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DTSTART;TZID=America/Halifax:20221105T130000
DTEND;TZID=America/Halifax:20221105T160000
DTSTAMP:20260404T004609
CREATED:20221028T203407Z
LAST-MODIFIED:20221028T203407Z
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SUMMARY:Materials Lab Workshop (Off-Site): Making Faces
DESCRIPTION:Note that this workshop takes place at an off-site location\, Active Learning Labs. Location details are below. \nThis workshop accompanies the exhibition Funerary Portraits from Roman Egypt: Facing Forward\, which invites viewers to ask more about the complicated histories of these portraits and the people they depict. It also explores what can be learned about the artistic processes and current condition of these works through scientific analysis and technical research conducted by staff in the Harvard Art Museums’ Straus Center for Conservation and Technical Studies. Funerary Portraits is on view at the Harvard Art Museums through December 30\, 2022. We encourage participants to visit the exhibition at some point before the workshop date. Please be advised that this exhibition contains objects that were removed from ancient Egyptian burials. \nJoin visiting artist Francisco Benitez for a short overview of the long history of encaustic (pigmented wax) painting and demonstration of the technique before making your own copy of a funerary portrait of a woman from the Harvard Art Museums collections. Curator Susanne Ebbinghaus\, one of the Funerary Portraits team members\, will provide background on the portraits from Roman Egypt. Creating our own version of the ancient image is a means to better appreciating the process and the painter’s skill. The workshop also aims to honor and remember the ancient subject of the portrait we will copy\, and to celebrate the relationship between artist and sitter that allowed her essence to be captured so powerfully. \nThis workshop is co-sponsored by the Harvard Art Museums and the Harvard School of Engineering and Applied Sciences. \nLed by:\nFrancisco Benitez\, Encaustic Artist \nNo prior experience is necessary. $15 materials fee. Registration is required and space is limited. Registration for this workshop will open on Wednesday October 26\, 2022 at this link\, and participants will be admitted on a first-come\, first-served basis. To join the waitlist\, please email am_register@harvard.edu. Minimum age of 18 to comply with the Harvard Minors-in-Labs policy. \nThis workshop will take place in the Active Learning Labs\, at the Harvard School of Engineering and Applied Sciences\, 150 Western Avenue\, in Allston\, Massachusetts. At the main entrance at the corner of Western Avenue and Stadium Road\, the security desk attendant can direct you to the workshop location on the lower level. Buses 501\, 57\, and 66 serve that area. There is on-street parking on both sides of Western Avenue. Alternatively\, the lot at 2 Hague Street has 4-hour meters and full-day passes can be purchased for $6 through the Harvard Online Parking Permit System [HOPPS]. \n  Save  
URL:https://artinamericaguide.com/event/materials-lab-workshop-off-site-making-faces/
LOCATION:Active Learning Labs\, Harvard School of Engineering and Applied Sciences\, 150 Western Avenue Allston MA\, Harvard School of Engineering and Applied Sciences\, 150 Western Avenue\, Allston\, MA\, 02134\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/Portait-of-a-woman_Egypt-1.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221105T123000
DTEND;TZID=America/Halifax:20221105T130000
DTSTAMP:20260404T004609
CREATED:20221028T203345Z
LAST-MODIFIED:20221028T203345Z
UID:100149-1667651400-1667653200@artinamericaguide.com
SUMMARY:Gallery Talk: Dare to Know: Prints and Drawings in the Age of Enlightenment
DESCRIPTION:Join Ben Sibson\, Ph.D. candidate in Harvard’s Department of Human Evolutionary Biology\, for an in-depth discussion about the depiction of the human body in selected works on view in the exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment. He will share insights about artists’ representations of the human form\, focusing on Jacques-Fabien Gautier d’Agoty’s mezzotint Muscles of the Back. \nFeaturing approximately 150 works on paper and other related objects\, Dare to Know explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the Enlightenment era by encouraging individuals to follow their own reason when seeking to know more. An illustrated catalogue with 26 thematic essays—an A to Z exploration of the Enlightenment quest for understanding and change—accompanies the exhibition. \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nLed by:\nBen Sibson\, Ph.D. candidate in the Department of Human Evolutionary Biology\, Harvard University\, and Head Teaching Fellow \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment-3/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/Dagoty.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221104T123000
DTEND;TZID=America/Halifax:20221104T130000
DTSTAMP:20260404T004609
CREATED:20221107T211503Z
LAST-MODIFIED:20221107T211503Z
UID:100320-1667565000-1667566800@artinamericaguide.com
SUMMARY:Gallery Talk
DESCRIPTION:Our galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease visit the museum website to learn about our general policies. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/11/Nov-17-Gallery-Talk_900_600.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221103T180000
DTEND;TZID=America/Halifax:20221103T193000
DTSTAMP:20260404T004609
CREATED:20221103T194033Z
LAST-MODIFIED:20221103T194033Z
UID:100140-1667498400-1667503800@artinamericaguide.com
SUMMARY:Painting with Beeswax: Funerary Portraits from Roman Egypt
DESCRIPTION:Ancient artists from Roman-period Egypt created portraits on wooden panels to be placed on mummified bodies. The main technique used for these portraits was encaustic (wax) painting. These paintings can now be seen in museum collections around the world. In this presentation and conversation\, contemporary encaustic artist Francisco Benitez and conservator of paintings Kate Smith will employ their expertise to bring new understanding to these ancient objects and allow us to appreciate the skills of the painters who made them 2\,000 years ago. \nFrancisco Benitez is a professional artist as well as a student\, and teacher\, of ancient painting techniques. In workshops\, he shares his research on using ancient\, and modern\, tools to paint with beeswax and to experiment with the Greek four-color palette. Kate Smith—with curatorial and analytical science colleagues—has spent nearly a decade studying the materials and techniques used in the production of the ancient Egyptian funerary portraits in the Harvard Art Museums collections. \nThis lecture is organized in conjunction with Funerary Portraits from Roman Egypt: Facing Forward\, on view through December 30\, 2022. Please be advised that this exhibition contains objects that were removed from ancient Egyptian burials. \nSpeakers:\nFrancisco Benitez\, Encaustic Artist\nKate Smith\, Conservator of Paintings and Head of Paintings Lab\, Straus Center for Conservation and Technical Studies \nFollowing the lecture\, guests are invited to visit the exhibition on Level 3. \nFree admission\, but seating is limited and reservations are required. Reservations may be arranged by clicking on the event on this form beginning on Monday\, October 24\, after 10am. \nThe lecture will take place in Menschel Hall\, Lower Level. Doors will open at 5:30pm. \nLimited complimentary parking is available in the Broadway Garage\, 7 Felton Street\, Cambridge. \nPlease review our general visitor policies\, including details on COVID-related precautions. \nSupport for the Funerary Portraits exhibition is provided by the Kelekian Fund\, the Christopher and Jean Angell Charitable Fund\, and the Kornfeld Foundation (through Christopher Angell). Related programming is supported by the M. Victor Leventritt Lecture Series Endowment Fund. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/painting-with-beeswax-funerary-portraits-from-roman-egypt/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/Portait-of-a-woman_Egypt.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221103T173000
