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DTSTART;TZID=America/New_York:20250122T100000
DTEND;TZID=America/New_York:20250122T160000
DTSTAMP:20260407T223428
CREATED:20241118T183710Z
LAST-MODIFIED:20241118T183752Z
UID:110710-1737540000-1737561600@artinamericaguide.com
SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House. \n  Save  
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2025-01-22/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
GEO:43.1056427;-89.3616646
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250121T170000
DTEND;TZID=America/New_York:20250121T180000
DTSTAMP:20260407T223428
CREATED:20250108T211230Z
LAST-MODIFIED:20250108T211230Z
UID:111423-1737478800-1737482400@artinamericaguide.com
SUMMARY:Livestream: ‘To Paint without Paint': Tonalism and Transcendence
DESCRIPTION:2025 marks the double centenary of the birth of American artist George Inness (1825-1894)\, one of the premier landscape painters of the 19th century. Art historian Adrienne Bell\, author of the 2015 George Inness and the Visionary Landscape\, will discuss Inness’ relationship to the Tonalism movement on Tuesday\, January 21 at 5 p.m. in the Diffley Board Room in Bellarmine Hall. A painting by Inness that has not been publicly exhibited in over 70 years\, on loan from the Milton Klein Collection at the Bridgeport Public Library is one of the earliest works in the exhibition Dawn & Dusk: Tonalism in Connecticut\, \nAbout the Exhibition: This exhibition explores Tonalism in the United States from the 1880s to the early 20th century\, through artists from the Northeast such as George Inness\, John Henry Twachtman\, and John Francis Murphy. Tonalism is a transitional movement that grew out of and reacted to the Hudson River School of painting and laid the groundwork for modernism. Evocative landscapes\, evoking a spiritual connection to the natural world\, often painted from memory\, are the primary genre of this movement. The more than fifty artworks in this exhibition are drawn from private and institutional collections. \nThe event will be livestreamed on The Quick Live. \nGeorge Inness\, Durham\, Connecticut\, 1879\, oil on wood panel. Lent by The Milton Klein Collection\, Bridgeport Public Library \n  Save  
URL:https://artinamericaguide.com/event/livestream-to-paint-without-paint-tonalism-and-transcendence/
LOCATION:Virtual
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/01/Inness_DurhamConn-1-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250118T140000
DTEND;TZID=America/New_York:20250118T160000
DTSTAMP:20260407T223428
CREATED:20250116T204634Z
LAST-MODIFIED:20250116T204634Z
UID:111526-1737208800-1737216000@artinamericaguide.com
SUMMARY:My Sister\, My Self
DESCRIPTION:Presented in conjunction with CPW in Kingston\, the exhibition is curated by Bard College art historians Tom Wolf and Laurie Dahlberg\, and is the first full-scale retrospective of the artists\, both longtime Woodstock residents.    \nDuring the 1970s and ‘80s\, photographers Colleen Kenyon (American\, 1951-2022) and Kathleen Kenyon (American\, 1951-2023) were part of the women artists’ movement that challenged the photographic establishment with innovative approaches to the medium. Colleen Kenyon made hand-colored portraits of herself and her identical twin sister\, while her sister\, Kathleen Kenyon\, appropriated gender-specific images of women from the mass media to create ironic photomontages. During the 1980s and ‘90s\, the Kenyon sisters served as Director (Colleen) and Associate Director (Kathleen) of the Center for Photography at Woodstock.  \nMy Sister\, My Self also features photographs by other identical twin women artists.  Frances McLaughlin-Gill and Kathryn McLaughlin Abbe were successful fashion photographers and co-authors of the book Twins on Twins. Another pair of sisters\, Ellen Kahn and Lynda Kahn\, are Emmy award-winning artists known for their futuristic self-portraits and bold\, graphic tableaux. By including work by other twin women artists\, My Sister\, My Self contextualizes the rarified world of twins while exploring visual dualities and women’s identities in post Roe v. Wade America. \nMORE ABOUT THE ARTISTS: \nEllen Kahn and Lynda Kahn\, Emmy-award winning\, twin team\, multi-disciplinary artists (AKA TwinArt) are recognized as pioneers in digital media. They are recipients