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DTSTART;TZID=America/New_York:20260221T150000
DTEND;TZID=America/New_York:20260221T170000
DTSTAMP:20260416T082333
CREATED:20260120T172930Z
LAST-MODIFIED:20260120T172930Z
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SUMMARY:Reading between the Brushstrokes: Imagery and Meaning in Italian Renaissance Painting
DESCRIPTION:While famous masterpieces such as the “Mona Lisa\,” the “Birth of Venus\,” and the “Sistine Chapel\, Ceiling” draw massive crowds in Italy\, most Italian Renaissance paintings in US museums are passed over for more readable\, recognizable\, and user-friendly 19th and/or 20th-century paintings. Museum-goers today often have a difficult time recognizing the characters\, knowing the theology\, identifying with the morality\, or understanding the function of most Italian Renaissance paintings. Dr. Rocky Ruggiero will “read between the brushstrokes” to explain the meaning behind the imagery of painted masterpieces from the Italian Renaissance. \nAdmission is free for members\, $16 per class for non-members. Space is limited. Preregistration Required. \nRocky Ruggiero has been a professor of Art and Architectural History since 1999. He received his BA from the College of the Holy Cross and a Master of Arts degree from Syracuse University\, where he was awarded a prestigious Florence Fellowship in 1996. He furthered his art historical studies at the University of Exeter\, UK\, where he received a Ph.D. in Art History and Visual Culture. \nIn addition to lecturing for various American universities in Florence\, Italy\, including Syracuse\, Kent State\, Vanderbilt\, and Boston College\, Rocky has starred in various TV documentaries concerning the Italian Renaissance. He recently appeared as an expert witness for NBC News\, as well as in the History Channel’s “Engineering an Empire: Da Vinci’s World” and “Museum Secrets: the Uffizi Gallery”\, and the recent NatGeo/NOVA PBS program on Brunelleschi’s dome entitled “Great Cathedral Mystery.” \nAfter living in Florence\, Italy\, for 20 years\, Rocky and his family moved to East Greenwich\, RI\, and he now divides his time between the US and Italy. \nRocky also shares his knowledge and love of Italian art as an academic advisory board member of the non-profit group Friends of Florence and as a frequent collaborator and lecturer for the Friends of the Uffizi Gallery\, both of which have provided funds for the restoration of numerous works of art throughout Florence. He also lectures and serves as a college liaison for the prestigious Jay Pritzker Academy in Siem Reap\, Cambodia. \nIf you or someone you know needs help registering\, please call 954-262-0204 or email museumeducation@nova.edu \n  Save  
URL:https://artinamericaguide.com/event/reading-between-the-brushstrokes-imagery-and-meaning-in-italian-renaissance-painting/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="NSU Art Museum":MAILTO:moareservations@moafl.org
GEO:26.1194368;-80.1427657
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260219T173000
DTEND;TZID=America/New_York:20260219T200000
DTSTAMP:20260416T082333
CREATED:20260205T192323Z
LAST-MODIFIED:20260205T192323Z
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SUMMARY:The Interior Wild
DESCRIPTION:The Interior Wild \nFebruary 17th – March 7th\, 2026 \nOpening Reception: \nThursday\, February 19th 5:30 – 8 PM \nAtlantic Gallery is very pleased to present\, The Interior Wild\, curated by Etty Yaniv. The Interior Wild invites artists to explore how feeling\, memory\, and perception take shape through connection with materials\, engagement with space\, and gestures of making. During this challenging time\, as our world undergoes significant shifts on multiple levels\, the exhibition emphasizes states of transformation—emotional\, physical\, and perceptual. Works may convey fluctuating mental states\, emotional tension\, biological processes\, or memory through texture\, repetition\, and form. \nThe Exhibition will be on view February 17th – March 7th\, 2026. An opening reception will be held for the artists on Thursday\, February 19th 5:30 – 8 PM. \nThe juror and curator\, Etty Yaniv\, will award one artist a grand-prize of a one-week solo show at Atlantic Gallery at a future date. \n  Save  
URL:https://artinamericaguide.com/event/the-interior-wild/
LOCATION:Atlantic Gallery\, 548 W. 28th St\, #540\, New York\, 10001\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260213T140000
DTEND;TZID=America/New_York:20260213T150000
DTSTAMP:20260416T082333
CREATED:20260127T172445Z
LAST-MODIFIED:20260127T172445Z
UID:115713-1770991200-1770994800@artinamericaguide.com
SUMMARY:Art in Context: An Informal History of Art Series led by Ariella Wolens\, Bryant-Taylor Curator
DESCRIPTION:Join us for an engaging and informal three-part art history course presented by Ariella Wolens\, Bryant Taylor Curator\, designed for curious learners of all backgrounds. Held on the second Friday of each month from February through April at 2:00 pm\, this lecture series offers a broad and accessible journey through the history of art. \nEach session builds chronologically\, beginning with the foundations of art history and moving through key movements\, ideas\, and artists\, concluding with contemporary and current-day practices. Through lively discussion\, images\, and curatorial insight\, participants will gain a deeper understanding of how art reflects and shapes the world across time. \nNo prior art history experience is required\, just curiosity and a willingness to explore. This casual\, three-part series invites participants to learn\, ask questions\, and connect across centuries of artistic expression. \nAdmission is free for members\, $16 per class for non-members. Space is limited. Preregistration Required. \nIf you or someone you know needs help registering\, please call 954-262-0204 or email museumeducation@nova.edu \nAriella Wolens is Bryant-Taylor Curator at NSU Art Museum Fort Lauderdale\, where she has organized exhibitions including Jacqueline de Jong: Vicious Circles (2024-2025)\, Walasse Ting: Parrot Jungle (2023-2024) and Cosmic Mirrors: Haitian Art Highlights from the Collection (2023-2024). Wolens received her BA in Art History from University College London and master’s from Columbia University in Curating and Criticism of Modern Art. Prior to joining NSU Art Museum Fort Lauderdale\, Wolens served as Assistant Curator at SCAD Museum of Art in Savannah\, Georgia\, where she curated exhibitions of artists such as Sanford Biggers\, Raúl de Nieves\, Paulina Olowska\, Wong Ping and Rose B. Simpson. Her writings have appeared in publications such as Art in America\, Flash Art\, Gagosian Quarterly and Spike Art Magazine. \nImage: Laocoön and His Sons\, c.40-30 BCE\, Marble\, 6 ft 10 in × 5 ft 4 in × 3 ft 8 in\, Vatican Museums\, Vatican City. \n  Save  
URL:https://artinamericaguide.com/event/art-in-context-an-informal-history-of-art-series-led-by-ariella-wolens-bryant-taylor-curator/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="NSU Art Museum":MAILTO:moareservations@moafl.org
GEO:26.1194368;-80.1427657
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260129T123000
DTEND;TZID=America/New_York:20260129T130000
DTSTAMP:20260416T082333
CREATED:20260120T154409Z
LAST-MODIFIED:20260120T154409Z
UID:115674-1769689800-1769691600@artinamericaguide.com
SUMMARY:Gallery Talk: Uncovering the Layered Past of a Haniwa Figure
DESCRIPTION:If you’re in the Calderwood Courtyard\, you’ll likely see a newly installed sculpture: a 6th-century terracotta sculpture from Japan’s Kofun period (c. 250–600)\, called a haniwa. Haniwa were created from coils and slabs of clay\, shaped into figures or structures\, and then placed around the outside of royal tombs. This figure underwent comprehensive analysis and treatment in preparation for its display. Join objects conservation fellow Kaela Nurmi as she shares how the conservation treatment uncovered original surfaces obscured by layers of restoration\, offering insights into how the sculpture was reconstructed in the past. \nThis gallery talk is part of our New on View series\, highlighting recent gallery installations and presenting new insights into recent acquisitions or old favorites. \nLed by:\nKaela Nurmi\, Objects Conservation Fellow\, Straus Center for Conservation and Technical Studies \nPlease check in with museum staff at the Visitor Services desk in the Calderwood Courtyard to request to join the gallery talk. Space is limited\, and talks are available on a first-come\, first-served basis; no registration is required. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-uncovering-the-layered-past-of-a-haniwa-figure/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/haniwa.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260128T123000
