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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230611T150000
DTEND;TZID=America/Halifax:20230611T170000
DTSTAMP:20260408T163603
CREATED:20230515T192218Z
LAST-MODIFIED:20230515T192218Z
UID:103451-1686495600-1686502800@artinamericaguide.com
SUMMARY:A.I.R. | Artists in Residence Exhibition | Artist Talk & Closing Reception
DESCRIPTION:This exhibition presents the work of the participants of the Woodstock Byrdcliffe Guild 2022 Artists-in-Residency program. In a world that prioritizes production\, residency programs offer a place for artists to generate ideas\, experiment at their own pace and\, most of all\, reflect on their practice. Join us on this last day of the show to hear the artists discuss their work and their art process and meet the new 2023 artist residents of the Byrdcliffe Colony \n  Save  
URL:https://artinamericaguide.com/event/a-i-r-artists-in-residence-exhibition-artist-talk-closing-reception/
LOCATION:Kleinert/James Center for the Arts\, 36 Tinker Street\, Woodstock\, NY\, 12498\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/05/fb-header.jpg
ORGANIZER;CN="Woodstock Byrdcliffe Guild":MAILTO:info@woodstockguild.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230611T120000
DTEND;TZID=America/Halifax:20230611T130000
DTSTAMP:20260408T163603
CREATED:20230518T140350Z
LAST-MODIFIED:20230518T140350Z
UID:103512-1686484800-1686488400@artinamericaguide.com
SUMMARY:Exhibition Tour: American Watercolors\, 1880–1990: Into the Light
DESCRIPTION:Join curator Miriam Stewart for an in-depth discussion about works in the exhibition American Watercolors\, 1880–1990: Into the Light\, on view from May 20 to August 13\, 2023. Stewart will share insights about the featured artists’ creative\, and sometimes unusual\, watercolor techniques. \nAmerican Watercolors\, 1880–1990 presents more than a hundred compelling and rarely seen watercolors by both well-known and historically underrepresented American artists selected from the Harvard Art Museums’ deep and diverse holdings. Discover how watercolorists leveraged the imaginative and experimental capacity of the medium to create marvelously diverse works over more than a century. \n  Save  
URL:https://artinamericaguide.com/event/exhibition-tour-american-watercolors-1880-1990-into-the-light/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/05/Prendergast_900_600.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230610T140000
DTEND;TZID=America/Halifax:20230610T160000
DTSTAMP:20260408T163603
CREATED:20230502T182207Z
LAST-MODIFIED:20230502T182207Z
UID:103173-1686405600-1686412800@artinamericaguide.com
SUMMARY:Chelsea Connoisseur's "Midsummer Night's Dream" Champagne Soirée! Saturday June 10th 2PM - 4PM
DESCRIPTION:AMSTERDAM WHITNEY GALLERY\, located at 210 Eleventh Avenue (between 24th & 24th Streets) – Chelsea\, New York City\, is proud to show in its\nJUNE 10-SEPTEMBER\, 2023 “Mid-Summer Night’s Dream” Exhibition\, contemporary Master Artists whose works explore the abstract\, figurative and natural worlds. With exhilarating paintings and acclaimed sculptures\, these renown artists exalt the realm of the aesthetic through brilliant coloration and dazzling form.  This special “Mid-Summer Night’s Dream” exhibition\, highlighted by the Gala Champagne Reception on Saturday\, June 10th\, from 2:00-4:00 pm\, offers a magical tribute which will enchant the senses of both art acquisitiors and art aficionados alike. Overflowing with an intoxicating  champagne toast to the prismatic wonders of the natural world\, this sparkling summer exhibition reflects a bubbling visual renewal of the visual realm. Noteworthy international and national masters incandescently define the cultural cross-section of the modern art world and pulsate with dynamic synergy and expressive artistic creativity. While rendering a visual lexicon of sophisticated\, eclectic and often joyful representations of the universe\, they globally shine the spotlight on a unique\, universal artistic language\, creating panoramas infused with creative spirit.\n  \n\n\n\n\nTOM ASHBOURNE\nNANCY BALMERT\nMARIE-GHISLAINE BEAUCE\nRONI LYNN DOPPELT\nGAYLE FAULKNER\nSUE GRAEF\nMACEY LIPMAN\nNERYS LEVY\nGEORGINA MACKEN\nKASANDRA McNEIL\nJOHN PETERS\nSADY PINEDA\nLUCA RIPAMONTI\n\n\n\n\n\n\nSALLY RUDDY\nMICHAEL SCHAFFER\nANDREA G. SNYDER\nJULIE REBY WAAS\nHUA YANG\n\n\n\n\n  Save  
URL:https://artinamericaguide.com/event/chelsea-connoisseurs-midsummer-nights-dream-champagne-soiree-saturday-june-10th-2pm-4pm/2023-06-10/
LOCATION:Amsterdam Whitney Gallery\, 531 West 25th Street\, Ground Floor\, New York\, NY\, 10001\, United States
CATEGORIES:Art Fair,Exhibition,Pop up
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ORGANIZER;CN="Amsterdam Whitney Gallery":MAILTO:amsterdamwhitney@aol.com
GEO:40.7497243;-74.0044044
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amsterdam Whitney Gallery 531 West 25th Street Ground Floor New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=531 West 25th Street\, Ground Floor:geo:-74.0044044,40.7497243
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230610T120000
DTEND;TZID=America/New_York:20230610T133000
DTSTAMP:20260408T163603
CREATED:20230213T222643Z
LAST-MODIFIED:20230418T145411Z
UID:101840-1686398400-1686403800@artinamericaguide.com
SUMMARY:Creativity Exploration: Mapping Your Body
DESCRIPTION:This adult class will be held IN PERSON \n  \nClasses are taught by award winning instructor\, Lark Keeler. \n  \n\nInspired by the art and mark-making of Marega Palser and Heather Hansen\, celebrate and explore your body through a map-making exercise that incorporates line\, gesture\, movement\, discovery\, and reflection. Advanced reservations are required\, space is limited. \n  \nCreativity Exploration adult workshops promote the benefits of creative exploration and the mind-to-body experience. Studies have shown that 45 minutes of creative activity a day reduces stress and offers mental clarity and relaxation. In addition to producing a sense of well-being\, sessions expand participants’ perceptions of forms\, while increasing brain connectivity through visual and cognitive stimulation. The workshop is led by educator Lark Keeler\, a specialist in mindfulness education. \n  \nCreativity Exploration is sponsored by the Charles P. Ferro Foundation \n\n  Save  
URL:https://artinamericaguide.com/event/creativity-exploration-female-figures/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Event
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ORGANIZER;CN="nsu art museum":MAILTO:reservations@moafl.org
GEO:26.1194368;-80.1427657
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NSU Art Museum 1 E Las Olas Blvd Fort Lauderdale FL 33301 United States;X-APPLE-RADIUS=500;X-TITLE=1 E Las Olas Blvd:geo:-80.1427657,26.1194368
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230609T180000
DTEND;TZID=America/Halifax:20230609T210000
DTSTAMP:20260408T163603
CREATED:20230515T192152Z
LAST-MODIFIED:20230515T192152Z
UID:103458-1686333600-1686344400@artinamericaguide.com
SUMMARY:26th Annual Do It Your Damn Self!! National Youth Film Festival
DESCRIPTION:Join us for the premiere screening of Community Art Center’s 26th Annual Do It Your Damn Self!! National Youth Film Festival\, the longest-running youth film festival in the country. A panel discussion with the teen filmmakers and a short reception in the Calderwood Courtyard will follow the screening. \nThe film screening will begin at 6pm in Menschel Hall\, Lower Level. Doors will open at 5:30pm at the 480 Broadway entrance. \nFree admission\, but seating is limited. Advance reservations are encouraged and will open on Friday\, May 19\, after 10am. Walk-in visitors are always welcome\, if space allows. Please note that a standby line will be available for those without reservations. \n  Save  
