BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Art in America Guide - ECPv6.7.0//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Art in America Guide X-ORIGINAL-URL:https://artinamericaguide.com X-WR-CALDESC:Events for Art in America Guide REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/Halifax BEGIN:DAYLIGHT TZOFFSETFROM:-0400 TZOFFSETTO:-0300 TZNAME:ADT DTSTART:20220313T060000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0300 TZOFFSETTO:-0400 TZNAME:AST DTSTART:20221106T050000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0400 TZOFFSETTO:-0300 TZNAME:ADT DTSTART:20230312T060000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0300 TZOFFSETTO:-0400 TZNAME:AST DTSTART:20231105T050000 END:STANDARD TZID:America/Los_Angeles BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20230312T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20231105T090000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/Halifax:20230115T180000 DTEND;TZID=America/Halifax:20230115T200000 DTSTAMP:20260403T153400 CREATED:20230110T232239Z LAST-MODIFIED:20230110T232239Z UID:101408-1673805600-1673812800@artinamericaguide.com SUMMARY:RURI YI DESCRIPTION:Yi presents a basic unit or form inspired by daily life\, urban space\, and the natural landscape. The Eq. or Equilibrium Series explores the function of a single defined shape\, deployed by the artist in marching arrangements where a grid of like forms is punctuated by contrasting colors. Yi has described this shape as a racetrack\, and it appears as a capsule\, neither flat nor three-dimensional. The elongated oval creates a sense of speed\, suggesting an entity in constant motion\, circles straining against their borders to fill all available space on the canvas. \nYi’s vivid palette is alternated with compositions dominated by black pigment\, where the black provides an optical metric to understand the balance of color throughout the painting. \nSeemingly monochromatic application of paint defies an appearance of flatness\, with colors placed adjacent to each other\, demonstrating how a color can change the feeling of a space and fully occupy the visual field of the viewer. It is this field that concerns Yi – her purpose is to reflect the viewer’s perspective and perceptions. \n\n\nRuri Yi (b. South Korea\, 1969) lives and works in Baltimore\, Maryland. She graduated from the Pennsylvania Academy of the Fine Arts (Philadelphia\, PA). Her work has been exhibited in solo and group exhibitions nationally and internationally. In 2018 Yi founded Mono Practice\, a gallery in Baltimore\, Maryland. This is the artist’s first exhibition at HEMPHILL. \n\n  Save   URL:https://artinamericaguide.com/event/ruri-yi/ LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/01/RY316_Eq.012_2021.jpg ORGANIZER;CN="HEMPHILL":MAILTO:gallery@hemphillfinearts.com GEO:38.910305;-77.0315939 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=HEMPHILL 1515 14th Street NW Washington DC 20005 United States;X-APPLE-RADIUS=500;X-TITLE=1515 14th Street NW:geo:-77.0315939,38.910305 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20230114T123000 DTEND;TZID=America/Halifax:20230114T130000 DTSTAMP:20260403T153400 CREATED:20221222T000033Z LAST-MODIFIED:20221222T000033Z UID:101110-1673699400-1673701200@artinamericaguide.com SUMMARY:Gallery Talk: Dare to Know: Prints and Drawings in the Age of Enlightenment DESCRIPTION:Join graduate student Hana Nikčević from the Massachusetts Institute of Technology for an in-depth discussion around Nicolas Maréchal’s drawing of a polar bear\, on view in the special exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment. \nFeaturing approximately 150 works on paper and other related objects\, Dare to Know explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the Enlightenment era by encouraging individuals to follow their own reason when seeking to know more. An illustrated catalogue with 26 thematic essays—an A to Z exploration of the Enlightenment quest for understanding and change—accompanies the exhibition. \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nLed by:Hana Nikčević\, Ph.D. candidate in the Department of History of Art and Architecture\, Harvard University \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \n  Save   URL:https://artinamericaguide.com/event/gallery-talk-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment-11/ LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138 ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/12/Marechal-1.jpeg ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20230114T100000 DTEND;TZID=America/Halifax:20230114T190000 DTSTAMP:20260403T153400 CREATED:20221214T203709Z LAST-MODIFIED:20230126T200010Z UID:100905-1673690400-1673722800@artinamericaguide.com SUMMARY:Janaina Tschäpe: Restless Moraine DESCRIPTION:Sean Kelly\, Los Angeles\, is delighted to announce Restless Moraine\, Janaina Tschäpe’s first solo exhibition in LA. This new body of work presents Tschäpe’s intricately layered abstract landscapes featuring imagery evocative of the natural world\, suggesting growth\, transition\, and metamorphosis. Created entirely with oil paint and oil stick\, these new paintings exponentially expand the artist’s investigation of the relationship between gesture and painting. The gallery will be open from 10am – 7pm on Saturday\, January 14\, the artist will be present for a reception from 5-7pm. \nTschäpe’s dynamic yet\, carefully nuanced canvases evoke associations with nature that at times suggest both sea and land\, as her atmospheric images shift subtly between representation and abstraction. In previous painting cycles\, Tschäpe combined casein\, watercolor\, colored pencils and crayons with oil and oil stick; in this new body of work\, she is working solely in oil. With this medium\, Tschäpe feels she can “dive further into the layers” of the painting\, creating much more fluid and gestural surfaces\, while also creating distinct layers of stratification. Building up the image with large\, sweeping brushstrokes provides a foundation and structure for Tschäpe’s vigorous compositions. In this manner\, her signature mark making becomes embedded in both the foreground and background. \nDescribing her process\, Tschäpe states\, “I want the brushstroke to conquer the canvas… To me\, painting means feeling something right up close\, being physically in the present with body and soul.” Indeed\, Tschäpe’s paintings are extremely physical compositions\, reflecting the dynamic range of motion and intensity of focus the artist brings to their making. At the same time\, these are contemplative and suggestive compositions that translate Tschäpe’s observations and memories of natural phenomena\, such as changes in light\, the movement of leaves\, the rushing of water and movement of the wind\, into a language of abstraction that is at once lively and serene; deeply personal\, yet open to interpretation. \nJanaina Tschäpe’s work has been the subject of solo exhibitions at the Den Frie Center of Contemporary Art\, Copenhagen\, Denmark; the Sarasota Art Museum\, Florida; the Musée L’Orangerie\, Paris\, France; the Museum of Contemporary Art Tucson\, Arizona; Kasama Nichido Museum of Art\, Kasama\, Japan; the Irish Museum of Modern Art\, Dublin\, Ireland\, and the Contemporary Museum of Art\, St Louis. She has been featured in numerous group exhibitions at venues including NCA Taipei\, Taiwan; Whitechapel Gallery\, London; TBA21-Augarten\, Vienna\, Austria; CCBB\, Rio de Janeiro\, Brazil; Centre D’Art Contemporain de Normandie\, France; 21st Century Museum of Contemporary Art\, Nanazawa\, Japan; Instituto Tomie Ohtake\, São Paulo; Storefront for Art