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DTSTART:20260308T070000
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260317T140000
DTEND;TZID=America/New_York:20260317T143000
DTSTAMP:20260416T140556
CREATED:20260218T163632Z
LAST-MODIFIED:20260218T163632Z
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SUMMARY:Gallery Talk: American Works of Art at the 250th
DESCRIPTION:From late January to early July 2026\, curator of American art Horace D. Ballard will lead a series of gallery talks to coincide with the 250th anniversary of the signing of the Declaration of Independence. Each talk will closely examine a work of art that speaks to the historical\, social\, and political contexts that continue to shape the events and ideas of the United States within the broader context of the colonial and political framework of the Americas. Please note that each month\, the work of art experienced will change. \nThis gallery talk is part of our New on View series\, highlighting recent gallery installations and presenting new insights into recent acquisitions or old favorites. \nLed by:\nHorace D. Ballard\, Theodore E. Stebbins\, Jr.\, Curator of American Art\, Division of European and American Art \nPlease check in with museum staff at the Visitor Services desk in the Calderwood Courtyard to request to join the gallery talk. Space is limited\, and talks are available on a first-come\, first-served basis; no registration is required. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-american-works-of-art-at-the-250th-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Exhibition
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ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260313T140000
DTEND;TZID=America/New_York:20260313T150000
DTSTAMP:20260416T140556
CREATED:20260304T164615Z
LAST-MODIFIED:20260304T164615Z
UID:116044-1773410400-1773414000@artinamericaguide.com
SUMMARY:Art in Context: An Informal History of Art Series led by Ariella Wolens\, Bryant-Taylor Curator
DESCRIPTION:Join us for part two of the three-part art history course presented by Ariella Wolens\, Bryant Taylor Curator\, designed for curious learners of all backgrounds. Held on the second Friday of each month\, continuing in March and April at 2 pm\, this lecture series offers a broad and accessible journey through the history of art. \nEach session builds chronologically\, beginning with the foundations of art history and moving through key movements\, ideas\, and artists\, concluding with contemporary and current-day practices. Through lively discussion\, images\, and curatorial insight\, participants will gain a deeper understanding of how art reflects and shapes the world across time. \nNo prior art history experience is required\, just curiosity and a willingness to explore. This casual\, three-part series invites participants to learn\, ask questions\, and connect across centuries of artistic expression. \nAdmission is free for members\, $16 per class for non-members. Space is limited. Preregistration Required. \nAriella Wolens \nAriella Wolens is Bryant-Taylor Curator at NSU Art Museum Fort Lauderdale\, where she has organized exhibitions including Jacqueline de Jong: Vicious Circles (2024-2025)\, Walasse Ting: Parrot Jungle (2023-2024) and Cosmic Mirrors: Haitian Art Highlights from the Collection (2023-2024). Wolens received her BA in Art History from University College London and master’s from Columbia University in Curating and Criticism of Modern Art. Prior to joining NSU Art Museum Fort Lauderdale\, Wolens served as Assistant Curator at SCAD Museum of Art in Savannah\, Georgia\, where she curated exhibitions of artists such as Sanford Biggers\, Raúl de Nieves\, Paulina Olowska\, Wong Ping and Rose B. Simpson. Her writings have appeared in publications such as Art in America\, Flash Art\, Gagosian Quarterly and Spike Art Magazine. \nImage: Édouard Manet\, Le Fifre (The Fifer)\, 1866\, Oil on canvas\, 63.1 x 38.1 inches\, Musée d’Orsay\, Paris. 01 \n  Save  
URL:https://artinamericaguide.com/event/art-in-context-an-informal-history-of-art-series-led-by-ariella-wolens-bryant-taylor-curator-2/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="NSU Art Museum":MAILTO:moareservations@moafl.org
GEO:26.1194368;-80.1427657
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260312T180000
DTEND;TZID=America/New_York:20260312T200000
DTSTAMP:20260416T140556
CREATED:20260304T164715Z
LAST-MODIFIED:20260304T164715Z
UID:116030-1773338400-1773345600@artinamericaguide.com
SUMMARY:Functional Aesthetics: Contemporary Art in Use
DESCRIPTION:Functional Aesthetics: Contemporary Art in Use\nCurated by Raluca Anchidin\nMarch 10 – March 28\, 2026\nOpening Reception:\nThursday\, March 12\, 6 – 8 PM\nAtlantic Gallery is pleased to present Functional Aesthetics: Contemporary Art in Use\, curated by Raluca Anchidin\, on view March 10–28\, 2026. An opening reception for the artists will be held on Thursday\, March 12 from 6 to 8 PM. In addition to the reception\, the gallery will host a one-day Market Meets Salon event on Saturday\, March 14\, from 1 to 5 PM. \nFunctional Aesthetics: Contemporary Art in Use brings together inventive\, hand-made\, and uniquely designed works that expand the definition of functionality in contemporary art and everyday life. It explores the intersection of art\, craft\, and design: pottery that transforms into feel-good art\, wearables that double as sculpture\, furniture and light fixtures that merge aesthetic experimentation with everyday use. \nWith more than 50 artists participating\, the show becomes a collective statement: art does not need to hang at a distance to be meaningful. It can sit beside us\, illuminate our evenings\, hold our coffee\, frame our bodies. \nEach work asks: What does it mean for art to be used? \nFunctional Aesthetics celebrates objects that refuse to choose between beauty and utility. What connects them is not a single style or material\, but a shared belief that art can exist within daily life. Regular interaction changes how we experience these objects; they become companions rather than decorations. \nThe juror and curator\, Raluca Anchidin will award one artist the prize of Feature on the Atlantic Gallery website and in the gallery newsletter\, plus a one-week social media takeover of the Atlantic Gallery Instagram account\, at a future date. \nMarket Meets Salon  \nThe Saturday afternoon event is designed to bring the artworks to life\, turning the gallery into a living space shaped by the work itself. Visitors will be invited to converse with participating artists\, explore the works\, and connect with them — drinking from a ceramic cup\, trying on jewelry\, or sitting on a piece of furniture before making a purchase. \nThe program affirms that creativity is accessible to everyone and celebrates the vibrancy of functional art as both an autonomous artistic practice and a form of daily experience. \n  Save  
URL:https://artinamericaguide.com/event/functional-aesthetics-contemporary-art-in-use/
LOCATION:Atlantic Gallery\, 548 W. 28th St\, #540\, New York\, 10001\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260311T123000
DTEND;TZID=America/New_York:20260311T130000
DTSTAMP:20260416T140556
CREATED:20260304T164457Z
LAST-MODIFIED:20260304T164457Z
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SUMMARY:Gallery Talk: Uncovering the Layered Past of a Haniwa Figure
DESCRIPTION:If you’re in the Calderwood Courtyard\, you’ll likely see a newly installed sculpture: a 6th-century terracotta sculpture from Japan’s Kofun period (c. 250–600)\, called a haniwa. Haniwawere created from coils and slabs of clay\, shaped into figures or structures\, and then placed around the outside of royal tombs. This figure underwent comprehensive analysis and treatment in preparation for its display. Join objects conservation fellow Kaela Nurmi as she shares how the conservation treatment uncovered original surfaces obscured by layers of restoration\, offering insights into how the sculpture was reconstructed in the past. \nThis gallery talk is part of our New on View series\, highlighting recent gallery installations and presenting new insights into recent acquisitions or old favorites. \nLed by:\nKaela Nurmi\, Objects Conservation Fellow\, Straus Center for Conservation and Technical Studies \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-uncovering-the-layered-past-of-a-haniwa-figure-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/02/haniwa.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260308T120000
DTEND;TZID=America/New_York:20260308T150000
DTSTAMP:20260416T140556
CREATED:20260310T172521Z
LAST-MODIFIED:20260310T172521Z
UID:116068-1772971200-1772982000@artinamericaguide.com
SUMMARY:"Under The Red Tent" Opening @ CAMP
DESCRIPTION: The Contemporary Art Modern Project is proud to announce our March exhibition in collaboration with Red Thread Art Studio Miami\, Under The Red Tent\, an immersive fiber exhibition that brings together artists whose practices engage thread and textile as tools of storytelling\, connection\, and resistance. Under The Red Tent opens with a brunch in celebration of International Women’s day Sunday\, March 8th and will  be on view through Sunday\, April 26th. In alignment with The CAMP Gallery’s emphasis on participation and dialogue\, Under The Red Tent incorporates a living oral-history archive that unfolds throughout the exhibition.  \nFounded by fiber artist Aurora Molina\, the Red Thread Art Studio Miami functions as both production space and cultural hub\, rooted in Miami’s rich landscape while maintaining a global outlook\, advancing textile-based practices as vital forms of contemporary artistic expression and civic dialogue. The exhibition takes its name from a book brought to the group by member Sarah Laing: The Red Tent by Anita Diamant. The novel centers on the red tent\, a sanctuary where women gather during menstruation and childbirth\, as a symbol of feminine community\, strength\, and generational wisdom. For this exhibition\, a collective of over twenty women have come together to reimagine the gallery as a contemporary sanctuary. Through performances\, activations\, and community gatherings\, participants are invited to share personal narratives that become integrated into an evolving audio component. The red tent invites us to enter a protected space of reflection and exchange\, to consider what flourishes when we give ourselves to building something together\, and to follow the thread.  \nParticipating artists: Aida Tejada\, Angela Bolaños\, Anna Biondo\, Aurora Molina\, Bella Cardim\, Cynthia Passavanti\, Debora Rosental\, Eva Llarena\, Fernanda Froes\, Flavia Fortuna\, Flor Godward\, Juliana Torres\, Katia Bandeira de Mello\, Marine Fonteyne\, Mila Hajjar\, Mirele Volkart\, Paola Mondolfi\, Robertha Blatt\, Sarah Laing and Susanne Schirato  \n  Save  
