BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Art in America Guide - ECPv6.7.0//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Art in America Guide
X-ORIGINAL-URL:https://artinamericaguide.com
X-WR-CALDESC:Events for Art in America Guide
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Halifax
BEGIN:DAYLIGHT
TZOFFSETFROM:-0400
TZOFFSETTO:-0300
TZNAME:ADT
DTSTART:20220313T060000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0300
TZOFFSETTO:-0400
TZNAME:AST
DTSTART:20221106T050000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0400
TZOFFSETTO:-0300
TZNAME:ADT
DTSTART:20230312T060000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0300
TZOFFSETTO:-0400
TZNAME:AST
DTSTART:20231105T050000
END:STANDARD
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20230312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20231105T060000
END:STANDARD
TZID:America/Los_Angeles
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20230312T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20231105T090000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230120T053000
DTEND;TZID=America/Halifax:20230120T070000
DTSTAMP:20260416T051655
CREATED:20221221T235939Z
LAST-MODIFIED:20221221T235939Z
UID:101190-1674192600-1674198000@artinamericaguide.com
SUMMARY:Mary Cassatt: Labor and Leisure
DESCRIPTION:Reception: Friday\, January 20\, 5:30–7 pm \n\n\n\n\nMary Cassatt (American\, 1844-1926) is one of the greatest American artists in history. She has contributed subtle yet powerful and lucid observations of women’s daily lives\, with a particular focus on the tender moments between mothers and their children\, presenting them as artistic subjects worthy of full\, nuanced consideration. Mary Cassatt: Labor and Leisure includes Cassatt’s permeating depictions of domestic labor and recreation and underlines the complex relationship between women and society in light of the worlds of (and expectations from) the women of her time. \nThis exhibition presents important etchings\, aquatints\, and oils on loan from the New York Public Library\, Adelson Gallery New York\, and the High Museum of Art\, as well as works from AAM’s Permanent Collection. It offers a look into Cassatt’s evolving style and influences in artmaking from Japanese printmaking to the Impressionists and invites viewers to consider the relationship between the women Cassatt depicts and the multi-layered societal forces at play. \n  Save  
URL:https://artinamericaguide.com/event/mary-cassatt-labor-and-leisure-3/
LOCATION:Academy Art Museum\, 106 South Street\, Easton\, MD\, 21601\, United States
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/12/Under-the-Horse-Chestnut-Tree.png-cropped.png
ORGANIZER;CN="Academy Art Museum":MAILTO:academy@academyartmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230120T053000
DTEND;TZID=America/Halifax:20230120T070000
DTSTAMP:20260416T051655
CREATED:20221221T235939Z
LAST-MODIFIED:20221221T235939Z
UID:101192-1674192600-1674198000@artinamericaguide.com
SUMMARY:Mary Cassatt: Labor and Leisure
DESCRIPTION:Reception: Friday\, January 20\, 5:30–7 pm \n\n\n\n\nMary Cassatt (American\, 1844-1926) is one of the greatest American artists in history. She has contributed subtle yet powerful and lucid observations of women’s daily lives\, with a particular focus on the tender moments between mothers and their children\, presenting them as artistic subjects worthy of full\, nuanced consideration. Mary Cassatt: Labor and Leisure includes Cassatt’s permeating depictions of domestic labor and recreation and underlines the complex relationship between women and society in light of the worlds of (and expectations from) the women of her time. \nThis exhibition presents important etchings\, aquatints\, and oils on loan from the New York Public Library\, Adelson Gallery New York\, and the High Museum of Art\, as well as works from AAM’s Permanent Collection. It offers a look into Cassatt’s evolving style and influences in artmaking from Japanese printmaking to the Impressionists and invites viewers to consider the relationship between the women Cassatt depicts and the multi-layered societal forces at play. \n  Save  
URL:https://artinamericaguide.com/event/mary-cassatt-labor-and-leisure-2/
LOCATION:Academy Art Museum\, 106 South Street\, Easton\, MD\, 21601\, United States
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/12/Under-the-Horse-Chestnut-Tree-1.png-cropped-1.png
ORGANIZER;CN="Academy Art Museum":MAILTO:academy@academyartmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230120T053000
DTEND;TZID=America/Halifax:20230120T070000
DTSTAMP:20260416T051655
CREATED:20221221T235939Z
LAST-MODIFIED:20221221T235939Z
UID:101194-1674192600-1674198000@artinamericaguide.com
SUMMARY:Mary Cassatt: Labor and Leisure
DESCRIPTION:Reception: Friday\, January 20\, 5:30–7 pm \n\n\n\n\nMary Cassatt (American\, 1844-1926) is one of the greatest American artists in history. She has contributed subtle yet powerful and lucid observations of women’s daily lives\, with a particular focus on the tender moments between mothers and their children\, presenting them as artistic subjects worthy of full\, nuanced consideration. Mary Cassatt: Labor and Leisure includes Cassatt’s permeating depictions of domestic labor and recreation and underlines the complex relationship between women and society in light of the worlds of (and expectations from) the women of her time. \nThis exhibition presents important etchings\, aquatints\, and oils on loan from the New York Public Library\, Adelson Gallery New York\, and the High Museum of Art\, as well as works from AAM’s Permanent Collection. It offers a look into Cassatt’s evolving style and influences in artmaking from Japanese printmaking to the Impressionists and invites viewers to consider the relationship between the women Cassatt depicts and the multi-layered societal forces at play. \n  Save  
URL:https://artinamericaguide.com/event/mary-cassatt-labor-and-leisure/
LOCATION:Academy Art Museum\, 106 South Street\, Easton\, MD\, 21601\, United States
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/12/Under-the-Horse-Chestnut-Tree-2.png-cropped-2.png
ORGANIZER;CN="Academy Art Museum":MAILTO:academy@academyartmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230119T190000
DTEND;TZID=America/Halifax:20230119T200000
DTSTAMP:20260416T051655
CREATED:20221221T235939Z
LAST-MODIFIED:20221230T173858Z
UID:101134-1674154800-1674158400@artinamericaguide.com
SUMMARY:Performance of Bethany Collins’s America: A Hymnal
DESCRIPTION:Location: 15 Rutherford Place between 2nd and 3rd Avenues \nPrint Center New York is pleased to present a new performance of Bethany Collins’s project America: A Hymnal\, which offers a chronological retelling of American history\, politics\, and culture through one song. Over time\, “My Country ’Tis of Thee” (also known as “America”) has seen its title and lyrics re-written at least 100 times in support of passionately held causes—from temperance and suffrage to abolition and even the Confederacy. \nDuring this one-hour performance at the Fifteenth Street Meetinghouse of The Religious Society of Friends (also known as Quakers)\, singers from The Unsung Collective will sing a single version of the anthem\, “War” from 1862\, in a myriad of musical forms. \nThe Unsung\, directed by Tyrone Clinton\, is a community-based music collective devoted to celebrating stories of the Black experience. They are a non-profit dedicated to serving the local NYC community by expanding the confines of the Western musical canon and fostering educational relationships with those who are “willing to listen.” \nRSVP is strongly encouraged and face masks are required. \n  Save  
URL:https://artinamericaguide.com/event/performance-of-bethany-collinss-america-a-hymnal/
LOCATION:Fifteenth Street Meetinghouse of The Religious Society of Friends\, 15 Rutherford Place\, New York\, NY\, 10003\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/12/06_Bethany-Collins_America-A-Hymnal_1_LR-scaled.jpg
ORGANIZER;CN="International Print Center New York":MAILTO:contact@ipcny.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230119T180000
DTEND;TZID=America/Halifax:20230119T200000
DTSTAMP:20260416T051655
CREATED:20221214T203709Z
LAST-MODIFIED:20221214T203709Z
UID:100908-1674151200-1674158400@artinamericaguide.com
SUMMARY:Opening Reception: “Women’s Rights Are Human Rights”
