BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Art in America Guide - ECPv6.7.0//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Art in America Guide
X-ORIGINAL-URL:https://artinamericaguide.com
X-WR-CALDESC:Events for Art in America Guide
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Halifax
BEGIN:DAYLIGHT
TZOFFSETFROM:-0400
TZOFFSETTO:-0300
TZNAME:ADT
DTSTART:20230312T060000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0300
TZOFFSETTO:-0400
TZNAME:AST
DTSTART:20231105T050000
END:STANDARD
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20230312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20231105T060000
END:STANDARD
TZID:America/Chicago
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20230312T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20231105T070000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230329T140000
DTEND;TZID=America/Halifax:20230329T150000
DTSTAMP:20260411T052537
CREATED:20230310T200225Z
LAST-MODIFIED:20230310T200225Z
UID:102205-1680098400-1680102000@artinamericaguide.com
SUMMARY:Please Stay Home: Darrel Ellis in Dialogue with Leslie Hewitt and Wardell Milan
DESCRIPTION:Join a tour of the exhibition Please Stay Home: Darrel Ellis in Dialogue with Leslie Hewitt and Wardell Milan at the Carpenter Center for the Visual Arts. Centered on a less recognized body of Darrel Ellis’s work and featuring new commissions by Leslie Hewitt and Wardell Milan\, this special exhibition is guest curated by Makeda Best\, the Richard L. Menschel Curator of Photography at the Harvard Art Museums. \nThis event at the Carpenter Center is free and open to the public; registration is optional. Reservations may be arranged online through this form. \n  Save  
URL:https://artinamericaguide.com/event/please-stay-home-darrel-ellis-in-dialogue-with-leslie-hewitt-and-wardell-milan-2/
LOCATION:Carpenter Center for Visual Arts\, Harvard University 24 Quincy Street\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/03/Darrel-Ellis-Untitled-Please-Stay-Home-Tonight-Please-Stay-Home-Today.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230328T180000
DTEND;TZID=America/Halifax:20230328T193000
DTSTAMP:20260411T052537
CREATED:20230308T185006Z
LAST-MODIFIED:20230308T185006Z
UID:102080-1680026400-1680031800@artinamericaguide.com
SUMMARY:Research and Excavations at Sardis
DESCRIPTION:In this year’s Sardis Biennial lecture\, Professor Nicholas D. Cahill of the University of Wisconsin-Madison will discuss recent excavations at Sardis\, one of the great ancient cities of western Türkiye from the Bronze Age to the Middle Ages. The Archaeological Exploration of Sardis has been sponsored by Harvard University and Cornell University since 1958 and is authorized by the Turkish Ministry of Culture and Tourism. Recent accomplishments at the site include the discovery of some of the world’s earliest silver coins in a historical context\, the restoration of antiquity’s largest synagogue\, and the unearthing of Roman houses destroyed by a devastating earthquake. \nSpeaker:\nNicholas D. Cahill\, Field Director\, Archaeological Exploration of Sardis\, and Professor of Greek and Roman Art and Archaeology\, University of Wisconsin-Madison \n  Save  
URL:https://artinamericaguide.com/event/research-and-excavations-at-sardis/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/03/synagogue-at-Sardis.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230328T150000
DTEND;TZID=America/Halifax:20230328T153000
DTSTAMP:20260411T052537
CREATED:20230308T163312Z
LAST-MODIFIED:20230308T163312Z
UID:102066-1680015600-1680017400@artinamericaguide.com
SUMMARY:Gallery Talk: Digging up Ancient Samaria-Sebaste
DESCRIPTION:Explore a display about early 20th-century excavations of the ancient city of Samaria-Sebaste\, with curatorial fellow Caitlin Clerkin. You’ll learn how photographs and payroll records help us rewrite the history of archaeology—one that acknowledges the people behind the excavation of the objects on display. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-digging-up-ancient-samaria-sebaste/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/03/Workers-at-Samaria-Sebaste.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230326T133000
DTEND;TZID=America/Halifax:20230326T140000
DTSTAMP:20260411T052537
CREATED:20230308T163312Z
LAST-MODIFIED:20230308T163312Z
UID:102061-1679837400-1679839200@artinamericaguide.com
SUMMARY:Gallery Talk: From the Andes to the Caribbean: American art from the Spanish Empire
DESCRIPTION:Join associate curator Horace D. Ballard for an in-depth discussion about one of the works in the exhibition De los Andes al Caribe: El arte americano desde el imperio español/From the Andes to the Caribbean: American Art from the Spanish Empire\, on view until July 30\, 2023. Ballard will share insights about the ways in which the idea of “America” and the canon of American art are inseparable from the histories of Spanish colonialism across the hemisphere. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-from-the-andes-to-the-caribbean-american-art-from-the-spanish-empire-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/03/Saint-Michael-the-Archangel.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230325T150000
DTEND;TZID=America/New_York:20230325T170000
DTSTAMP:20260411T052537
CREATED:20230311T011243Z
LAST-MODIFIED:20230311T011243Z
UID:102245-1679756400-1679763600@artinamericaguide.com
SUMMARY:Opening Reception for "Heather Stivison: Seeds of Change"
DESCRIPTION:The opening reception for Heather Stivison: Seeds of Change features the live acoustic jazz guitar of John Stein. \nJohn is a highly accomplished guitarist and retired member of the faculty at Berklee College of Music. He has many albums to his credit as both a leader and sideman with some of the world’s most renowned jazz acts. John has published several books on composition\, a book of solo guitar arrangements published by Berklee College\, and numerous articles for jazz magazines. \nJohn will be joined by wonderful bass guitarist Ed Lucie\, his partner on the 2021 recording ‘Serendipity.’ Their skill\, emotional expressiveness\, and fluency as a duet are affecting and memorable\, and echo the sentiments of the paintings on view. \nHeather Stivison\, an artist committed to exploring the intersection of environmental science and visual art in her immersive paintings of the ocean\, air\, and sky will debut a series of works that Stivison calls Ecoscapes\, in the exhibition. \nSeeds of Change\, with its references to natural cycles of growth\, renewal\, and hope arrives fittingly at the beginning of spring after a winter of extreme weather conditions. The exhibition is comprised of 25 acrylic on canvas paintings including a fifteen-foot wide installation of four large panels. Stivison’s Ecoscape paintings depict natural objects and symbols seemingly floating\, untethered in the wind or in deep and shallow bodies of water. Seed pods\, stones\, plankton\, strands of DNA and nautical charts commingle. Stivison says she is inspired by her reading\, observation\, and interest in petroglyphs and ancient rock carvings and paintings. \n\n\n\n  Save  
URL:https://artinamericaguide.com/event/opening-reception-for-heather-stivison-seeds-of-change/
LOCATION:Pleiades Gallery\, 547 W 27th St. Suite 304\, New York\, NY\, 10001\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/03/reception2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230324T180000
DTEND;TZID=America/Halifax:20230324T200000
DTSTAMP:20260411T052537
CREATED:20230216T234214Z
LAST-MODIFIED:20230216T234214Z
UID:101877-1679680800-1679688000@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Opening Reception @ Art Works!