DTEND;TZID=America/Halifax:20221103T193000
DTSTAMP:20260404T004609
CREATED:20221028T203208Z
LAST-MODIFIED:20221028T203208Z
UID:100176-1667496600-1667503800@artinamericaguide.com
SUMMARY:Heather Hart: She Cuts Through Worlds
DESCRIPTION:Davidson Gallery is proud to announce the opening of She Cuts Through Worlds\, a solo exhibition by Heather Hart. Hart’s work exists at the junction of art\, architecture\, performance\, and theory. Hart addresses and challenges current and on-going socio-political\, racial\, and economic climates using space as her medium. The use of space and spaces is both a constructive\, additive process\, as well as a reclamation or a carving-out of area – convexity as a declaration of being. Hart’s work implies the possible through architecture\, using territories and thresholds as means to challenge our presumptions about our relationships with them. \n  \nThose relationships are the starting points for She Cuts Through Worlds. Hart looks at how we as people inhabit space\, but also feel entitled to it\, and how that contributes to identity and a sense of self. The first part of the exhibition concerns Spaces and\, specifically\, Black Spaces. Hart “quotes” shards of objects or built environments that are part of Black narratives\, cultural touchstones and icons\, creating a visual lexicon whose vocabulary includes Oprah’s couch\, Uhura’s workstation\, Carrie Mae Weems’s kitchen\, and the balcony of the Lorraine Motel among others. They are moments in time\, but exist perpetually in collective consciousness and identity. The Spaces themselves juxtapose a collection of the 3D-printed “phrases”\, resting them in and upon wooden structures\, each tailored to the dialogue of Black Spaces they contain. \n  \nAdditionally\, Hart has included Fragments\, sculptures that resemble shingled rooftops – reminiscent of her large-scale installations – that refer to liminality in all its manifold definitions. They are the space between the elements and the indoors\, the transition from architecture to art\, and a reconsideration of scale. Named after crystals\, they connote growth and change\, transformation\, topography and transmogrification. \n  \nUpstairs in the gallery’s rooftop space\, viewers arrive upon a larger rooftop pyramid outside on the terrace\, visible through a large picture window. However\, a handmade wall cuts the gallery space in two\, directing us away from the sculpture to an opening that allows access to the outside. It is there that viewers are confronted by the wall once again\, dividing the terrace itself. Light permeates the slats\, but the sculpture is unreachable. On closer inspection the rooftop is an eight-sided star\, a pattern from 19th-century quilting that represents the North Star – illumination\, direction\, freedom. That unattainable liberty in the form of a rooftop too small to live under creates an un-enterable shrine offering unusable asylum. \n  \n  \nHeather Hart (b. Seattle\, WA\, lives and works in Brooklyn\, NY) is an interdisciplinary artist exploring the power in thresholds\, questioning dominant narratives\, and creating alternatives to them. Hart’s work has been exhibited at the Queens Museum\, Storm King Art Center\, Albright-Knox Museum\, The Kohler Art Center\, NCMA\, Eastern Illinois University\, Seattle Art Museum\, Brooklyn Museum\, University of Buffalo\, and University of Toronto\, Scarborough among others. She was awarded grants from Anonymous Was A Woman\, the Graham Foundation\, Joan Mitchell Foundation\, and the Jerome Foundation\, NYFA\, and Harpo Foundation. Hart co-founded Black Lunch Table in 2005 and has won a Creative Capital award\, Wikimedia Foundation grants\, an Andrew W. Mellon Foundation grant and an Andy Warhol Foundation of Art grant with that project. Hart is an Assistant Professor at Mason Gross School for Art + Design\, a member of the Black Trustee Alliance for Art Museums\, an external advisor for AUC Art Collective\, and a trustee at Storm King Art Center. She studied at Skowhegan\, Whitney ISP\, Cornish College of the Arts\, Princeton University and received her MFA from Rutgers University. Hart was a 2021-2022 Fellow at the Radcliffe Institute for Advanced Study at Harvard University. This is her first exhibition with Davidson Gallery. \n  Save  
URL:https://artinamericaguide.com/event/heather-hart-she-cuts-through-worlds/
LOCATION:Davidson Gallery\, 521 West 26th Street\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Davidson Gallery 521 West 26th Street New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=521 West 26th Street:geo:-74.003717,40.7502048
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221103T160000
DTEND;TZID=America/Halifax:20221103T170000
DTSTAMP:20260404T004609
CREATED:20220817T144626Z
LAST-MODIFIED:20220817T144626Z
UID:96273-1667491200-1667494800@artinamericaguide.com
SUMMARY:What is a Print?
DESCRIPTION:Led by director and exhibition curator Karen T. Albert\, learn about the evolution of printmaking methods including an explanation of different techniques of relief\, intaglio\, and the planographic methods of lithography and screenprinting. Each printmaking method produces a work on paper that has an individual and identifiable quality. \n  \nAdmission is free. RSVP to 516.463.5672 \n  Save  
URL:https://artinamericaguide.com/event/what-is-a-print/
LOCATION:David Filderman Gallery at Hofstra University\, 112 Hofstra University\, Hempstead\, New York
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/08/2014_11.jpg
ORGANIZER;CN="Hofstra University Museum of Art":MAILTO:museum@hofstra.edu
GEO:40.7133721;-73.6015642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=David Filderman Gallery at Hofstra University 112 Hofstra University Hempstead New York;X-APPLE-RADIUS=500;X-TITLE=112 Hofstra University:geo:-73.6015642,40.7133721
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221103T123000
DTEND;TZID=America/Halifax:20221103T130000
DTSTAMP:20260404T004609
CREATED:20221103T194125Z
LAST-MODIFIED:20221103T194125Z
UID:100142-1667478600-1667480400@artinamericaguide.com
SUMMARY:Gallery Talk: A Tale of Two Treatments
DESCRIPTION:Want to know what goes on in the conservation lab? Join conservators Penley Knipe and Christina Taylor as they discuss different treatment approaches to two Dutch drawings currently on display\, and what effects their treatment can have on the artwork and public reception. \nLed by:\nPenley Knipe\, Philip and Lynn Straus Senior Conservator of Works on Paper and Head of Paper Lab\, Straus Center for Conservation and Technical Studies\nChristina Taylor\, Associate Paper Conservator\, Straus Center for Conservation and Technical Studies \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-a-tale-of-two-treatments/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/Dupont.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221103T123000
DTEND;TZID=America/Halifax:20221103T130000
DTSTAMP:20260404T004609
CREATED:20221103T193947Z
LAST-MODIFIED:20221103T193947Z
UID:100253-1667478600-1667480400@artinamericaguide.com
SUMMARY:Gallery Talk: Dare to Know: Prints and Drawings in the Age of Enlightenment
DESCRIPTION:Join curator Horace Ballard for an exploration of the observation and documentation of astronomical events in the 18th century as exemplified in a drawing by British artist Paul Sandby. The work is featured in the special exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment\, on view until January 15\, 2023. \nFeaturing approximately 150 works on paper and other related objects\, Dare to Know explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the Enlightenment era by encouraging individuals to follow their own reason when seeking to know more. An illustrated catalogue with 26 thematic essays—an A to Z exploration of the Enlightenment quest for understanding and change—accompanies the exhibition. \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nLed by:\nHorace Ballard\, Theodore E. Stebbins\, Jr.\, Associate Curator of American Art \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment-5/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/Paul-Sandby.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221101T123000