DESCRIPTION:Join us as we celebrate the opening of “Women’s Rights are Human Rights\,” on view in the Walsh Gallery (located inside the Quick Center for the Arts) from January 20 – April 6\, 2023. Light refreshments will be served in the lobby of the Quick Center for the Arts. The Walsh Gallery will also be open until 8 p.m. \nAbout the exhibition: \nThis exhibition features posters created by both men and women worldwide to celebrate and acknowledge the vital role that all citizens play in protecting and promoting human rights while challenging gender inequality and stereotypes\, advancing reproductive and sexual rights\, protecting women and girls against brutality\, and promoting women’s empowerment\, education\, and participation in society. The posters argue for the empowerment of women\, the achievement of equality between women and men\, and the elimination of discrimination against women and girls. \nOrganized and curated by Elizabeth Resnick\, Professor Emerita\, Graphic Design\, Massachusetts College of Art and Design\, Boston. Co-curated by Fairfield University faculty Rachelle Brunn-Bevel\, PhD\, Elizabeth Hohl\, PhD\, Johanna Garvey\, PhD\, and Anna Lawrence\, PhD in collaboration with museum staff. \nhttps://www.fairfield.edu/museum/exhibitions/upcoming-exhibitions/womens-rights-are-human-rights/index.html \n  \nImage: Dan Reisinger\, Open Your Eyes to Your Rights\, 2017. © Dan Reisinger \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-womens-rights-are-human-rights/
LOCATION:Quick Center for the Arts\, 200 Barlow Road\, Fairfield\, CT\, 06824
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/12/Reisinger_Dan_Open-Your-Eyes-to-Your-Rights.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Quick Center for the Arts 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230119
DTEND;VALUE=DATE:20230123
DTSTAMP:20260416T051655
CREATED:20230117T210311Z
LAST-MODIFIED:20230120T181920Z
UID:101443-1674086400-1674431999@artinamericaguide.com
SUMMARY:Michael Rosenfeld Gallery at FOG Design+Art 2023
DESCRIPTION:Following the success of our inaugural presentation at FOG Design+Art last year\, Michael Rosenfeld Gallery is pleased to return to San Francisco with Claire Falkenstein & Postwar Abstraction\, a celebration of American artists working in abstraction in the middle decades of the 20th century centered on the career of Claire Falkenstein (1908–1997). Dating from 1951–1974\, Falkenstein’s works are contextualized by a rich selection of works on paper from the same period by Lee Bontecou\, Elaine de Kooning\, Jay DeFeo\, Beauford Delaney\, Michael Goldberg\, Hans Hofmann\, Lee Krasner\, Alfred Leslie\, Norman Lewis\, Conrad Marca-Relli\, Alfonso Ossorio\, Jackson Pollock\, Alma Thomas\, and Mark Tobey. \nA pioneering modernist known for her radical material experimentation\, Claire Falkenstein is remembered for her prolific oeuvre that comprises sculptures in ceramic\, wood\, glass\, and a variety of metals\, as well as a strong body of paintings\, works on paper\, and prints. Falkenstein’s art was inspired by her diverse interests\, which included theoretical physics\, mathematics\, and the natural world\, often embodying a key concept that undergirds much of her work\, namely the tangible relationship between stasis and movement\, or\, “structure and flow\,” as she phrased it. Claire Falkenstein & Postwar Abstraction includes sixteen standout Falkenstein sculptures from each major series of her career\, as well as nine works on paper and two canvases from her Moving Point series. Comprising layered\, dynamic fields of rhythmic marks that coalesce into a larger form\, Falkenstein’s Moving Point works generate the impression of swarming action. Continuums and aggregate structures are prevailing concepts in Falkenstein’s works—both two- and three-dimensional—as is a reliance on improvisation during the compositional process; the resulting works impart a feeling of organic\, open-ended growth and proliferation\, allowing a host of interpretations related to collective movement\, from the trajectory of sub-atomic particles to the swell of waves in the sea. \nA stunning highlight of the exhibition is a monumental sculpture dating to 1957\, Time is Concrete No. 1\, which represents one of the earliest examples of Falkenstein’s signature melding of metal and glass. A culmination of Falkenstein’s artistic development in Paris\, this landmark sculpture exemplifies Falkenstein’s unique formal language\, which often blends her calligraphic and architectonic impulses\, coalescing into a form that transcends category. Material experimentation was a constant source of inspiration for Falkenstein\, and her investigations into the possibilities of glass as a sculptural material in the mid-1950s resulted in perhaps her most famous series of sculptures\, the Fusion works. After encountering Murano glass during a trip to Venice\, Falkenstein began testing various ways to incorporate the material into her metal sculptures. She soon determined a way to securely bond the two materials in her kiln\, allowing the glass to melt in unpredictable ways over the metal armatures of her sculptures. The Fusion works thus exemplify a number of dichotomies: design and accident\, hard and fluid\, dark and light\, durable and delicate. \nClaire Falkenstein & Postwar Abstraction also includes an important early example of Falkenstein’s experiments with suspended sculpture\, Architecture Organique (1951). This work is one of the first examples of the artist’s welded metal sculptures designed to be hung from the ceiling\, where it becomes a spectacle of shifting line and shadow as it interacts with the light and air currents in the space in which it is installed. Two years after completing Architecture Organique\, Falkenstein initiated a body of sculptures she referred to as the Sun series; featuring an intricate web of enclosed metal lattices that the artist described as “linear drawings in space\,” the Sun sculptures are intended to evoke the impression of a continuously expanding and contracting celestial body. Suspended from the ceiling or displayed on a floor\, these works reflect Falkenstein’s preoccupation with “opening up mass and making space visible\,” an aim expressed in her sculptures’ unique capacity to move through\, interlace with\, or define space—rather than taking up a solid volume as in traditional sculpture in the round. \nA selection of midcentury abstract works on paper by Falkenstein’s peers is also on view in Booth 202\, providing a clear sense of the milieu in which she developed her practice. Works by artists from both coasts as well as a fellow expatriate working in Paris—Beauford Delaney—both resonate and converse with the sculpture on view. Boldly hued\, gestural works by Delaney\, Elaine de Kooning\, Michael Goldberg\, Lee Krasner\, Alfonso Ossorio\, and Alma Thomas will be complemented by expressively textured\, neutrally toned collages by Alfred Leslie and Conrad Marca-Relli. An emphasis on line defines the lyrical compositions of Norman Lewis\, Jackson Pollock\, and Hans Hofmann\, while the intimately scaled works of Jay DeFeo and Lee Bontecou respectively transform an everyday object into a dynamic abstraction and describe a biomorphic realm of cosmic proportions. Finally\, a potent group of white writing paintings on paper by an artist Falkenstein greatly admired\, Mark Tobey\, demonstrate the formal and structural affinities between the two artists’ approach to composition. As a whole\, the installation will contextualize Falkenstein’s contributions to the canon of 20th-century abstraction among a survey of exemplary works by major midcentury American abstractionists. \nThough she spent a formative decade in Europe soaking up the independent spirit of Paris’ international avant-garde\, Falkenstein’s relationship to California was as longstanding as it was reciprocal. After a childhood in rural Oregon\, Falkenstein first established herself as an artist in northern California in the 1930s and 1940s; she studied art at UC Berkeley\, opened her first solo exhibition at San Francisco’s East-West Gallery in 1930 and studied under Alexander Archipenko and László Moholy-Nagy at Mills College in Oakland. In the 1940s she began teaching at the California School of Fine Arts (now the San Francisco Art Institute)\, and by the end of the decade\, she had been awarded multiple solo exhibitions at the San Francisco Museum of Modern Art\, the Crocker Art Museum\, the de Young Museum and the Santa Barbara Museum of Art. Falkenstein moved to Paris