DESCRIPTION:We are putting winter behind us and preparing for spring with the annual Recycle Show. This year we plan on contributing and donating a project of recycle art for the neighborhood—something useful\, something artful. It’s one way we are celebrating our 20th year here in Manchester. \n  \nJoin us on March 24th\, 6 p.m. – 8 p.m. for the opening reception. Meet the artists Cary Loving in the main gallery\, Bev Ulrich in the Centre Gallery\, James Torres in the Corner Gallery\, Helene Ruiz in the Port Gallery\, and the Recycled All Media Show in the Skylight Gallery. There will be music and parking is free. Cary Loving\, James Torres and Helene Ruiz continue through April 9\, 2023. Bev Ulrich and The Recycle Show continue through April 22nd\, 2023. This event is free and open to the public. \nBecoming by Cary Loving\nThe artist invites you to see Nature in a different way. Instead of literal or realistic depiction\, there is fantasy and mystery: the human merges with the bird\, the owl is mute while the forest whispers\, enigmatic narratives are implied. Loving presents clay and mixed media sculpture\, along with paintings and layered cyanotype photographs. \nThis exhibit will be in the Jane Sandelin Gallery. Exhibit continues through April 9\, 2023 \n  \n  \nOut From Obscurity by Bev Ulrich \nBev Ulrich’s art is a physical and spiritual manifestation of her experiences in nature.  It is an expression of that which is seen and felt. Ulrich finds painting an intuitive process and stems from the subconscious. Pushing ahead through the process\, many layers are built up and torn down symbolizing change\, time and growth. Crossing boundaries\, noticing patterns and finding answers through it all is part of the reflection within change and growth. These layers of color and mixed media create mood\, atmosphere and a vibration of energy unique to each viewer interacting with the final piece. The exhibit will be in the Centre Gallery. \nInner Curiosity by James Torres  \nA collector and creator of art\, James Torres has an attachment to old\, damaged\, forgotten\, and discarded items. He lives for his trips to thrift shops\, yard sales\, estate sales\, and even the occasional junkyard to find the “perfect treasures.” To many\, these objects may seem useless; however\, these are the tools he uses to tell a story. Art is all around us. Assemblage is the process to express his curiosity and create a new narrative for forgotten items. This exhibit will be in the Corner Gallery. Exhibit continues through April 9\, 2023 \n  \nMy Urban Experience: ART AVANT-GARDE by Helene Ruiz  \nThis series of acrylic paintings are reflective of the very vivid and wild imagination Helene had as a child and even into her adulthood. Helene was born and raised in New York City. In her mind and in her dreams\, she could make the city look anyway she imagined it and turn it into a fantasy of fun and lively people and buildings and more flowers; like the flowers she would see that grew in the suburbs and where people had actual yards. \nHelene wanted the freedom to approach this series from an imaginary and dreamlike viewpoint. New York City was a very “music/jazz” inspired place when she was growing up and musicians played instruments and used their natural skills in contrast to today’s technological approach to creating music. There would music playing in the streets and parks and pouring out of the buildings especially on Friday and Saturday nights and everyday in the summer. Helene says\, “I hope you enjoy my whimsical\, rhythmic\, and colorful\, dreamlike approach at an avant-garde style of mixing up some different styles to create a fun and exciting journey through my “urban experience” growing up in NYC.” This exhibit will be in the Port Gallery\, Exhibit continues through April 9\, 2023 \nRECYCLE ALL MEDIA ART SHOW  \nThis exhibit is a focal point of all Art Works’ openings.  It is a juried show with cash prizes for 1st\, 2nd and 3rd place. The juror is Brian Barr. The show is open to all artists and all mediums. The theme for this exhibit is recycling. The artwork is comprised of found or recycled objects incorporated into a painting or sculpture. Any medium is acceptable as long as recycled attributes are included. This exhibit will be in the Skylight Gallery. Call for entries is February 1 – March 13\, 2023. Submit your entries through our online form. Check our website for details on submitting your artwork:   https://www.jotform.com/build/230234555895159 \n  \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-opening-reception-art-works-31/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/02/PR-Image-LovingCary-LovingPsyche-1.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230324T110000
DTEND;TZID=America/Halifax:20230324T120000
DTSTAMP:20260411T052537
CREATED:20230307T170202Z
LAST-MODIFIED:20230307T170202Z
UID:102058-1679655600-1679659200@artinamericaguide.com
SUMMARY:Art Study Center Seminar—Neither Icon nor Trinket: On Learning to Love Terracotta Figurines
DESCRIPTION:If the first thing that pops into your mind when you think of the ancient Mediterranean is gleaming marble\, join us for a fresh view of Greece and Rome through close looking at small terracotta figurines. Held in conjunction with the exhibition A World Within Reach: Greek and Roman Art from the Loeb Collection\, this Art Study Center Seminar will offer insights into why small\, broken\, and humble figurines were chosen to be the stars of our show. Former curatorial fellow Frances Gallart Marqués will share how these objects were made\, what they were used for\, who loved them\, and how we can best learn from them\, regardless of their state of preservation. \nLed by:\nFrances Gallart Marqués\, former Frederick Randolph Grace Curatorial Fellow\, Division of Asian and Mediterranean Art \nFree admission\, but registration is required. Registration for this seminar will open on Tuesday\, March 14\, 2023\, at this link. \n  Save  
URL:https://artinamericaguide.com/event/art-study-center-seminar-neither-icon-nor-trinket-on-learning-to-love-terracotta-figurines/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/03/Crouching-satyr.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230323T180000
DTEND;TZID=America/Halifax:20230323T193000
DTSTAMP:20260411T052537
CREATED:20230228T161154Z
LAST-MODIFIED:20230228T161154Z
UID:101990-1679594400-1679599800@artinamericaguide.com
SUMMARY:Busch-Reisinger Museum Lecture—Black Expression: From “Milli” to Nelly
