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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260403T163727
DTEND;TZID=America/Halifax:20230107T180000
DTSTAMP:20260403T163727
CREATED:20230109T180703Z
LAST-MODIFIED:20230109T180703Z
UID:101329-0-1673114400@artinamericaguide.com
SUMMARY:Joanne Freeman: New York Conversation
DESCRIPTION:Kathryn Markel Fine Arts is thrilled to announce New York Conversation\, an upcoming exhibition of new work by Joanne Freeman. New York Conversation is Freeman’s third solo exhibition with the gallery. The show will be accompanied by a group show curated by Freeman titled Betty and Veronica. They will run concurrently from January 5th – February 11th\, 2023. \n  \n“New York Conversation references my studio process\, and metaphorically describes the random thoughts\, snippets of conversation\, lyrics and memories that ebb and flow over the course of a painting. Visual signs\, nostalgia and the emotional residue of color\, guide my aesthetic choices\,” Freeman says. While intuitive\, Freeman’s stencil-like forms and irregular hard-edge curves harken Modernism and minimalist sensibilities. This is heightened by a palette of saturated primary colors\, or monochromatic works.   “My paintings reference forms found in architecture and design\,” she says.  “I create compositions based on loose geometry and layered saturated colors. The hard edge process of cutting shapes and layering color onto treated raw linen\, recalls qualities of mid-century low-tech graphics\, color field painting and collage\,” she continues.  \n  \nThe forms are hard-edged while still breathy and organic.  The subtle transparencies at the edges of the forms and the contrast of the brushstrokes across the tooth of linen reveal the artist’s hand. “When applying oil paint to linen I try to accentuate the inherent qualities of both mediums\,” she says. “ I consider both the transparency and opacity of the colors\, how they abut and overlap\, and how they respond to the textured tooth of the linen.” She is mindful of each medium’s materiality when painting.  Her saturated colors in either gouache or oil paint are absorbed by the handmade paper or linen\, enhancing the modernist flatness of her forms and use of space. “My reductive abstract paintings are about the beauty of singular color\, the impact of pure abstract forms and the quiet order that cuts through the noise\,” Freeman says.  \n  \nJoanne Freeman has had solo exhibitions in galleries around the United States\, and shown at The Queens Museum\, Zillman Art Museum University of Maine\, The Painting Center\, and the Cape Cod Museum of Art. She’s a 2021 recipient of the Pollock-Krasner Foundation Grant\, and the Vice President of the American Abstract Artists organization. She has her M.A in Studio Art from New York University\, and lives and works in New York City. \n  Save  
URL:https://artinamericaguide.com/event/joanne-freeman-new-york-conversation/
LOCATION:Kathryn Markel Fine Arts\, 529 West 20th\, Suite 6W\, New York\, NY\, 10011\, United States
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ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
GEO:40.9365358;-72.3040792
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Kathryn Markel Fine Arts 529 West 20th Suite 6W New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=529 West 20th\, Suite 6W:geo:-72.3040792,40.9365358
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260403T163727
DTEND;TZID=America/Halifax:20230128T180000
DTSTAMP:20260403T163727
CREATED:20230109T180750Z
LAST-MODIFIED:20230109T180750Z
UID:101313-0-1674928800@artinamericaguide.com
SUMMARY:2023 Winter Juried Exhibitions
DESCRIPTION:BLUE MOUNTAIN GALLERY is pleased to present the work of 47 artists\, 51 pieces of artwork\, selected by Eric Holzman for this year’s winter juried exhibition. The artists\, drawn from over two hundred applicants from across the country\, work in a wide range of media\, including oil\, acrylic\, pastel\, gouache\, photography and mixed media.  \n​Heidi Alamanda \, Marilyn Allen\, Hilary Houston Bachelder\, James Baker\, Nina Kardon Baran\, Bob Barnett\, Raymond Berry\, Leslie Blackmon\, Pam Bowers\, Nancy Breakstone\, Karina Cavat\, Audrey Cohn-Ganz\, Elizabeth Courtney\, Anne Delaney\, Stephanie DeManuelle\, Kiran K Dhaliwal\, Janine Dunn Wade\, Melanie Essex\, Tom Fitzharris\, Meghan Fleming\, Nancy Granda\, Theresa Heidig Rooney\, Teresa Jade Jarzynski\, Moishe Kampin\, Sam Kelly\, Michele King\, Laura Levine\, Pattie Lipman\, Aaron Lubrick\, Manuel Alejandro Macarrulla\, James McKenna\, Elizabeth Meyersohn\, Mark. Milroy\, Blake Morgan\, Arnaldo J Rivera Rivera\, Gail Rodney\, Rebecca Gray Rolke\, Roxy Rubell\, Alyssa Schmidt\, Abbey Stace\, Leslie Ross Stephens\, Yuri Tayshete\, Preston Trombly\, Laura Vahlberg\, Ekaterina Vanovskaya\, Aidan White and Lenore Wolf. \n​Juror ERIC HOLZMAN has been painting and searching for connection in nature and other representational genres all his life. He is a romantic and a classicist who looks into the inner nature of things and tries to walk “The Beauty Way.” He was educated at Tyler School of Art\, Yale\, Skowhegan and the New York Studio School. Eric has taught at Pratt\, the New York Studio School\, and Bard College among others. He is a National Academician and has exhibited twice at the American Academy\, winning awards from both institutions.  Eric has also shown work at Lori Bookstein\, Tibor de Nagy\, Sideshow and Artist Equity\, all in NYC\, and at Gremillion Fine Art and Ellio Fine Art in Houston\, Texas. He has received many honors\, including grants and fellowships from the Guggenheim Foundation\, the NEA\, the Pollock Krasner Foundation\, the Gottlieb Foundation and the Louis Comfort Tiffany Foundation. Website: www.ericholzman.com \n\n  Save  
URL:https://artinamericaguide.com/event/2023-winter-juried-exhibitions/
LOCATION:Blue Mountain Gallery\, 547 W 27th St\, Suite 200\, New York\, NY\, 10001\, United States
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ORGANIZER;CN="Blue Mountan Gallery":MAILTO:info@bluemountaingallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T163727
DTEND;TZID=America/New_York:20250920T170000
DTSTAMP:20260403T163727
CREATED:20250722T184747Z
LAST-MODIFIED:20250722T184747Z
UID:114023-0-1758387600@artinamericaguide.com
SUMMARY:August-September @ Art Works!