in 1950\, quickly falling in with fellow expatriate artists aligned with the influential French critic Michel Tapié. Her career continued to blossom during her time in Europe\, and the vibrant cultural environment combined with her material success allowed her to develop several different series simultaneously. She settled permanently in Venice\, California\, in 1963\, where she continued to expand her oeuvre over the next thirty years. Falkenstein exhibited regularly until her death in 1997 and completed numerous private and public commissions across California until the late 1980s\, when her declining physical health forced her to stop working on large-scale sculptures. \nMichael Rosenfeld Gallery began exhibiting the work of Claire Falkenstein in the late 1990s. Since then\, her work has consistently been a vital component of the gallery’s program\, and in 2014\, Michael Rosenfeld Gallery became the exclusive representative of The Falkenstein Foundation. In 2016 the gallery mounted Claire Falkenstein: A Selection of Works from 1955–1975 in conjunction with the artist’s career retrospective at the Pasadena Art Museum of California Art\, Beyond Sculpture. Two years later\, Michael Rosenfeld Gallery opened Claire Falkenstein: Matter in Motion to critical acclaim and published a beautifully designed catalogue featuring a tribute to Falkenstein by sculptor Lynda Benglis and the complete transcript of the artist’s final interview conducted by critic Paul J. Karlstrom. \n  Save  
URL:https://artinamericaguide.com/event/michael-rosenfeld-gallery-at-fog-designart-2023/
LOCATION:Fort Mason Festival Pavilion\, 2 Marina Blvd\, San Francisco\, CA\, 94123\, United States
CATEGORIES:Art Fair
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/01/FOG_2023_9.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230117T180000
DTEND;TZID=America/New_York:20230117T210000
DTSTAMP:20260416T051655
CREATED:20230110T165223Z
LAST-MODIFIED:20230110T165223Z
UID:101390-1673978400-1673989200@artinamericaguide.com
SUMMARY:Annual Stanley and Pearl Goodman Latin American Art Lecture
DESCRIPTION: “The Latin American Art Market from 1970 to Today” presented by Axel Stein.\nGet an insider’s look at the origins and phenomenal growth of the Latin American art market from one of its key authorities. With a career spanning over 40 years that includes his experience at Museo de Bellas Artes and Fundacion Mendoza\, both in Caracas\, Venezuela\, and 28 years at Sotheby’s where he was Director of the Latin American Art Department\, Stein has played an essential role in the development of the field of Latin American. In 2018 he established the art advisory Axel Stein Fine Arts\, which helps clients to catalogue and value their collections and advises them about upcoming opportunities in all fields of 20th century arts with a special attention to Latin American Modern Art. \nThis annual series is named for Fort Lauderdale collectors Dr. Stanley and Pearl Goodman whose distinguished Latin American art collection is a promised gift to NSU Art Museum Fort Lauderdale. \n  \nRSVP required \n  Save  
URL:https://artinamericaguide.com/event/annual-stanley-and-pearl-goodman-latin-american-art-lecture/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/01/Goodman-8-1.png
ORGANIZER;CN="nsu art museum":MAILTO:reservations@moafl.org
GEO:26.1194368;-80.1427657
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NSU Art Museum 1 E Las Olas Blvd Fort Lauderdale FL 33301 United States;X-APPLE-RADIUS=500;X-TITLE=1 E Las Olas Blvd:geo:-80.1427657,26.1194368
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230115T180000
DTEND;TZID=America/Halifax:20230115T200000
DTSTAMP:20260416T051655
CREATED:20230110T232239Z
LAST-MODIFIED:20230110T232239Z
UID:101408-1673805600-1673812800@artinamericaguide.com
SUMMARY:RURI YI
DESCRIPTION:Yi presents a basic unit or form inspired by daily life\, urban space\, and the natural landscape. The Eq. or Equilibrium Series explores the function of a single defined shape\, deployed by the artist in marching arrangements where a grid of like forms is punctuated by contrasting colors. Yi has described this shape as a racetrack\, and it appears as a capsule\, neither flat nor three-dimensional. The elongated oval creates a sense of speed\, suggesting an entity in constant motion\, circles straining against their borders to fill all available space on the canvas. \nYi’s vivid palette is alternated with compositions dominated by black pigment\, where the black provides an optical metric to understand the balance of color throughout the painting. \nSeemingly monochromatic application of paint defies an appearance of flatness\, with colors placed adjacent to each other\, demonstrating how a color can change the feeling of a space and fully occupy the visual field of the viewer. It is this field that concerns Yi – her purpose is to reflect the viewer’s perspective and perceptions. \n\n\nRuri Yi (b. South Korea\, 1969) lives and works in Baltimore\, Maryland. She graduated from the Pennsylvania Academy of the Fine Arts (Philadelphia\, PA). Her work has been exhibited in solo and group exhibitions nationally and internationally. In 2018 Yi founded Mono Practice\, a gallery in Baltimore\, Maryland. This is the artist’s first exhibition at HEMPHILL. \n\n  Save  
URL:https://artinamericaguide.com/event/ruri-yi/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/01/RY316_Eq.012_2021.jpg
ORGANIZER;CN="HEMPHILL":MAILTO:gallery@hemphillfinearts.com
GEO:38.910305;-77.0315939
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=HEMPHILL 1515 14th Street NW Washington DC 20005 United States;X-APPLE-RADIUS=500;X-TITLE=1515 14th Street NW:geo:-77.0315939,38.910305
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230114T123000
DTEND;TZID=America/Halifax:20230114T130000
DTSTAMP:20260416T051655
CREATED:20221222T000033Z
LAST-MODIFIED:20221222T000033Z
UID:101110-1673699400-1673701200@artinamericaguide.com
SUMMARY:Gallery Talk: Dare to Know: Prints and Drawings in the Age of Enlightenment
DESCRIPTION:Join graduate student Hana Nikčević from the Massachusetts Institute of Technology for an in-depth discussion around Nicolas Maréchal’s drawing of a polar bear\, on view in the special exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment. \nFeaturing approximately 150 works on paper and other related objects\, Dare to Know explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the Enlightenment era by encouraging individuals to follow their own reason when seeking to know more. An illustrated catalogue with 26 thematic essays—an A to Z exploration of the Enlightenment quest for understanding and change—accompanies the exhibition. \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nLed by:Hana Nikčević\, Ph.D. candidate in the Department of History of Art and Architecture\, Harvard University \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment-11/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/12/Marechal-1.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230114T100000
DTEND;TZID=America/Halifax:20230114T190000
DTSTAMP:20260416T051655
CREATED:20221214T203709Z
LAST-MODIFIED:20230126T200010Z
UID:100905-1673690400-1673722800@artinamericaguide.com
SUMMARY:Janaina Tschäpe: Restless Moraine