URL:https://artinamericaguide.com/event/26th-annual-do-it-your-damn-self-national-youth-film-festival/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/05/DIYDS_900_600.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230607T123000
DTEND;TZID=America/Halifax:20230607T130000
DTSTAMP:20260408T163603
CREATED:20230515T192218Z
LAST-MODIFIED:20230515T192218Z
UID:103456-1686141000-1686142800@artinamericaguide.com
SUMMARY:Gallery Talk: American Watercolors\, 1880–1990: Into the Light
DESCRIPTION:Join museum director Martha Tedeschi for a closer look at a selection of artworks in the exhibition American Watercolors\, 1880–1990: Into the Light\, on view from May 20 to August 13\, 2023. Tedeschi\, a watercolors expert\, will share insights about the exhibition and consider the individual impulse to create. \nAmerican Watercolors\, 1880–1990 presents more than a hundred compelling and rarely seen watercolors by both well-known and historically underrepresented American artists selected from the Harvard Art Museums’ deep and diverse holdings. Discover how watercolorists leveraged the imaginative and experimental capacity of the medium to create marvelously diverse works over more than a century. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-american-watercolors-1880-1990-into-the-light-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/05/Winslow-Homer_900_600.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230606T170000
DTEND;TZID=America/Halifax:20230606T180000
DTSTAMP:20260408T163603
CREATED:20230302T190315Z
LAST-MODIFIED:20230302T190315Z
UID:102018-1686070800-1686074400@artinamericaguide.com
SUMMARY:Lecture: Women of the Westport Public Art Collections
DESCRIPTION:Join us in the Diffley Board Room (or virtually) for a lecture by Ive Covaci\, PhD and Kathie Bennewitz! \nIn this illustrated lecture\, Kathleen Motes Bennewitz and Ive Covaci\, PhD\, will discuss selected works on display in In Their Element(s): Women Artists Across Media to showcase the role of women as artists and caretakers in the development and growth of the Westport Public Art Collections (WestPAC)\, from the 1960s to today. \nWestPAC encompasses nearly 2\,000 artworks in a range of media which are displayed in public schools and municipal buildings throughout Westport. The holdings include murals created by Westport artists for the Works Progress Administration\, works supporting and promoting the artistic and cultural heritage of the community\, and others by nationally and globally known artists that were collected with the vision for original art to be a daily part of the educational environment of students. \nWe invite you to join the conversation via the following options: \n\nIn-person in the Diffley Board Room\, on the first floor of Bellarmine Hall\nStreaming via thequicklive.com\n\n  \nThis event is presented in conjunction with the exhibition In Their Element(s): Women Artists Across Media\, on view in the Bellarmine Hall Galleries from April 20-July 15\, 2023. \nAbout the exhibition: \nThe exhibition – the first exhibition in the museum’s history to have been fully developed and curated by an undergraduate student – features more than 50 contemporary artworks by female artists across a variety of media. Among the artists included in the exhibition are photographers Laurie Simmons and Donna Ferrato\, painter Miriam Shapiro\, and painters and sculptors Linda Stein and Ruby Sky Stiler. The majority of artworks in the exhibition will come from the museum’s collection\, and will include many recent acquisitions\, with select loans coming from the Westport Public Art Collection (WestPAC) and private collections. Curated by Fairfield University student Phoebe Charpentier ’23 \nhttps://www.fairfield.edu/museum/in-their-elements/ \n  \nImage: Lucy Sallick\, “Studio Floor: Still Life #4”\, 1975\, Oil on canvas. Westport Public Art Collections\, 530\, Bicentennial Trust for Westport Art\, 1976-1978. © Lucy Sallick \n  Save  
URL:https://artinamericaguide.com/event/lecture-women-of-the-westport-public-art-collections/
LOCATION:Bellarmine Hall\, Diffley Board Room (1st floor)\, 200 Barlow Road\, Fairfield\, CT\, 06824
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/03/Studio-Floor-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230606T123000
DTEND;TZID=America/Halifax:20230606T130000
DTSTAMP:20260408T163603
CREATED:20230515T192218Z
LAST-MODIFIED:20230515T192218Z
UID:103453-1686054600-1686056400@artinamericaguide.com
SUMMARY:Art Talk Live: Color in an Ancient Greek Ceramic
DESCRIPTION:Join conservator Susan Costello as she focuses on numerous facets of color surrounding an ancient Greek ceramic vessel. She’ll explain how the original color was manufactured\, what issue came up when conservators tried restoring the color\, and how the Forbes Pigment Collection helped conservators figure out what went wrong. \nLed by:\nSusan Costello\, Conservator of Objects and Sculpture\, Straus Center for Conservation and Technical Studies \n  Save  
URL:https://artinamericaguide.com/event/art-talk-live-color-in-an-ancient-greek-ceramic/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/05/Bell-krater_1200_1200-1.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230604T120000
DTEND;TZID=America/Halifax:20230604T130000
DTSTAMP:20260408T163603
CREATED:20230515T192218Z
LAST-MODIFIED:20230515T192218Z
UID:103448-1685880000-1685883600@artinamericaguide.com
SUMMARY:Exhibition Tour: From the Andes to the Caribbean: American art from the Spanish Empire
DESCRIPTION:Join associate curator Horace D. Ballard for an in-depth tour of the objects and themes of the exhibition De los Andes al Caribe: El arte americano desde el imperio español/From the Andes to the Caribbean: American Art from the Spanish Empire\, on view until July 30\, 2023. Ballard will share insights about the ways in which the idea of “America” and the canon of American art are inseparable from the histories of Spanish colonialism across the hemisphere. \nFeaturing nearly 50 objects from the Harvard Art Museums collections and the Carl & Marilynn Thoma Foundation\, the exhibition explores how American material and mineral wealth fueled global trade\, changed the course of visual history\, and has had an impact on modern politics that continues today. \n  \n  Save  
URL:https://artinamericaguide.com/event/exhibition-tour-from-the-andes-to-the-caribbean-american-art-from-the-spanish-empire-4/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/05/Andes-Hero_1200_1200-1.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230603T150000
DTEND;TZID=America/New_York:20230603T180000
DTSTAMP:20260408T163603
CREATED:20230605T154505Z
LAST-MODIFIED:20230605T154505Z
UID:103788-1685804400-1685815200@artinamericaguide.com
SUMMARY:Opening Reception for Mabelin Castellanos: Alone With Her Head