DTEND;TZID=America/Halifax:20221101T130000
DTSTAMP:20260404T004609
CREATED:20221024T190813Z
LAST-MODIFIED:20221024T190813Z
UID:100052-1667305800-1667307600@artinamericaguide.com
SUMMARY:Art Talk Live: Art + Science Pathway
DESCRIPTION:Join conservator Kate Smith in making the invisible visible! As part of our new Art + Science Pathway\, eight objects across our galleries are accompanied by images of their X-radiographs\, which have given clues to conservation staff about how the works were made and how they have changed over time. Smith will look closely at three of these objects in this fascinating talk. \nLed by:\nKate Smith\, Conservator of Paintings and Head of Paintings Lab\, Straus Center for Conservation and Technical Studies \nThis talk is part of the series Fresh Perspectives\, an initiative that centers the role of the museumgoer. Like talks in the ReFrame series\, these programs highlight diverse voices and broad interpretations of difficult histories and untold narratives. This approach encourages visitors to consider alternative ways of understanding an object\, culture\, or theme. \nThis talk will take place online via Zoom. The event is free and open to all\, but registration is required. To register\, please complete this online form. \nPlease read these instructions on how to join a meeting on Zoom. For general questions about Art Talks\, email am_register@harvard.edu. \nArt Talks Live are presented via Zoom and offer an up-close look at works from our collections with our team of curators\, conservators\, fellows\, and graduate students. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/art-talk-live-art-science-pathway/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/Gauguin.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221030T140000
DTEND;TZID=America/Halifax:20221030T170000
DTSTAMP:20260404T004609
CREATED:20220922T113536Z
LAST-MODIFIED:20220922T113536Z
UID:98478-1667138400-1667149200@artinamericaguide.com
SUMMARY:Screens for Teens: Train to Busan
DESCRIPTION:This series of contemporary and classic films is specially curated for teenagers in and around Cambridge. The selection\, including both short and feature-length films\, is meant to provide teens with an opportunity to watch work focused explicitly on their experiences. Covering a range of topics\, emotions\, and nuances\, these free films—depending on length and scope—will be followed by conversation with faculty from the Cambridge Rindge and Latin School. \nAbout today’s film:\nTrain to Busan\, 2016 (Well Go USA; Korean with English subtitles; 118 min.) \nWhen a mysterious virus breaks out across South Korea\, the infected transform into the murderous undead in this wildly successful 2016 thriller Train to Busan\, an official New York Times Critic’s Pick that Slant Magazine credits with scare tactics “among the most distinctive the zombie canon has ever seen.” As terrified travelers fight for their lives on a bullet train from hell\, the result is a gory high-speed collision between the rich and the poor\, the living and the undead\, and the best and worst of human nature. When some among them prove willing to sell their soul for a shot at survival\, trust may prove to be a luxury even the richest passengers cannot afford. \nPlease note that the film is not rated\, and features violence and horror. \nFree admission\, but seating is limited and reservations are required. Reservations may be arranged by clicking on the event on this form beginning on Thursday\, October 20\, after 10am. \nThe screening will take place in Menschel Hall\, Lower Level. Doors will open at 1:30pm. \nPlease see the museum visit page to learn about our general policies for visiting the museums. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/screens-for-teens-train-to-busan/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/train-to-Busan.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221030T110000
DTEND;TZID=America/Halifax:20221030T170000
DTSTAMP:20260404T004609
CREATED:20221010T152033Z
LAST-MODIFIED:20221010T152033Z
UID:99808-1667127600-1667149200@artinamericaguide.com
SUMMARY:Altars Festival RVA 2022
DESCRIPTION:Join us October 30\, 2022 11 am – 5 pm for Altars Festival RVA 2022. \n  \nThis festival is a cross-cultural ancestor remembrance celebration inspired by Dia de lost Muertos and many other ancestor remembrance celebrations from around the world. \n  \nLocal artists have created “altars” which will be on display at Art Works. Meet Barrett Pitner\, philosopher\, writer\, journalist\, author of The Crime Without a Name\, founder of the festival\, and The Sustainable Culture Lab organization. Barrett will give a talk about Altars\, the concept and his organization. Pitner’s book will be available for you to purchase. Get your copy signed. \n  \nEnjoy music by Richmond musicians and a beer tasting by a local brewery. \n  \nFree and open to the public. \n  Save  
URL:https://artinamericaguide.com/event/altars-festival-rva-2022/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/Altars-Festival-Logo.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221029T160000
DTEND;TZID=America/Halifax:20221029T180000
DTSTAMP:20260404T004609
CREATED:20220922T113428Z
LAST-MODIFIED:20221001T211115Z
UID:98785-1667059200-1667066400@artinamericaguide.com
SUMMARY:George Miyasaki: Deep Space (1981-1989) Opening Reception
DESCRIPTION:RYAN LEE is pleased to announce George Miyasaki: Deep Space (1981-1989)\, an exhibition of\nMiyasaki’s paintings produced in the 1980s. This was a highly successful decade for the artist\nduring which he exhibited widely throughout the West Coast. The five paintings and two works on\npaper on view at the gallery reflect the artist’s mature artistic style\, in which he uses thickly built-up\nsurfaces and collaged papers to achieve weighty yet contemplative compositions that effortlessly\ncapture the delicate and structured. \n  Save  
URL:https://artinamericaguide.com/event/george-miyasaki-deep-space-1981-1989-opening-reception/
LOCATION:RYAN LEE\, 515 W 26th St\, 3rd Fl\, New York\, NY\, 10001\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/GMI-18-25-RL-1.jpg
ORGANIZER;CN="RYAN LEE":MAILTO:info@ryanleegallery.com
GEO:40.7500935;-74.0036112
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=RYAN LEE 515 W 26th St 3rd Fl New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=515 W 26th St\, 3rd Fl:geo:-74.0036112,40.7500935
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221029T160000
DTEND;TZID=America/Halifax:20221029T180000
DTSTAMP:20260404T004609
CREATED:20220922T112915Z
LAST-MODIFIED:20221001T211054Z
UID:98789-1667059200-1667066400@artinamericaguide.com
SUMMARY:George Nelson Preston: Afro Atlantica Opening Reception
DESCRIPTION: RYAN LEE Gallery is pleased to present Afro Atlantica: The Aqueous Continent\, a presentation of works by George Nelson Preston. The five paintings and one work on paper on view are reflections on the Middle Passage. These recent works\, made between 2016 and 2022\, continue to explore Preston’s longstanding interest in the power of memory\, the emotional context of historical trauma\, and the complicated inheritance of the African diaspora and “our double consciousness” throughout the Americas as well as Preston’s own family legacy.  \n  Save  
URL:https://artinamericaguide.com/event/afro-atlantica-the-aqueous-continent/
LOCATION:RYAN LEE\, 515 W 26th St\, 3rd Fl\, New York\, NY\, 10001\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/GNP-22-05-RL-1.jpg
ORGANIZER;CN="RYAN LEE":MAILTO:info@ryanleegallery.com
GEO:40.7500935;-74.0036112
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=RYAN LEE 515 W 26th St 3rd Fl New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=515 W 26th St\, 3rd Fl:geo:-74.0036112,40.7500935
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221028T180000
DTEND;TZID=America/Halifax:20221028T200000
DTSTAMP:20260404T004609
CREATED:20220928T173412Z
LAST-MODIFIED:20220928T173412Z
UID:99131-1666980000-1666987200@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Opening Reception @ Art Works!