DESCRIPTION:Sean Kelly\, Los Angeles\, is delighted to announce Restless Moraine\, Janaina Tschäpe’s first solo exhibition in LA. This new body of work presents Tschäpe’s intricately layered abstract landscapes featuring imagery evocative of the natural world\, suggesting growth\, transition\, and metamorphosis. Created entirely with oil paint and oil stick\, these new paintings exponentially expand the artist’s investigation of the relationship between gesture and painting. The gallery will be open from 10am – 7pm on Saturday\, January 14\, the artist will be present for a reception from 5-7pm. \nTschäpe’s dynamic yet\, carefully nuanced canvases evoke associations with nature that at times suggest both sea and land\, as her atmospheric images shift subtly between representation and abstraction. In previous painting cycles\, Tschäpe combined casein\, watercolor\, colored pencils and crayons with oil and oil stick; in this new body of work\, she is working solely in oil. With this medium\, Tschäpe feels she can “dive further into the layers” of the painting\, creating much more fluid and gestural surfaces\, while also creating distinct layers of stratification. Building up the image with large\, sweeping brushstrokes provides a foundation and structure for Tschäpe’s vigorous compositions. In this manner\, her signature mark making becomes embedded in both the foreground and background. \nDescribing her process\, Tschäpe states\, “I want the brushstroke to conquer the canvas… To me\, painting means feeling something right up close\, being physically in the present with body and soul.” Indeed\, Tschäpe’s paintings are extremely physical compositions\, reflecting the dynamic range of motion and intensity of focus the artist brings to their making. At the same time\, these are contemplative and suggestive compositions that translate Tschäpe’s observations and memories of natural phenomena\, such as changes in light\, the movement of leaves\, the rushing of water and movement of the wind\, into a language of abstraction that is at once lively and serene; deeply personal\, yet open to interpretation. \nJanaina Tschäpe’s work has been the subject of solo exhibitions at the Den Frie Center of Contemporary Art\, Copenhagen\, Denmark; the Sarasota Art Museum\, Florida; the Musée L’Orangerie\, Paris\, France; the Museum of Contemporary Art Tucson\, Arizona; Kasama Nichido Museum of Art\, Kasama\, Japan; the Irish Museum of Modern Art\, Dublin\, Ireland\, and the Contemporary Museum of Art\, St Louis. She has been featured in numerous group exhibitions at venues including NCA Taipei\, Taiwan; Whitechapel Gallery\, London; TBA21-Augarten\, Vienna\, Austria; CCBB\, Rio de Janeiro\, Brazil; Centre D’Art Contemporain de Normandie\, France; 21st Century Museum of Contemporary Art\, Nanazawa\, Japan; Instituto Tomie Ohtake\, São Paulo; Storefront for Art and Architecture\, New York; National Museum of Women in the Arts\, Washington D.C.; Kunsthal Kade\, The Netherlands; Ronnebaeksholm\, Denmark; Museum of Fine Arts Boston\, Massachusetts; and Museum of Contemporary Art Taipei\, Taiwan. Her work is found in important public collections including the Centre Pompidou\, Paris\, France; Museo Nacional Centro de Arte Reina Sofía\, Madrid\, Spain; Harvard Art Museum\, Massachusetts; Museu de Arte Moderna do Rio de Janeiro\, Brazil; Moderna Museet\, Stockholm\, Sweden; Thyssen-Bornemisza Art Contemporary\, Vienna\, Austria; and the Solomon R. Guggenheim Museum\, New York\, amongst others. \nFor additional information on Janaina Tschäpe\, please visit skny.com For press inquiries\, please email Adair Lentini at Adair@skny.com \nFor all other inquiries\, please email Thomas Kelly at Thomas@seankellyla.com or Cecile Panzieri at Cecile@skny.com \n  Save  
URL:https://artinamericaguide.com/event/janaina-tschape-restless-moraine/
LOCATION:Sean Kelly LA\, 1357 N Highland Ave\, Los Angeles\, CA\, 90028\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/12/JTs-P.22.5549_002-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230113T190000
DTEND;TZID=America/Los_Angeles:20230113T210000
DTSTAMP:20260416T051655
CREATED:20221227T204110Z
LAST-MODIFIED:20221227T204110Z
UID:101266-1673636400-1673643600@artinamericaguide.com
SUMMARY:Mark Bulwinkle Retrospective Exhibition
DESCRIPTION:Join us at the John Natsoulas Gallery in Davis\, California to see selected sculptures and prints from the 50-year career of the legendary artist Mark Bulwinkle\, the Oakland-based innovator of graphically cut steel. The exhibition will be open from January 11th\, 2023 to February 25\, 2023. A public reception with music and refreshments will be held on January 13th\, 2023\, 7:00-9:00 pm.  \nKnown for his manic steel silhouettes of dog-faced flowers and perverse\, joyful figures with electrified grins\, Mark Bulwinkle’s nutty artwork can be spotted across the Pacific coast\, displayed proudly in windows\, overgrown gardens\, and small businesses. Bulwinkle’s graphically cut steel propelled him into fame\, influencing the creation of Burning Man in the 1980s and even leading him to reject an interview with Oprah in 1991. However\, lesser known but equally impressive is his extensive work in diverse media: ceramics\, silkscreen\, papier-mache\, and even digital illustration. His mastery acquired from 100-hour work weeks as a ship welder for Bethlehem Steel was important to the development of his cut steel works\, but equally key was his early training as a skilled printmaker and graphic artist. Bulwinkle received an MFA in Printmaking from the San Francisco Art Institute in 1974\, making hundreds of fabulously intricate industrial enamel silkscreens and woodcuts. In these early years\, he also learned ceramic slipcasting techniques from the renowned trompe l’oeil artist Richard Shaw.  \nThis retrospective exhibition showcases Bulwinkle’s mastery of color and form in both two and three dimensions throughout the last five decades\, tracing the development of his art through diverse materials and revealing the stories embedded in his work. On display are a selection of his woodcuts and screen prints\, including several gorgeous prints from his time at the San Francisco Art Institute. Bulwinkle’s flamboyant ceramic works from graduate school will also be featured\, as well as papier-mache works that once decorated the walls of his iconic Manilla St. House\, a towering steel assemblage sculpture built around a modest townhouse that became a landmark in Oakland from 1975-1991. Recent cut steel works painted with colorful enamel will also be featured\, which are often imitated but unmistakably Bulwinkle’s.  \nThe John Natsoulas Gallery is delighted to exhibit half a century of works from this rather singular artist. In addition\, we are overjoyed to present “Freedumb\,” our brand new 18-foot steel piece by Mark Bulwinkle\, installed on the gallery façade. \n  Save  
URL:https://artinamericaguide.com/event/mark-bulwinkle-retrospective-exhibition/
LOCATION:John Natsoulas Gallery\, 521 First st\, Davis\, CA\, 95616\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/12/Bulwinkle-Image.jpg
ORGANIZER;CN="John Natsoulas Gallery":MAILTO:art@natsoulas.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230113T130000
DTEND;TZID=America/Halifax:20230113T150000
DTSTAMP:20260416T051655
CREATED:20230109T180703Z
LAST-MODIFIED:20230109T180703Z
UID:101325-1673614800-1673622000@artinamericaguide.com
SUMMARY:Materials Lab Workshop: Making a Journal
DESCRIPTION:In this workshop\, you will create your own journal with a link stitch binding\, involving only needle and thread. This type of simple binding allows the book to lay flat when open\, making it perfect for sketching or writing. It’s also a great way for beginners to learn fundamental bookbinding concepts and techniques. The technique is derived from the Coptic multi-section binding technique used in Egypt as early as the second century CE. Using this method\, the sections of paper are attached to each other with chain stitch links across the spine\, rather than cords running across the spine as seen in European bindings from the eighth century onward. While historical bindings would have covers of wooden boards or layered papyrus\, we will be using colored cardstock that you can decorate with paint or collage. \nLed by:Yi Bin Liang\, Conservation Technician\, Straus Center for Conservation and Technical Studies \nNo prior experience necessary. Bring your imagination\, curiosity\, and creativity! This workshop will take place in the Materials Lab\, Lower Level. \n$15 materials fee. Registration is required and space is limited. Registration for this workshop will open on Tuesday\, January 3\, 2023 at this link\, and participants will be admitted on a first-come\, first-served basis. To join the waitlist\, please email am_register@harvard.edu. Minimum age of 14. \nPlease see the visit page to learn about our general policies for visiting the museum. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/materials-lab-workshop-making-a-journal/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/01/Book-for-1-13-MLab-listing.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230112T180000
DTEND;TZID=America/Halifax:20230112T200000
DTSTAMP:20260416T051655
CREATED:20230109T180729Z
LAST-MODIFIED:20230109T195048Z
UID:101322-1673546400-1673553600@artinamericaguide.com
SUMMARY:Eve Biddle | Mary Ann Unger: Generation