DTEND;TZID=America/New_York:20260128T130000
DTSTAMP:20260416T082333
CREATED:20260106T171535Z
LAST-MODIFIED:20260106T171535Z
UID:115578-1769603400-1769605200@artinamericaguide.com
SUMMARY:Gallery Talk: American Works of Art at the 250th
DESCRIPTION:From late January to early July 2026\, curator of American art Horace D. Ballard will lead a series of gallery talks to coincide with the 250th anniversary of the signing of the Declaration of Independence. Each talk will closely examine a work of art that speaks to the historical\, social\, and political contexts that continue to shape the events and ideas of the United States within the broader context of the colonial and political framework of the Americas.\nThis gallery talk is part of our New on View series\, highlighting recent gallery installations and presenting new insights into recent acquisitions or old favorites. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-american-works-of-art-at-the-250th/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/John-Singleton-Copley.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260127T120000
DTEND;TZID=America/New_York:20260127T130000
DTSTAMP:20260416T082333
CREATED:20260105T214147Z
LAST-MODIFIED:20260105T214147Z
UID:115550-1769515200-1769518800@artinamericaguide.com
SUMMARY:Art + Science: Varnish on Paintings
DESCRIPTION:Have you ever wondered what happens in our conservation labs? Join a member of our Straus Center staff for an informal conversation about their work treating objects in our collections. Taking place just outside the Straus Center in the Lightbox Gallery\, this presentation will give you the chance to get up close and hands-on with a selection of tools and materials used by conservation staff. \nIn this session\, Saffie Patel\, the Richard I. Shader Fellow in Paintings Conservation\, will talk about varnish on paintings. \n  Save  
URL:https://artinamericaguide.com/event/art-science-varnish-on-paintings/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/ArtScience.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260122T180000
DTEND;TZID=America/New_York:20260122T200000
DTSTAMP:20260416T082333
CREATED:20260120T172859Z
LAST-MODIFIED:20260120T172859Z
UID:115681-1769104800-1769112000@artinamericaguide.com
SUMMARY:LIC-A @ ATLANTIC: A Winter Salon\, 2026
DESCRIPTION:JANUARY 20TH – FEBRUARY 14TH\, 2026 \nOPENING RECEPTION:  \nTHURSDAY\, JANUARY 22nd\, 6 PM – 8 PM \n LICA at Atlantic: A Winter Salon 2026\, is a group exhibition featuring the works of 30 artists\, all of whom are members of Long Island City Artists. This diverse showcase includes painting\, sculpture\, graphics and textile art\, and is on view from January 20th – February 14th\, 2026\, at Atlantic Gallery\, 548 West 28 Street\, Suite 540\, in the Landmark Arts Building in Chelsea\, Manhattan\, NY 10001. \nA reception for the artists will be held on Thursday\, January 22nd\, from 6 – 8 pm. In addition\, a continuous digital slide show will provide glimpses into the studios of the show participants. All events are free and open to the public. \nWe also want to take the opportunity to honor LIC-A’s former president\, Carol Crawford\, who passed away on Sept. 17\, 2025. Carol was part of LIC-A since the founding in 1985 and served as its president for 15 years until 2024.  She was also a member of Atlantic Gallery since 2008\, where she exhibited her work in many solo and group exhibitions. \nCarol was the driving force in establishing the LIC-A/Atlantic relationship which she initiated with the Over the Bridge exhibition in January 2015.  In addition to running the LIC-A @ Atlantic exhibitions\, Carol curated and facilitated numerous exhibitions with LIC-A all with the goal of fostering meaningful interactions between artists\, communities\, and audiences\, encouraging dialogue\, shared understanding\, and deeper appreciation of the creative process. \n“For me\, the creative process is akin to giving birth\, with all the effort\, hope\, struggle and joy. You shape and love what results; you give it to the world.” –Carol Crawford \nLIC Artists\, Inc.\, and Atlantic Gallery have much in common: both are artist-run and share a mission of supporting the creative freedom and careers of their independent artist-members. LIC Artists\, Inc. is a 501 (c) (3) arts advocacy organization\, founded in 1985. It launched the Annual Open Studios tradition in Queens in 1985\, and continues in service to the artists and communities of Queens and New York City with an extensive program of exhibitions\, workshops\, and performances in its new headquarters at the LIC-A Art Space at The Factory LIC\, 30-30 47th Avenue in Long Island City\, Its history\, activities and the works of its members can be seen on its website\, www.licartists.org \nAtlantic Gallery was founded in 1974 in Brooklyn as an artists’ cooperative. In 1979 it moved to SoHo\, then to Chelsea in 2007\, and in 2012 it opened a new gallery in the Landmark Arts Building at the High Line. Its current gallery was designed by mixed-media artist and interior designer Carol Crawford\, a member of both LIC ARTISTS INC. and Atlantic Gallery\, and the organizer of this exhibition. This is the tenth LIC-A group exhibition hosted by Atlantic Gallery. For more information and to see members’ works\, visit www.atlanticgallery.org \n  Save  
URL:https://artinamericaguide.com/event/lic-a-atlantic-a-winter-salon-2026/
LOCATION:Atlantic Gallery\, 548 W. 28th St\, #540\, New York\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/Website-and-email-blast-pic.jpg
GEO:40.7515661;-74.0041872
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Atlantic Gallery 548 W. 28th St #540 New York 10001 United States;X-APPLE-RADIUS=500;X-TITLE=548 W. 28th St\, #540:geo:-74.0041872,40.7515661
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260117T180000
DTEND;TZID=America/New_York:20260117T220000
DTSTAMP:20260416T082333
CREATED:20260109T153545Z
LAST-MODIFIED:20260109T153545Z
UID:115650-1768672800-1768687200@artinamericaguide.com
SUMMARY:Vision/Version @ CAMP: Opening Night
DESCRIPTION:NORTH MIAMI\, FL – December 31\, 2025. The Contemporary Art Modern Project is\nhonored to announce our first exhibition of 2026\, Vision/ Version featuring\nPablo Power in his first Miami solo. For more than a decade\, Power has been\npercolating ideas and memories into what is now this exhibition. Looking back\nat his first encounters with Miami’s local art scene\, Power has compiled a vision\nwhich recalls his experiences through the years in the city. But key to both the\nvision and the version of that vision is the intersection of what is remembered\n(intention) and what is reality. Power explains: “This version of my vision brings\nme back to Miami for the first time in nearly a decade\, to revisit the genesis of\nmy creative inspiration. I had the great privilege to live in Miami during a unique\nperiod of cultural evolution\, which provided me with my earliest understanding\nof intention versus reality.” This can be explained in some of his earlier practices\nof destroying to create anew – whether that destruction grows out of posters he\ntears down to transfer into and onto new works\, to releasing works to nature to\nwash away the superficial\, to him then tirelessly working with the elements to\nunearth hidden value. \nThis exhibition captivates not only through the kaleidoscope of works on the\nwalls but through the profound conversation created by older pieces standing\nconfidently beside new\, mapping both Power’s artistic growth and his deep\ncommitment to understanding and sharing lived experience. Though away\nfrom the city for many years\, and now working in Brooklyn\, NY\, Power has held\nonto the palette that is Miami\, adding its unique light to his northward life. This\nexhibition becomes a testimony to his remembrance and how though away\,\nthe city of Miami has stood firm in his creative roots. During a month-long\nresidency at The CAMP Gallery\, Power will further this exchange through a\ndynamic program of film screenings\, artist talks\, poetry events\, panel\ndiscussions\, and more\, all accentuating the vibrant creative intersection\nreminiscent of Miami’s 1980s spirit. Alongside mixed-media works\, sculpture\, and\nvideo\, the exhibition features unique print collaborations with Keigo Prints\, Inc.\,\nand special editions of offset prints and zines\, each layer enriching a dialogue\nwith the city that continues to inspire him. film and video screenings\, artist led\ntours\, panel discussions\, music and poetry evenings\, and other activations to\n“exchange with the city that continues to inspire [his] work.” \nEvent Programming:\nShow Preview Jan 9th\, 2026 6-8pm \nOpening Jan 17th\, 2026 7-10pm. Artist Talk 6-7pm. \nFilm Screening Jan 31st \, 2026 \nPoetry Evening February 21 \, 2026 \n  Save  
