006T200000
DTSTAMP:20260418T093411
CREATED:20220825T181125Z
LAST-MODIFIED:20220825T181125Z
UID:97088-1665079200-1665086400@artinamericaguide.com
SUMMARY:Maira Kalman: Women Holding Things Opening Reception
DESCRIPTION:Mary Ryan Gallery is pleased to present Women Holding Things\, a collection of over 30 new paintings by Maira Kalman. Created during the pandemic\, it is a love song to the women in our world. This will be Kalman’s debut exhibition at Mary Ryan Gallery. \n“What do women hold?” Kalman asks. “The home and the family. And the children and the food. The friendships. The work. The work of the world. And the work of being human. The memories. And the troubles. And the sorrows and the triumphs. And the love.” \nWomen Holding Things began in the spring of 2021 as Kalman and her son\, Alex Kalman\, created a limited-edition booklet by the same name which served as the conceptual basis of the publication and exhibition opening this fall. The booklet\, which began as a fundraiser in support of charities combating hunger\, expanded to a full book published by HarperCollins with eighty-six paintings illustrating Kalman’s meditations on womanhood. The exhibition on view at Mary Ryan Gallery will include over thirty of the paintings originally published in the book. Each work on view is characterized by Kalman’s trademark style and use of dense gouache to create richly colored paintings on paper. \nTraining her sensitive eye on the inimitable women in her life\, Kalman captures with quiet power the essence of women that have captured her imagination via the objects that fit between their hands—from books to cabbages—and the wealth of meaning ascribed to these objects. In a tour de force of visual storytelling\, she gently reveals the universality of the things her subjects hold dear— the things that burden\, haunt\, and nourish them. The objects held are tools—and occasionally\, evidence—of a life lived\, and as such\, the inanimate objects captured in Kalman’s paintings are each pinned by the hope\, joy and sadness of those that carry them. \nThe figures holding things in Kalman’s paintings include a wide range of wo men. Some\, like Gertrude Stein\, Edith Sitwell\, Ayana V. Jackson\, or Kiki Smith\, are well known. Others\, such as Kalman’s daughter\, granddaughters\, or cousin Iris\, are fixtures of Kalman’s intimate life. Also included in Women Holding Things are select portraits of men\, including Rilke and Chekov and Kalman’s father. Finally\, there are portraits of objects holding things. All of Kalman’s subjects hold a rich interiority. \n  Save  
URL:https://artinamericaguide.com/event/maira-kalman-women-holding-things-opening-reception/
LOCATION:Mary Ryan Gallery\, 515 W 26th St\, 3rd Fl\, New York\, NY\, 10001\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/08/kiki-in-the-garden-framed-1.jpg
ORGANIZER;CN="Mary Ryan Gallery":MAILTO:info@maryryangallery.com
GEO:40.7500935;-74.0036112
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Mary Ryan Gallery 515 W 26th St 3rd Fl New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=515 W 26th St\, 3rd Fl:geo:-74.0036112,40.7500935
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221006T180000
DTEND;TZID=America/Halifax:20221006T191500
DTSTAMP:20260418T093411
CREATED:20220922T112916Z
LAST-MODIFIED:20220922T112916Z
UID:98703-1665079200-1665083700@artinamericaguide.com
SUMMARY:“Mummy Portraits” of Roman Egypt: Status\, Ethnicity\, and Magic
DESCRIPTION:In ancient Egypt\, one of the final steps in the mummification process was to equip the body with a permanent face covering that helped protect the head and also ritually transform the deceased into a god. The earliest examples of these were stylized masks\, later replaced by more realistically rendered painted portraits. Using evidence from the archaeological record and the Book of the Dead—a series of spells meant to guide the dead as they sought eternal life—art professor Lorelei Corcoran will discuss the production and function of the “mummy portraits” that were popular throughout Egypt in the Roman period. She’ll also explore what these images reveal about the religious beliefs and multilayered ethnicities of their subjects. \nThis hybrid event