DESCRIPTION:Davidson Gallery is delighted to present Eve Biddle | Mary Ann Unger: Generation\, a two-person exhibition by American artists Mary Ann Unger (b. 1945\, New York; d. 1998\, New York) and her daughter\, Eve Biddle (b. 1982\, New York). \nFollowing Mary Ann Unger’s acclaimed first US retrospective at the Williams College Museum of Art\, the exhibition at Davidson Gallery features a selection of works by both Unger and Biddle\, marking the first comprehensive gallery presentation of Biddle’s work. While highlighting the artists’ distinctive practices in sculpture\, drawing\, and printmaking\, Generation celebrates the creative and aesthetic dialogues that stemmed from their intimate and potent familial ties as mother and daughter. \nIn her large-scale sculptures\, outdoor works\, and intricate drawings\, Unger coalesced the quest for the geometric and the organic\, producing a constellation of linear forms and developed an investigation of the evolution of shapes. A graduate of Columbia University\, Unger worked in New York from the late 1970s until her untimely death in 1998. An artist\, writer\, and curator\, Unger treated the body\, bones\, and flesh as a matter of study\, conveying the harmony\, trauma\, and the viscerality therein. The influences of Unger on Biddle’s practice are profound and ineluctable. Moving seamlessly between sculpture and printmaking\, Biddle focuses on nature often highlighting process-making with visible handprints used as sculptural patterns. Exploring seriality and materiality\, Biddle’s sculptures\, and the subjects of her photographs resemble archeological artifacts that relay a personal account of the past and present. \nInstalled on the two gallery floors and the outdoor terrace\, and with over 30 works spanning sculptures\, prints\, and works on paper – some of which were made near the end of Unger’s life and have never been exhibited before – Generation celebrates the shared language and the vocabularies common to both artists’ practices and is a tribute to generational traditions and creative processes. The exhibition is on view from January 12 through February 18\, 2023\, and is curated by Ylinka Barotto. \n  \nAbout the Artists \nEve Biddle is an artist and a co-founder of the Wassaic Project\, an artist residency located in Wassaic\, New York. With her co-founders\, she has curated performances at MASS MoCA and participated in many public speaking engagements including at The Aldrich Museum\, Art Omi\, Bard College\, Columbia University\, Parsons School of Design\, School of Visual Arts\, and Storm King\, amongst others. She lives and works between Wassaic and New York City. \nMary Ann Unger‘s work is included in numerous private and public collections\, including the Whitney Museum of American Art\, the Art Institute of Chicago\, the Hirshhorn Museum and Sculpture Garden\, the Brooklyn Museum\, the Philadelphia Museum of Art\, and the Albright-Knox Art Gallery. Her outdoor works are on permanent view at The Fields Sculpture Park at Art Omi\, the Philip and Muriel Berman Sculpture Gardens at Lehigh University\, and the Aaron Copland School of Music at Queens College\, among many other institutions. Unger’s works have been reviewed in publications including Art in America\, Artforum\, Frieze Magazine\, The New York Times\, and Sculpture Magazine. \n  \nAbout the Curator \nYlinka Barotto is a curator and art professional who has previously worked at the Moody Center for the Arts at Rice University and the Solomon R. Guggenheim Museum. At the Moody\, she organized exhibitions and performances with national and international artists notably: Li E. Harris; Jasmine Hearn; Baseera Khan; Kapwani Kiwanga; Sondra Perry; Kameelah Janan Rasheed; Edra Soto; Clarissa Tossin\, and Charisse Pearlina Weston amongst others. Barotto was also involved in the expansion of Rice Public Art through acquisitions and commissions. At the Guggenheim\, Barotto worked on modern and postwar retrospectives as well as contemporary exhibitions and contributed to shaping and diversifying the Guggenheim’s permanent collection through acquisitions of emerging artists. \n  Save  
URL:https://artinamericaguide.com/event/eve-biddle-mary-ann-unger-generation/
LOCATION:Davidson Gallery\, 521 West 26th Street\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/01/Generation.jpg
GEO:40.7502048;-74.003717
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Davidson Gallery 521 West 26th Street New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=521 West 26th Street:geo:-74.003717,40.7502048
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230107T123000
DTEND;TZID=America/Halifax:20230107T130000
DTSTAMP:20260416T051655
CREATED:20221222T000120Z
LAST-MODIFIED:20221222T000120Z
UID:101087-1673094600-1673096400@artinamericaguide.com
SUMMARY:Gallery Talk: Dare to Know: Prints and Drawings in the Age of Enlightenment
DESCRIPTION:Join graduate student Jordan Hallmark for an in-depth discussion around Jean-Baptiste Chapuy’s print depicting a pivotal moment in the Haitian Revolution\, on view in the special exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment. \nFeaturing approximately 150 works on paper and other related objects\, Dare to Know explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the Enlightenment era by encouraging individuals to follow their own reason when seeking to know more. An illustrated catalogue with 26 thematic essays—an A to Z exploration of the Enlightenment quest for understanding and change—accompanies the exhibition. \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nLed by:\nJordan Hallmark\, Ph.D. candidate in the Department of History of Art and Architecture\, Harvard University \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment-12/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/12/Chapuy.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230107T120000
DTEND;TZID=America/Halifax:20230107T130000
DTSTAMP:20260416T051655
CREATED:20221221T235938Z
LAST-MODIFIED:20221221T235938Z
UID:101196-1673092800-1673096400@artinamericaguide.com
SUMMARY:Collection Highlights from the AAM Vault
DESCRIPTION:Art lovers are invited to join us for a special tour of highlights from Academy Art Museum’s Permanent Collection. Curator Mehves Lelic will present works from across art history straight from the Museum’s vault\, including etchings by Rembrandt van Rijn\, Charles Daubigny\, Pablo Picasso\, Marc Chagall\, and Salvador Dali; works on paper by critically acclaimed contemporary artists\, including Pat Steir\, Renee Stout\, Anne Truitt\, Sam Gilliam\, Robert Indiana\, David Hockney\, and Jim Dine; photographs by Ansel Adams\, Graciela Iturbide\, and Imogen Cunningham; and more. \nThis event is free\, but we kindly ask you to register in advance. \n  Save  
URL:https://artinamericaguide.com/event/collection-highlights-from-the-aam-vault/
LOCATION:Academy Art Museum\, 106 South Street\, Easton\, MD\, 21601\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/12/Unknown.jpeg
ORGANIZER;CN="Academy Art Museum":MAILTO:academy@academyartmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230105T180000
DTEND;TZID=America/Halifax:20230105T200000
DTSTAMP:20260416T051655
CREATED:20221212T164912Z
LAST-MODIFIED:20221214T213953Z
UID:100886-1672941600-1672948800@artinamericaguide.com
SUMMARY:9 for 19  Opening Reception
DESCRIPTION:9 for 19 highlights the exceptional work of 9 selected artists encompassing a broad spectrum of contemporary practice from painting and mixed media to sculpture and drawing. \nParticipating Artists \nPesya Altman\, Jocelyn Benford\, Jessica Fallis\, Steven Gawoski\, Fabiola Gironi\, Yen Ha\, Karen Kirshner\, Raphael Warshaw\, Jean Davis & Nancy Wu \n  Save  
URL:https://artinamericaguide.com/event/9-for-19-opening-reception/
LOCATION:First Street Gallery\, 526 West 26th Street\, Suite 209\, NEW YORK\, NY\, 10001\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/12/Screen-Shot-2022-12-10-at-11.18.29-AM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230105T170000
DTEND;TZID=America/Halifax:20230105T200000
DTSTAMP:20260416T051655
CREATED:20230109T180750Z
LAST-MODIFIED:20230109T180750Z
UID:101315-1672938000-1672948800@artinamericaguide.com
SUMMARY:Opening Reception: 2023 Winter Juried Exhibition