URL:https://artinamericaguide.com/event/vision-version-camp-opening-night/
LOCATION:The CAMP Gallery\, 791 NE 125 St\, Miami\, FL\, 33161\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/Compass-Points-Forming-Patterns-2B-scaled.jpg
ORGANIZER;CN="The Contemporary Art Modern Project":MAILTO:maria@thecampgallery.com
GEO:25.8434605;-80.1895077
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The CAMP Gallery 791 NE 125 St Miami FL 33161 United States;X-APPLE-RADIUS=500;X-TITLE=791 NE 125 St:geo:-80.1895077,25.8434605
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260115
DTEND;VALUE=DATE:20260222
DTSTAMP:20260416T082333
CREATED:20260109T153006Z
LAST-MODIFIED:20260109T153006Z
UID:115590-1768435200-1771718399@artinamericaguide.com
SUMMARY:Dana Piazza: Fall Lines
DESCRIPTION:Kathryn Markel Fine Arts is pleased to announce an upcoming exhibition of new drawings by Dana Piazza titled\,  Fall Lines.  This is his first solo exhibition with the gallery and an artist reception will be held on  January 15th. \nDana Piazza creates meticulous abstract drawings on paper that build upon one initial mark. The line based shapes are largely monochromatic and minimal. He does not plan the final composition\, instead opting to follow a set of self-imposed rules in which each line is influenced by the one before. \nPiazza’s forms are voluminous and densely patterned. Striped repetition creates a rhythm within the curved bodies. The ink lines are semi transparent and deepen as they overlap. Though the marks themselves are quite dense\, the shapes appear light as if floating. \nDiscovery and an exploration of chance are at the heart of his practice. The artist’s hand remains present in slight wavering of the lines and subtle imperfections. Though the drawings are largely improvisational\, the final forms are structured and maintain the illusion of precision and order. \nDana Piazza is an abstract artist based in Lenox\, Massachusetts. He received a BFA from Purchase College\, State University of New York. Piazza has held solo exhibitions at TURLEY\, Hudson\, NY; Art Austerlitz\, Austerlitz\, NY; Thompson Giroux Gallery\, Chatham\, NY; and Jennifer Terzian Gallery\, Litchfield\, CT. His work has also been included in shows at Ortega y Gasset Projects\, Brooklyn\, NY; Galerie Manqué\, Brooklyn\, NY; Muriel Guépin Gallery\, New York\, NY; Kathryn Markel Fine Arts\, New York\, NY; Geoffrey Young Gallery\, Great Barrington\, MA; and Brattleboro Museum & Art Center\, Brattleboro\, VT. \n  Save  
URL:https://artinamericaguide.com/event/dana-piazza-fall-lines/
LOCATION:529 W 20th St. 6W\, 529 W 20th St. 6W\, New York\, NY\, 10011\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/pia019-scaled.jpg
ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260114T123000
DTEND;TZID=America/New_York:20260114T130000
DTSTAMP:20260416T082333
CREATED:20260105T214147Z
LAST-MODIFIED:20260105T214147Z
UID:115540-1768393800-1768395600@artinamericaguide.com
SUMMARY:Gallery Talk: Catching the Tooth and Sketching a Shape
DESCRIPTION:Join curatorial research associate Susan Anderson to look at how artists working at the turn of the 20th century used dry media as a means towards abstraction. \nThis talk is offered in conjunction with the special exhibition Sketch\, Shade\, Smudge: Drawing from Gray to Black\, on view from September 12\, 2025 to January 18\, 2026. \nSketch\, Shade\, Smudge: Drawing from Gray to Black celebrates the act of drawing using familiar tools—charcoal\, chalk\, crayon\, and graphite. Each type of material has distinctive properties: charcoal can be intensely rich and velvety\, or delicately gray and suggestive\, while graphite is slippery\, shiny\, and easy to erase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and diffuse. The creative manipulations of these media—smudging\, scraping\, and erasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-catching-the-tooth-and-sketching-a-shape-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/Piet-Modrian.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260113T123000
DTEND;TZID=America/New_York:20260113T130000
DTSTAMP:20260416T082333
CREATED:20260105T214148Z
LAST-MODIFIED:20260105T214148Z
UID:115536-1768307400-1768309200@artinamericaguide.com
SUMMARY:Gallery Talk: Drawing Materials and Techniques in Sketch\, Shade\, Smudge
DESCRIPTION:Join an exhibition curator for a discussion about some of the drawing materials and techniques seen in works in the special exhibition Sketch\, Shade\, Smudge: Drawing from Gray to Black \nSketch\, Shade\, Smudge: Drawing from Gray to Black celebrates the act of drawing using familiar tools—charcoal\, chalk\, crayon\, and graphite. Each type of material has distinctive properties: charcoal can be intensely rich and velvety\, or delicately gray and suggestive\, while graphite is slippery\, shiny\, and easy to erase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and diffuse. The creative manipulations of these media—smudging\, scraping\, and erasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-drawing-materials-and-techniques-in-sketch-shade-smudge-4/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/Lucien-Freud.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260108T180000
DTEND;TZID=America/New_York:20260221T200000
DTSTAMP:20260416T082333
CREATED:20251208T211309Z
LAST-MODIFIED:20251208T211309Z
UID:115347-1767895200-1771704000@artinamericaguide.com
SUMMARY:Susan Dory | Inner Weather
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present Inner Weather\, a series of new works by Susan Dory. In her sixth solo exhibition with the gallery\, Dory continues her long-standing investigation into interconnectivity and perception through a dynamic interplay of color\, transparency\, and layered form. \nIn Inner Weather\, Dory’s biomorphic and linear shapes congregate and reorganize in intricate\, structured patterns. Each composition emerges from color: this series centers on radiant reds\, oranges\, and yellows\, tones that the artist describes as an act of optimism and hope. Dory has also introduced more translucent pigments into her process\, combining acrylic paint with a transparent varnish to produce a luminous\, “seeing through” effect that suggests movement and transformation. \nWorking in a studio suffused with natural light\, Dory is attuned to the shifts of shadow and reflection that traverse her workspace throughout the day. As sunlight rakes across her canvases—laid flat on sawhorses—shadows distort and reform\, leaving traces that she translates into painted form. These ephemeral impressions of light and negative space become an integral part of her compositions\, transforming fleeting environmental moments into lasting visual structures. \nFurthermore\, Dory draws on the irregular geometries of gerrymandered maps\, expanding them into a broader meditation on impermanence. These shifting boundaries along with the movement of light and shadow serve as markers that anchor an ongoing inquiry into the temporary states that define our experience. Each painting becomes an artifact of this investigation: a singular object that compresses months of decision-making\, revision\, and fleeting perception into a single encounter. Unlike a film or novel that unfolds over time\, Dory’s paintings offer its entire history at once\, revealing the accumulation of moments that brought it into being. \nDory’s meticulous layering process creates both a physical and temporal depth. Each layer acts as a record of time\, allowing viewers to peer through one form and into another\, evoking the constant flux of perception. The resulting surfaces are at once pristine and tactile\, inviting contemplation on how memory\, observation\, and sensation continuously overlap. For Dory\, the layered compositions in Inner Weather serve as repositories of experience—a visual metaphor for the fluid nature of temporal landscapes. \nSusan Dory was born in Oklahoma City\, OK and currently works and resides in Seattle\, WA. She studied at Iowa State University in Ames\, IA where she received a Bachelor’s of Arts. Dory has received both national and local awards including the Pollock-Krasner Foundation Grant\, the Netty Award\, the Willard R. Espy Foundation Artist-In-Residence Fellowship and the Ballinglen Art Foundation Fellowship in Ballycastle\, County Mayo\, Ireland. Dory’s works have been featured in The Seattle Times\, Art in America and Blouin Art Info. Her work is held in numerous public collections including The Tacoma Art Museum\, Ballinglen Museum of Contemporary Art\, the U.S. Embassy and the Seattle Arts Commission Collection. \n  Save  
