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DTSTART;TZID=America/Halifax:20221030T140000
DTEND;TZID=America/Halifax:20221030T170000
DTSTAMP:20260614T194457
CREATED:20220922T113536Z
LAST-MODIFIED:20220922T113536Z
UID:98478-1667138400-1667149200@artinamericaguide.com
SUMMARY:Screens for Teens: Train to Busan
DESCRIPTION:This series of contemporary and classic films is specially curated for teenagers in and around Cambridge. The selection\, including both short and feature-length films\, is meant to provide teens with an opportunity to watch work focused explicitly on their experiences. Covering a range of topics\, emotions\, and nuances\, these free films—depending on length and scope—will be followed by conversation with faculty from the Cambridge Rindge and Latin School. \nAbout today’s film:\nTrain to Busan\, 2016 (Well Go USA; Korean with English subtitles; 118 min.) \nWhen a mysterious virus breaks out across South Korea\, the infected transform into the murderous undead in this wildly successful 2016 thriller Train to Busan\, an official New York Times Critic’s Pick that Slant Magazine credits with scare tactics “among the most distinctive the zombie canon has ever seen.” As terrified travelers fight for their lives on a bullet train from hell\, the result is a gory high-speed collision between the rich and the poor\, the living and the undead\, and the best and worst of human nature. When some among them prove willing to sell their soul for a shot at survival\, trust may prove to be a luxury even the richest passengers cannot afford. \nPlease note that the film is not rated\, and features violence and horror. \nFree admission\, but seating is limited and reservations are required. Reservations may be arranged by clicking on the event on this form beginning on Thursday\, October 20\, after 10am. \nThe screening will take place in Menschel Hall\, Lower Level. Doors will open at 1:30pm. \nPlease see the museum visit page to learn about our general policies for visiting the museums. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/screens-for-teens-train-to-busan/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/train-to-Busan.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221030T110000
DTEND;TZID=America/Halifax:20221030T170000
DTSTAMP:20260614T194457
CREATED:20221010T152033Z
LAST-MODIFIED:20221010T152033Z
UID:99808-1667127600-1667149200@artinamericaguide.com
SUMMARY:Altars Festival RVA 2022
DESCRIPTION:Join us October 30\, 2022 11 am – 5 pm for Altars Festival RVA 2022. \n  \nThis festival is a cross-cultural ancestor remembrance celebration inspired by Dia de lost Muertos and many other ancestor remembrance celebrations from around the world. \n  \nLocal artists have created “altars” which will be on display at Art Works. Meet Barrett Pitner\, philosopher\, writer\, journalist\, author of The Crime Without a Name\, founder of the festival\, and The Sustainable Culture Lab organization. Barrett will give a talk about Altars\, the concept and his organization. Pitner’s book will be available for you to purchase. Get your copy signed. \n  \nEnjoy music by Richmond musicians and a beer tasting by a local brewery. \n  \nFree and open to the public. \n  Save  
URL:https://artinamericaguide.com/event/altars-festival-rva-2022/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/Altars-Festival-Logo.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221029T160000
DTEND;TZID=America/Halifax:20221029T180000
DTSTAMP:20260614T194457
CREATED:20220922T113428Z
LAST-MODIFIED:20221001T211115Z
UID:98785-1667059200-1667066400@artinamericaguide.com
SUMMARY:George Miyasaki: Deep Space (1981-1989) Opening Reception
DESCRIPTION:RYAN LEE is pleased to announce George Miyasaki: Deep Space (1981-1989)\, an exhibition of\nMiyasaki’s paintings produced in the 1980s. This was a highly successful decade for the artist\nduring which he exhibited widely throughout the West Coast. The five paintings and two works on\npaper on view at the gallery reflect the artist’s mature artistic style\, in which he uses thickly built-up\nsurfaces and collaged papers to achieve weighty yet contemplative compositions that effortlessly\ncapture the delicate and structured. \n  Save  
URL:https://artinamericaguide.com/event/george-miyasaki-deep-space-1981-1989-opening-reception/
LOCATION:RYAN LEE\, 515 W 26th St\, 3rd Fl\, New York\, NY\, 10001\, United States
CATEGORIES:Event,Exhibition
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ORGANIZER;CN="RYAN LEE":MAILTO:info@ryanleegallery.com
GEO:40.7500935;-74.0036112
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=RYAN LEE 515 W 26th St 3rd Fl New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=515 W 26th St\, 3rd Fl:geo:-74.0036112,40.7500935
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221029T160000
DTEND;TZID=America/Halifax:20221029T180000
DTSTAMP:20260614T194457
CREATED:20220922T112915Z
LAST-MODIFIED:20221001T211054Z
UID:98789-1667059200-1667066400@artinamericaguide.com
SUMMARY:George Nelson Preston: Afro Atlantica Opening Reception
DESCRIPTION: RYAN LEE Gallery is pleased to present Afro Atlantica: The Aqueous Continent\, a presentation of works by George Nelson Preston. The five paintings and one work on paper on view are reflections on the Middle Passage. These recent works\, made between 2016 and 2022\, continue to explore Preston’s longstanding interest in the power of memory\, the emotional context of historical trauma\, and the complicated inheritance of the African diaspora and “our double consciousness” throughout the Americas as well as Preston’s own family legacy.  \n  Save  
URL:https://artinamericaguide.com/event/afro-atlantica-the-aqueous-continent/
LOCATION:RYAN LEE\, 515 W 26th St\, 3rd Fl\, New York\, NY\, 10001\, United States
CATEGORIES:Event,Exhibition
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ORGANIZER;CN="RYAN LEE":MAILTO:info@ryanleegallery.com
GEO:40.7500935;-74.0036112
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=RYAN LEE 515 W 26th St 3rd Fl New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=515 W 26th St\, 3rd Fl:geo:-74.0036112,40.7500935
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221028T180000
DTEND;TZID=America/Halifax:20221028T200000
DTSTAMP:20260614T194457
CREATED:20220928T173412Z
LAST-MODIFIED:20220928T173412Z
UID:99131-1666980000-1666987200@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Opening Reception @ Art Works!