DESCRIPTION:Acclaimed Black German academic\, artist\, and activist (“academic artivist”) Natasha A. Kelly is best known for her multimedia projects focusing on Black German women. One installment of her series is about “Milli\,” the Black model of German Expressionist Ernst Ludwig Kirchner\, who was active in the early decades of the 20th century. \nIn this lecture\, Kelly will present and discuss her recent work\, which has been featured at the 10th Berlin Biennale\, the Maxim Gorki Theater in Berlin\, and the Kunsthalle Bremen\, among other venues. The lecture is an artistic and academic reflection on the social context of German Expressionism from a Black feminist perspective. Decolonizing the Black female body allows for a critique of ongoing coloniality and injustices often centered on migration\, racism\, and national identity. \nFree admission\, but seating is limited and reservations are required. Reservations may be arranged by clicking on the event on this form beginning Monday\, March 13\, after 10am. \n  Save  
URL:https://artinamericaguide.com/event/busch-reisinger-museum-lecture-black-expression-from-milli-to-nelly/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/02/03-23-23_BRM_Natasha-Kelly-1.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230323T120000
DTEND;TZID=America/Halifax:20230323T130000
DTSTAMP:20260411T052537
CREATED:20230207T193908Z
LAST-MODIFIED:20230207T193908Z
UID:101735-1679572800-1679576400@artinamericaguide.com
SUMMARY:History Bites: Women’s Rights are Human Rights
DESCRIPTION:In honor of Women’s History Month\, join Elizabeth Hohl\, PhD\, Assistant Professor of the Practice in History at Fairfield University and co-curator of the special exhibition Women’s Rights are Human Rights\, for a discussion of posters created worldwide that celebrate and acknowledge the vital role that all citizens play in promoting human rights while challenging gender inequality and stereotypes. \nThis event is co-sponsored by the Fairfield Museum and History Center. \nPlease note: This event is an off-campus\, in-person only event and will take place in the Fairfield Museum and History Center. \nPlease feel free to bring your own lunch. Snacks and refreshments provided. \n  \nAbout the presenter: \nCurrently\, Liz is an Assistant Professor of the Practice in the Department of History; she teaches in the programs of Women\, Gender and Sexuality Studies\, Peace and Justice Studies and Black Studies. She received an MLK Vision Award (in 2000) and the first Adjunct Teacher of the Year Award (in 2005). She began her journey in Women’s History while working towards a B.A. from Stonehill College and completed her M.A. in Women’s History at Sarah Lawrence College. She earned a Ph.D. in History and Women’s Studies at Union Institute and University. She continues to research African American women activists during the Jim Crow-Progressive Era and is writing an introduction to a collection of articles on Connecticut women activists as well as a manuscript that will feature Victoria Earle Matthews. \nAbout the exhibition: \nThis exhibition features posters created by both men and women worldwide to celebrate and acknowledge the vital role that all citizens play in protecting and promoting human rights while challenging gender inequality and stereotypes\, advancing reproductive and sexual rights\, protecting women and girls against brutality\, and promoting women’s empowerment\, education\, and participation in society. The posters argue for the empowerment of women\, the achievement of equality between women and men\, and the elimination of discrimination against women and girls. \nOrganized and curated by Elizabeth Resnick\, Professor Emerita\, Graphic Design\, Massachusetts College of Art and Design\, Boston. Co-curated by Fairfield University faculty Rachelle Brunn-Bevel\, PhD\, Elizabeth Hohl\, PhD\, Johanna Garvey\, PhD\, and Anna Lawrence\, PhD in collaboration with museum staff. \nThis exhibition is on view in the Walsh Gallery (inside the Quick Center for the Arts) January 20-April 6\, 2023. \nhttps://www.fairfield.edu/museum/womens-rights/ \nImage: Anita Kunz\, Treat Women as Equals\, 2001\, © Anita Kunz \n  Save  
URL:https://artinamericaguide.com/event/history-bites-womens-rights-are-human-rights/
LOCATION:Fairfield Museum and History Center\, 370 Beach Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/02/Kunz_Anita_Treat-Women-As-Equals.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230322T180000
DTEND;TZID=America/Halifax:20230322T200000
DTSTAMP:20260411T052537
CREATED:20230227T225245Z
LAST-MODIFIED:20230227T225245Z
UID:101975-1679508000-1679515200@artinamericaguide.com
SUMMARY:Film Screening and Panel Discussion: Art & Krimes by Krimes
DESCRIPTION:Join us for a film screening and panel discussion focused on art as a tool for surviving prison and for critiquing mass incarceration. Featuring the film Art & Krimes by Krimes\, directed by Alysa Nahmias\, this event is presented by the Harvard Art Museums\, the Institute to End Mass Incarceration\, and the journal Inquest. \n  Save  
URL:https://artinamericaguide.com/event/film-screening-and-panel-discussion-art-krimes-by-krimes/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/02/Art-Krimes-by-Krimes.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230321T180000
DTEND;TZID=America/Halifax:20230321T210000
DTSTAMP:20260411T052537
CREATED:20230227T164152Z
LAST-MODIFIED:20230227T164152Z
UID:101955-1679421600-1679432400@artinamericaguide.com
SUMMARY:Panel Discussion and Screening: Sueño en Otro Idioma (I Dream in Another Language)
DESCRIPTION:Join us for a panel discussion and screening titled “Indigenous Languages at the Crossroads in Latin America: Screening and Conversation on the Survival of Indigenous Languages\,” co-sponsored by the Mahindra Humanities Center and the David Rockefeller Center for Latin American Studies and presented at the Harvard Art Museums. \nFramed within UNESCO’s International Decade of Indigenous Languages\, the panel discussion will focus on the role of academia\, media\, civil society\, and government initiatives in preserving\, revitalizing\, and supporting Indigenous languages in Latin America. A screening of the film Sueño en otro idioma (I Dream in Another Language)\, directed by Ernesto Contreras\, will follow. \n  Save  
URL:https://artinamericaguide.com/event/panel-discussion-and-screening-sueno-en-otro-idioma-i-dream-in-another-language/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/02/03-21-23_I-Dream-Poster2.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230321T180000
DTEND;TZID=America/Halifax:20230321T180000
DTSTAMP:20260411T052537
CREATED:20230302T190315Z
LAST-MODIFIED:20230302T190315Z
UID:102024-1679421600-1679421600@artinamericaguide.com
SUMMARY:In-Person Film Screening and Conversation: This World is Not My Own
DESCRIPTION:Join filmmakers Ruchi Mital and Petter Ringbom with executive producer Marquise Stillwell for a screening of their biographical film about the artist Nellie Mae Rowe. Exploring the world created by Rowe\, including intricate sets that recreate Rowe’s “Playhouse”\, Mital and Ringbom bring her unique vision to life on film. Narrated by Emmy-award winner\, Uzo Aduba\, with voice support by Broadway actress Amy Warren\, this film considers the cultural and political forces that shaped Rowe’s life and art. This event will be the D.C.  premiere of the film\, after it debuts at SXSW in Austin\, Texas.  \n  \nFree | Registration required; registration opens on Feb. 21   \nSmithsonian American Art Museum: McAvoy Auditorium   \nImage credit: Nellie Mae Rowe by her home known as the “playhouse.”©Opendox\, Photography by Petter Ringbom. Character Animation & VFX by KaktusFilm  \n  Save  