URL:https://artinamericaguide.com/event/susan-dory-inner-weather/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
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ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Winston Wächter Fine Art 530 W 25th St New York New York 10001;X-APPLE-RADIUS=500;X-TITLE=530 W 25th St:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260108T180000
DTEND;TZID=America/New_York:20260108T200000
DTSTAMP:20260416T082333
CREATED:20260109T153523Z
LAST-MODIFIED:20260109T153523Z
UID:115646-1767895200-1767902400@artinamericaguide.com
SUMMARY:"What Dreams May Come"\, Opening Reception
DESCRIPTION:Viridian Artists is thrilled to announce WHAT DREAMS MAY COME\, a group exhibition presenting the whimsical and fantastical realms inhabited by SABINE CARLSON\, IRENE CHRISTENSEN\, STEPHANIE LEMPRES\, and SARAH RILEY. The exhibition will be on view from January 6–24\, 2026. An Opening Reception will take place on Thursday\, January 8\, 2026\, from 6–8 PM\, followed by a Closing Reception on Saturday\, January 24\, from 4–6 PM. \n  Save  
URL:https://artinamericaguide.com/event/what-dreams-may-come-opening-reception/
LOCATION:NY
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260108T180000
DTEND;TZID=America/New_York:20260108T200000
DTSTAMP:20260416T082333
CREATED:20260105T215031Z
LAST-MODIFIED:20260105T215031Z
UID:115468-1767895200-1767902400@artinamericaguide.com
SUMMARY:Annual Members Exhibition 2025
DESCRIPTION:December 9th\, 2025 – January 17th\, 2026 \nClosing Reception: \nJanuary 8th\, 2026\, 6 – 8 PM \nHere at Atlantic Gallery\, we like to close off each year with a fun and eclectic group show highlighting the work of our members. And this year is no different. We are delighted to announce our 2025\, end of the year\, members’ group exhibition. \nThe Exhibition will be on display December 9th\, 2025 – January 17th\, 2026. An opening reception will be held for the artists on December 11th\, 2025\, 6 – 8 PM. A Closing reception will be held on January 8th\, 2026\, 6 – 8 PM. \nThe Relationship between our members and their work is what makes our community of artists so special. With this exhibit\, we are showcasing 15 different artists embracing a wide range of styles\, media\, and subject matter. \nFeatured Artists: \nSally Brody\nBlair Martin Cahill\nPhyllis Chillingworth\nCynthia Cooper\nEllen Gordon\nAnshu Malhotra\nLina Morielli\nFelix Quiñonez Jr.\nMeenal Raghava\nRoni Sherman Ramos\nRuth Sack\nJanie Samuels\nFrancesca Schwartz\nAnthony Tarsitano\nMargaret Vega \nAtlantic Gallery | 548 West 28th St\, Suite 540 | New York\, NY 10001 | 212.219.3183 | www.atlanticgallery.org| info@atlanticgallery.org | Gallery Hours: Tues – Sat 12:00pm – 6:00pm \n  \n  Save  
URL:https://artinamericaguide.com/event/annual-members-exhibition-2025/
LOCATION:Atlantic Gallery\, 548 W. 28th St\, #540\, New York\, 10001\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260108
DTEND;VALUE=DATE:20260215
DTSTAMP:20260416T082333
CREATED:20260109T153006Z
LAST-MODIFIED:20260109T153006Z
UID:115594-1767830400-1771113599@artinamericaguide.com
SUMMARY:Monica Banks: Secret Harmonies
DESCRIPTION:Kathryn Markel Fine Arts is pleased to announce Secret Harmonies\, an installation of new porcelain sculptures by Monica Banks. This will be her second solo exhibition with the gallery. An opening reception will be held on January 15th from 6-8pm. \nBanks’ porcelain botanical sculptures take over The Pocket Gallery in this room-sized installation. Modeling from life\, she creates delicate\, detailed portraits of flowers in various stages of life. Randomly hung\, as if in motion\, the artist thinks of them as\, “though they had blown in from the garden.”  They float on the wall as if weightless and their muted glazing adds a soft\, almost wispyness to the solid ceramic forms. \nBanks sculpts to scale and will observe one subject multiple times\, effectively creating snapshots of its brief lifespan as it buds\, blossoms\, wilts\, and dies. The installation serves as a three dimensional chronograph\, where one can trace a bloom’s journey from bud to decay. \nThis process\, “is an attempt to portray the logic and imperfections of blossoms.” She adds in non botanical elements from her previous tableware series such as forks\, spoons\, ladders\, and buttons to incorporate subconscious associations into this subject matter. A touch of surrealism enters the work in some pieces as petals emerge from stemmed tableware as they swirl amidst the flowers. Banks’ inclusion of these also places her work firmly in still life tradition; a wild vanitas of sorts. \nMonica Banks is based in East Hampton\, NY and has been exhibiting sculpture and creating site-specific installations since 1989. She has exhibited at the New Britain Museum of American Art\, CT; The Heckscher Museum of Art\, NY; The Carriage House at Islip Art Museum\, NY; The Center for Architecture\, NYC; The Arkell Museum\, NY; The Church Sag Harbor\, NY; among others. Her work is held in permanent collections of The Parrish Art Museum\, NY;  UMCA at the University of Massachusetts\, The Islip Art Museum\, NY; LongHouse Reserve\, NY; The Leiber Collection\, NY; Peter Marino Art Foundation\, NY;  The Masur Museum of Art\, LA; and the Catherine Konner Sculpture Park\, NY. She won an award from the NYC Public Design Commission for “Faces: Times Square\,” a block-long sculpture which stood in Times Square from 1996-2009. Banks has created permanent public works in the Bronx\, NY; Binghamton\, NY; and Charlotte\, NC. \n  Save  
URL:https://artinamericaguide.com/event/monica-banks-secret-harmonies/
LOCATION:179 10th Ave\, 179 10th Ave\, New York\, NY\, 10011\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/ban090-scaled.jpeg
ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260108
DTEND;VALUE=DATE:20260215
DTSTAMP:20260416T082333
CREATED:20260109T152334Z
LAST-MODIFIED:20260109T152334Z
UID:115582-1767830400-1771113599@artinamericaguide.com
SUMMARY:Sara MacCulloch: Sun Fog Rain
DESCRIPTION:Kathryn Markel Fine Arts is pleased to announce Sun Fog Rain\, an exhibition of new paintings by Sara Maculloch. This will be her fourth solo exhibition with the gallery. An opening reception will be held on January 15 from 6-8pm. \nSara MacCulloch is a landscape painter who paints in order to capture the transient experiences of nature. She paints seasonally\, leaving her home in Toronto for the familiar vistas of Maine and Nova Scotia where she grew up. Summer days immersed in nature provide necessary relief from the challenges of today’s world.  As Maculloch says\, “Finding solace even in the bad weather\, in the skies made opaque from fog or forest fire smoke\, in the rain\, or despite the drought\, in the hot sun.” \nAll the small changes in time of day\, weather\, plant growth\, and shoreline variations interest her. With photos and sketches\, she absorbs the subtleties and feelings of a specific landscape and a specific experience. \nIn the fall\, she returns to her studio to paint. She paints with deliberation\, commits to each brushstroke strategically\, and completes most paintings in one sitting. If\, occasionally\, a painting doesn’t work in a day or two\, she scrapes it away and starts over.  Intuitive\, sensual brush strokes and a creamy palette create a sense of immediacy and clarity.  The resulting paintings are a distillation of the experience and an invitation to enter these spaces and share a precise moment. \nSara MacCulloch is based in Toronto and studied painting at the Nova Scotia College of Art and Design. She exhibits extensively throughout Canada and  work is represented in various public and private collections including TD Bank\, Mayo Clinic\, Bank of Montreal\, the Art Gallery of Nova Scotia\, University of Toronto\, University of Iowa\, Department of Foreign Affairs\, Royal Bank of Canada\, and Gotlands Kunstmuseum\, SE. She has also received numerous grants and awards including the Canada council for the Arts and the Brucebo Scholarship in Gotland\, Sweden. \n  Save  
URL:https://artinamericaguide.com/event/sara-macculloch-sun-fog-rain/
LOCATION:179 10th Ave\, 179 10th Ave\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260108
DTEND;VALUE=DATE:20260209
DTSTAMP:20260416T082333
CREATED:20260105T214442Z
LAST-MODIFIED:20260105T214442Z
UID:115455-1767830400-1770595199@artinamericaguide.com
SUMMARY:Queer Today — Love\, Power\, Freedom!