DESCRIPTION:Winter is approaching. Soon days will be short and nights long. We are inviting our guests to go up in the attic and dust off their scariest Halloween get-up and join us for the 4th Friday reception and opening of new exhibits. There will be prizes for best costumes. \n  \nIt’s not all scary stuff\, as we are also inviting children (and adults love this too) to an artful scavenger hunt and pumpkin decorating activity. And the new exhibits will put you in the Halloween mood including:  Phantasmagorium by Chris Semtner\, Spontaneous Markings by George Hughes\, The Magical World of Little Lamzy Divy by Andrea Danner and the All Media Show with a Dark Art theme. \n  \nPlease join us October 28th\, 6 p.m. – 8 p.m. for the opening reception. Meet these extraordinary artists\, enjoy live music\, and celebrate with us with refreshments and libations benefiting RVA Thriving Artists.  Parking is free. \n  \nPhantasmagorium by Chris Semtner  \nArtist\, author\, and curator Chris Semtner may be best known as the horror and dark history expert who has appeared on PBS\, BBC\, American Heroes Channel\, C-Span\, and other networks and who has written articles for Biography.com\, Crime Writers Chronicle\, and other publications. His museum exhibits have been reviewed in The New York Times\, Deep South Magazine\, and other publications. In the midst of jurying and curating exhibits across the country and keeping a busy speaking schedule that has taken him to venues ranging from the Steampunk World’s Fair to the Library of Congress and as far away as Japan\, Semtner continues to paint mesmerizing pictures informed by his years of research into things phantasmagorical\, chimerical\, and outré. The sources of his imagery are hazy memories\, half-forgotten dreams\, dusty old books\, and seldom seen black-and-white movies. \n  \nThe exhibit will be in the Jane Sandelin Gallery. \nSpontaneous Markings by George Hughes \nRaised in the Blue Ridge Mountains of Bedford County\, Virginia\, George Hughes developed a deep appreciation for nature. While earning his Bachelor of Arts from VCU\, he was immediately struck with the tension between the urban environment and the rural atmosphere to which he was accustom. VCU introduced Hughes to a more expressive style of working that was spontaneous and free forming through impressionistic landscape. Hughes focused on the improvisational mark and vivid color. Hughes has traveled all over the country visiting National Forests that have inspired his work. The exhibit will be in the Corner Gallery. \n  \n  \n  \n  \n  \nThe Magical World of Little Lamzy Divy by Andrea Danner \n  \nAndrea Danner knew she was an artist as a girl\, winning the Smoky the Bear coloring contest at the age of five. Most of her artwork revolves around her love and passion for animals and nature. In her recent work which is made of paper mâché and paper clay\, she focuses on bringing paper to life through fun and a bit of “magic”. Many of the materials she uses are repurposed and recycled\, including old library book pages. Her whimsical creations bring her joy and laughter\, that she shares with others. \n  \nThe exhibit will be in the Skylight Gallery \n  \n  \nDARK ART – OCTOBER 2022 ALL MEDIA ART SHOW  \nThis exhibit is a focal point of all Art Works’ openings. It is a juried show with cash prizes and is open to all artists and all mediums. The theme is “dark art”. After all it is Halloween\, and a spooky exhibit seems fitting. \n  \nCall for entries is September 23\, 2022 – October 18\, 2022. Submit your entries through our online form. Check our website for details on submitting your artwork:   artworksrva.com  \nPainting by: Sheri Lake \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-opening-reception-art-works-28/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
CATEGORIES:Event,Exhibition
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ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221028T170000
DTEND;TZID=America/Halifax:20221028T190000
DTSTAMP:20260614T194457
CREATED:20221024T190813Z
LAST-MODIFIED:20221024T190813Z
UID:100057-1666976400-1666983600@artinamericaguide.com
SUMMARY:Opening Reception and Artist Talk for  Transformations: A Gender Exploration by Mariette Pathy Allen
DESCRIPTION:Mariette Pathy Allen has been photographing the transgender\, genderfluid\, and intersex communities for over 40 years. Her photography and multiple written works on the subject of gender consciousness have brought the topic to the forefront of institutions and people across the globe. Her work has been recognized and archived by Duke University’s Rare Book and Manuscripts Library and The Sallie Bingham Center for Women’s Studies. \nThis exhibition is a tribute to her life’s work and the continual fight for gender exploration.  It will feature selections from Transformations: Crossdressers and Those Who Love Them and the Fantasy & Flowers series.  See the beautiful and powerful images and learn more from Mariette Pathy Allen during her artist talk on October 28\, from 5 pm to 7 pm! \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-and-artist-talk-for-transformations-a-gender-exploration-by-mariette-pathy-allen/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
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GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221028T170000
DTEND;TZID=America/Halifax:20221028T190000
DTSTAMP:20260614T194457
CREATED:20221021T145112Z
LAST-MODIFIED:20221021T145112Z
UID:100011-1666976400-1666983600@artinamericaguide.com
SUMMARY:Kaethe Kauffman: Workshop at Castello 925
DESCRIPTION:Since the ’90s\, Kaethe Kauffman has worked with the female body studying and documenting its movement and creating out of this performative process\, a series of abstracted images. These artworks\, inspired by the practice of yoga\, investigate the theme of freedom by challenging the objectification by society of women’s bodies. Using string dipped in paint\, the artist ties the filament around a hand\, knee\, elbow\, or torso\, and when the body part is flexed\, the movement is recorded as an off-printing of paint on skin. In Kauffman’s art\, the body writes itself upon its own skin in a ritual of self-revelation. This act of marking and exposure is documented by Kauffman’s photographic images\, which are digitally repeated and colored\, drawn upon by hand in a variety of media and the vibrant results are printed on silk much like the large banners found in Buddhist temples. In an expansion of the body’s own “speech” through movement\, Kaethe Kauffman’s images combine into larger fields of replication and mirroring\, until the individual body is subsumed into a larger vision. \nKaethe Kauffman’s solo exhibition Yoga: Interiore Eterno at Castello 925\, Venice Italy will feature a workshop about abstraction and movement involving audience members.\nDuring this workshop the audience will have the opportunity to become a both a model for the artist and a participant in her creative process. \n  Save  
URL:https://artinamericaguide.com/event/kaethe-kauffman-workshop-at-castello-925/
LOCATION:Castello 925\, Fondamenta San Giuseppe\, Sestiere Castello 925\, Venice\, Veneto\, 30122\, Italy
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/10/Screen-Shot-2022-10-20-at-2.23.48-PM.png
ORGANIZER;CN="Cross Contemporary Art Projects":MAILTO:crosscontemporaryprojects@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221028T080000
DTEND;TZID=America/Halifax:20221028T170000
DTSTAMP:20260614T194457
CREATED:20221028T203306Z
LAST-MODIFIED:20221028T203306Z
UID:100154-1666944000-1666976400@artinamericaguide.com
SUMMARY:Liz Leggett: Abstractly Frenzied and Separate\, Unified by a Line