of a National Endowment for the Arts fellowship grant in Visual Arts in 1981. Since the early 80s\, TwinArt participated in exhibitions internationally in museums and galleries\, including The Whitney\, Pompidou Centre\, ICA London\, Nassau County Museum of Art\, Laguna Art Museum\, and Tokyo Video Biennale. Nam June Paik\, the father of video art and mentor to TwinArt\, collaborated with Ellen and Lynda on “Bye Bye Kipling”\, a satellite broadcast airing on television in the US\, Japan and Korea. Polaroid sponsored TwinArt’s large format photographs (20X24 project) and short films. Their creative directorial accomplishments include “Peewee’s Playhouse”\, “Pucci Love”\, “Composition in Op”\, and “Arrested Development”. Absolut Vodka artist series selected the duo to design ABSOLUT TWINART\, a magazine ad and digital poster\, in the collection of Sweden’s Spritmuseum. The record label Modern Harmonic released the double vinyl LP “TwinArt presents: Instant This / Instant That.” TwinArt exhibited “AfterGlow X TwinArt” at Melissa Morgan Fine Art in Palm Desert\, CA. In 2025\, exhibitions include the AI series “TwinArt in the Museum” at the Center for Photography in Woodstock and Wexler Gallery. Ellen graduated Magna Cum Laude with a BFA from Tyler School of Art in Rome and Philadelphia. Lynda graduated with honors and an MFA from The Art Institute of Chicago. Ellen Kahn currently lives in NYC\, while Lynda Kahn resides in LA. \nFrances McLaughlin-Gill and Kathryn McLaughlin Abbe (1919 – 2014) broke the glass ceiling for women in photography. They each had distinguished careers: Abbe was a photographer of fashion icons\, entertainment personalities\, children\, street vignettes\, and artists\, and McLaughlin-Gill was the first contracted female fashion photographer for Vogue magazine. In addition to fashion photographs\, her images included celebrity photos and still lifes for editorials and covers of House & Garden. Together the sisters wrote and published Twins on Twins (1981) and Twin Lives in Photography (2011). The sisters were the subject of a 2009 documentary\, Twin Lenses produced by Nina Rosenblum\, which highlighted their pioneering roles in photography and included interviews with the sisters. \n\n  Save  
URL:https://artinamericaguide.com/event/my-sister-my-self/
LOCATION:Kleinert/James Center for the Arts\, 36 Tinker Street\, Woodstock\, NY\, 12498\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/01/IG-my-sister-myself.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250117T110000
DTEND;TZID=America/New_York:20250117T120000
DTSTAMP:20260407T223428
CREATED:20250107T203235Z
LAST-MODIFIED:20250107T203235Z
UID:111381-1737111600-1737115200@artinamericaguide.com
SUMMARY:Art Study Center Seminar: A Closer Look at the Forbes Pigment Collection
DESCRIPTION:Join conservation coordinator Alison Cariens for a closer look at pigments in our famed Forbes Pigment Collection. We’ll discuss the history of the collection\, the function of the materials within our conservation labs\, and the significance of the collection as a “library of color.” Together\, we will also delve into the story behind each featured pigment and discuss how each lends a unique window into the history of human creativity. \nLed by:\nAlison Cariens\, Conservation Coordinator\, Straus Center for Conservation and Technical Studies \nFree admission\, but registration is required. You can register by clicking on the event on this form\, beginning on Tuesday\, January 7. \nPlease arrive 15 minutes before the start of the program to allow sufficient time to sign in at the Art Study Center reception desk (Level 4)\, and be prepared to present a photo ID. All coats and bags must be placed in a locker prior to entering the study room\, with lockers also available on Level 4. Children age 14 and older are welcome but must be accompanied by an adult. \n  Save  
URL:https://artinamericaguide.com/event/art-study-center-seminar-a-closer-look-at-the-forbes-pigment-collection/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/01/Pigment-Collection.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250117T100000
DTEND;TZID=America/New_York:20250117T160000
DTSTAMP:20260407T223428
CREATED:20241118T183710Z
LAST-MODIFIED:20241118T183752Z
UID:110709-1737108000-1737129600@artinamericaguide.com
SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House. \n  Save  