DESCRIPTION:Amos Eno Gallery\, a non-profit\, artist-run space\, is thrilled to present Queer Today – Love\, Power\, Freedom!\, a dynamic group exhibition by the queer art collective Magenta Lounge\, curated by its founder James Horner. \nFeaturing the work of 12 artists\, the exhibition will be on view in the gallery’s lower-level Project Space from January 8 to February 8\, 2026\, with an opening reception on Friday\, January 9\, from 6 to 8 p.m. Works and installation images will also be available on Artsy. \nPublic programs include a Conscious Collage workshop with Tracy von Ahsen on Sunday\, January 11\, from 12–2 p.m.\, and a group artist talk on January 29 from 6–8 p.m. \nAcross the United States\, queer communities — especially LGBTQ+ youth and transgender individuals — continue to navigate disproportionate mental health challenges\, heightened discrimination in housing\, employment\, and healthcare\, and reduced access to affirming care. Recent national studies indicate that more than 70% of LGBTQ+ youth report symptoms of anxiety\, and nearly 40% of transgender adults have considered suicide.* These inequities\, fueled by stigma and systemic exclusion\, underscore the urgent need for spaces where queer expression\, solidarity\, and joy are not only visible but truly celebrated. \nQueer Today – Love\, Power\, Freedom! responds to this moment with both defiance and delight. The exhibition channels opinions\, sexuality\, resilience\, icons\, stereotypes\, tenderness\, humor\, and defiance — amplifying the lived realities of LGBTQ+ artists. Spanning identities and generations — gay\, lesbian\, bisexual\, transgender; young and old; from Boulder\, Colorado\, to Brooklyn\, New York — this diverse group offers vivid snapshots of their worlds\, illuminating both the struggles they endure and the love they cultivate. \nTheir work reflects not only the challenges their communities face\, but the love\, power\, and freedom they actively generate. \n* The Trevor Project National Survey on LGBTQ Youth Mental Health\, 2022. \nArtists and Works \nJames Falciano – Let’s Cancel Our Plans and Spend the Day in Bed: A gouache painting centered on exploring and celebrating queer identity\, sexuality\, expression and the power in seemingly mundane\, everyday moments. jfalciano.com \nJudy Giera – Pink Peep Show with Lilac Finger Incursion (but maybe it feels good\, idk?): A multi-media wall sculpture offering humor and a joyful abjection to embody the horror/resiliency it takes to move through the world as a woman\, queer\, and trans person. judygiera.com \nJames Horner – Wall of Icons: An installation of pottery\, paintings\, and found objects that celebrate LGBTQ+ heroes Keith Haring\, Marsha P. Johnson\, and Cookie Mueller who have fought for equal rights or been role-models for the community. Horner is a queer chronicler who educates the public and diverts discrimination from his tribe. \nJ. Morrison – I Love Social Networking: This digital c-print is a prime example of his HOMOCATS’ works that connect the modern popularity of the feline with social politics to fight phobias\, propose equal rights\, combat cultural stereotypes\, and question social norms. homocats.com \nDustin Oriente – 599: A diptych photograph of a neighborhood deer. Oriente’s portraits highlight his experiences being a queer and transgender man. artsy.net/artist/dustin-oriente \nNelson Santos – The Hardcore Cuddle Club: Launched on February 14\, 2025\, the initiative is a response to the political and social state we are living in\, where we desire comfort\, connection\, and love. We need cuddles. hardcorecuddleclub.com \nChristopher Squier – Triple Rainbow (Redacted): The graphite on rag paper explores optics and the role of light in contemporary visual culture\, engaging with research around luminescence\, transparency\, and invisibility to position vision as a historically-altered and politically-contentious experience. squier.co \nNathan Storey – Stain 01 and Stain 02: These oil monotypes with found photographs explore RFD – a country journal for gay men. Storey traces the relationship between printed matter and queer memory\, liberation\, and loss. nathanstoreyarchive.com \nGeorge Towne – Poconos Rainbow Mountain Cabins: This oil painting honors one of the artist’s favorite vacation spots. And Orange Shirt on Plaid Comforter explores a model that he uses frequently for his works. The two oil paintings focus on the gay male experience through portraits and figures\, as well as the beauty of urban and rural landscapes connected to the gay community. georgetowneart.com \nTracy von Ahsen – Inner Battle: An analog collage capturing the quiet war between the self you’re told to present and the one fighting to break through the performance. Von Ahsen’s analog collages feel like interior landscapes where memory\, intuition\, and desire are trying to shape a new version of the figure inside them. tracyvonahsen.com \nAaron Wilder – Delivered Under the Similitude of a Dream: I hope you show the tree-hugging democrats what it means to be strong and true\, true to the one who made you: In this inkjet print of digital mixed media\, Wilder juxtaposes John Bunyan’s 1678 book\, Pilgrim’s Progress\, on his life and feelings of nostalgia for a lost childhood. aaronwilder.com \nMichael Young – Hard Day at Work\, September: Part of Hidden Glances\, a series using layered collages made from vintage gay pornographic calendars to explore absence and presence. By splicing and re-photographing figures from calendars that predate his coming-out\, Young creates negative spaces that mirror the covert ways he learned to see as a closeted youth. The altered images meditate on identity\, concealment\, and visibility\, showing how queer histories emerge through fragments and omissions. mjyoungphoto.com \nA limited-edition zine accompanies the show\, with additional benefit prints supporting the Amos Eno Gallery fundraising efforts. \nAbout Magenta Lounge and the Curator \nMagenta Lounge is a queer art collective started by artist James Horner. The collective’s founding members — Noah Cribb\, James Horner\, Dustin Oriente\, Nathan Storey\, and George Towne — launched Magenta Lounge with a commitment to visibility\, collaboration\, and queer-led creative production. \nThe group’s first exhibition took place in February 2025 as a public art intervention\, transforming the windows of an abandoned building in Chicago into a site for queer expression. In addition to exhibitions and special projects\, Magenta Lounge produces zines and posters\, extending their practice beyond gallery walls and into accessible\, community-oriented formats. \nJames Horner is a visual storyteller whose figurative works draw from queer culture\, environmental psychology\, and the emotional dynamics of social spaces. Horner’s characters inhabit worlds that are humorous\, muscular\, intimate\, and destabilizing. His work has been exhibited at The Leslie-Lohman Museum of Art and The Bronx Museum\, and he is a current participant in the Bronx River Art Center studio program. For more information\, visit jameshornerart.com or on Instagram @jamesandthelovelies. \nAbout Amos Eno Gallery \nAmos Eno Gallery has been a fixture in the New York art scene since 1974 when it opened in Soho. The gallery is open Thursdays through Sundays from noon to 6 p.m. and is run by a small community of professional artists\, both from New York City and across the country\, and a part-time director. \nThe gallery is located at 191 Henry Street between Jefferson and Clinton Streets on the Lower East Side of Manhattan. It’s a 5 minute walk from the F Train’s East Broadway Station and a 10 minute walk from the J Train’s Delancey Street – Essex Street Station. \n  Save  
URL:https://artinamericaguide.com/event/queer-today-love-power-freedom/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/12/Tracy-von-Ahsen-Inner-Battle-.jpeg
ORGANIZER;CN="Amos Eno Gallery":MAILTO:amosenogallery@gmail.com
GEO:40.7057864;-73.9331373
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amos Eno Gallery 191 Henry Street New York NY 10002 United States;X-APPLE-RADIUS=500;X-TITLE=191 Henry Street:geo:-73.9331373,40.7057864