will be held in person and online. The event will be held at the Geological Lecture Hall\, 24 Oxford Street\, in Cambridge. Free parking is available in the 52 Oxford Street Garage. \nThis event is free\, but advance registration required for either virtual or in-person attendance. A Zoom link will be shared upon registration for those opting to join virtually. \nPresented by the Harvard Museum of the Ancient Near East and the Harvard Museums of Science & Culture in collaboration with the Harvard Art Museums. The related Harvard Art Museums exhibition\, Funerary Portraits from Roman Egypt: Facing Forward\, is on view through December 30\, 2022. \n  Save  
URL:https://artinamericaguide.com/event/mummy-portraits-of-roman-egypt-status-ethnicity-and-magic/
LOCATION:Geological Lecture Hall\, 24 Oxford Street Cambridge MA\, 24 Oxford Street\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Event,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Portrait-of-a-woman_Funerary-Portraits.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221006T170000
DTEND;TZID=America/Halifax:20221006T200000
DTSTAMP:20260418T093411
CREATED:20220922T112916Z
LAST-MODIFIED:20220922T112916Z
UID:98748-1665075600-1665086400@artinamericaguide.com
SUMMARY:Opening Reception for Jim Weidle's "Paint - Apply Now"
DESCRIPTION:Painter Jim Weidle will showcase some of his recent oil paintings at Blue Mountain Gallery this October. Jim’s work spans the gamut of subject matter\, ranging from sprawling landscapes to intimate interiors. \nArtist Statement:”Painting has the decency to hold still\, as few dare or can\, permitting one’s eye a tiny but wild freedom: to travel as it will.”\n  Save  
URL:https://artinamericaguide.com/event/opening-reception-for-jim-weidles-paint-apply-now/
LOCATION:Blue Mountain Gallery\, 547 W 27th St\, Suite 200\, New York\, NY\, 10001\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Jim-Weidle-Patinir-Look-See-36x48-oil-on-canvas-2022-1.jpg
ORGANIZER;CN="Blue Mountain Gallery":MAILTO:bluemountaingallery@verizon.net
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221006T160000
DTEND;TZID=America/Halifax:20221006T170000
DTSTAMP:20260418T093411
CREATED:20220817T144626Z
LAST-MODIFIED:20220817T144626Z
UID:96271-1665072000-1665075600@artinamericaguide.com
SUMMARY:Gallery Talk with Guest Curator Susannah Ray
DESCRIPTION:Join Susannah Ray\, guest curator of New York\, New York: Photographs from the Collection\, for a curator-led tour of the exhibition. She will share her insights and thoughts about the photographs she selected. \n  \nAdmission is free. RSVP to 516.463.5672 \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-with-guest-curator-susannah-ray/
LOCATION:Emily Lowe Gallery at Hofstra University\, 112 Hofstra University\, Hempstead\, NY\, 11549\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/08/Feinstein_91.206.10-scaled.jpg
ORGANIZER;CN="Hofstra University Museum of Art":MAILTO:museum@hofstra.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221004T140000
DTEND;TZID=America/Halifax:20221004T143000
DTSTAMP:20260418T093411
CREATED:20220916T212817Z
LAST-MODIFIED:20220916T212817Z
UID:98511-1664892000-1664893800@artinamericaguide.com
SUMMARY:Gallery Talk: Funerary Portraits of Roman Egypt
DESCRIPTION:Funerary Portraits of Roman Egypt: Facing Forward is a team-curated exhibition that brings together art history\, Egyptology\, and conservation science to illuminate artists’ processes and the life stories of the people depicted in funerary portraits. Join two exhibition curators as they describe what can be learned when close looking\, scientific analysis\, and community collaboration combine. \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease visit the museum website to learn about our general policies. \nSupport for this exhibition is provided by the Kelekian Fund\, the Christopher and Jean Angell Charitable Fund\, and the Kornfeld Foundation (through Christopher Angell). Related programming is supported by the M. Victor Leventritt Lecture Series Endowment Fund. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-funerary-portraits-of-roman-egypt/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/09/Funerary-Portrait_1200_1200.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221004T123000