URL:https://artinamericaguide.com/event/under-the-red-tent-opening-camp/
LOCATION:The CAMP Gallery\, 791 NE 125 St\, Miami\, FL\, 33161\, United States
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2026/03/RedTent_Invite.png
ORGANIZER;CN="The Contemporary Art Modern Project":MAILTO:maria@thecampgallery.com
GEO:25.8434605;-80.1895077
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The CAMP Gallery 791 NE 125 St Miami FL 33161 United States;X-APPLE-RADIUS=500;X-TITLE=791 NE 125 St:geo:-80.1895077,25.8434605
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260308T120000
DTEND;TZID=America/New_York:20260308T150000
DTSTAMP:20260416T140556
CREATED:20260310T172521Z
LAST-MODIFIED:20260310T172521Z
UID:116074-1772971200-1772982000@artinamericaguide.com
SUMMARY:"Under The Red Tent" Opening @ CAMP
DESCRIPTION:The Contemporary Art Modern Project is proud to announce our March exhibition in collaboration with Red Thread Art Studio Miami\, Under The Red Tent\, an immersive fiber exhibition that brings together artists whose practices engage thread and textile as tools of storytelling\, connection\, and resistance. Under The Red Tent opens with a brunch in celebration of International Women’s day Sunday\, March 8th and will be on view through Sunday\, April 26th. In alignment with The CAMP Gallery’s  emphasis on participation and dialogue\, Under The Red Tent incorporates a living oral-history archive that unfolds throughout the exhibition.  \nFounded by fiber artist Aurora Molina\, the Red Thread Art Studio Miami functions as both production space and cultural hub\, rooted in Miami’s rich landscape while maintaining a global outlook\, advancing textile-based practices as vital forms of contemporary artistic expression and civic dialogue. The exhibition takes its name from a book brought to the group by member Sarah Laing: The Red Tent by Anita Diamant. \n The novel centers on the red tent\, a sanctuary where women gather during menstruation and childbirth\, as a symbol of feminine community\, strength\, and generational wisdom. For this exhibition\, a collective of over twenty women have come together to reimagine the gallery as a contemporary sanctuary. Through performances\, activations\, and community gatherings\, participants are invited to share personal narratives that become integrated into an evolving audio component. The red tent invites us to enter a protected space of reflection and exchange\, to consider what flourishes when we give ourselves to building something together\, and to follow the thread.  \n  Save  
URL:https://artinamericaguide.com/event/under-the-red-tent-opening-camp-2/
LOCATION:The CAMP Gallery\, 791 NE 125 St\, Miami\, FL\, 33161\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="The Contemporary Art Modern Project":MAILTO:maria@thecampgallery.com
GEO:25.8434605;-80.1895077
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The CAMP Gallery 791 NE 125 St Miami FL 33161 United States;X-APPLE-RADIUS=500;X-TITLE=791 NE 125 St:geo:-80.1895077,25.8434605
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260305T180000
DTEND;TZID=America/New_York:20260305T193000
DTSTAMP:20260416T140556
CREATED:20260210T204436Z
LAST-MODIFIED:20260210T204436Z
UID:115824-1772733600-1772739000@artinamericaguide.com
SUMMARY:Opening Conversation for Celtic Art Across the Ages
DESCRIPTION:Free admission\, but seating is limited and registration is encouraged. Register here. \nWe invite you to the opening conversation for the special exhibition Celtic Art Across the Ages\, on view from March 6 through August 2\, 2026. Susanne Ebbinghaus\, Laure Marest\, Penny Coombe\, and Catherine McKenna will take a close look at elaborate Celtic bronze objects and gold coins\, examine religious imagery from Roman Gaul\, and highlight moments of Celtic revival in modern times. \nCeltic Art Across the Ages offers an unprecedented opportunity to explore masterful metalwork\, including exquisitely decorated weaponry\, jewelry\, and horse and chariot trappings of the first millennium BCE Iron Age and early medieval times\, all brought to light through archaeological discoveries of the last 200 years. See how imagery transformed under Roman rule\, and trace the revival of Celtic art and identities in the modern era. From shape-shifting ancient ornaments to the more well-known Celtic iconography of medieval Ireland and Scotland\, the objects in this exhibition reveal rich and complex artistic traditions that defy stereotypes of what constitutes “Celtic art.” \n  Save  
URL:https://artinamericaguide.com/event/opening-conversation-for-celtic-art-across-the-ages/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/02/Pony-cap.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260226T180000
DTEND;TZID=America/New_York:20260226T200000
DTSTAMP:20260416T140556
CREATED:20260202T204925Z
LAST-MODIFIED:20260202T204925Z
UID:115735-1772128800-1772136000@artinamericaguide.com
SUMMARY:Andreas Kocks | Keep Your Eyes Open
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present Keep Your Eyes Open\, an exhibition featuring a series of new sculptural works by Andreas Kocks. In his sixth solo exhibition with the gallery\, Kocks carefully chooses materials and forms that reflect a balance of elements and activate space in relation to the viewer.   \n  \nKocks’ practice involves cutting\, layering and shaping metals and paper to form structured lines that activate light and shadow. Fascinated by the intersection of drawing and sculpture\, the line is a crucial part of Kocks’ work. More than a mere mark\, Kocks wields his materials to turn a drawn line into a physical gesture\, transforming the solid form to create cutouts\, hollowed spaces\, and warped three dimensional structures. This equality of positive and negative\, convex and concave\, is essential to Kocks’ practice\, reflecting the tension that is inherent to creating works of metal and paper structures. \n  \nThrough this use of metal\, Kocks’ expands the possibility of a traditional wall hanging\, allowing the works to merge with the environment and for the wall to become a part of the composition of each piece. For example\, some of his pieces have polished\, mirrorlike surfaces\, allowing the surrounding space to be reflected in the sculpture. His use of watercolor paper offers a similar opportunity. Kocks delicately builds up layers of paper that rest upon one another\, carving lines and shapes that create pockets of shadow\, warping as the location and surrounding light changes. In some works\, Kocks even places parts of the piece detached from the main structure\, with single elements literally jumping out of the constraints of the frame.  \n  \nIn Keep Your Eyes Open\, Kocks creates a dialogue between the artwork\, the viewer\, and the space that they are in. Each material is carefully chosen to engage negative spaces and surrounding frameworks\, thus drawing the viewer in closer\, creating a deep relationship to locality that is present in each piece. \n  \nBorn in Oberhausen\, Germany\, Andreas Kocks received his MFA in sculpture from the Kunstakademie Düsseldorf. His work has been featured in museum exhibitions worldwide including the Museum of Art and Design in New York\, Manchester Art Museum\, England\, the Museum August-Macke-Haus in Bonn\, Haus der Kunst Munich\, Germany\, and the Kerawa Art Museum in Helsinki\, Finland. In 2006 Kocks was awarded a Pollock-Krasner Foundation fellowship. In 2010 and 2011 he was a lecturing artist at the Savannah College of Art and Design in Lacoste\, France\, and in Atlanta and Savannah\, GA. He has received numerous commissions from private and public clients\, and his work has been written about in numerous publications\, including Art in America\, Architectural Digest\, Kunstforum\, Time Out\, Platinum Magazine and the Financial Times. After living in New York for over a decade\, Andreas is currently living and working in Munich\, Germany. \n  Save  
URL:https://artinamericaguide.com/event/andreas-kocks-keep-your-eyes-open/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
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ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com
GEO:40.7493621;-74.0047021
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260226
DTEND;VALUE=DATE:20260302
DTSTAMP:20260416T140556
CREATED:20260226T195730Z
LAST-MODIFIED:20260226T200131Z
UID:115997-1772064000-1772409599@artinamericaguide.com
SUMMARY:Music & Art | Frieze Los Angeles
DESCRIPTION:Michael Rosenfeld Gallery is pleased to announce its return to Frieze Los Angeles 2026 for the fifth consecutive year with a group presentation that celebrates the intertwining relationship between music and the visual arts. \nLearn more \n\nImage Caption:\nRomare Bearden (1911-1988)\nOf the Blues: New Orleans Farewell\, 1974\nCollage of various papers with acrylic on Masonite\n43 3/8 x 49 1/2 inches / 110.2 x 125.7 cm\nsigned \n  Save  