and Architecture\, New York; National Museum of Women in the Arts\, Washington D.C.; Kunsthal Kade\, The Netherlands; Ronnebaeksholm\, Denmark; Museum of Fine Arts Boston\, Massachusetts; and Museum of Contemporary Art Taipei\, Taiwan. Her work is found in important public collections including the Centre Pompidou\, Paris\, France; Museo Nacional Centro de Arte Reina Sofía\, Madrid\, Spain; Harvard Art Museum\, Massachusetts; Museu de Arte Moderna do Rio de Janeiro\, Brazil; Moderna Museet\, Stockholm\, Sweden; Thyssen-Bornemisza Art Contemporary\, Vienna\, Austria; and the Solomon R. Guggenheim Museum\, New York\, amongst others. \nFor additional information on Janaina Tschäpe\, please visit skny.com For press inquiries\, please email Adair Lentini at Adair@skny.com \nFor all other inquiries\, please email Thomas Kelly at Thomas@seankellyla.com or Cecile Panzieri at Cecile@skny.com \n  Save   URL:https://artinamericaguide.com/event/janaina-tschape-restless-moraine/ LOCATION:Sean Kelly LA\, 1357 N Highland Ave\, Los Angeles\, CA\, 90028\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/12/JTs-P.22.5549_002-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20230113T190000 DTEND;TZID=America/Los_Angeles:20230113T210000 DTSTAMP:20260403T153400 CREATED:20221227T204110Z LAST-MODIFIED:20221227T204110Z UID:101266-1673636400-1673643600@artinamericaguide.com SUMMARY:Mark Bulwinkle Retrospective Exhibition DESCRIPTION:Join us at the John Natsoulas Gallery in Davis\, California to see selected sculptures and prints from the 50-year career of the legendary artist Mark Bulwinkle\, the Oakland-based innovator of graphically cut steel. The exhibition will be open from January 11th\, 2023 to February 25\, 2023. A public reception with music and refreshments will be held on January 13th\, 2023\, 7:00-9:00 pm.  \nKnown for his manic steel silhouettes of dog-faced flowers and perverse\, joyful figures with electrified grins\, Mark Bulwinkle’s nutty artwork can be spotted across the Pacific coast\, displayed proudly in windows\, overgrown gardens\, and small businesses. Bulwinkle’s graphically cut steel propelled him into fame\, influencing the creation of Burning Man in the 1980s and even leading him to reject an interview with Oprah in 1991. However\, lesser known but equally impressive is his extensive work in diverse media: ceramics\, silkscreen\, papier-mache\, and even digital illustration. His mastery acquired from 100-hour work weeks as a ship welder for Bethlehem Steel was important to the development of his cut steel works\, but equally key was his early training as a skilled printmaker and graphic artist. Bulwinkle received an MFA in Printmaking from the San Francisco Art Institute in 1974\, making hundreds of fabulously intricate industrial enamel silkscreens and woodcuts. In these early years\, he also learned ceramic slipcasting techniques from the renowned trompe l’oeil artist Richard Shaw.  \nThis retrospective exhibition showcases Bulwinkle’s mastery of color and form in both two and three dimensions throughout the last five decades\, tracing the development of his art through diverse materials and revealing the stories embedded in his work. On display are a selection of his woodcuts and screen prints\, including several gorgeous prints from his time at the San Francisco Art Institute. Bulwinkle’s flamboyant ceramic works from graduate school will also be featured\, as well as papier-mache works that once decorated the walls of his iconic Manilla St. House\, a towering steel assemblage sculpture built around a modest townhouse that became a landmark in Oakland from 1975-1991. Recent cut steel works painted with colorful enamel will also be featured\, which are often imitated but unmistakably Bulwinkle’s.  \nThe John Natsoulas Gallery is delighted to exhibit half a century of works from this rather singular artist. In addition\, we are overjoyed to present “Freedumb\,” our brand new 18-foot steel piece by Mark Bulwinkle\, installed on the gallery façade. \n  Save   URL:https://artinamericaguide.com/event/mark-bulwinkle-retrospective-exhibition/ LOCATION:John Natsoulas Gallery\, 521 First st\, Davis\, CA\, 95616\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/12/Bulwinkle-Image.jpg ORGANIZER;CN="John Natsoulas Gallery":MAILTO:art@natsoulas.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20230113T130000 DTEND;TZID=America/Halifax:20230113T150000 DTSTAMP:20260403T153400 CREATED:20230109T180703Z LAST-MODIFIED:20230109T180703Z UID:101325-1673614800-1673622000@artinamericaguide.com SUMMARY:Materials Lab Workshop: Making a Journal DESCRIPTION:In this workshop\, you will create your own journal with a link stitch binding\, involving only needle and thread. This type of simple binding allows the book to lay flat when open\, making it perfect for sketching or writing. It’s also a great way for beginners to learn fundamental bookbinding concepts and techniques. The technique is derived from the Coptic multi-section binding technique used in Egypt as early as the second century CE. Using this method\, the sections of paper are attached to each other with chain stitch links across the spine\, rather than cords running across the spine as seen in European bindings from the eighth century onward. While historical bindings would have covers of wooden boards or layered papyrus\, we will be using colored cardstock that you can decorate with paint or collage. \nLed by:Yi Bin Liang\, Conservation Technician\, Straus Center for Conservation and Technical Studies \nNo prior experience necessary. Bring your imagination\, curiosity\, and creativity! This workshop will take place in the Materials Lab\, Lower Level. \n$15 materials fee. Registration is required and space is limited. Registration for this workshop will open on Tuesday\, January 3\, 2023 at this link\, and participants will be admitted on a first-come\, first-served basis. To join the waitlist\, please email am_register@harvard.edu. Minimum age of 14. \nPlease see the visit page to learn about our general policies for visiting the museum. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save   URL:https://artinamericaguide.com/event/materials-lab-workshop-making-a-journal/ LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138 ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/01/Book-for-1-13-MLab-listing.jpg ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20230112T180000 DTEND;TZID=America/Halifax:20230112T200000 DTSTAMP:20260403T153400 CREATED:20230109T180729Z LAST-MODIFIED:20230109T195048Z UID:101322-1673546400-1673553600@artinamericaguide.com SUMMARY:Eve Biddle | Mary Ann Unger: Generation DESCRIPTION:Davidson Gallery is delighted to present Eve Biddle | Mary Ann Unger: Generation\, a two-person exhibition by American artists Mary Ann Unger (b. 1945\, New York; d. 1998\, New York) and her daughter\, Eve Biddle (b. 1982\, New York). \nFollowing Mary Ann Unger’s acclaimed first US retrospective at the Williams College Museum of Art\, the exhibition at Davidson Gallery features a selection of works by both Unger and Biddle\, marking the first comprehensive gallery presentation of Biddle’s work. While highlighting the artists’ distinctive practices in sculpture\, drawing\, and printmaking\, Generation celebrates the creative and aesthetic dialogues that stemmed from their intimate and potent familial ties as mother and daughter. \nIn her large-scale sculptures\, outdoor works\, and intricate drawings\, Unger coalesced the quest for the geometric and the organic\, producing a constellation of linear forms and developed an investigation of the evolution of shapes. A graduate of Columbia University\, Unger