URL:https://artinamericaguide.com/event/in-person-film-screening-and-conversation-this-world-is-not-my-own/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/03/https-d3ec1vt3scx7rr-2.cloudfront.net-files-files-images-events-165232472-DgCB5D6oUaXxa252AhUJ7hBW-Wd-scaled.jpeg
ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230319T120000
DTEND;TZID=America/Halifax:20230319T130000
DTSTAMP:20260411T052537
CREATED:20230222T232937Z
LAST-MODIFIED:20230222T232937Z
UID:101936-1679227200-1679230800@artinamericaguide.com
SUMMARY:Exhibition Tour: From the Andes to the Caribbean: American art from the Spanish Empire
DESCRIPTION:Join associate curator Horace D. Ballard for an in-depth tour of the objects and themes of the exhibition De los Andes al Caribe: El arte americano desde el imperio español/From the Andes to the Caribbean: American Art from the Spanish Empire\, on view until July 30\, 2023. Ballard will share insights about the ways in which the idea of “America” and the canon of American art are inseparable from the histories of Spanish colonialism across the hemisphere. \nFeaturing nearly 50 objects from the Harvard Art Museums collections and the Carl & Marilynn Thoma Foundation\, the exhibition explores how American material and mineral wealth fueled global trade\, changed the course of visual history\, and has had an impact on modern politics that continues today. \nLed by:\nHorace D. Ballard\, Theodore E. Stebbins\, Jr.\, Associate Curator of American Art \n  Save  
URL:https://artinamericaguide.com/event/exhibition-tour-from-the-andes-to-the-caribbean-american-art-from-the-spanish-empire-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230319T120000
DTEND;TZID=America/Halifax:20230319T130000
DTSTAMP:20260411T052537
CREATED:20230222T232916Z
LAST-MODIFIED:20230222T232916Z
UID:101937-1679227200-1679230800@artinamericaguide.com
SUMMARY:Exhibition Tour: From the Andes to the Caribbean: American art from the Spanish Empire
DESCRIPTION:Join associate curator Horace D. Ballard for an in-depth tour of the objects and themes of the exhibition De los Andes al Caribe: El arte americano desde el imperio español/From the Andes to the Caribbean: American Art from the Spanish Empire\, on view until July 30\, 2023. Ballard will share insights about the ways in which the idea of “America” and the canon of American art are inseparable from the histories of Spanish colonialism across the hemisphere. \nFeaturing nearly 50 objects from the Harvard Art Museums collections and the Carl & Marilynn Thoma Foundation\, the exhibition explores how American material and mineral wealth fueled global trade\, changed the course of visual history\, and has had an impact on modern politics that continues today. \nLed by:\nHorace D. Ballard\, Theodore E. Stebbins\, Jr.\, Associate Curator of American Art \n  Save  
URL:https://artinamericaguide.com/event/exhibition-tour-from-the-andes-to-the-caribbean-american-art-from-the-spanish-empire/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/02/Andes-Hero_1200_1200-1.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230319T100000
DTEND;TZID=America/Halifax:20230319T120000
DTSTAMP:20260411T052537
CREATED:20230311T011243Z
LAST-MODIFIED:20230311T011243Z
UID:102233-1679220000-1679227200@artinamericaguide.com
SUMMARY:Materials Lab Workshop: The Art of Peruvian Potato-Plaster Retablos\, Session I (English)
DESCRIPTION:This two-part event requires registration; see further details below. \nThis workshop accompanies the exhibition From the Andes to the Caribbean: American Art from the Spanish Empire\, which invites viewers to investigate the complicated relationship between American art and Spanish imperialism. The exhibition is on view through July 30\, 2023. \nJoin fourth-generation Quechua retablos artist Zuly Palomino Jimenez to learn about the history and material significance of this traditional folk art form and to create your own intricately decorated potato-plaster sculpture of a mask—an important cultural element of the Carnival season in Andean Peru—that will fit into a retablo box you’ll be able to paint. \nNote: This is a two-part workshop\, taking place on Sunday\, March 19 and Sunday\, March 26. On both dates\, there will be a session offered in English and a session in Spanish. It is necessary to attend both dates to complete the project. On March 19\, participants will learn about the retablo tradition\, model the potato-plaster mask sculpture\, and decorate the surrounding box; on March 26\, they will paint the mask and assemble their retablos. \nThe hands-on sessions will take place in the Materials Lab on the Lower Level. \n$25 materials fee. Registration is required for both sessions\, and space is limited. The sessions cannot be taken separately. Registration will open on this form beginning on Thursday\, March 9. Materials fee must be paid to confirm registration. Please email am_register@harvard.edu or call 617-495-1440 to join the waitlist. Minimum age of 14; no previous experience is required. \n  Save  
URL:https://artinamericaguide.com/event/materials-lab-workshop-the-art-of-peruvian-potato-plaster-retablos-session-i-english/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/03/Zuly-Palomino-Jimenez.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230318T183000
DTEND;TZID=America/Chicago:20230318T203000
DTSTAMP:20260411T052537
CREATED:20230221T165415Z
LAST-MODIFIED:20230221T171856Z
UID:101901-1679164200-1679171400@artinamericaguide.com
SUMMARY:Artists of Manneken Press
DESCRIPTION:Contemporary fine art prints will be the focus of an exhibition at the Contemporary Art Center of Peoria’s Preston Jackson Gallery. The exhibition\, Artists Of Manneken Press\, will showcase works by 17 contemporary artists encompassing a wide variety of styles and printmaking techniques produced at Manneken Press\, a fine art press located in Bloomington\, IL. The exhibition dates are February 24th – April 18th 2023. Gallery hours are Tuesday – Saturday 11 am – 5 pm. A gallery talk by Manneken Press director will be held on Friday\, March 3rd at 7:00 pm.A public reception will be held on Saturday\, March 18th from 6:30 – 8:30 pm. Admission to the exhibition and reception are free. The Contemporary Art Center of Peoria is located at 305 SW Water Street\, Peoria\, IL. \nArtists Of Manneken Press builds upon the 2011 exhibition mounted by the Contemporary Art Center of Peoria which included works made from 2000 – 2011\, and extends this continuum with prints published from 2012 to the present. \nThe artists included in the exhibition are: Carlos Andrade\, Mel Cook\, Brian Cypher\, Jack Davidson\, Jonathan Higgins\, Catherine Howe\, Richard Hull\, Mary Judge\, Gary Justis\,  Anna Kunz\, Judy Ledgerwood\, Matt Magee\, Jill Moser\, Kate Petley\, Sarah Smelser\, Philip Van Keuren and Brenda Zappitell. These artists\, all prominent in their field\, hail from across the United States and beyond\, including several from nearby Bloomington\, IL and Chicago and from as far away as Colombia and Spain. \nArtists Of Manneken Press forefronts artworks that assert the foundational acts of two-dimensional investigation over narrative\, are experimental\, unequivocally stirring\, intelligent\, primarily abstract and suited to the medium of printmaking\, with strong compositional\, material and graphic qualities.  \nArtists Of Manneken Press includes only original works; autographic prints which were specifically intended to made in the print medium. They are distinguished from digital or reproductive prints which are copies of works of art made in another medium (giclée prints). Autographic prints can be limited editions (multiple originals) or unique prints (monotypes or monoprints). \nArtists from Rembrandt and Goya to Robert Rauschenberg and Kiki Smith have made prints an important aspect of their creative practice. Contemporary painters and sculptors often opt to work with an experienced practitioner\, like Manneken Press\, who possesses the skills\, equipment and sensitivity necessary to help realize the artist’s vision. Such is the case with painters Judy Ledgerwood and Richard Hull\, and sculptor Gary Justis. Other artists\, such as Sarah Smelser use printmaking as their primary medium of expression. This persistent interest in printmaking underscores the medium’s vitality and importance in contemporary art and in art history. Artists Of Manneken Press exemplifies varying ways that contemporary artists manifest their ideas in print. Several fine art printmaking techniques are utilized throughout the exhibition: etching\, aquatint\, woodcut\, collagraph\, photogravure\, monoprint and monotype. Photogravure\, a 19th C. method of photographic reproduction\, a hybrid of photographic and printmaking techniques that is rarely practiced today\, is highlighted in the prints of Philip Van Keuren and Kate Petley. \nManneken Press\, located in Bloomington\, IL\, is a fine art press that publishes original\, limited edition and unique prints\, portfolios and artist’s books by significant contemporary artists. Manneken Press was founded in 2000 by owner/operators Jonathan Higgins and Sarah Smelser  and has established a reputation as one of the premier fine art presses in the nation. The press represents the work of more than 30 artists. Its inventory consists primarily of prints augmented by drawing\, sculpture and photography in order to show the full scope the the artists’ oeuvres. The artists are invited to Manneken Press to work in close collaboration with master printer Jonathan Higgins on their projects\, which are hand-printed on an etching press\, using traditional\, time tested techniques and materials. Manneken Press regularly participates in fine art fairs around the United States\, including those in Baltimore\, Berkeley\, Boston\, Chicago\, Cleveland\, Houston\, Miami\, New York City and Palm Springs. Prints from Manneken Press have been exhibited in many galleries and museums\, including the Museum of Modern Art\, NYC\,  and have been reviewed in publications such as Art In Print\, Art In America\, Grabado Y Edición\, ARTnews\, and Art On Paper. \nThe Contemporary Art Center is the Peoria’s cultural hub. CACP inhabits a historical building on Peoria’s River Front\, hosting exhibitions in its three galleries\, presenting music\, dance and poetry events\, and housing 15 working artist’s studios. \n  Save  
URL:https://artinamericaguide.com/event/artists-of-manneken-press/
LOCATION:Contemporary Art Center of Peoria\, 305 S Water Street\, Peoria\, IL\, 61602\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/02/Manneken-Press-Exhibit-Horizontal-image.jpg
ORGANIZER;CN="Manneken Press":MAILTO:ink@mannekenpress.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230318T180000
DTEND;TZID=America/New_York:20230318T200000
DTSTAMP:20260411T052537
CREATED:20240515T145050Z
LAST-MODIFIED:20240515T145050Z
UID:108196-1679162400-1679169600@artinamericaguide.com
SUMMARY:Keeping Vigil: Select Works from the Estate of Virgil Grotfeldt
DESCRIPTION:Keeping Vigil: Select Works from the Estate of Virgil Grotfeldt \nMarch 18 through April 22\, 2023 \nPublic Opening Reception: Saturday\, March 18th from 6:00 to 8:00 pm \nKeeping Vigil Together: Saturday\, March 25th from 2:00 to 4:00 pm \nDeborah Colton Gallery is pleased to present Keeping Vigil: Select Works from the Estate of Virgil Grotfeldt.  The public opening reception will be on Saturday\, March 18th from 6:00 to 8:00 pm. On Saturday\, March 25th\, artists Wei Hong and Terrell James will discuss Virgil and his works\, followed by a sound meditation experience with Alex Mora of Ethereal Healing Houston. This special program\, Keeping Vigil Together will be from 2:00 to 4:00 pm. \nThis exhibition was inspired by the inclusion of Grotfeldt works in The Curatorial Imagination of Walter Hopps at the Menil Collection\, an exhibition that opens on March 25\, as well as the upcoming book\, Artists We’ve Known\, Selected Works from the Walter Hopps and Caroline Huber Collection\, published by Yale University Press. \nHopps and Grotfeldt met in Houston\, Texas in the late 1980’s\, an exciting and foundational time for the emerging contemporary art scene that helped establish the city as an international arts destination. Through the years the two forged an inspiring professional bond\, as well as a deep and abiding personal friendship. By the 1990’s\, with the support of Walter Hopps and a robust community of fellow artists\, Grotfeldt began to achieve the respect and attention of major art institutions and collectors both nationally and internationally. It was during this time that Grotfeldt met Dutch artist Waldo Bien\, (FIUWAC Collection Amsterdam) and made his first works using coal dust and found documents recovered in the rubble of the Berlin Wall. These years mark a time of tremendous inspiration and artistic evolution for Grotfeldt. The works in this show have been chosen to reflect this classic era and capture the mastery of Grotfeldt’s immense talent as an artist. \nVirgil Grotfeldt was born in 1948 in Decatur\, Illinois. He earned a bachelor’s degree in art education from Eastern Illinois University in 1971 and a master’s degree at Tyler School of Art in Philadelphia in 1974. He moved to Houston in 1977\, where he lived and worked until his passing in 2009. As an established working artist\, Virgil Grotfeldt holds an impressive exhibition history with over one hundred and fifty solo and group shows world-wide. Grotfeldt’s works are included in