DESCRIPTION:BLUE MOUNTAIN GALLERY is pleased to present the work of 47 artists\, 51 pieces of artwork\, selected by Eric Holzman for this year’s winter juried exhibition. The artists\, drawn from over two hundred applicants from across the country\, work in a wide range of media\, including oil\, acrylic\, pastel\, gouache\, photography and mixed media.  \n​ \nHeidi Alamanda \, Marilyn Allen\, Hilary Houston Bachelder\, James Baker\, Nina Kardon Baran\, Bob Barnett\, Raymond Berry\, Leslie Blackmon\, Pam Bowers\, Nancy Breakstone\, Karina Cavat\, Audrey Cohn-Ganz\, Elizabeth Courtney\, Anne Delaney\, Stephanie DeManuelle\, Kiran K Dhaliwal\, Janine Dunn Wade\, Melanie Essex\, Tom Fitzharris\, Meghan Fleming\, Nancy Granda\, Theresa Heidig Rooney\, Teresa Jade Jarzynski\, Moishe Kampin\, Sam Kelly\, Michele King\, Laura Levine\, Pattie Lipman\, Aaron Lubrick\, Manuel Alejandro Macarrulla\, James McKenna\, Elizabeth Meyersohn\, Mark. Milroy\, Blake Morgan\, Arnaldo J Rivera Rivera\, Gail Rodney\, Rebecca Gray Rolke\, Roxy Rubell\, Alyssa Schmidt\, Abbey Stace\, Leslie Ross Stephens\, Yuri Tayshete\, Preston Trombly\, Laura Vahlberg\, Ekaterina Vanovskaya\, Aidan White and Lenore Wolf. \n​ \nScroll down for images that can be enlarged \n\n\nJuror ERIC HOLZMAN has been painting and searching for connection in nature and other representational genres all his life. He is a romantic and a classicist who looks into the inner nature of things and tries to walk “The Beauty Way.” He was educated at Tyler School of Art\, Yale\, Skowhegan and the New York Studio School. Eric has taught at Pratt\, the New York Studio School\, and Bard College among others. He is a National Academician and has exhibited twice at the American Academy\, winning awards from both institutions.  Eric has also shown work at Lori Bookstein\, Tibor de Nagy\, Sideshow and Artist Equity\, all in NYC\, and at Gremillion Fine Art and Ellio Fine Art in Houston\, Texas. He has received many honors\, including grants and fellowships from the Guggenheim Foundation\, the NEA\, the Pollock Krasner Foundation\, the Gottlieb Foundation and the Louis Comfort Tiffany Foundation. Website: www.ericholzman.com \n\n  Save  
URL:https://artinamericaguide.com/event/opening-reception-2023-winter-juried-exhibition/
LOCATION:Blue Mountain Gallery\, 547 W 27th St\, Suite 200\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/01/2023-artists-rectangle-1.jpg
ORGANIZER;CN="Blue Mountan Gallery":MAILTO:info@bluemountaingallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221220T123000
DTEND;TZID=America/Halifax:20221220T130000
DTSTAMP:20260416T051655
CREATED:20221209T220515Z
LAST-MODIFIED:20221209T220515Z
UID:100878-1671539400-1671541200@artinamericaguide.com
SUMMARY:Gallery Talk: Activation of Moholy-Nagy’s Light Prop for an Electric Stage
DESCRIPTION:Our galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nLed by:\nClemens Ottenhausen\, Renke B. and Pamela M. Thye Curatorial Fellow in the Busch-Reisinger Museum\, Division of Modern and Contemporary Art \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease visit the museum website to learn about our general policies. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-activation-of-moholy-nagys-light-prop-for-an-electric-stage-3/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/12/Laszlo-Moholy-Nagy.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221220T100000
DTEND;TZID=America/Halifax:20221220T170000
DTSTAMP:20260416T051655
CREATED:20221222T000021Z
LAST-MODIFIED:20221222T000021Z
UID:101112-1671530400-1671555600@artinamericaguide.com
SUMMARY:KIKI GAFFNEY | NEXUS
DESCRIPTION:JANUARY 14 – MARCH 4\, 2023 \nKIKI GAFFNEYNEXUS \nMEET THE ARTIST RECEPTION: Saturday\, January 14\, 4 – 6 PM | Talk at 5 PM \nPentimenti Gallery is thrilled to present its first exhibition of the new year\, a solo show by Kiki Gaffney. \nKiki Gaffney’s works on paper celebrate nature’s careful balance between order and chaos. The high level of detail in her work invites the viewer to contemplate the everyday scenes of mother nature with higher regard. Kiki converts massive rock formations or wood logs into small\, dense motifs which she observes from her long moment of contemplation in nature. Gaffney merges nature’s chaotic lines and structures with set patterns found in geometrical forms to elevate an already majestic landscape into a new context. She contrasts both earthly and man-made systems\, and investigates a potential link between them. \nGaffney explores the passage of time not only in her patterns but in the process of making the work\, meditating on a subject as she creates. The repetition of patterns creates documentation of energy. She uses graphite to maintain precise control over her mark-making and to create very fine details. In Shift (graphite\, gold leaf on paper)\, the gold leaf changes depending on the light and the angle at which the piece is viewed. The incorporation of the gold leaf further elevates the subject matter to a new idol or relic. In others\, the luminosity of her acrylic and colored pencil contrasts the graphite to create an interruption in the structure of the work. She takes the seemingly everyday and slows us down to gaze upon its features. \nKiki Gaffney graduated from Loyola College\, Baltimore\, (BA) and the University of the Arts\, Philadelphia\, (MFA). She has exhibited with Woodmere Art Museum\, Philadelphia\, PA; Rosenwald-Wolf Gallery\, Philadelphia\, PA; Christys Art Center\, Sag Harbor\, NY; Krasdale Gallery\, New York\, NY; Modern West Fine Art\, Salt Lake City\, UT; Imperial Fine Art\, San Francisco\, CA; Susan Maasch Fine Art\, Portland\, ME; Julie Nester Gallery\, Park City\, UT. She is a five-time recipient of the Virginia Center for the Creative Arts grants and residency program. Her work is in the collection of Microsoft\, Canon USA Inc.\, Sonoma State University\, Capital One\, and more and various private collections. \nFor all inquiries\, please contact us at mail@pentimenti.com or +1 215.625.9990. \n  Save  
URL:https://artinamericaguide.com/event/kiki-gaffney-nexus/
LOCATION:Pentimenti Gallery\, 145 North 2nd Street\, Philadelphia\, PA\, 19106\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/12/Shift.jpg
ORGANIZER;CN="Pentimenti Gallery":MAILTO:mail@pentimenti.com
GEO:39.9531532;-75.1426579
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Pentimenti Gallery 145 North 2nd Street Philadelphia PA 19106 United States;X-APPLE-RADIUS=500;X-TITLE=145 North 2nd Street:geo:-75.1426579,39.9531532
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221220T100000
DTEND;TZID=America/Halifax:20221220T170000
DTSTAMP:20260416T051655
CREATED:20221222T000021Z
LAST-MODIFIED:20221222T000021Z
UID:101114-1671530400-1671555600@artinamericaguide.com
SUMMARY:MATTHEW KING | Another Side
DESCRIPTION:JANUARY 14 – MARCH 4\, 2023 \nMATTHEW KINGAnother Side \nMEET THE ARTIST RECEPTION: Saturday\, January 14\, 4 – 6 PM | Talk at 5 PM \nPentimenti Gallery is excited to present Matthew King’s first solo exhibition in Philadelphia. \nIn this new body of work\, Matthew King continues his investigation into the visual relationships between hard-edge abstraction and appropriated prints from various magazines. His sculpture-like paintings flirt with the minimalist movement comparable to the aesthetic blend of Peter Halley and Brice Marden. Another key element in his work is the use of single imagery. These originated from magazines of the 20th-century golden age through the extinction of so many publishing houses in the 21st century. King mounts the image on an aluminum panel that occupies a fraction of the painting\, and yet it still demands equal attention as the rest of the painted surface. By incorporating advertisements of American corporate giants such as the tobacco industry and pharmaceutical companies; these images depict an environmental fantasy. The juxtaposition of different aesthetics creates tension in the painting’s identity\, which teeters between picture\, object\, painting\, and collage. \nThe existing qualities and characteristics of the advertisements dictate Matthew’s decisions when painting. He reacts to the imperfect or perfect predetermined conditions of the image. His intense colors are mixed carefully to harmonize with the tones found in the offset printing process. Thick layers of acrylic paint are applied with a brush\, and yet the edges of all the geometric forms are executed with rigid precision. King’s approach leaves us with a serene sense of balance despite all the complex elements found in his paintings. \nMatthew King (Boston\, MA) received a BFA from the Massachusetts College of Art and Design in 2010. Most recently\, King’s work has been exhibited at Marvin Gardens\, New York; Marvin Gardens\, London; Harper’s\, New York\, East Hampton\, and Los Angeles; SPRING/BREAK Art Show\, New York; Eric Firestone Gallery\, East Hampton; and Joshua Liner Gallery\, New York. His books\, The Vanishing American and This Side Down\, were published by Harper’s. \nFor all inquiries\, please contact us at mail@pentimenti.com or +1 215.625.9990. \n  Save  