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2025-01-17/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
GEO:43.1056427;-89.3616646
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250116T180000
DTEND;TZID=America/New_York:20250116T200000
DTSTAMP:20260407T223428
CREATED:20250108T211230Z
LAST-MODIFIED:20250108T211230Z
UID:111419-1737050400-1737057600@artinamericaguide.com
SUMMARY:Opening Reception: Dawn & Dusk: Tonalism in Connecticut
DESCRIPTION:This exhibition explores Tonalism in the United States from the 1880s to the early 20th century\, through artists from the Northeast such as George Inness\, John Henry Twachtman\, and John Francis Murphy. Tonalism is a transitional movement that grew out of and reacted to the Hudson River School of painting and laid the groundwork for modernism. Evocative landscapes\, evoking a spiritual connection to the natural world\, often painted from memory\, are the primary genre of this movement. The more than fifty artworks in this exhibition are drawn from private and institutional collections. \nImage: Bruce Crane\, Sunset\, ca. 1890\, oil on canvas. Private Collection\, Connecticut \n  Save  
URL:https://artinamericaguide.com/event/opening-reception-dawn-dusk-tonalism-in-connecticut/
LOCATION:Bellarmine Hall\, Bellarmine Hall Galleries\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/01/Carlsen_GoldenTree-1-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250116T170000
DTEND;TZID=America/New_York:20250116T180000
DTSTAMP:20260407T223428
CREATED:20250108T211230Z
LAST-MODIFIED:20250108T211230Z
UID:111415-1737046800-1737050400@artinamericaguide.com
SUMMARY:Livestream: Opening Night Lecture: Dawn & Dusk: Tonalism in Connecticut
DESCRIPTION:This exhibition explores Tonalism in the United States from the 1880s to the early 20th century\, through artists from the Northeast such as George Inness\, John Henry Twachtman\, and John Francis Murphy. Tonalism is a transitional movement that grew out of and reacted to the Hudson River School of painting and laid the groundwork for modernism. Evocative landscapes\, evoking a spiritual connection to the natural world\, often painted from memory\, are the primary genre of this movement. The more than fifty artworks in this exhibition are drawn from private and institutional collections. \nThe conversation will be livestreamed on The Quick Live. \nImage: Bruce Crane\, Sunset\, ca. 1890\, oil on canvas. Private Collection\, Connecticut \n  Save  
URL:https://artinamericaguide.com/event/livestream-opening-night-lecture-dawn-dusk-tonalism-in-connecticut/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/01/Crane_Sunset-1-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250116T100000
DTEND;TZID=America/New_York:20250116T160000
DTSTAMP:20260407T223428
CREATED:20241118T183710Z
LAST-MODIFIED:20241118T183752Z
UID:110708-1737021600-1737043200@artinamericaguide.com
SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House. \n  Save  
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2025-01-16/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
GEO:43.1056427;-89.3616646
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tandem Press 1743 Commercial Avenue Madison WI 53704 United States;X-APPLE-RADIUS=500;X-TITLE=1743 Commercial Avenue:geo:-89.3616646,43.1056427
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250115T100000
DTEND;TZID=America/New_York:20250115T160000
DTSTAMP:20260407T223428
CREATED:20241118T183710Z
LAST-MODIFIED:20241118T183751Z
UID:110707-1736935200-1736956800@artinamericaguide.com
SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House. \n  Save  
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2025-01-15/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
GEO:43.1056427;-89.3616646
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tandem Press 1743 Commercial Avenue Madison WI 53704 United States;X-APPLE-RADIUS=500;X-TITLE=1743 Commercial Avenue:geo:-89.3616646,43.1056427
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250113T120000
DTEND;TZID=America/New_York:20250113T130000
DTSTAMP:20260407T223428
CREATED:20250108T211229Z
LAST-MODIFIED:20250108T211229Z
UID:111443-1736769600-1736773200@artinamericaguide.com
SUMMARY:Art in Focus: John Francis Murphy\, Sleepy Hollow\, 1885