DESCRIPTION:A solo exhibition featuring works from Westport artist\, Liz Leggett. \nAbstract art has always been deeply rooted in the seeming undefined\, but when looking at the works of Westport artist\, Curator and mom\, Liz Leggett one encounters an apparent frenzied depiction of the depths of life on the contemporary woman who does it all and finds balance and meaning through her paint brush. \nAbstract Expressionism is not a new trend in the art world\, originally ascribed to the male artist who through his stroke and often wild application of paint reinforced his masculinity through the new movement\, understandable considering the movement begins after WWII when men came back from war and needled to elbow the women out of their jobs. But what does it mean when a contemporary artist\, and woman\, employs the same drama and dynamics to her application of paint and subject? Is it a means to equalize the art world? A way to consume and redefine patriarchal artistic language and practice? Does this type of paint application mean certain emotions\, is it all just symbolic of something else\, something more personal\, something inherent in the artist? All good questions\, and one can argue that all of the above are behind this artist’s venture in Abstract Expressionism and in so doing much of the work can be seen as a response to the questions posited here.  After Party\, for example\, presents the viewer with an initial explosion of color\, drips\, and squiggly lines\, but after closer inspection one is able to discern why the piece is titled so – martini olives are all over the place\, a green pumpkin and what could be an electric heater. With a color palette of blues\, black\,  greens and red there are levels to the piece and ways in which to interpret – the background is blue – suggesting daylight\, the day after a party and what many encounter the morning after – but in that ‘mess’ are memories\, good\, uncomfortable\, but also hassles; did the kids get enough sleep\, did we make too much noise\, “ugh\, I have to clean this mess”- was the party worth it? What is different in Leggett’s work\, unlike that of Pollack\, is she is documenting and explaining her life and what she does and in so doing she creates a new language that is not masculine\, patriarchal or expected – this is the language of Liz Leggett. Leggett’s powerful language is further seen in Holding Pen\, another large scale work that through palette and line creates a grid and other geometric shapes that in their entirety suggest a mask – is this the intent? Is this the artist\, why are some lines stronger than others\, why this palette – all these questions and others are what is central and behind any kind of abstraction – what does it all mean? Abstraction can be looked at in many ways – easily one can apply psychoanalytical theory\, color theory\, and even feminist theory\, and in the case of Liz Leggett all these theories find comfort in her work – but the greatest attribute that affords all these associations and approaches are found in her lines. It takes great courage to create a line that stands out and alone yet unifies\, and Leggett’s lines do just that\, they unify the artist and the viewer in the field of interpretation. The are the entrance into the work\, and hold everything together – they break expectation\, order\, and award the viewer with distinct vignettes into this person’s life and in so doing give meaning to what we often consider the mundane\, which though through this artist’s hand are elevated to the sublime.  \n  Save  
URL:https://artinamericaguide.com/event/liz-leggett-abstractly-frenzied-and-separate-unified-by-a-line/
LOCATION:The CAMP Gallery Westport\, 190 Main Street\, Westport\, CT\, 06880\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/IMG_2218-scaled.jpeg
ORGANIZER;CN="The Contemporary Art Modern Project":MAILTO:hello@thecampgallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221027T170000
DTEND;TZID=America/Halifax:20221027T210000
DTSTAMP:20260614T194457
CREATED:20220922T113536Z
LAST-MODIFIED:20220922T113536Z
UID:98480-1666890000-1666904400@artinamericaguide.com
SUMMARY:Harvard Art Museums at Night
DESCRIPTION:Join us for an evening of art\, fun\, food\, and more! This event is free and open to everyone. \nBring your friends to mingle in the Calderwood Courtyard\, chat over a snack or drink at Jenny’s Cafe\, browse the shop\, and of course\, wander the galleries to take in our world-class collections of art. \nExplore our special exhibitions Funerary Portraits from Roman Egypt: Facing Forward and Dare to Know: Prints and Drawings in the Age of Enlightenment. \nAfter you’ve browsed the galleries\, circle back to see what’s happening in the courtyard. \nHarvard Art Museums at Night takes place the last Thursday of every month\, from 5 to 9pm. \nEach night will feature a new mix of local talent and community partners to make this a festive occasion for all. \nWhen arriving\, enter via Quincy Street. Advance reservations are encouraged\, but walk-in visitors are always welcome. Please note that space may be limited due to capacity. Reservations are available two weeks before the event. \nVisit the museum website for the latest visitor policies and parking information. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/harvard-art-museums-at-night-3/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/09/October-At-Night-1200_1200.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221027T170000
DTEND;TZID=America/Halifax:20221027T210000
DTSTAMP:20260614T194457
CREATED:20220922T113536Z
LAST-MODIFIED:20220922T113536Z
UID:98482-1666890000-1666904400@artinamericaguide.com
SUMMARY:Harvard Art Museums at Night
DESCRIPTION:Join us for an evening of art\, fun\, food\, and more! This event is free and open to everyone. \nBring your friends to mingle in the Calderwood Courtyard\, chat over a snack or drink at Jenny’s Cafe\, browse the shop\, and of course\, wander the galleries to take in our world-class collections of art. \nExplore our special exhibitions Funerary Portraits from Roman Egypt: Facing Forward and Dare to Know: Prints and Drawings in the Age of Enlightenment. \nAfter you’ve browsed the galleries\, circle back to see what’s happening in the courtyard. \nHarvard Art Museums at Night takes place the last Thursday of every month\, from 5 to 9pm. \nEach night will feature a new mix of local talent and community partners to make this a festive occasion for all. \nWhen arriving\, enter via Quincy Street. Advance reservations are encouraged\, but walk-in visitors are always welcome. Please note that space may be limited due to capacity. Reservations are available two weeks before the event. \nVisit the museum website for the latest visitor policies and parking information. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/harvard-art-museums-at-night-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/09/October-At-Night-1200_1200-1.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221027T110000
DTEND;TZID=America/Halifax:20221030T180000
DTSTAMP:20260614T194457
CREATED:20221021T145253Z
LAST-MODIFIED:20221021T145253Z
UID:99974-1666868400-1667152800@artinamericaguide.com
SUMMARY:Tandem Press at the 2022 IFPDA Fine Art Print Fair
DESCRIPTION:For our 2022 IFPDA Print Fair presentation\, Tandem Press will debut new prints by Derrick Adams\, Lesley Dill\, and Cameron Martin. We will also exhibit recent prints by Jeffrey Gibson\, Suzanne Caporael\, Manabu Ikeda\, and Alison Saar that have not been shown at the fair previously. \nDerrick Adams’s new prints\, a continuation of his Style Variation series\, explore Black identity and empowerment achieved through acts of styling. They celebrate rituals of self-expression that do not need to be contextualized to have value\, and they champion what Adams calls one’s individual “fantastic-ness.” \nIn Suzanne Caporael’s most recent print “Origins of the Elements\,” which was inspired by the Periodic Table of the Elements\, she carefully mixed colors to represent cosmic events that are the sources of elements in the universe. \nLesley Dill’s work is profoundly spiritual and explores the relationship between text and images. Her new prints relate to her recent body of work that studies several daring and courageous American abolitionists and religious figures from the 18th-20th centuries\, including Dred Scott\, Sojourner Truth\, and Heavenly Mother Ann Lee. \nA Mississippi Choctaw/Cherokee artist\, Jeffrey Gibson uses recognizable Native American materials such as beads\, fringe\, and elk hide in his artwork. His colorful\, graphic\, and often text-inclusive works create powerful statements that reorient the place and status of Native American art within contemporary culture. \nManabu Ikeda weaves elements of civilization and nature into fantastic narratives which emanate a sense of pure curiosity and abundant imagination. Ikeda’s new intaglio print “The Legendary Mountain” reimagines a Japanese fable of tragedy\, hope\, and mystery. \nIn Cameron Martin’s current work\, the act of representation takes precedence over the representation itself. The non-objective images read as screens\, containers for information\, or illusions of animated space that include shapes and forms reminiscent of recognizable signs or symbols. \nAlison Saar’s personal identity and experience with racism and sexism fuels the narratives she tells through her sculptures\, drawings\, and prints. Saar\, a biracial woman with a lighter complexion\, continues her exploration of hair and the various rituals\, expectations\, and connotations that revolve around it in her new editions. \n  Save  