DESCRIPTION:Mabelin Castellanos’ first solo exhibition at The Contemporary Art Modern Project\, Alone With Her Head presents precise\, intricate line work juxtaposed with bright fabrics on bare-bones muslin quirky meditations on fleeting moments that capture the artist’s attention during her time spent people-watching. \n“This exhibition explores complicated topics such as aging as a woman and having to rediscover or redefine what one’s ‘prime’ looks like\, through a minimalist lens. It’s almost a subversion of what processing big\, difficult emotions can look like to others\,” said Maria Gabriela Di GIammarco\, the exhibition’s curator. \nThe exhibition will be open to the public in our Miami gallery beginning June 3 and will run through July 29. The gallery will be hosting an opening reception on Saturday\, June 3\, 2023 from 3–6PM. \n\n\n  \n\n\n\n\n\n\n\n\nABOUT MABELIN CASTELLANOS (b. 1958\, Cuban) \n  \nMabelin Castellanos is a Cuban fiber artist based in Miami. Her delicate interpretations of quotidian life as seen from her window are often made from scrap fabrics\, with both her story as an artist and fiber paintings acting as conduits for agency—namely\, Castellanos’ own. Her practice is marked by self-reflection\, pleasant observations\, and a tender reconstructing of identity and paths to personal development through moments of strife and rebirth. Mabela’s body of work can be interpreted as a series of textile snapshots\, subverting the nature of textile work by treating her sewing machine as an instrument for photography\, while honoring the fleeting beauty in moments most would describe as trivial. \n  \n  \nABOUT THE CONTEMPORARY ART MODERN PROJECT \nThe Contemporary Art Modern Project exists at the intersection of higher thought and aesthetics\, turning the classic gallery model on its head in principle and practice. Founded by Melanie Prapopoulos\, The CAMP’s approach to curation and criticism is equal parts academic and experimental\, resulting in a robust exhibition program that spotlights a range of experiences and media in roster and staff. Coupled with a deep seated aversion to artist exploitation and an insistence on nurturing the relationship between artist\, collector and gallery patron\, The Contemporary Art Modern Project’s reactionary approach is intentional\, designed to disrupt the exploitative norms of the art industry and safeguard the relationship between artistic expression and appreciation. \n  \nTHE CAMP GALLERY MIAMI is located in North Miami at 791 NE 125 St.\, Miami FL 33161. The gallery is open Wednesday–Saturday\, from 11 AM to 5 PM. Private tours can be scheduled by emailing hello@thecampgallery.com or calling (786) 953-8807. \n\n\n  Save  
URL:https://artinamericaguide.com/event/opening-reception-for-mabelin-castellanos-alone-with-her-head/
LOCATION:The CAMP Gallery\, 791 NE 125 St\, Miami\, FL\, 33161\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="The Contemporary Art Modern Project":MAILTO:hello@thecampgallery.com
GEO:25.8434605;-80.1895077
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230601T170000
DTEND;TZID=America/Halifax:20230601T200000
DTSTAMP:20260408T163603
CREATED:20230518T140350Z
LAST-MODIFIED:20230518T140350Z
UID:103502-1685638800-1685649600@artinamericaguide.com
SUMMARY:Vignettes: A Visual Narrative Exhibition
DESCRIPTION:May 30th – June 17th\, 2023\nOpening Reception: Thursday June 1st\, 5 – 8 PM \n\n\n\n\nAtlantic Gallery is pleased to announce the opening of Vignettes: A Visual Narrative Exhibition\, on view from Tuesday\, May 30th\, through Saturday\, June 17th\, 2023. A reception for the artists will be held on Thursday\, June 1st\, from 5:00 to 8:00 pm. \nA Vignette can be interpreted in different ways\, and that’s precisely what the artists in this show do. Working in digital and traditional mediums\, the artists use their distinct styles and unique voices to tell brief stories or capture moments in time. Although each artist strives to craft their own tales\, The work shares a common thread through- out the exhibition to weave a larger narrative. \nAmong the group of artists are former roommates and classmates. Others were brought together by chance encounters or through social media. Some have previously worked together\, and others collaborated for the first time. Together\, they created a show that’s both eclectic and cohesive. Through their respective works\, the artists experiment with various ways of crafting a visual narrative. \n\n\n\n\nFeaturing \nJustin Bowling \nGeoff Class \nAndie Desiderio \nGrace Desmarais \n\n\nHabib Fall \nLaura Kandle \nJohn Lapsley \nQuinn Marston \n\n\nMarek Nenutil \nFelix Quiñonez Jr \nKyle Rose \n\n\n\n  Save  
URL:https://artinamericaguide.com/event/vignettes-a-visual-narrative-exhibition/
LOCATION:Atlantic Gallery\, 548 W. 28th St\, #540\, New York\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/05/Website-Slider-Image.jpg
GEO:40.7515661;-74.0041872
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230601T123000
DTEND;TZID=America/Halifax:20230601T130000
DTSTAMP:20260408T163603
CREATED:20230515T192218Z
LAST-MODIFIED:20230515T192218Z
UID:103445-1685622600-1685624400@artinamericaguide.com
SUMMARY:Gallery Talk: Paintings in Residence—Works from the Terra Foundation for American Art
DESCRIPTION:The Harvard Art Museums are among a group of academic museums participating in the Terra Foundation for American Art’s Collection-in-Residence Program. Each institution will host significant works of art loaned by the Terra Foundation for American Art. Over the next four years\, the Harvard Art Museums will display\, research\, and create exciting programs around these works\, including an investigation of their material histories. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-paintings-in-residence-works-from-the-terra-foundation-for-american-art-3/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/05/Church_900_600.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230601T120000
DTEND;TZID=America/Halifax:20230601T123000
DTSTAMP:20260408T163603
CREATED:20230302T190315Z
LAST-MODIFIED:20230307T171418Z
UID:102016-1685620800-1685622600@artinamericaguide.com
SUMMARY:Virtual Art in Focus: James Welling\, “Kore 674”
DESCRIPTION:Each event in our Art in Focus series offers a chance for an informal discussion centered around a single art object\, led by Curator of Education and Academic Engagement Michelle DiMarzo. \nJoin us for the last Virtual Art in Focus of the Spring season! This month\, participants will view and discuss Kore 674\, a series by James Welling\, and their connection to the Fairfield University Art Museum’s plaster casts of marble Kore from ancient Greece. \nBring your questions and observations to our virtual discussion! \nPlease note: This event is virtual only. If you are interested in the in-person Art in Focus on Thursday\, June 1 at 11 a.m.\, click here! \n  \nImage: unknown Greek artist\, Euthydikos’ Kore\, ca. 480 BCE\, plaster cast from Pentelic marble original. Gift of the First Ephorate of Prehistoric & Classical Antiquities\, Acropolis Museum\, Athens\, 2010 (2010.02.07) \n  Save  
URL:https://artinamericaguide.com/event/virtual-art-in-focus-james-welling-kore-674/
LOCATION:Fairfield University Art Museum\, 200 Barlow Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Event
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ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230601T110000
DTEND;TZID=America/Halifax:20230601T113000
DTSTAMP:20260408T163603
CREATED:20230302T190316Z
LAST-MODIFIED:20230307T171403Z
UID:102014-1685617200-1685619000@artinamericaguide.com
SUMMARY:Art in Focus: James Welling\, “Kore 674”
DESCRIPTION:Each event in our Art in Focus series offers a chance for an informal discussion centered around a single art object\, led by Curator of Education and Academic Engagement Michelle DiMarzo. \nJoin us for the last in-person Art in Focus of the Spring season! This month\, participants will view and discuss Kore 674\, a series by James Welling\, and their connection to the Fairfield University Art Museum’s plaster casts of marble Kore from ancient Greece. Bring your questions and observations to the in-person conversation! \nPlease note: This event is in-person only and will not be live streamed. If you are interested in the Virtual Art in Focus on Thursday\, June 1 at 12 p.m.\, click here! \n  \nImage: unknown Greek artist\, Euthydikos’ Kore\, ca. 480 BCE\, plaster cast from Pentelic marble original. Gift of the First Ephorate of Prehistoric & Classical Antiquities\, Acropolis Museum\, Athens\, 2010 (2010.02.07) \n  Save  