worked in New York from the late 1970s until her untimely death in 1998. An artist\, writer\, and curator\, Unger treated the body\, bones\, and flesh as a matter of study\, conveying the harmony\, trauma\, and the viscerality therein. The influences of Unger on Biddle’s practice are profound and ineluctable. Moving seamlessly between sculpture and printmaking\, Biddle focuses on nature often highlighting process-making with visible handprints used as sculptural patterns. Exploring seriality and materiality\, Biddle’s sculptures\, and the subjects of her photographs resemble archeological artifacts that relay a personal account of the past and present. \nInstalled on the two gallery floors and the outdoor terrace\, and with over 30 works spanning sculptures\, prints\, and works on paper – some of which were made near the end of Unger’s life and have never been exhibited before – Generation celebrates the shared language and the vocabularies common to both artists’ practices and is a tribute to generational traditions and creative processes. The exhibition is on view from January 12 through February 18\, 2023\, and is curated by Ylinka Barotto. \n  \nAbout the Artists \nEve Biddle is an artist and a co-founder of the Wassaic Project\, an artist residency located in Wassaic\, New York. With her co-founders\, she has curated performances at MASS MoCA and participated in many public speaking engagements including at The Aldrich Museum\, Art Omi\, Bard College\, Columbia University\, Parsons School of Design\, School of Visual Arts\, and Storm King\, amongst others. She lives and works between Wassaic and New York City. \nMary Ann Unger‘s work is included in numerous private and public collections\, including the Whitney Museum of American Art\, the Art Institute of Chicago\, the Hirshhorn Museum and Sculpture Garden\, the Brooklyn Museum\, the Philadelphia Museum of Art\, and the Albright-Knox Art Gallery. Her outdoor works are on permanent view at The Fields Sculpture Park at Art Omi\, the Philip and Muriel Berman Sculpture Gardens at Lehigh University\, and the Aaron Copland School of Music at Queens College\, among many other institutions. Unger’s works have been reviewed in publications including Art in America\, Artforum\, Frieze Magazine\, The New York Times\, and Sculpture Magazine. \n  \nAbout the Curator \nYlinka Barotto is a curator and art professional who has previously worked at the Moody Center for the Arts at Rice University and the Solomon R. Guggenheim Museum. At the Moody\, she organized exhibitions and performances with national and international artists notably: Li E. Harris; Jasmine Hearn; Baseera Khan; Kapwani Kiwanga; Sondra Perry; Kameelah Janan Rasheed; Edra Soto; Clarissa Tossin\, and Charisse Pearlina Weston amongst others. Barotto was also involved in the expansion of Rice Public Art through acquisitions and commissions. At the Guggenheim\, Barotto worked on modern and postwar retrospectives as well as contemporary exhibitions and contributed to shaping and diversifying the Guggenheim’s permanent collection through acquisitions of emerging artists. \n  Save   URL:https://artinamericaguide.com/event/eve-biddle-mary-ann-unger-generation/ LOCATION:Davidson Gallery\, 521 West 26th Street\, New York\, NY\, 10001\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/01/Generation.jpg GEO:40.7502048;-74.003717 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Davidson Gallery 521 West 26th Street New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=521 West 26th Street:geo:-74.003717,40.7502048 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20230107T123000 DTEND;TZID=America/Halifax:20230107T130000 DTSTAMP:20260403T153400 CREATED:20221222T000120Z LAST-MODIFIED:20221222T000120Z UID:101087-1673094600-1673096400@artinamericaguide.com SUMMARY:Gallery Talk: Dare to Know: Prints and Drawings in the Age of Enlightenment DESCRIPTION:Join graduate student Jordan Hallmark for an in-depth discussion around Jean-Baptiste Chapuy’s print depicting a pivotal moment in the Haitian Revolution\, on view in the special exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment. \nFeaturing approximately 150 works on paper and other related objects\, Dare to Know explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the Enlightenment era by encouraging individuals to follow their own reason when seeking to know more. An illustrated catalogue with 26 thematic essays—an A to Z exploration of the Enlightenment quest for understanding and change—accompanies the exhibition. \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nLed by:\nJordan Hallmark\, Ph.D. candidate in the Department of History of Art and Architecture\, Harvard University \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \n  Save   URL:https://artinamericaguide.com/event/gallery-talk-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment-12/ LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138 CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/12/Chapuy.jpeg ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20230107T120000 DTEND;TZID=America/Halifax:20230107T130000 DTSTAMP:20260403T153400 CREATED:20221221T235938Z LAST-MODIFIED:20221221T235938Z UID:101196-1673092800-1673096400@artinamericaguide.com SUMMARY:Collection Highlights from the AAM Vault DESCRIPTION:Art lovers are invited to join us for a special tour of highlights from Academy Art Museum’s Permanent Collection. Curator Mehves Lelic will present works from across art history straight from the Museum’s vault\, including etchings by Rembrandt van Rijn\, Charles Daubigny\, Pablo Picasso\, Marc Chagall\, and Salvador Dali; works on paper by critically acclaimed contemporary artists\, including Pat Steir\, Renee Stout\, Anne Truitt\, Sam Gilliam\, Robert Indiana\, David Hockney\, and Jim Dine; photographs by Ansel Adams\, Graciela Iturbide\, and Imogen Cunningham; and more. \nThis event is free\, but we kindly ask you to register in advance. \n  Save   URL:https://artinamericaguide.com/event/collection-highlights-from-the-aam-vault/ LOCATION:Academy Art Museum\, 106 South Street\, Easton\, MD\, 21601\, United States ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/12/Unknown.jpeg ORGANIZER;CN="Academy Art Museum":MAILTO:academy@academyartmuseum.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20230105T180000 DTEND;TZID=America/Halifax:20230105T200000 DTSTAMP:20260403T153400 CREATED:20221212T164912Z LAST-MODIFIED:20221214T213953Z UID:100886-1672941600-1672948800@artinamericaguide.com SUMMARY:9 for 19 Opening Reception DESCRIPTION:9 for 19 highlights the exceptional work of 9 selected artists encompassing a broad spectrum of contemporary practice from painting and mixed media to sculpture and drawing. \nParticipating Artists \nPesya Altman\, Jocelyn Benford\, Jessica Fallis\, Steven Gawoski\, Fabiola Gironi\, Yen Ha\, Karen Kirshner\, Raphael Warshaw\, Jean Davis & Nancy Wu \n  Save   URL:https://artinamericaguide.com/event/9-for-19-opening-reception/ LOCATION:First Street Gallery\, 526 West 26th Street\, Suite 209\, NEW YORK\, NY\, 10001\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/12/Screen-Shot-2022-12-10-at-11.18.29-AM.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20230105T170000 DTEND;TZID=America/Halifax:20230105T200000 DTSTAMP:20260403T153400 CREATED:20230109T180750Z LAST-MODIFIED:20230109T180750Z UID:101315-1672938000-1672948800@artinamericaguide.com SUMMARY:Opening Reception: 2023 Winter Juried Exhibition DESCRIPTION:BLUE MOUNTAIN GALLERY is pleased to present the work of 47 artists\, 51 pieces of artwork\, selected by Eric Holzman for this year’s winter juried exhibition. The artists\, drawn from over two hundred applicants from across the country\, work in a wide range of media\, including oil\, acrylic\, pastel\, gouache\, photography and mixed media.  \n​ \nHeidi Alamanda \, Marilyn Allen\, Hilary Houston Bachelder\, James Baker\, Nina Kardon Baran\, Bob Barnett\, Raymond Berry\, Leslie Blackmon\, Pam Bowers\, Nancy Breakstone\, Karina Cavat\, Audrey Cohn-Ganz\, Elizabeth Courtney\, Anne Delaney\, Stephanie DeManuelle\, Kiran K Dhaliwal\, Janine Dunn Wade\, Melanie Essex\, Tom Fitzharris\, Meghan Fleming\, Nancy Granda\, Theresa Heidig Rooney\, Teresa Jade Jarzynski\, Moishe Kampin\, Sam Kelly\, Michele King\, Laura Levine\, Pattie Lipman\, Aaron Lubrick\, Manuel Alejandro Macarrulla\, James McKenna\, Elizabeth Meyersohn\, Mark. Milroy\, Blake Morgan\, Arnaldo J Rivera Rivera\, Gail Rodney\, Rebecca Gray Rolke\, Roxy Rubell\, Alyssa Schmidt\, Abbey Stace\, Leslie Ross Stephens\, Yuri Tayshete\, Preston Trombly\, Laura Vahlberg\, Ekaterina Vanovskaya\, Aidan White and Lenore Wolf. \n​ \nScroll down for images that can be enlarged \n\n\nJuror ERIC HOLZMAN has been painting and searching for connection in nature and other representational genres all his life. He is a romantic and a classicist who looks into the inner nature of things and tries to walk “The Beauty Way.” He was educated at Tyler School of Art\, Yale\, Skowhegan and the New York Studio School. Eric has taught at Pratt\, the New York Studio School\, and Bard College among others. He is a National Academician and has exhibited twice at the American Academy\, winning awards from both institutions.  Eric has also shown work at Lori Bookstein\, Tibor de Nagy\, Sideshow and Artist Equity\, all in NYC\, and at Gremillion Fine Art and Ellio Fine Art in Houston\, Texas. He has received many honors\, including grants and fellowships from the Guggenheim Foundation\, the NEA\, the Pollock Krasner Foundation\, the Gottlieb Foundation and the Louis Comfort Tiffany Foundation. Website: www.ericholzman.com \n\n  Save   URL:https://artinamericaguide.com/event/opening-reception-2023-winter-juried-exhibition/ LOCATION:Blue Mountain Gallery\, 547 W 27th St\, Suite 200\, New York\, NY\, 10001\, United States ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/01/2023-artists-rectangle-1.jpg ORGANIZER;CN="Blue Mountan Gallery":MAILTO:info@bluemountaingallery.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20221220T123000 DTEND;TZID=America/Halifax:20221220T130000 DTSTAMP:20260403T153400 CREATED:20221209T220515Z LAST-MODIFIED:20221209T220515Z UID:100878-1671539400-1671541200@artinamericaguide.com SUMMARY:Gallery Talk: Activation of Moholy-Nagy’s Light Prop for an Electric Stage DESCRIPTION:Our galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nLed by:\nClemens Ottenhausen\, Renke B. and Pamela M. Thye Curatorial Fellow in the Busch-Reisinger Museum\, Division of Modern and Contemporary Art \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease visit the museum website to learn about our general policies. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save   URL:https://artinamericaguide.com/event/gallery-talk-activation-of-moholy-nagys-light-prop-for-an-electric-stage-3/ LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138 CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/12/Laszlo-Moholy-Nagy.jpg ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20221220T100000 DTEND;TZID=America/Halifax:20221220T170000 DTSTAMP:20260403T153400 CREATED:20221222T000021Z LAST-MODIFIED:20221222T000021Z UID:101112-1671530400-1671555600@artinamericaguide.com SUMMARY:KIKI GAFFNEY | NEXUS DESCRIPTION:JANUARY 14 – MARCH 4\, 2023 \nKIKI GAFFNEYNEXUS \nMEET THE ARTIST RECEPTION: Saturday\, January 14\, 4 – 6 PM | Talk at 5 PM \nPentimenti Gallery is thrilled to present its first exhibition of the new year\, a solo show by Kiki Gaffney. \nKiki Gaffney’s works on paper celebrate nature’s careful balance between order and chaos. The high level of detail in her work invites the viewer to contemplate the everyday scenes of mother nature with higher regard. Kiki converts massive rock formations or wood logs into small\, dense motifs which she observes from her long moment of contemplation in nature. Gaffney merges nature’s chaotic lines and structures with set patterns found in geometrical forms to elevate an already majestic landscape into a new context. She contrasts both earthly and man-made systems\, and investigates a potential link between them. \nGaffney explores the passage of time not only in her patterns but in the process of making the work\, meditating on a subject as she creates. The repetition of patterns creates documentation of energy. She uses graphite to maintain precise control over her mark-making and to create very fine details. In Shift (graphite\, gold leaf on paper)\, the gold leaf changes depending on the light and the angle at which the piece is viewed. The incorporation of the gold leaf further elevates the subject matter to a new idol or relic. In others\, the luminosity of her acrylic and colored pencil contrasts the graphite to create an interruption in the structure of the work. She takes the seemingly everyday and slows us down to gaze upon its features. \nKiki Gaffney graduated from Loyola College\, Baltimore\, (BA) and the University of the Arts\, Philadelphia\, (MFA). She has exhibited with Woodmere Art Museum\, Philadelphia\, PA; Rosenwald-Wolf Gallery\, Philadelphia\, PA; Christys Art Center\, Sag Harbor\, NY; Krasdale Gallery\, New York\, NY; Modern West Fine Art\, Salt Lake City\, UT; Imperial Fine Art\, San Francisco\, CA; Susan Maasch Fine Art\, Portland\, ME; Julie Nester Gallery\, Park City\, UT. She is a five-time recipient of the Virginia Center for the Creative Arts grants and residency program. Her work is in the collection of Microsoft\, Canon USA Inc.\, Sonoma State University\, Capital One\, and more and various private collections. \nFor all inquiries\, please contact us at mail@pentimenti.com or +1 215.625.9990. \n  Save   URL:https://artinamericaguide.com/event/kiki-gaffney-nexus/ LOCATION:Pentimenti Gallery\, 145 North 2nd Street\, Philadelphia\, PA\, 19106\, United States ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/12/Shift.jpg ORGANIZER;CN="Pentimenti Gallery":MAILTO:mail@pentimenti.com GEO:39.9531532;-75.1426579 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Pentimenti Gallery 145 North 2nd Street Philadelphia PA 19106 United States;X-APPLE-RADIUS=500;X-TITLE=145 North 2nd Street:geo:-75.1426579,39.9531532 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20221220T100000 DTEND;TZID=America/Halifax:20221220T170000 DTSTAMP:20260403T153400 CREATED:20221222T000021Z LAST-MODIFIED:20221222T000021Z UID:101114-1671530400-1671555600@artinamericaguide.com SUMMARY:MATTHEW KING | Another Side DESCRIPTION:JANUARY 14 – MARCH 4\, 2023 \nMATTHEW KINGAnother Side \nMEET THE ARTIST RECEPTION: Saturday\, January 14\, 4 – 6 PM | Talk at 5 PM \nPentimenti Gallery is excited to present Matthew King’s first solo exhibition in Philadelphia. \nIn this new body of work\, Matthew King continues his investigation into the visual relationships between hard-edge abstraction and appropriated prints from various magazines. His sculpture-like paintings flirt with the minimalist movement comparable to the aesthetic blend of Peter Halley and Brice Marden. Another key element in his work is the use of single imagery. These originated from magazines of the 20th-century golden age through the extinction of so many publishing houses in the 21st century. King mounts the image on an aluminum panel that occupies a fraction of the painting\, and yet it still demands equal