DESCRIPTION:Our spring 2025 Art in Focus series begins with a piece from the new exhibition Dusk & Dawn: Tonalism in Connecticut! \, or online via The Quick Live. \nAbout the Exhibition: This exhibition explores Tonalism in the United States from the 1880s to the early 20th century\, through artists from the Northeast such as George Inness\, John Henry Twachtman\, and John Francis Murphy. Tonalism is a transitional movement that grew out of and reacted to the Hudson River School of painting and laid the groundwork for modernism. Evocative landscapes\, evoking a spiritual connection to the natural world\, often painted from memory\, are the primary genre of this movement. The more than fifty artworks in this exhibition are drawn from private and institutional collections. \nImage: John Francis Murphy\, Sleepy Hollow\, 1885\, oil on canvas. Private collection\, CT \n  Save  
URL:https://artinamericaguide.com/event/art-in-focus-john-francis-murphy-sleepy-hollow-1885/
LOCATION:Bellarmine Hall\, Bellarmine Hall Galleries\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/01/Murphy_SleepyHollow_1885-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250110T100000
DTEND;TZID=America/New_York:20250110T160000
DTSTAMP:20260407T223428
CREATED:20241118T183710Z
LAST-MODIFIED:20241118T183751Z
UID:110706-1736503200-1736524800@artinamericaguide.com
SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House. \n  Save  
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2025-01-10/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
GEO:43.1056427;-89.3616646
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tandem Press 1743 Commercial Avenue Madison WI 53704 United States;X-APPLE-RADIUS=500;X-TITLE=1743 Commercial Avenue:geo:-89.3616646,43.1056427
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250109T100000
DTEND;TZID=America/New_York:20250109T160000
DTSTAMP:20260407T223428
CREATED:20241118T183710Z
LAST-MODIFIED:20241118T183750Z
UID:110705-1736416800-1736438400@artinamericaguide.com
SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House. \n  Save  
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2025-01-09/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
GEO:43.1056427;-89.3616646
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tandem Press 1743 Commercial Avenue Madison WI 53704 United States;X-APPLE-RADIUS=500;X-TITLE=1743 Commercial Avenue:geo:-89.3616646,43.1056427
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250108T100000
DTEND;TZID=America/New_York:20250108T160000
DTSTAMP:20260407T223428
CREATED:20241118T183710Z
LAST-MODIFIED:20241118T183750Z
UID:110704-1736330400-1736352000@artinamericaguide.com
SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House. \n  Save  
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2025-01-08/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
GEO:43.1056427;-89.3616646
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tandem Press 1743 Commercial Avenue Madison WI 53704 United States;X-APPLE-RADIUS=500;X-TITLE=1743 Commercial Avenue:geo:-89.3616646,43.1056427
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250104T150000
DTEND;TZID=America/New_York:20250104T170000
DTSTAMP:20260407T223428
CREATED:20241227T204132Z
LAST-MODIFIED:20241227T204132Z
UID:111332-1736002800-1736010000@artinamericaguide.com
SUMMARY:2025 Winter Juried Exhibition: Opening Reception
DESCRIPTION:Opening Reception for the 2025 Winter Juried Exhibition \nGlenn Goldberg Juror \n  Save  
URL:https://artinamericaguide.com/event/2025-winter-juried-exhibition-opening-reception/
LOCATION:Blue Mountain Gallery\, 547 W 27th St\, Suite 200\, New York\, NY\, 10001\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/12/web-final-5x4-collage-2025-winter-juried-1.jpg
ORGANIZER;CN="Blue Mountain Gallery":MAILTO:bluemountaingallery@verizon.net
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250104T140000
DTEND;TZID=America/New_York:20250104T160000
DTSTAMP:20260407T223428
CREATED:20241227T204234Z
LAST-MODIFIED:20241227T204234Z
UID:111302-1735999200-1736006400@artinamericaguide.com
SUMMARY:Elizabeth Osborne: Landscapes of the Mind's Eye