URL:https://artinamericaguide.com/event/art-in-focus-james-welling-kore-674/
LOCATION:Bellarmine Hall Galleries\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/03/Euthydikos-Kore-scaled.jpeg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230530T123000
DTEND;TZID=America/Halifax:20230530T130000
DTSTAMP:20260408T163603
CREATED:20230510T012049Z
LAST-MODIFIED:20230510T012049Z
UID:103337-1685449800-1685451600@artinamericaguide.com
SUMMARY:Gallery Talk: American Watercolors\, 1880–1990: Into the Light
DESCRIPTION:Conservator Penley Knipe and curator Miriam Stewart will lead an in-depth look at the materials and techniques used to create the varied works in the exhibition American Watercolors\, 1880–1990: Into the Light\, on view from May 20 to August 13\, 2023. Learn about watercolor cakes\, papers\, and techniques\, such as “wet-into-wet\,” “resist\,” and “scraping.” \nAmerican Watercolors\, 1880–1990 presents more than a hundred compelling and rarely seen watercolors by both well-known and historically underrepresented American artists selected from the Harvard Art Museums’ deep and diverse holdings. Discover how watercolorists leveraged the imaginative and experimental capacity of the medium to create marvelously diverse works over more than a century. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-american-watercolors-1880-1990-into-the-light/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/05/Charles-Demuth_900_600.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230527T100000
DTEND;TZID=Europe/London:20230527T170000
DTSTAMP:20260408T163603
CREATED:20230703T154234Z
LAST-MODIFIED:20230703T154234Z
UID:104210-1685181600-1685206800@artinamericaguide.com
SUMMARY:Ellen Carey: Light Struck
DESCRIPTION:A new lens is brought to familiar ground in May 2023 with Light Struck\, an exhibition of photographic works by photographer and artist Ellen Carey taking place at England’s birthplace of photography\, Lacock Abbey\, former home of William Henry Fox Talbot. \nKnown for her work with Polaroid and named by the Royal Photographic Society in 2019 as one of their ‘Hundred Heroines’ of photography\, Carey’s work takes the viewer through a two centuries arc of photographic discovery. Using light and colour as guide and creator\, Carey’s pieces are created entirely within the ‘black box’ of a colour darkroom. Modern Polaroid is combined with Henry Fox Talbot’s contact print to find common ground with pre-digital and digital techniques. Light Struck also features an entirely new piece created especially for Lacock\, using Fox Talbot’s ‘Cascade of Spruce Needles’ photogram from 1839. \nWith new technologies pushing the boundaries of photography more than ever before\, Light Struck playfully invites you to ponder the questions: ‘how is this made?’ and ‘what exactly is photography in the 21st Century?’ As Carey comments\, ‘when light becomes visible the object speaks.’ Expect a celebration of light\, colour and playfulness within a burst of creativity and invention. \n27 May until 31 March 2024. Normal admission applies\, free for National Trust members. \n  Save  
URL:https://artinamericaguide.com/event/ellen-carey-light-struck/
LOCATION:Fox Talbot Museum\, Lacock Abbey\, Lacock\, Chippenham\, Wiltshire\, SN15 2LG\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/06/Crush-Pull-with-Hands-Penlights-Spruce-Needles_-2023-Ellen-Carey-scaled.jpg
ORGANIZER;CN="Fox Talbot Museum":MAILTO:lacockabbey@nationaltrust.org.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230526T180000
DTEND;TZID=America/Halifax:20230526T200000
DTSTAMP:20260408T163603
CREATED:20230417T183830Z
LAST-MODIFIED:20230417T183830Z
UID:102906-1685124000-1685131200@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Opening Reception @ Art Works!
DESCRIPTION:In May Art Works is featuring four artists—all painters yet all vastly different in their approach and techniques. John Wagoner redefines painting that transitions into sculpture. Glenda Creamer layers marks like constellations creating an illusion of depth. Michael Greiner is the quintessential figure and portrait painter. Lisa Kidd Flinn brings us abstract compositions of bold color. And as always\, we host the monthly All Media Show featuring Virginia artists. \n  \nJoin us on May 26th from 6 p.m. – 8 p.m. for the opening reception. Meet the artists and enjoy live music\, refreshments and libations sponsored by RVA Thriving Artists. Parking is free. The exhibits continue through June 17th. The event is free and open to the public. \n\nRecent Work by John Wagoner \nJohn Wagoner challenges the notion of what defines a painting by creating works of art that transition between painting and sculpture. The audience can examine and experience these boundaries or relationships within these works\, presented in different modalities\, and to view paint as a very fluid medium. \n  \nThe exhibit will be in the Jane Sandelin Gallery. \n  \n  \nThe Figure in Oil by Mike Greiner \nA graduate of Virginia Commonwealth University Mike Greiner’s main focus as a painter is the human figure\, and portraits. His palette choices are earth tones with deep shadows. His goal is “to simply interpret what has already been created using techniques developed by the masters of old.” \n  \nThe exhibit will be in the Centre Gallery \n  \n  \n  \n  \nSeeking Calm by Glenda Creamer \nGlenda Creamer’s paintings can be described as rows of marks\, like constellations. These marks vary in size and intensity. She paints these in many layers which interact with the ground\, editing as she goes until the painting achieves a balance from side to side as well as in the illusion of depth. These marks appear to move at various speeds. On a personal level she feels these paintings reflect her own struggles with hyperactivity trapped inside an aging body. She says\, “I paint out the negatives to preserve the positives. Yes\, horrible things happen but so do good things. Acknowledge the bad but keep going\, looking for the joy and humor in life.” \nThe exhibit will be in the Corner Gallery. \n  \n  \n  \nRecent Works by Lisa Kidd Flynn \nLisa Kidd is a painter working in acrylic and watercolor. This exhibit features abstract works on canvas that focus on vibrant colors and bold compositions. “Painting is my window into another world. While there’s a brush in my hand and paint on my fingers\, everything else falls away.” \n  \nThe exhibit will be in the Port Gallery. \n  \n  \n  \nMay 2023 ALL MEDIA ART SHOW  \nThis exhibit is a focal point of all Art Works’ openings. It is a juried show with cash prizes for 1st\, 2nd and 3rd place. The show is open to all artists and all mediums. This exhibit will be in the Skylight gallery. There is no theme for this exhibit\, anything goes\, any medium. Call for entries is April 1\, 2023 – May 15\, 2023. Submit your entries through our online form. Check our website for details on submitting your artwork:   Call for Entries  \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-opening-reception-art-works-33/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/04/John-Wagoner.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230526T110000
DTEND;TZID=America/Halifax:20230526T150000
DTSTAMP:20260408T163603
CREATED:20230425T190229Z
LAST-MODIFIED:20230425T190229Z
UID:103041-1685098800-1685113200@artinamericaguide.com
SUMMARY:In-Person Sharing Honors and Burdens: Renwick Invitational 2023 Open House
DESCRIPTION:Join artists Joe Feddersen (Arrow Lakes/Okanagan)\, Lily Hope (Tlingit)\, Ursala Hudson (Tlingit)\, Erica Lord (Athabascan/Iñupiat)\, Geo Neptune (Passamaquoddy)\, and Maggie Thompson (Fond du Lac Ojibwe) for an open house celebrating the 2023 Renwick Invitational\, Sharing Honors and Burdens. Join guest curator Lara Evans (Cherokee Nation) for a gallery talk about the jurying process and the inspiration brought by each of these artists. \nFree; registration encouraged via Blackthorn \nRenwick Gallery; 1st Floor  \n  Save  