attention as the rest of the painted surface. By incorporating advertisements of American corporate giants such as the tobacco industry and pharmaceutical companies; these images depict an environmental fantasy. The juxtaposition of different aesthetics creates tension in the painting’s identity\, which teeters between picture\, object\, painting\, and collage. \nThe existing qualities and characteristics of the advertisements dictate Matthew’s decisions when painting. He reacts to the imperfect or perfect predetermined conditions of the image. His intense colors are mixed carefully to harmonize with the tones found in the offset printing process. Thick layers of acrylic paint are applied with a brush\, and yet the edges of all the geometric forms are executed with rigid precision. King’s approach leaves us with a serene sense of balance despite all the complex elements found in his paintings. \nMatthew King (Boston\, MA) received a BFA from the Massachusetts College of Art and Design in 2010. Most recently\, King’s work has been exhibited at Marvin Gardens\, New York; Marvin Gardens\, London; Harper’s\, New York\, East Hampton\, and Los Angeles; SPRING/BREAK Art Show\, New York; Eric Firestone Gallery\, East Hampton; and Joshua Liner Gallery\, New York. His books\, The Vanishing American and This Side Down\, were published by Harper’s. \nFor all inquiries\, please contact us at mail@pentimenti.com or +1 215.625.9990. \n  Save   URL:https://artinamericaguide.com/event/matthew-king-another-side/ LOCATION:Pentimenti Gallery\, 145 North 2nd Street\, Philadelphia\, PA\, 19106\, United States ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/12/MK443-40-x-32-inches-copy-scaled.jpg ORGANIZER;CN="Pentimenti Gallery":MAILTO:mail@pentimenti.com GEO:39.9531532;-75.1426579 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Pentimenti Gallery 145 North 2nd Street Philadelphia PA 19106 United States;X-APPLE-RADIUS=500;X-TITLE=145 North 2nd Street:geo:-75.1426579,39.9531532 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20221215T123000 DTEND;TZID=America/Halifax:20221215T130000 DTSTAMP:20260403T153400 CREATED:20221206T220905Z LAST-MODIFIED:20221206T220905Z UID:100811-1671107400-1671109200@artinamericaguide.com SUMMARY:Gallery Talk DESCRIPTION:Our galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease visit the museum website to learn about our general policies. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save   URL:https://artinamericaguide.com/event/gallery-talk-2/ LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138 CATEGORIES:Event ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/12/Dec-15-Gallery-Talk_900_600.png ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20221211T140000 DTEND;TZID=America/Halifax:20221211T143000 DTSTAMP:20260403T153400 CREATED:20221201T212923Z LAST-MODIFIED:20221201T212923Z UID:100791-1670767200-1670769000@artinamericaguide.com SUMMARY:Gallery Talk: Funerary Portraits from Roman Egypt DESCRIPTION:Funerary Portraits from Roman Egypt: Facing Forward is a team-curated exhibition that brings together art history\, Egyptology\, and conservation science to illuminate artists’ processes and the life stories of the people depicted in funerary portraits. Join two exhibition curators as they describe what can be learned when close looking\, scientific analysis\, and community collaboration combine. \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease visit the museum website to learn about our general policies. \nSupport for this exhibition is provided by the Kelekian Fund\, the Christopher and Jean Angell Charitable Fund\, and the Kornfeld Foundation (through Christopher Angell). Related programming is supported by the M. Victor Leventritt Lecture Series Endowment Fund. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save   URL:https://artinamericaguide.com/event/gallery-talk-funerary-portraits-from-roman-egypt-2/ LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138 CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/12/portrait-of-a-woman_Gallery-talk.jpeg ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20221211T120000 DTEND;TZID=America/Halifax:20221211T130000 DTSTAMP:20260403T153400 CREATED:20221111T202603Z LAST-MODIFIED:20221111T202603Z UID:100368-1670760000-1670763600@artinamericaguide.com SUMMARY:Exhibition Tour: Dare to Know: Prints and Drawings in the Age of Enlightenment DESCRIPTION:Join exhibition curator Elizabeth Rudy for an in-depth tour of Dare to Know: Prints and Drawings in the Age of Enlightenment\, on view through January 15\, 2023. She will share insights about how works on paper played a critical role in the 18th century\, wielding the power to visually articulate\, reinforce\, or contradict beliefs as well as biases. \nLed by:\nElizabeth Rudy\, Carl A. Weyerhaeuser Curator of Prints\, Division of European and American Art \nTours are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The tour reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nSee the museum visit page to learn about our general policies for visiting the museums. \n  Save   URL:https://artinamericaguide.com/event/exhibition-tour-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment-4/ LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138 CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/11/Dagoty.jpg ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20221210T100000 DTEND;TZID=America/Halifax:20221210T160000 DTSTAMP:20260403T153400 CREATED:20221111T202316Z LAST-MODIFIED:20221111T202316Z UID:100397-1670666400-1670688000@artinamericaguide.com SUMMARY:Tandem Press Holiday Open House DESCRIPTION:Join us for our annual holiday open house! Featuring printmaking demonstrations by Tandem’s collaborative printers in our studio and a selection of fine art prints (great for gifts!) in our print study center. Visitors can also view the current exhibit\, T.L. Solien: Along the Way in our gallery.\n\n11am: Puzzle-cut Woodblock Printing with Joe Freye\n12:30pm: Screen printing with Patrick Smyczek\n2pm: Polymer Letterpress Printing with Jason Ruhl\n\nFree and open to the public. Gallery and studio are wheelchair accessible. Free parking. Light refreshments.\n  Save   URL:https://artinamericaguide.com/event/tandem-press-holiday-open-house/ LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/11/IMG_2208-edited-scaled.jpg ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress GEO:43.1056427;-89.3616646 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tandem Press 1743 Commercial Avenue Madison WI 53704 United States;X-APPLE-RADIUS=500;X-TITLE=1743 Commercial Avenue:geo:-89.3616646,43.1056427 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20221209T170000 DTEND;TZID=America/Halifax:20221209T190000 DTSTAMP:20260403T153400 CREATED:20221201T212924Z LAST-MODIFIED:20221201T212924Z UID:100784-1670605200-1670612400@artinamericaguide.com SUMMARY:Members' Show Reception DESCRIPTION:Join us on December 9 at 5 pm for our Members’ Show Reception. We will provide light refreshments and announce 1st\, 2nd\, and 3rd place winners from each category\, including this year’s People’s Choice award. Winners from each category will receive a prize awarded by our partners and sponsors. \nRegular admission price if you are not yet a member. \n  Save   URL:https://artinamericaguide.com/event/members-show-reception/ LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/12/gallery-1.jpg GEO:27.9472272;-82.4606362 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20221208T190000 DTEND;TZID=America/Halifax:20221208T190000 DTSTAMP:20260403T153400 CREATED:20221118T195335Z LAST-MODIFIED:20221118T195335Z UID:100585-1670526000-1670526000@artinamericaguide.com SUMMARY:Virtual Studio Tour with Artist Katie Hudnall DESCRIPTION:Join artist Katie Hudnall virtually as she provides a behind-the-scenes look at her woodworking studio in Madison\, Wisconsin\, while bringing new purpose to salvaged materials\, crafting works of differing sizes and shapes and creating harmony from imperfections.  