URL:https://artinamericaguide.com/event/music-art-frieze-los-angeles/
LOCATION:Frieze Los Angeles\, 9900 Wilshire Boulevard\, Beverly Hills\, 90210\, United States
CATEGORIES:Art Fair
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/02/thumb__1734_1300_0_0_crop.jpg
ORGANIZER;CN="Michael Rosenfeld Gallery":MAILTO:info@michaelrosenfeld.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260221T150000
DTEND;TZID=America/New_York:20260221T170000
DTSTAMP:20260416T140556
CREATED:20260120T172930Z
LAST-MODIFIED:20260120T172930Z
UID:115691-1771686000-1771693200@artinamericaguide.com
SUMMARY:Reading between the Brushstrokes: Imagery and Meaning in Italian Renaissance Painting
DESCRIPTION:While famous masterpieces such as the “Mona Lisa\,” the “Birth of Venus\,” and the “Sistine Chapel\, Ceiling” draw massive crowds in Italy\, most Italian Renaissance paintings in US museums are passed over for more readable\, recognizable\, and user-friendly 19th and/or 20th-century paintings. Museum-goers today often have a difficult time recognizing the characters\, knowing the theology\, identifying with the morality\, or understanding the function of most Italian Renaissance paintings. Dr. Rocky Ruggiero will “read between the brushstrokes” to explain the meaning behind the imagery of painted masterpieces from the Italian Renaissance. \nAdmission is free for members\, $16 per class for non-members. Space is limited. Preregistration Required. \nRocky Ruggiero has been a professor of Art and Architectural History since 1999. He received his BA from the College of the Holy Cross and a Master of Arts degree from Syracuse University\, where he was awarded a prestigious Florence Fellowship in 1996. He furthered his art historical studies at the University of Exeter\, UK\, where he received a Ph.D. in Art History and Visual Culture. \nIn addition to lecturing for various American universities in Florence\, Italy\, including Syracuse\, Kent State\, Vanderbilt\, and Boston College\, Rocky has starred in various TV documentaries concerning the Italian Renaissance. He recently appeared as an expert witness for NBC News\, as well as in the History Channel’s “Engineering an Empire: Da Vinci’s World” and “Museum Secrets: the Uffizi Gallery”\, and the recent NatGeo/NOVA PBS program on Brunelleschi’s dome entitled “Great Cathedral Mystery.” \nAfter living in Florence\, Italy\, for 20 years\, Rocky and his family moved to East Greenwich\, RI\, and he now divides his time between the US and Italy. \nRocky also shares his knowledge and love of Italian art as an academic advisory board member of the non-profit group Friends of Florence and as a frequent collaborator and lecturer for the Friends of the Uffizi Gallery\, both of which have provided funds for the restoration of numerous works of art throughout Florence. He also lectures and serves as a college liaison for the prestigious Jay Pritzker Academy in Siem Reap\, Cambodia. \nIf you or someone you know needs help registering\, please call 954-262-0204 or email museumeducation@nova.edu \n  Save  
URL:https://artinamericaguide.com/event/reading-between-the-brushstrokes-imagery-and-meaning-in-italian-renaissance-painting/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/1024px-Vittore_carpaccio_Dream_of_St_Ursula_01.jpg
ORGANIZER;CN="NSU Art Museum":MAILTO:moareservations@moafl.org
GEO:26.1194368;-80.1427657
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NSU Art Museum 1 E Las Olas Blvd Fort Lauderdale FL 33301 United States;X-APPLE-RADIUS=500;X-TITLE=1 E Las Olas Blvd:geo:-80.1427657,26.1194368
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260219T173000
DTEND;TZID=America/New_York:20260219T200000
DTSTAMP:20260416T140556
CREATED:20260205T192323Z
LAST-MODIFIED:20260205T192323Z
UID:115792-1771522200-1771531200@artinamericaguide.com
SUMMARY:The Interior Wild
DESCRIPTION:The Interior Wild \nFebruary 17th – March 7th\, 2026 \nOpening Reception: \nThursday\, February 19th 5:30 – 8 PM \nAtlantic Gallery is very pleased to present\, The Interior Wild\, curated by Etty Yaniv. The Interior Wild invites artists to explore how feeling\, memory\, and perception take shape through connection with materials\, engagement with space\, and gestures of making. During this challenging time\, as our world undergoes significant shifts on multiple levels\, the exhibition emphasizes states of transformation—emotional\, physical\, and perceptual. Works may convey fluctuating mental states\, emotional tension\, biological processes\, or memory through texture\, repetition\, and form. \nThe Exhibition will be on view February 17th – March 7th\, 2026. An opening reception will be held for the artists on Thursday\, February 19th 5:30 – 8 PM. \nThe juror and curator\, Etty Yaniv\, will award one artist a grand-prize of a one-week solo show at Atlantic Gallery at a future date. \n  Save  
URL:https://artinamericaguide.com/event/the-interior-wild/
LOCATION:Atlantic Gallery\, 548 W. 28th St\, #540\, New York\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/02/EBLAST-IMAGE.jpg
GEO:40.7515661;-74.0041872
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Atlantic Gallery 548 W. 28th St #540 New York 10001 United States;X-APPLE-RADIUS=500;X-TITLE=548 W. 28th St\, #540:geo:-74.0041872,40.7515661
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260213T140000
DTEND;TZID=America/New_York:20260213T150000
DTSTAMP:20260416T140556
CREATED:20260127T172445Z
LAST-MODIFIED:20260127T172445Z
UID:115713-1770991200-1770994800@artinamericaguide.com
SUMMARY:Art in Context: An Informal History of Art Series led by Ariella Wolens\, Bryant-Taylor Curator
DESCRIPTION:Join us for an engaging and informal three-part art history course presented by Ariella Wolens\, Bryant Taylor Curator\, designed for curious learners of all backgrounds. Held on the second Friday of each month from February through April at 2:00 pm\, this lecture series offers a broad and accessible journey through the history of art. \nEach session builds chronologically\, beginning with the foundations of art history and moving through key movements\, ideas\, and artists\, concluding with contemporary and current-day practices. Through lively discussion\, images\, and curatorial insight\, participants will gain a deeper understanding of how art reflects and shapes the world across time. \nNo prior art history experience is required\, just curiosity and a willingness to explore. This casual\, three-part series invites participants to learn\, ask questions\, and connect across centuries of artistic expression. \nAdmission is free for members\, $16 per class for non-members. Space is limited. Preregistration Required. \nIf you or someone you know needs help registering\, please call 954-262-0204 or email museumeducation@nova.edu \nAriella Wolens is Bryant-Taylor Curator at NSU Art Museum Fort Lauderdale\, where she has organized exhibitions including Jacqueline de Jong: Vicious Circles (2024-2025)\, Walasse Ting: Parrot Jungle (2023-2024) and Cosmic Mirrors: Haitian Art Highlights from the Collection (2023-2024). Wolens received her BA in Art History from University College London and master’s from Columbia University in Curating and Criticism of Modern Art. Prior to joining NSU Art Museum Fort Lauderdale\, Wolens served as Assistant Curator at SCAD Museum of Art in Savannah\, Georgia\, where she curated exhibitions of artists such as Sanford Biggers\, Raúl de Nieves\, Paulina Olowska\, Wong Ping and Rose B. Simpson. Her writings have appeared in publications such as Art in America\, Flash Art\, Gagosian Quarterly and Spike Art Magazine. \nImage: Laocoön and His Sons\, c.40-30 BCE\, Marble\, 6 ft 10 in × 5 ft 4 in × 3 ft 8 in\, Vatican Museums\, Vatican City. \n  Save  
URL:https://artinamericaguide.com/event/art-in-context-an-informal-history-of-art-series-led-by-ariella-wolens-bryant-taylor-curator/
LOCATION:NSU Art Museum\, 1 E Las Olas Blvd\, Fort Lauderdale\, FL\, 33301\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="NSU Art Museum":MAILTO:moareservations@moafl.org
GEO:26.1194368;-80.1427657
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NSU Art Museum 1 E Las Olas Blvd Fort Lauderdale FL 33301 United States;X-APPLE-RADIUS=500;X-TITLE=1 E Las Olas Blvd:geo:-80.1427657,26.1194368
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260212
DTEND;VALUE=DATE:20260315
DTSTAMP:20260416T140556
CREATED:20260210T204450Z
LAST-MODIFIED:20260210T204450Z
UID:115828-1770854400-1773532799@artinamericaguide.com
SUMMARY:Lilian Thomas Burwell: The Journey
DESCRIPTION:Berry Campbell is pleased to present Lilian Thomas Burwell: The Journey\, the gallery’s third exhibition of Lilian Thomas Burwell (b. 1927). On view from February 12 through March 14\, 2026\, The Journey examines the evolution of Burwell’s practice\, highlighting her evolution from two-dimensional painting into three-dimensional sculpture. The Journey brings together paintings\, wall sculptures\, and installations spanning the 1960s through the 2000s. Central to the exhibition is Burwell’s monumental installation\, Orison Piece (1982). This 24-piece installation is her largest work and marks a pivotal movement into an immersive environment\, in which sculptural viewers to move through and within. \nThe Journey reflects Burwell’s own articulation of her creative path. Both an artist and an art educator\, Burwell balanced teaching with her own studio practice\, viewing education as inseparable from artistic inquiry. Beginning with abstract painting in the early 1960s\, her work evolved into sculptural forms\, as she cut\, shaped\, and constructed wooden elements with painted canvas stretched over them\, creating works that move from the wall into physical space. Throughout her career\, Burwell has understood art as an evolutionary process rooted in intuition and material exploration\, a means of personal and collective survival as well as hope. \nIn recent years\, Burwell’s work has received renewed critical and institutional attention. In December 2022\, she was featured in the New York Times as the “Tom Brady of Artists\,” recognizing her continued artistic activity at the age of 95. In April 2022\, Burwell received a Lifetime Achievement Award from Howard University\, Washington\, D.C.\, where she was honored alongside Betye Saar and Dr. Alvia Wardlaw. Her work was also included in Magnetic Fields: Expanding American Abstraction\, 1960s to Today\, an intergenerational exhibition of 21 Black women abstract artists that traveled from the Kemper Museum of Contemporary Art\, Kansas City\, to the National Museum of Women in the Arts\, Washington\, D.C.\, and the Museum of Fine Arts\, St. Petersburg\, Florida. \nLilian Thomas Burwell: The Journey opens with a reception on February 12\, 2026\, from 6 to 8 pm and continues through March 14\, 2026. The exhibition is accompanied by a 56-page catalogue featuring an essay by Lilian Thomas Burwell\, originally appearing in her 1997 monograph\, The Journey\, published in conjunction with Hampton University Museum\, Virginia. \n  Save  