URL:https://artinamericaguide.com/event/tandem-press-at-the-2022-ifpda-fine-art-print-fair/
LOCATION:The Armory Show at the Javits Center\, 11th Avenue at 35th Street\, New York\, NY\, NY\, 10001\, United States
CATEGORIES:Art Fair
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ORGANIZER;CN="IFPDA Fine Art Print Fair":MAILTO:info@ifpda.org
GEO:40.7564465;-74.0015064
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Armory Show at the Javits Center 11th Avenue at 35th Street New York NY NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=11th Avenue at 35th Street:geo:-74.0015064,40.7564465
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221023T120000
DTEND;TZID=America/Halifax:20221023T130000
DTSTAMP:20260614T194457
CREATED:20220922T114326Z
LAST-MODIFIED:20220922T114326Z
UID:98474-1666526400-1666530000@artinamericaguide.com
SUMMARY:Exhibition Tour: Dare to Know: Prints and Drawings in the Age of Enlightenment
DESCRIPTION:Join exhibition curator Elizabeth Rudy for an in-depth tour of Dare to Know: Prints and Drawings in the Age of Enlightenment\, on view through January 15\, 2023. She will share insights about how works on paper played a critical role in the 18th century\, wielding the power to visually articulate\, reinforce\, or contradict beliefs as well as biases. \nLed by:\nElizabeth Rudy\, Carl A. Weyerhaeuser Curator of Prints\, Division of European and American Art \nTours are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The tour reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nSee the museum visit page to learn about our general policies for visiting the museums. \nThis exhibition is supported in part by an award from the National Endowment for the Arts. Support for the exhibition is provided by the Melvin R. Seiden and Janine Luke Fund for Publications and Exhibitions\, the Robert M. Light Print Department Fund\, the Stanley H. Durwood Foundation Support Fund\, the Catalogues and Exhibitions Fund for Pre-Twentieth-Century Art of the Fogg Museum\, and the Gladys Krieble Delmas Foundation. The catalogue was made possible by the Andrew W. Mellon Publication Funds\, including the Henry P. McIlhenny Fund. Related programming is supported by the M. Victor Leventritt Lecture Series Endowment Fund. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/exhibition-tour-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Dagoty-2.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221020T170000
DTEND;TZID=America/Halifax:20221020T210000
DTSTAMP:20260614T194457
CREATED:20220926T141716Z
LAST-MODIFIED:20220926T141716Z
UID:98918-1666285200-1666299600@artinamericaguide.com
SUMMARY:MUSEUM AFTER HOURS: FORWARD
DESCRIPTION:On Thursday\, October 20\, 2022\, in conjunction with Museum After Hours\, from 6 PM until 7:30 PM\, Pike School of Art\, in partnership with the Mississippi Museum of Art\, will host a listening session of Charles Edward William’s work\, FORWARD and a panel discussion about the works place in the history of the Civil Rights Movement. The panel will take place at the Mississippi Museum of Art located at 380 South Lamar Street\, Jackson\, MS 39201 and will feature\, along with the artist\, Monique Davis\, Managing Director for the Center for Art and Public Exchange (CAPE) at the Mississippi Museum of Art m; Brenda Travis\, an African American veteran of the Civil Rights Movement from McComb\, Mississippi whose imprisonment for protesting a segregated bus station and participation in a peaceful high school walk out in 1961 helped catalyze public sentiment against segregation and Flonzie Brown Wright\, best-selling author of Looking Back to Move Ahead\, which chronicles her journey growing up in a small Mississippi town through her work in the Civil Rights Movement in the 1960s and 1970s\, three powerful women of color and consummate experts in their fields. \n  Save  
URL:https://artinamericaguide.com/event/museum-after-hours-forward/
LOCATION:Mississippi Museum of Art\, 380 South Lamar Street\, Jackson\, 39201\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Forward-CEW-Final-Web.jpg
ORGANIZER;CN="Pike School of Art %E2%80%93 Mississippi":MAILTO:contact@psa-ms.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221019
DTEND;VALUE=DATE:20221020
DTSTAMP:20260614T194457
CREATED:20221012T183426Z
LAST-MODIFIED:20221015T004743Z
UID:99835-1666137600-1666223999@artinamericaguide.com
SUMMARY:Opening Reception: Functional Misrepresentations
DESCRIPTION:Functional Misrepresentations\nOctober 8\, 2022 – February 5\, 2023\nInLiquid at Park Towne Place\n2200 Benjamin Franklin Parkway\nPhiladelphia\, PA 19130 \nPlease join us on October 19th from 6:00 – 8:00 PM at Park Towne Place for an opening reception in the North\, West\, and South tower galleries. \nThe reception will begin in the North Tower\, and then move to the West Tower\, and then to the South Tower. Each tower will offer an opportunity to hear short remarks from the included artist or curator\, and a chance to mingle. Refreshments and hors d’oeuvres will be served. \nWe look forward to seeing you at this next installment of art at Park Towne Place! \nRSVP required \nFunctional Misrepresentations highlights six artists whose work uses the shared language of objects to discuss how they can act as vectors of memory; both personal and societal. The included artists\, Leila Cartier\, Randall Cleaver\, Billy Colbert\, Christina P. Day\, Han Wang\, and Mallory Weston show how objects can hold onto memories and be reconstructed to tell mythical tales of what was\, and what could have been. \nChristina P. Day mines the memories of interior places through her linoleum collage series. Using salvaged linoleum flooring\, Day painstakingly cuts out the patterns\, layering and manipulating them as a way of honoring and preserving them. Also using salvaged materials\, Randall Cleaver’s assemblages utilize components that span his lifetime- an old tractor light from a yard sale in Maryland\, a children’s bicycle rescued from the trash\, and bottle caps collected over forty years\, all nod to the memories of fleeting moments and places. \nHan Wang’s Across the Ocean Project weaves together the memory of culturally significant foods\, forms\, and patterns with more darkly complex reverberations of cultural appropriation. The blue patterns\, caught between the authentic and Delftware reinterpretations\, are undeniably beautiful as they revel in their hybridity. Also hybridizing cultures is Billy Colbert\, in his work he combines a love of skateboarding in his American youth with the (often) unsung contributors of our human culture. \nBut what of worlds imagined\, mythical\, and fantastical? The unusual references Mallory Weston makes with her jewelry- a threatening snake\, an oozing wound\, a barbed cacti- offer an opportunity for escapism. They allow the wearer to amass and adorn themselves with the tokens that best represent their internal worlds on any given day. Also focusing on escapism through jewelry is Leila Cartier whose large scale collages made up of hand-cut images of jewelry from magazines give us a glimpse into a beauty that obscures hidden dangers\, excess\, and the disparity between expectations and reality. \nObjects we encounter can lose their meaning\, becoming merely another thread in our daily tapestries. But in the hands of the artists of Functional Misrepresentations\, once familiar objects are elevated to take on new meanings that challenge us to consider the ways in which we take what seems to be true for granted. \n  Save  
URL:https://artinamericaguide.com/event/functional-misrepresentations/
LOCATION:InLiquid\, 1400 N American St. #314\, Philadelphia\, PA\, 19122\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/FM_Banner_1004.jpg
ORGANIZER;CN="InLiquid":MAILTO:info@inliquid.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20221018T170000
DTEND;TZID=America/Chicago:20221018T190000
DTSTAMP:20260614T194457
CREATED:20220922T112916Z
LAST-MODIFIED:20220922T112916Z
UID:98721-1666112400-1666119600@artinamericaguide.com