Participants will see the tools Hudnall regularly uses in her work\, learn about her creative process\, and ask her questions in a live chat. Hudnall’s artwork Nut Case is featured in the exhibition This Present Moment: Crafting A Better World at SAAM’s Renwick Gallery. Tickets available beginning November 8. \nFree | Registration required via Eventbrite. \n  Save   URL:https://artinamericaguide.com/event/virtual-studio-tour-with-artist-katie-hudnall/ LOCATION:Online\, Renwick Gallery CATEGORIES:Virtual Events + Viewing Rooms ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/11/DgBJKLOl2FRvYDW-YeGxOsj3.jpg ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20221208T170000 DTEND;TZID=America/Halifax:20221208T200000 DTSTAMP:20260403T153400 CREATED:20221118T195036Z LAST-MODIFIED:20221118T195036Z UID:100539-1670518800-1670529600@artinamericaguide.com SUMMARY:Jeff Shapiro and Jonathan Grengs FROZEN IN TIME DESCRIPTION:Atlantic Gallery is pleased to announce the opening of FROZEN IN TIME\, an exhibition of selected ceramic sculptures by Jeff Shapiro and Jonathan Grengs\, on view from Tuesday\, December 6th through Saturday\, December 17th\, 2022. A reception for the artists will be held on Thursday\, December 8th\, from 5:00 to 8:00 pm. \nFROZEN IN TIME explores the forces shaping our world through recorded moments of geologic change that are beautiful and mysterious and add to our collective appreciation of how we are connected to this process. Jeff Shapiro’s work responds to the artistic elements that exist in nature; texture\, form\, color\, and composition\, as well as the different stages of transformation that occurs with water; flowing ice\, running water\, lagoons. Jonathan Grengs examines a broader anthropological view with sculptures that reference contemporary consumer materials suspended into an archeological context reminding us of the ephemerality of life and existence. \nJeff Shapiro studied ceramic arts while living in Japan for 9 years from 1973-1981. His work has been exhibited internationally in: Germany\, France\, Italy\, Australia\, Switzerland\, Canada\, England\, and Japan. His work can be found in numerous Museum collections including: The Carlo Zauli Museum\, Faenza\, Italy\, The Massachusetts Museum of Fine Art\, Boston MA\, The Brooklyn Museum\, Brooklyn\, NY\, The Everson Museum\, Syracuse\, NY\, The Fuller Museum\, Brockton\, MA. \nJonathan Grengs studied ceramics while obtaining an Art Education degree in 2010 at Carlow University. He taught ceramic classes at Carlow for 6 years until he was accepted into the MFA program at the Indiana University of Pennsylvania in 2019. After graduation\, Jonathan is currently working as the Maker in Residence at IUP\, and regularly shows his work in national and international exhibitions. \nPlease visit www.jeffshapiroceramics.com and www.jonathangrengsceramics.com to learn more about the artists. \n\n  \n  Save   URL:https://artinamericaguide.com/event/jeff-shapiro-and-jonathan-grengs-frozen-in-time/ LOCATION:Atlantic Gallery\, 548 W. 28th St\, #540\, New York\, 10001\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/11/Promotional-image.jpg GEO:40.7515661;-74.0041872 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Atlantic Gallery 548 W. 28th St #540 New York 10001 United States;X-APPLE-RADIUS=500;X-TITLE=548 W. 28th St\, #540:geo:-74.0041872,40.7515661 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20221208T120000 DTEND;TZID=America/Halifax:20221208T180000 DTSTAMP:20260403T153400 CREATED:20221121T155322Z LAST-MODIFIED:20221121T155322Z UID:100624-1670500800-1670522400@artinamericaguide.com SUMMARY:Two Tongues DESCRIPTION:Mar Figueroa \nTwo Tongues \nOn view December 8\, 2022 – January 21\, 2023\nOpening Reception: Thursday\, Dec. 8\, 6-8 pm \nSean Horton (Presents) is pleased to announce Two Tongues\, the New York solo debut by Mar Figueroa. In her latest series of paintings\, the artist explores the permeation of ancestral traditions of Andean cultures in contemporary Latin American communities. Serving as testaments of Indigenous persistence against colonialism and displacement\, Figueroa’s paintings document traditions and rituals that have been passed down through generations such as the preparation of special meals and beverages\, and spiritual practices. \nIn Dos Lenguas\, 2022 Figueroa examines her dynamic\, bicultural identity as a Latin American woman of Indigenous ancestry\, and as an immigrant raised in the New York metropolitan area. Following the visual language of surrealist tradition\, the work depicts a dream-like self portrait of the artist set against a shoreline sunset. Figueroa renders herself bisected— the left side of her face is electric blue while the other is a warm\, brown complexion. Two tongues emerge from her mouth splitting into opposite directions. In the foreground\, a halved Spondylus seashell\, highly venerated by the Incas\, holds Palo Santo\, and Andean textile patterns frame the portrait. The recurrence of pairs and halving operate as visual motifs that reference the dichotomies of culture\, language\, and spirituality\, among others\, that merge and synergize within a diasporic Latin American identity.  \nSpeaking about the influence of Andean cultures and Latin American histories within her practice Figueroa says\, “My family’s traditional Ecuadorian cuisine restaurant facilitated cultural continuity for myself and my community in this country and it was that environment that inspired my archeological interests and passion to know my Native American heritage. As a child\, I would take the train to New York institutions and visit South American artifacts\, take in the art of my ancestors and let it guide me.” Many of the scenes in Mar’s most recent paintings form a loosely-connected narrative set in an imagined restaurant\, which is inspired by these experiences.  \nMar Figueroa (b. 1993\, Guayaquil\, EC) lives and works in New York\, NY. The artist attended the Rhode Island School of Design\, Providence\, RI. She recently completed a residency at Field Projects\, New York\, NY\, and is currently a resident artist at Silver Art Projects\, New York\, NY. Her work was recently featured in a group exhibition at Hashimoto Contemporary\, New York. \n  Save   URL:https://artinamericaguide.com/event/two-tongues/ LOCATION:Sean Horton (Presents)\, 515 W 20th St. Suite 3N\, New York\, NY\, 10011\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/11/MF004_FigueroaMar_DosLenguas_2022_47x36in_web-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20221206T123000 DTEND;TZID=America/Halifax:20221206T130000 DTSTAMP:20260403T153400 CREATED:20221201T212923Z LAST-MODIFIED:20221201T212923Z UID:100793-1670329800-1670331600@artinamericaguide.com SUMMARY:Gallery Talk: Dare to Know: Prints and Drawings in the Age of Enlightenment DESCRIPTION:Join conservation technician Yi Bin Liang for an in-depth exploration of 18th-century methods and techniques of book binding in a close examination of works on view in the special exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment. \nFeaturing approximately 150 works on paper and other related objects\, Dare to Know explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the Enlightenment era by encouraging individuals to follow their own reason when seeking to know