URL:https://artinamericaguide.com/event/lilian-thomas-burwell-the-journey/
LOCATION:Berry Campbell Gallery\, 524 W 26th Street\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Berry Campbell":MAILTO:em@berrycampbell.com
GEO:40.7488193;-74.0052789
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Berry Campbell Gallery 524 W 26th Street New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=524 W 26th Street:geo:-74.0052789,40.7488193
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260212
DTEND;VALUE=DATE:20260316
DTSTAMP:20260416T140556
CREATED:20260210T204436Z
LAST-MODIFIED:20260210T204436Z
UID:115832-1770854400-1773619199@artinamericaguide.com
SUMMARY:Matt Greco: More Cave Painting
DESCRIPTION:Amos Eno Gallery\, a non-profit\, artist-run space\, is pleased to present More Cave Painting\, a solo exhibition by Brooklyn-based artist Matt Greco. The exhibition brings together new and recent works that position myth not as ancient fantasy\, but as a living\, contemporary framework—one that continues to shape how we understand ourselves\, each other\, and the world we inhabit. \nGreco’s thinking aligns with ideas articulated by Joseph Campbell\, who argued that myth is not escapism but a lens through which people interpret lived experience. In More Cave Painting\, Greco treats myth in this way—not as something distant or fixed\, but as an active condition of daily life. “I’m never quite sure whether I discover myths or whether they discover me\,” he notes\, “but I’m drawn to the idea of living in the mythological—not the mythical\, but the mythological.” \nFor Greco\, myth is not about fantasy or nostalgia\, but about shared human patterns—stories that persist across cultures\, eras\, and belief systems because they speak to fundamental aspects of lived experience. At a moment defined by division\, acceleration\, and the erosion of shared narratives\, his work offers myth as a connective tissue rather than a relic. “This may seem counterintuitive in a world marked by such diversity and division\,” he writes\, “but it is precisely these myths—with their different places\, characters\, and creatures\, yet shared lessons—that speak to our common condition.” \nThe exhibition’s title points directly to Greco’s method. “I’m marking some myths by making a few more cave paintings\,” he explains\, “recording moments large and small—living in the mythological by scratching a bit of pigment into the rock.” This impulse to inscribe—to leave evidence of presence—runs throughout the work\, linking ancient modes of communication to present-day acts of remembrance and meaning-making. \nGreco’s practice is rooted in close observation. “I’m a student of human behavior—I can’t stop watching people: what they do\, how they act\, what they wear\, and how they hold themselves\,” he says. These observations intersect with his fascination for systems\, material processes\, and invisible forces\, resulting in works that balance curiosity with rigor\, and intuition with structure. \nEqually central is the act of making itself. “The preparation\, the hard work\, and the tactility of materials all speak to an amazement at how the world works\,” Greco reflects. In an era increasingly mediated by screens and algorithms\, his materially driven practice insists on slowness\, labor\, and physical presence. Through this synthesis of observation\, making\, and memory\, Greco’s work suggests that the ways we collaborate\, commemorate\, and construct meaning reveal how deeply interconnected we remain. As he notes\, “These reflections of ourselves—how we interact and collaborate—often show that we are more the same than we are different.” \nAbout the Artist \nMatt Greco is an artist and educator living and working in Brooklyn\, NY. He is an Assistant Professor of Photography & Imaging at Queens College\, CUNY; a co–principal investigator on MakeSTEAM Q\, an NSF-HSI funded project; and Co-founder and Faculty Supervisor of the Klapper Digital Imaging Lab and Digital Fabrication Lab at Queens College. \nGreco received his BFA from Armstrong Atlantic University and his MFA from Queens College\, CUNY. His work has been exhibited nationally and internationally\, including at Amos Eno Gallery (NY)\, The Museum of Arts and Design (NY)\, apexart (NY)\, The NY Studio Gallery (NY)\, The Telfair Museum of Art (GA)\, Gallery 126 (Ireland)\, The Beacon Gallery (CA)\, and The Baron Gallery (OH). He is also one half of the collaborative duo Damfino\, which focuses on public art projects rooted in traditional construction methods and reclaimed building materials. \nAbout Amos Eno Gallery \nAmos Eno Gallery has been a fixture in the New York art scene since 1974 when it opened in Soho. The gallery is open Thursdays through Sundays from noon to 6 p.m. and is run by a small community of professional artists\, both from New York City and across the country\, and a part-time director. ​ \n   \nAmos Eno Gallery’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n  Save  
URL:https://artinamericaguide.com/event/matt-greco-more-cave-painting/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Amos Eno Gallery":MAILTO:amosenogallery@gmail.com
GEO:40.7057864;-73.9331373
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amos Eno Gallery 191 Henry Street New York NY 10002 United States;X-APPLE-RADIUS=500;X-TITLE=191 Henry Street:geo:-73.9331373,40.7057864
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260129T123000
DTEND;TZID=America/New_York:20260129T130000
DTSTAMP:20260416T140557
CREATED:20260120T154409Z
LAST-MODIFIED:20260120T154409Z
UID:115674-1769689800-1769691600@artinamericaguide.com
SUMMARY:Gallery Talk: Uncovering the Layered Past of a Haniwa Figure
DESCRIPTION:If you’re in the Calderwood Courtyard\, you’ll likely see a newly installed sculpture: a 6th-century terracotta sculpture from Japan’s Kofun period (c. 250–600)\, called a haniwa. Haniwa were created from coils and slabs of clay\, shaped into figures or structures\, and then placed around the outside of royal tombs. This figure underwent comprehensive analysis and treatment in preparation for its display. Join objects conservation fellow Kaela Nurmi as she shares how the conservation treatment uncovered original surfaces obscured by layers of restoration\, offering insights into how the sculpture was reconstructed in the past. \nThis gallery talk is part of our New on View series\, highlighting recent gallery installations and presenting new insights into recent acquisitions or old favorites. \nLed by:\nKaela Nurmi\, Objects Conservation Fellow\, Straus Center for Conservation and Technical Studies \nPlease check in with museum staff at the Visitor Services desk in the Calderwood Courtyard to request to join the gallery talk. Space is limited\, and talks are available on a first-come\, first-served basis; no registration is required. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-uncovering-the-layered-past-of-a-haniwa-figure/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/haniwa.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260128T123000
DTEND;TZID=America/New_York:20260128T130000
DTSTAMP:20260416T140557
CREATED:20260106T171535Z
LAST-MODIFIED:20260106T171535Z
UID:115578-1769603400-1769605200@artinamericaguide.com
SUMMARY:Gallery Talk: American Works of Art at the 250th
DESCRIPTION:From late January to early July 2026\, curator of American art Horace D. Ballard will lead a series of gallery talks to coincide with the 250th anniversary of the signing of the Declaration of Independence. Each talk will closely examine a work of art that speaks to the historical\, social\, and political contexts that continue to shape the events and ideas of the United States within the broader context of the colonial and political framework of the Americas.\nThis gallery talk is part of our New on View series\, highlighting recent gallery installations and presenting new insights into recent acquisitions or old favorites. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-american-works-of-art-at-the-250th/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/John-Singleton-Copley.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260127T120000
DTEND;TZID=America/New_York:20260127T130000
DTSTAMP:20260416T140557
CREATED:20260105T214147Z
LAST-MODIFIED:20260105T214147Z
UID:115550-1769515200-1769518800@artinamericaguide.com
SUMMARY:Art + Science: Varnish on Paintings