DESCRIPTION:Throughout August Art Works is open to the public\, offering a variety of engaging exhibits. Adam and Anita Bradley present life-size figurative sculptures and paintings capturing a chaotic world. Mike Bily’s exhibit investigates ecosystems; Sharon Denmark captures light flowing through glass. Rachel Rowden exhibit is a portal of mysteries and Rebecca Visger provides a view from behind the wheel. Blake Bottoms exhibit is featured in the Community Bridge Project. \n  \nJoin us for a fun-filled scavenger hunt with prizes\, perfect for both the young and the young at heart. The activity culminates with prizes for all who participate. We also offer figure drawing sessions on the 1st and 3rd Sundays and Queer Life Drawing at Gold Lion Community Café on August 20th.  \n  \nBradley + Bradley: The Weight of Vanishing Shadows \nAdam and Anita Bradley explore the human condition through their unique mediums. Adam presents life-sized figurative sculptures in wood\, steel\, ceramics\, and smaller bronze pieces\, reflecting themes of anxiety\, loss\, and grief. Anita complements this with layered paintings and mixed media collages\, capturing the struggle for order in a chaotic world. Their intertwined approaches invite contemplation of deep human experiences. \n  \nThe exhibition will be in the Jane Sandelin Gallery at Art Works and will continue through September 20\, 2025. \n  \n  \nArtifacts by Anne Chamblin \nAnne Chamblin’s work is about merging sight and feeling. For her\, painting is a way to process what she experiences. She brings spaces\, places\, and faces to life on canvas\, turning bodies into landscapes and using layers to hint at the passage of time. Anne constantly reworks her paintings\, always keeping a bit of the past to shape the present. Her journey is grounded in everyday experiences\, resulting in unique\, relatable art. \n  \nThe exhibit will be in the Centre Gallery at Art Works through September 20\, 2025. \n  \n  \n  \n  \n  \nBetween Worlds by Hannah Anderson \n  \nAmerican abstract artist Hannah Anderson (b. 1953)\, raised in the simplicity of a Quaker household\, rediscovered her love for painting in 1990 with a Crayon watercolor set. Self-taught and inspired by contemporary artists\, her work reflects the light and dark periods of her life\, blending elements of nature and archetypal symbols from healing traditions. Her debut exhibit\, Between Worlds\, explores the liminal space between worlds and relationships. Hannah resides in Richmond\, Virginia\, and finds inspiration in Taos\, New Mexico. \n  \nThe exhibit will be in the Corner Gallery at Art Works through September 20\, 2025. \n  \n\nMental Health Matters: Celebrating Resilience Through Art All Media Show\nThis exhibit is a focal point of all Art Works’ openings. It is a juried show with cash prizes for 1st\, 2nd and 3rd place. The show is open to all artists and all mediums. \n  \nIn August the theme is Mental Health Matters: Celebrating Resilience Through Art. The community has donated terrific items that we will be auctioning to benefit NAMI\, and Art Works will donate the sales from the All Media Show to NAMI. \nWonJung Choi an international artist and educator\, will be the juror for the exhibit. Wonjung Choi is a Korean-born\, Virginia-based artist whose multidisciplinary work delves into the complexities of identity formation in a globalized world. See more on WonJung’s website: Click here. \n  \nCall for entries is July 15  – August 10\, 2025\, and may be submitted through the online form. The exhibit will be in the Port Gallery at Art Works through September 18\, 2025. Check our website for details on submitting artwork:  Call for Entries \n  Save  
URL:https://artinamericaguide.com/event/august-september-art-works-2/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
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ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T163727
DTEND;TZID=America/New_York:20250926T200000
DTSTAMP:20260403T163727
CREATED:20250903T144946Z
LAST-MODIFIED:20250903T144946Z
UID:114439-0-1758916800@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Opening Reception @ Art Works!
DESCRIPTION:4th Friday September 26th at Art Works \n  \nJoin us on September 26\, 2025 from 6 p.m. to 8 p.m. for an exciting opening reception of our new exhibits at Art Works. Meet the talented artists\, and enjoy live music\, refreshments\, and libations sponsored by RVA Thriving Artists.  The featured artists are Adam Reinhart\, Jen Cook-Asaro\, Sarah Miller\, Tatiana Grace\, Kenneth Lee\, and experiment with interactive art by RVA Game Jams. \n  \nThis event is free and open to the public. Convenient and free parking is available. The exhibits will continue through October 18\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-opening-reception-art-works-56/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/PR-2025.09-Game-Jam-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T163727
DTEND;TZID=America/New_York:20250927T180000
DTSTAMP:20260403T163727
CREATED:20250811T200044Z
LAST-MODIFIED:20250811T200044Z
UID:114212-0-1758996000@artinamericaguide.com
SUMMARY:Heather Stivison\, “Ebb & Flow”\, a Solo Exhibition
DESCRIPTION:In this her third New York City solo exhibition\, Heather Stivison explores the intersection of environmental science and visual art with a series of immersive paintings of the ocean. \nStivison paintings capture the essence of water—something clear and colorless\, with its shape formed entirely by the external forces of objects\, land\, wind\, gravity. Searching for water’s most primary qualities\, she uses light\, color\, form\, shape\, line\, to engender a sense of water. Fluidity\, reflections\, rhythms are evident in her ocean surface paintings. Stivison is fascinated by the reflections and patterns created by the coastal ocean surface. She paints variations on patterns\, exploring how much she can change them and still maintain the sense that the subject is surface water. \nCurator and director of Manhattan Arts International Renee Phillips writes: \n“Stivison ventures beyond nature’s physical boundaries into abstraction with the profusion of free-flowing biomorphic patterns and tonal ranges. In her paintings the innate attributes of water evolve into metaphors\, symbolism and visual poetry.” \nThe exhibition includes a massive 110-inch quadriptych that explores the sense of weightlessness and mystery that she finds in the imagining unknown ocean depths. Other paintings explore surface water patterns as abstract design. \nIndependent curator Kathy Imlay writes: \n“Stivison’s paintings have a luminous glow—accomplished by the artist building up layer upon layer of viscous paint\, which she pours\, smears\, scrapes and otherwise manipulates to create fields of color that conjure the watery depths of the ocean or intergalactic space\, depending on the palette.” \nSome of the paintings on view are the result of her multi-year\, grant funded collaboration with Noah Germolus\, a scientist at Woods Hole Oceanographic Institute who was researching ocean chemistry. Stivison created two paintings about him and his work\, and four five-foot paintings that interpret his research data in paint. \nThe collaboration led to a unique special feature of this exhibition. After Stivison interpreted his data in paint\, he in turn\, interpreted four of her paintings in music. The exhibition includes an on-demand sound installation of original jazz music composed and performed by Germolus. \n  Save  
URL:https://artinamericaguide.com/event/heather-stivison-ebb-flow-a-solo-exhibition/
LOCATION:Pleiades Gallery\, 547 W 27th St. Suite 304\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/stivison-heather_Coastal-Surface-Community_48x60_Oil-over-Acrylic-on-Canvas.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T163727
DTEND;TZID=America/New_York:20251018T170000
DTSTAMP:20260403T163727
CREATED:20250903T144946Z
LAST-MODIFIED:20250903T144946Z
UID:114443-0-1760806800@artinamericaguide.com
SUMMARY:September - October Exhibits @ Art Works!
DESCRIPTION:Now showing six new exhibits. The featured artists are Adam Reinhart\, Jen Cook-Asaro\, Sarah Miller\, Tatiana Grace\, Kenneth Lee\, and experiment with interactive art by RVA Game Jams. Also see 80+ working artist studios. \nVisit us Tuesdays through Sundays 11am- 5pm. Admission is free and open to the public. Convenient and free parking is available. The exhibits will continue through October 18\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/september-october-exhibits-art-works-4/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/PR-2025.09-Game-Jam-1-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T163727
DTEND;TZID=America/New_York:20251122T170000
DTSTAMP:20260403T163727
CREATED:20250908T192551Z
LAST-MODIFIED:20250908T192551Z
UID:114572-0-1763830800@artinamericaguide.com
SUMMARY:October - November Exhibits @ Art Works!