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260108
DTEND;VALUE=DATE:20260215
DTSTAMP:20260416T082333
CREATED:20260105T214327Z
LAST-MODIFIED:20260105T214327Z
UID:115473-1767830400-1771113599@artinamericaguide.com
SUMMARY:Hung Liu: Shaping\, Pouring\, Layering
DESCRIPTION:RYAN LEE is pleased to announce Shaping\, Pouring\, Layering\, an exhibition of paintings\, mixed media resin works\, and works on paper by Hung Liu (b. Changchun\, China\, 1948 – d. Oakland\, California\, 2021). This show explores the inventive processes that Liu employed to outmaneuver the limitations of media\, merging painting and sculpture as she brought historical images to life. “I create and destroy an image concurrently by working freely – being both careful and careless at the same time\,” Liu said. \n  Save  
URL:https://artinamericaguide.com/event/hung-liu-shaping-pouring-layering/
LOCATION:RYAN LEE\, 515 W 26th St\, 3rd Fl\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="RYAN LEE":MAILTO:info@ryanleegallery.com
GEO:40.7500935;-74.0036112
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=RYAN LEE 515 W 26th St 3rd Fl New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=515 W 26th St\, 3rd Fl:geo:-74.0036112,40.7500935
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260108
DTEND;VALUE=DATE:20260209
DTSTAMP:20260416T082333
CREATED:20251215T214732Z
LAST-MODIFIED:20251215T214732Z
UID:115406-1767830400-1770595199@artinamericaguide.com
SUMMARY:James Horner: Making of an American Dandy
DESCRIPTION:Amos Eno Gallery\, a non-profit\, artist-run gallery\, is pleased to present Making of an American Dandy\, a solo exhibition and retrospective of artist James Horner\, spanning more than 40 years of work. In a cultural moment shaped by renewed conversations about queer visibility\, generational memory\, and the politics of identity-making\, Horner’s retrospective arrives with unmistakable urgency. \nThe exhibition will be on view from January 8 to February 8\, 2026\, with an opening reception on Friday\, January 9\, from 6 to 8 p.m. at the gallery at 191 Henry St. on New York’s Lower East Side. Works and installation images are also available to view via Artsy. \nHorner will also host an artist talk on Sunday\, Jan. 11 from 2 p.m. – 4 p.m. and a zine-making workshop on Saturday\, January 31\, from 2 p.m. – 4 p.m. \nHorner’s work speaks directly to questions shaping American life today: \n\n\nWhat does it mean to come of age — and come into identity — as a queer person across decades of radical cultural change? \n\n\nHow do we honor the stories of LGBTQ+ communities still fighting erasure? \n\n\nHow do personal archives become political\, historical\, and profoundly communal? \n\n\nAt a moment when queer history is being rewritten\, challenged\, or legislated out of public view\, Horner’s work positions the queer archive not as a static record but as a living\, breathing practice — one rooted in resilience\, humor\, grief\, eroticism\, and radical tenderness. \nMaking of an American Dandy traces Horner’s life and artistic evolution through paintings\, drawings\, etchings\, videos\, photographs\, sculptures\, and zines. For Horner\, the “Dandy” is not a costume or affectation\, but a self-fashioned identity shaped by eccentric parents\, queer elders\, lovers\, teachers\, and an ever-expanding\, intergenerational queer community. His influences — literature\, nightlife\, theater\, travel\, fashion\, and activism — converge into a visual language that is both autobiographical and socially reflective. \nAs a gay man and survivor of the AIDS pandemic\, Horner witnessed profound loss. Works such as Willy the Demigod and Last Night at Club Area memorialize vanished spaces and loved ones — not as nostalgia\, but as acts of cultural preservation. In an era when queer history is often commodified or sanitized\, Horner insists on complexity: joy beside grief\, glamour beside devastation\, beauty beside the grotesque. \nHorner’s decades in corporate marketing and ongoing studies in art institutions across New York testify to his lifelong commitment to artistic exploration. His MFA from Lehman College in 2011 led to works examining the “grotesque physique\,” including View from the Front Row\, a playful yet incisive dialogue with fashion culture and the spectacle of desirability. \nThe exhibition also includes deeply personal works made after the 2021 suicide of his partner\, Chris Hamilton. Pieces such as Sleepers offer a rare emotional clarity — intimate portraits of love\, loss\, and the aftermath of grief in queer life. Horner’s more recent works\, including I Pledge Allegiance and Keith Haring — Pop Icon\, link contemporary queer identity to its political lineage\, honoring figures who shaped the cultural and activist landscape. \nA “Wall of Decades” presents photographs\, ephemera\, and artworks tracing Horner’s creative and personal evolution. A limited-edition zine accompanies the show\, with additional benefit prints and a T-shirt supporting Amos Eno Gallery’s fundraising efforts. \nRunning concurrently in The Project Space at Amos Eno is Queer Today – Love\, Power\, Freedom\, featuring artists from Horner’s Magenta Lounge\, a collective he founded in 2025 to uplift queer creatives and expand access to community-building platforms. \nAbout the Artist  \nJames Horner is a visual storyteller whose figurative works draw from queer culture\, environmental psychology\, and the emotional dynamics of social spaces. Influenced by his psychiatrist father\, horror films\, and the visual language of the queer underground\, Horner’s characters inhabit worlds that are humorous\, muscular\, intimate\, and destabilizing. His work has been exhibited at The Leslie-Lohman Museum of Art and The Bronx Museum\, and he is a current participant in the Bronx River Art Center studio program. For more information\, visit jameshornerart.com or on Instagram @jamesandthelovelies. \nAbout Amos Eno Gallery \nAmos Eno Gallery has been a fixture in the New York art scene since 1974 when it opened in Soho. The gallery is open Thursdays through Sundays from noon to 6 p.m. and is run by a small community of professional artists\, both from New York City and across the country\, and a part-time director. ​ \nThe gallery is located at 191 Henry Street between Jefferson and Clinton Streets on the Lower East Side of Manhattan. It’s a 5 minute walk from the F Train’s East Broadway Station and a 10 minute walk from the J Train’s Delancey Street – Essex Street Station. \nFor more information\, please contact Gallery Director Ellen Sturm Niz at amosenogallery@gmail.com. \n  Save  
URL:https://artinamericaguide.com/event/james-horner-making-of-an-american-dandy/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/12/Friday-NIght-Throwdown-scaled.jpg
ORGANIZER;CN="Amos Eno Gallery":MAILTO:amosenogallery@gmail.com
GEO:40.7057864;-73.9331373
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amos Eno Gallery 191 Henry Street New York NY 10002 United States;X-APPLE-RADIUS=500;X-TITLE=191 Henry Street:geo:-73.9331373,40.7057864
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260107T120000
DTEND;TZID=America/New_York:20260107T130000
DTSTAMP:20260416T082333
CREATED:20260105T214148Z
LAST-MODIFIED:20260105T214148Z
UID:115510-1767787200-1767790800@artinamericaguide.com
SUMMARY:Exhibition Tour: Sketch\, Shade\, Smudge: Drawing from Gray to Black
DESCRIPTION:Join us for an in-depth\, hour-long tour of our special exhibition Sketch\, Shade\, Smudge: Drawing from Gray to Black\, led by an exhibition curator. The exhibition will be on view from September 12\, 2025 through January 18\, 2026. \nSketch\, Shade\, Smudge: Drawing from Gray to Black celebrates the act of drawing using familiar tools—charcoal\, chalk\, crayon\, and graphite. Each material has distinctive properties: charcoal can be intensely rich and velvety\, or delicately gray and suggestive\, while graphite is slippery\, shiny\, and easy to erase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and diffuse. The creative manipulations of these media—smudging\, scraping\, and erasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision. The exhibition includes drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, Georges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside works by 20th- and 21st-century artists\, such as Piet Mondrian\, Lyonel Feininger\, Diego Rivera\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih Odutola\, all of whom push their use of drawing media in new directions. \n  Save  