DESCRIPTION:Have you ever wondered what happens in our conservation labs? Join a member of our Straus Center staff for an informal conversation about their work treating objects in our collections. Taking place just outside the Straus Center in the Lightbox Gallery\, this presentation will give you the chance to get up close and hands-on with a selection of tools and materials used by conservation staff. \nIn this session\, Saffie Patel\, the Richard I. Shader Fellow in Paintings Conservation\, will talk about varnish on paintings. \n  Save  
URL:https://artinamericaguide.com/event/art-science-varnish-on-paintings/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/ArtScience.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260122T180000
DTEND;TZID=America/New_York:20260122T200000
DTSTAMP:20260416T140557
CREATED:20260120T172859Z
LAST-MODIFIED:20260120T172859Z
UID:115681-1769104800-1769112000@artinamericaguide.com
SUMMARY:LIC-A @ ATLANTIC: A Winter Salon\, 2026
DESCRIPTION:JANUARY 20TH – FEBRUARY 14TH\, 2026 \nOPENING RECEPTION:  \nTHURSDAY\, JANUARY 22nd\, 6 PM – 8 PM \n LICA at Atlantic: A Winter Salon 2026\, is a group exhibition featuring the works of 30 artists\, all of whom are members of Long Island City Artists. This diverse showcase includes painting\, sculpture\, graphics and textile art\, and is on view from January 20th – February 14th\, 2026\, at Atlantic Gallery\, 548 West 28 Street\, Suite 540\, in the Landmark Arts Building in Chelsea\, Manhattan\, NY 10001. \nA reception for the artists will be held on Thursday\, January 22nd\, from 6 – 8 pm. In addition\, a continuous digital slide show will provide glimpses into the studios of the show participants. All events are free and open to the public. \nWe also want to take the opportunity to honor LIC-A’s former president\, Carol Crawford\, who passed away on Sept. 17\, 2025. Carol was part of LIC-A since the founding in 1985 and served as its president for 15 years until 2024.  She was also a member of Atlantic Gallery since 2008\, where she exhibited her work in many solo and group exhibitions. \nCarol was the driving force in establishing the LIC-A/Atlantic relationship which she initiated with the Over the Bridge exhibition in January 2015.  In addition to running the LIC-A @ Atlantic exhibitions\, Carol curated and facilitated numerous exhibitions with LIC-A all with the goal of fostering meaningful interactions between artists\, communities\, and audiences\, encouraging dialogue\, shared understanding\, and deeper appreciation of the creative process. \n“For me\, the creative process is akin to giving birth\, with all the effort\, hope\, struggle and joy. You shape and love what results; you give it to the world.” –Carol Crawford \nLIC Artists\, Inc.\, and Atlantic Gallery have much in common: both are artist-run and share a mission of supporting the creative freedom and careers of their independent artist-members. LIC Artists\, Inc. is a 501 (c) (3) arts advocacy organization\, founded in 1985. It launched the Annual Open Studios tradition in Queens in 1985\, and continues in service to the artists and communities of Queens and New York City with an extensive program of exhibitions\, workshops\, and performances in its new headquarters at the LIC-A Art Space at The Factory LIC\, 30-30 47th Avenue in Long Island City\, Its history\, activities and the works of its members can be seen on its website\, www.licartists.org \nAtlantic Gallery was founded in 1974 in Brooklyn as an artists’ cooperative. In 1979 it moved to SoHo\, then to Chelsea in 2007\, and in 2012 it opened a new gallery in the Landmark Arts Building at the High Line. Its current gallery was designed by mixed-media artist and interior designer Carol Crawford\, a member of both LIC ARTISTS INC. and Atlantic Gallery\, and the organizer of this exhibition. This is the tenth LIC-A group exhibition hosted by Atlantic Gallery. For more information and to see members’ works\, visit www.atlanticgallery.org \n  Save  
URL:https://artinamericaguide.com/event/lic-a-atlantic-a-winter-salon-2026/
LOCATION:Atlantic Gallery\, 548 W. 28th St\, #540\, New York\, 10001\, United States
CATEGORIES:Exhibition
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GEO:40.7515661;-74.0041872
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Atlantic Gallery 548 W. 28th St #540 New York 10001 United States;X-APPLE-RADIUS=500;X-TITLE=548 W. 28th St\, #540:geo:-74.0041872,40.7515661
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260117T180000
DTEND;TZID=America/New_York:20260117T220000
DTSTAMP:20260416T140557
CREATED:20260109T153545Z
LAST-MODIFIED:20260109T153545Z
UID:115650-1768672800-1768687200@artinamericaguide.com
SUMMARY:Vision/Version @ CAMP: Opening Night
DESCRIPTION:NORTH MIAMI\, FL – December 31\, 2025. The Contemporary Art Modern Project is\nhonored to announce our first exhibition of 2026\, Vision/ Version featuring\nPablo Power in his first Miami solo. For more than a decade\, Power has been\npercolating ideas and memories into what is now this exhibition. Looking back\nat his first encounters with Miami’s local art scene\, Power has compiled a vision\nwhich recalls his experiences through the years in the city. But key to both the\nvision and the version of that vision is the intersection of what is remembered\n(intention) and what is reality. Power explains: “This version of my vision brings\nme back to Miami for the first time in nearly a decade\, to revisit the genesis of\nmy creative inspiration. I had the great privilege to live in Miami during a unique\nperiod of cultural evolution\, which provided me with my earliest understanding\nof intention versus reality.” This can be explained in some of his earlier practices\nof destroying to create anew – whether that destruction grows out of posters he\ntears down to transfer into and onto new works\, to releasing works to nature to\nwash away the superficial\, to him then tirelessly working with the elements to\nunearth hidden value. \nThis exhibition captivates not only through the kaleidoscope of works on the\nwalls but through the profound conversation created by older pieces standing\nconfidently beside new\, mapping both Power’s artistic growth and his deep\ncommitment to understanding and sharing lived experience. Though away\nfrom the city for many years\, and now working in Brooklyn\, NY\, Power has held\nonto the palette that is Miami\, adding its unique light to his northward life. This\nexhibition becomes a testimony to his remembrance and how though away\,\nthe city of Miami has stood firm in his creative roots. During a month-long\nresidency at The CAMP Gallery\, Power will further this exchange through a\ndynamic program of film screenings\, artist talks\, poetry events\, panel\ndiscussions\, and more\, all accentuating the vibrant creative intersection\nreminiscent of Miami’s 1980s spirit. Alongside mixed-media works\, sculpture\, and\nvideo\, the exhibition features unique print collaborations with Keigo Prints\, Inc.\,\nand special editions of offset prints and zines\, each layer enriching a dialogue\nwith the city that continues to inspire him. film and video screenings\, artist led\ntours\, panel discussions\, music and poetry evenings\, and other activations to\n“exchange with the city that continues to inspire [his] work.” \nEvent Programming:\nShow Preview Jan 9th\, 2026 6-8pm \nOpening Jan 17th\, 2026 7-10pm. Artist Talk 6-7pm. \nFilm Screening Jan 31st \, 2026 \nPoetry Evening February 21 \, 2026 \n  Save  
URL:https://artinamericaguide.com/event/vision-version-camp-opening-night/
LOCATION:The CAMP Gallery\, 791 NE 125 St\, Miami\, FL\, 33161\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/Compass-Points-Forming-Patterns-2B-scaled.jpg
ORGANIZER;CN="The Contemporary Art Modern Project":MAILTO:maria@thecampgallery.com
GEO:25.8434605;-80.1895077
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The CAMP Gallery 791 NE 125 St Miami FL 33161 United States;X-APPLE-RADIUS=500;X-TITLE=791 NE 125 St:geo:-80.1895077,25.8434605
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260115
DTEND;VALUE=DATE:20260222
DTSTAMP:20260416T140557
CREATED:20260109T153006Z
LAST-MODIFIED:20260109T153006Z
UID:115590-1768435200-1771718399@artinamericaguide.com
SUMMARY:Dana Piazza: Fall Lines
DESCRIPTION:Kathryn Markel Fine Arts is pleased to announce an upcoming exhibition of new drawings by Dana Piazza titled\,  Fall Lines.  This is his first solo exhibition with the gallery and an artist reception will be held on  January 15th. \nDana Piazza creates meticulous abstract drawings on paper that build upon one initial mark. The line based shapes are largely monochromatic and minimal. He does not plan the final composition\, instead opting to follow a set of self-imposed rules in which each line is influenced by the one before. \nPiazza’s forms are voluminous and densely patterned. Striped repetition creates a rhythm within the curved bodies. The ink lines are semi transparent and deepen as they overlap. Though the marks themselves are quite dense\, the shapes appear light as if floating. \nDiscovery and an exploration of chance are at the heart of his practice. The artist’s hand remains present in slight wavering of the lines and subtle imperfections. Though the drawings are largely improvisational\, the final forms are structured and maintain the illusion of precision and order. \nDana Piazza is an abstract artist based in Lenox\, Massachusetts. He received a BFA from Purchase College\, State University of New York. Piazza has held solo exhibitions at TURLEY\, Hudson\, NY; Art Austerlitz\, Austerlitz\, NY; Thompson Giroux Gallery\, Chatham\, NY; and Jennifer Terzian Gallery\, Litchfield\, CT. His work has also been included in shows at Ortega y Gasset Projects\, Brooklyn\, NY; Galerie Manqué\, Brooklyn\, NY; Muriel Guépin Gallery\, New York\, NY; Kathryn Markel Fine Arts\, New York\, NY; Geoffrey Young Gallery\, Great Barrington\, MA; and Brattleboro Museum & Art Center\, Brattleboro\, VT. \n  Save  
URL:https://artinamericaguide.com/event/dana-piazza-fall-lines/