SUMMARY:Choomi Chung\, (In)Visible
DESCRIPTION:Joomi Chung\, (In)Visible\nOctober 18 – November 05\, 2022\nReception: Tuesday\, October 18th\, 5-7PM MDT \nStrata Gallery presents a solo exhibition\, (In)Visible by Ohio-based artist Joomi Chung. The exhibition opens October 18 with an artist reception from 5-7pm. \n(In)Visible explores subjective experiences of time; simultaneous looking into and through another body; and the intersection between aural and visual experiences. The exhibition includes two experimental animations and a series of small-scale paintings. Transit (7:45) focuses on an experience of moving through time-space as a driver. Inside a Waterdog’s Head (6:54) portrays the world seen and felt by the artist’s dog\, recently diagnosed with a rare type of cancer. While the two time-based works evoke a sensation of passing through a flux of time\, the gouache painting series\, Still Frames\, offers a moment to contemplate the spaces contained in fractions of seconds. \nJoomi Chung is a Korean-American artist based in Oxford\, Ohio where she is currently an Associate Professor of Art at Miami University. Her work has been exhibited at national and international venues including Alice F. and Harris K. Weston Art Gallery in the Aronoff Center for the Arts\, Cincinnati\, OH; Urban Arts Space\, Ohio State University\, Columbus\, OH; Urban Institute of Contemporary Art\, Grand Rapids\, MI; Colorado State University\, Fort Collins\, CO; Seoul Art Center at Hangaram Museum and SOMA Drawing Center\, Seoul\, South Korea; and the University of West Bohemia\, Pilsen\, Czech Republic among others. Joomi Chung is excited to show her new body of work at Strata Gallery in Santa Fe\, NM. \nStrata Gallery is open from 10 a.m. to 5 p.m. Tuesday – Saturday. For more information about Strata Gallery\, the current exhibit\, and the future schedule of events\, please visit the Strata Gallery website and Instagram. \nMasks required \n  \n  Save  
URL:https://artinamericaguide.com/event/choomi-chung-invisible/
LOCATION:Strata Gallery\, 418 Cerrillos Road\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/waterdog044414.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221016T100000
DTEND;TZID=America/Halifax:20221016T130000
DTSTAMP:20260614T194457
CREATED:20220922T113309Z
LAST-MODIFIED:20220922T113309Z
UID:98723-1665914400-1665925200@artinamericaguide.com
SUMMARY:Materials Lab Workshop: Making Faces
DESCRIPTION:This workshop accompanies the exhibition Funerary Portraits from Roman Egypt: Facing Forward\, which invites viewers to ask more about the complicated histories of these portraits and the people they depict. The exhibition explores what can be learned about the artistic process and current condition of these works through scientific analysis and technical research conducted by staff in the Harvard Art Museums’ Straus Center for Conservation and Technical Studies. Funerary Portraits is on view through December 30\, 2022. \nIn this two-part workshop\, join us first in the exhibition galleries with curator Susanne Ebbinghaus and conservator Kate Smith for a close look at the portraits and learn what our curators\, conservators\, and scientists have discovered about them. Then take that experience to the Materials Lab\, where you’ll make your own version of an ancient tempera painting using some of the same materials and techniques used by Roman-period artists. This workshop aims to honor and remember the woman in the ancient portrait we will copy\, and to celebrate the relationship between artist and sitter that allowed the woman’s essence to be captured so powerfully. \nLed by:\nSusanne Ebbinghaus\, George M.A. Hanfmann Curator of Ancient Art and Head\, Division of Asian and Mediterranean Art\nKate Smith\, Conservator of Paintings and Head of Paintings Lab\, Straus Center for Conservation and Technical Studies \nNo prior experience necessary. This workshop will take place in the Materials Lab\, Lower Level. \n$15 materials fee. Registration is required and space is limited. Registration for this workshop will open on Thursday\, October 6\, 2022 at this link\, and participants will be admitted on a first-come\, first-served basis. To join the waitlist\, please email am_register@harvard.edu. Minimum age of 14. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/materials-lab-workshop-making-faces-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Portrait-of-a-woman_Funerary-Portraits-1.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221015T150000
DTEND;TZID=America/Halifax:20221015T170000
DTSTAMP:20260614T194457
CREATED:20221010T152059Z
LAST-MODIFIED:20221010T154932Z
UID:99803-1665846000-1665853200@artinamericaguide.com
SUMMARY:Strange Figurations
DESCRIPTION:The Limner Gallery features a group exhibition of figurative work on view from October 13 – November 5\, 2022 with a reception for the artists on Friday\, Oct. 15\, 3-5pm. Image: “Critical Family” © Lowell Miller 2018\, ceramic\, epoxy\, oil paint More about Lowell Miller and his work: https://bit.ly/ccaplmiller\nStrange Figurations\nLimner Gallery\n123 Warren Street\nHudson\, NY 12534\n518-567-7858\nHours: Thurs – Sat 12 -5pm \n  Save  
URL:https://artinamericaguide.com/event/strange-figurations/
LOCATION:Limner Gallery\, 123 Warren Street\, Hudson\, NY\, 12434\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/IMG_8481.jpg
ORGANIZER;CN="Limner Gallery":MAILTO:thelimner@aol.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221013T180000
DTEND;TZID=America/Halifax:20221014T210000
DTSTAMP:20260614T194457
CREATED:20221012T183426Z
LAST-MODIFIED:20221012T183426Z
UID:99833-1665684000-1665781200@artinamericaguide.com
SUMMARY:Beauty of Stillness
DESCRIPTION:Beauty of Stillness\nat the InLiquid Gallery\n1400  American Street\nPhiladelphia PA 19122 \nCrispness is in the air. A modest destabilization. Your jacket crossed tight to guard against a chilly wind. A confusion. Ennui. Loneliness. Autumn\, though full of decay\, has a marked beauty\, like a poem written in longing. Like the season of fall itself\, the four artists of The Beauty of Stillness conjure tender reflective moments that are marked by pangs of uncertainty\, yearning\,  and beauty. \nIn his work\, Geoffrey Ansel Agrons memorializes scenes that are haunting and lonely\, devoid of any recent mark of civilization. These are fleeting sites. Soon after Argons leaves\, they vanish: the wind changes the shape of the snow bank\, a scavenger carries off a carcass for a meal. The “melancholigraphs\,” as he terms them\, are all that remain to remember the moment by. \nAlso capturing nature through photography is Daria Panichas. Unlike Agrons\, Panichas’ photographs are unrecognizable subjects in unrecognizable moments. Panichas shoots from non-traditional angles\, from uncomfortably close\, and cropped beyond recognizability. Her stark backgrounds recall chiaroscuro paintings and nod to the long history of memento mori. Simultaneously familiar and unsettlingly foreign\, Panichas’ subjects highlight the nature that we are removed from\, twisting it until only its beauty is recognizable. \nConstance McBride alters nature and brings it into the gallery space to confront us with the reality that we as humans are removed from the natural world. Nature’s detritus\, fallen limbs\, shells of animals\, and bones\, are coated in white ceramic slip making them white and\, pure\, and suitable for a pristine\, traditional gallery view. \nSimilar to McBrides’ desaturation\, Richard Hricko’s practice alters nature to encourage us to better see its beauty. Hricko collects items that he sees in his daily life like weeds and litter from an abandoned lot across the street from his studio. He weaves these things together to create a tableau\, which he then photographs and uses as the bases for his printmaking. \nAll these artists carefully balance the natural and artificial\, the spontaneous and the curated. \n  Save  
URL:https://artinamericaguide.com/event/beauty-of-stillness/
LOCATION:InLiquid\, 1400 N American St. #314\, Philadelphia\, PA\, 19122\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/Beauty-of-stillness-install.jpg
ORGANIZER;CN="InLiquid":MAILTO:info@inliquid.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221011T100000
DTEND;TZID=America/Halifax:20221011T130000
DTSTAMP:20260614T194457
CREATED:20220926T141840Z
LAST-MODIFIED:20220926T210553Z
UID:98861-1665482400-1665493200@artinamericaguide.com
SUMMARY:Materials Lab Workshop: Modeling Material Culture in Paper
