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DTSTART;TZID=America/New_York:20260405T143024
DTEND;TZID=America/New_York:20250920T170000
DTSTAMP:20260405T143024
CREATED:20250722T184747Z
LAST-MODIFIED:20250722T184747Z
UID:114023-0-1758387600@artinamericaguide.com
SUMMARY:August-September @ Art Works!
DESCRIPTION:Throughout August Art Works is open to the public\, offering a variety of engaging exhibits. Adam and Anita Bradley present life-size figurative sculptures and paintings capturing a chaotic world. Mike Bily’s exhibit investigates ecosystems; Sharon Denmark captures light flowing through glass. Rachel Rowden exhibit is a portal of mysteries and Rebecca Visger provides a view from behind the wheel. Blake Bottoms exhibit is featured in the Community Bridge Project. \n  \nJoin us for a fun-filled scavenger hunt with prizes\, perfect for both the young and the young at heart. The activity culminates with prizes for all who participate. We also offer figure drawing sessions on the 1st and 3rd Sundays and Queer Life Drawing at Gold Lion Community Café on August 20th.  \n  \nBradley + Bradley: The Weight of Vanishing Shadows \nAdam and Anita Bradley explore the human condition through their unique mediums. Adam presents life-sized figurative sculptures in wood\, steel\, ceramics\, and smaller bronze pieces\, reflecting themes of anxiety\, loss\, and grief. Anita complements this with layered paintings and mixed media collages\, capturing the struggle for order in a chaotic world. Their intertwined approaches invite contemplation of deep human experiences. \n  \nThe exhibition will be in the Jane Sandelin Gallery at Art Works and will continue through September 20\, 2025. \n  \n  \nArtifacts by Anne Chamblin \nAnne Chamblin’s work is about merging sight and feeling. For her\, painting is a way to process what she experiences. She brings spaces\, places\, and faces to life on canvas\, turning bodies into landscapes and using layers to hint at the passage of time. Anne constantly reworks her paintings\, always keeping a bit of the past to shape the present. Her journey is grounded in everyday experiences\, resulting in unique\, relatable art. \n  \nThe exhibit will be in the Centre Gallery at Art Works through September 20\, 2025. \n  \n  \n  \n  \n  \nBetween Worlds by Hannah Anderson \n  \nAmerican abstract artist Hannah Anderson (b. 1953)\, raised in the simplicity of a Quaker household\, rediscovered her love for painting in 1990 with a Crayon watercolor set. Self-taught and inspired by contemporary artists\, her work reflects the light and dark periods of her life\, blending elements of nature and archetypal symbols from healing traditions. Her debut exhibit\, Between Worlds\, explores the liminal space between worlds and relationships. Hannah resides in Richmond\, Virginia\, and finds inspiration in Taos\, New Mexico. \n  \nThe exhibit will be in the Corner Gallery at Art Works through September 20\, 2025. \n  \n\nMental Health Matters: Celebrating Resilience Through Art All Media Show\nThis exhibit is a focal point of all Art Works’ openings. It is a juried show with cash prizes for 1st\, 2nd and 3rd place. The show is open to all artists and all mediums. \n  \nIn August the theme is Mental Health Matters: Celebrating Resilience Through Art. The community has donated terrific items that we will be auctioning to benefit NAMI\, and Art Works will donate the sales from the All Media Show to NAMI. \nWonJung Choi an international artist and educator\, will be the juror for the exhibit. Wonjung Choi is a Korean-born\, Virginia-based artist whose multidisciplinary work delves into the complexities of identity formation in a globalized world. See more on WonJung’s website: Click here. \n  \nCall for entries is July 15  – August 10\, 2025\, and may be submitted through the online form. The exhibit will be in the Port Gallery at Art Works through September 18\, 2025. Check our website for details on submitting artwork:  Call for Entries \n  Save  
URL:https://artinamericaguide.com/event/august-september-art-works-2/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/07/PR-2025.08-Anne-Chamblin-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260405T143024
DTEND;TZID=America/New_York:20250926T200000
DTSTAMP:20260405T143024
CREATED:20250903T144946Z
LAST-MODIFIED:20250903T144946Z
UID:114439-0-1758916800@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Opening Reception @ Art Works!