DTEND;TZID=America/Halifax:20221004T130000
DTSTAMP:20260418T093411
CREATED:20220922T112916Z
LAST-MODIFIED:20220922T112916Z
UID:98716-1664886600-1664888400@artinamericaguide.com
SUMMARY:Art Talk Live: A Study of a Study
DESCRIPTION:Join curatorial assistant Sam Nehila to pick apart the typical ways viewers think about studies displayed in art museums. We will closely examine a study by Jean-Auguste-Dominique Ingres. Rather than focusing on the artist’s technique or process\, or comparing the study directly to the finished piece\, we’ll view this study as an individual work of art and discover a new way of looking. \nLed by:\nSam Nehila\, Curatorial Assistant\, Division of European and American Art \nThis talk is part of the series Fresh Perspectives\, an initiative that centers the role of the museumgoer. Like talks in the ReFrame series\, these programs highlight diverse voices and broad interpretations of difficult histories and untold narratives. This approach encourages visitors to consider alternative ways of understanding an object\, culture\, or theme. \nThis talk will take place online via Zoom. The event is free and open to all\, but registration is required. To register\, please complete this online form. \nPlease read these instructions on how to join a meeting on Zoom. For general questions about Art Talks\, email am_register@harvard.edu. \nArt Talks Live are presented via Zoom and offer an up-close look at works from our collections with our team of curators\, conservators\, fellows\, and graduate students. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/art-talk-live-a-study-of-a-study/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Jean-Auguste-Dominique-Ingres.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221002T120000
DTEND;TZID=America/Halifax:20221002T130000
DTSTAMP:20260418T093411
CREATED:20220922T114400Z
LAST-MODIFIED:20220922T114400Z
UID:98472-1664712000-1664715600@artinamericaguide.com
SUMMARY:Exhibition Tour: Dare to Know: Prints and Drawings in the Age of Enlightenment
DESCRIPTION:Join exhibition curator Elizabeth Rudy for an in-depth tour of Dare to Know: Prints and Drawings in the Age of Enlightenment\, on view through January 15\, 2023. She will share insights about how works on paper played a critical role in the 18th century\, wielding the power to visually articulate\, reinforce\, or contradict beliefs as well as biases. \nLed by:\nElizabeth Rudy\, Carl A. Weyerhaeuser Curator of Prints\, Division of European and American Art \nTours are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The tour reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nSee the museum visit page to learn about our general policies for visiting the museums. \nThis exhibition is supported in part by an award from the National Endowment for the Arts. Support for the exhibition is provided by the Melvin R. Seiden and Janine Luke Fund for Publications and Exhibitions\, the Robert M. Light Print Department Fund\, the Stanley H. Durwood Foundation Support Fund\, the Catalogues and Exhibitions Fund for Pre-Twentieth-Century Art of the Fogg Museum\, and the Gladys Krieble Delmas Foundation. The catalogue was made possible by the Andrew W. Mellon Publication Funds\, including the Henry P. McIlhenny Fund. Related programming is supported by the M. Victor Leventritt Lecture Series Endowment Fund. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/exhibition-tour-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment-3/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Dagoty-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221001T140000
DTEND;TZID=America/Halifax:20221001T160000
DTSTAMP:20260418T093411
CREATED:20220922T112916Z
LAST-MODIFIED:20220922T112916Z
UID:98744-1664632800-1664640000@artinamericaguide.com
SUMMARY:Poetry Reading
DESCRIPTION:Four poets will read selections of their work: Loralee Nolletti\, Ana Silva\, Ben Gantcher\, and Rachel Eisler. This will be a closing event on the last day of Douglas Anderson’s exhibition – New Work. \n  Save  
URL:https://artinamericaguide.com/event/poetry-reading/
