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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240402T123000
DTEND;TZID=America/New_York:20240402T130000
DTSTAMP:20260426T122423
CREATED:20240401T182009Z
LAST-MODIFIED:20240401T182009Z
UID:107607-1712061000-1712062800@artinamericaguide.com
SUMMARY:Gallery Talk: Future Minded: New Works in the Collection
DESCRIPTION:Join curatorial fellow Jackson Davidow for a closer look at artworks in the exhibition Future Minded: New Works in the Collection (March 1–July 21\, 2024). Davidow will share insights into recently acquired photographs\, with a focus on Melissa Shook’s series Streets Are For Nobody (1988–91)\, about unhoused women in Boston. \nFuture Minded highlights a selection of works acquired in recent years that exemplify the Harvard Art Museums’ collecting vision and strategies. Nearly all are on display for the first time. \nLed by:\nJackson Davidow\, John R. and Barbara Robinson Family Curatorial Fellow in Photography\, Division of Modern and Contemporary Art \nGallery talks are limited to 18 people and registration is required. You can register by clicking on the event on this form\, beginning at 10am the day of the talk. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-future-minded-new-works-in-the-collection-4/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/03/Melissa-Shook.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240331T120000
DTEND;TZID=America/New_York:20240331T170000
DTSTAMP:20260426T122423
CREATED:20240312T202728Z
LAST-MODIFIED:20240312T202728Z
UID:107407-1711886400-1711904400@artinamericaguide.com
SUMMARY:FREE Fort Lauderdale Neighbor Day
DESCRIPTION:Every LAST Sunday of every month\, Fort Lauderdale residents receive FREE admission to NSU Art Museum as part of Fort Lauderdale Neighbor Days. \nFort Lauderdale Residents Receive: \n\n2-for-1 Wine in the Museum Café\nFREE admission\, residents must show a photo ID\, driver’s license\, or residential utility bill with proof of Fort Lauderdale address.\nVisit the Museum Cafe & Store and receive 10% off books published by NSU Art Museum.\n\nFort Lauderdale Neighbor Day is made possible by the City of Fort Lauderdale. \n  Save  
URL:https://artinamericaguide.com/event/free-fort-lauderdale-neighbor-day-4/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/03/NeighborDaySmall.jpg
ORGANIZER;CN="nsu art museum":MAILTO:reservations@moafl.org
GEO:26.1194368;-80.1427657
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NSU Art Museum 1 E Las Olas Blvd Fort Lauderdale FL 33301 United States;X-APPLE-RADIUS=500;X-TITLE=1 E Las Olas Blvd:geo:-80.1427657,26.1194368
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240331T120000
DTEND;TZID=America/New_York:20240331T130000
DTSTAMP:20260426T122423
CREATED:20240321T172106Z
LAST-MODIFIED:20240321T172106Z
UID:107510-1711886400-1711890000@artinamericaguide.com
SUMMARY:Exhibition Tour: Future Minded: New Works in the Collection
DESCRIPTION:Join curatorial fellow Jackson Davidow for a tour of the exhibition Future Minded: New Works in the Collection (March 1–July 21\, 2024). Future Minded highlights a selection of works acquired in recent years that exemplify the Harvard Art Museums’ collecting vision and strategies. Nearly all are on display for the first time. \nLed by:\nJackson Davidow\, John R. and Barbara Robinson Family Curatorial Fellow in Photography\, Division of Modern and Contemporary Art \nExhibition tours are limited to 18 people and registration is required. You can register by clicking on the event on this form\, beginning at 10am the day of the tour. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \n  Save  
URL:https://artinamericaguide.com/event/exhibition-tour-future-minded-new-works-in-the-collection-3/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Pop up
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/03/Noriko-Saito-1.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240328T180000
DTEND;TZID=America/New_York:20240328T200000
DTSTAMP:20260426T122423
CREATED:20240319T175217Z
LAST-MODIFIED:20240319T175217Z
UID:107497-1711648800-1711656000@artinamericaguide.com
SUMMARY:CONNECTIONS VIII: Artists Selecting Artists
DESCRIPTION:March 26th – April 13th\, 2024\nOPENING RECEPTION:\nMarch 28th\, 6 – 8 PM \nAtlantic Gallery is pleased to present Connections VIII\, our annual Artists Selecting Artists exhibition. The annual “Connections” show\, emphasizes the bonds between artist-friends who share thoughts about their work\, communicate through their work\, and admire and appreciate each other’s work. \nThis year\, the exhibition will showcase the work of 76 invited artists\, along with 14 Atlantic Gallery members\, embracing a wide range of styles and mediums. \n  Save  
URL:https://artinamericaguide.com/event/connections-viii-artists-selecting-artists/
LOCATION:Atlantic Gallery\, 548 W. 28th St\, #540\, New York\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/03/Mailchimp-Image.jpg
GEO:40.7515661;-74.0041872
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Atlantic Gallery 548 W. 28th St #540 New York 10001 United States;X-APPLE-RADIUS=500;X-TITLE=548 W. 28th St\, #540:geo:-74.0041872,40.7515661
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240328T170000
DTEND;TZID=America/New_York:20240328T210000
DTSTAMP:20260426T122423
CREATED:20240312T202715Z
LAST-MODIFIED:20240312T202715Z
UID:107391-1711645200-1711659600@artinamericaguide.com
SUMMARY:Harvard Art Museums at Night
DESCRIPTION:Join us for an evening of art\, fun\, food\, and more! This event is free and open to everyone. \nGather with friends and mingle inside our Italian-inspired courtyard while taking in the smooth sounds from DJ C-Zone. Browse the museum shop and chat over a snack or drink for purchase from local vendors. And of course\, wander the galleries to take in our world-class art collections—over 50 galleries to explore! Don’t forget to check out the current exhibitions. \nAfter you’ve explored the galleries\, circle back to see what’s happening in the courtyard. \nHarvard Art Museums at Night takes place the last Thursday of every month (holidays permitting)\, from 5 to 9pm.\nEach night features a new mix of local talent and community partners to make this a festive occasion for all. \nWhen arriving\, enter via Quincy Street. In inclement weather\, please use the Prescott entrance as it provides extra shelter. Advance registration is encouraged\, but walk-in visitors are always welcome. Please note that space may be limited due to capacity. Registration opens two weeks before the event. \n  Save  
URL:https://artinamericaguide.com/event/harvard-art-museums-at-night-17/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/03/March-1-MAN.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240328T123000
DTEND;TZID=America/New_York:20240328T130000
DTSTAMP:20260426T122423
CREATED:20240319T162145Z
LAST-MODIFIED:20240319T162145Z
UID:107479-1711629000-1711630800@artinamericaguide.com
SUMMARY:Gallery Talk: Future Minded: New Works in the Collection
DESCRIPTION:Join chief curator Soyoung Lee for a closer look at artworks in the exhibition Future Minded: New Works in the Collection (March 1–July 21\, 2024). Lee will share insights into a pair of recently acquired stoneware moon jars by artist Jane Yang-D’Haene. \nFuture Minded highlights a selection of works acquired in recent years that exemplify the Harvard Art Museums’ collecting vision and strategies. Nearly all are on display for the first time. \nLed by:\nSoyoung Lee\, Landon and Lavinia Clay Chief Curator \nGallery talks are limited to 18 people and registration is required. You can register by clicking on the event on this form\, beginning at 10am the day of the talk. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-future-minded-new-works-in-the-collection-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/03/Jane-Yang-DHaene.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240327T183000
DTEND;TZID=America/New_York:20240327T193000
DTSTAMP:20260426T122423
CREATED:20240116T143207Z
LAST-MODIFIED:20240116T143207Z
UID:106662-1711564200-1711567800@artinamericaguide.com
SUMMARY:Prudence Peiffer: The Artists of Coenties Slip