DESCRIPTION:Berry Campbell is pleased to present its second solo exhibition of paintings by Elizabeth Osborne (b. 1936). Elizabeth Osborne: Landscapes of the Mind’s Eye features twenty five paintings and works on paper\, spanning from 1969 to 2024\, offering a comprehensive survey of the artist’s distinctive approach to landscape painting. Combining emotional resonance with formal innovation\, Osborne’s work explores the intersection of memory\, perception\, and the natural world\, merging abstraction and representation to blur the boundaries between the external landscape and the inner self. \n  Save  
URL:https://artinamericaguide.com/event/elizabeth-osborne-landscapes-of-the-minds-eye/
LOCATION:Berry Campbell Gallery\, 524 W 26th Street\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/12/osborne_OSB_00224_f.jpg
ORGANIZER;CN="Berry Campbell":MAILTO:em@berrycampbell.com
GEO:40.7488193;-74.0052789
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Berry Campbell Gallery 524 W 26th Street New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=524 W 26th Street:geo:-74.0052789,40.7488193
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250104T130000
DTEND;TZID=America/New_York:20250104T140000
DTSTAMP:20260407T223428
CREATED:20241216T213443Z
LAST-MODIFIED:20241216T213443Z
UID:111165-1735995600-1735999200@artinamericaguide.com
SUMMARY:Exhibition Tour: Made in Germany? Art and Identity in a Global Nation
DESCRIPTION:Join us for an in-depth\, hour-long tour of our special exhibition Made in Germany? Art and Identity in a Global Nation (September 13\, 2024–January 5\, 2025). \nMade in Germany? takes an unprecedented look at German art after 1980. Featuring artists from different generations and diverse backgrounds\, the exhibition complicates notions of German identity\, especially the idea of ethnic and cultural homogeneity. The works on view—many recently acquired—present a range of reflections on German national identity\, one shaped by labor migration after World War II\, the unification of the Federal Republic of Germany and the German Democratic Republic in 1990\, and the influx of asylum seekers since 2015. As the pointedly interrogative title suggests\, Made in Germany? asks rather than offers easy answers to the question of who or what represents Germany today. \nPlease check in with museum staff at the Visitor Services desk in the Calderwood Courtyard to request to join the tour. Tours are limited to 18 people and are available on a first-come\, first-served basis; no registration is required. \n  Save  
URL:https://artinamericaguide.com/event/exhibition-tour-made-in-germany-art-and-identity-in-a-global-nation-6/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/12/MIG_Corinne-Wasmuht_hig-res-1.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250103T100000
DTEND;TZID=America/New_York:20250103T160000
DTSTAMP:20260407T223428
CREATED:20241118T183710Z
LAST-MODIFIED:20241118T183750Z
UID:110703-1735898400-1735920000@artinamericaguide.com
SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House. \n  Save  
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2025-01-03/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
GEO:43.1056427;-89.3616646
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tandem Press 1743 Commercial Avenue Madison WI 53704 United States;X-APPLE-RADIUS=500;X-TITLE=1743 Commercial Avenue:geo:-89.3616646,43.1056427
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250102T100000
DTEND;TZID=America/New_York:20250102T160000
DTSTAMP:20260407T223428
CREATED:20241118T183710Z
LAST-MODIFIED:20241118T183746Z
UID:110700-1735812000-1735833600@artinamericaguide.com
SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House. \n  Save  
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2025-01-02/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
GEO:43.1056427;-89.3616646
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tandem Press 1743 Commercial Avenue Madison WI 53704 United States;X-APPLE-RADIUS=500;X-TITLE=1743 Commercial Avenue:geo:-89.3616646,43.1056427
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241228T150000
DTEND;TZID=America/New_York:20241228T170000
DTSTAMP:20260407T223428
CREATED:20241118T183834Z
LAST-MODIFIED:20241118T183834Z
UID:110658-1735398000-1735405200@artinamericaguide.com
SUMMARY:Anne Diggory: Near and Far