the permanent collection of the Menil Collection\, Houston\, Texas; Whitney Museum of American Art\, New York\, New York; Museum of Fine Arts\, Houston\, Texas; Dallas Museum of Art\, Dallas\, Texas; El Paso Museum of Art\, El Paso\, Texas; Tyler Museum of Art\, Tyler\, Texas; Upriver Gallery Collection\, Chengdu\, China; NOG Insurance Company\, Amsterdam\, The Netherlands; and Free International University World Art Collection\, Zeist\, The Netherlands among many others. \nTwo major hardcover books have been published on Virgil Grotfeldt: A comprehensive examination of Grotfeldt’s career and works since the 1970s\, Virgil Grotfeldt: Including the Series with Waldo Bien\, written by Patrick Healy\, published by Wienand Verlag Frankfurt\, 2003. Grotfeldt is also featured in Waldo Bien: Including the Series with Virgil Grotfeldt written by Patrick Healy\, published by Wienand Verlag Frankfurt\, 2000. \nWalter Hopps described the art of Virgil Grotfeldt as a “personal meditation on essential life forces.” In Keeping Vigil\, the viewer is invited to join Virgil Grotfeldt as he explores the mysterious forces we see and sense all around us. To enter the liminal space between the external world around us and the interior landscape of the mind; to encounter potent imagery of both the familiar and ethereal. Here we find the shadowy figures of man\, of nature and of spirit blending\, fading\, and transforming into one another as if in a dream. As a society in economic\, environmental\, and cultural flux\, many are searching for meaning in the more esoteric realms of healing energy\, spiritual practices\, shamanism or the exploration of consciousness itself. The work of Virgil Grotfeldt offers a road map for this universal journey; and reminds us that someone walks alongside us keeping vigil along the way. \n  Save  
URL:https://artinamericaguide.com/event/keeping-vigil-select-works-from-the-estate-of-virgil-grotfeldt/
LOCATION:Deborah Colton Gallery\, 2445 North Boulevard\, Houston\, 77098\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/05/D9A8807-scaled.jpg
ORGANIZER;CN="Deborah Colton Gallery":MAILTO:info@deborahcoltongallery.com
GEO:29.7276234;-95.4166597
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Deborah Colton Gallery 2445 North Boulevard Houston 77098 United States;X-APPLE-RADIUS=500;X-TITLE=2445 North Boulevard:geo:-95.4166597,29.7276234
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230318T150000
DTEND;TZID=America/Halifax:20230318T170000
DTSTAMP:20260411T052537
CREATED:20230227T164131Z
LAST-MODIFIED:20230227T164131Z
UID:101962-1679151600-1679158800@artinamericaguide.com
SUMMARY:Prints & Works on Paper
DESCRIPTION:Ron Adams\, Benny Andrews\, Romare Bearden\, John Biggers\, Elizabeth Catlett\, Robert Colescott\, Allan Rohan Crite\, Aaron Douglas\, Sam Gilliam\, Palmer Hayden\, Jacob Lawrence\, Norman Lewis\, Lois Mailou Jones\, Alison Saar\, Charles Sebree\, Renée Stout\, James Lesesne Wells\, Charles White\, and Hale Woodruff. \nThe 19 artists presented in Prints & Works on Paper worked from the mid-1930s through as recently as 2014.  While the work spans almost a century\, it was made within the shared social and political context of the Black experience in America. These artists did not perceive a line where activism ended and art began. Believing that pictures could make a difference\, they were invested in advocating for justice\, empowerment\, and community through education; the intentionality of creating editioned prints in a workshop setting reflects this dedication. Printmaking facilitated a wider distribution of their messages\, allowing artists to be deliberate about connection and reaching a larger audience. Imagery portraying a rich social life offered viewers positive self-representation\, verity\, and aspiration for the future. The private collection of 38 works passionately assembled over a 30-year period\, is honest in content and impressive in technique\, both captivating the audience and effectively conveying the artworks’ significance. By boldly broadcasting their identities while the art world was systematically prejudiced\, the artists in Prints & Works on Paper documented a difficult past and visualized a brighter future. \nThe artists in Prints & Works on Paper are included in permanent collections across the globe including\, the Museum of Modern Art\, the National Gallery of Art\, the Metropolitan Museum of Art\, the Whitney Museum of American Art\, the National Museum of African American History and Culture\, Tate Modern\, The British Museum\, Afrika Museum (Netherlands)\, the Instituto Politécnico Nacional\, the Detroit Institute of Arts\, the San Francisco Museum of Modern Art\, the Hirshhorn Museum & Sculpture Garden\, and the Baltimore Museum of Art\, among others. \n  Save  
URL:https://artinamericaguide.com/event/prints-works-on-paper/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/02/HFA2726-Charles-Sebree-Twelve-Theatrical-Costume-Sketches-c-1940s.jpg
ORGANIZER;CN="HEMPHILL":MAILTO:gallery@hemphillfinearts.com
GEO:38.910305;-77.0315939
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=HEMPHILL 1515 14th Street NW Washington DC 20005 United States;X-APPLE-RADIUS=500;X-TITLE=1515 14th Street NW:geo:-77.0315939,38.910305
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230316T160000
DTEND;TZID=America/Halifax:20230316T170000
DTSTAMP:20260411T052537
CREATED:20230110T165222Z
LAST-MODIFIED:20230110T165222Z
UID:101400-1678982400-1678986000@artinamericaguide.com
SUMMARY:Gallery Tour with Curator Alexandra Giordano
DESCRIPTION:Join Alexandra Giordano\, Assistant Director of Exhibition and Collection\, for a curator-led tour of the exhibition When We All Stand. She will share her insights and thoughts about the exhibition and the artists selected. \nAdmission is free. RSVP to 516.463.5672 \n  Save  
URL:https://artinamericaguide.com/event/gallery-tour-with-curator-alexandra-giordano/
LOCATION:Emily Lowe Gallery at Hofstra University\, 112 Hofstra University\, Hempstead\, NY\, 11549\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/01/Gallery-Tour-When-We-All-Stand-Flyer-3.16.23.png
ORGANIZER;CN="Hofstra University Museum of Art":MAILTO:museum@hofstra.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230316T123000
DTEND;TZID=America/Halifax:20230316T130000
DTSTAMP:20260411T052537
CREATED:20230221T165329Z
LAST-MODIFIED:20230221T165329Z
UID:101932-1678969800-1678971600@artinamericaguide.com
SUMMARY:Gallery Talk: Renée Sintenis’s Self-Portraits and Sexual Identity in the Weimar Republic
DESCRIPTION:Famous for her public appearances\, lifestyle\, and fashion sense\, Renée Sintenis was among the most recognized artists in Germany’s interwar period. This tour explores her work in the context of sexual identity and the women’s rights movement in 1920s Berlin. \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-renee-sinteniss-self-portraits-and-sexual-identity-in-the-weimar-republic/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/02/Renee-Sintenis-German-Daphne.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230314T170000