DESCRIPTION:In the 1950s and ’60s\, Coenties Slip—an obscure little street at the lower tip of Manhattan overlooking the East River—was home to several extraordinary\, then-struggling artists: Robert Indiana\, Ellsworth Kelly\, Agnes Martin\, James Rosenquist\, Delphine Seyrig\, Lenore Tawney\, and Jack Youngerman. For just over a decade\, this street of dilapidated sail-making lofts and maritime warehouses would serve as the unlikely site of eclectic and influential works of art and spark a singular moment of community and creativity. In the group biography The Slip\, Prudence Peiffer pays homage to the locale that inspired this singular group of artists and changed the course of American art. This talk will explore the long history of one of the oldest streets in New York\, the work that these artists made at the Slip from the wreckage of the city’s many former lives\, and how we are shaped by our environment and how it in turn shapes our work. \nPrudence Peiffer is an art historian\, writer\, and editor\, specializing in modern and contemporary art. She is Director of Content at MoMA\, New York. She received her PhD from Harvard University. Following a postdoctoral fellowship at Columbia University\, she was a Senior Editor at Artforum magazine from 2012-2017\, and Digital Content Director at David Zwirner in 2018. Her writing has appeared in the New York Times\, New York Review of Books\, Artforum\, and Bookforum\, among other publications. Her book THE SLIP: The New York City Street That Changed American Art Foreverwas longlisted for the National Book Award. \n  Save  
URL:https://artinamericaguide.com/event/prudence-peiffer-the-artists-of-coenties-slip/
LOCATION:New York Studio School of Drawing\, Painting & Sculpture\, 8 West 8th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/01/14-768x497-1.jpg
ORGANIZER;CN="new york studio school":MAILTO:rrickert@nyss.org
GEO:40.7329524;-73.998005
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New York Studio School of Drawing Painting & Sculpture 8 West 8th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=8 West 8th Street:geo:-73.998005,40.7329524
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240327T180000
DTEND;TZID=America/New_York:20240327T194500
DTSTAMP:20260426T122423
CREATED:20240318T144221Z
LAST-MODIFIED:20240318T144221Z
UID:107463-1711562400-1711568700@artinamericaguide.com
SUMMARY:Film Screening and Q & A: Two Poets and a River
DESCRIPTION:Join us for a screening of the documentary film Two Poets and a River. Using the Oxus river as a topos\, this film explores themes of love and loss through the lives and musical poetry of two Wakhi musicians\, Qurbonsho in Tajikistan and Daulatsho in Afghanistan. These two poet-singers share a common language and culture and yet remain separated by vicissitudes of the 19th-centuray Great Game in Central Asia. In this struggle for strategic control\, the Wakhan homeland of the Wakhi people became a buffer zone between Czarist Russia and the British Empire. The river Oxus\, which became the border\, ran right through its center. After the modern nation states of the U.S.S.R. and Afghanistan shored up their boundaries around 1930\, the communities living along one side of the river were severed from their counterparts on the other side. The condition of being separated by a river in the region has been the basis for poetry about the feeling of separation (Persian firāq) and grounds the poets’ discussions of love and loss in their own lives as well as in their musical arts. Richard Wolf shot and produced the film over two and a half years (over the period from 2012 to 2020) with the editorial collaboration of Qurbonsho and Daulatsho. \nFollowing the screening\, there will be time for questions for Richard K. Wolf\, Harvard professor and the film’s director\, and Afghan musician Dawood Pazhman\, whose work is drawn upon for the related Harvard course\, Music and Politics in Afghanistan and Central Asia (Music 194R). \nAbout this film:\nTwo Poets and a River\, 2021 (Documentary Educational Resources; Wakhi\, Tajik\, and Dari with English subtitles; 105 min.) \nSpeakers:\nRichard K. Wolf\, Professor of Music and of South Asian Studies\, Harvard University\, Film Director\nDawood Pazhman\, Artist-in-Residence\, Department of Music\, Harvard University \nDuring regular museum hours (10am–5pm\, Tuesday through Sunday)\, guests are invited to visit the museums’ water-themed installations on Level 2\, in galleries 2550 and 2590. \nFree admission\, but seating is limited and available on a first-come\, first-served basis. \nThe screening will take place in Menschel Hall\, Lower Level. Doors will open at 5:30pm at the Broadway entrance. \nLimited complimentary parking is available in the Broadway Garage\, 7 Felton Street\, Cambridge. \n  Save  
URL:https://artinamericaguide.com/event/film-screening-and-q-a-two-poets-and-a-river/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/03/03-27-24_tuy-road-afghan.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240327T123000
DTEND;TZID=America/New_York:20240327T130000
DTSTAMP:20260426T122423
CREATED:20240318T144136Z
LAST-MODIFIED:20240318T144136Z
UID:107458-1711542600-1711544400@artinamericaguide.com
SUMMARY:Gallery Talk: Wolf Vostell’s Experiments with Concrete
DESCRIPTION:Briana J. Smith will discuss Wolf Vostell’s concrete sculptures\, including concrete casts of television sets and a concrete book. She will also describe how his project Concrete Cadillacs\, installed as part of West Berlin’s 1987 Sculpture Boulevard\, incited a massive public debate about art in public space and even inspired concrete parodies of his work. \nThis talk is offered in conjunction with the exhibition Wolf Vostell: Dé-coll/age Is Your Life (January 20–May 5\, 2024). \nLed by:\nBriana J. Smith\, Associate Director of Studies\, Committee on Degrees in History & Literature\, Harvard University \nGallery talks are limited to 18 people and registration is required. You can register by clicking on the event on this form\, beginning at 10am the day of the talk. \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-wolf-vostells-experiments-with-concrete/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/03/Endogene-Depression-V.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240326T183000
DTEND;TZID=America/New_York:20240326T193000
DTSTAMP:20260426T122423
CREATED:20240116T143207Z
LAST-MODIFIED:20240116T143207Z
UID:106659-1711477800-1711481400@artinamericaguide.com
SUMMARY:Michele Oka Doner: A Seed Takes Root
DESCRIPTION:Michele Oka Doner is an artist whose work is fueled by a lifelong study and appreciation of the natural world\, from which she derives her formal vocabulary. Her artistic production includes sculpture\, drawing\, public art\, functional objects\, video\, artist books\, and costume and set design. She has created numerous permanent art installations throughout the world\, including Radiant Site at the Herald Square MTA station in New York; A Walk on the Beach at Miami International Airport; and the entrance to the new Astronomy Museum in Shanghai. \nHer work is found in the collections of MoMA\, the Met\, Whitney\, Art Institute of Chicago\, Detroit Institute of Arts\, The Louvre\, and the Victoria and Albert Museum\, as well as Michigan\, Oxford\, Yale and Harvard university art museums\, among others. She has received many awards\, including those given by UN Society of Writers and Artists\, Pratt Institute\, New York State Council of the Arts and the Knight Foundation. She was first Artist in Residence at the New York Botanical Garden and received an Honorary Doctorate from the University of Michigan\, where she earned her undergraduate and MFA degrees. Oka Doner is the author or subject of numerous books\, including Natural Seduction\, Miami Beach: Blueprint of an Eden\, Human Nature\, Everything Is Alive\, and Into the Mysterium. \nBorn in Miami Beach\, Michele Oka Doner was recently designated Guardian of the City of Miami Beach’s Great Banyan Tree and represents Miami Beach as Ambassador for Arts and Culture. \n  Save  
URL:https://artinamericaguide.com/event/michele-oka-doner-a-seed-takes-root/
LOCATION:New York Studio School of Drawing\, Painting & Sculpture\, 8 West 8th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/01/Adam-from-Roots-4-of-4ev-536x1024-1.jpg
ORGANIZER;CN="new york studio school":MAILTO:rrickert@nyss.org
GEO:40.7329524;-73.998005
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240326T180000
DTEND;TZID=America/New_York:20240326T193000
DTSTAMP:20260426T122423
CREATED:20240314T155528Z
LAST-MODIFIED:20240314T155528Z
UID:107422-1711476000-1711481400@artinamericaguide.com
SUMMARY:Botticelli Drawings