DESCRIPTION:This workshop is inspired by the exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment\, which explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the so-called age of reason. It invites visitors to embrace the Enlightenment’s same spirit of inquiry—to investigate\, to persuade\, and to imagine. The exhibition is on view at the Harvard Art Museums through January 15\, 2023. \nWe will first gather in the galleries with Elizabeth Rudy\, the Carl A. Weyerhaeuser Curator of Prints\, and visiting artist Angela Lorenz. Rudy will explain the main themes of the exhibition and focus on a few works that present mysteries that remain unsolved. Lorenz will show examples of her “McSpheres” (Material Culture Spheres). These spheres serve as a low-tech\, open model for the 3-D visualization of objects. She developed them as tools to explore\, categorize\, and describe any object in the world—and to create connections with other objects. Participants will have an opportunity to closely examine and discuss the selected works together in the galleries. We will then proceed to the Materials Lab to fashion our own McSpheres. A conversation about the participants’ creations and the works in the exhibition will conclude the workshop. \nLorenz sees the McSphere as “a call and response specific to Dare to Know\, but [also as] a way to access critical thinking that applies to any object\, environment\, cupboard\, refrigerator\, living room or neighborhood. Some people will go micro to the carbon atom and the water cycle\, others macro to settler colonialism and global trade.” The artist’s hope is that the McSphere will serve as a tool for the exploration of objects in other museums\, neighborhoods\, and contexts. \nLed by:\nElizabeth Rudy\, Carl A. Weyerhaeuser Curator of Prints\, Harvard Art Museums\nAngela Lorenz\, Artist \nNo prior experience necessary. Bring your imagination\, curiosity\, and creativity! This workshop will take place in the Materials Lab\, Lower Level. \n$15 materials fee. Registration is required and space is limited. Registration for this workshop will open on Saturday\, October 1\, 2022 at this link\, and participants will be admitted on a first-come\, first-served basis. To join the waitlist\, please email am_register@harvard.edu. Minimum age of 14. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/materials-lab-workshop-modeling-material-culture-in-paper-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Angela-Lorenz-1.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221009T140000
DTEND;TZID=America/Halifax:20221009T170000
DTSTAMP:20260614T194457
CREATED:20220922T113536Z
LAST-MODIFIED:20220922T113536Z
UID:98476-1665324000-1665334800@artinamericaguide.com
SUMMARY:Screens for Teens: Sublime and The One You Never Forget
DESCRIPTION:This series of contemporary and classic films is specially curated for teenagers in and around Cambridge. The selection\, including both short and feature-length films\, is meant to provide teens with an opportunity to watch work focused explicitly on their experiences. Covering a range of topics\, emotions\, and nuances\, these free films—depending on length and scope—will be followed by conversation with faculty from the Cambridge Rindge and Latin School. \nAbout today’s films:\nThe One You Never Forget\, 2019 (Morgan Jon Fox; English; 9 min.) \nA 14-year-old African American excitedly prepares for his first prom\, but when his date arrives he’s faced with a split-second decision. \nSublime\, 2022 (Meinkincine; Spanish with English subtitles; 100 min.) \nSixteen-year-old Manuel lives in a small coastal town. He plays bass in a band with his best friends. One of them is Felipe\, with whom he shares a strong friendship from a very young age. Manuel is dating Azul\, a relationship that they are intensely exploring. But when it comes time to have their first time together\, Manuel feels something completely new that makes him see Felipe with different eyes. Routine situations of that friendship change tenor. Manuel tries to figure out if the impulse is mutual. The challenge is not putting the friendship at risk. \nFree admission\, but seating is limited and reservations are required. Reservations may be arranged by clicking on the event on this form beginning on Friday\, September 30\, after 10am. \nThe screening will take place in Menschel Hall\, Lower Level. Doors will open at 1:30pm. \nPlease see the museum visit page to learn about our general policies for visiting the museums. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/screens-for-teens-sublime-and-the-one-you-never-forget/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/09/Sublime_900_600.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221009T100000
DTEND;TZID=America/Halifax:20221009T130000
DTSTAMP:20260614T194457
CREATED:20220922T113149Z
LAST-MODIFIED:20220922T113149Z
UID:98733-1665309600-1665320400@artinamericaguide.com
SUMMARY:Materials Lab Workshop: Modeling Material Culture in Paper
DESCRIPTION:This workshop is inspired by the exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment\, which explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the so-called age of reason. It invites visitors to embrace the Enlightenment’s same spirit of inquiry—to investigate\, to persuade\, and to imagine. The exhibition is on view at the Harvard Art Museums through January 15\, 2023. \nWe will first gather in the galleries with Elizabeth Rudy\, the Carl A. Weyerhaeuser Curator of Prints\, and visiting artist Angela Lorenz. Rudy will explain the main themes of the exhibition and focus on a few works that present mysteries that remain unsolved. Lorenz will show examples of her “McSpheres” (Material Culture Spheres). These spheres serve as a low-tech\, open model for the 3-D visualization of objects. She developed them as tools to explore\, categorize\, and describe any object in the world—and to create connections with other objects. Participants will have an opportunity to closely examine and discuss the selected works together in the galleries. We will then proceed to the Materials Lab to fashion our own McSpheres. A conversation about the participants’ creations and the works in the exhibition will conclude the workshop. \nLorenz sees the McSphere as “a call and response specific to Dare to Know\, but [also as] a way to access critical thinking that applies to any object\, environment\, cupboard\, refrigerator\, living room or neighborhood. Some people will go micro to the carbon atom and the water cycle\, others macro to settler colonialism and global trade.” The artist’s hope is that the McSphere will serve as a tool for the exploration of objects in other museums\, neighborhoods\, and contexts. \nLed by:\nElizabeth Rudy\, Carl A. Weyerhaeuser Curator of Prints\, Harvard Art Museums\nAngela Lorenz\, Artist \nNo prior experience necessary. Bring your imagination\, curiosity\, and creativity! This workshop will take place in the Materials Lab\, Lower Level. \n$15 materials fee. Registration is required and space is limited. Registration for this workshop will open on Thursday\, September 29\, 2022 at this link\, and participants will be admitted on a first-come\, first-served basis. To join the waitlist\, please email am_register@harvard.edu. Minimum age of 14. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/materials-lab-workshop-modeling-material-culture-in-paper/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Angela-Lorenz.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221008T140000
DTEND;TZID=America/Halifax:20221008T160000
DTSTAMP:20260614T194457
CREATED:20220926T141715Z
LAST-MODIFIED:20220926T141715Z
UID:98970-1665237600-1665244800@artinamericaguide.com
SUMMARY:"Chelsea Biennale" Exhibition
DESCRIPTION:AMSTERDAM WHITNEY GALLERY\, 210 Eleventh Avenue-Chelsea\, New York City\, is proud to showcase its OCTOBER 8-DECEMBER 2022  \n“CHELSEA BIENNALE” Exhibition featuring award-winning\, leading contemporary artists whose acclaimed works explore the abstract\, figurative and natural worlds. This Autumnal nexus of enchantment exhibition\, highlighted by the glamorous “LA DOLCE VITA!” Champagne Soiree on SATURDAY\, OCTOBER 8th from 2:00-4:00 pm\, invites the artists and guests to “Paint the Town Pink\,” offering a mesmerizing elixir of the arts which will captivate the senses of both art acquisitors and art aficionados alike. Pulsating with a charismatic vortex\, these artists’ sophisticated\, eclectic\, and often joyful representations of life provide a visual syntax of our world. Their hypnotic canvases explore spiritual emotions as they synthesize a cornucopia of imaginative artistic visions and stimulate visceral sensations. \nOCTOBER  8-DECEMBER 2022 “CHELSEA BIENNALE”  EXHIBIT \nSaturday\, OCTOBER 8\, 2022    2:00-4:00 “La Dolce Vita”  Champagne Soiree \n\n\n\n  Save  