DESCRIPTION:Winter is approaching. Soon days will be short and nights long. We are inviting our guests to go up in the attic and dust off their scariest Halloween get-up and join us for the 4th Friday reception and opening of new exhibits. There will be prizes for best costumes. \n  \nIt’s not all scary stuff\, as we are also inviting children (and adults love this too) to an artful scavenger hunt and pumpkin decorating activity. And the new exhibits will put you in the Halloween mood including:  Phantasmagorium by Chris Semtner\, Spontaneous Markings by George Hughes\, The Magical World of Little Lamzy Divy by Andrea Danner and the All Media Show with a Dark Art theme. \n  \nPlease join us October 28th\, 6 p.m. – 8 p.m. for the opening reception. Meet these extraordinary artists\, enjoy live music\, and celebrate with us with refreshments and libations benefiting RVA Thriving Artists.  Parking is free. \n  \nPhantasmagorium by Chris Semtner  \nArtist\, author\, and curator Chris Semtner may be best known as the horror and dark history expert who has appeared on PBS\, BBC\, American Heroes Channel\, C-Span\, and other networks and who has written articles for Biography.com\, Crime Writers Chronicle\, and other publications. His museum exhibits have been reviewed in The New York Times\, Deep South Magazine\, and other publications. In the midst of jurying and curating exhibits across the country and keeping a busy speaking schedule that has taken him to venues ranging from the Steampunk World’s Fair to the Library of Congress and as far away as Japan\, Semtner continues to paint mesmerizing pictures informed by his years of research into things phantasmagorical\, chimerical\, and outré. The sources of his imagery are hazy memories\, half-forgotten dreams\, dusty old books\, and seldom seen black-and-white movies. \n  \nThe exhibit will be in the Jane Sandelin Gallery. \nSpontaneous Markings by George Hughes \nRaised in the Blue Ridge Mountains of Bedford County\, Virginia\, George Hughes developed a deep appreciation for nature. While earning his Bachelor of Arts from VCU\, he was immediately struck with the tension between the urban environment and the rural atmosphere to which he was accustom. VCU introduced Hughes to a more expressive style of working that was spontaneous and free forming through impressionistic landscape. Hughes focused on the improvisational mark and vivid color. Hughes has traveled all over the country visiting National Forests that have inspired his work. The exhibit will be in the Corner Gallery. \n  \n  \n  \n  \n  \nThe Magical World of Little Lamzy Divy by Andrea Danner \n  \nAndrea Danner knew she was an artist as a girl\, winning the Smoky the Bear coloring contest at the age of five. Most of her artwork revolves around her love and passion for animals and nature. In her recent work which is made of paper mâché and paper clay\, she focuses on bringing paper to life through fun and a bit of “magic”. Many of the materials she uses are repurposed and recycled\, including old library book pages. Her whimsical creations bring her joy and laughter\, that she shares with others. \n  \nThe exhibit will be in the Skylight Gallery \n  \n  \nDARK ART – OCTOBER 2022 ALL MEDIA ART SHOW  \nThis exhibit is a focal point of all Art Works’ openings. It is a juried show with cash prizes and is open to all artists and all mediums. The theme is “dark art”. After all it is Halloween\, and a spooky exhibit seems fitting. \n  \nCall for entries is September 23\, 2022 – October 18\, 2022. Submit your entries through our online form. Check our website for details on submitting your artwork:   artworksrva.com  \nPainting by: Sheri Lake \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-opening-reception-art-works-28/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/PIC-Semtner-An-Unkindness-of-Ravens-by-Chris-Semtner_.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221028T170000
DTEND;TZID=America/Halifax:20221028T190000
DTSTAMP:20260404T004609
CREATED:20221024T190813Z
LAST-MODIFIED:20221024T190813Z
UID:100057-1666976400-1666983600@artinamericaguide.com
SUMMARY:Opening Reception and Artist Talk for  Transformations: A Gender Exploration by Mariette Pathy Allen
DESCRIPTION:Mariette Pathy Allen has been photographing the transgender\, genderfluid\, and intersex communities for over 40 years. Her photography and multiple written works on the subject of gender consciousness have brought the topic to the forefront of institutions and people across the globe. Her work has been recognized and archived by Duke University’s Rare Book and Manuscripts Library and The Sallie Bingham Center for Women’s Studies. \nThis exhibition is a tribute to her life’s work and the continual fight for gender exploration.  It will feature selections from Transformations: Crossdressers and Those Who Love Them and the Fantasy & Flowers series.  See the beautiful and powerful images and learn more from Mariette Pathy Allen during her artist talk on October 28\, from 5 pm to 7 pm! \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-and-artist-talk-for-transformations-a-gender-exploration-by-mariette-pathy-allen/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/PaulaD1800x1000.jpg
GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221028T170000
DTEND;TZID=America/Halifax:20221028T190000
DTSTAMP:20260404T004609
CREATED:20221021T145112Z
LAST-MODIFIED:20221021T145112Z
UID:100011-1666976400-1666983600@artinamericaguide.com
SUMMARY:Kaethe Kauffman: Workshop at Castello 925
DESCRIPTION:Since the ’90s\, Kaethe Kauffman has worked with the female body studying and documenting its movement and creating out of this performative process\, a series of abstracted images. These artworks\, inspired by the practice of yoga\, investigate the theme of freedom by challenging the objectification by society of women’s bodies. Using string dipped in paint\, the artist ties the filament around a hand\, knee\, elbow\, or torso\, and when the body part is flexed\, the movement is recorded as an off-printing of paint on skin. In Kauffman’s art\, the body writes itself upon its own skin in a ritual of self-revelation. This act of marking and exposure is documented by Kauffman’s photographic images\, which are digitally repeated and colored\, drawn upon by hand in a variety of media and the vibrant results are printed on silk much like the large banners found in Buddhist temples. In an expansion of the body’s own “speech” through movement\, Kaethe Kauffman’s images combine into larger fields of replication and mirroring\, until the individual body is subsumed into a larger vision. \nKaethe Kauffman’s solo exhibition Yoga: Interiore Eterno at Castello 925\, Venice Italy will feature a workshop about abstraction and movement involving audience members.\nDuring this workshop the audience will have the opportunity to become a both a model for the artist and a participant in her creative process. \n  Save  
URL:https://artinamericaguide.com/event/kaethe-kauffman-workshop-at-castello-925/
LOCATION:Castello 925\, Fondamenta San Giuseppe\, Sestiere Castello 925\, Venice\, Veneto\, 30122\, Italy
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/10/Screen-Shot-2022-10-20-at-2.23.48-PM.png
ORGANIZER;CN="Cross Contemporary Art Projects":MAILTO:crosscontemporaryprojects@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221028T080000
DTEND;TZID=America/Halifax:20221028T170000
DTSTAMP:20260404T004609
CREATED:20221028T203306Z
LAST-MODIFIED:20221028T203306Z
UID:100154-1666944000-1666976400@artinamericaguide.com
SUMMARY:Liz Leggett: Abstractly Frenzied and Separate\, Unified by a Line