URL:https://artinamericaguide.com/event/exhibition-tour-sketch-shade-smudge-drawing-from-gray-to-black-7/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
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ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260106T100000
DTEND;TZID=America/New_York:20260220T160000
DTSTAMP:20260416T082333
CREATED:20260105T214507Z
LAST-MODIFIED:20260105T214526Z
UID:115419-1767693600-1771603200@artinamericaguide.com
SUMMARY:Shared Horizon: New Editions from Tandem Press
DESCRIPTION:This exhibition presents new editions and monoprints created at Tandem Press by Michelle Grabner\, Marie Lorenz\, Alison Saar\, Marie Watt\, and Dyani White Hawk. \nExhibition dates: January 6-Feburary 20\, 2026 \nGallery hours: Tuesday-Friday\, 10am-4pm and by appointment \n  Save  
URL:https://artinamericaguide.com/event/shared-horizon-new-editions-from-tandem-press/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/12/Watt_Shared_Horizon_Facing_East-small.jpg
ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
GEO:43.1056427;-89.3616646
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tandem Press 1743 Commercial Avenue Madison WI 53704 United States;X-APPLE-RADIUS=500;X-TITLE=1743 Commercial Avenue:geo:-89.3616646,43.1056427
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260106T080000
DTEND;TZID=America/Chicago:20260220T160000
DTSTAMP:20260416T082333
CREATED:20260106T171535Z
LAST-MODIFIED:20260106T171535Z
UID:115574-1767686400-1771603200@artinamericaguide.com
SUMMARY:Shared Horizon: New Editions from Tandem Press
DESCRIPTION:Presenting new editions and monoprints by Michelle Grabner\, Marie Lorenz\, Alison Saar\, Marie Watt\, and Dyani White Hawk. \n  Save  
URL:https://artinamericaguide.com/event/shared-horizon-new-editions-from-tandem-press-2/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/SharedHorizon_04-web.jpg
ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
GEO:43.1056427;-89.3616646
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tandem Press 1743 Commercial Avenue Madison WI 53704 United States;X-APPLE-RADIUS=500;X-TITLE=1743 Commercial Avenue:geo:-89.3616646,43.1056427
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260104T120000
DTEND;TZID=America/New_York:20260104T130000
DTSTAMP:20260416T082333
CREATED:20260105T214148Z
LAST-MODIFIED:20260105T214148Z
UID:115505-1767528000-1767531600@artinamericaguide.com
SUMMARY:Exhibition Tour: Edna Andrade: Imagination Is Never Static
DESCRIPTION:Join us for an in-depth tour of our special exhibition Edna Andrade: Imagination Is Never Static (August 30\, 2025–January 4\, 2026)\, led by Mitra Abbaspour\, co-curator of the exhibition. \nEdna Andrade: Imagination Is Never Static offers a new look at the practice of acclaimed artist and educator Edna Andrade (1917–2008). Andrade is best known for her geometric compositions\, which were inspired by her interest in studying structures in nature\, architecture\, astronomy\, mathematics\, and art history\, and she carried this same set of wide-ranging inspirations and inquiry to her teaching. The exhibition emphasizes the central role of drawing as well as interdisciplinary exploration in her art and in modernist movements of the 20th century. Channeling Andrade’s own multifaceted approach to art and design\, Imagination Is Never Static explores the way that she used drawing as a process of experimentation. \nPlease check in with museum staff at the Visitor Services desk in the Calderwood Courtyard to request to join the tour. Space is limited\, and talks are available on a first-come\, first-served basis; no registration is required. \n  Save  
URL:https://artinamericaguide.com/event/exhibition-tour-edna-andrade-imagination-is-never-static-3/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/12/Pale-Star.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251230T110000
DTEND;TZID=America/New_York:20260125T180000
DTSTAMP:20260416T082333
CREATED:20260105T215031Z
LAST-MODIFIED:20260105T215031Z
UID:115444-1767092400-1769364000@artinamericaguide.com
SUMMARY:David Bradford: Recent Paintings
DESCRIPTION:Exhibition Dates: December 30\, 2025 – January 24\, 2026\nGallery Hours: Tues-Sat\, 11AM-6PM (Closed on Jan. 1st)\nOpening Reception:  Thurs\, January 8th\, 5PM-8PM \nBowery Gallery is pleased to present David Bradford: Recent Paintings\, a solo exhibition of new oil paintings. Bradford’s subjects—beaches\, landscapes\, and still lifes—serve as points of departure for a painterly language marked by compressed space\, improvisational color\, and deliberate frontality. These works manifest a tension between the impulse to abstraction and the desire to represent things seen in nature. \nBradford writes: \nI take what I need from nature\, and no more than that. What I need is a motif that serves as a springboard for my imagination\, with a structure that I can improvise around.   I often consider what  Raoul Dufy said: “Painting means creating an image which is not the image of the appearance of things\, but which has the  power of their reality.” \nDavid Bradford has taught painting at Skidmore College\, Springfield College\, and Western CT State University.  He has shown his work regularly at Bowery Gallery and also at the Flinn Gallery in Greenwich CT\, the Washington Art Association Gallery in Washington\, CT\, and the White Plains Public Library Gallery.  He lives in upstate NY. \n  Save  
URL:https://artinamericaguide.com/event/david-bradford-recent-paintings/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/12/Bradford_Sailboat_2025_OilCanvas_18x20in-1.jpeg
ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bowery Gallery 547 W 27TH ST Suite 508 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=547 W 27TH ST Suite 508:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251218T123000
DTEND;TZID=America/New_York:20251218T130000
DTSTAMP:20260416T082333
CREATED:20251215T214732Z
LAST-MODIFIED:20251215T214732Z
UID:115402-1766061000-1766062800@artinamericaguide.com
SUMMARY:Gallery Talk: Drawing Light in Sketch\, Shade\, Smudge: Drawing from Gray to Black
DESCRIPTION:The exhibition Sketch\, Shade\, Smudge: Drawing from Gray to Black highlights a wide selection of works created primarily with dark media like charcoal\, chalk\, and graphite. Join curatorial assistant and practicing artist Meghan Grady for a discussion that will focus on the different techniques used by artists to depict light when working with a variety of dark media. Visitors are welcome to bring their own sketchbook and draw as we talk. Please note that pencils are the only utensils allowed to be used in the galleries. \nSketch\, Shade\, Smudge: Drawing from Gray to Black celebrates the act of drawing using familiar tools—charcoal\, chalk\, crayon\, and graphite. Each type of material has distinctive properties: charcoal can be intensely rich and velvety\, or delicately gray and suggestive\, while graphite is slippery\, shiny\, and easy to erase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and diffuse. The creative manipulations of these media—smudging\, scraping\, and erasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision. \nLed by:\nMeghan Grady\, Curatorial Assistant for Special Exhibitions and Publications\, Division of European and American Art \nPlease check in with museum staff at the Visitor Services desk in the Calderwood Courtyard to request to join the gallery talk. Space is limited\, and talks are available on a first-come\, first-served basis; no registration is required. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-drawing-light-in-sketch-shade-smudge-drawing-from-gray-to-black/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/12/Catherine-Murphy.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251217T123000