URL:https://artinamericaguide.com/event/in-person-sharing-honors-and-burdens-renwick-invitational-2023-open-house/
LOCATION:Renwick Gallery\, Pennsylvania Ave. at 17th St. NW\, Washington\, DC\, 20006\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/04/https-d3ec1vt3scx7rr.cloudfront.net-files-events-images-image-1676488668-gM-ZMwGQ-scaled.jpeg
ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230525T170000
DTEND;TZID=America/Halifax:20230525T210000
DTSTAMP:20260408T163603
CREATED:20230510T012050Z
LAST-MODIFIED:20230510T012050Z
UID:103334-1685034000-1685048400@artinamericaguide.com
SUMMARY:Harvard Art Museums at Night
DESCRIPTION:Join us for an evening of art\, fun\, food\, and more! This event is free and open to everyone. \nBring your friends to mingle in the Calderwood Courtyard\, chat over a snack or drink at Jenny’s Cafe\, browse the shop\, and of course\, wander the galleries to take in our world-class collections of art. \nExplore the exhibitions From the Andes to the Caribbean: American Art from the Spanish Empire and American Watercolors\, 1880–1990: Into the Light on Level 3. \nAfter you’ve browsed the galleries\, circle back to see what’s happening in the courtyard. \nHarvard Art Museums at Night usually takes place the last Thursday of every month\, from 5 to 9pm. \nEach night features a new mix of local talent and community partners to make this a festive occasion for all. \n  Save  
URL:https://artinamericaguide.com/event/harvard-art-museums-at-night-9/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/05/At-Night_900_600.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230525T100000
DTEND;TZID=America/Halifax:20230525T170000
DTSTAMP:20260408T163603
CREATED:20230510T012050Z
LAST-MODIFIED:20230510T012050Z
UID:103331-1685008800-1685034000@artinamericaguide.com
SUMMARY:Free Admission Day for Harvard Commencement
DESCRIPTION:The Harvard Art Museums will offer free admission to all visitors on May 25\, in celebration of Harvard Commencement. \nTake in the beauty of the Calderwood Courtyard before exploring three levels of magnificent art from around the world and across the centuries. Check out our special exhibition From the Andes to the Caribbean: American Art from the Spanish Empire\, as well as the recently opened American Watercolors\, 1880–1990: Into the Light. Then wander through the collections galleries and find your favorite artist or work of art. \nIf you are unable to visit during the day\, please note that the museums will be stay open from 5pm until 9pm on May 25 for the monthly Harvard Art Museums at Night program\, where admission is also free! \n  Save  
URL:https://artinamericaguide.com/event/free-admission-day-for-harvard-commencement/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/05/Commencement_900_600.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230524T100000
DTEND;TZID=America/Halifax:20230524T170000
DTSTAMP:20260408T163603
CREATED:20230510T012050Z
LAST-MODIFIED:20230510T012050Z
UID:103328-1684922400-1684947600@artinamericaguide.com
SUMMARY:Free Admission for Harvard Class Day
DESCRIPTION:The Harvard Art Museums will offer free admission to all visitors on May 24\, in celebration of Harvard Class Day. \nTake in the beauty of the Calderwood Courtyard before exploring three levels of magnificent art from around the world and across the centuries. Check out our special exhibition From the Andes to the Caribbean: American Art from the Spanish Empire\, as well as the recently opened American Watercolors\, 1880–1990: Into the Light. Then wander through the collections galleries and find your favorite artist or work of art. \n  Save  
URL:https://artinamericaguide.com/event/free-admission-for-harvard-class-day/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/05/Class-Day_900_600.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230523T160000
DTEND;TZID=America/Halifax:20230523T173000
DTSTAMP:20260408T163603
CREATED:20230510T012050Z
LAST-MODIFIED:20230510T012050Z
UID:103325-1684857600-1684863000@artinamericaguide.com
SUMMARY:American Watercolors\, 1880–1990: A Conversation with Artist Richard Tuttle and Curators of the Exhibition
DESCRIPTION:Join us for a discussion about our special exhibition American Watercolors\, 1880–1990: Into the Light\, featuring artist Richard Tuttle\, who contributed to the exhibition catalogue\, and members of the curatorial team. \nOn view at the Harvard Art Museums from May 20 to August 13\, 2023\, the exhibition presents more than a hundred compelling and rarely seen watercolors by both well-known and historically underrepresented American artists. All works are drawn from the Harvard Art Museums’ deep and diverse holdings. Expanding the canon and including many new acquisitions on view for the first time\, the exhibition seeks to inspire conversations and enrich today’s practitioners. \n  Save  
URL:https://artinamericaguide.com/event/american-watercolors-1880-1990-a-conversation-with-artist-richard-tuttle-and-curators-of-the-exhibition/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/05/John-Marin-Seascape_1200_1200.png
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230523T110000
DTEND;TZID=America/Halifax:20230523T180000
DTSTAMP:20260408T163603
CREATED:20230519T135914Z
LAST-MODIFIED:20230519T135914Z
UID:103533-1684839600-1684864800@artinamericaguide.com
SUMMARY:Martha Armstrong: From Arizona to Vermont\, 2023
DESCRIPTION:Exhibition Dates: May 23 – June 17\, 2023 \nOpening Reception: Thurs\, May 25\, 5PM-8PM \nArtist Talk: Sat\, June 3\, 3PM  \nBowery Gallery is pleased to announce a major solo exhibition of new paintings by Martha Armstrong. This exhibition\, From Arizona to Vermont\, is Armstrong’s eighth show at Bowery Gallery. This new work features Armstrong’s distinctive energetic composition in landscape paintings depicting two contrasting environments: the forested hills of Vermont and the deserts of Arizona.  An observational painter\, Armstrong has been painting at the window of her Vermont studio for many years\, observing the changing light and seasons of this New England landscape. More recently\, Armstrong has turned her eye to the Arizona deserts. Each of these landscapes receives Armstrong’s painterly attention and passionate craft\, and as each painting\, in Armstrong’s words\, exhibits its own “intuition\, feeling\, judgment and memory.” \n  \nIn a New York Times review of Armstrong’s 2015 show at Bowery Gallery\, critic Roberta Smith wrote:  \n“She attacks blocky shapes of color that describe one landscape—a hill with some woods and a shack—visible from the window of her Vermont studio that may be her Mont Sainte-Victoire. But her shapes also maintain a nearly sculptural independence….At once improvisational and carefully carpentered\, these paintings explode toward the eye\, like nature on first sight\, at its most welcoming and irrepressible.” \n  \nAbout her new Arizona landscape paintings\, Martha Armstrong says\,  \n“Working on desert paintings\, a wild dangerous place–large animals\, thorns\, snakes-brilliant flowers\, saguaro cacti\, tenacious trees. Tom Hanks said of the desert\, ‘I couldn’t tell where heaven stopped and earth began.’ He was talking about the sun coming up. I am fascinated to be in the desert as the sun goes down. A mysterious event in a huge sky almost every day. We in the East see pieces of sky through tall trees. The drama before the curtain falls on darkness is breathtaking. It takes minutes—seconds–and is gone. I try to capture several changes in one image. That’s the only way it looks real to me. I’m usually painting in complete darkness in my studio trying to remember where colors are on my palette. Then I turn on the light and break the spell and say\, so try another night. It will happen again.” \n  \nBorn in 1940\, Martha Armstrong has had an extensive and noteworthy painting career. She is a 1962 graduate of Smith College\, and received a Master’s Degree from the Rhode Island School of Design in 1963. Armstrong has taught at the Kansas City Art Institute\, Smith\, the Pennsylvania Academy of the Fine Arts\, and Indiana University in Bloomington\, among others. She has exhibited regionally and nationally and is in the permanent collections of The Woodmere Art Museum in Philadelphia\, The Nelson-Atkins Museum of Art in Kansas City\, the State Museum of Pennsylvania in Harrisburg\, the Wharton School at University of Pennsylvania in Philadelphia and many other public and private collections across the country.  \n  \n  Save  