DESCRIPTION:A solo exhibition featuring works from Westport artist\, Liz Leggett. \nAbstract art has always been deeply rooted in the seeming undefined\, but when looking at the works of Westport artist\, Curator and mom\, Liz Leggett one encounters an apparent frenzied depiction of the depths of life on the contemporary woman who does it all and finds balance and meaning through her paint brush. \nAbstract Expressionism is not a new trend in the art world\, originally ascribed to the male artist who through his stroke and often wild application of paint reinforced his masculinity through the new movement\, understandable considering the movement begins after WWII when men came back from war and needled to elbow the women out of their jobs. But what does it mean when a contemporary artist\, and woman\, employs the same drama and dynamics to her application of paint and subject? Is it a means to equalize the art world? A way to consume and redefine patriarchal artistic language and practice? Does this type of paint application mean certain emotions\, is it all just symbolic of something else\, something more personal\, something inherent in the artist? All good questions\, and one can argue that all of the above are behind this artist’s venture in Abstract Expressionism and in so doing much of the work can be seen as a response to the questions posited here.  After Party\, for example\, presents the viewer with an initial explosion of color\, drips\, and squiggly lines\, but after closer inspection one is able to discern why the piece is titled so – martini olives are all over the place\, a green pumpkin and what could be an electric heater. With a color palette of blues\, black\,  greens and red there are levels to the piece and ways in which to interpret – the background is blue – suggesting daylight\, the day after a party and what many encounter the morning after – but in that ‘mess’ are memories\, good\, uncomfortable\, but also hassles; did the kids get enough sleep\, did we make too much noise\, “ugh\, I have to clean this mess”- was the party worth it? What is different in Leggett’s work\, unlike that of Pollack\, is she is documenting and explaining her life and what she does and in so doing she creates a new language that is not masculine\, patriarchal or expected – this is the language of Liz Leggett. Leggett’s powerful language is further seen in Holding Pen\, another large scale work that through palette and line creates a grid and other geometric shapes that in their entirety suggest a mask – is this the intent? Is this the artist\, why are some lines stronger than others\, why this palette – all these questions and others are what is central and behind any kind of abstraction – what does it all mean? Abstraction can be looked at in many ways – easily one can apply psychoanalytical theory\, color theory\, and even feminist theory\, and in the case of Liz Leggett all these theories find comfort in her work – but the greatest attribute that affords all these associations and approaches are found in her lines. It takes great courage to create a line that stands out and alone yet unifies\, and Leggett’s lines do just that\, they unify the artist and the viewer in the field of interpretation. The are the entrance into the work\, and hold everything together – they break expectation\, order\, and award the viewer with distinct vignettes into this person’s life and in so doing give meaning to what we often consider the mundane\, which though through this artist’s hand are elevated to the sublime.  \n  Save  
URL:https://artinamericaguide.com/event/liz-leggett-abstractly-frenzied-and-separate-unified-by-a-line/
LOCATION:The CAMP Gallery Westport\, 190 Main Street\, Westport\, CT\, 06880\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/IMG_2218-scaled.jpeg
ORGANIZER;CN="The Contemporary Art Modern Project":MAILTO:hello@thecampgallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221027T170000
DTEND;TZID=America/Halifax:20221027T210000
DTSTAMP:20260404T004609
CREATED:20220922T113536Z
LAST-MODIFIED:20220922T113536Z
UID:98480-1666890000-1666904400@artinamericaguide.com
SUMMARY:Harvard Art Museums at Night
DESCRIPTION:Join us for an evening of art\, fun\, food\, and more! This event is free and open to everyone. \nBring your friends to mingle in the Calderwood Courtyard\, chat over a snack or drink at Jenny’s Cafe\, browse the shop\, and of course\, wander the galleries to take in our world-class collections of art. \nExplore our special exhibitions Funerary Portraits from Roman Egypt: Facing Forward and Dare to Know: Prints and Drawings in the Age of Enlightenment. \nAfter you’ve browsed the galleries\, circle back to see what’s happening in the courtyard. \nHarvard Art Museums at Night takes place the last Thursday of every month\, from 5 to 9pm. \nEach night will feature a new mix of local talent and community partners to make this a festive occasion for all. \nWhen arriving\, enter via Quincy Street. Advance reservations are encouraged\, but walk-in visitors are always welcome. Please note that space may be limited due to capacity. Reservations are available two weeks before the event. \nVisit the museum website for the latest visitor policies and parking information. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/harvard-art-museums-at-night-3/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/09/October-At-Night-1200_1200.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221027T170000
DTEND;TZID=America/Halifax:20221027T210000
DTSTAMP:20260404T004609
CREATED:20220922T113536Z
LAST-MODIFIED:20220922T113536Z
UID:98482-1666890000-1666904400@artinamericaguide.com
SUMMARY:Harvard Art Museums at Night
DESCRIPTION:Join us for an evening of art\, fun\, food\, and more! This event is free and open to everyone. \nBring your friends to mingle in the Calderwood Courtyard\, chat over a snack or drink at Jenny’s Cafe\, browse the shop\, and of course\, wander the galleries to take in our world-class collections of art. \nExplore our special exhibitions Funerary Portraits from Roman Egypt: Facing Forward and Dare to Know: Prints and Drawings in the Age of Enlightenment. \nAfter you’ve browsed the galleries\, circle back to see what’s happening in the courtyard. \nHarvard Art Museums at Night takes place the last Thursday of every month\, from 5 to 9pm. \nEach night will feature a new mix of local talent and community partners to make this a festive occasion for all. \nWhen arriving\, enter via Quincy Street. Advance reservations are encouraged\, but walk-in visitors are always welcome. Please note that space may be limited due to capacity. Reservations are available two weeks before the event. \nVisit the museum website for the latest visitor policies and parking information. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/harvard-art-museums-at-night-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/09/October-At-Night-1200_1200-1.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221027T110000
DTEND;TZID=America/Halifax:20221030T180000
DTSTAMP:20260404T004609
CREATED:20221021T145253Z
LAST-MODIFIED:20221021T145253Z
UID:99974-1666868400-1667152800@artinamericaguide.com
SUMMARY:Tandem Press at the 2022 IFPDA Fine Art Print Fair