DESCRIPTION:Now showing six new exhibits. The featured artists are Blake Seals\, Felicia L. Reed\, Adam Reinhard\, Sorvino\, and Tobi Holtslag. Also see 80+ working artist studios. \nVisit us Tuesdays through Sundays 11am- 5pm. Admission is free and open to the public. Convenient and free parking is available. The exhibits will continue through November 22nd 2025. \n  Save  
URL:https://artinamericaguide.com/event/october-november-exhibits-art-works-5/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/09/PR-2025.10-Chris-Semtner-3-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:jessie@artworksrva.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T163727
DTEND;TZID=America/New_York:20260221T180000
DTSTAMP:20260403T163727
CREATED:20260120T172859Z
LAST-MODIFIED:20260120T172859Z
UID:115685-0-1771696800@artinamericaguide.com
SUMMARY:Robert Braczyk: Cardinal Directions
DESCRIPTION:Exhibition Dates: January 27 – February 21\, 2026\nOpening Reception: Thurs.\, January 29\, 2026\, 5PM-8PM\nArtist Talk: Saturday\, February 14\, 2026\, 3PM-4PM\nGallery Hours: Tuesday – Saturday\, 11AM-6PM \nBowery Gallery is pleased to present “Cardinal Directions\,” an exhibition of new sculpture by Robert Braczyk.  \nFor many years a prize-winning figurative sculptor\, in recent years Braczyk has turned to abstraction. In his new work—most about 24 inches high—he assembles various tree elements into vertical compositions that echo figural forms\, but whose abstract vocabulary of open volumes and discontinuous contours suggests the possibility of multiple allusions. Each work evinces a powerful spatial tension between the cardinal point from which it is begun and the complex three-dimensional image that Braczyk builds with primary thrust\, axis\, and meridian.  \nBraczyk’s trajectory from figure to abstract figure may be seen as a temporal through line connecting the events of a life. The artist’s comment that he brings all his life’s experiences into the studio reminds us that in the long arc of his career\, the spatial and temporal are never far apart. \nView the exhibition website. \n  \nBowery Gallery\n547 W. 27th Street\, Suite 508\nNew York\, NY 10001 \n  Save  
URL:https://artinamericaguide.com/event/robert-braczyk-cardinal-directions/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/Braczyk_Reel_for_eVite-and_Web_landing-page-scaled.jpg
ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bowery Gallery 547 W 27TH ST Suite 508 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=547 W 27TH ST Suite 508:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210806T110000
DTEND;TZID=America/Halifax:20220925T180000
DTSTAMP:20260403T163727
CREATED:20220511T143406Z
LAST-MODIFIED:20220511T143406Z
UID:93525-1628247600-1664128800@artinamericaguide.com
SUMMARY:Hito Steyerl: Factory of the Sun
DESCRIPTION:SJMA presents the landmark installation Hito Steyerl’s Factory of the Sun (2015)\, a joint acquisition between the Hammer Museum in Los Angeles\, the Museum of Contemporary Art in Chicago\, and SJMA. The critically acclaimed\, immersive video debuted at the 2015 Venice Biennale. It is inspired by a quote from Donna Haraway’s Cyborg Manifesto (1985)\, describing machines as “made of pure sunlight.” In the video\, Steyerl explains: “Our machines are made of pure sunlight. Electromagnetic frequencies. Light pumping through fiberglass cables. The sun is our factory.” The premise of machines made of pure sunlight is not a romantic one for the Berlin-based artist. Steyerl has long attuned herself to the power of image and their reproduction\, particularly documentary images\, to manipulate our worldview. \nFactory of the Sun tells a surreal story of workers whose forced dance moves in a motion capture studio are turned into artificial sunshine. The story is based on an actual YouTube phenomenon (her studio assistant’s brother whose viral homemade dance videos were used as a model for Japanese anime characters) and a news story about an experiment at CERN nuclear research facility that claimed to have measured a particle traveling faster than the speed of light. On screen\, Steyerl interweaves fact and fiction; a montage of YouTube dance videos\, drone surveillance footage\, real documentation of recent international student uprisings combines with video game characters\, fake news\, and dancing\, gold lamé-costumed avatars. In this imaginative reality spun from Haraway’s theory\, the motion capture studio’s glowing grid of blue LED lights extends beyond the screen into the gallery\, like a Star Trekkian “holodeck” able to materialize a different world in three dimensions. Modern warfare\, corporate culture\, and anti-capitalist resistance movements are played out by disembodied characters—avatars\, bots\, or proxies for the human viewers who watch the video from the vantage of reclined beach chairs. \n  Save  
URL:https://artinamericaguide.com/event/hito-steyerl-factory-of-the-sun/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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GEO:37.3327419;-121.8905201
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=San Jose Museum of Art 110 S. Market Street San Jose CA 95113 United States;X-APPLE-RADIUS=500;X-TITLE=110 S. Market Street:geo:-121.8905201,37.3327419
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211015
DTEND;VALUE=DATE:20230502
DTSTAMP:20260403T163727
CREATED:20210830T210225Z
LAST-MODIFIED:20221026T173030Z
UID:86151-1634256000-1682985599@artinamericaguide.com
SUMMARY:Debut
DESCRIPTION:Opening in fall of 2021\, Debut will feature artwork from the Spencer Museum’s collection that has never been exhibited in our building since it opened in 1978. The eclectic artwork assembled is explored through seven broad thematic sections. Debut will remain on view for the duration of Phase II renovation and the complete reinstall of our fourth-floor collection galleries. As we undergo these transformative changes\, Debut presents previously unseen works in conversation with more familiar art from the collection that is frequently used for teaching and research. This exhibition is supported by Friends of the Art Museum\, KU Student Senate\, and the Linda Inman Bailey Exhibitions Fund. \n  Save  
URL:https://artinamericaguide.com/event/debut/
LOCATION:Spencer Museum of Art\, University of Kansas\, 1301 Mississippi St.\, Lawrence\, KS\, 66045\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/2014.0090.jpg
ORGANIZER;CN="Spencer Museum of Art%2C University of Kansas":MAILTO:spencerart@ku.edu
GEO:38.9596803;-95.244588
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Spencer Museum of Art University of Kansas 1301 Mississippi St. Lawrence KS 66045 United States;X-APPLE-RADIUS=500;X-TITLE=1301 Mississippi St.:geo:-95.244588,38.9596803
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220222T093000
DTEND;TZID=America/Halifax:20221231T163000
DTSTAMP:20260403T163727
CREATED:20210819T145416Z
LAST-MODIFIED:20210916T194455Z
UID:85468-1645522200-1672504200@artinamericaguide.com
SUMMARY:Still I Rise: The Black Experience at Reynolda
DESCRIPTION:“Into a daybreak that’s wondrously clear / I rise.” Maya Angelou’s poem “Still I Rise\,” published in 1978\, was an assertion of dignity and resilience in the face of oppression. In the 1980s\, Angelou used Reynolda as her stage sharing words of humanity\, survival\, and triumph. But before her\, numerous Black lives impacted and intersected with the story of Reynolda. Still I Rise: The Black Experience at Reynolda examines the lives of the Black women and men who helped shape Reynolda as it evolved from a Jim Crow era working estate into a museum for American art. \nFrom 1912 through the 1950s\, during one of the most repressive climates for Black people in North Carolina history\, Black men and women navigated Reynolda’s segregated spaces—farming the land\, constructing buildings\, and working as domestic staff within Reynolda’s walls. During this era\, segregation\, the exploitation of Black labor\, and laws that regulated Black behavior affected the lives of all individuals in the Reynolda story\, whether at Reynolda or at the R.J. Reynolds Tobacco Company. While the struggle for equality did not end with the Civil Rights Act of 1964\, the story of Reynolda pivoted to one of a public cultural institution. When it opened its doors in 1967\, Reynolda’s intersection with Black lives shifted as the young\, fledgling museum provided a venue for Black artists to celebrate their art. Artists such as Jacob Lawrence\, Romare Bearden\, and Maya Angelou transformed the historic setting into a stage for their art and teachings. Through art\, letters\, photographs\, and audiovisual recordings\, Still I Rise: The Black Experience at Reynolda examines Reyolda’s complicated past in a space designed for reflection and healing. \n  Save  