URL:https://artinamericaguide.com/event/martha-armstrong-from-arizona-to-vermont-2023/2023-05-23/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/05/Fall-2022.jpg
ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bowery Gallery 547 W 27TH ST Suite 508 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=547 W 27TH ST Suite 508:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230520T160000
DTEND;TZID=America/Halifax:20230520T190000
DTSTAMP:20260408T163603
CREATED:20230501T161459Z
LAST-MODIFIED:20230503T221919Z
UID:103118-1684598400-1684609200@artinamericaguide.com
SUMMARY:Anthony Sonnenberg: Cannons Buried in Flowers
DESCRIPTION:When folks individually and collectively defy the limiting sex and gender roles prescribed by prejudicial societies to enact authentic self-expression\, their queerness is resistant and performative. But can objects be queer? The answer—a resounding yes—can be found in Anthony Sonnenberg’s solo exhibition Cannons Buried in Flowers at GAVLAK Los Angeles\, on view from May 20 – July 1\, 2023. \nThe opening reception will be held Saturday\, May 20th\, from 4 – 7pm. \n  Save  
URL:https://artinamericaguide.com/event/anthony-sonnenberg-cannons-buried-in-flowers/
LOCATION:Gavlak Los Angeles\, 1700 S Santa Fe Ave #440\, LOS ANGELES\, CA\, 90021\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/04/Anthony-for-listing-scaled.jpg
GEO:34.0241532;-118.2295453
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Gavlak Los Angeles 1700 S Santa Fe Ave #440 LOS ANGELES CA 90021 United States;X-APPLE-RADIUS=500;X-TITLE=1700 S Santa Fe Ave #440:geo:-118.2295453,34.0241532
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230520T160000
DTEND;TZID=America/Halifax:20230520T190000
DTSTAMP:20260408T163603
CREATED:20230501T161459Z
LAST-MODIFIED:20230503T221901Z
UID:103120-1684598400-1684609200@artinamericaguide.com
SUMMARY:Braxton Garneau: Procession
DESCRIPTION:GAVLAK Los Angeles is pleased to announce Braxton Garneau’s solo exhibition with the gallery\, Procession. Garneau’s work is based in collecting and researching materials\, culture and history. Focusing on harvested and hand-processed materials\, he explores the sociocultural history of his Caribbean heritage. In Procession\, Garneau will present a new series of works focused on ritual and costuming through the complex history of Canboulay\, and the characters of present day Carnival. Procession will be on view at GAVLAK Los Angeles from May 20th through July 1\, 2023.  \nThere will be an opening reception on Saturday\, May 20th\, from 4 – 7 pm. \n  Save  
URL:https://artinamericaguide.com/event/braxton-garneau-procession/
LOCATION:Gavlak Los Angeles\, 1700 S Santa Fe Ave #440\, LOS ANGELES\, CA\, 90021\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/05/BraxtonGarneau_diptych-copy-scaled.jpg
GEO:34.0241532;-118.2295453
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Gavlak Los Angeles 1700 S Santa Fe Ave #440 LOS ANGELES CA 90021 United States;X-APPLE-RADIUS=500;X-TITLE=1700 S Santa Fe Ave #440:geo:-118.2295453,34.0241532
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230520T120000
DTEND;TZID=America/Halifax:20230520T170000
DTSTAMP:20260408T163603
CREATED:20230323T210732Z
LAST-MODIFIED:20230323T210732Z
UID:102678-1684584000-1684602000@artinamericaguide.com
SUMMARY:Anne Rowland
DESCRIPTION:HEMPHILL is pleased to present the exhibition\, Anne Rowland\, opening on May 20\, 2023.  The exhibition will remain on view through July 1\, 2023. \n  Save  
URL:https://artinamericaguide.com/event/anne-rowland/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/03/AR-095-Sumy-Oblast-Ukraine-and-Kursk-Oblast-Russia-2022-sm-scaled.jpg
ORGANIZER;CN="HEMPHILL":MAILTO:gallery@hemphillfinearts.com
GEO:38.910305;-77.0315939
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=HEMPHILL 1515 14th Street NW Washington DC 20005 United States;X-APPLE-RADIUS=500;X-TITLE=1515 14th Street NW:geo:-77.0315939,38.910305
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230519T110000
DTEND;TZID=America/Halifax:20230519T120000
DTSTAMP:20260408T163603
CREATED:20230508T164316Z
LAST-MODIFIED:20230508T164316Z
UID:103323-1684494000-1684497600@artinamericaguide.com
SUMMARY:Art Study Center Seminar: Blue Women—The History and Practice of Drawing Dutch Female Nudes from Life
DESCRIPTION:Join curatorial fellow Talitha Maria G. Schepers for an interactive close-looking session that explores the exceptional and innovative circumstances under which 17th-century Dutch artists drew female nudes from life\, the conventions they broke while doing so\, and their reason for using blue paper. This seminar is inspired by a recent installation of Dutch drawings and prints in the 17th-century Dutch and Flemish art gallery (2300). \nLed by:\nTalitha Maria G. Schepers\, Stanley H. Durwood Foundation Curatorial Fellow\, Division of European and American Art \nFree admission\, but registration is required. Registration for this seminar will open on Tuesday\, May 9\, 2023\, at this link. \n  Save  
URL:https://artinamericaguide.com/event/art-study-center-seminar-blue-women-the-history-and-practice-of-drawing-dutch-female-nudes-from-life/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/05/Jacob-Adriaensz.-Backer-1.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230518T180000
DTEND;TZID=America/Halifax:20230518T200000
DTSTAMP:20260408T163603
CREATED:20230425T190132Z
LAST-MODIFIED:20230509T195235Z
UID:103053-1684432800-1684440000@artinamericaguide.com
SUMMARY:Chris Rivers: Satellite | Opening Reception
DESCRIPTION:Thursday\, 18th May 2023 | 6:00 PM-8:00 PM \nYou are cordially invited to join us on Thursday 18th May for an exclusive opening reception to celebrate the opening of Satellite\, Chris Rivers’ first solo exhibition in New York\, with the artist himself in attendance. \nThere will be a special print release for this event\, with an in person only offer for those attending. More details to follow. (Hint… This image is a clue.) \nFriedrichs Pontone | 273 Church Street\, New York\, NY 10013 \n  Save  
URL:https://artinamericaguide.com/event/chris-rivers-satellite-2/
LOCATION:Friedrichs Pontone\, 273 Church Street\, New York\, 10013\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/04/Rivers-Other-Places-1-2023-scaled.jpg
ORGANIZER;CN="Friedrichs Pontone":MAILTO:enquiries@friedrichspontone.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230518T180000
DTEND;TZID=America/Halifax:20230518T200000
DTSTAMP:20260408T163603
CREATED:20230420T161159Z
LAST-MODIFIED:20230420T161159Z
UID:102958-1684432800-1684440000@artinamericaguide.com
SUMMARY:Opening Reception for Masako Miki: Empathy Lab