DESCRIPTION:For our 2022 IFPDA Print Fair presentation\, Tandem Press will debut new prints by Derrick Adams\, Lesley Dill\, and Cameron Martin. We will also exhibit recent prints by Jeffrey Gibson\, Suzanne Caporael\, Manabu Ikeda\, and Alison Saar that have not been shown at the fair previously. \nDerrick Adams’s new prints\, a continuation of his Style Variation series\, explore Black identity and empowerment achieved through acts of styling. They celebrate rituals of self-expression that do not need to be contextualized to have value\, and they champion what Adams calls one’s individual “fantastic-ness.” \nIn Suzanne Caporael’s most recent print “Origins of the Elements\,” which was inspired by the Periodic Table of the Elements\, she carefully mixed colors to represent cosmic events that are the sources of elements in the universe. \nLesley Dill’s work is profoundly spiritual and explores the relationship between text and images. Her new prints relate to her recent body of work that studies several daring and courageous American abolitionists and religious figures from the 18th-20th centuries\, including Dred Scott\, Sojourner Truth\, and Heavenly Mother Ann Lee. \nA Mississippi Choctaw/Cherokee artist\, Jeffrey Gibson uses recognizable Native American materials such as beads\, fringe\, and elk hide in his artwork. His colorful\, graphic\, and often text-inclusive works create powerful statements that reorient the place and status of Native American art within contemporary culture. \nManabu Ikeda weaves elements of civilization and nature into fantastic narratives which emanate a sense of pure curiosity and abundant imagination. Ikeda’s new intaglio print “The Legendary Mountain” reimagines a Japanese fable of tragedy\, hope\, and mystery. \nIn Cameron Martin’s current work\, the act of representation takes precedence over the representation itself. The non-objective images read as screens\, containers for information\, or illusions of animated space that include shapes and forms reminiscent of recognizable signs or symbols. \nAlison Saar’s personal identity and experience with racism and sexism fuels the narratives she tells through her sculptures\, drawings\, and prints. Saar\, a biracial woman with a lighter complexion\, continues her exploration of hair and the various rituals\, expectations\, and connotations that revolve around it in her new editions. \n  Save  
URL:https://artinamericaguide.com/event/tandem-press-at-the-2022-ifpda-fine-art-print-fair/
LOCATION:The Armory Show at the Javits Center\, 11th Avenue at 35th Street\, New York\, NY\, NY\, 10001\, United States
CATEGORIES:Art Fair
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/IMG_5365-scaled.jpg
ORGANIZER;CN="IFPDA Fine Art Print Fair":MAILTO:info@ifpda.org
GEO:40.7564465;-74.0015064
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Armory Show at the Javits Center 11th Avenue at 35th Street New York NY NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=11th Avenue at 35th Street:geo:-74.0015064,40.7564465
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221023T120000
DTEND;TZID=America/Halifax:20221023T130000
DTSTAMP:20260404T004609
CREATED:20220922T114326Z
LAST-MODIFIED:20220922T114326Z
UID:98474-1666526400-1666530000@artinamericaguide.com
SUMMARY:Exhibition Tour: Dare to Know: Prints and Drawings in the Age of Enlightenment
DESCRIPTION:Join exhibition curator Elizabeth Rudy for an in-depth tour of Dare to Know: Prints and Drawings in the Age of Enlightenment\, on view through January 15\, 2023. She will share insights about how works on paper played a critical role in the 18th century\, wielding the power to visually articulate\, reinforce\, or contradict beliefs as well as biases. \nLed by:\nElizabeth Rudy\, Carl A. Weyerhaeuser Curator of Prints\, Division of European and American Art \nTours are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The tour reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nSee the museum visit page to learn about our general policies for visiting the museums. \nThis exhibition is supported in part by an award from the National Endowment for the Arts. Support for the exhibition is provided by the Melvin R. Seiden and Janine Luke Fund for Publications and Exhibitions\, the Robert M. Light Print Department Fund\, the Stanley H. Durwood Foundation Support Fund\, the Catalogues and Exhibitions Fund for Pre-Twentieth-Century Art of the Fogg Museum\, and the Gladys Krieble Delmas Foundation. The catalogue was made possible by the Andrew W. Mellon Publication Funds\, including the Henry P. McIlhenny Fund. Related programming is supported by the M. Victor Leventritt Lecture Series Endowment Fund. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/exhibition-tour-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Dagoty-2.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221020T170000
DTEND;TZID=America/Halifax:20221020T210000
DTSTAMP:20260404T004609
CREATED:20220926T141716Z
LAST-MODIFIED:20220926T141716Z
UID:98918-1666285200-1666299600@artinamericaguide.com
SUMMARY:MUSEUM AFTER HOURS: FORWARD
DESCRIPTION:On Thursday\, October 20\, 2022\, in conjunction with Museum After Hours\, from 6 PM until 7:30 PM\, Pike School of Art\, in partnership with the Mississippi Museum of Art\, will host a listening session of Charles Edward William’s work\, FORWARD and a panel discussion about the works place in the history of the Civil Rights Movement. The panel will take place at the Mississippi Museum of Art located at 380 South Lamar Street\, Jackson\, MS 39201 and will feature\, along with the artist\, Monique Davis\, Managing Director for the Center for Art and Public Exchange (CAPE) at the Mississippi Museum of Art m; Brenda Travis\, an African American veteran of the Civil Rights Movement from McComb\, Mississippi whose imprisonment for protesting a segregated bus station and participation in a peaceful high school walk out in 1961 helped catalyze public sentiment against segregation and Flonzie Brown Wright\, best-selling author of Looking Back to Move Ahead\, which chronicles her journey growing up in a small Mississippi town through her work in the Civil Rights Movement in the 1960s and 1970s\, three powerful women of color and consummate experts in their fields. \n  Save  
URL:https://artinamericaguide.com/event/museum-after-hours-forward/
LOCATION:Mississippi Museum of Art\, 380 South Lamar Street\, Jackson\, 39201\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Forward-CEW-Final-Web.jpg
ORGANIZER;CN="Pike School of Art %E2%80%93 Mississippi":MAILTO:contact@psa-ms.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221019
DTEND;VALUE=DATE:20221020
DTSTAMP:20260404T004609
CREATED:20221012T183426Z
LAST-MODIFIED:20221015T004743Z
UID:99835-1666137600-1666223999@artinamericaguide.com
SUMMARY:Opening Reception: Functional Misrepresentations
DESCRIPTION:Functional Misrepresentations\nOctober 8\, 2022 – February 5\, 2023\nInLiquid at Park Towne Place\n2200 Benjamin Franklin Parkway\nPhiladelphia\, PA 19130 \nPlease join us on October 19th from 6:00 – 8:00 PM at Park Towne Place for an opening reception in the North\, West\, and South tower galleries. \nThe reception will begin in the North Tower\, and then move to the West Tower\, and then to the South Tower. Each tower will offer an opportunity to hear short remarks from the included artist or curator\, and a chance to mingle. Refreshments and hors d’oeuvres will be served. \nWe look forward to seeing you at this next installment of art at Park Towne Place! \nRSVP required \nFunctional Misrepresentations highlights six artists whose work uses the shared language of objects to discuss how they can act as vectors of memory; both personal and societal. The included artists\, Leila Cartier\, Randall Cleaver\, Billy Colbert\, Christina P. Day\, Han Wang\, and Mallory Weston show how objects can hold onto memories and be reconstructed to tell mythical tales of what was\, and what could have been. \nChristina P. Day mines the memories of interior places through her linoleum collage series. Using salvaged linoleum flooring\, Day painstakingly cuts out the patterns\, layering and manipulating them as a way of honoring and preserving them. Also using salvaged materials\, Randall Cleaver’s assemblages utilize components that span his lifetime- an old tractor light from a yard sale in Maryland\, a children’s bicycle rescued from the trash\, and bottle caps collected over forty years\, all nod to the memories of fleeting moments and places. \nHan Wang’s Across the Ocean Project weaves together the memory of culturally significant foods\, forms\, and patterns