DESCRIPTION:Join us for an illuminating lecture on Sandro Botticelli’s drawings by a leading expert on Italian Renaissance works on paper\, curator Furio Rinaldi. Rinaldi will share new discoveries and insight into the working practices of one of the greatest artists of Renaissance Florence. Stemming from years of research\, Rinaldi’s Botticelli Drawings at the Fine Arts Museums of San Francisco was the first exhibition of its kind\, transforming our understanding of the artist’s drawings and creative process. \nSpeaker:\nFurio Rinaldi\, Curator of Drawings and Prints\, Fine Arts Museums of San Francisco \nFree admission\, but seating is limited and available on a first-come\, first-served basis. The lecture will take place in Menschel Hall\, Lower Level. Doors to the hall will open for seating at 5:30pm. \nLimited complimentary parking is available in the Broadway Garage\, 7 Felton Street\, Cambridge. \n  Save  
URL:https://artinamericaguide.com/event/botticelli-drawings/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/03/03-26-24-Botticelli.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240326T123000
DTEND;TZID=America/New_York:20240326T130000
DTSTAMP:20260426T122423
CREATED:20240312T202715Z
LAST-MODIFIED:20240312T202715Z
UID:107410-1711456200-1711458000@artinamericaguide.com
SUMMARY:Gallery Talk: Why Pablo Picasso’s Guernica and Questions of War Matter Today
DESCRIPTION:Harvard professor Suzanne Preston Blier will discuss Pablo Picasso’s engagement with warfare and revolution\, as she examines works on display in the installation Picasso: War\, Combat\, and Revolution (University Teaching Gallery\, January 20–May 5\, 2024). The installation complements Blier’s course on Worlds Fairs. \nPicasso’s painting Guernica\, commissioned by the Spanish government for the 1937 Paris World’s Fair\, addresses the devastating Fascist-era aerial bombing of the Basque town of Guernica on April 26\, 1937. More broadly\, the painting confronts the horrors of war. The works on view explore many of Guernica’s core themes—imagery of death\, struggles of good and evil\, political and artistic revolution\, and issues of desire and capture—which remain relevant today as war\, violence\, and fascism engulf key parts of the world. \nLed by:\nSuzanne Preston Blier\, Allen Whitehill Clowes Professor of Fine Arts and of African and African American Studies\, Harvard University \nPlease meet in the Calderwood Courtyard\, in front of the digital screens between the shop and the admissions desk. \nThe Harvard Art Museums are now offering free admission every day\, Tuesday through Sunday. Please see the museum visit page to learn about our general policies for visiting the museums. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-why-pablo-picassos-guernica-and-questions-of-war-matter-today/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/03/Picasso-Fogg-Museum.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240326T110000
DTEND;TZID=America/New_York:20240326T180000
DTSTAMP:20260426T122423
CREATED:20240322T142549Z
LAST-MODIFIED:20240325T154259Z
UID:107517-1711450800-1711476000@artinamericaguide.com
SUMMARY:Esmé Thompson: Recent Paintings
DESCRIPTION:Exhibition Dates: March 26 – April 20\, 2024 \nOpening Reception: Thurs\, March 28\, 2024\, 5PM-8PM \nClosing Salon: Sat\, April 20\, 3PM-5PM\, featuring an artist talk by Esmé Thompson\, a reading by Jen Stock\, and music by Molly Thompson and ensemble \n  \nBowery Gallery is pleased to present the latest evolution of painted\, shaped\, and layered panels by Esmé Thompson.  Grouped in lively rapport on gallery walls\, the exhibition is a thoughtfully choreographed dance of color and design.  Surprising intersections and overlaps intrigue the eye from afar\, while varying surfaces invite closer inspection.  From any distance and at any scale\, Thompson’s alchemy of design\, pattern\, and color reveals itself like layers of treasure\, animated throughout by energy and invention. \n  \nThe visual vocabulary of this work feels both historically familiar yet contemporary.  Its abstraction is universal\, while its touch and sources are distinctly personal.  Thompson develops beautifully intricate color relationships without losing her exuberance of spirit.  Moments of delicate balance are interrupted by vigorous squiggle\, solid surfaces are punctuated by open air\, and complex relationships of two-and three-dimensional space are relieved by a dash of whimsy. Structure and impulse complement each other\, guided by a disciplined eye and demanding intent.  \n  \nThompson says:  \n“I have designed this new body of work to have a topography of stacked wooden shapes that weave and wind\, connecting and disconnecting throughout and implying natural forces both large and small.  Whether it be the shifting tides or winds found in nature (Coriolis)\, or the unfolding of a flower (Helianthus)\, the paintings are intended to animate and move across the wall\, interacting with each other.  I seek to make paintings that blur the boundaries between high and low art and celebrate objects people have made throughout time and across cultures.  My work represents possibility and embodies change. The repeated\, interrelated images are meant to allow for a cyclical and cumulative\, rather than linear\, reading.  The experience of viewing the painting becomes a journey that continues to unfold\, reminiscent of an ongoing pattern of organic growth.”  \nThompson’s travels inform and enliven her art.  She has been a resident of the Rockefeller Foundation and the Bogliasco Foundation in Italy studying medieval painting and decorative arts.  She has travelled to Morocco to study ceramic and fiber art\, Ireland to study Celtic manuscripts and lacemaking and Australia to view aboriginal art in Kakadu and Uluru. Thompson lives in New Hampshire and is Emeritus Professor of Studio Art at Dartmouth College.      \n  \nImage: Blue Streak\, acrylic on wood\, 53″ x 116″\, 2023 \n  Save  
URL:https://artinamericaguide.com/event/esme-thompson-recent-paintings/2024-03-26/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/03/EsmeThompson_Blue-Streak_2023_acrylicwood_53x116in-Esme-thompson-1.jpg
ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240325T170000
DTEND;TZID=America/New_York:20240325T180000
DTSTAMP:20260426T122423
CREATED:20240108T180825Z
LAST-MODIFIED:20240226T173459Z
UID:106509-1711386000-1711389600@artinamericaguide.com
SUMMARY:Virtual Lecture: Color Theory for Artists\, Designers\, and Visual Thinkers
DESCRIPTION:Virtual Lecture: Color Theory for Artists\, Designers\, and Visual Thinkers\, Monday\, March 25 at 5 p.m. \nMarcie Cooperman\, Assistant Instructor\, Parsons School of Fashion \nPresented in conjunction with Suzanne Chamlin: Studies in Color (Bellarmine Hall Galleries\, April 5–July 27). Streaming only on thequicklive.com \nImages: Suzanne Chamlin\, Munsell Color Chart\, 2012\, oil on wood panel\, with acrylic ground. Suzanne Chamlin\, Window Study – Summer\, 2023\, oil and charcoal on linen. © Suzanne Chamlin. \n  Save  
URL:https://artinamericaguide.com/event/virtual-lecture-color-theory-for-artists-designers-and-visual-thinkers/
LOCATION:NY
CATEGORIES:Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/01/Suzanne_Chamlin_Window_Study_Summer_Oil_on_Linen_8x10__2023-1-scaled.jpeg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240324T130000
DTEND;TZID=America/New_York:20240324T150000
DTSTAMP:20260426T122423
CREATED:20240227T202027Z
LAST-MODIFIED:20240227T202027Z
UID:107232-1711285200-1711292400@artinamericaguide.com
SUMMARY:Beyond the Studio Workshop: Cherry Blossoms with Nicolas Shi
DESCRIPTION:Kick off cherry blossom season with a workshop presented with Nicolas Shi\, the official artist of the National Cherry Blossom Festival! A longtime resident of Washington\, DC\, Shi’s work is influenced by his upbringing in El Salvador\, his Chinese heritage\, and his formal education in the United States. \nIn this two-hour workshop\, he will discuss his work with the National Cherry Blossom Festival before leading participants through an activity inspired by DC’s beloved cherry blossoms. Please note space is limited for this program\, and registration is required. Participants must register by 7 p.m. ET on March 10. \nThis program is presented with the 2024 National Cherry Blossom Festival. \n$15 | Registration required \nSmithsonian American Art Museum\, MacMillan Education Center\, first floor \n  Save  
URL:https://artinamericaguide.com/event/beyond-the-studio-workshop-cherry-blossoms-with-nicolas-shi/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/02/Nicolas-Shi.jpg
ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240323T123000
DTEND;TZID=America/New_York:20240323T160000
DTSTAMP:20260426T122423
CREATED:20240108T180825Z
LAST-MODIFIED:20240226T173311Z
UID:106506-1711197000-1711209600@artinamericaguide.com
SUMMARY:Family Day: Re-Re-Re-Recycle!