LOCATION:Blue Mountain Gallery\, 547 W 27th St\, Suite 200\, New York\, NY\, 10001\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Doug-Anderson-ancient-park-11x14-acrylic-2.jpg
ORGANIZER;CN="Blue Mountain Gallery":MAILTO:bluemountaingallery@verizon.net
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220930T180000
DTEND;TZID=America/Halifax:20220930T210000
DTSTAMP:20260418T093411
CREATED:20220901T184001Z
LAST-MODIFIED:20220926T224229Z
UID:97664-1664560800-1664571600@artinamericaguide.com
SUMMARY:Repopulations: New Horizons
DESCRIPTION:REPOPULATIONS: New Horizons is the second iteration of the Climate Week-inspired exhibition series REPOPULATIONS which focuses on environmentally-themed subjects and takes place yearly during the summer and early fall months. Curated by Daniela Holban\, this exhibition is part of the larger NOoSPHERE Arts’ WE ARE NATURE Series: art events that make full use of the unique stage setting of the Kingsland Wildflowers bird sanctuary at Broadway Stages in Greenpoint\, Brooklyn\, to engage a diverse audience in environmental efforts through art. \nREPOPULATIONS: New Horizons brings together a group of contemporary artists to reflect and discuss environmentally-focused themes\, the state of the world today\, and new conceptions of the future. The exhibition will focus on female-identifying and non-binary artists\, in an attempt to construct visions of the power of creation + destruction and metaphorically reclaim sacred spaces for the priestess archetype. This temporary environment will be used for reflection\, meditation\, and celebration of nature\, humanity\, and inspiration\, a place meant to contemplate how we will build a new world after the pandemic: the epoch-defining event of our time. The exhibition will present site-specific installations\, immersive sound experiences\, video\, sculpture\, and 2D works and will occupy Last Frontier NYC and parts of the Kingsland Wildflowers Rooftops.  \nThe exhibition is sponsored\, in part\, by the Greater New York Arts Development Fund of the NYC Department of Cultural Affairs\, administered by Brooklyn Arts Council (BAC)\, NOoSPHERE Arts\, and Broadway Stages. \n  Save  
URL:https://artinamericaguide.com/event/repopulations-new-horizons/
LOCATION:520 Kingsland Avenue\, Greenpoint\, Brooklyn\, 520 Kingsland Avenue\, Greenpoint\, Brooklyn\, New York City\, NY\, 11222\, United States
CATEGORIES:Event,Exhibition,Pop up
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/VirginiaLunaMontgomery_PsychicSymbiosis_FilmStill_VLM_2-1-scaled.jpg
ORGANIZER;CN="NOoSPHERE Arts":MAILTO:daniela@no-in-nyc.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220930T123000
DTEND;TZID=America/Halifax:20220930T130000
DTSTAMP:20260418T093411
CREATED:20220912T150010Z
LAST-MODIFIED:20220912T150010Z
UID:98257-1664541000-1664542800@artinamericaguide.com
SUMMARY:Gallery Talk: Dare to Know: Prints and Drawings in the Age of Enlightenment
DESCRIPTION:Join Sam Nehila\, curatorial assistant in the Division of European and American Art\, for an in-depth discussion about William Hogarth’s print series The Four Stages of Cruelty\, on view in the special exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment. \nFeaturing approximately 150 works on paper and other related objects\, Dare to Know explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the Enlightenment era by encouraging individuals to follow their own reason when seeking to know more. An illustrated catalogue with 26 thematic essays—an A to Z exploration of the Enlightenment quest for understanding and change—accompanies the exhibition. \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nLed by:\nSam Nehila\, Curatorial Assistant\, Division of European and American Art \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \nThis exhibition is supported in part by an award from the National Endowment for the Arts. Support for the exhibition is provided by the Melvin R. Seiden and Janine Luke Fund for Publications and Exhibitions\, the Robert M. Light Print Department Fund\, the Stanley H. Durwood Foundation Support Fund\, the Catalogues and Exhibitions Fund for Pre-Twentieth-Century Art of the Fogg Museum\, and the Gladys Krieble Delmas Foundation. The catalogue was made possible by the Andrew W. Mellon Publication Funds\, including the Henry P. McIlhenny Fund. Related programming is supported by the M. Victor Leventritt Lecture Series Endowment Fund. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