with more darkly complex reverberations of cultural appropriation. The blue patterns\, caught between the authentic and Delftware reinterpretations\, are undeniably beautiful as they revel in their hybridity. Also hybridizing cultures is Billy Colbert\, in his work he combines a love of skateboarding in his American youth with the (often) unsung contributors of our human culture. \nBut what of worlds imagined\, mythical\, and fantastical? The unusual references Mallory Weston makes with her jewelry- a threatening snake\, an oozing wound\, a barbed cacti- offer an opportunity for escapism. They allow the wearer to amass and adorn themselves with the tokens that best represent their internal worlds on any given day. Also focusing on escapism through jewelry is Leila Cartier whose large scale collages made up of hand-cut images of jewelry from magazines give us a glimpse into a beauty that obscures hidden dangers\, excess\, and the disparity between expectations and reality. \nObjects we encounter can lose their meaning\, becoming merely another thread in our daily tapestries. But in the hands of the artists of Functional Misrepresentations\, once familiar objects are elevated to take on new meanings that challenge us to consider the ways in which we take what seems to be true for granted. \n  Save  
URL:https://artinamericaguide.com/event/functional-misrepresentations/
LOCATION:InLiquid\, 1400 N American St. #314\, Philadelphia\, PA\, 19122\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="InLiquid":MAILTO:info@inliquid.org
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20221018T170000
DTEND;TZID=America/Chicago:20221018T190000
DTSTAMP:20260404T004609
CREATED:20220922T112916Z
LAST-MODIFIED:20220922T112916Z
UID:98721-1666112400-1666119600@artinamericaguide.com
SUMMARY:Choomi Chung\, (In)Visible
DESCRIPTION:Joomi Chung\, (In)Visible\nOctober 18 – November 05\, 2022\nReception: Tuesday\, October 18th\, 5-7PM MDT \nStrata Gallery presents a solo exhibition\, (In)Visible by Ohio-based artist Joomi Chung. The exhibition opens October 18 with an artist reception from 5-7pm. \n(In)Visible explores subjective experiences of time; simultaneous looking into and through another body; and the intersection between aural and visual experiences. The exhibition includes two experimental animations and a series of small-scale paintings. Transit (7:45) focuses on an experience of moving through time-space as a driver. Inside a Waterdog’s Head (6:54) portrays the world seen and felt by the artist’s dog\, recently diagnosed with a rare type of cancer. While the two time-based works evoke a sensation of passing through a flux of time\, the gouache painting series\, Still Frames\, offers a moment to contemplate the spaces contained in fractions of seconds. \nJoomi Chung is a Korean-American artist based in Oxford\, Ohio where she is currently an Associate Professor of Art at Miami University. Her work has been exhibited at national and international venues including Alice F. and Harris K. Weston Art Gallery in the Aronoff Center for the Arts\, Cincinnati\, OH; Urban Arts Space\, Ohio State University\, Columbus\, OH; Urban Institute of Contemporary Art\, Grand Rapids\, MI; Colorado State University\, Fort Collins\, CO; Seoul Art Center at Hangaram Museum and SOMA Drawing Center\, Seoul\, South Korea; and the University of West Bohemia\, Pilsen\, Czech Republic among others. Joomi Chung is excited to show her new body of work at Strata Gallery in Santa Fe\, NM. \nStrata Gallery is open from 10 a.m. to 5 p.m. Tuesday – Saturday. For more information about Strata Gallery\, the current exhibit\, and the future schedule of events\, please visit the Strata Gallery website and Instagram. \nMasks required \n  \n  Save  
URL:https://artinamericaguide.com/event/choomi-chung-invisible/
LOCATION:Strata Gallery\, 418 Cerrillos Road\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221018T120000
DTEND;TZID=America/Halifax:20221105T180000
DTSTAMP:20260404T004609
CREATED:20221012T183426Z
LAST-MODIFIED:20221018T184924Z
UID:99826-1666094400-1667671200@artinamericaguide.com
SUMMARY:CLOSE ENCOUNTERS
DESCRIPTION:Atlantic Gallery is pleased to announce the opening of\nCLOSE ENCOUNTERS\, an exhibition of figurative\npaintings by Robert Forte\, on view from Tuesday\,\nOctober 18 through Saturday\, November 5\, 2022. A\nreception for the artist will be held on Thursday\,\nOctober 20\, from 5:00 to 8:00 pm. \nCLOSE ENCOUNTERS explores the human figure as a\ncatalyst for expressing the complexity of our\nrelationships with each other and with the world around\nus. The maxim that “a picture is worth a thousand words”\ncoalesces on the canvases\, which tell their stories\nthrough the power of suggestion and body language.\nRobert Forte’s paintings are held by numerous private\ncollectors and are shown regularly at Atlantic Gallery\nand at the Meeting House Gallery in New Marlborough\,\nMassachusetts. Forte’s work is currently on view in the September issue of The American Art Collector.\nForte studied painting and drawing at the Art Students League and Spring Studio. He also attended\nclasses at the School of Visual Arts\, and participated in a workshop with Philip Pearlstein at the National\nAcademy School of Fine Arts. Forte is a graduate of Harvard Law School and held the position of\nDeputy Solicitor General of the State of New York. \nPlease visit www.robertforte.com to learn more about the artist. \n  Save  
URL:https://artinamericaguide.com/event/close-encounters-2/
LOCATION:Atlantic Gallery\, 548 W. 28th St\, #540\, New York\, 10001\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221016T100000
DTEND;TZID=America/Halifax:20221016T130000
DTSTAMP:20260404T004609
CREATED:20220922T113309Z
LAST-MODIFIED:20220922T113309Z
UID:98723-1665914400-1665925200@artinamericaguide.com
SUMMARY:Materials Lab Workshop: Making Faces
DESCRIPTION:This workshop accompanies the exhibition Funerary Portraits from Roman Egypt: Facing Forward\, which invites viewers to ask more about the complicated histories of these portraits and the people they depict. The exhibition explores what can be learned about the artistic process and current condition of these works through scientific analysis and technical research conducted by staff in the Harvard Art Museums’ Straus Center for Conservation and Technical Studies. Funerary Portraits is on view through December 30\, 2022. \nIn this two-part workshop\, join us first in the exhibition galleries with curator Susanne Ebbinghaus and conservator Kate Smith for a close look at the portraits and learn what our curators\, conservators\, and scientists have discovered about them. Then take that experience to the Materials Lab\, where you’ll make your own version of an ancient tempera painting using some of the same materials and techniques used by Roman-period artists. This workshop aims to honor and remember the woman in the ancient portrait we will copy\, and to celebrate the relationship between artist and sitter that allowed the woman’s essence to be captured so powerfully. \nLed by:\nSusanne Ebbinghaus\, George M.A. Hanfmann Curator of Ancient Art and Head\, Division of Asian and Mediterranean Art\nKate Smith\, Conservator of Paintings and Head of Paintings Lab\, Straus Center for Conservation and Technical Studies \nNo prior experience necessary. This workshop will take place in the Materials Lab\, Lower Level. \n$15 materials fee. Registration is required and space is limited. Registration for this workshop will open on Thursday\, October 6\, 2022 at this link\, and participants will be admitted on a first-come\, first-served basis. To join the waitlist\, please email am_register@harvard.edu. Minimum age of 14. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/materials-lab-workshop-making-faces-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