LOCATION:529 W 20th St. 6W\, 529 W 20th St. 6W\, New York\, NY\, 10011\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/pia019-scaled.jpg
ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260115
DTEND;VALUE=DATE:20260301
DTSTAMP:20260416T140557
CREATED:20251201T211048Z
LAST-MODIFIED:20251209T201628Z
UID:115303-1768435200-1772323199@artinamericaguide.com
SUMMARY:Christian Marclay
DESCRIPTION:Fraenkel Gallery is pleased to present an exhibition of new work by Christian Marclay featuring prints\, collages\, and a video. Fascination with vinyl records has long informed Marclay’s artistic practice. In this exhibition\, the artist focuses on the recurring motifs found within the familiar square format of LP covers\, exploring how music is packaged\, distributed\, and consumed. Following his inclusion in the 1998 Fraenkel Gallery exhibition Dust Breeding organized by artist and curator Steve Wolfe\, the exhibition will be Marclay’s sixth solo show with the gallery since 2008. A reception with the artist will take place at the gallery on Saturday\, January 17\, from 11am to 1pm. \n  \nIn eleven new works on paper\, Marclay inks the sleeves and covers from 7”\, 10”\, and 12” vinyl records\, printing them as monotypes. Unlike etchings or lithographs\, the monotype process creates a single unique impression\, capturing the folds\, creases\, and surface wear of these objects and revealing their tactile histories as carriers of both sound and memory. Each work comprises a grid made up of nine or sixteen printed elements\, varying in tone from pale gray to deep black. In some\, the printing technique reproduces a faint transfer of the album art on the original cover. In others\, a round void at the center of the sleeve leaves a white circle where the record’s label would have been visible through the cutout—a feature designed to reveal the label without removing the vinyl. The prints preserve traces of handling and use\, transforming everyday cultural artifacts into meditations on materiality\, repetition\, and the passage of time. \n  \nOculi\, a new collage series\, also focuses on vintage record sleeves with circular cutouts. Using the circular opening of sleeves to frame LP covers\, Marclay turns the functional detail into a compositional device\, providing only a glimpse into the full photographic artwork while concealing most of it. The opening acts as a framing device\, revealing details such as hands\, eyes\, or mouths. Through this subtle gesture\, Marclay reimagines the record sleeve as both object and image\, where absence becomes part of the composition. \n  \nMarclay’s single-channel video Bildspiel (after Dieter Roth’s Kugelbild\, 1960) features Kugelbild (Bead Picture)\, a 1960 work by Swiss-German artist Dieter Roth held in the Sohm Archive at the Staatsgalerie Stuttgart\, Germany. Found in the museum’s storage and never heard\, the simple mechanical piece sends wooden beads through a matrix of nails arranged on a rotating disk\, following a path determined by chance and gravity. In Marclay’s 2015 video activation\, his hand moves the wheel\, causing the balls to rattle across the circular face. Edited into an unexpected and kaleidoscopic video\, Marclay creates a new musical composition. Bildspiel (after Dieter Roth’s Kugelbild\, 1960) follows Marclay’s monumental video installation Shake Rattle and Roll (Fluxmix)\, made using Fluxus objects from the Walker Art Center’s collection to generate music\, while artist-in-residence in 2004. \n  \nChristian Marclay’s work has been shown in museums and galleries internationally\, including recent one-person exhibitions at the Institute of Contemporary Art\, Boston; Brooklyn Museum\, New York; Centre Pompidou\, Paris; and Museum of Contemporary Art\, Tokyo\, as well as Museu d’Art Contemporani de Barcelona; Los Angeles County Museum of Art; Kunsthaus\, Zurich; Museum of Contemporary Art\, Chicago; San Francisco Museum of Modern Art; and the Whitney Museum of American Art\, New York\, among others. Marclay received the Golden Lion award for best artist at the 54th Venice Biennale for his 24-hour virtuosic video piece\, The Clock\, which has been shown widely to great acclaim. His work is in the collection of Centre Pompidou\, Paris; Kunsthalle Zurich; Museum of Modern Art\, New York; Musée d’Art Contemporain\, Montreal; Philadelphia Museum of Art; San Francisco Museum of Modern Art; Tate Modern\, London; Walker Art Center\, Minneapolis; and the Whitney Museum of American Art\, New York\, among others. \n  Save  
URL:https://artinamericaguide.com/event/christian-marclay-2026/
LOCATION:Fraenkel Gallery\, 49 Geary Street\, San Francisco\, CA\, 94108\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Fraenkel Gallery":MAILTO:mail@fraenkelgallery.com
GEO:37.7876041;-122.4042781
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fraenkel Gallery 49 Geary Street San Francisco CA 94108 United States;X-APPLE-RADIUS=500;X-TITLE=49 Geary Street:geo:-122.4042781,37.7876041
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260114T123000
DTEND;TZID=America/New_York:20260114T130000
DTSTAMP:20260416T140557
CREATED:20260105T214147Z
LAST-MODIFIED:20260105T214147Z
UID:115540-1768393800-1768395600@artinamericaguide.com
SUMMARY:Gallery Talk: Catching the Tooth and Sketching a Shape
DESCRIPTION:Join curatorial research associate Susan Anderson to look at how artists working at the turn of the 20th century used dry media as a means towards abstraction. \nThis talk is offered in conjunction with the special exhibition Sketch\, Shade\, Smudge: Drawing from Gray to Black\, on view from September 12\, 2025 to January 18\, 2026. \nSketch\, Shade\, Smudge: Drawing from Gray to Black celebrates the act of drawing using familiar tools—charcoal\, chalk\, crayon\, and graphite. Each type of material has distinctive properties: charcoal can be intensely rich and velvety\, or delicately gray and suggestive\, while graphite is slippery\, shiny\, and easy to erase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and diffuse. The creative manipulations of these media—smudging\, scraping\, and erasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-catching-the-tooth-and-sketching-a-shape-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/Piet-Modrian.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260113T123000
DTEND;TZID=America/New_York:20260113T130000
DTSTAMP:20260416T140557
CREATED:20260105T214148Z
LAST-MODIFIED:20260105T214148Z
UID:115536-1768307400-1768309200@artinamericaguide.com
SUMMARY:Gallery Talk: Drawing Materials and Techniques in Sketch\, Shade\, Smudge
DESCRIPTION:Join an exhibition curator for a discussion about some of the drawing materials and techniques seen in works in the special exhibition Sketch\, Shade\, Smudge: Drawing from Gray to Black \nSketch\, Shade\, Smudge: Drawing from Gray to Black celebrates the act of drawing using familiar tools—charcoal\, chalk\, crayon\, and graphite. Each type of material has distinctive properties: charcoal can be intensely rich and velvety\, or delicately gray and suggestive\, while graphite is slippery\, shiny\, and easy to erase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and diffuse. The creative manipulations of these media—smudging\, scraping\, and erasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision. \n  Save  
URL:https://artinamericaguide.com/event/gallery-talk-drawing-materials-and-techniques-in-sketch-shade-smudge-4/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/Lucien-Freud.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260108T180000
DTEND;TZID=America/New_York:20260221T200000
DTSTAMP:20260416T140557
CREATED:20251208T211309Z
LAST-MODIFIED:20251208T211309Z
UID:115347-1767895200-1771704000@artinamericaguide.com
SUMMARY:Susan Dory | Inner Weather
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present Inner Weather\, a series of new works by Susan Dory. In her sixth solo exhibition with the gallery\, Dory continues her long-standing investigation into interconnectivity and perception through a dynamic interplay of color\, transparency\, and layered form. \nIn Inner Weather\, Dory’s biomorphic and linear shapes congregate and reorganize in intricate\, structured patterns. Each composition emerges from color: this series centers on radiant reds\, oranges\, and yellows\, tones that the artist describes as an act of optimism and hope. Dory has also introduced more translucent pigments into her process\, combining acrylic paint with a transparent varnish to produce a luminous\, “seeing through” effect that suggests movement and transformation. \nWorking in a studio suffused with natural light\, Dory is attuned to the shifts of shadow and reflection that traverse her workspace throughout the day. As sunlight rakes across her canvases—laid flat on sawhorses—shadows distort and reform\, leaving traces that she translates into painted form. These ephemeral impressions of light and negative space become an integral part of her compositions\, transforming fleeting environmental moments into lasting visual structures. \nFurthermore\, Dory draws on the irregular geometries of gerrymandered maps\, expanding them into a broader meditation on impermanence. These shifting boundaries along with the movement of light and shadow serve as markers that anchor an ongoing inquiry into the temporary states that define our experience. Each painting becomes an artifact of this investigation: a singular object that compresses months of decision-making\, revision\, and fleeting perception into a single encounter. Unlike a film or novel that unfolds over time\, Dory’s paintings offer its entire history at once\, revealing the accumulation of moments that brought it into being. \nDory’s meticulous layering process creates both a physical and temporal depth. Each layer acts as a record of time\, allowing viewers to peer through one form and into another\, evoking the constant flux of perception. The resulting surfaces are at once pristine and tactile\, inviting contemplation on how memory\, observation\, and sensation continuously overlap. For Dory\, the layered compositions in Inner Weather serve as repositories of experience—a visual metaphor for the fluid nature of temporal landscapes. \nSusan Dory was born in Oklahoma City\, OK and currently works and resides in Seattle\, WA. She studied at Iowa State University in Ames\, IA where she received a Bachelor’s of Arts. Dory has received both national and local awards including the Pollock-Krasner Foundation Grant\, the Netty Award\, the Willard R. Espy Foundation Artist-In-Residence Fellowship and the Ballinglen Art Foundation Fellowship in Ballycastle\, County Mayo\, Ireland. Dory’s works have been featured in The Seattle Times\, Art in America and Blouin Art Info. Her work is held in numerous public collections including The Tacoma Art Museum\, Ballinglen Museum of Contemporary Art\, the U.S. Embassy and the Seattle Arts Commission Collection. \n  Save  