more. An illustrated catalogue with 26 thematic essays—an A to Z exploration of the Enlightenment quest for understanding and change—accompanies the exhibition. \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nLed by:\nYi Bin Liang\, Conservation Technician\, Straus Center for Conservation and Technical Studies \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \n  Save   URL:https://artinamericaguide.com/event/gallery-talk-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment-9/ LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138 CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/12/William-PLayfair.jpeg ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20221204T140000 DTEND;TZID=America/Halifax:20221204T170000 DTSTAMP:20260403T153400 CREATED:20221121T155551Z LAST-MODIFIED:20221121T155551Z UID:100578-1670162400-1670173200@artinamericaguide.com SUMMARY:Screens for Teens: The Muppet Christmas Carol DESCRIPTION:Join us as we close our Screens for Teens series with this family-friendly film\, just in time for the holiday season. \nThis series of contemporary and classic films is specially curated for teenagers in and around Cambridge. The selection\, including both short and feature-length films\, is meant to provide teens with an opportunity to watch work focused explicitly on their experiences. Covering a range of topics\, emotions\, and nuances\, these free films—depending on length and scope—will be followed by conversation with faculty from the Cambridge Rindge and Latin School. \nAbout today’s film:\nThe Muppet Christmas Carol\, 1992 (Walt Disney Pictures; English; 85 min.) \n’Tis the season for love\, laughter\, and one of the most cherished stories of all time. Join Kermit the Frog\, Miss Piggy\, and all the hilarious Muppets in this merry\, magical version of Charles Dickens’s classic tale. Michael Caine gives a performance that’s anything but “Bah\, humbug!” as greedy\, penny-pinching Ebenezer Scrooge. One fateful Christmas Eve\, Scrooge is visited by the Ghosts of Christmas Past\, Present\, and Future. Together with kind\, humble Bob Cratchit (Kermit the Frog) and his family\, these Spirits open Scrooge’s eyes—and his heart—to the true meaning of Christmas. \nFree admission. Seating is first come\, first served. \nThe screening will take place in Menschel Hall\, Lower Level. Doors will open at 1:30pm. \nPlease see the museum visit page to learn about our general policies for visiting the museums. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save   URL:https://artinamericaguide.com/event/screens-for-teens-the-muppet-christmas-carol/ LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138 CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/11/MUPPETS.jpg ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20221204T123000 DTEND;TZID=America/Halifax:20221204T130000 DTSTAMP:20260403T153400 CREATED:20221205T221655Z LAST-MODIFIED:20221205T221655Z UID:100797-1670157000-1670158800@artinamericaguide.com SUMMARY:Gallery Talk: Dare to Know: Prints and Drawings in the Age of Enlightenment DESCRIPTION:Join graduate student Kacper Koleda for an in-depth discussion about John Russell’s drawing and engraving of the moon\, depicting what he gleaned through a telescope. The works are part of the special exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment. \nFeaturing approximately 150 works on paper and other related objects\, Dare to Know explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the Enlightenment era by encouraging individuals to follow their own reason when seeking to know more. An illustrated catalogue with 26 thematic essays—an A to Z exploration of the Enlightenment quest for understanding and change—accompanies the exhibition. \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nLed by:\nKacper Koleda\, Ph.D. candidate in the Department of History of Art and Architecture\, Harvard University \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \n  Save   URL:https://artinamericaguide.com/event/gallery-talk-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment-10/ LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138 CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/12/John-Russell.jpeg ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20221204T100000 DTEND;TZID=America/Halifax:20221204T130000 DTSTAMP:20260403T153400 CREATED:20221118T195205Z LAST-MODIFIED:20221118T195205Z UID:100536-1670148000-1670158800@artinamericaguide.com SUMMARY:Materials Lab Workshop: Making Faces DESCRIPTION:This workshop accompanies the exhibition Funerary Portraits from Roman Egypt: Facing Forward\, which invites viewers to ask more about the complicated histories of these portraits and the people they depict. The exhibition explores what can be learned about the artistic process and current condition of these works through scientific analysis and technical research conducted by staff in the Harvard Art Museums’ Straus Center for Conservation and Technical Studies. Funerary Portraits is on view through December 30\, 2022. \nIn this two-part workshop\, join us first in the exhibition galleries with conservators Kate Smith and Georgina Rayner for a close look at the portraits and learn what our curators\, conservators\, and scientists have discovered about them. Then take that experience to the Materials Lab\, where you’ll make your own version of an ancient tempera painting using some of the same materials and techniques used by Roman-period artists. This workshop aims to honor and remember the woman in the ancient portrait we will copy\, and to celebrate the relationship between artist and sitter that allowed the woman’s essence to be captured so powerfully. \nLed by:\nKate Smith\, Conservator of Paintings and Head of Paintings Lab\, Straus Center for Conservation and Technical Studies\nGeorgina Rayner\, Associate Conservation Scientist\, Straus Center for Conservation and Technical Studies \nNo prior experience necessary. This workshop will take place in the Materials Lab\, Lower Level. \n$15 materials fee. Registration is required and space is limited. Registration for this workshop will open on Thursday\, November 24\, 2022 at this link\, and participants will be admitted on a first-come\, first-served basis. To join the waitlist\, please email am_register@harvard.edu. Minimum age of 14. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save   URL:https://artinamericaguide.com/event/materials-lab-workshop-making-faces-4/ LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138 CATEGORIES:Exhibition ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20221204T100000 DTEND;TZID=America/Halifax:20221204T130000 DTSTAMP:20260403T153400 CREATED:20221118T195057Z LAST-MODIFIED:20221118T195057Z UID:100537-1670148000-1670158800@artinamericaguide.com SUMMARY:Materials Lab Workshop: Making Faces DESCRIPTION:This workshop accompanies the exhibition Funerary Portraits from Roman Egypt: Facing Forward\, which invites viewers to ask more about the complicated histories of these portraits and the people they depict. The exhibition explores what can be learned about the artistic process and current condition of these works through scientific analysis and technical research conducted by staff in the Harvard Art Museums’ Straus Center for Conservation and Technical Studies. Funerary Portraits is on view through December 30\, 2022. \nIn this two-part workshop\, join us first in the exhibition galleries with conservators Kate Smith and Georgina Rayner for a close look at the portraits and learn what our curators\, conservators\, and scientists have discovered about them. Then take that experience to the Materials Lab\, where you’ll make your own version of an ancient tempera painting using some of the same materials and techniques used by Roman-period artists. This workshop aims to honor and remember the woman in the ancient portrait we will copy\, and to celebrate the relationship between artist and sitter that allowed the woman’s essence to be captured so powerfully. \nLed by:\nKate Smith\, Conservator of Paintings and Head of Paintings Lab\, Straus Center for Conservation and Technical Studies\nGeorgina Rayner\, Associate Conservation Scientist\, Straus Center for Conservation and Technical Studies \nNo prior experience necessary. This workshop will take place in the Materials Lab\, Lower Level. \n$15 materials fee. Registration is required and space is limited. Registration for this workshop will open on Thursday\, November 24\, 2022 at this link\, and participants will be admitted on a first-come\, first-served basis. To join the waitlist\, please email am_register@harvard.edu. Minimum age of 14. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save   URL:https://artinamericaguide.com/event/materials-lab-workshop-making-faces-3/ LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138 CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/11/Portrait-of-a-woman_Funerary-Portraits-1.jpg ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20221203T150000 DTEND;TZID=America/Halifax:20221203T170000 DTSTAMP:20260403T153400 CREATED:20221201T212924Z LAST-MODIFIED:20221201T212924Z UID:100786-1670079600-1670086800@artinamericaguide.com SUMMARY:Opening Reception for Pamela Berkeley's From the Hollow DESCRIPTION:Blue Mountain Gallery presents Pamela Berkeley’s newest solo show “From the Hollow\,” November 29 – December 24. The twenty-five paintings and drawings include recent work as well as a selection of the artist’s work spanning five decades. Berkeley’s works are created in oil and pastel on canvas or linen\, and range in size from eight by eight inches to six by eight feet. Besides landscapes and interiors of Maine\, Michigan\, New York and New England\, she painted a series of actor and artist friends\, arranged in odd environments. \n  Save   URL:https://artinamericaguide.com/event/opening-reception-for-pamela-berkeleys-from-the-hollow/ LOCATION:Blue Mountain Gallery\, 547 W 27th St\, Suite 200\, New York\, NY\, 10001\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/12/Pamela-Berkeley-The-Serenade-30x36-Oil-on-Linen.jpg ORGANIZER;CN="Blue Mountain Gallery":MAILTO:bluemountaingallery@verizon.net END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20221203T140000 DTEND;TZID=America/Halifax:20221203T160000 DTSTAMP:20260403T153400 CREATED:20221128T221537Z LAST-MODIFIED:20221128T221537Z UID:100682-1670076000-1670083200@artinamericaguide.com SUMMARY:Gail Winbury: The Girl Who Drew Memories DESCRIPTION:Opening Reception With Poetry Readings \n“The Girl Who Drew Memories situates Gail Winbury’s art at the intersection of vulnerability and creativity. Her large-scale abstract paintings and prolific collage work transform what is often inexpressible into resonant narratives in visual form\, expanding how we make sense of our memories\, emotions\, and lived experiences. This extensive solo exhibition of Winbury’s work will fill both galleries of the Wilson Museum. Original poetry composed by local writers in response to her work will further animate the galleries as will an interactive makers space where visitors can engage directly in the playful process of collage. \nIn collaboration with poet\, editor\, and teacher James Crews\, SVAC has invited several local writers to develop original poetry in response to Winbury’s “The Other Side” series that deals with childhood memory. In the exhibition\, these painting-poem pairings will engage visitors in the process of reflecting on their own experience recalling and making sense of their past. Along with Crews\, participating poets are Berta Winiker\, Charlie Rossiter\, David Crews\, Michelle Wiegers\, Rachel Michaud\, and Robbi Hartt.” \n  \n  Save   URL:https://artinamericaguide.com/event/gail-winbury-the-girl-who-drew-memories/ LOCATION:Elizabeth de C. Wilson Museum Southern Vermont Arts Center\, 860 Southern Vermont Arts Center Dr\, Manchester\, VT\, 05255\, United States CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/11/Fairytales-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20221203T103000 DTEND;TZID=America/Halifax:20221203T110000 DTSTAMP:20260403T153400 CREATED:20221206T221007Z LAST-MODIFIED:20221206T221007Z UID:100795-1670063400-1670065200@artinamericaguide.com SUMMARY:Creature Feature: Dare to Know DESCRIPTION:In this family-friendly talk\, Erica Lawton will explore works featuring a variety of species\, including mammals\, birds\, and fish. Meet the creatures of Dare to Know: Prints and Drawings in the Age of Enlightenment\, on view through January 15\, 2023. \nLed by:\nErica Lawton\, Staff Assistant\, Division of European and American Art \nCreature Feature\, an ongoing series from the Harvard Art Museums\, offers a chance for families to explore magical creatures across the collections through close looking and curious exploration with museum staff. Creature Feature talks are free and open to explorers ages 6 and up. \nTalks are limited to 18 people\, and it is required that you reserve your place. At 8am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nTo watch recordings of past Creature Features\, please visit our Vimeo channel. \nPlease visit the museum website to learn about our general policies. \n  Save   URL:https://artinamericaguide.com/event/creature-feature-dare-to-know/ CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/12/Marechal.jpeg ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20221201T170000 DTEND;TZID=America/Halifax:20221201T210000 DTSTAMP:20260403T153400 CREATED:20221115T165057Z LAST-MODIFIED:20221115T165057Z UID:100479-1669914000-1669928400@artinamericaguide.com SUMMARY:Harvard Art Museums at Night DESCRIPTION:Make your holiday season more festive at the Harvard Art Museums! Explore the collections\, enjoy entertainment from DJ C-Zone in our Italian-inspired courtyard\, participate in art-related activities\, and kick back with friends. Night Shift Brewing is this month’s featured local vendor. As always\, food will be available for purchase. \nVisit our special exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment as well as Funerary Portraits from Roman Egypt: Facing Forward. \nAfter you’ve browsed the galleries\, circle back to see what’s happening in the courtyard. \nThis event is free and open to everyone. \nHarvard Art Museums at Night usually takes place the last Thursday of every month\, from 5 to 9pm. Due to the Thanksgiving and Christmas holidays falling at the end of the month in November and December\, however\, there will only be one Harvard Art Museums at Night event for both months\, taking place on Thursday\, December 1. \nEach night features a new mix of local talent and community partners to make this a festive occasion for all. \nAdvance reservations are encouraged\, but walk-in visitors are always welcome. Please note that space may be limited due to capacity. Reservations are available two weeks before the event. \nVisit the museum website for the latest visitor policies and parking information. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save   URL:https://artinamericaguide.com/event/harvard-art-museums-at-night-4/ LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138 CATEGORIES:Event ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/11/Dec-At-Night_900_600.png ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu END:VEVENT END:VCALENDAR