DTEND;TZID=America/New_York:20251217T130000
DTSTAMP:20260416T082333
CREATED:20251215T214732Z
LAST-MODIFIED:20251215T214732Z
UID:115389-1765974600-1765976400@artinamericaguide.com
SUMMARY:Gallery Talk: Animal Power
DESCRIPTION:Join curatorial fellow Janet O’Brien for an exploration of the diverse range of animal representations in a recent installation in our Islamic and South Asian art galleries\, including their symbolic meanings and cultural significance. On view in the Islamic art gallery (2550) are a 16th-century Persian carpet\, a selection of ceramic and metal sculptural objects from 13th- and 19th-century Iran\, and contemporary glass birds by Turkish artist Felekşan Onar. The display in the South Asian art gallery (2590) includes a devotional painting showing animal mounts of Hindu deities\, a textile featuring hybrid creatures from Hindu mythology\, and a Gujarati embroidery with rainbow-colored birds. \nThis gallery talk is part of our New on View series\, highlighting recent gallery installations and presenting new insights into recent acquisitions or old favorites. \nLed by:\nJanet O’Brien\, Calderwood Curatorial Fellow in South Asian and Islamic Art\, Division of Asian and Mediterranean Art \nPlease check in with museum staff at the Visitor Services desk in the Calderwood Courtyard to request to join the gallery talk. Space is limited\, and talks are available on a first-come\, first-served basis; no registration is required. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-animal-power-3/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/12/Medallion-and-hunting-carpet.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251216T120000
DTEND;TZID=America/New_York:20251216T130000
DTSTAMP:20260416T082333
CREATED:20251215T214732Z
LAST-MODIFIED:20251215T214732Z
UID:115381-1765886400-1765890000@artinamericaguide.com
SUMMARY:Art + Science: Matting\, Framing\, and Housing Objects
DESCRIPTION:Have you ever wondered what happens in our conservation labs? Join a member of our Straus Center staff for an informal conversation about their work treating objects in our collections. Taking place just outside the Straus Center in the Lightbox Gallery\, this presentation will give you the chance to get up close and hands-on with a selection of tools and materials used by conservation staff. \nIn this session\, conservation technician Yi Bin Liang will talk about matting\, framing\, and housing objects. \nThe Straus Center for Conservation and Technical Studies is a world leader in fine arts conservation\, research\, and training. The center’s laboratories are where conservation\, conservation science\, and curatorial practice intersect\, coming together to enrich the understanding of and care for the approximately 250\,000 objects in the Harvard Art Museums collections. \nPlease check in with museum staff at the Visitor Services desk in the Calderwood Courtyard to request to join the program. Space is limited\, and this program is available on a first-come\, first-served basis; no registration is required. \n  Save  
URL:https://artinamericaguide.com/event/art-science-matting-framing-and-housing-objects/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/12/ArtScience.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251214T023000
DTEND;TZID=America/New_York:20251214T033000
DTSTAMP:20260416T082333
CREATED:20251208T211331Z
LAST-MODIFIED:20251208T211331Z
UID:115337-1765679400-1765683000@artinamericaguide.com
SUMMARY:Imagine: Art in the Environment
DESCRIPTION:Can you imagine surrounding eleven islands with pink fabric in Biscayne Bay\, or submerging a monumental art installation that doubles as a hybrid reef off of Miami Beach? Join us for two astonishing presentations by guest speakers Katherine Fleming and Ximena Caminos to illuminate the new frontier of public art. \nPresented in association with the inaugural exhibition\, Christo and Jeanne-Claude: Surrounded Islands\, currently on view. \nFree for Members\nFree with Museum Admission* \n*Reserve your tickets in advance by purchasing online. Museum Admission is included with your ticket. Additionally\, Museum Admission can be purchased on the day of the event and will grant admission to the lecture. \nPhoto by Brittany Weber. \n  Save  
URL:https://artinamericaguide.com/event/imagine-art-in-the-environment/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/12/Copy-of-Snapshot_202511314_141175-scaled.jpg
ORGANIZER;CN="NSU Art Museum":MAILTO:moareservations@moafl.org
GEO:26.1194368;-80.1427657
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NSU Art Museum 1 E Las Olas Blvd Fort Lauderdale FL 33301 United States;X-APPLE-RADIUS=500;X-TITLE=1 E Las Olas Blvd:geo:-80.1427657,26.1194368
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251212T110000
DTEND;TZID=America/New_York:20251212T120000
DTSTAMP:20260416T082333
CREATED:20251208T211255Z
LAST-MODIFIED:20251208T211255Z
UID:115369-1765537200-1765540800@artinamericaguide.com
SUMMARY:Art Study Center Seminar: AI at the Museums—Coin Recovery Project
DESCRIPTION:Explore ancient coins and learn how a small team of museum staff and students is trying to harness the power of artificial intelligence to recover coins stolen in 1973. \nLed by:\nLaure Marest\, Damarete Associate Curator of Ancient Coins\, Division of Asian and Mediterranean Art\nYifei Bao\, Hao Family Intern\, Division of Asian and Mediterranean Art and Digital Infrastructure and Emerging Technology \nFree admission\, but registration is required. You can register by clicking on the event on this form\, beginning Tuesday\, December 2. \nPlease arrive 15 minutes before the start of the program to allow sufficient time to sign in at the Art Study Center reception desk (Level 4)\, and be prepared to present a photo ID. Late seating is not permitted. All coats and bags must be placed in a locker prior to entering the study room\, with lockers available on the Lower Level\, Level 1\, and Level 4. Children age 14 and older are welcome but must be accompanied by an adult. \n  Save  
URL:https://artinamericaguide.com/event/art-study-center-seminar-ai-at-the-museums-coin-recovery-project/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/12/Coin-Recovery-Project.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251210T123000
DTEND;TZID=America/New_York:20251210T130000
DTSTAMP:20260416T082333
CREATED:20251208T211255Z
LAST-MODIFIED:20251208T211255Z
UID:115361-1765369800-1765371600@artinamericaguide.com
SUMMARY:Gallery Talk: Catching the Tooth and Sketching a Shape
DESCRIPTION:Join curatorial research associate Susan Anderson to look at how artists working at the turn of the 20th century used dry media as a means towards abstraction. \nThis talk is offered in conjunction with the special exhibition Sketch\, Shade\, Smudge: Drawing from Gray to Black\, on view from September 12\, 2025 to January 18\, 2026. \nSketch\, Shade\, Smudge: Drawing from Gray to Black celebrates the act of drawing using familiar tools—charcoal\, chalk\, crayon\, and graphite. Each type of material has distinctive properties: charcoal can be intensely rich and velvety\, or delicately gray and suggestive\, while graphite is slippery\, shiny\, and easy to erase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and diffuse. The creative manipulations of these media—smudging\, scraping\, and erasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision. \nLed by:\nSusan Anderson\, Curatorial Research Associate\, Division of European and American Art \nPlease check in with museum staff at the Visitor Services desk in the Calderwood Courtyard to request to join the gallery talk. Space is limited\, and talks are available on a first-come\, first-served basis; no registration is required. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-catching-the-tooth-and-sketching-a-shape/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/12/Piet-Modrian.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
END:VCALENDAR