URL:https://artinamericaguide.com/event/matthew-king-another-side/
LOCATION:Pentimenti Gallery\, 145 North 2nd Street\, Philadelphia\, PA\, 19106\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/12/MK443-40-x-32-inches-copy-scaled.jpg
ORGANIZER;CN="Pentimenti Gallery":MAILTO:mail@pentimenti.com
GEO:39.9531532;-75.1426579
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Pentimenti Gallery 145 North 2nd Street Philadelphia PA 19106 United States;X-APPLE-RADIUS=500;X-TITLE=145 North 2nd Street:geo:-75.1426579,39.9531532
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221215T123000
DTEND;TZID=America/Halifax:20221215T130000
DTSTAMP:20260416T051655
CREATED:20221206T220905Z
LAST-MODIFIED:20221206T220905Z
UID:100811-1671107400-1671109200@artinamericaguide.com
SUMMARY:Gallery Talk
DESCRIPTION:Our galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease visit the museum website to learn about our general policies. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2022/12/Dec-15-Gallery-Talk_900_600.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221211T140000
DTEND;TZID=America/Halifax:20221211T143000
DTSTAMP:20260416T051655
CREATED:20221201T212923Z
LAST-MODIFIED:20221201T212923Z
UID:100791-1670767200-1670769000@artinamericaguide.com
SUMMARY:Gallery Talk: Funerary Portraits from Roman Egypt
DESCRIPTION:Funerary Portraits from Roman Egypt: Facing Forward is a team-curated exhibition that brings together art history\, Egyptology\, and conservation science to illuminate artists’ processes and the life stories of the people depicted in funerary portraits. Join two exhibition curators as they describe what can be learned when close looking\, scientific analysis\, and community collaboration combine. \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease visit the museum website to learn about our general policies. \nSupport for this exhibition is provided by the Kelekian Fund\, the Christopher and Jean Angell Charitable Fund\, and the Kornfeld Foundation (through Christopher Angell). Related programming is supported by the M. Victor Leventritt Lecture Series Endowment Fund. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-funerary-portraits-from-roman-egypt-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/12/portrait-of-a-woman_Gallery-talk.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221211T120000
DTEND;TZID=America/Halifax:20221211T130000
DTSTAMP:20260416T051655
CREATED:20221111T202603Z
LAST-MODIFIED:20221111T202603Z
UID:100368-1670760000-1670763600@artinamericaguide.com
SUMMARY:Exhibition Tour: Dare to Know: Prints and Drawings in the Age of Enlightenment
DESCRIPTION:Join exhibition curator Elizabeth Rudy for an in-depth tour of Dare to Know: Prints and Drawings in the Age of Enlightenment\, on view through January 15\, 2023. She will share insights about how works on paper played a critical role in the 18th century\, wielding the power to visually articulate\, reinforce\, or contradict beliefs as well as biases. \nLed by:\nElizabeth Rudy\, Carl A. Weyerhaeuser Curator of Prints\, Division of European and American Art \nTours are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The tour reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nSee the museum visit page to learn about our general policies for visiting the museums. \n  Save  
URL:https://artinamericaguide.com/event/exhibition-tour-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment-4/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/11/Dagoty.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221210T100000
DTEND;TZID=America/Halifax:20221210T160000
DTSTAMP:20260416T051655
CREATED:20221111T202316Z
LAST-MODIFIED:20221111T202316Z
UID:100397-1670666400-1670688000@artinamericaguide.com
SUMMARY:Tandem Press Holiday Open House
DESCRIPTION:Join us for our annual holiday open house! Featuring printmaking demonstrations by Tandem’s collaborative printers in our studio and a selection of fine art prints (great for gifts!) in our print study center. Visitors can also view the current exhibit\, T.L. Solien: Along the Way in our gallery.\n\n11am: Puzzle-cut Woodblock Printing with Joe Freye\n12:30pm: Screen printing with Patrick Smyczek\n2pm: Polymer Letterpress Printing with Jason Ruhl\n\nFree and open to the public. Gallery and studio are wheelchair accessible. Free parking. Light refreshments.\n  Save  
URL:https://artinamericaguide.com/event/tandem-press-holiday-open-house/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/11/IMG_2208-edited-scaled.jpg
ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
GEO:43.1056427;-89.3616646
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tandem Press 1743 Commercial Avenue Madison WI 53704 United States;X-APPLE-RADIUS=500;X-TITLE=1743 Commercial Avenue:geo:-89.3616646,43.1056427
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221209T170000
DTEND;TZID=America/Halifax:20221209T190000
DTSTAMP:20260416T051655
CREATED:20221201T212924Z
LAST-MODIFIED:20221201T212924Z
UID:100784-1670605200-1670612400@artinamericaguide.com
SUMMARY:Members' Show Reception
DESCRIPTION:Join us on December 9 at 5 pm for our Members’ Show Reception. We will provide light refreshments and announce 1st\, 2nd\, and 3rd place winners from each category\, including this year’s People’s Choice award. Winners from each category will receive a prize awarded by our partners and sponsors. \nRegular admission price if you are not yet a member. \n  Save  
URL:https://artinamericaguide.com/event/members-show-reception/
LOCATION:Florida Museum of Photographic Arts\, 400 N Ashley Dr Cube 200\, Tampa\, FL\, 33602\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/12/gallery-1.jpg
GEO:27.9472272;-82.4606362
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200 Tampa FL 33602 United States;X-APPLE-RADIUS=500;X-TITLE=400 N Ashley Dr Cube 200:geo:-82.4606362,27.9472272
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221208T190000
DTEND;TZID=America/Halifax:20221208T190000
DTSTAMP:20260416T051655
CREATED:20221118T195335Z
LAST-MODIFIED:20221118T195335Z
UID:100585-1670526000-1670526000@artinamericaguide.com
SUMMARY:Virtual Studio Tour with Artist Katie Hudnall
DESCRIPTION:Join artist Katie Hudnall virtually as she provides a behind-the-scenes look at her woodworking studio in Madison\, Wisconsin\, while bringing new purpose to salvaged materials\, crafting works of differing sizes and shapes and creating harmony from imperfections.  Participants will see the tools Hudnall regularly uses in her work\, learn about her creative process\, and ask her questions in a live chat. Hudnall’s artwork Nut Case is featured in the exhibition This Present Moment: Crafting A Better World at SAAM’s Renwick Gallery. Tickets available beginning November 8. \nFree | Registration required via Eventbrite. \n  Save  
URL:https://artinamericaguide.com/event/virtual-studio-tour-with-artist-katie-hudnall/
LOCATION:Online\, Renwick Gallery
CATEGORIES:Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/11/DgBJKLOl2FRvYDW-YeGxOsj3.jpg
ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221208T170000
DTEND;TZID=America/Halifax:20221208T200000
DTSTAMP:20260416T051655
CREATED:20221118T195036Z
LAST-MODIFIED:20221118T195036Z
UID:100539-1670518800-1670529600@artinamericaguide.com
SUMMARY:Jeff Shapiro and Jonathan Grengs FROZEN IN TIME