URL:https://artinamericaguide.com/event/susan-dory-inner-weather/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
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ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Winston Wächter Fine Art 530 W 25th St New York New York 10001;X-APPLE-RADIUS=500;X-TITLE=530 W 25th St:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260108T180000
DTEND;TZID=America/New_York:20260108T200000
DTSTAMP:20260416T140557
CREATED:20260109T153523Z
LAST-MODIFIED:20260109T153523Z
UID:115646-1767895200-1767902400@artinamericaguide.com
SUMMARY:"What Dreams May Come"\, Opening Reception
DESCRIPTION:Viridian Artists is thrilled to announce WHAT DREAMS MAY COME\, a group exhibition presenting the whimsical and fantastical realms inhabited by SABINE CARLSON\, IRENE CHRISTENSEN\, STEPHANIE LEMPRES\, and SARAH RILEY. The exhibition will be on view from January 6–24\, 2026. An Opening Reception will take place on Thursday\, January 8\, 2026\, from 6–8 PM\, followed by a Closing Reception on Saturday\, January 24\, from 4–6 PM. \n  Save  
URL:https://artinamericaguide.com/event/what-dreams-may-come-opening-reception/
LOCATION:NY
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2026/01/Affiliate_Postcard_Front-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260108T180000
DTEND;TZID=America/New_York:20260108T200000
DTSTAMP:20260416T140557
CREATED:20260105T215031Z
LAST-MODIFIED:20260105T215031Z
UID:115468-1767895200-1767902400@artinamericaguide.com
SUMMARY:Annual Members Exhibition 2025
DESCRIPTION:December 9th\, 2025 – January 17th\, 2026 \nClosing Reception: \nJanuary 8th\, 2026\, 6 – 8 PM \nHere at Atlantic Gallery\, we like to close off each year with a fun and eclectic group show highlighting the work of our members. And this year is no different. We are delighted to announce our 2025\, end of the year\, members’ group exhibition. \nThe Exhibition will be on display December 9th\, 2025 – January 17th\, 2026. An opening reception will be held for the artists on December 11th\, 2025\, 6 – 8 PM. A Closing reception will be held on January 8th\, 2026\, 6 – 8 PM. \nThe Relationship between our members and their work is what makes our community of artists so special. With this exhibit\, we are showcasing 15 different artists embracing a wide range of styles\, media\, and subject matter. \nFeatured Artists: \nSally Brody\nBlair Martin Cahill\nPhyllis Chillingworth\nCynthia Cooper\nEllen Gordon\nAnshu Malhotra\nLina Morielli\nFelix Quiñonez Jr.\nMeenal Raghava\nRoni Sherman Ramos\nRuth Sack\nJanie Samuels\nFrancesca Schwartz\nAnthony Tarsitano\nMargaret Vega \nAtlantic Gallery | 548 West 28th St\, Suite 540 | New York\, NY 10001 | 212.219.3183 | www.atlanticgallery.org| info@atlanticgallery.org | Gallery Hours: Tues – Sat 12:00pm – 6:00pm \n  \n  Save  
URL:https://artinamericaguide.com/event/annual-members-exhibition-2025/
LOCATION:Atlantic Gallery\, 548 W. 28th St\, #540\, New York\, 10001\, United States
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GEO:40.7515661;-74.0041872
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Atlantic Gallery 548 W. 28th St #540 New York 10001 United States;X-APPLE-RADIUS=500;X-TITLE=548 W. 28th St\, #540:geo:-74.0041872,40.7515661
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260108
DTEND;VALUE=DATE:20260215
DTSTAMP:20260416T140557
CREATED:20260109T153006Z
LAST-MODIFIED:20260109T153006Z
UID:115594-1767830400-1771113599@artinamericaguide.com
SUMMARY:Monica Banks: Secret Harmonies
DESCRIPTION:Kathryn Markel Fine Arts is pleased to announce Secret Harmonies\, an installation of new porcelain sculptures by Monica Banks. This will be her second solo exhibition with the gallery. An opening reception will be held on January 15th from 6-8pm. \nBanks’ porcelain botanical sculptures take over The Pocket Gallery in this room-sized installation. Modeling from life\, she creates delicate\, detailed portraits of flowers in various stages of life. Randomly hung\, as if in motion\, the artist thinks of them as\, “though they had blown in from the garden.”  They float on the wall as if weightless and their muted glazing adds a soft\, almost wispyness to the solid ceramic forms. \nBanks sculpts to scale and will observe one subject multiple times\, effectively creating snapshots of its brief lifespan as it buds\, blossoms\, wilts\, and dies. The installation serves as a three dimensional chronograph\, where one can trace a bloom’s journey from bud to decay. \nThis process\, “is an attempt to portray the logic and imperfections of blossoms.” She adds in non botanical elements from her previous tableware series such as forks\, spoons\, ladders\, and buttons to incorporate subconscious associations into this subject matter. A touch of surrealism enters the work in some pieces as petals emerge from stemmed tableware as they swirl amidst the flowers. Banks’ inclusion of these also places her work firmly in still life tradition; a wild vanitas of sorts. \nMonica Banks is based in East Hampton\, NY and has been exhibiting sculpture and creating site-specific installations since 1989. She has exhibited at the New Britain Museum of American Art\, CT; The Heckscher Museum of Art\, NY; The Carriage House at Islip Art Museum\, NY; The Center for Architecture\, NYC; The Arkell Museum\, NY; The Church Sag Harbor\, NY; among others. Her work is held in permanent collections of The Parrish Art Museum\, NY;  UMCA at the University of Massachusetts\, The Islip Art Museum\, NY; LongHouse Reserve\, NY; The Leiber Collection\, NY; Peter Marino Art Foundation\, NY;  The Masur Museum of Art\, LA; and the Catherine Konner Sculpture Park\, NY. She won an award from the NYC Public Design Commission for “Faces: Times Square\,” a block-long sculpture which stood in Times Square from 1996-2009. Banks has created permanent public works in the Bronx\, NY; Binghamton\, NY; and Charlotte\, NC. \n  Save  
URL:https://artinamericaguide.com/event/monica-banks-secret-harmonies/
LOCATION:179 10th Ave\, 179 10th Ave\, New York\, NY\, 10011\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/ban090-scaled.jpeg
ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260108
DTEND;VALUE=DATE:20260215
DTSTAMP:20260416T140557
CREATED:20260109T152334Z
LAST-MODIFIED:20260109T152334Z
UID:115582-1767830400-1771113599@artinamericaguide.com
SUMMARY:Sara MacCulloch: Sun Fog Rain
DESCRIPTION:Kathryn Markel Fine Arts is pleased to announce Sun Fog Rain\, an exhibition of new paintings by Sara Maculloch. This will be her fourth solo exhibition with the gallery. An opening reception will be held on January 15 from 6-8pm. \nSara MacCulloch is a landscape painter who paints in order to capture the transient experiences of nature. She paints seasonally\, leaving her home in Toronto for the familiar vistas of Maine and Nova Scotia where she grew up. Summer days immersed in nature provide necessary relief from the challenges of today’s world.  As Maculloch says\, “Finding solace even in the bad weather\, in the skies made opaque from fog or forest fire smoke\, in the rain\, or despite the drought\, in the hot sun.” \nAll the small changes in time of day\, weather\, plant growth\, and shoreline variations interest her. With photos and sketches\, she absorbs the subtleties and feelings of a specific landscape and a specific experience. \nIn the fall\, she returns to her studio to paint. She paints with deliberation\, commits to each brushstroke strategically\, and completes most paintings in one sitting. If\, occasionally\, a painting doesn’t work in a day or two\, she scrapes it away and starts over.  Intuitive\, sensual brush strokes and a creamy palette create a sense of immediacy and clarity.  The resulting paintings are a distillation of the experience and an invitation to enter these spaces and share a precise moment. \nSara MacCulloch is based in Toronto and studied painting at the Nova Scotia College of Art and Design. She exhibits extensively throughout Canada and  work is represented in various public and private collections including TD Bank\, Mayo Clinic\, Bank of Montreal\, the Art Gallery of Nova Scotia\, University of Toronto\, University of Iowa\, Department of Foreign Affairs\, Royal Bank of Canada\, and Gotlands Kunstmuseum\, SE. She has also received numerous grants and awards including the Canada council for the Arts and the Brucebo Scholarship in Gotland\, Sweden. \n  Save  
URL:https://artinamericaguide.com/event/sara-macculloch-sun-fog-rain/
LOCATION:179 10th Ave\, 179 10th Ave\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/macc122-2.jpg
ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260108
DTEND;VALUE=DATE:20260209
DTSTAMP:20260416T140557
CREATED:20260105T214442Z
LAST-MODIFIED:20260105T214442Z
UID:115455-1767830400-1770595199@artinamericaguide.com
SUMMARY:Queer Today — Love\, Power\, Freedom!