DTEND;TZID=America/Halifax:20230314T190000
DTSTAMP:20260411T052537
CREATED:20230302T190315Z
LAST-MODIFIED:20230302T190315Z
UID:102022-1678813200-1678820400@artinamericaguide.com
SUMMARY:In-Person Charles C. Eldredge Prize Lecture
DESCRIPTION:Join art historian Vivien Green Fryd for the Eldredge Prize lecture\, “The Art of the Un-Speakable and the ‘Me Too’ Movement.” Fryd is a professor emerita in the history of art and architecture department at Vanderbilt University. She is the author of “Art and Empire: The Politics of Ethnicity in the United States Capitol\, 1815–1865”\, and “Art and the Crisis of Marriage: Edward Hopper and Georgia O’Keeffe”\, and is currently writing “Henry Ries’s Photographs of Berlin Iconic Buildings and Monuments\, 1937–2004”. In addition\, Fryd has published essays in Panorama\, Art Bulletin\, American Art Journal\, American Art\, and Winterthur Portfolio. She was the 2022 recipient of SAAM’s Charles C. Eldredge Prize for Distinguished Scholarship in American Art for her book\, “Against Our Will: Sexual Trauma in American Art Since 1970”. This publication focuses on the role of contemporary art in challenging society to acknowledge and legally address rape\, incest\, and other forms of sexual violence. In her lecture\, Fryd will reflect on how she has conscientiously brought this difficult material into university and museum settings.  \n  \nContent warning: SAAM seeks to provide a safe space for all attendees; this lecture will amplify the voices of survivors of sexual violence.  \n  \nFree | Registration opening soon   \nSmithsonian American Art Museum: McAvoy Auditorium  \n  Save  
URL:https://artinamericaguide.com/event/in-person-charles-c-eldredge-prize-lecture/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/03/https-d3ec1vt3scx7rr.cloudfront.net-files-files-images-events-165133902-DgBwGfcTf-L4H-Abcv8czKk2-scaled.jpg
ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230311T123000
DTEND;TZID=America/Halifax:20230311T160000
DTSTAMP:20260411T052537
CREATED:20230207T193908Z
LAST-MODIFIED:20230207T193908Z
UID:101733-1678537800-1678550400@artinamericaguide.com
SUMMARY:Family Day: Be A Curator!
DESCRIPTION:Join us for arts & crafts inspired by the work of real museum curators! \nJoin us in the Bellarmine Hall Galleries’ museum classroom for arts & crafts designed for ages 5-12. Children will learn about the work of museum curators through creating their own model exhibition! Supplies will be provided and light refreshments will be available. \nActivities will include: \n\nDesigning a themed exhibition\nCreating a 3D model of their exhibition\nGallery activities\n\nPlease note: This event is in-person only. \nTicket options: Please select Session 1 OR Session 2 and register with how many children are attending. Example: 1 ticket=1 child. Space is limited. If you are unable to attend\, please let us know via email: museum@fairfield.edu or cancel your registration via Eventbrite. \nVideo tutorials are available via email request. \n  Save  
URL:https://artinamericaguide.com/event/family-day-be-a-curator/
LOCATION:Bellarmine Hall Galleries\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/02/Family-Day-March-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230311
DTEND;VALUE=DATE:20230312
DTSTAMP:20260411T052537
CREATED:20230223T220712Z
LAST-MODIFIED:20230223T220712Z
UID:101952-1678492800-1678579199@artinamericaguide.com
SUMMARY:Rebecca Horn: Labyrinth of the Soul: Drawings 1965-2015
DESCRIPTION:Sean Kelly is delighted to announce Labyrinth of the Soul: Drawings 1965-2015\, a major exhibition featuring fifty years of drawing by Rebecca Horn. This historical presentation\, which includes rarely seen works on paper\, will open at Sean Kelly\, Los Angeles in March following its presentation in the New York gallery in January\, two cities in which Horn lived and for which she has a strong affinity. This will be the most significant presentation of Horn’s work on the West Coast since her 1990 exhibition at MOCA\, Los Angeles\, entitled Driving through Buster’s Bedroom. This significant survey will be the first opportunity for visitors to see many of these critically important works\, most of which have never been shown in the United States. The occasion also marks the thirty-four-year professional relationship between Rebecca Horn and Sean Kelly. \n  Save  
URL:https://artinamericaguide.com/event/rebecca-horn-labyrinth-of-the-soul-drawings-1965-2015/
LOCATION:Sean Kelly LA\, 1357 N Highland Ave\, Los Angeles\, CA\, 90028\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/02/RH-BL-3042-Goyas-Feuer-2014_KarinWeyrich-1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230309T170000
DTEND;TZID=America/Halifax:20230309T200000
DTSTAMP:20260411T052537
CREATED:20230228T190634Z
LAST-MODIFIED:20230228T190634Z
UID:101995-1678381200-1678392000@artinamericaguide.com
SUMMARY:Sally Brody: New Work
DESCRIPTION:Atlantic Gallery is pleased to announce the opening of New Work\, Sally Brody’s latest solo exhibition on view from Tuesday\, March 7th through Saturday\, March 25th\, 2023. A reception for the artist will be held on Thursday\, March 9th\, from 5 to 8 PM. \nAcross seven decades of painting\, the enigma of nature has been Sally Brody’s inexhaustible subject. In the current show of still lives at the Atlantic Gallery\, the artist distills her work in radiant blocks of interlocking\, consummately balanced color with the elusive outlines of leaves and flowers providing the essential animating spark. \nSally Brody studied painting at Smith College\, the Art Students League\, the Brooklyn Museum and the Pratt Graphic Center.  She has many solo shows at the Atlantic Gallery. Ms. Brody has also shown at the Brooklyn Museum\, the Garrison art Center\, Home Box Office etc.  She has designed tapestries for IBM and other commercial clients. Her work is in the collections of many corporate and private collectors. \nSally Brody lives in Brooklyn\, New York and Ancramdale\, New York. \nFor more information please visit: \nwww.sallybrody.com or www.atlanticgallery.org \n  Save  
URL:https://artinamericaguide.com/event/sally-brody-new-work/
LOCATION:Atlantic Gallery\, 548 W. 28th St\, #540\, New York\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/02/Silver-Pitcher-high-res-scaled.jpg
GEO:40.7515661;-74.0041872
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Atlantic Gallery 548 W. 28th St #540 New York 10001 United States;X-APPLE-RADIUS=500;X-TITLE=548 W. 28th St\, #540:geo:-74.0041872,40.7515661
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230309T123000
DTEND;TZID=America/Halifax:20230309T130000
DTSTAMP:20260411T052537
CREATED:20230217T215237Z
LAST-MODIFIED:20230217T215237Z
UID:101891-1678365000-1678366800@artinamericaguide.com