DESCRIPTION:Presented in conjunction with Streaming: Sculpture by Christy Rupp (Walsh Gallery\, January 19–April 27) \nJoin us on Saturday\, March 23 in the Walsh Gallery in the Quick Center for the Arts for a Family Day inspired by the exhibition Streaming: Sculpture by Christy Rupp (Walsh Gallery\, January 19–April 27)! Each Session will begin promptly at 12:30 p.m. and again at 2:30 p.m. \nArtist Christy Rupp makes all of her work from discarded common household items and single-use plastics. During this Family Day event\, kids ages 4-10 will get to challenge their creativity as they make collages\, prints\, and mini-sculptures from unlikely objects! \nFor more information about the exhibition\, visit our website here. \nChristy Rupp\, Parrots (after Frida Kahlo\, ca. 1937)\, 2017\, plastic net bags\, steel\, plastic\, fishline and paint. © Christy Rupp \n  Save  
URL:https://artinamericaguide.com/event/family-day-re-re-re-recycle/
LOCATION:Quick Center for the Arts\, Walsh Gallery\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/01/Parrots-1-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240323T120000
DTEND;TZID=America/New_York:20240323T170000
DTSTAMP:20260426T122423
CREATED:20240325T192557Z
LAST-MODIFIED:20240325T192557Z
UID:107557-1711195200-1711213200@artinamericaguide.com
SUMMARY:Curator Talk: From Darkness Comes Color
DESCRIPTION:Curator Talk: From Darkness Comes Color \nJoin The Contemporary Art Modern Project for an exclusive all-day event on Saturday March 23rd\, where we will be giving a private tour and talk by the curator of the exhibition\, Gabe Torres. The event opens at noon and will run until 5:00 pm\, where you will get the chance to peruse the exhibition and listen to Dominik Schmitt’s interview\, specially made for this exhibition. The talk begins at 3:00 pm. \n\n\n  Save  
URL:https://artinamericaguide.com/event/curator-talk-from-darkness-comes-color/
LOCATION:The CAMP Gallery\, 791 NE 125 St\, Miami\, FL\, 33161\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/03/CuratorTalk_Banner-01-1.jpg
ORGANIZER;CN="The Contemporary Art Modern Project":MAILTO:maria@thecampgallery.com
GEO:25.8434605;-80.1895077
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The CAMP Gallery 791 NE 125 St Miami FL 33161 United States;X-APPLE-RADIUS=500;X-TITLE=791 NE 125 St:geo:-80.1895077,25.8434605
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240323T113000
DTEND;TZID=America/New_York:20240323T150000
DTSTAMP:20260426T122423
CREATED:20240221T210726Z
LAST-MODIFIED:20240221T210726Z
UID:107144-1711193400-1711206000@artinamericaguide.com
SUMMARY:Cherry Blossom Family Celebration
DESCRIPTION:Celebrate the season of cherry blossoms with SAAM! Begin the day on the F Street Plaza (weather permitting) with a taiko drumming performance by drumming group Nen Daiko. The program continues inside in the Kogod Courtyard for Japanese pop\, boogie\, and more with Les The DJ. Enjoy other performances while children (12 and under) make cherry-blossom themed crafts. Face painting is available for attendees ages 12 and younger. Treat yourself with tasty offerings for purchase from the Courtyard Café.  A spring-themed scavenger hunt through SAAM’s galleries extends the cherry blossom fun. \nThis program is part of the 2024 National Cherry Blossom Festival. \nFree | Registration encouraged \nIn-person | Smithsonian American Art Museum \n1st floor\, Kogod Courtyard \n  Save  
URL:https://artinamericaguide.com/event/cherry-blossom-family-celebration/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/02/cherry-blossom1-scaled.jpg
ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240323T110000
DTEND;TZID=America/New_York:20240323T115000
DTSTAMP:20260426T122423
CREATED:20240312T202715Z
LAST-MODIFIED:20240312T202715Z
UID:107389-1711191600-1711194600@artinamericaguide.com
SUMMARY:Spotlight Tour: The Art of Conservation\, with Sachi Laumas ’26
DESCRIPTION:The work of conservation often goes unnoticed. On this tour\, Sachi Laumas ’26 will explore the role of conservation in the life of an artwork and the effect it has on how we experience art. She will also discuss the museums’ Straus Center for Conservation and Technical Studies\, the first scientifically based conservation and research department in any U.S. museum. The Straus remains a world leader in conservation practice and training to this day. Stops on the tour are the marble Nydia\, the Blind Flower Girl of Pompeii (1859)\, made in Rome by American sculptor Randolph Rogers; a Persian sweetmeat dish from c. 1200 (Seljuk-Atabeg period); and Piet Mondrian’s Composition with Blue\, Black\, Yellow\, and Red (1922)\, an abstract painting still in its original artist-made frame. \nSpotlight Tours offer a chance to explore the collections of the Harvard Art Museums through the eyes of a Harvard student. Free and open to the public\, these tours start outside the museum shop on Saturdays and Sundays at 11am and 2pm. Drop in and join the conversation! And find out what the Student Guides are up to anytime on Instagram @harvardarthappens. \nPlease check in with museum staff at the Admissions desk in the Calderwood Courtyard to request to join the tour. Tours are limited to 18 people and are available on a first-come\, first-served basis; no registration is required. \n  Save  
URL:https://artinamericaguide.com/event/spotlight-tour-the-art-of-conservation-with-sachi-laumas-26/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/03/Art-of-Conservation_Sachi-Laumas.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240322T180000
DTEND;TZID=America/New_York:20240322T200000
DTSTAMP:20260426T122423
CREATED:20240220T181641Z
LAST-MODIFIED:20240220T181641Z
UID:107102-1711130400-1711137600@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Opening Reception @ Art Works!