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ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220930T110000
DTEND;TZID=America/New_York:20220930T170000
DTSTAMP:20260418T093411
CREATED:20220914T182104Z
LAST-MODIFIED:20220914T182104Z
UID:98301-1664535600-1664557200@artinamericaguide.com
SUMMARY:William Kentridge: Ursonate
DESCRIPTION:Exhibition Opening at NSU Art Museum: \nJohannesburg artist William Kentridge’s performance piece Ursonate\, will be on view at NSU Art Museum\, with screenings during museum hours\, every hour on the half hour\, 11:30 am to 3:30 pm. Based on dada artist Kurt Schwitters 1932 sound poem Ursonate\, consisting entirely of a nonsense\, invented language\, Kentridge’s work is comprised of two film projections: one in which the artist emphatically gesticulates as he sounds the score accompanied by an opera singer and percussionist\, while a constant flow of animated caligraphic images drawn by Kentridge are projected on the second screen. This exhibition coincides with the performance of Kentridge’s opera The Head & The Load at the Arsht Center for the Performing Arts\, Miami (December 1-3\, 2022). \n  Save  
URL:https://artinamericaguide.com/event/william-kentridge-ursonate/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="nsu art museum":MAILTO:reservations@moafl.org
GEO:26.1194368;-80.1427657
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NSU Art Museum 1 E Las Olas Blvd Fort Lauderdale FL 33301 United States;X-APPLE-RADIUS=500;X-TITLE=1 E Las Olas Blvd:geo:-80.1427657,26.1194368
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220929T170000
DTEND;TZID=America/Halifax:20220929T210000
DTSTAMP:20260418T093411
CREATED:20220831T150528Z
LAST-MODIFIED:20220831T150528Z
UID:97577-1664470800-1664485200@artinamericaguide.com
SUMMARY:Harvard Art Museums at Night
DESCRIPTION:Join us for an evening of art\, fun\, food\, and more! This event is free and open to everyone. This month’s gathering is extra special because we’ll be celebrating the opening of our exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment. \nThe evening will feature exhibition-related activities. Tours will be available in the galleries throughout the night. Bring your friends to mingle in the Calderwood Courtyard\, chat over a snack or drink at Jenny’s Cafe\, browse the shop\, and of course\, wander the galleries to take in our world-class collections of art\, all set to the smooth sounds of DJ C-Zone. The featured local vendor is Castle Island Brewing Company. \nAlso be sure to check out the recently opened exhibition Funerary Portraits from Roman Egypt: Facing Forward. \nAfter you’ve browsed the galleries\, circle back to see what’s happening in the courtyard. \nHarvard Art Museums at Night takes place the last Thursday of every month\, from 5 to 9pm. \nEach night will feature a new mix of local talent and community partners to make this a festive occasion for all. \nAdvance reservations are encouraged\, but walk-in visitors are always welcome. Please note that space may be limited due to capacity. Reservations are available two weeks before the event. \nVisit the museum website for the latest visitor policies and parking information. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/harvard-art-museums-at-night/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/08/September-At-Night-1200_1200.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220928T123000
DTEND;TZID=America/Halifax:20220928T130000
DTSTAMP:20260418T093411
CREATED:20220922T114400Z
LAST-MODIFIED:20220922T114400Z
UID:98413-1664368200-1664370000@artinamericaguide.com
SUMMARY:Conversations around Funerary Portraits