DESCRIPTION:Masako Miki\nEmpaty Lab\nMay 18 – June 30\, 2023\nOpening reception: Thursday\, May 18\, 2023\, 6:00-8:00 pm \nRYAN LEE is pleased to announce Empathy Lab\, the first major exhibition of a debut body of work by Bay Area-based Japanese contemporary artist Masako Miki. The landmark solo show proudly introduces new works to her Shapeshifters series\, which roots its expressions in the animistic polytheism of Shinto traditions. Conceiving of the gallery as a home\, Miki constructs various spaces for casual connection and contemplation\, from an engawa deck to an open garden-scape dotted with deity-inspired bronze and felt creatures\, objects\, and forms\, alongside vibrant drawings that convey the outside world.  \nEmpathy Lab ignites the artist’s common theme of questioning how tradition and folklore offer grounds for exploring bicultural identity. In her characters—whose designs are rooted in deep histories of animistic mythology—sacredness is implied\, regardless of diversity in form\, texture\, surface or material make-up. “Normalcy” is supplanted by a divine plurality of identity\, significant and celebrated in each unique sense of selfhood.  \nIn their exaltation\, some of the characters are literally uplifted. Inspired by the engawa element characteristic of Japanese architecture—a transitional wood-deck bridging residential interior and exterior spaces—Miki elevates a portion of the gallery to invite and welcome interaction with the art\, and perhaps most importantly with one another.   \nHolistically responding to the gallery’s layout\, she envisioned tokonoma spaces too\, another architectural element common in Japanese housing. This area showcases Miki’s Shapeshifters in a deliberately homey\, communal setting inspired by the everyday engagement that passersby may have with friends and neighbors\, or even with houses of deities (shrines) in Japan. “This casual socialization can lead to meaningful connections\, and shared experience is the first step to building communities\,” says Miki. In Shinto folklore\, “there are a myriad of gods in this universe\, yet they can only fulfill their duties as a collective. I resonate these ideas in my work as a reminder of how we endeavor our challenges together.” \nThe exhibition\, as such\, offers more than just its physical experience—it suggests multiple vibrant entry points into exploring the junctures of tradition and modernity\, and the cultural marriages that they often signal. The cast bronze pieces express the “synthesis of combining two finishes of century-old patina with the modern invention of automotive paint\,” which is an extremely complex color application process; while the similarly involved process of creating the felt characters utilizes wool\, activating multitudes of design phases before reaching final form. \nThis presentation of new works is ultimately about reclaiming the power of myth-making. We are told and we succumb to stories that punctuate our shared histories with painful and unresolved tensions.“Our lives are filled with mythologies\, manipulated ideologies\, and fear-driven narratives that deepen chasms among us\,” says Miki. Her work proposes resolution through creative and communal agency\, exhibiting through her characters and environments the optimistic reality of the power of imagination to drive the future. “I am convinced that we need new mythologies to question old myths. We can update the myths.” \nMasako Miki (b. 1974 Osaka\, Japan) is a multimedia artist whose work ranges installation and large-scale sculpture\, printmaking\, watercolor and felting. A native of Japan\, she now lives and works in Berkeley\, CA. Her work frequently explores the idea of synthesis—manipulating contradicting spatial elements to suggest a disoriented context and space. The artist bases her narrative on her own experiences of becoming bicultural in the United States at the age of eighteen. Strongly influenced by craft and folk art of different cultures\, she remains close to her ancestral traditions\, frequently considering motifs and ideologies that arise from her association with Buddhism\, Shintoism\, and traditional Japanese folklore. The artist’s practice is further rooted in the belief that art can foster social contexts in which contemporary and universally relevant mythologies and social narratives can be generated—replacing or fixing harmful misconceptions and mythologies of the past that have previously sparked social injustices.  \nMiki has been included in solo and group exhibitions at the ICA San Jose\, CA (2022); Katonah Museum of Art\, NY (2022); Marin Museum of Contemporary Art\, CA (2022); Berkeley Art Museum and Pacific Film Archive\, CA (2019); and de Young  Museum\, CA (2016)\, among others. Her large-scale sculptures were recently commissioned as a permanent installation at the Uber Technologies headquarters in Mission Bay\, San Francisco. Her work is included in the collections of The Byrd Hoffman Water Mill Foundation\, NY and the Berkeley Art Museum and Pacific Film Archive\, CA. She received her MFA from San Jose State University. \nAbout RYAN LEE\nCelebrating emerging and established artists and estates\, RYAN LEE takes a multi-generational approach to its programming\, presenting innovative and scholarly exhibitions across all spectrums of art practices\, including painting\, photography\, video\, sculpture\, and performance. The gallery takes chances on a wide variety of boundary-pushing artists; their work consistently transcends political\, cultural\, material\, or technical boundaries. In addition\, RYAN LEE has\, throughout its history\, demonstrated its long-standing interest and dedication to feminist\, Black and Asian American\, as well as queer narratives in the twentieth and twenty first centuries. Founded in 2013 by Mary Ryan and Jeffrey Lee\, the gallery is led by partners of different generations and backgrounds with over six decades of combined experiences informing its unique approach. \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-for-masako-miki-empathy-lab/
LOCATION:RYAN LEE\, 515 W 26th St\, 3rd Fl\, New York\, NY\, 10001\, United States
CATEGORIES:Event
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DTSTART;TZID=America/Halifax:20230518T180000
DTEND;TZID=America/Halifax:20230518T200000
DTSTAMP:20260408T163603
CREATED:20230420T161159Z
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SUMMARY:Opening Reception for Martine Gutierrez | ANTI-ICON: APOKALYPSIS
DESCRIPTION:Martine Gutierrez\nANTI-ICON: APOKALYPSIS\nMay 18 – June 30\, 2023\nOpening reception: Thursday\, May 18\, 2023\, 6:00-8:00 pm \nStill a patriarchal language\, a determinative frame. Still a divisional boundary of womanhood\, a categorization of the icon\, a spiritual reality in mass production. The same face of currency made over and over again. What is an icon\, a cult image? Rather\, what is an image? What brings a symbol to power? Culture is history’s political influence\, a pendulum of domination. What is power without resistance? The historical moment\, and the figure that stands in opposition. Icon as fact\, a perceived understanding of truth in the world\, teaching us how to see. Image as instruction; see\, when an aspiration finds meaning it exceeds its boundaries\, it becomes momentous. Larger than life or death\, but rather the cycle between lives. Not a vision\, but the place we are at now\, the inevitable new\, the next civilization we are going to become. In refusal of deception\, an encounter with unobfuscated femininity is revealed. If the icon shows humanity’s spiritual ideal\, it is the anti-icon who refuses the delusion of man\, his inflated self-conception. For the icon makes real the image\, anti-icon must break through to reveal reality. What is a revelation? A proclamation of clarity\, a veneer stripped away\, a shattering. It feels like the world is ending\, because it did; it has before\, and it will again end. What is the world? In the progress of nihilism\, creation becomes resistance; a new image of what the world was all along.