URL:https://artinamericaguide.com/event/still-i-rise-the-black-experience-at-reynolda/
LOCATION:Reynolda House Museum of American Art\, 2250 Reynolda Road\, Winston-Salem\, NC\, 27106\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/Still-I-Rise_Five-Row_Callout_20-1103-004.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220223T110000
DTEND;TZID=America/Halifax:20221017T180000
DTSTAMP:20260403T163727
CREATED:20210908T194918Z
LAST-MODIFIED:20210916T194455Z
UID:87388-1645614000-1666029600@artinamericaguide.com
SUMMARY:Useful and Beautiful: Silvercraft by William Waldo Dodge
DESCRIPTION:William Waldo Dodge moved to Asheville in 1924 as a trained architect and a newly skilled silversmith. When he opened for business promoting his handwrought silver tableware\, including plates\, candlesticks\, flatware (spoons\, forks\, and knives)\, and serving dishes\, he did so in a true Arts and Crafts tradition. The aesthetics of the style were dictated by its philosophy: an artist’s handmade creation should reflect their hard work and skill\, and the resulting artwork should highlight the material from which it was made. Dodge’s silver often displayed his hammer marks and inventive techniques\, revealing the beauty of these useful household goods. The silver works in this exhibition are drawn from the Museum’s Collection. \nThe Arts and Crafts style of England became popular in the United States in the early 1900s. Asheville was an early adopter of the movement because of the popularity and abundance of Arts and Crafts architecture in neighborhoods like Biltmore Forest\, Biltmore Village\, and the area around The Grove Park Inn. The title of this exhibition was taken from the famous quotation by one of the founding members of the English Arts and Crafts Movement\, William Morris\, who said\, “have nothing in your house that you do not know to be useful or believe to be beautiful.” Not only did Dodge follow this suggestion; he contributed to American Arts and Crafts silver’s relevancy persisting almost halfway into the 20th century. \nThis exhibition is organized by the Asheville Art Museum and curated by Whitney Richardson\, associate curator. \nImage: William Waldo Dodge\, Footed bowl with acanthus leaf decoration\, 1936\, hammered silver\, 6 × 15 ½inches. Gift of the William W. Dodge Family\, 2016.08.22.© Estate of the Artist\, image David Dietrich. \n  Save  
URL:https://artinamericaguide.com/event/useful-and-beautiful-silvercraft-by-william-waldo-dodge/
LOCATION:Asheville Art Museum\, 2 South Pack Square\, Asheville\, NC\, 28801\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220315T080000
DTEND;TZID=America/Halifax:20221130T170000
DTSTAMP:20260403T163727
CREATED:20220324T205009Z
LAST-MODIFIED:20220324T205009Z
UID:93109-1647331200-1669827600@artinamericaguide.com
SUMMARY:Seven Sisters
DESCRIPTION:A 3-D virtual exhibition of seven unique\, mature women artists with a review by Eleanor Heartney. \nVisit this virtual galley here: https://bit.ly/36hmWqR \n“Despite obvious differences in style\, medium and subject\, the seven artists in this exhibition share a worldview. They are all mature women artists whose work has been shaped by our turbulent era and who maintain a reverence for art history\, a dedication to craft and a profound sense of beauty.” \n–Eleanor Heartney \n  Save  
URL:https://artinamericaguide.com/event/seven-sisters/
LOCATION:Virtual
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
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ORGANIZER;CN="KTC Affiliated Artists":MAILTO:ktcaffiliatedartists@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220405T100000
DTEND;TZID=America/Halifax:20230326T160000
DTSTAMP:20260403T163727
CREATED:20220404T171932Z
LAST-MODIFIED:20220404T171932Z
UID:93171-1649152800-1679846400@artinamericaguide.com
SUMMARY:In the Adjacent Possible
DESCRIPTION:In the Adjacent Possible is a response to sociologist Ruha Benjamin’s suggestion to “imagine and craft the worlds you cannot live without\, just as you dismantle the ones you cannot live within.” \nEach of the five artists’ installations provides a vantage point for viewing the many potentialities that lie just beyond what we know. They conjure worlds that are not quite here\, yet are within our grasp. They place us in the adjacent possible\, a space where we can dream alternative ways of being in the world. \nThe exhibition forms a speculative architecture that explores myriad approaches to and understandings of proposed and promised strategies of living. These artists offer prospective blueprints of other worlds\, often constructed from the remnants of our current one. Engaging issues of colonialism\, feminism\, queerness\, identity\, and stereotypes\, In the Adjacent Possible suggests ways we can reimagine the present and explores the infinite horizon of opportunities at the boundaries of our reach. \nhttps://www.jmkac.org/exhibition/in-the-adjacent-possible/ \nImage: In the Adjacent Possible artists (clockwise from upper left): Suchitra Mattai\, Haleigh Nickerson\, Yasmine K. Kasem\, Nyugen E. Smith\, and Jessica Campbell. \nTuesday\, Wednesday\, Friday 10 a.m. to 5 p.m.\nThursday 10 a.m. to 8 p.m. extended hours\nSaturday and Sunday 10 a.m. to 4 p.m. \n  Save  
URL:https://artinamericaguide.com/event/in-the-adjacent-possible/
LOCATION:John Michael Kohler Arts Center\, 608 New York Avenue\, Sheboygan\, WI\, 53081\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="John Michael Kohler Arts Center":MAILTO:generalinfo@jmkac.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220410T100000
DTEND;TZID=America/Halifax:20220925T160000
DTSTAMP:20260403T163727
CREATED:20220404T171911Z
LAST-MODIFIED:20220404T171911Z
UID:93175-1649584800-1664121600@artinamericaguide.com
SUMMARY:Archive Dive: Eccentric Machines
DESCRIPTION:In 1987\, the Arts Center organized Eccentric Machines\, a group exhibition including twenty-six large-scale sculptural works created by twenty artists\, including internationally renowned artists Alice Aycock\, Dennis Oppenheim\, and Jonathan Borofsky. The show presented a range of contemporary mechanical and kinetic artworks highlighting the complex\, ever-evolving relationship between machines and humans. \nThe interconnections of mechanics and daily life were further explored through the Great Cardboard Boat Regatta and in-gallery performances by Kanopy Dance Company. In addition three artists collaborated with area residents in the creation of Mechanical Marvels\, a large assemblage of mechanical waste and objects on the Art Center’s east lawn. \nArchive Dive: Eccentric Machines revisits the 1987 exhibition through a selection of archival materials\, including photographs of the Mechanical Marvels installation\, public programs\, and events; artist correspondence; and curatorial writing. \nThis dive into the archive reflects on the continuing conversation about technology. How do these moments of movement\, tinkering\, and discovery between human and object from more than three decades ago connect with our current engagement with technology? How do these kinetic artworks change our perspective of contemporary devices? How do artists encourage us to examine technology’s role in our lives? \nImage: Lewis Alquist\, States of Matter Undergoing Habitual Rotation\, 1983; welded steel bed frames\, glass\, electric motors\, and milk substitute. \nhttps://www.jmkac.org/exhibition/archive-dive-eccentric-machines/ \nTuesday\, Wednesday\, Friday 10 a.m. to 5 p.m.\nThursday 10 a.m. to 8 p.m. extended hours\nSaturday and Sunday 10 a.m. to 4 p.m. \n  Save  
URL:https://artinamericaguide.com/event/archive-dive-eccentric-machines/