DESCRIPTION:March brings spring and daylight savings time and a myriad of celebrations: International Women’s Day\, Saint Patrick’s Day\, and Easter to name a few. At Art Works our scavenger hunt beginning March 1st features art by women. On Saint Patrick’s Day we serve green punch and cookies. On Easter\, everyone loves an egg hunt\, and we have an EGGstraordinary scavenger hunt with Easter prizes. \n  \nAnd there’s the artist meet-ups\, figure drawing sessions\, the NCECA exhibits that open on March 21st and more exhibits open on March 22nd – 4th Friday. Can’t make it on 4th Friday? No worries\, we’re open every day except Mondays from 11 a.m. to 5 p.m. Plus\, parking is easy at the public garage on East 5th Street\, and we’ll validate your ticket.  \n  \nMake a day of it by exploring the restaurants in the area. From Continental\, Pig and Brew\, Jubilee\, Iron Clad Pizza\, and The Gold Lion there’s something for everyone.  \n  \nNCECA Exhibits at Art Works March 19-23\nThe wait is finally over! The annual NCECA Conference has arrived in Richmond\, and we are thrilled to invite you to come and see the incredible ceramic artwork on display March 19th – March 23rd.  On March 21st join us from 5:30 p.m. until 9:15 p.m.\, for a special reception. Immerse yourself in the world of ceramic art and be amazed by the stunning exhibits throughout the city and at Art Works. Join us for refreshments\, music\, and the chance to meet the talented artists and fellow ceramic enthusiasts. \n  \n4th Friday March 22 at Art Works \nSpring is here! Celebrate with us in Manchester on March 22nd with an evening of culture\, art\, music\, refreshment\, libations and mingle with talented artists and art enthusiasts. The opening reception is from 6  p.m. – 8 p.m. You’ll experience the world of ceramics. And you will see the transformation of discarded items into artwork in the annual Recycled All Media Show. And if you want to challenge your depth perception and optical awareness\, Wendy van Boxtel’s exhibit will take you on a magical art adventure. This event is free and open to the public and parking is free.  The exhibits continue through April 20th except for Wendy van Boxtel’s exhibit which ends on April 9th.  Check our website for specifics for each NCECA exhibit. \nEmerging by Wendy van Boxtel \nWendy van Boxtel loves playing with depth perception\, using continuous patterns and lines alongside sculptural components that seem to emerge right out of the wall and evoke different emotions in different people. Combining painted optical illusions with sculptural elements\, her art goes beyond traditional installations\, physically and visually extending the boundaries of art. So be prepared to question what you see with your own eyes when engaging with Wendy van Boxtel’s art. \n  \nAs a child in the Netherlands\, besides drawing\, she was fascinated by how the brain has “its own mind” and can be tricked\, or better\, seduced by the art of illusions. Looking for a fresh start and making some dreams come true\, she took the difficult decision to leave family and friends behind and start the new millennium in the US. With a BA degree in Activity Counseling\, she explored various aspects of art and worked as an art facilitator with children who have special needs\, designed juvenile lighting\, and worked as a graphic artist for several years. \n  \nWith roots in two different countries\, two different cultures\, often makes Wendy feel like Alice in Wonderland. There is freedom\, longing\, and a constant search for balance between two worlds. This feeds the blazing fire of her creativity. The layers in her work often surprise her. Humor is the key to unlocking the emotions which hide in the shadows of the illusion of her art; empathy\, compassion\, and being yourself. \n  \n“Luctor et emergo  is what we say in The Netherlands when we talk about the constant battle with the sea\, meaning I struggle and emerge. Sometimes I wonder if that is a theme in my art but at other times\, like Alice\, I think\, it’s no use going back to yesterday\, because I was a different person then.” \n  \nToday\, Wendy lives in Richmond\, VA\, with her family of seven.  She says\, “…once they (her art) are out in this world\, out in the open\, I start to see what they mean to me. But then\, someone else looks at them and a new meaning is born. Something\, I think\, is wonderful and inspires me to continue this artistic journey that brings me closer to unknown horizons and beyond.” This exhibit will be in the Jane Sandelin Gallery and continues through April 7\, 2024. \n  \nIntersection X Redirection curated by Max Trumpower  \nMax Trumpower curator of this exhibit explains: \nFor centuries\, craft and culture have converged not only in the process of making\, but have expanded into the realm of fine art. At this intersection\, BIPOC and queer makers have radicalized the creation of ceramic objects and produced astounding results as a display of identity. Intersection X Redirection is a collection of such artists\, who utilize craft as a reflection not only of culture\, but of how these identities often intersect.  \n  \nThis coalescence of identities within ceramic craft creates imperishable community bonds and reinforces the importance of solidarity in our field.  \n  \nEach artist in this exhibition explores their identity through the narrative of sculpture. The artists in this exhibit each have their own influences\, techniques\, and concepts that inform their work. Each artist holds unique validity in their influences\, making techniques\, and concepts regardless of work directly relating to identity or not.  \n  \nIt is impertinent in our field to acknowledge and enliven such work for the sake of this work itself\, rather than solely for its tokenization. Through this collective making by BIPOC and queer communities\, the field of ceramics is undergoing a revolution of reclamation. Despite coming from a variety of backgrounds\, the work represented in this exhibition collides seamlessly through the concurrence of our existences and experiences.  \n  \nAs a material\, clay holds memory of not only the maker\, but the history of a culture. Throughout centuries\, we have learned a myriad of information simply from the ceramic objects that were left behind\, as evidence and a testament to civilization. These ceramic objects act as a connection point between various cultures\, merging ideas between communities that might not otherwise have intersected with one another. By utilizing this material\, the artists within this exhibition are attesting to the resilience of their respective identities and serve as a reminder to the larger art community of our permanence.  \n  \nThe sculptural objects represented in this exhibition will outlive us all\, whether as complete forms or as mere shards. Regardless\, the message remains the same: we are not going anywhere. The exhibit will be in the Port Gallery from March 19th through April 23rd\, 2024. \nMeet Me at the Intersection curated by Chantel Bollinger \nThe artists in Meet Me at the Intersection demonstrate finding community in material and storytelling through ceramics. \n  \nMany artists find themselves at a crossroads of materiality and identity. The artists in this exhibit express their lived experiences and the various communities from which they come. What does it mean to be an artist and exist between the margins of multiple identities? This exhibition explores this question through ceramics and the response is a coalescence of many into the whole\, the building of many to stand as one\, The exhibit approaches intersectionality politically\, personally\, and collectively. Meet Me at the Intersection is a deep dive into those many.  