\n– Martine Gutierrez \nRYAN LEE is pleased to present ANTI-ICON: APOKALYPSIS\, a daring new body of work by artist Martine Gutierrez. The series continues her exploration of identity across the cultural landscapes of gender\, race and celebrity. In 17 new works\, Gutierrez has transformed herself into a multitude of idols. Costumed by the barest of essentials\, Gutierrez’s figure is the catalyst\, reflecting dystopian futurism upon the symbols of our past. Through each metamorphosis\, Gutierrez re-envisions a diverse canon of radical heroines who have achieved legendary cultural influence over thousands of years in both art history and pop culture. \nThe project’s cult following began in 2021 when it was commissioned by the Public Art Fund\, exhibited on bus shelters normally used for advertising. Only 10 images from the original series were chosen to circulate.  In response to societal censors\, Gutierrez had the nude forms veiled thus further interrogating the public restrictions placed on the female body in the United States. The larger-than-life portraits were encountered by pedestrians on their daily commutes\, reproduced in 300 locations throughout New York\, Chicago\, and Boston. \nThis summer\, Gutierrez will reveal ANTI-ICON: APOKALYPSIS in three distinct selections set to preview across three venues: RYAN LEE Gallery\, New York; Fraenkel Gallery\, San Francisco; and Josh Lilley\, London. The three-gallery exhibition will be accompanied by a new artist book\, published by RYAN LEE\, entitled APOKALYPSIS. The full collection of 17 portraits will be presented in its entirety for the first time in a traveling museum show\, organized by Polygon Gallery\, Vancouver slated for 2024. \nGutierrez is the sole performer in the series\, portraying all 17 groundbreaking figures: Aphrodite\, ancient Greek goddess of love\, desire and beauty\, identified by the Romans as ‘Venus’; Ardhanarishvara\, composite male-female figure of the Hindu god Shiva together with his consort Parvati; Atargatis\, Syrian mother goddess of fertility and the moon; Cleopatra\, Egyptian ruler famed for her influence on Roman politics; Queen Elizabeth I\, England’s second female monarch when the country asserted itself as a major power in politics\, commerce and the arts in the 16th century; Gabriel\, angel in the Abrahamic religions believed by many to be able to take on any physical form; Helen of Troy\, Greek beauty seen as the cause of the Trojan war; Joan of Arc\, sainted heroine of France\, revered as a holy person for her faithfulness and bravery in battle\, burned at the stake by the church; Judith The Slayer\, courageous biblical widow who used her charm to save her people from an Assyrian general; Lady Godiva\, bold noblewoman from the Medieval period who fought for justice for everyday people; Our Lady of Guadalupe\, Mesoamerican Catholic title of Mary\, who appeared to the Indigenous man Juan Diego and imprinted herself on his cloak as proof of her visitation; Mary Magdalene\, ‘Magdalene’ means tower\, as she is an early tower of the Christian faith\, cited in the four canonical gospels as a follower and companion of Jesus Christ\, a witness to his crucifixion and resurrection; The Virgin Mary\, a young Jewish virgin from Nazareth\, chosen by God to conceive Jesus through the Holy Spirit; La Madonna\, Italian for ‘Lady\, Virgin Mary’\, central figure of Christianity\, celebrated as the ‘Virgin Queen’ in processions of Semana Santa\, throughout Spain and Latin America; Hua Mulan\, famed warrior of Chinese folklore who disguised herself as a man to fight in battle; Sacagawea\, Shoshone interpreter and guide of the expedition to discover routes through pre-colonial America\, journaled by Lewis and Clark; Queen of Sheba\, Ethiopian queen\, known for her wit\, power and wealth\, her romance with King Solomon is documented in the Kebra Nagast. \nMartine Gutierrez (b. 1989 Berkeley\, CA) is a transdisciplinary artist\, performing\, writing\, composing and directing elaborate narrative scenes to subvert pop-cultural tropes in the exploration of identity—both personally and collectively intersectional to race\, gender\, class and nationality. Her amass of media—ranging from billboards to episodic films\, music videos and renowned magazine\, Indigenous Woman—produce the very conduits of advertising that sell the identities she disassembles. Challenging binaries through the blurring of their borders\, Gutierrez insists that gender\, like all things\, is entangled—and argues against the linear framework of oppositional thinking. These complicated intersections are innate to Gutierrez’s own multicultural upbringing. Her malleable\, ever-evolving self-image catalogs the confluence of seemingly disparate modes\, conveying limitless potential for reinvention and reinterpretation. \nGutierrez received her BFA from the Rhode Island School of Design in 2012. She is also a published musician and has produced several commercial videos. Gutierrez lives and works in New York\, NY. \nHer work has been the focus of solo exhibitions at the Whitney Museum of American Art (2022); Philbrook Museum of Art\, OK (2022); Contemporary Art Museum St. Louis\, MO (2022); Museum of Contemporary Photography at Columbia College\, IL (2021); Rockwell Museum\, NY (2020); Australian Centre for Photography\, Australia (2020); Modern Art Museum of Fort Worth\, TX (2019); and CAM Raleigh\, NC (2016)\, among others. She has been included in group exhibitions at the Eretz Israel Museum\, Israel (2022); Vincent Price Art Museum\, CA (2022); Museum of Sex\, NY (2021); Colegio de San Ildefonso\, Mexico (2021); OÖ Kulturquartier\, Austria (2021); POLYGON Gallery\, Canada (2021); Huis Marseille Museum voor Fotografie\, The Netherlands (2021); Sprengel Museum\, Hannover\, Germany (2021); McNay Art Museum\, TX (2021); Minneapolis Institute of Art\, MN (2021); Wadsworth  Atheneum  Museum  of Art\, CT (2019); New Museum\, NY (2018); and Museum  of  Contemporary Art\, GA (2017)\, among others. Her work has been acquired by the Cantor Arts Center\, Stanford University\, CA; Huis Marseille Museum voor Fotografie\, The Netherlands; McNay Art Museum\, TX; Milwaukee Art Museum\, WI; Modern Art Museum of Fort Worth\, TX; Museum of Contemporary Art San Diego\, CA; Museum of Modern Art\, NY; New Britain Museum of American Art\, CT; Rockwell Museum\, NY; and the Whitney Museum of American Art\, NY\, among others.  \nAbout RYAN LEE\nCelebrating emerging and established artists and estates\, RYAN LEE takes a multi-generational approach to its programming\, presenting innovative and scholarly exhibitions across all spectrums of art practices\, including painting\, photography\, video\, sculpture\, and performance. The gallery takes chances on a wide variety of boundary-pushing artists; their work consistently transcends political\, cultural\, material\, or technical boundaries. In addition\, RYAN LEE has\, throughout its history\, demonstrated its long-standing interest and dedication to feminist\, Black and Asian American\, as well as queer narratives in the twentieth and twenty first centuries. Founded in 2013 by Mary Ryan and Jeffrey Lee\, the gallery is led by partners of different generations and backgrounds with over six decades of combined experiences informing its unique approach. \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-for-martine-gutierrez-anti-icon-apokalypsis/
LOCATION:RYAN LEE\, 515 W 26th St\, 3rd Fl\, New York\, NY\, 10001\, United States
CATEGORIES:Event
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