LOCATION:John Michael Kohler Arts Center\, 608 New York Avenue\, Sheboygan\, WI\, 53081\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="John Michael Kohler Arts Center":MAILTO:generalinfo@jmkac.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220423
DTEND;VALUE=DATE:20221128
DTSTAMP:20260403T163727
CREATED:20230626T142032Z
LAST-MODIFIED:20230626T142032Z
UID:104102-1650672000-1669593599@artinamericaguide.com
SUMMARY:59th Venice Biennale "Personal Structures" – Donald Martiny
DESCRIPTION:Madison Gallery will be exhibiting Donald Martiny at the 59th Venice Biennale\, April 23 through November 2022 in partnership with the ECC European Cultural Centre at the Palazzo Bembo. \nThe art of Donald Martiny exists somewhere between painting and sculpture. We are confronted with a singular brushstroke\, huge\, a seemingly spontaneous\, lavish eruption of color and texture on the wall. \n“Space : Traditional Western painting from the time of Giotto until Courbet created the illusion of space using Filippo Brunelleschi’s ideas of perspective. This type of space offered the viewer the opportunity to enter the illusory\, albeit fictional picture space to experience the art. I intend for my works to exist in the same space as the viewer; to interact directly as an object with the environment and the viewer.. The forms of the work are in dialogue with the wall\, the room\, and the viewer. In Germany in 1808 Caspar David Friedrich brilliantly synthesized and amalgamated space in his painting Der Mönch am Meer and later with Der Wanderer über dem Nebelmeer by inviting the viewer to place themselves into the painting through the use of a Rückenfigur. Barnett Newman understood this very well when he painted his masterwork Vir Heroicus Sublimis in 1951. Through the use of free-standing paint-sculptures my work is in dialogue with the history of the use of space\, the history of painting\, and with these paintings in particular.  \nTime: In photography the shutter speed of 1/1600th second is typical to freeze action and capture an instant in time.(1) While photography captures the image of an instant in time\, a painting captures an event in time. Rather than producing an image of a gesture or mark\, my paintings are the result of an event. The event happens over an extended period of time. By inviting the viewer into the painting\, to become a collaborator or participant rather than a casual viewer the works offer a multifaceted and complex experience similar to the experience one might have wandering through a cathedral rather than the usual glance\, glimpse\, or cursory look. What I have in mind is a different kind of experience: not just glancing\, but looking\, staring\, gazing\, sitting or standing transfixed: forgetting\, temporarily\, the errands you have to run\, or the meeting you’re late for\, and thinking\, living\, only inside the work. Forgetting time\, the past\, the future\, only existing in the present.  \nFalling in love with an artwork\, finding that you somehow need it\, wanting to return to it\, wanting to keep it in your life. This kind of experience requires time and a willingness to be in dialogue with the work; to have an ongoing relationship with it. While the painting itself may be unchanging\, the viewer may find they change quite a bit over time. “ – Donald Martiny \n  Save  
URL:https://artinamericaguide.com/event/59th-venice-biennale-personal-structures-donald-martiny/
LOCATION:31 Mercer Street\, New York\, NY\, 10013\, United States
CATEGORIES:Art Fair,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220506T110000
DTEND;TZID=America/Halifax:20220925T180000
DTSTAMP:20260403T163727
CREATED:20220302T164128Z
LAST-MODIFIED:20220302T164128Z
UID:90882-1651834800-1664128800@artinamericaguide.com
SUMMARY:Jean Conner: Collage
DESCRIPTION:Organized by SJMA\, Jean Conner: Collage is the artist’s first solo museum exhibition and brings long-overdue recognition to her extraordinary and fanciful collages. Primarily made from images cut out of such large-format color magazines as Life and Ladies’ Home Journal\, Conner’s vivid\, pictorial worlds feature playful arrangements of animals\, nature\, religious symbolism\, aquatic environments\, food\, women\, dancers\, and divers. \n  Save  
URL:https://artinamericaguide.com/event/jean-conner-collage/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220521T100000
DTEND;TZID=America/Halifax:20230521T170000
DTSTAMP:20260403T163727
CREATED:20220404T171850Z
LAST-MODIFIED:20220404T171850Z
UID:93177-1653127200-1684688400@artinamericaguide.com
SUMMARY:Creative! Growth!
DESCRIPTION:Creative! Growth! will be the first exhibition to consider the history of Creative Growth Art Center in Oakland\, California. \nFounded in 1974 by artist Florence Ludins-Katz (1912–1990) and her psychologist husband Elias Katz (1913–2008)\, Creative Growth emerged from the larger social\, cultural\, and political narratives associated with the Bay Area in the late 1960s and early 1970s—including the women’s\, gay\, and civil rights movements. The arts and disabilities movement\, which championed the civil rights of disabled persons and fought against their marginalization in arts and culture\, flourished during this era. The Katzes were among that movement’s most farsighted and committed advocates. \nCreative! Growth! is curated by Matthew Higgs and will consider the organization’s history and legacy through the lens of the present. Now approaching its fiftieth anniversary\, Creative Growth is the preeminent center for artists with disabilities in the United States\, and has\, in turn\, become a model for similar centers nationally and internationally. At Creative Growth\, the Katzes established a unique and fiercely independent environment where disabled individuals are empowered to explore their creativity at their own pace. \nThe staff at Creative Growth\, almost exclusively practicing artists\, are not teachers in any conventional sense\, as no formal instruction takes place. Rather\, the staff members work alongside the artists with disabilities\, introducing them to new materials and processes\, offering practical and technical assistance where necessary\, and supporting their idiosyncratic approaches to self-expression. \nCreative! Growth! will consider the organization’s history and legacy through the lens of the present. There are a number of discrete solo presentations by key artists who were—or remain—affiliated with Creative Growth\, including Judith Scott (1943–2005)\, Dwight Mackintosh (1906–1999)\, William Scott\, Dan Miller\, Monica Valentine\, Tony Pedemonte\, Nicole Storm\, and John Martin. Photographer and documentary filmmaker Cheryl Dunn will present a selection from her twenty-plus-year archives documenting the artists at Creative Growth. \nhttps://www.jmkac.org/exhibition/creative-growth/ \nImage: Creative Growth studio interior. Courtesy of Creative Growth. Photo: Ben Blackwell. \nTuesday\, Wednesday\, Friday 10 a.m. to 5 p.m.\nThursday 10 a.m. to 8 p.m. extended hours\nSaturday and Sunday 10 a.m. to 4 p.m. \n  Save  
URL:https://artinamericaguide.com/event/creative-growth/
LOCATION:John Michael Kohler Arts Center\, 608 New York Avenue\, Sheboygan\, WI\, 53081\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="John Michael Kohler Arts Center":MAILTO:generalinfo@jmkac.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220522T080000
DTEND;TZID=America/Halifax:20221002T160000
DTSTAMP:20260403T163727
CREATED:20220404T171829Z
LAST-MODIFIED:20220404T171829Z
UID:93179-1653206400-1664726400@artinamericaguide.com
SUMMARY:Alexander Stewart: Void Vision
DESCRIPTION:Alexander Stewart’s Void Vision is an abstract science-fiction short film in which the line between the real and the simulated are blurred and distorted; a space where doubles\, twins\, duplicates\, re-creations\, and copies merge. \nCombining a science-fiction sensibility with the aesthetic of early CGI animation experiments\, Stewart presents rotating arrangements of lasers and duplicated women that fade in and out\, appearing as both photographed scenes and computer-modeled recreations. The audio track\, incorporating text from Philip K. Dick’s 1981 novel Valis\, features an improvised electronic score and a voice articulating theories about the mind and the universe. \nAlexander Stewart: Void Vision is part of the Arts Center’s Ways of Being theme. The featured visual and performing artists recontextualize our past\, reorient our present\, and project new\, viable futures. Collectively they ask\, what if? \nhttps://www.jmkac.org/exhibition/alexander-stewart-void-vision/ \nImage: Alexander Stewart\, still from Void Vision\, 2018; 16mm as digital file; 7:45. Photo courtesy of the artist. \nTuesday\, Wednesday\, Friday 10 a.m. to 5 p.m.\nThursday 10 a.m. to 8 p.m. extended hours\nSaturday and Sunday 10 a.m. to 4 p.m. \n  Save  