The exhibit will be in the Centre Gallery from March 19th through April 20th. \n  \nCurator: Chantel Bollinger is the curator of Meet Me at the Intersection. As a ceramic maker Bollinger is interested in the ways artists from marginalized backgrounds put themselves into their work whether intentionally or otherwise. This exhibit speaks to the ways in which people with intersecting identities use clay to share their unique perspectives and stories. \n  \nContributing artists: Cal Duran\, Vincent Frimpong\, Esther Elia\, Cesar Pita\, Cortney YellowHorse-Metzger\, Jessica Marie Gross\, Margarita Paz-Pedro\, Harley Torres\, Kwakye Oppong Asamoah\, Eleanor Heimbaugh\, Juana Estrada Hernandez\, Chantel Bollinger. \n  \nBeing Bridges curated by Devishi Seth \nDevishi Seth\, curator of this exhibit\, brings together six young artists from diverse backgrounds and explores the interconnection between spirituality and clay—how a state of aliveness is experienced through clay while transforming relationships within oneself.  Devishi Seth explains: \nBridging different human experiences\, clay connects us to one another. Our bodies molded\, through clay\, act as an extension of the Earth. Becoming a mediator that bridges us to the spirit underlying all phenomenon. Being Bridges expands on the duality of ceramic and human bodies.  \n  \nAs clay brings us together\, we use this material to become a bridge for society and to produce a meaningful future. Through ceramic vessels\, we can simultaneously reflect and shape our reality through our fingertips. The desire to create with this malleable medium is present across time\, across cultures\, and across ideologies.  \n  \nIn this exhibit\, some works reference specific cultural iconographies\, while others use a language of their own. Some pieces revisit personal history\, while others use shared experiences. Some are cast from real objects\, while others are sculpted from the imagination. Displaying varying subject matter and aesthetic sensibilities\, they are connected in their reach. They all serve as metaphorical and literal bridges to connect us with energies outside of ourselves. Through its curation\, Being Bridges celebrates the infinite ways in which this amorphous material is used to bridge this everlasting expanse.   \n  \nThe NCECA 2024 conference theme\, Coalescence\, plays an important role in Being Bridges as it taps into the power clay has\, how it shapes us\, and our desires to create. How it becomes a spiritual extension of oneself\, affecting every particle of our bodies. This exhibit will be in the Corner Gallery from March 19th through April 23\, 2024. \nArtists: Malak Kaki\, Devishi Seth\, Tao Tao\, Eve van Rens\, Jeremy Wong\, Luqing Zhang. \nManic Ceramic  \nFor the arrival of the NCECA Conference in Richmond this month\, we reserved Gallery 201 for a clay exhibit by talented local ceramic artists and potters. Lee Hazelgrove\, master ceramic artist and potter is the juror for the exhibit. The exhibit is in Gallery 201. \n  \nThis extended show will be on display from February 23 through April 20\, 2024. There are cash prizes. \n  \nClick here to submit your entries. NCECA: National Council on Education for the Ceramic Arts. \n  \n  \nRECYCLE ALL MEDIA ART SHOW  \nThe Recycle All Media Show is an annual commentary on awareness of waste and the disregard of the human impact on the planet. Artists make use of materials found and recovered from various states and locations. They recycle\, upcycle and repurpose these objects for this exhibit with hope that viewers take notice of our excessiveness as humans and move forward with change. \nThis is a juried show with cash prizes for 1st\, 2nd and 3rd place. The show is open to all artists and all mediums. Any medium is acceptable as long as recycled attributes are included. This exhibit will be in the Skylight Gallery. \nCall for entries is February 15th – March 11th\, 2024 and artists may submit entries through our online form. More information: Call for Entries  \n  \nMore Events at Art Works in March  \nFigure Drawing Sessions\nJoin us for live figure drawing sessions the 1st and 3rd Sundays of March from 1 pm – 4 pm at Art Works. Hosted by RVA Thriving Artists. Click here for information. \n \nRVA Thriving Artists Monthly Meet-up \nIt’s a meet-up. Network with other artists\, exchange ideas\, have a beverage and chill.   \n             Location: Benchtop Brewery\, 434 Hull Street.  \nMarch 21st  6 pm – 7 pm.  \n  \nRVA Thriving Artists Exchange\nLearn Felting. You’ll love this workshop to be taught by Bebhinn Thomas. \nDate: March 4\, 2024 6pm – 8 pm \nLocation: Art Works. Check our website to register. The event is free and open to the public. \n  \nWomen in the Arts Scavenger Hunt\nGet your clue sheet from the office. Look for the tokens on the walls. Match the clues to the artwork. Pick up your prize in the office. \nMarch 1st – March 23rd 11 am – 5 pm  \n \nSaint Patrick’s Day \nStop in for green punch and cookies\,  March 17th 11 am – 5 pm  \n \nEaster Egg Hunt\nIt’s an EGGstraordinary scavenger hunt. Look for the eggs\, match the clues to the art. Pick up your Easter prize in the office.  March 31st 11 am – 5 pm    \n  \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-opening-reception-art-works-41/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/02/PR-Meet-Me-at-the-Intersesction-Frimpong-Sniper-2024.03-.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240322T120000
DTEND;TZID=America/New_York:20240322T130000
DTSTAMP:20260426T122423
CREATED:20240221T210726Z
LAST-MODIFIED:20240221T210726Z
UID:107142-1711108800-1711112400@artinamericaguide.com
SUMMARY:Art Bites Gallery Talk
DESCRIPTION:Join SAAM’s research fellows for this lunchtime series of gallery talks as they share new discoveries about artworks on view. Learn the stories behind these objects and how each one tells us about an ever-changing culture in the United States. Chaeeun Lee\, SAAM Asian American Art Predoctoral Fellow discusses Carlos Villa’s During. \nFree | Meet in G Street Lobby \nIn-person | Smithsonian American Art Museum \n  Save  
URL:https://artinamericaguide.com/event/art-bites-gallery-talk-4/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/02/art-bites1-scaled.jpg
ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240321T180000
DTEND;TZID=America/New_York:20240321T200000
DTSTAMP:20260426T122423
CREATED:20240314T155606Z
LAST-MODIFIED:20240314T155606Z
UID:107443-1711044000-1711051200@artinamericaguide.com
SUMMARY:2024 Certificate Completion Exhibition I Opening Reception
DESCRIPTION:New York Studio School is thrilled to present the work of our Certificate graduates in three exhibitions: March 18 – April 7: Robin Kelsey and Sarah Valeri; April 11–21: Catherine Bickford\, Freya Jones\, and Lenore Wolf; April 25 – May 5: Carolina Brunet\, Katherine Edwards\, Samantha Howard\, and Paula Wachsstock. Join us for the first opening reception on Thursday\, March 21\, 6-8pm. \n  Save  
URL:https://artinamericaguide.com/event/2024-certificate-completion-exhibition-i-opening-reception/
LOCATION:New York Studio School of Drawing\, Painting & Sculpture\, 8 West 8th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/03/Do-you-recognize-us-when-we-are-fire-2023-graphite-on-paper-4822-x-7222-665x1024-1.jpg
ORGANIZER;CN="new york studio school":MAILTO:rrickert@nyss.org
GEO:40.7329524;-73.998005
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New York Studio School of Drawing Painting & Sculpture 8 West 8th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=8 West 8th Street:geo:-73.998005,40.7329524
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240321T160000
DTEND;TZID=America/New_York:20240321T170000
DTSTAMP:20260426T122423
CREATED:20240221T210726Z
LAST-MODIFIED:20240221T210726Z
UID:107140-1711036800-1711040400@artinamericaguide.com
SUMMARY:Charles C. Eldredge Prize Lecture with Caitlin Meehye Beach