URL:https://artinamericaguide.com/event/chelsea-biennale-exhibition/
LOCATION:Amsterdam Whitney Gallery\, 531 West 25th Street\, Ground Floor\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/09/JUMBO-INVITE-fRONT.png
ORGANIZER;CN="Amsterdam Whitney Gallery":MAILTO:amsterdamwhitney@aol.com
GEO:40.7497243;-74.0044044
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amsterdam Whitney Gallery 531 West 25th Street Ground Floor New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=531 West 25th Street\, Ground Floor:geo:-74.0044044,40.7497243
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221007T183000
DTEND;TZID=America/Halifax:20221007T200000
DTSTAMP:20260614T194457
CREATED:20220922T113536Z
LAST-MODIFIED:20220922T113536Z
UID:98486-1665167400-1665172800@artinamericaguide.com
SUMMARY:Disrupt the View: A Conversation with Arlene Shechet
DESCRIPTION:In her installation Disrupt the View: Arlene Shechet at the Harvard Art Museums\, contemporary sculptor Arlene Shechet presents her recent work alongside historical German\, Japanese\, and Chinese porcelain objects from the Harvard Art Museums. \nJoin curator Lynette Roth as she talks with Shechet about her artistic process\, her past collaborations with German porcelain manufactory workers\, and how she recontextualizes these remarkable objects to speak to the larger history of labor\, class\, and global trade. \nDisrupt the View is on view through July 6\, 2025. \nSpeakers:\nArlene Shechet\, Artist \nLynette Roth\, Daimler Curator of the Busch-Reisinger Museum\, Division of Modern and Contemporary Art\, Harvard Art Museums \nBefore the lecture\, guests are invited to visit the exhibition on Level 1. \nFree admission\, but seating is limited\, and reservations are required. Reservations may be arranged by clicking on the event on this form beginning on Tuesday\, September 27\, after 10am. \nThe lecture will take place in Menschel Hall\, Lower Level. Doors will open at 5:30pm from the Broadway entrance for gallery access\, and at 6:00pm for seating for the lecture. The lecture begins at 6:30pm. Please review our general visitor policies\, including details on COVID-related precautions. \nLimited complimentary parking is available in the Broadway Garage\, 7 Felton Street\, Cambridge. \nThis installation and related programming are supported by the Charles Kuhn Endowment Fund in the Busch-Reisinger Museum. Support for the lecture is also provided by the M. Victor Leventritt Fund\, which was established through the generosity of the wife\, children\, and friends of the late M. Victor Leventritt\, Harvard Class of 1935. The purpose of the fund is to present outstanding scholars of the history and theory of art to the Harvard and Greater Boston communities. Modern and contemporary art programs at the Harvard Art Museums are made possible in part by generous support from the Emily Rauh Pulitzer and Joseph Pulitzer\, Jr.\, Fund for Modern and Contemporary Art. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/disrupt-the-view-a-conversation-with-arlene-shechet/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
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ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221007T170000
DTEND;TZID=America/Halifax:20221007T190000
DTSTAMP:20260614T194457
CREATED:20220912T150010Z
LAST-MODIFIED:20220912T150010Z
UID:98276-1665162000-1665169200@artinamericaguide.com
SUMMARY:Nishiki Sugawara-Beda\, Tidal Time
DESCRIPTION:Nishiki Sugawara-Beda\n\nSeptember 27 – October 15\, 2022\nReception: October 7th\, 5-7PM\nStrata Gallery presents an Established Member solo exhibition\, Tidal Time by Dallas based artist Nishiki Sugawara-Beda. The exhibition opens September 17th and an artist reception will be held on October 7th from 5-7pm. \nNishiki Sugawara-Beda is a Japanese-American visual artist working primarily on painting. She draws upon her Japanese heritage to explore themes related to culture\, language\, and spirituality rooted in Zen Buddhism. Connecting across space and time\, she experiments in ancient Japanese materials and techniques including Sumi ink and Kakejiku landscapes to merge them with abstract and expressive forms familiar to the modern Western aesthetic. \nSugawara-Beda stated\, “the series of work\, KuroKuroShiro\, meaning black-black-white in Japanese\, offers internal landscape for all of us to wonder in and navigate through. I am fascinated with Sumi ink which allows me to connect me not only with my own cultural heritage but also with the land we stand on. I am thrilled to share my work with the Santa Fe Community!” \nSugawara-Beda exhibits her work nationally and internationally. Exhibition venues include Spartanburg Art Museum (SC)\, Morris Graves Museum of Art (CA)\, Dennos Museum (MI)\, Amos Eno Gallery (NY)\, Cris Worley Fine Arts (TX)\, and Asia and Europe. Publications include New American Paintings\, AEQAI\,  Athenaeum Review\, London Post\, and Art Spiel. Currently\, she is an Assistant Professor at SMU. \nStrata Gallery is open from 10 a.m. to 5 p.m. Tuesday – Saturday. For more information about Strata Gallery\, the current exhibit\, and the future schedule of events\, please visit the Strata Gallery website and Instagram. \n  Save  
URL:https://artinamericaguide.com/event/nishiki-sugawara-beda-tidal-time/
LOCATION:Strata Gallery\, 418 Cerrillos Road\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221007T130000
DTEND;TZID=America/Halifax:20221007T180000
DTSTAMP:20260614T194457
CREATED:20220928T173450Z
LAST-MODIFIED:20220928T173450Z
UID:99151-1665147600-1665165600@artinamericaguide.com
SUMMARY:We Are Made of Stories: Selfhood and Experience in Art: The Margaret Z. Robson Symposium Series
DESCRIPTION:This half-day symposium addresses recent scholarship centering on the critical role of content and culture in the field of self-taught American art. \nArtists Joseph Yoakum\, Henry Darger\, Nellie Mae Rowe\, Sam Doyle\, Judith Scott\, and Dan Miller are highlighted for their creative abilities while challenging the notions of invisibility and historical hierarchies. Co-moderated by SAAM curator Leslie Umberger and Tom di Maria\, director emeritus of Creative Growth Art Center\, a five-speaker panel addresses these six artists’ contributions to American art. \nThis program is presented both in person and online. We Are Made of Stories: Selfhood and Experience in Art is the second program in the Margaret Z. Robson Symposium Series. Support for the series is provided by Douglas O. Robson. \nDoors open at 12:30 p.m. for in-person attendees. Registrants can also participate via the museum’s livestream on its YouTube channel. \n  Save  
URL:https://artinamericaguide.com/event/we-are-made-of-stories-selfhood-and-experience-in-art-the-margaret-z-robson-symposium-series/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
CATEGORIES:Event,Virtual Events + Viewing Rooms
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ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221006T180000
DTEND;TZID=America/Halifax:20221006T200000
DTSTAMP:20260614T194457
CREATED:20220825T181125Z
LAST-MODIFIED:20220825T181125Z
UID:97088-1665079200-1665086400@artinamericaguide.com
SUMMARY:Maira Kalman: Women Holding Things Opening Reception