SUMMARY:Gallery Talk: Activation of Moholy-Nagy’s Light Prop for an Electric Stage
DESCRIPTION:Our galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nLed by:\nClemens Ottenhausen\, Renke B. and Pamela M. Thye Curatorial Fellow in the Busch-Reisinger Museum\, Division of Modern and Contemporary Art \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-activation-of-moholy-nagys-light-prop-for-an-electric-stage-6/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/02/Laszlo-Moholy-Nagy.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230308T183000
DTEND;TZID=America/Halifax:20230308T193000
DTSTAMP:20260411T052537
CREATED:20230213T222717Z
LAST-MODIFIED:20230213T222717Z
UID:101827-1678300200-1678303800@artinamericaguide.com
SUMMARY:Sandra Ramos in Conversation
DESCRIPTION:In her exhibition Both Sides Now: Sandra Ramos\, on view at the nearby David Rockefeller Center for Latin American Studies\, Cuban-born artist Sandra Ramos uses wit and humor to pose a cultural critique of Cuban republican history while exposing the failings of democratic systems against totalitarian regimes in our time. Through photographs\, drawings\, collage\, sculpture\, and video\, Ramos reveals a personal and ironic perspective on the challenges of displacement and the sociopolitical and economic realities of her country. \nIn this event at the Harvard Art Museums\, Ramos will be in conversation with curator Mary Schneider Enriquez. They will discuss the artist’s practice\, which began in the 1980s in Cuba; the fall of the Berlin Wall and the economic scarcities that followed; and her move to the United States\, which has given Ramos\, as an immigrant\, a sharply clarifying lens on both cultures and the tensions between them. \nBefore the discussion\, we invite you to attend a reception and tour of Both Sides Now: Sandra Ramos at the David Rockefeller Center for Latin American Studies (DRCLAS). The tour will be led by Sandra Ramos; Marcela V. Ramos\, arts program manager for DRCLAS; and Mary Schneider Enriquez\, from 5:15 to 6:15pm. \n  Save  
URL:https://artinamericaguide.com/event/sandra-ramos-in-conversation/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/02/03-08-23_Sandra-Ramos-in-Conversation.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230308T140000
DTEND;TZID=America/Halifax:20230308T150000
DTSTAMP:20260411T052537
CREATED:20230209T215239Z
LAST-MODIFIED:20230209T215239Z
UID:101811-1678284000-1678287600@artinamericaguide.com
SUMMARY:Please Stay Home: Darrel Ellis in Dialogue with Leslie Hewitt and Wardell Milan (off-site exhibition tour)
DESCRIPTION:Join a tour of the exhibition Please Stay Home: Darrel Ellis in Dialogue with Leslie Hewitt and Wardell Milan at the Carpenter Center for the Visual Arts. Centered on a less recognized body of Darrel Ellis’s work and featuring new commissions by Leslie Hewitt and Wardell Milan\, this special exhibition is guest curated by Makeda Best\, the Richard L. Menschel Curator of Photography at the Harvard Art Museums. \nThis event at the Carpenter Center is free and open to the public; registration is optional. Reservations may be arranged online through this form. \n  Save  
URL:https://artinamericaguide.com/event/please-stay-home-darrel-ellis-in-dialogue-with-leslie-hewitt-and-wardell-milan-off-site-exhibition-tour/
LOCATION:Carpenter Center for Visual Arts\, Harvard University 24 Quincy Street\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/02/Darrel-Ellis-Untitled-Please-Stay-Home-Tonight-Please-Stay-Home-Today-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230308T123000
DTEND;TZID=America/Halifax:20230308T130000
DTSTAMP:20260411T052537
CREATED:20230209T215240Z
LAST-MODIFIED:20230209T215240Z
UID:101807-1678278600-1678280400@artinamericaguide.com
SUMMARY:Gallery Talk—A World Within Reach: Greek and Roman Art from the Loeb Collection
DESCRIPTION:Join graduate student intern Sarah Eisen for a closer look at ancient objects in the exhibition A World Within Reach: Greek and Roman Art from the Loeb Collection\, as well as insights into the exhibition process. On view through May 7\, 2023\, A World Within Reach examines issues of power\, desire\, and wonder in antiquity and today by delving into small-scale ancient Greek and Roman art. \nOur galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view\, take a fresh look at old favorites\, investigate artists’ materials and techniques\, and reveal the latest discoveries by curators\, conservators\, fellows\, visiting artists\, technologists\, and other contributors. \nLed by:\nSarah Eisen\, Ph.D. candidate in the Department of Classical Archaeology\, Harvard University\, and graduate student intern\, Division of Asian and Mediterranean Art\, Harvard Art Museums \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-a-world-within-reach-greek-and-roman-art-from-the-loeb-collection-4/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/02/Woman-with-Mirror.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230308T120000
DTEND;TZID=America/Halifax:20230318T180000
DTSTAMP:20260411T052537
CREATED:20230308T163312Z
LAST-MODIFIED:20230308T163312Z
UID:102071-1678276800-1679162400@artinamericaguide.com
SUMMARY:"Where Do We Go From Here"\, Susan Kiefer\, Solo Show
DESCRIPTION:Susan Kiefer’s show\, “Where Do We Go From Here” is on view at the Pleiades Gallery until March 18\, 2023. Pleiades Gallery is located at 547 West 27th Street\, Suite 304\, New York\, NY. The gallery is open Tuesday through Saturday from 12:00 – 6:00. \n  Save  
URL:https://artinamericaguide.com/event/where-do-we-go-from-here-susan-kiefer-solo-show/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230305T123000
DTEND;TZID=America/Halifax:20230305T133000
DTSTAMP:20260411T052537
CREATED:20230208T224206Z
LAST-MODIFIED:20230208T224206Z
UID:101801-1678019400-1678023000@artinamericaguide.com
SUMMARY:Gallery Talk: From the Andes to the Caribbean: American art from the Spanish Empire
DESCRIPTION:Join associate curator Horace D. Ballard for an in-depth discussion about one of the works in the exhibition De los Andes al Caribe: El arte americano desde el imperio español/From the Andes to the Caribbean: American Art from the Spanish Empire\, on view until July 30\, 2023. Ballard will share insights about the ways in which the idea of “America” and the canon of American art are inseparable from the histories of Spanish colonialism across the hemisphere. \nFeaturing nearly 50 objects from the Harvard Art Museums collections and the Carl & Marilynn Thoma Foundation\, the exhibition explores how American material and mineral wealth fueled global trade\, changed the course of visual history\, and has had an impact on modern politics that continues today. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-from-the-andes-to-the-caribbean-american-art-from-the-spanish-empire/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/02/Andes-Hero_1200_1200.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
END:VCALENDAR