DESCRIPTION:Join art historian Caitlin Meehye Beach for the Eldredge Prize lecture “Sculpted Bodies and the Matter of Racial Capitalism.” She is the 2023 recipient of the Eldredge Prize\, which annually recognizes originality and thoroughness of research and excellence in writing\, for her book Sculpture at the Ends of Slavery. Beach explores the intersections between the economic wealth generated by enslavement and the materials\, production and circulation of eighteenth- and nineteenth-century sculpture. She also highlights the artists’ role in reproducing anti-Blackness even as they professed anti-slavery politics. In her lecture\, Beach will use her book as a starting point to discuss sculpture’s relationship to ideas about race and the human body in nineteenth-century art and material culture. \nBeach is an assistant professor of art history\, affiliated faculty in African American Studies at Fordham University\, and co-director of Fordham’s Asian American studies program. \nThe lecture will be held in person and online; registration is required. \nFree | Registration required \nIn-person | Smithsonian American Art Museum \nMcEvoy Auditorium \n  Save  
URL:https://artinamericaguide.com/event/charles-c-eldredge-prize-lecture-with-caitlin-meehye-beach/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/02/caitlin-meehye-beach1-scaled.jpg
ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240320T183000
DTEND;TZID=America/New_York:20240320T193000
DTSTAMP:20260426T122423
CREATED:20240116T143207Z
LAST-MODIFIED:20240116T143207Z
UID:106657-1710959400-1710963000@artinamericaguide.com
SUMMARY:Veronica Roberts: Day Jobs
DESCRIPTION:Veronica Roberts is the John and Jill Freidenrich Director of the Cantor Arts Center at Stanford University. She joined the Cantor in July 2022 after holding curatorial positions at the Blanton Museum of Art\, MoMA\, and the Whitney Museum. Day Jobs\, an exhibition she curated\, will open at the Cantor in March 2024. Conceived as a corrective to traditional art historical narratives\, Day Jobs encourages us to openly acknowledge the precarious and generative ways that economic and creative pursuits are intertwined. The exhibition features emerging and established artists\, including Mark Bradford\, Lenka Clayton\, Matthew Angelo Harrison\, Tishan Hsu\, Margaret Kilgallen and Lillian Schwartz. \nVeronica is a San Francisco native. She was a 2021 fellow of the Center for Curatorial Leadership. She received her MA from UC Santa Barbara and her BA in art history from Williams College. \n  Save  
URL:https://artinamericaguide.com/event/veronica-roberts-day-jobs/
LOCATION:New York Studio School of Drawing\, Painting & Sculpture\, 8 West 8th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/01/Day-Jobs-1-768x1024-1.jpg
ORGANIZER;CN="new york studio school":MAILTO:rrickert@nyss.org
GEO:40.7329524;-73.998005
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New York Studio School of Drawing Painting & Sculpture 8 West 8th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=8 West 8th Street:geo:-73.998005,40.7329524
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240316T160000
DTEND;TZID=America/New_York:20240316T170000
DTSTAMP:20260426T122423
CREATED:20240222T205958Z
LAST-MODIFIED:20240222T205958Z
UID:107175-1710604800-1710608400@artinamericaguide.com
SUMMARY:Special Music Event: Live Score to "Adapt Adopt"
DESCRIPTION:Experience the work of Nishiki Sugawara-Beda while listening to musician Damien Olsen Berdichevsky interpret the art on view through an improvised piano soundtrack. \nIn Adapt Adopt\, her solo exhibition of Sumi ink paintings at Amos Eno Gallery\, Nishiki Sugawara-Beda probes questions around “tradition.” Can we pinpoint the origin of any tradition? Are we confined by traditions\, or do we govern and shape them with our own hands? This exhibition marks a turning point in Sugawara-Beda’s work where she is exploring these questions through not only the visual but the introduction of the aural. \nA companion event\, Live Score to Adapt Adopt\, will take place on Saturday\, March 16th\, from 4 p.m. to 5 p.m. Visitors are invited to view the Sumi ink paintings in Adapt Adopt while listening to artist and musician Damien Olsen Berdichevsky interpret the artwork through this improvised piano soundtrack. Admission is free. \nAdapt Adopt features work from Sugawara-Beda’s ongoing series KuroKuroShiro\, translated to “black-black-white” in Japanese. The title of this series is indicative of her process using Sumi\, a traditional East Asian ink. With the distinctly rich and subtle tones of Sumi\, the artist composes monochromatic yet colorful painted worlds in which the viewer can be immersed and commune with an inner\, quieter spirit. \nBorn and raised in Japan\, Sugawara-Beda was steeped in a poetic Japanese aesthetic valuing symbolic interpretation over direct representation. It is from this lyrical\, and oftentimes philosophical\, Japanese sensibility that Sugawara-Beda creates. After moving to the United States and earning an MFA at an American institution\, Sugawara-Beda’s Japanese sensibilities were in tension with a Western conceptual framework that often emphasized a definitive end goal. Adapting traditional ink to Western language and adopting Western language within her artistic practice that employs Japanese traditions\, the tension initially encountered between these two cultures Sugawara-Beda now cherishes. The images are based on the artist’s own negotiations with traditions she has experienced and the traditions she embodies. \nAbout the Artist \nNishiki Sugawara-Beda is a Japanese-American visual artist focusing on painting and installation\, and actively exhibits her work in solo and group exhibitions and offers lectures nationally and internationally. Connecting across space and time\, she experiments in ancient Japanese materials and techniques including Sumi ink\, Kakejiku landscapes\, and rice paper\, to merge them with abstract and expressive forms familiar to the modern Western aesthetic. \nHer works are in private and public collections including the Dallas Museum of Art (TX) and Dennos Museum (MI). Exhibition venues include the Spartanburg Art Museum (SC)\, Morris Graves Museum of Art (CA)\, Dennos Museum (MI)\, Amos Eno Gallery (NY)\, and Cris Worley Fine Arts (TX). Publications include New American Paintings\, AEQAI\, Athenaeum Review\, London Post\, Art Spiel\, and WhiteHot. Awards including a Seed Grant\, Diversity Fellowship\, International Enhancement Grant\, Idaho Arts Fellowship\, Sam Taylor Fellowship\, Tusen Takk Foundation Residency\, and the Dallas Museum of Art’s Otis and Velma Davis Dozier Travel Fund have supported her artistic research. \nCurrently\, Sugawara-Beda is an Associate Professor of Art at Southern Methodist University in Dallas\, TX. \nAbout Amos Eno Gallery \nAmos Eno Gallery has been a fixture in the New York art scene since 1974 when it opened in Soho. It has moved with changing arts neighborhoods over the years to land at its current space at 56 Bogart St. in Brooklyn\, across from the Morgan Ave. L train stop. The gallery is open Thursdays through Sundays from noon to 6 p.m. and is run by a small community of professional artists\, both from New York City and across the country\, and a part-time director. Amos Eno Gallery’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n  Save  
URL:https://artinamericaguide.com/event/special-music-event-live-score-to-adapt-adopt/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2024/02/Live-Score-to-Adapt-Adopt-1.png
ORGANIZER;CN="Amos Eno Gallery":MAILTO:amosenogallery@gmail.com
GEO:40.7057864;-73.9331373
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amos Eno Gallery 191 Henry Street New York NY 10002 United States;X-APPLE-RADIUS=500;X-TITLE=191 Henry Street:geo:-73.9331373,40.7057864
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240315T120000
DTEND;TZID=America/New_York:20240315T130000
DTSTAMP:20260426T122423
CREATED:20240301T154525Z
LAST-MODIFIED:20240301T154525Z
UID:107285-1710504000-1710507600@artinamericaguide.com
SUMMARY:Exhibition Tour: Helen Glazer - Walking in Antarctica