DESCRIPTION:Mary Ryan Gallery is pleased to present Women Holding Things\, a collection of over 30 new paintings by Maira Kalman. Created during the pandemic\, it is a love song to the women in our world. This will be Kalman’s debut exhibition at Mary Ryan Gallery. \n“What do women hold?” Kalman asks. “The home and the family. And the children and the food. The friendships. The work. The work of the world. And the work of being human. The memories. And the troubles. And the sorrows and the triumphs. And the love.” \nWomen Holding Things began in the spring of 2021 as Kalman and her son\, Alex Kalman\, created a limited-edition booklet by the same name which served as the conceptual basis of the publication and exhibition opening this fall. The booklet\, which began as a fundraiser in support of charities combating hunger\, expanded to a full book published by HarperCollins with eighty-six paintings illustrating Kalman’s meditations on womanhood. The exhibition on view at Mary Ryan Gallery will include over thirty of the paintings originally published in the book. Each work on view is characterized by Kalman’s trademark style and use of dense gouache to create richly colored paintings on paper. \nTraining her sensitive eye on the inimitable women in her life\, Kalman captures with quiet power the essence of women that have captured her imagination via the objects that fit between their hands—from books to cabbages—and the wealth of meaning ascribed to these objects. In a tour de force of visual storytelling\, she gently reveals the universality of the things her subjects hold dear— the things that burden\, haunt\, and nourish them. The objects held are tools—and occasionally\, evidence—of a life lived\, and as such\, the inanimate objects captured in Kalman’s paintings are each pinned by the hope\, joy and sadness of those that carry them. \nThe figures holding things in Kalman’s paintings include a wide range of wo men. Some\, like Gertrude Stein\, Edith Sitwell\, Ayana V. Jackson\, or Kiki Smith\, are well known. Others\, such as Kalman’s daughter\, granddaughters\, or cousin Iris\, are fixtures of Kalman’s intimate life. Also included in Women Holding Things are select portraits of men\, including Rilke and Chekov and Kalman’s father. Finally\, there are portraits of objects holding things. All of Kalman’s subjects hold a rich interiority. \n  Save  
URL:https://artinamericaguide.com/event/maira-kalman-women-holding-things-opening-reception/
LOCATION:Mary Ryan Gallery\, 515 W 26th St\, 3rd Fl\, New York\, NY\, 10001\, United States
CATEGORIES:Event
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ORGANIZER;CN="Mary Ryan Gallery":MAILTO:info@maryryangallery.com
GEO:40.7500935;-74.0036112
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Mary Ryan Gallery 515 W 26th St 3rd Fl New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=515 W 26th St\, 3rd Fl:geo:-74.0036112,40.7500935
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221006T180000
DTEND;TZID=America/Halifax:20221006T191500
DTSTAMP:20260614T194457
CREATED:20220922T112916Z
LAST-MODIFIED:20220922T112916Z
UID:98703-1665079200-1665083700@artinamericaguide.com
SUMMARY:“Mummy Portraits” of Roman Egypt: Status\, Ethnicity\, and Magic
DESCRIPTION:In ancient Egypt\, one of the final steps in the mummification process was to equip the body with a permanent face covering that helped protect the head and also ritually transform the deceased into a god. The earliest examples of these were stylized masks\, later replaced by more realistically rendered painted portraits. Using evidence from the archaeological record and the Book of the Dead—a series of spells meant to guide the dead as they sought eternal life—art professor Lorelei Corcoran will discuss the production and function of the “mummy portraits” that were popular throughout Egypt in the Roman period. She’ll also explore what these images reveal about the religious beliefs and multilayered ethnicities of their subjects. \nThis hybrid event will be held in person and online. The event will be held at the Geological Lecture Hall\, 24 Oxford Street\, in Cambridge. Free parking is available in the 52 Oxford Street Garage. \nThis event is free\, but advance registration required for either virtual or in-person attendance. A Zoom link will be shared upon registration for those opting to join virtually. \nPresented by the Harvard Museum of the Ancient Near East and the Harvard Museums of Science & Culture in collaboration with the Harvard Art Museums. The related Harvard Art Museums exhibition\, Funerary Portraits from Roman Egypt: Facing Forward\, is on view through December 30\, 2022. \n  Save  
URL:https://artinamericaguide.com/event/mummy-portraits-of-roman-egypt-status-ethnicity-and-magic/
LOCATION:Geological Lecture Hall\, 24 Oxford Street Cambridge MA\, 24 Oxford Street\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Event,Virtual Events + Viewing Rooms
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ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221006T170000
DTEND;TZID=America/Halifax:20221006T200000
DTSTAMP:20260614T194457
CREATED:20220922T112916Z
LAST-MODIFIED:20220922T112916Z
UID:98748-1665075600-1665086400@artinamericaguide.com
SUMMARY:Opening Reception for Jim Weidle's "Paint - Apply Now"
DESCRIPTION:Painter Jim Weidle will showcase some of his recent oil paintings at Blue Mountain Gallery this October. Jim’s work spans the gamut of subject matter\, ranging from sprawling landscapes to intimate interiors. \nArtist Statement:”Painting has the decency to hold still\, as few dare or can\, permitting one’s eye a tiny but wild freedom: to travel as it will.”\n  Save  
URL:https://artinamericaguide.com/event/opening-reception-for-jim-weidles-paint-apply-now/
LOCATION:Blue Mountain Gallery\, 547 W 27th St\, Suite 200\, New York\, NY\, 10001\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Jim-Weidle-Patinir-Look-See-36x48-oil-on-canvas-2022-1.jpg
ORGANIZER;CN="Blue Mountain Gallery":MAILTO:bluemountaingallery@verizon.net
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221006T160000
DTEND;TZID=America/Halifax:20221029T200000
DTSTAMP:20260614T194457
CREATED:20220928T173302Z
LAST-MODIFIED:20220928T173302Z
UID:99328-1665072000-1667073600@artinamericaguide.com
SUMMARY:The Carnival of the Animals
DESCRIPTION:Artist Dorothy Anderson Wasserman‘s relief sculpture suite\, “The Carnival of the Animals\,” is inspired by Camille Saint-Saens’ 1886 musical composition of the same name. Written when Saint-Saens was on a vacation in Vienna\, the piece shows a playful\, light-spirited side to this composer who was considered one of the most important figures in French 19th century culture. As a humorous musical suite in fourteen movements\, Wasserman’s work continues this playful sensibility\, portraying the characters with sophisticated whimsy and an old fashioned aesthetic. \nEach relief sculpture has “dance performers” who are stylistically tied to a famous choreographer. For instance\, Wasserman’s piece Hens and Roosters took its inspiration from The Twyla Tharp Dance Company\, which the artist studied with for a short period in 1978. As a dancer and choreographer herself\, Wasserman found Tharp influential in her own understanding of movement back in the 1980s. This kind of connection is mirrored throughout the work. \nIn essence\, The Carnival of the Animals is a pairing of choreographer’s styles with the music of Saint-Saens via sculptural “performers” dressed in animal costumes. \n  Save  
URL:https://artinamericaguide.com/event/the-carnival-of-the-animals/
LOCATION:Gallery 110\, 110 3rd Ave. S\, Seattle\, 98104\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/83135_lowres_tiutvh-1.jpg
ORGANIZER;CN="Gallery 110":MAILTO:director@gallery110.com
GEO:47.6012564;-122.3300049
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Gallery 110 110 3rd Ave. S Seattle 98104 United States;X-APPLE-RADIUS=500;X-TITLE=110 3rd Ave. S:geo:-122.3300049,47.6012564
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221006T160000
DTEND;TZID=America/Halifax:20221029T200000
DTSTAMP:20260614T194457
CREATED:20220928T173302Z
LAST-MODIFIED:20220928T173302Z
UID:99333-1665072000-1667073600@artinamericaguide.com
SUMMARY:Intermezzo
DESCRIPTION:ctober 6 – 29\, 2022 A site-specific installation that combines the natural world with elements of a built environment\, artist Greg Amanti‘s exhibition Intermezzo aims to replicate a dreamlike aesthetic where two worlds can co-exist. Allowing the process to dictate the outcome\, Amanti replicates trees\, the ground\, rocks\, and the human form; he then copies them using mirrors\, neon and painted glass and places the result back into the composition. “Similar to creating a set design for a play\, except the stage is a composition of nature”. \n  Save  
URL:https://artinamericaguide.com/event/intermezzo/
LOCATION:Gallery 110\, 110 3rd Ave. S\, Seattle\, 98104\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/IMG-7851.jpg
ORGANIZER;CN="Gallery 110":MAILTO:director@gallery110.com
GEO:47.6012564;-122.3300049
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Gallery 110 110 3rd Ave. S Seattle 98104 United States;X-APPLE-RADIUS=500;X-TITLE=110 3rd Ave. S:geo:-122.3300049,47.6012564
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