DESCRIPTION:Closing Reception: \nThe theme of near and far refers to several aspects of the exhibition. The locations that inspired Diggory’s work are close by in the Adirondacks of New York and across the ocean in southern France where she travelled for three weeks in spring 2022. The compositions that combine the close by with the far away are a celebration of the complexity of relationships seen and painted. Those spaces include deep passages in which the foregrounds either dissolve or serve as anchors. Additionally\, the act of painting itself creates a tension between the near-at-hand surface and the evocation of a magical world of space\, light and energy. \n  Save  
URL:https://artinamericaguide.com/event/anne-diggory-near-and-far-2/
LOCATION:Blue Mountain Gallery\, 547 W 27th St\, Suite 200\, New York\, NY\, 10001\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Anne-Diggory-Across-the-Way-Cassis-30x40-acrylic-on-canvas-3-scaled.jpg
ORGANIZER;CN="Blue Mountain Gallery":MAILTO:bluemountaingallery@verizon.net
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241220T100000
DTEND;TZID=America/New_York:20241220T160000
DTSTAMP:20260407T223428
CREATED:20241118T183710Z
LAST-MODIFIED:20241118T183745Z
UID:110699-1734688800-1734710400@artinamericaguide.com
SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House. \n  Save  
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2024-12-20/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
GEO:43.1056427;-89.3616646
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tandem Press 1743 Commercial Avenue Madison WI 53704 United States;X-APPLE-RADIUS=500;X-TITLE=1743 Commercial Avenue:geo:-89.3616646,43.1056427
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241219T100000
DTEND;TZID=America/New_York:20241219T160000
DTSTAMP:20260407T223428
CREATED:20241118T183710Z
LAST-MODIFIED:20241118T183745Z
UID:110698-1734602400-1734624000@artinamericaguide.com
SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House. \n  Save  
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2024-12-19/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
GEO:43.1056427;-89.3616646
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tandem Press 1743 Commercial Avenue Madison WI 53704 United States;X-APPLE-RADIUS=500;X-TITLE=1743 Commercial Avenue:geo:-89.3616646,43.1056427
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241218T100000
DTEND;TZID=America/New_York:20241218T160000
DTSTAMP:20260407T223428
CREATED:20241118T183710Z
LAST-MODIFIED:20241118T183745Z
UID:110697-1734516000-1734537600@artinamericaguide.com
SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House. \n  Save  
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2024-12-18/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
GEO:43.1056427;-89.3616646
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tandem Press 1743 Commercial Avenue Madison WI 53704 United States;X-APPLE-RADIUS=500;X-TITLE=1743 Commercial Avenue:geo:-89.3616646,43.1056427
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241217T183000
DTEND;TZID=America/New_York:20241217T193000
DTSTAMP:20260407T223428
CREATED:20240613T195820Z
LAST-MODIFIED:20240613T195820Z
UID:108923-1734460200-1734463800@artinamericaguide.com
SUMMARY:Concert: Sacred Music a cappella
DESCRIPTION:Join us at 6:30 p.m. on Tuesday\, December 17 in the Bellarmine Hall Great Hall for a very special a cappella performance by the Connecticut Chamber Choir\, led by Michael Ciavaglia\, DMA! Inspired by the artworks on view in Ink and Time: European Prints from the Wetmore Collection (Bellarmine Hall Galleries\, September 12 – December 21\, 2024)\, they will be performing songs and motets from the 16th-18th centuries\, as well as more traditional carols from the period to get in the Christmas mood. \nPlease note that only 2 tickets may be reserved per order. If you have questions\, please contact museum@fairfield.edu. \nImage: Jacques Callot\, The Assumption of the Virgin\, ca. 1620s\, etching. Courtesy of the Wetmore Collection\, Connecticut College. \n  Save  
URL:https://artinamericaguide.com/event/concert-sacred-music-a-cappella/
LOCATION:Bellarmine Hall\, Great Hall\, 1073 N. Benson Rd.\, Fairfield\, CT\, 06824\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/06/Callot-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241217T130000
DTEND;TZID=America/New_York:20241217T133000
DTSTAMP:20260407T223428
CREATED:20241206T172529Z
LAST-MODIFIED:20241206T172529Z
UID:110896-1734440400-1734442200@artinamericaguide.com
SUMMARY:Gallery Talk: Nevin Aladağ’s Best Friends