DESCRIPTION:Join us for a tour of this extraordinary exhibition! \nIn 2015\, artist Helen Glazer traveled to Antarctica as a grantee of the National Science Foundation’s Antarctic Artists and Writers Program\, in order to photograph ice and geological formations for eventual production as photographic prints and sculpture. She worked out of remote Antarctic scientific field camps and had access to protected areas that can only be entered with government permits or in the company of a skilled mountaineer. \nInspired and informed by her experiences\, Walking in Antarctica is an immersive\, interdisciplinary exhibition bringing together photography\, sculpture\, and audio narrative to take the viewer on a journey through an extraordinary environment of remote places that the tourist ships do not reach and few people get to witness in person. The exhibition is organized as a series of “walks” through remarkable Antarctic landscapes: over frozen lakes\, around towering glaciers and baroque sea ice formations\, into a magnificent frozen ice cave\, across fields of surreal-looking boulders\, and through a lively colony of nesting Adélie penguins. Visitors to the exhibition who have smartphones will be able to access an audio tour narrated by Glazer\, drawn from a blog in which she recorded her experiences. \nThrough her artwork\, Glazer strives to convey the wonder and complexity of the natural world to others\, in order to motivate a desire to protect and preserve wild places. Her study of earth science over the past several years heightened her awareness of multiple factors shaping the land over time. In recognizing that complex patterns in nature express the particular physical forces at work\, she became more attuned to the interplay between geology\, climate\, life forms\, and human activity in a given location. \nThis project is organized by Mid-America Arts Alliance and is an adaptation of the artist’s solo exhibition of the same title held at the Rosenberg Gallery at Goucher College (Baltimore\, MD) that was funded in part by grants from the Greater Baltimore Cultural Alliance and the Puffin Foundation. Creation of this work was made possible in part by a Rubys Artist Project Grant\, a program of the Greater Baltimore Cultural Alliance conceived and initiated with funding from the Robert W. Deutsch Foundation\, and by a Puffin Foundation Artist Grant. \n  Save  
URL:https://artinamericaguide.com/event/exhibition-tour-helen-glazer-walking-in-antarctica/
LOCATION:Bellarmine Hall\, Bellarmine Hall Galleries\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/02/CL9_Canada-Glacier-Lake-Fryxell-Photo-1-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240314T173000
DTEND;TZID=America/New_York:20240314T183000
DTSTAMP:20260426T122423
CREATED:20240221T210726Z
LAST-MODIFIED:20240221T210726Z
UID:107138-1710437400-1710441000@artinamericaguide.com
SUMMARY:Art Signs: Artful Conversations in ASL
DESCRIPTION:Curious about American art? Join us for a 30-minute in-person conversation about selected works from the Smithsonian American Art Museum’s collection. This program is presented in American Sign Language (ASL) with voice interpretation for hearing participants. \nFree | Registration required \nIn-person | Smithsonian American Art Museum \nMeet in the F Street Lobby \n  Save  
URL:https://artinamericaguide.com/event/art-signs-artful-conversations-in-asl/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/02/artful-conversations1-scaled.jpg
ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240314T170000
DTEND;TZID=America/New_York:20240314T180000
DTSTAMP:20260426T122423
CREATED:20240108T180825Z
LAST-MODIFIED:20240226T173021Z
UID:106504-1710435600-1710439200@artinamericaguide.com
SUMMARY:Lecture: Long Ago and Far Away:Three “Summers” on a Remote Antarctic Island
DESCRIPTION:Long Ago and Far Away: Three “Summers” on a Remote Antarctic Island \n“One of the most unique experiences in my life – three austral summers on a small island off the tip of the Antarctic Peninsula – opened my eyes and mind to a future in science that would have never emerged without my time on Seal Island.” Brian Walker\, PhD \nBrian Walker\, PhD is Professor of Biology at Fairfield University. He studies how Magellanic penguins (a small species native to South America) respond to stress and changes in their environment. In his lecture\, entitled “Long Ago and Far Away: Three “Summers” on a Remote Antarctic Island\,” Dr. Walker discusses his early career as a graduate student and early-career researcher. \nHis lecture is presented in conjunction with Helen Glazer: Walking in Antarctica (Bellarmine Hall Galleries\, February 2–March 16). Learn more about that exhibition here. \nBellarmine Hall\, Diffley Board Room and streaming on the quicklive.com \nHelen Glazer\, Penguin Yoga\, Cape Royds\, Antarctica\, 2015\, archival pigment print. © Helen Glazer \n  Save  
URL:https://artinamericaguide.com/event/lecture-long-ago-and-far-awaythree-summers-on-a-remote-antarctic-island/
LOCATION:Bellarmine Hall\, Diffley Board Room (1st floor)\, 200 Barlow Road\, Fairfield\, CT\, 06824
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/01/CL35_Penguin-Yoga-Cape-Royds-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240314T120000
DTEND;TZID=America/New_York:20240314T130000
DTSTAMP:20260426T122423
CREATED:20240108T180825Z
LAST-MODIFIED:20240108T180825Z
UID:106502-1710417600-1710421200@artinamericaguide.com
SUMMARY:Virtual Art In Focus: Helen Glazer\, Blue Fractals\, Antarctica\, 2015
DESCRIPTION:Virtual Art In Focus: Presented in conjunction with Helen Glazer: Walking in Antarctica (Bellarmine Hall Galleries\, February 2–March 16) \nOur Art in Focus series is an opportunity for informal discussion around one work of art\, led by Curator of Education Michelle DiMarzo\, PhD. This month\, we’ll be talking about one of the extraordinary photographs captured by artist Helen Glazer during her time in Antarctica in 2015\, a journey supported by the National Science Foundation. Join us on thequicklive.com at 12 noon on Thursday\, March 14. \nTo learn more about the exhibition\, visit our website here. \nHelen Glazer\, Blue Fractals\, Erebus Ice Tongue Cave\, Antarctica\, 2015\, archival pigment print. © Helen Glazer \n  Save  
URL:https://artinamericaguide.com/event/virtual-art-in-focus-helen-glazer-blue-fractals-antarctica-2015/
LOCATION:Virtual
CATEGORIES:Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/01/CL23_Blue-Fractals-Erebus-Ice-Cave-1-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240314T110000
DTEND;TZID=America/New_York:20240314T120000
DTSTAMP:20260426T122423
CREATED:20240108T180825Z
LAST-MODIFIED:20240226T163937Z
UID:106500-1710414000-1710417600@artinamericaguide.com
SUMMARY:Art In Focus: Helen Glazer\, Blue Fractals\, Antarctica\, 2015
DESCRIPTION:Art In Focus: Presented in conjunction with Helen Glazer: Walking in Antarctica (Bellarmine Hall Galleries\, February 2–March 16) \nOur Art in Focus series is an opportunity for informal discussion around one work of art\, led by Curator of Education Michelle DiMarzo\, PhD. This month\, we’ll be talking about one of the extraordinary photographs captured by artist Helen Glazer during her time in Antarctica in 2015\, a journey supported by the National Science Foundation. Join us on Thursday\, March 14 at 11 a.m. in the Bellarmine Hall Galleries. Alternatively\, you can tune in at 12 noon on the thequicklive.com \nTo learn more about the exhibition\, visit our website here. \nHelen Glazer\, Blue Fractals\, Erebus Ice Tongue Cave\, Antarctica\, 2015\, archival pigment print. © Helen Glazer \n  Save  
URL:https://artinamericaguide.com/event/art-in-focus-helen-glazer-blue-fractals-antarctica-2015/
LOCATION:Bellarmine Hall Galleries\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/01/CL23_Blue-Fractals-Erebus-Ice-Cave-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
END:VCALENDAR