DESCRIPTION:Atlantic Gallery is pleased to announce the opening of FROZEN IN TIME\, an exhibition of selected ceramic sculptures by Jeff Shapiro and Jonathan Grengs\, on view from Tuesday\, December 6th through Saturday\, December 17th\, 2022. A reception for the artists will be held on Thursday\, December 8th\, from 5:00 to 8:00 pm. \nFROZEN IN TIME explores the forces shaping our world through recorded moments of geologic change that are beautiful and mysterious and add to our collective appreciation of how we are connected to this process. Jeff Shapiro’s work responds to the artistic elements that exist in nature; texture\, form\, color\, and composition\, as well as the different stages of transformation that occurs with water; flowing ice\, running water\, lagoons. Jonathan Grengs examines a broader anthropological view with sculptures that reference contemporary consumer materials suspended into an archeological context reminding us of the ephemerality of life and existence. \nJeff Shapiro studied ceramic arts while living in Japan for 9 years from 1973-1981. His work has been exhibited internationally in: Germany\, France\, Italy\, Australia\, Switzerland\, Canada\, England\, and Japan. His work can be found in numerous Museum collections including: The Carlo Zauli Museum\, Faenza\, Italy\, The Massachusetts Museum of Fine Art\, Boston MA\, The Brooklyn Museum\, Brooklyn\, NY\, The Everson Museum\, Syracuse\, NY\, The Fuller Museum\, Brockton\, MA. \nJonathan Grengs studied ceramics while obtaining an Art Education degree in 2010 at Carlow University. He taught ceramic classes at Carlow for 6 years until he was accepted into the MFA program at the Indiana University of Pennsylvania in 2019. After graduation\, Jonathan is currently working as the Maker in Residence at IUP\, and regularly shows his work in national and international exhibitions. \nPlease visit www.jeffshapiroceramics.com and www.jonathangrengsceramics.com to learn more about the artists. \n\n  \n  Save  
URL:https://artinamericaguide.com/event/jeff-shapiro-and-jonathan-grengs-frozen-in-time/
LOCATION:Atlantic Gallery\, 548 W. 28th St\, #540\, New York\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/11/Promotional-image.jpg
GEO:40.7515661;-74.0041872
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Atlantic Gallery 548 W. 28th St #540 New York 10001 United States;X-APPLE-RADIUS=500;X-TITLE=548 W. 28th St\, #540:geo:-74.0041872,40.7515661
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221208T120000
DTEND;TZID=America/Halifax:20221208T180000
DTSTAMP:20260416T051655
CREATED:20221121T155322Z
LAST-MODIFIED:20221121T155322Z
UID:100624-1670500800-1670522400@artinamericaguide.com
SUMMARY:Two Tongues
DESCRIPTION:Mar Figueroa \nTwo Tongues \nOn view December 8\, 2022 – January 21\, 2023\nOpening Reception: Thursday\, Dec. 8\, 6-8 pm \nSean Horton (Presents) is pleased to announce Two Tongues\, the New York solo debut by Mar Figueroa. In her latest series of paintings\, the artist explores the permeation of ancestral traditions of Andean cultures in contemporary Latin American communities. Serving as testaments of Indigenous persistence against colonialism and displacement\, Figueroa’s paintings document traditions and rituals that have been passed down through generations such as the preparation of special meals and beverages\, and spiritual practices. \nIn Dos Lenguas\, 2022 Figueroa examines her dynamic\, bicultural identity as a Latin American woman of Indigenous ancestry\, and as an immigrant raised in the New York metropolitan area. Following the visual language of surrealist tradition\, the work depicts a dream-like self portrait of the artist set against a shoreline sunset. Figueroa renders herself bisected— the left side of her face is electric blue while the other is a warm\, brown complexion. Two tongues emerge from her mouth splitting into opposite directions. In the foreground\, a halved Spondylus seashell\, highly venerated by the Incas\, holds Palo Santo\, and Andean textile patterns frame the portrait. The recurrence of pairs and halving operate as visual motifs that reference the dichotomies of culture\, language\, and spirituality\, among others\, that merge and synergize within a diasporic Latin American identity.  \nSpeaking about the influence of Andean cultures and Latin American histories within her practice Figueroa says\, “My family’s traditional Ecuadorian cuisine restaurant facilitated cultural continuity for myself and my community in this country and it was that environment that inspired my archeological interests and passion to know my Native American heritage. As a child\, I would take the train to New York institutions and visit South American artifacts\, take in the art of my ancestors and let it guide me.” Many of the scenes in Mar’s most recent paintings form a loosely-connected narrative set in an imagined restaurant\, which is inspired by these experiences.  \nMar Figueroa (b. 1993\, Guayaquil\, EC) lives and works in New York\, NY. The artist attended the Rhode Island School of Design\, Providence\, RI. She recently completed a residency at Field Projects\, New York\, NY\, and is currently a resident artist at Silver Art Projects\, New York\, NY. Her work was recently featured in a group exhibition at Hashimoto Contemporary\, New York. \n  Save  
URL:https://artinamericaguide.com/event/two-tongues/
LOCATION:Sean Horton (Presents)\, 515 W 20th St. Suite 3N\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/11/MF004_FigueroaMar_DosLenguas_2022_47x36in_web-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221206T123000
DTEND;TZID=America/Halifax:20221206T130000
DTSTAMP:20260416T051655
CREATED:20221201T212923Z
LAST-MODIFIED:20221201T212923Z
UID:100793-1670329800-1670331600@artinamericaguide.com
SUMMARY:Gallery Talk: Dare to Know: Prints and Drawings in the Age of Enlightenment
DESCRIPTION:Join conservation technician Yi Bin Liang for an in-depth exploration of 18th-century methods and techniques of book binding in a close examination of works on view in the special exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment. \nFeaturing approximately 150 works on paper and other related objects\, Dare to Know explores how the graphic arts inspired\, shaped\, and gave immediacy to new ideas in the Enlightenment era by encouraging individuals to follow their own reason when seeking to know more. An illustrated catalogue with 26 thematic essays—an A to Z exploration of the Enlightenment quest for understanding and change—accompanies the exhibition. \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nLed by:\nYi Bin Liang\, Conservation Technician\, Straus Center for Conservation and Technical Studies \nGallery talks are limited to 18 people\, and it is required that you reserve your place. At 10am the day of the event\, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required\, visitors will pay the museum admission fee upon arrival. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nPlease see the museum visit page to learn about our general policies for visiting the museum. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-dare-to-know-prints-and-drawings-in-the-age-of-enlightenment-9/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/12/William-PLayfair.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221204T140000
DTEND;TZID=America/Halifax:20221204T170000
DTSTAMP:20260416T051655
CREATED:20221121T155551Z
LAST-MODIFIED:20221121T155551Z
UID:100578-1670162400-1670173200@artinamericaguide.com
SUMMARY:Screens for Teens: The Muppet Christmas Carol
DESCRIPTION:Join us as we close our Screens for Teens series with this family-friendly film\, just in time for the holiday season. \nThis series of contemporary and classic films is specially curated for teenagers in and around Cambridge. The selection\, including both short and feature-length films\, is meant to provide teens with an opportunity to watch work focused explicitly on their experiences. Covering a range of topics\, emotions\, and nuances\, these free films—depending on length and scope—will be followed by conversation with faculty from the Cambridge Rindge and Latin School. \nAbout today’s film:\nThe Muppet Christmas Carol\, 1992 (Walt Disney Pictures; English; 85 min.) \n’Tis the season for love\, laughter\, and one of the most cherished stories of all time. Join Kermit the Frog\, Miss Piggy\, and all the hilarious Muppets in this merry\, magical version of Charles Dickens’s classic tale. Michael Caine gives a performance that’s anything but “Bah\, humbug!” as greedy\, penny-pinching Ebenezer Scrooge. One fateful Christmas Eve\, Scrooge is visited by the Ghosts of Christmas Past\, Present\, and Future. Together with kind\, humble Bob Cratchit (Kermit the Frog) and his family\, these Spirits open Scrooge’s eyes—and his heart—to the true meaning of Christmas. \nFree admission. Seating is first come\, first served. \nThe screening will take place in Menschel Hall\, Lower Level. Doors will open at 1:30pm. \nPlease see the museum visit page to learn about our general policies for visiting the museums. \nThe Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs\, please contact us at am_register@harvard.edu at least 48 hours in advance. \n  Save  
URL:https://artinamericaguide.com/event/screens-for-teens-the-muppet-christmas-carol/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/11/MUPPETS.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
END:VCALENDAR