DESCRIPTION:Join Harvard professor Kathleen Coleman and exhibition co-curator Jen Thum for a virtual conversation on how grief is expressed in ancient Egyptian portraits and teaching about loss. \nFunerary Portraits from Roman Egypt: Facing Forward is a collaborative effort drawing from the expertise of staff across the museums and other members of our community. The exhibition invites visitors to reflect upon objects that represent the deceased and were once intimately connected with their bodies. It foregrounds artistic processes and technical research but also draws attention to the complicated histories of these objects. \nLed by:\nKathleen Coleman\, James Loeb Professor of the Classics\, Harvard University\nJen Thum\, Assistant Director of Academic Engagement and Assistant Research Curator\, Division of Academic and Public Programs\, Harvard Art Museums \nThis talk will take place online via Zoom. The event is free and open to all\, but registration is required. To register\, please complete this online form. \nPlease read these instructions on how to join a meeting on Zoom. For general questions\, email am_register@harvard.edu. \nSupport for this exhibition is provided by the Kelekian Fund\, the Christopher and Jean Angell Charitable Fund\, and the Kornfeld Foundation (through Christopher Angell). Related programming is supported by the M. Victor Leventritt Lecture Series Endowment Fund. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/conversations-around-funerary-portraits/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Virtual Events + Viewing Rooms
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ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220927T123000
DTEND;TZID=America/Halifax:20220927T130000
DTSTAMP:20260418T093411
CREATED:20220907T153259Z
LAST-MODIFIED:20220907T153259Z
UID:98175-1664281800-1664283600@artinamericaguide.com
SUMMARY:Gallery Talk: Activation of Moholy-Nagy’s Light Prop for an Electric Stage
DESCRIPTION:Our galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nOffered by:\nLynette Roth\, Daimler Curator of the Busch-Reisinger Museum\, Division of Modern and Contemporary Art \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease visit the museum website to learn about our general policies. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-activation-of-moholy-nagys-light-prop-for-an-electric-stage/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
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ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220927T120000
DTEND;TZID=America/Halifax:20221015T180000
DTSTAMP:20260418T093411
CREATED:20220922T114603Z
LAST-MODIFIED:20220922T114603Z
UID:98350-1664280000-1665856800@artinamericaguide.com
SUMMARY:The Magicians: Carole d’Inverno & Susan Rostow
DESCRIPTION:The Atlantic Gallery is proud to present The Magicians\, a collaborative exhibition\n\nOpening Reception: Thursday\, September 29\, 6 PM-8 PM\nInstagram Live Feed and Walkthrough: Tuesday\, October 4\, 6 PM www.instagram.com/susanrostow\nLive Performance: with Bill Frisell (Guitar)\, and Luke Bergman (Bass). Limited seating. Friday\, October 7. Doors open 6 PM\, Performance 6:45 PM to 7:30 PM. RSVP ONLY at musicthemagician@gmail.com\nArtists Talk at the Gallery and on Zoom: Thursday\, October 13\, 6-7 PM\nRSVP for the zoom link at zoomthemagicians@gmail.com\nThe Atlantic Gallery is proud to present The Magicians\, a collaborative exhibition by painter Carole d’Inverno\, and printmaker-sculptor Susan Rostow. Composer and guitarist Bill Frisell provides the soundtrack for a video by Rostow.\nCircus\, humor and magic tricks are favorite subjects for both artists. For Rostow\, she attributes her propensity to jokes and verbal puns to her grandfather Poppy\, a Russian-Jewish immigrant who hailed from Odessa\, the “Capital of Humor.’ For d’Inverno\, it’s her memories of the traveling circus passing through her Italian village: the one very old and mangy lion\, the ripped fishnets of the aerialists\, and the mismatched shoes of the clowns.\n\nRostow presents a series of anthropomorphic sculptures made by gluing together layers upon layers of her prints on paper. The pieces are then toned with pigments\, and sand. The added elements of found materials\, plastics\, and metal wires\, make the work familiar yet otherworldly. The sculptures range from 3 inches to a monumental 6 feet tall called Alter Kocker. The visual relationships between the pieces creates stories\, puns\, intrigue\, and laughter.