URL:https://artinamericaguide.com/event/alexander-stewart-void-vision/
LOCATION:John Michael Kohler Arts Center\, 608 New York Avenue\, Sheboygan\, WI\, 53081\, United States
CATEGORIES:Event
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ORGANIZER;CN="John Michael Kohler Arts Center":MAILTO:generalinfo@jmkac.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220525
DTEND;VALUE=DATE:20221011
DTSTAMP:20260403T163727
CREATED:20220322T191938Z
LAST-MODIFIED:20220322T191940Z
UID:93067-1653436800-1665446399@artinamericaguide.com
SUMMARY:Draped and Veiled: 20×24 Polaroid Photographs by Joyce Tenneson
DESCRIPTION:Standing behind the substantial presence of the large format Polaroid 20×24 camera—weighing 200 pounds and the size of a refrigerator—artists peer through the viewfinder towards another world. The process of creating the unique large dye transfer prints imparts framing to a scene and quality to an image that balances subtlety with boldness\, softness paired with an undeniable presence. The 20×24 Polaroid adds an additional layer of veiling and diaphanous softness to the imagery in Joyce Tenneson’s Transformations series\, which she began in 1985 and engaged with through 2005. \nTransformations features partially or fully nude figures poetically presented; Tenneson’s photographs have always been interested in the magic of the human figure\, contained within bodies of all ages and emotions in a broad range that are both vulnerable and bold. She interweaves elements that feel vaguely mythological or symbolic\, her figures embodying Classical sculptures of gods and goddesses\, both mighty and mercurial. Elements such as shells\, fruits\, or daggers are expressions of inner journeys and self-discovery\, and draped fabric and netting echo the shifting flow of time\, energy\, and identity. The ethereal quality imparted by the Polaroid process resonated with Tenneson\, who stated: “I often felt like a channel—the images that had been part of my inner psyche for years emerged from some mysterious source.” \nThis exhibition is organized by the Asheville Art Museum and curated by Hilary Schroeder\, assistant curator. \nImage: Joyce Tenneson\, Untitled from the Transformations series\, 1985–2005\, Polaroid print on paper\, 24 × 20 inches. Gift of Ravi Singhvi 2019.51.204. © Joyce Tenneson. \n  Save  
URL:https://artinamericaguide.com/event/draped-and-veiled-20x24-polaroid-photographs-by-joyce-tenneson/
LOCATION:Asheville Art Museum\, 2 South Pack Square\, Asheville\, NC\, 28801\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220623T080000
DTEND;TZID=America/Halifax:20230108T170000
DTSTAMP:20260403T163727
CREATED:20220623T155303Z
LAST-MODIFIED:20220628T163300Z
UID:94152-1655971200-1673197200@artinamericaguide.com
SUMMARY:Alvin Roy
DESCRIPTION:Alvin Roy is a mid-career painter and sculptor who lives and works in Houston\, Texas. Roy has exhibited extensively notably as part of the national tour “Southern Journeys: African American Artists of the South” (2012). Alvin Roy’s abstract paintings from torn painted paper are inspired by the quilting tradition passed down by the women in his family and his wall sculptures are deep spiritual icons embodying the power of Egyptian myth and ancient archetypes. Alvin Roy’s abstract artworks will be on view in Bridgehampton\, NY from August 11 – 14\, 2022 and in New York City during the Art on Paper Fair Sept. 8 – 11\, 2022 at Pier 36. This virtual exhibition is a response to the difficulties that artists have faced getting their work viewed during the Pandemic. \n  Save  
URL:https://artinamericaguide.com/event/alvin-roy/
LOCATION:Cross Contemporary Art Projects\, 34 Tinker Street\, Woodstock\, NY\, 12498\, United States
CATEGORIES:Virtual Events + Viewing Rooms
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ORGANIZER;CN="Cross Contemporary Art Projects":MAILTO:crosscontemporaryprojects@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220624
DTEND;VALUE=DATE:20220918
DTSTAMP:20260403T163727
CREATED:20220620T161933Z
LAST-MODIFIED:20220620T161933Z
UID:94125-1656028800-1663459199@artinamericaguide.com
SUMMARY:Couplings
DESCRIPTION:New York\, NY — Forum Gallery announces Couplings\, an exhibition about symbiotic relationships and connections between pairs of people\, objects\, and ideas. The exhibition\, comprised of paintings\, works on paper and sculpture\, presents two exemplary works by each of eleven artists. Couplings is on view from Friday\, June 24 through Saturday\, September 17\, 2022. \nWilliam Beckman is renowned for his depictions of man and woman standing side-by-side\, but never touching\, drawn from the Artist’s self-portrait and the image of his partner\, both dressed in overcoats\, a symbol of survival for the Artist. Continuing with his subject\, Couplings presents a new oil painting and the related charcoal drawing\, fresh from the studio\, each monumental in scale and presence. \nIn his lifetime\, the artist Gregory Gillespie shared an artistic and personal friendship with William Beckman. Synergistic of Beckman’s subject\, the exhibition presents a pair of paintings by Gillespie\, a self-portrait and portrait of the Artist’s wife\, connected in their human-scale and stylistic approach\, yet rendered independent in art. \nDramatic oil paintings of brides enveloped in sheer veils of billowing fabric by Steven Assael and charcoal drawings of heroic scale by Clio Newton depicting figures in Renaissance-style bucolic landscapes explore the psychology of the female experience\, while artists Chaim Gross\, Paul Fenniak\, and Raphael Soyer consider human interdependence in two-figure compositions rendered in oil and bronze in the Artists’ distinctive styles. \nChilean-born Claudio Bravo and Guillermo Muñoz Vera create transcendent realist oil paintings combining the duality of present and past\, suggestive of rich stories to be told.  A figurative painting by Bravo suggests an intimate relationship between a male figure very much in the present with a female figure of ghostly presence\, while a second magnificent oil painting by the twentieth-century realist master honors the tradition and fragility of the North African shepherding and agrarian cultures with a sumptuous composition of a pair of animal skins. Simultaneously thought-provoking and visually arresting\, paintings by Muñoz Vera examine the dichotomies of globalism and of contemporary consumer culture. \nMichael C. Thorpe\, fresh to the gallery\, has won fast notoriety for his quilts that tell stories of the Artist’s experience as a bi-racial man in America. Text collages created this year by Thorpe harness the power of the written word to represent an absent figure and provoke conversations about race with humor and wit. \nLanguage lends meaning too in the art of Alan Magee\, whereby the titles given to works of art serve to personify the objects featured in the meticulous paintings for which the Artist is renowned. Presented in Couplings are works featuring pairs of paintbrushes and river stones\, composed as intimate partners\, codependent in their existence as suggested by the titles Nocturne and The Long Distance Friendships. \nYou are invited to explore our Online Viewing Room for Couplings here: \nhttps://viewingroom.forumgallery.com/viewing-room/couplings \n  Save  
URL:https://artinamericaguide.com/event/couplings/
LOCATION:Forum Gallery\, 475 Park Avenue\, New York\, NY\, 10022\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Forum Gallery":MAILTO:kevin@forumgallery.com
GEO:40.7619753;-73.9701328
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Forum Gallery 475 Park Avenue New York NY 10022 United States;X-APPLE-RADIUS=500;X-TITLE=475 Park Avenue:geo:-73.9701328,40.7619753