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ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221015T150000
DTEND;TZID=America/Halifax:20221015T170000
DTSTAMP:20260404T004609
CREATED:20221010T152059Z
LAST-MODIFIED:20221010T154932Z
UID:99803-1665846000-1665853200@artinamericaguide.com
SUMMARY:Strange Figurations
DESCRIPTION:The Limner Gallery features a group exhibition of figurative work on view from October 13 – November 5\, 2022 with a reception for the artists on Friday\, Oct. 15\, 3-5pm. Image: “Critical Family” © Lowell Miller 2018\, ceramic\, epoxy\, oil paint More about Lowell Miller and his work: https://bit.ly/ccaplmiller\nStrange Figurations\nLimner Gallery\n123 Warren Street\nHudson\, NY 12534\n518-567-7858\nHours: Thurs – Sat 12 -5pm \n  Save  
URL:https://artinamericaguide.com/event/strange-figurations/
LOCATION:Limner Gallery\, 123 Warren Street\, Hudson\, NY\, 12434\, United States
CATEGORIES:Event
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ORGANIZER;CN="Limner Gallery":MAILTO:thelimner@aol.com
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221013T180000
DTEND;TZID=America/Halifax:20221014T210000
DTSTAMP:20260404T004609
CREATED:20221012T183426Z
LAST-MODIFIED:20221012T183426Z
UID:99833-1665684000-1665781200@artinamericaguide.com
SUMMARY:Beauty of Stillness
DESCRIPTION:Beauty of Stillness\nat the InLiquid Gallery\n1400  American Street\nPhiladelphia PA 19122 \nCrispness is in the air. A modest destabilization. Your jacket crossed tight to guard against a chilly wind. A confusion. Ennui. Loneliness. Autumn\, though full of decay\, has a marked beauty\, like a poem written in longing. Like the season of fall itself\, the four artists of The Beauty of Stillness conjure tender reflective moments that are marked by pangs of uncertainty\, yearning\,  and beauty. \nIn his work\, Geoffrey Ansel Agrons memorializes scenes that are haunting and lonely\, devoid of any recent mark of civilization. These are fleeting sites. Soon after Argons leaves\, they vanish: the wind changes the shape of the snow bank\, a scavenger carries off a carcass for a meal. The “melancholigraphs\,” as he terms them\, are all that remain to remember the moment by. \nAlso capturing nature through photography is Daria Panichas. Unlike Agrons\, Panichas’ photographs are unrecognizable subjects in unrecognizable moments. Panichas shoots from non-traditional angles\, from uncomfortably close\, and cropped beyond recognizability. Her stark backgrounds recall chiaroscuro paintings and nod to the long history of memento mori. Simultaneously familiar and unsettlingly foreign\, Panichas’ subjects highlight the nature that we are removed from\, twisting it until only its beauty is recognizable. \nConstance McBride alters nature and brings it into the gallery space to confront us with the reality that we as humans are removed from the natural world. Nature’s detritus\, fallen limbs\, shells of animals\, and bones\, are coated in white ceramic slip making them white and\, pure\, and suitable for a pristine\, traditional gallery view. \nSimilar to McBrides’ desaturation\, Richard Hricko’s practice alters nature to encourage us to better see its beauty. Hricko collects items that he sees in his daily life like weeds and litter from an abandoned lot across the street from his studio. He weaves these things together to create a tableau\, which he then photographs and uses as the bases for his printmaking. \nAll these artists carefully balance the natural and artificial\, the spontaneous and the curated. \n  Save  
URL:https://artinamericaguide.com/event/beauty-of-stillness/
LOCATION:InLiquid\, 1400 N American St. #314\, Philadelphia\, PA\, 19122\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="InLiquid":MAILTO:info@inliquid.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221013T100000
DTEND;TZID=America/Halifax:20221105T180000
DTSTAMP:20260404T004609
CREATED:20221012T183426Z
LAST-MODIFIED:20221013T171400Z
UID:99831-1665655200-1667671200@artinamericaguide.com
SUMMARY:Martyn Cross | Roarings Further Out
DESCRIPTION:Marianne Boesky Gallery presents Roarings Further Out\, the first New York solo exhibition of the Bristol\, United Kingdom–based artist Martyn Cross. Executed at a small scale\, the all-new works on view unfurl into luminous\, uncanny landscapes informed by Cross’s fascination with medieval imagery and the speculative literary genre known as weird fiction. The exhibition takes its title from a series of four novellas by Algernon Blackwood\, one of weird fiction’s most prolific authors\, and touches on the genre’s themes\, including otherworldly environments and alternative human experiences. \n  Save  
URL:https://artinamericaguide.com/event/martyn-cross-roarings-further-out/
LOCATION:Marianne Boesky Gallery\, 509 West 24th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Marianne Boesky Gallery":MAILTO:info@boeskygallery.com
GEO:39.189719;-106.8155562
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221011T100000
DTEND;TZID=America/Halifax:20221011T130000
DTSTAMP:20260404T004609
CREATED:20220926T141840Z
LAST-MODIFIED:20220926T210553Z
UID:98861-1665482400-1665493200@artinamericaguide.com
SUMMARY:Materials Lab Workshop: Modeling Material Culture in Paper
DESCRIPTION:This workshop is inspired by the exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment\, which explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the so-called age of reason. It invites visitors to embrace the Enlightenment’s same spirit of inquiry—to investigate\, to persuade\, and to imagine. The exhibition is on view at the Harvard Art Museums through January 15\, 2023. \nWe will first gather in the galleries with Elizabeth Rudy\, the Carl A. Weyerhaeuser Curator of Prints\, and visiting artist Angela Lorenz. Rudy will explain the main themes of the exhibition and focus on a few works that present mysteries that remain unsolved. Lorenz will show examples of her “McSpheres” (Material Culture Spheres). These spheres serve as a low-tech\, open model for the 3-D visualization of objects. She developed them as tools to explore\, categorize\, and describe any object in the world—and to create connections with other objects. Participants will have an opportunity to closely examine and discuss the selected works together in the galleries. We will then proceed to the Materials Lab to fashion our own McSpheres. A conversation about the participants’ creations and the works in the exhibition will conclude the workshop. \nLorenz sees the McSphere as “a call and response specific to Dare to Know\, but [also as] a way to access critical thinking that applies to any object\, environment\, cupboard\, refrigerator\, living room or neighborhood. Some people will go micro to the carbon atom and the water cycle\, others macro to settler colonialism and global trade.” The artist’s hope is that the McSphere will serve as a tool for the exploration of objects in other museums\, neighborhoods\, and contexts. \nLed by:\nElizabeth Rudy\, Carl A. Weyerhaeuser Curator of Prints\, Harvard Art Museums\nAngela Lorenz\, Artist \nNo prior experience necessary. Bring your imagination\, curiosity\, and creativity! This workshop will take place in the Materials Lab\, Lower Level. \n$15 materials fee. Registration is required and space is limited. Registration for this workshop will open on Saturday\, October 1\, 2022 at this link\, and participants will be admitted on a first-come\, first-served basis. To join the waitlist\, please email am_register@harvard.edu. Minimum age of 14. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/materials-lab-workshop-modeling-material-culture-in-paper-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/Angela-Lorenz-1.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
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END:VCALENDAR