\nd’Inverno presents a large 6.7 x 12-foot painting called Abracadabra. This semi- abstract piece invites the viewer into a world evocative of magic tricks\, and marionettes. On view also is Shenanigans\, a series of small works on paper\, in watercolors\, pencils and vinyl emulsions. These chromatic pieces are based on the frenetic activities of the circus.\n\nThe artists are also presenting a collaborative installation\, entitled The Magicians. Here the viewer is presented with d’Inverno’s lines extending outwards and creating a bridge for Rostow’s anthropomorphic figurations to travel to and from the painting. On view also: The Magicians\, an animation by Rostow with a soundtrack by composer Bill Frisell. In it\, the artists’ work interacts\, separate\, and regroup\, to the mysterious sounds of Frisell’s music.\n  Save  
URL:https://artinamericaguide.com/event/the-magicians-carole-dinverno-susan-rostow/
LOCATION:Atlantic Gallery\, 548 W. 28th St\, #540\, New York\, 10001\, United States
CATEGORIES:Exhibition
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GEO:40.7515661;-74.0041872
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220925T180000
DTEND;TZID=America/Halifax:20220925T210000
DTSTAMP:20260418T093411
CREATED:20220820T160302Z
LAST-MODIFIED:20220820T160302Z
UID:96938-1664128800-1664139600@artinamericaguide.com
SUMMARY:Life of Memories - Opening Reception with the Artist
DESCRIPTION:Pan American Art Projects is delighted to announce The Life of Meanings\, a solo show that introduces the newest works by Carlos Estevez\, who has received the Joan Mitchell Foundation Painters & Sculptors Grant\, the Cintas Foundation Fellowship in Visual Arts\, Oolite Arts and The Ellies Creator Award\, and the Grand Prize in the First Salon of Contemporary Cuban Art in Havana\, among other recognitions. The exhibition presents different micro-universes of memory\, small spaces of the artist’s identity and for everyone who builds their own “life of meanings”. Estevez narrates his dreams through interactive works; cabinets of curiosities\, paintings of imagined cities and drawings conceived as intellectual maps. \nThe exhibition will be accompanied by a catalog with a principal text by Maritza Lacayo\,  Assistant Curator of the Pérez Art Museum Miami (PAMM) and one of the most important critical voices in the artistic context of Miami; and texts by Claudia Taboada\, the exhibit curator\, and Janda Wetherington\, the person who has been the Director of Pan American Art Projects for more than twenty years and has followed the artist’s trajectory since then. Also\, we will be offering for sale some copies of the monograph written by the well known art critic Carol Damian on the work of Carlos Estevez on the occasion of his exhibition at the Tucson Museum in 2019\, a book that offers a broader and retrospective overview of his work.\nCarlos Estevez was born and raised in Cuba and moved to Miami in 2004\, where he lives and works. He graduated from the University of Arts (ISA) in Havana and solo exhibitions of his work have been presented at the National Museum of Fine Arts\, Havana; Tucson Museum of Art\, Arizona; The Patricia and Phillip Frost Art Museum at Florida International University\, Miami; Center of Contemporary Art\, New Orleans; Lowe Art Museum at Miami University\, Florida; and  the Stoors Gallery at University of North Carolina\, Charlotte. Estevez has participated in group exhibitions presented at the 6th and 7th Havana Biennials; the 1st Biennial of Martinique; Arizona State University Art Museum in Tempe; Pérez Art Museum Miami\, Florida; Maison de l’Amerique Latine\, Paris\, France; Casa de América\, Palacio de Linares\, Madrid\, Spain; and several others.\n  Save  
URL:https://artinamericaguide.com/event/life-of-memories-opening-reception-with-the-artist/
LOCATION:Pan American Art Projects\, 274 NE 67th Street\, Miami\, Florida\, 33138\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Pan American Art Projects":MAILTO:miami@panamericanart.com
GEO:25.8363259;-80.1915603
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Pan American Art Projects 274 NE 67th Street Miami Florida 33138 United States;X-APPLE-RADIUS=500;X-TITLE=274 NE 67th Street:geo:-80.1915603,25.8363259
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END:VCALENDAR