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220625T100000
DTEND;TZID=America/Halifax:20220925T170000
DTSTAMP:20260403T163727
CREATED:20220630T165744Z
LAST-MODIFIED:20220630T203318Z
UID:94251-1656151200-1664125200@artinamericaguide.com
SUMMARY:Beth Lipman: All in Time
DESCRIPTION:In celebration of Beth Lipman—whose monumental hanging sculpture Living History was recently unveiled in the museum’s Boeing Foyer—WAM presents All in Time\, a mid-career retrospective of the artist featuring her work from the mid-2000s through today.\nFor over 20 years\, Beth Lipman has used glass and other materials to create luscious and sumptuous still lifes. These still lifes feature everything from bowls of fruit to prehistoric plants to piles of books. For Lipman\, each still life object speaks to identity—of an individual\, a society\, and of human culture in general. All in Time brings into focus Lipman’s long interest in using glass to explore issues of creation\, life\, decay\, and death—the fleeting nature of human life and human history contrasted with the billions of years of geological time. What is the role of humanity and art in a world and universe that existed long before us? What do we create that endures?\nBeth Lipman is a star of the contemporary art world. In 2013\, she was honored by a Smithsonian Artist Research Fellowship. That same year\, PBS featured her in the Craft in America documentary. In 2018\, Lipman was elected a Fellow of the American Craft Council. Recently\, the Crystal Bridges Museum of American Art (Arkansas) and Chrysler Museum of Art (Virginia) have commissioned significant Lipman artworks. She is currently working on a major project with the Toledo Museum of Art (Ohio). Her work is held in permanent collections across the country\, from the deYoung Museum in San Francisco to the Brooklyn Museum in New York.\nAll in Time brings into focus Lipman’s long interest in using glass to explore issues of creation\, life\, decay\, and death—the fleeting nature of human life and human history contrasted with the billions of years of geological time. \n  Save  
URL:https://artinamericaguide.com/event/beth-lipman-all-in-time/
LOCATION:Wichita Art Museum\, 1400 West Museum Boulevard\, Wichita\, KS\, 67203\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Wichita Art Museum":MAILTO:pr@wichitaartmuseum.org
GEO:37.6949375;-97.3561859
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Wichita Art Museum 1400 West Museum Boulevard Wichita KS 67203 United States;X-APPLE-RADIUS=500;X-TITLE=1400 West Museum Boulevard:geo:-97.3561859,37.6949375
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220625T130000
DTEND;TZID=America/Halifax:20220930T170000
DTSTAMP:20260403T163727
CREATED:20220628T183734Z
LAST-MODIFIED:20220628T183734Z
UID:94192-1656162000-1664557200@artinamericaguide.com
SUMMARY:The Imagining Worlds of Michel Goldberg
DESCRIPTION:This virtual exhibition attests to artist Michel Goldberg’s status as a virtuoso in the monotype printmaking process. The artist has trained his eye and mind throughout countless studio hours of self-observation\, tenacious practice and experimentation.  Goldberg’s artworks are the result of a balancing of spontaneous production with preconceived plans\, of equipoise between will and instinct.  Along with all of this is the consensus that Goldberg as a master artist is simply gifted with innate\, remarkable legerdemain. He somehow manages to magicalize each of his surfaces in different ways\, transmuting them\, causing a cascade of sensations to emanate from his prints. \n–Dominique Nahas \nhttps://bit.ly/3Olb8Et \n  Save  
URL:https://artinamericaguide.com/event/the-imagining-worlds-of-michel-goldberg/
CATEGORIES:Virtual Events + Viewing Rooms
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ORGANIZER;CN="KTC Affiliated Artists":MAILTO:ktcaffiliatedartists@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220701T080000
DTEND;TZID=America/Halifax:20220930T170000
DTSTAMP:20260403T163727
CREATED:20210806T210301Z
LAST-MODIFIED:20210916T194455Z
UID:84522-1656662400-1664557200@artinamericaguide.com
SUMMARY:Anne Marchand: Recent Abstractions
DESCRIPTION:The paintings’ abstract appearance reflects a range of perspective: images of deep space\, views from airplanes and automobiles\, perceptions of natural and man-made textures and patterns\, along with their emotional resonances\, all distilled together. During the process of painting a new insight is released\, which the artist relates to the poet Garcia Lorca’s vision of duende\, the soulful response to a work of art\, infused with earthiness\, the irrationality\, and existential vulnerability. \n  Save  
URL:https://artinamericaguide.com/event/anne-marchand-recent-abstractions/
LOCATION:International Museum of Art and Science\, 1900 W Nolana Ave\, McAllen\, TX\, TX 78504\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Katharine T. Carter &amp%3B Associates":MAILTO:ktc@ktcassoc.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220714
DTEND;VALUE=DATE:20221212
DTSTAMP:20260403T163727
CREATED:20221115T202311Z
LAST-MODIFIED:20221119T012112Z
UID:100517-1657756800-1670803199@artinamericaguide.com
SUMMARY:Positive Fragmentation
DESCRIPTION:Positive Fragmentation: From the Collections of the Jordan D. Schnitzer and His Family Foundation features more than 180 prints by contemporary women artists who employ a strategy of fragmentation in their artistic process. \nSome of the works focus their attention on the human body\, as in Louise Bourgeois’s Anatomy series (1990) or Wangechi Mutu’s Histology of the Different Classes of Uterine Tumors (2006). The later combines glossy fashion magazine photographs with medical illustrations to reimagine patriarchal stereotypes as powerful female avatars who stare back at oppressive social norms. Other artists like Nicola López and Sarah Morris leverage their experiences of the contemporary city to rearrange elements of the urban landscape to better capture the vibrancy of daily life. With a highly conceptual approach\, Jenny Holzer’s Inflammatory Essays (1979–82) isolates fragments of bold and sometimes confrontational statements to subvert the rigid ideologies from which they borrow. \n\n\nA notable strength of the exhibition is its focus on women artists of color who have been underrepresented in the museum’s permanent collections and in its exhibition program. Artists like Mickalene Thomas challenge historical narratives by creating compositions that echo those of nineteenth-century European painters but through wholly novel techniques and media\, combining woodblock\, screen-printing\, and digital photography. Wendy Red Star\, an indigenous American artist of the Crow Nation\, creates colorful\, often playful prints that nonetheless convey the struggles of indigenous marginalization and the legacy of European colonization on the continent by combining appropriated indigenous motifs with images of everyday life on the reservation. Ethiopian-born Julie Mehretu creates large-scale abstract compositions that speak to the traditions of European and American abstraction while compounding these histories with contemporary global concerns regarding climate change and migration. \nDerived from the Collections of Jordan D. Schnitzer and His Family Foundation—one of the largest private print collections in the world—the exhibition is presented by the National Museum of Women in the Arts (NWMA) in partnership with the American University Art Museum. It was curated by Virginia Treanor\, Associate Curator\, and Kathryn Wat\, Deputy Director for Art\, Programs\, and Public Engagement and Chief Curator at the NWMA. At the Eskenazi Museum\, the exhibition is co-organized by Elliot Reichert\, Curator of Contemporary Art\, and Galina Olmsted\, Assistant Curator of European and American Art. A fully illustrated catalogue will accompany the exhibition. \n\n  Save  
URL:https://artinamericaguide.com/event/positive-fragmentation/
LOCATION:Indiana University\, Eskenazi Museum of Art\, 1133 E 7th St\, Bloomington\, IN\, 47405\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220715T080000
DTEND;TZID=America/Halifax:20221113T170000
DTSTAMP:20260403T163727
CREATED:20220725T162837Z