DESCRIPTION:Nevin Aladağ’s ongoing portrait series Best Friends documents similarly dressed friends in cities worldwide. Focusing on friends Aladağ photographed in Germany\, curatorial fellow Peter Murphy will discuss how unspoken elements such as clothing and body language express both individual and shared identity. \nThis talk is offered in conjunction with the exhibition Made in Germany? Art and Identity in a Global Nation (September 13\, 2024–January 5\, 2025). \nLed by:\nPeter Murphy\, Stefan Engelhorn Curatorial Fellow in the Busch-Reisinger Museum\, Division of Modern and Contemporary Art \nPlease check in with museum staff at the Visitor Services desk in the Calderwood Courtyard to request to join the talk. Talks are limited to 18 people and are available on a first-come\, first-served basis; no registration is required. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-nevin-aladags-best-friends/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/12/Nevin-Aladag.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241214T110000
DTEND;TZID=America/New_York:20241214T120000
DTSTAMP:20260407T223428
CREATED:20241205T204736Z
LAST-MODIFIED:20241205T204736Z
UID:110891-1734174000-1734177600@artinamericaguide.com
SUMMARY:Exhibition Tour: Made in Germany? Art and Identity in a Global Nation
DESCRIPTION:Join us for an in-depth\, hour-long tour of our special exhibition Made in Germany? Art and Identity in a Global Nation (September 13\, 2024–January 5\, 2025). \nMade in Germany? takes an unprecedented look at German art after 1980. Featuring artists from different generations and diverse backgrounds\, the exhibition complicates notions of German identity\, especially the idea of ethnic and cultural homogeneity. The works on view—many recently acquired—present a range of reflections on German national identity\, one shaped by labor migration after World War II\, the unification of the Federal Republic of Germany and the German Democratic Republic in 1990\, and the influx of asylum seekers since 2015. As the pointedly interrogative title suggests\, Made in Germany? asks rather than offers easy answers to the question of who or what represents Germany today. \nPlease check in with museum staff at the Visitor Services desk in the Calderwood Courtyard to request to join the tour. Tours are limited to 18 people and are available on a first-come\, first-served basis; no registration is required. \n  Save  
URL:https://artinamericaguide.com/event/exhibition-tour-made-in-germany-art-and-identity-in-a-global-nation-5/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/12/MIG_Corinne-Wasmuht_hig-res.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241213T100000
DTEND;TZID=America/New_York:20241213T160000
DTSTAMP:20260407T223428
CREATED:20241118T183710Z
LAST-MODIFIED:20241118T183744Z
UID:110696-1734084000-1734105600@artinamericaguide.com
SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House. \n  Save  
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2024-12-13/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
GEO:43.1056427;-89.3616646
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tandem Press 1743 Commercial Avenue Madison WI 53704 United States;X-APPLE-RADIUS=500;X-TITLE=1743 Commercial Avenue:geo:-89.3616646,43.1056427
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241212T130000
DTEND;TZID=America/New_York:20241212T133000
DTSTAMP:20260407T223428
CREATED:20240613T195820Z
LAST-MODIFIED:20240613T195820Z
UID:108921-1734008400-1734010200@artinamericaguide.com
SUMMARY:Virtual Art in Focus: Maria Katharina Prestel\, Triumph of Truth Over Envy
DESCRIPTION:All that glitters…is gold\, in this case! Our final edition of Virtual Art in Focus this fall\, takes a look at this extraordinary print by Maria Katherina Prestel. Prestel has only recently been rediscovered by print historians\, as she worked for her husband\, Johann Prestel\, and his initials appear rather than hers on many of the works. \nJoin us at 1pm on December 12 on thequicklive.com for informal conversation about this work\, led by Curator of Education Michelle DiMarzo\, PhD. This work is included in the exhibition Ink and Time: European Prints from the Wetmore Collection (Bellarmine Hall Galleries\, September 12 – December 21\, 2024). Click here for more information about the exhibition. \nImage: Maria Katharina Prestel after Jacopo Ligozzi\, The Triumph of Truth over Envy\, 1780\, etching and aquatint in brown and ochre ink\, touched with gold leaf. Courtesy of the Wetmore Collection\, Connecticut College \n  Save  