DESCRIPTION:Amos Eno Gallery\, a non-profit\, artist-run space\, is thrilled to present Queer Today – Love\, Power\, Freedom!\, a dynamic group exhibition by the queer art collective Magenta Lounge\, curated by its founder James Horner. \nFeaturing the work of 12 artists\, the exhibition will be on view in the gallery’s lower-level Project Space from January 8 to February 8\, 2026\, with an opening reception on Friday\, January 9\, from 6 to 8 p.m. Works and installation images will also be available on Artsy. \nPublic programs include a Conscious Collage workshop with Tracy von Ahsen on Sunday\, January 11\, from 12–2 p.m.\, and a group artist talk on January 29 from 6–8 p.m. \nAcross the United States\, queer communities — especially LGBTQ+ youth and transgender individuals — continue to navigate disproportionate mental health challenges\, heightened discrimination in housing\, employment\, and healthcare\, and reduced access to affirming care. Recent national studies indicate that more than 70% of LGBTQ+ youth report symptoms of anxiety\, and nearly 40% of transgender adults have considered suicide.* These inequities\, fueled by stigma and systemic exclusion\, underscore the urgent need for spaces where queer expression\, solidarity\, and joy are not only visible but truly celebrated. \nQueer Today – Love\, Power\, Freedom! responds to this moment with both defiance and delight. The exhibition channels opinions\, sexuality\, resilience\, icons\, stereotypes\, tenderness\, humor\, and defiance — amplifying the lived realities of LGBTQ+ artists. Spanning identities and generations — gay\, lesbian\, bisexual\, transgender; young and old; from Boulder\, Colorado\, to Brooklyn\, New York — this diverse group offers vivid snapshots of their worlds\, illuminating both the struggles they endure and the love they cultivate. \nTheir work reflects not only the challenges their communities face\, but the love\, power\, and freedom they actively generate. \n* The Trevor Project National Survey on LGBTQ Youth Mental Health\, 2022. \nArtists and Works \nJames Falciano – Let’s Cancel Our Plans and Spend the Day in Bed: A gouache painting centered on exploring and celebrating queer identity\, sexuality\, expression and the power in seemingly mundane\, everyday moments. jfalciano.com \nJudy Giera – Pink Peep Show with Lilac Finger Incursion (but maybe it feels good\, idk?): A multi-media wall sculpture offering humor and a joyful abjection to embody the horror/resiliency it takes to move through the world as a woman\, queer\, and trans person. judygiera.com \nJames Horner – Wall of Icons: An installation of pottery\, paintings\, and found objects that celebrate LGBTQ+ heroes Keith Haring\, Marsha P. Johnson\, and Cookie Mueller who have fought for equal rights or been role-models for the community. Horner is a queer chronicler who educates the public and diverts discrimination from his tribe. \nJ. Morrison – I Love Social Networking: This digital c-print is a prime example of his HOMOCATS’ works that connect the modern popularity of the feline with social politics to fight phobias\, propose equal rights\, combat cultural stereotypes\, and question social norms. homocats.com \nDustin Oriente – 599: A diptych photograph of a neighborhood deer. Oriente’s portraits highlight his experiences being a queer and transgender man. artsy.net/artist/dustin-oriente \nNelson Santos – The Hardcore Cuddle Club: Launched on February 14\, 2025\, the initiative is a response to the political and social state we are living in\, where we desire comfort\, connection\, and love. We need cuddles. hardcorecuddleclub.com \nChristopher Squier – Triple Rainbow (Redacted): The graphite on rag paper explores optics and the role of light in contemporary visual culture\, engaging with research around luminescence\, transparency\, and invisibility to position vision as a historically-altered and politically-contentious experience. squier.co \nNathan Storey – Stain 01 and Stain 02: These oil monotypes with found photographs explore RFD – a country journal for gay men. Storey traces the relationship between printed matter and queer memory\, liberation\, and loss. nathanstoreyarchive.com \nGeorge Towne – Poconos Rainbow Mountain Cabins: This oil painting honors one of the artist’s favorite vacation spots. And Orange Shirt on Plaid Comforter explores a model that he uses frequently for his works. The two oil paintings focus on the gay male experience through portraits and figures\, as well as the beauty of urban and rural landscapes connected to the gay community. georgetowneart.com \nTracy von Ahsen – Inner Battle: An analog collage capturing the quiet war between the self you’re told to present and the one fighting to break through the performance. Von Ahsen’s analog collages feel like interior landscapes where memory\, intuition\, and desire are trying to shape a new version of the figure inside them. tracyvonahsen.com \nAaron Wilder – Delivered Under the Similitude of a Dream: I hope you show the tree-hugging democrats what it means to be strong and true\, true to the one who made you: In this inkjet print of digital mixed media\, Wilder juxtaposes John Bunyan’s 1678 book\, Pilgrim’s Progress\, on his life and feelings of nostalgia for a lost childhood. aaronwilder.com \nMichael Young – Hard Day at Work\, September: Part of Hidden Glances\, a series using layered collages made from vintage gay pornographic calendars to explore absence and presence. By splicing and re-photographing figures from calendars that predate his coming-out\, Young creates negative spaces that mirror the covert ways he learned to see as a closeted youth. The altered images meditate on identity\, concealment\, and visibility\, showing how queer histories emerge through fragments and omissions. mjyoungphoto.com \nA limited-edition zine accompanies the show\, with additional benefit prints supporting the Amos Eno Gallery fundraising efforts. \nAbout Magenta Lounge and the Curator \nMagenta Lounge is a queer art collective started by artist James Horner. The collective’s founding members — Noah Cribb\, James Horner\, Dustin Oriente\, Nathan Storey\, and George Towne — launched Magenta Lounge with a commitment to visibility\, collaboration\, and queer-led creative production. \nThe group’s first exhibition took place in February 2025 as a public art intervention\, transforming the windows of an abandoned building in Chicago into a site for queer expression. In addition to exhibitions and special projects\, Magenta Lounge produces zines and posters\, extending their practice beyond gallery walls and into accessible\, community-oriented formats. \nJames Horner is a visual storyteller whose figurative works draw from queer culture\, environmental psychology\, and the emotional dynamics of social spaces. Horner’s characters inhabit worlds that are humorous\, muscular\, intimate\, and destabilizing. His work has been exhibited at The Leslie-Lohman Museum of Art and The Bronx Museum\, and he is a current participant in the Bronx River Art Center studio program. For more information\, visit jameshornerart.com or on Instagram @jamesandthelovelies. \nAbout Amos Eno Gallery \nAmos Eno Gallery has been a fixture in the New York art scene since 1974 when it opened in Soho. The gallery is open Thursdays through Sundays from noon to 6 p.m. and is run by a small community of professional artists\, both from New York City and across the country\, and a part-time director. \nThe gallery is located at 191 Henry Street between Jefferson and Clinton Streets on the Lower East Side of Manhattan. It’s a 5 minute walk from the F Train’s East Broadway Station and a 10 minute walk from the J Train’s Delancey Street – Essex Street Station. \n  Save  
URL:https://artinamericaguide.com/event/queer-today-love-power-freedom/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/12/Tracy-von-Ahsen-Inner-Battle-.jpeg
ORGANIZER;CN="Amos Eno Gallery":MAILTO:amosenogallery@gmail.com
GEO:40.7057864;-73.9331373
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amos Eno Gallery 191 Henry Street New York NY 10002 United States;X-APPLE-RADIUS=500;X-TITLE=191 Henry Street:geo:-73.9331373,40.7057864
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260108
DTEND;VALUE=DATE:20260215
DTSTAMP:20260416T140557
CREATED:20260105T214327Z
LAST-MODIFIED:20260105T214327Z
UID:115473-1767830400-1771113599@artinamericaguide.com
SUMMARY:Hung Liu: Shaping\, Pouring\, Layering
DESCRIPTION:RYAN LEE is pleased to announce Shaping\, Pouring\, Layering\, an exhibition of paintings\, mixed media resin works\, and works on paper by Hung Liu (b. Changchun\, China\, 1948 – d. Oakland\, California\, 2021). This show explores the inventive processes that Liu employed to outmaneuver the limitations of media\, merging painting and sculpture as she brought historical images to life. “I create and destroy an image concurrently by working freely – being both careful and careless at the same time\,” Liu said. \n  Save  
URL:https://artinamericaguide.com/event/hung-liu-shaping-pouring-layering/
LOCATION:RYAN LEE\, 515 W 26th St\, 3rd Fl\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="RYAN LEE":MAILTO:info@ryanleegallery.com
GEO:40.7500935;-74.0036112
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=RYAN LEE 515 W 26th St 3rd Fl New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=515 W 26th St\, 3rd Fl:geo:-74.0036112,40.7500935
END:VEVENT
END:VCALENDAR