LAST-MODIFIED:20220725T162837Z
UID:95078-1657872000-1668358800@artinamericaguide.com
SUMMARY:Kaethe Kauffman  | Yoga: Interiore e Eterno
DESCRIPTION:Hawaii-based artist Kaethe Kauffman’s exhibition Yoga: Interiore Eterno is an installation of prints on silk that documents both physical movement and meditative stasis. Using a string dipped in paint\, the artist ties the filament around a hand\, knee\, elbow\, or torso\, and when the body part is flexed\, the movement is recorded as a kind of off-printing. In Kauffman’s art\, the body writes itself upon its own skin in a ritual of self-revelation. This act of marking and exposure is documented by Kauffman’s photographic images\, which are digitally repeated and colored\, drawn upon by hand in a variety of media and the vibrant results are printed on silk much like the large banners found in Buddhist temples. In an expansion of the body’s own “speech” through movement\, Kaethe Kauffman’s images combine into larger fields of replication and mirroring\, until the individual body is subsumed into a larger vision. A long-time practitioner of yoga and body movement\, Kaethe Kauffman has been the subject of solo exhibitions throughout the United States and abroad. This exhibtion\, “Yoga: Interiore e Eterno” is the first time the artist will be exhibiting in Venice\, IT from July 15 – November 13\, 2022. \n  Save  
URL:https://artinamericaguide.com/event/kaethe-kauffman-yoga-interiore-e-eterno/
LOCATION:Castello 925\, Fondamenta San Giuseppe\, Sestiere Castello 925\, Venice\, Veneto\, 30122\, Italy
CATEGORIES:Exhibition
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ORGANIZER;CN="Castello 925":MAILTO:galleria@castello925.com
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220715T093000
DTEND;TZID=America/Halifax:20221231T163000
DTSTAMP:20260403T163727
CREATED:20210823T142327Z
LAST-MODIFIED:20210916T194455Z
UID:85493-1657877400-1672504200@artinamericaguide.com
SUMMARY:Chrome Dreams and Infinite Reflections: Forty Years of Photorealism
DESCRIPTION:Photorealist paintings and prints are based on photographs\, but they are not simply demonstrations of virtuosic painting skills. Instead\, they are evocative of the times in which they were created. \nFeaturing works by Richard Estes\, Robert Cottingham\, Audrey Flack\, Chuck Close\, and Janet Fish\, Chrome Dreams will highlight the glittering cityscapes\, shiny storefront windows\, and sleek automobiles of the 1960s and 70s. Visitors to the exhibition will also be transported by music and films from the era\, which will create a nostalgic look at America’s post-war boom. \n  Save  
URL:https://artinamericaguide.com/event/chrome-dreams-and-infinite-reflections-forty-years-of-photorealism/
LOCATION:Reynolda House Museum of American Art\, 2250 Reynolda Road\, Winston-Salem\, NC\, 27106\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220716T080000
DTEND;TZID=America/Halifax:20220910T170000
DTSTAMP:20260403T163727
CREATED:20220317T144010Z
LAST-MODIFIED:20220317T144010Z
UID:92979-1657958400-1662829200@artinamericaguide.com
SUMMARY:Grayson Chandler: IN VIA
DESCRIPTION:Grayson Chandler \nIN VIA \nJuly 16 to September 10\, 2022 \nOpening Reception: Saturday\, July 16th from 6:00 to 8:00 pm \nDeborah Colton Gallery is pleased to present IN VIA\, an exhibition featuring works on paper by \nGrayson Chandler. There will be an Opening Reception on Saturday\, July 16th from 6:00 to 8:00 \npm. \nVia\, borrowing from the Latin ablative for road\, is an English preposition meaning “by way of; \nthrough.” The guiding ethos of IN VIA is one which echoes a compulsion for motion. \nComplimented by its phonetic proximity to words such as viva\, vida\, and vive\, IN VIA encourages \nconnotations of living\, passing\, and connecting. Within this vein\, Chandler’s latest exhibit serves to \ncircumscribe the ways through which he channels his creative spirit into otherworldly artworks. As \na special feature\, Chandler invites viewers to get a closer glimpse into his artistic practice. By \nassembling his studio as a fixture of the exhibit\, IN VIA aims to reproduce a more comprehensive \nshowcase for the manifold of means\, methods\, and measurements by which Chandler finds vitality \nin his vision. Running in conjunction with Deborah Colton Gallery’s 2022 “Artist Solo & Studio \nProject”\, IN VIA is an opportunity for both the artist and audience to glean and visualize what \noccurs between studio and gallery. \nBorn in Houston\, Texas\, Grayson Chandler graduated with a BFA in Art Studio at the University of \nNorth Texas\, Denton\, Texas. Chandler’s first solo exhibition at Deborah Colton Gallery in 2017 \ncaptivated the viewers and was a “sell-out” show. Chandler’s second solo exhibition\, Cocoon\, at \nDeborah Colton Gallery in May 2019 attracted much attention\, with many major collectors \nacquiring his works. His solo exhibition in 2020\, Telos: After Thought was equally successful. \nGrayson Chandler has been selected for a major exhibition which highlights five artists from Texas \nand five from The State of Qatar. This exhibition is tentatively scheduled to open in Doha\, Qatar in \n2023 and will then come to Houston. Grayson Chandler has recently had a solo exhibition at the \nPearl Fincher Museum in Spring\, Texas\, titled Apophenia\, and has been included in several Texas \nand national exhibitions. \nPublic gallery hours during this exhibition are Thursday through Saturday\, 1:00 to 6:00 pm. \nPrivate appointments during other times can be arranged by contacting the gallery at \ninfo@deborahcoltongallery.com or at 713-869-5151. \nDeborah Colton Gallery is founded on being an innovative showcase for ongoing presentation \nand promotion of strong historical and visionary contemporary artists world-wide\, whose diverse \npractices include painting\, works on paper\, sculpture\, video\, photography\, performance\, \nconceptual future media and public space installations. \n  Save  
URL:https://artinamericaguide.com/event/grayson-chandler-in-via/
LOCATION:Deborah Colton Gallery\, 2445 North Boulevard\, Houston\, 77098\, United States
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ORGANIZER;CN="Deborah Colton Gallery":MAILTO:info@deborahcoltongallery.com
GEO:29.7276234;-95.4166597
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Deborah Colton Gallery 2445 North Boulevard Houston 77098 United States;X-APPLE-RADIUS=500;X-TITLE=2445 North Boulevard:geo:-95.4166597,29.7276234
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220721T100000
DTEND;TZID=America/Halifax:20221001T170000
DTSTAMP:20260403T163727
CREATED:20220812T224229Z
LAST-MODIFIED:20220812T224229Z
UID:96093-1658397600-1664643600@artinamericaguide.com
SUMMARY:Dawoud Bey & Carrie Mae Weems: In Dialogue
DESCRIPTION:Dawoud Bey & Carrie Mae Weems: In Dialogue brings together a focused selection of work from a period of over forty years by two of today’s most important and influential photo-based artists. Dawoud Bey and Carrie Mae Weems\, both born in 1953\, came of age during a period of dramatic change in the American social landscape. Since meeting at the Studio Museum in Harlem in 1976\, the two artists have been intellectual colleagues and companions. Over the following five decades\, Bey and Weems have explored and addressed similar themes: race\, class\, representation\, and systems of power\, creating work that is grounded in specific African American events and realities while simultaneously speaking to universal human conditions. This exhibition\, for the first time\, brings their work together to shed light on their unique trajectories and modes of presentation\, and their shared consciousness and principles. \nDawoud Bey & Carrie Mae Weems: In Dialogue is organized by the Grand Rapids Art Museum\, with presenting support generously provided by MillerKnoll. Additional support is provided by Wege Foundation\, Agnes Gund\, the National Endowment for the Arts\, and Eenhoorn\, LLC. \nPresenting Sponsor: Bank of America \n  Save  
URL:https://artinamericaguide.com/event/dawoud-bey-carrie-mae-weems-in-dialogue/
LOCATION:Tampa Museum of Art\, 120 W. Gasparilla Plaza\, Tampa\, FL\, 33602\, United States
CATEGORIES:Exhibition
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