URL:https://artinamericaguide.com/event/virtual-art-in-focus-maria-katharina-prestel-triumph-of-truth-over-envy/
LOCATION:Virtual
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/06/Prestel-1-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241212T120000
DTEND;TZID=America/New_York:20241212T123000
DTSTAMP:20260407T223428
CREATED:20240613T195820Z
LAST-MODIFIED:20240613T195820Z
UID:108919-1734004800-1734006600@artinamericaguide.com
SUMMARY:Art in Focus: Maria Katharina Prestel\, The Triumph of Truth Over Envy
DESCRIPTION:All that glitters…is gold\, in this case! Our final edition of Art in Focus this fall\, takes a look at this extraordinary print by Maria Katherina Prestel. Prestel has only recently been rediscovered by print historians\, as she worked for her husband\, Johann Prestel\, and his initials appear rather than hers on many of the works. \nJoin us at 12 noon on December 12 in the Bellarmine Hall Galleries for informal conversation about this work\, led by Curator of Education Michelle DiMarzo\, PhD. This work is included in the exhibition Ink and Time: European Prints from the Wetmore Collection (Bellarmine Hall Galleries\, September 12 – December 21\, 2024). Click here for more information about the exhibition. \nLooking for the virtual edition? Click here to register. \nImage: Maria Katharina Prestel after Jacopo Ligozzi\, The Triumph of Truth over Envy\, 1780\, etching and aquatint in brown and ochre ink\, touched with gold leaf. Courtesy of the Wetmore Collection\, Connecticut College \nPlease note that only 2 tickets may be reserved per order. If you have questions\, please contact museum@fairfield.edu \n  Save  
URL:https://artinamericaguide.com/event/art-in-focus-maria-katharina-prestel-the-triumph-of-truth-over-envy/
LOCATION:Bellarmine Hall\, Bellarmine Hall Galleries\, 1073 North Benson Road\, Fairfield\, CT\, 06824\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/06/Prestel-scaled.jpg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241212T100000
DTEND;TZID=America/New_York:20241212T160000
DTSTAMP:20260407T223428
CREATED:20241118T183710Z
LAST-MODIFIED:20241118T183744Z
UID:110695-1733997600-1734019200@artinamericaguide.com
SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House. \n  Save  
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2024-12-12/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
GEO:43.1056427;-89.3616646
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tandem Press 1743 Commercial Avenue Madison WI 53704 United States;X-APPLE-RADIUS=500;X-TITLE=1743 Commercial Avenue:geo:-89.3616646,43.1056427
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241211T123000
DTEND;TZID=America/New_York:20241211T130000
DTSTAMP:20260407T223428
CREATED:20241204T152613Z
LAST-MODIFIED:20241204T152613Z
UID:110869-1733920200-1733922000@artinamericaguide.com
SUMMARY:Gallery Talk: Conserving the Intangible for Made in Germany? Art and Identity in a Global Nation
DESCRIPTION:Join Straus Center conservators as they discuss their approach to conserving time-based media art featured in the special exhibition Made in Germany? Art and Identity in a Global Nation (September 13\, 2024–January 5\, 2025). They will also introduce the cross-departmental work of the museums’ Time-Based Media Working Group and the use of identity and iteration reports to preserve such intangible works of art. \nLed by:\nTatiana Cole\, Conservator of Photographs\, Straus Center for Conservation and Technical Studies \nNicole Ledoux\, Associate Conservator of Objects and Sculpture\, Straus Center for Conservation and Technical Studies \nPlease check in with museum staff at the Visitor Services desk in the Calderwood Courtyard to request to join the talk. Talks are limited to 18 people and are available on a first-come\, first-served basis; no registration is required. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-conserving-the-intangible-for-made-in-germany-art-and-identity-in-a-global-nation/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/12/Conservation-MIG.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
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END:VCALENDAR