DESCRIPTION:4th Friday September 26th at Art Works \n  \nJoin us on September 26\, 2025 from 6 p.m. to 8 p.m. for an exciting opening reception of our new exhibits at Art Works. Meet the talented artists\, and enjoy live music\, refreshments\, and libations sponsored by RVA Thriving Artists.  The featured artists are Adam Reinhart\, Jen Cook-Asaro\, Sarah Miller\, Tatiana Grace\, Kenneth Lee\, and experiment with interactive art by RVA Game Jams. \n  \nThis event is free and open to the public. Convenient and free parking is available. The exhibits will continue through October 18\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-opening-reception-art-works-56/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/PR-2025.09-Game-Jam-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260405T143024
DTEND;TZID=America/New_York:20250927T180000
DTSTAMP:20260405T143024
CREATED:20250811T200044Z
LAST-MODIFIED:20250811T200044Z
UID:114212-0-1758996000@artinamericaguide.com
SUMMARY:Heather Stivison\, “Ebb & Flow”\, a Solo Exhibition
DESCRIPTION:In this her third New York City solo exhibition\, Heather Stivison explores the intersection of environmental science and visual art with a series of immersive paintings of the ocean. \nStivison paintings capture the essence of water—something clear and colorless\, with its shape formed entirely by the external forces of objects\, land\, wind\, gravity. Searching for water’s most primary qualities\, she uses light\, color\, form\, shape\, line\, to engender a sense of water. Fluidity\, reflections\, rhythms are evident in her ocean surface paintings. Stivison is fascinated by the reflections and patterns created by the coastal ocean surface. She paints variations on patterns\, exploring how much she can change them and still maintain the sense that the subject is surface water. \nCurator and director of Manhattan Arts International Renee Phillips writes: \n“Stivison ventures beyond nature’s physical boundaries into abstraction with the profusion of free-flowing biomorphic patterns and tonal ranges. In her paintings the innate attributes of water evolve into metaphors\, symbolism and visual poetry.” \nThe exhibition includes a massive 110-inch quadriptych that explores the sense of weightlessness and mystery that she finds in the imagining unknown ocean depths. Other paintings explore surface water patterns as abstract design. \nIndependent curator Kathy Imlay writes: \n“Stivison’s paintings have a luminous glow—accomplished by the artist building up layer upon layer of viscous paint\, which she pours\, smears\, scrapes and otherwise manipulates to create fields of color that conjure the watery depths of the ocean or intergalactic space\, depending on the palette.” \nSome of the paintings on view are the result of her multi-year\, grant funded collaboration with Noah Germolus\, a scientist at Woods Hole Oceanographic Institute who was researching ocean chemistry. Stivison created two paintings about him and his work\, and four five-foot paintings that interpret his research data in paint. \nThe collaboration led to a unique special feature of this exhibition. After Stivison interpreted his data in paint\, he in turn\, interpreted four of her paintings in music. The exhibition includes an on-demand sound installation of original jazz music composed and performed by Germolus. \n  Save  
URL:https://artinamericaguide.com/event/heather-stivison-ebb-flow-a-solo-exhibition/
LOCATION:Pleiades Gallery\, 547 W 27th St. Suite 304\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/stivison-heather_Coastal-Surface-Community_48x60_Oil-over-Acrylic-on-Canvas.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260405T143024
DTEND;TZID=America/New_York:20251018T170000
DTSTAMP:20260405T143024
CREATED:20250903T144946Z
LAST-MODIFIED:20250903T144946Z
UID:114443-0-1760806800@artinamericaguide.com
SUMMARY:September - October Exhibits @ Art Works!
DESCRIPTION:Now showing six new exhibits. The featured artists are Adam Reinhart\, Jen Cook-Asaro\, Sarah Miller\, Tatiana Grace\, Kenneth Lee\, and experiment with interactive art by RVA Game Jams. Also see 80+ working artist studios. \nVisit us Tuesdays through Sundays 11am- 5pm. Admission is free and open to the public. Convenient and free parking is available. The exhibits will continue through October 18\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/september-october-exhibits-art-works-4/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/PR-2025.09-Game-Jam-1-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260405T143024
DTEND;TZID=America/New_York:20251122T170000
DTSTAMP:20260405T143024
CREATED:20250908T192551Z
LAST-MODIFIED:20250908T192551Z
UID:114572-0-1763830800@artinamericaguide.com
SUMMARY:October - November Exhibits @ Art Works!
DESCRIPTION:Now showing six new exhibits. The featured artists are Blake Seals\, Felicia L. Reed\, Adam Reinhard\, Sorvino\, and Tobi Holtslag. Also see 80+ working artist studios. \nVisit us Tuesdays through Sundays 11am- 5pm. Admission is free and open to the public. Convenient and free parking is available. The exhibits will continue through November 22nd 2025. \n  Save  
URL:https://artinamericaguide.com/event/october-november-exhibits-art-works-5/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/09/PR-2025.10-Chris-Semtner-3-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:jessie@artworksrva.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260405T143024
DTEND;TZID=America/New_York:20260221T180000
DTSTAMP:20260405T143024
CREATED:20260120T172859Z
LAST-MODIFIED:20260120T172859Z
UID:115685-0-1771696800@artinamericaguide.com
SUMMARY:Robert Braczyk: Cardinal Directions
DESCRIPTION:Exhibition Dates: January 27 – February 21\, 2026\nOpening Reception: Thurs.\, January 29\, 2026\, 5PM-8PM\nArtist Talk: Saturday\, February 14\, 2026\, 3PM-4PM\nGallery Hours: Tuesday – Saturday\, 11AM-6PM \nBowery Gallery is pleased to present “Cardinal Directions\,” an exhibition of new sculpture by Robert Braczyk.  \nFor many years a prize-winning figurative sculptor\, in recent years Braczyk has turned to abstraction. In his new work—most about 24 inches high—he assembles various tree elements into vertical compositions that echo figural forms\, but whose abstract vocabulary of open volumes and discontinuous contours suggests the possibility of multiple allusions. Each work evinces a powerful spatial tension between the cardinal point from which it is begun and the complex three-dimensional image that Braczyk builds with primary thrust\, axis\, and meridian.  \nBraczyk’s trajectory from figure to abstract figure may be seen as a temporal through line connecting the events of a life. The artist’s comment that he brings all his life’s experiences into the studio reminds us that in the long arc of his career\, the spatial and temporal are never far apart. \nView the exhibition website. \n  \nBowery Gallery\n547 W. 27th Street\, Suite 508\nNew York\, NY 10001 \n  Save  
URL:https://artinamericaguide.com/event/robert-braczyk-cardinal-directions/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/Braczyk_Reel_for_eVite-and_Web_landing-page-scaled.jpg
ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bowery Gallery 547 W 27TH ST Suite 508 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=547 W 27TH ST Suite 508:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220722T110000
DTEND;TZID=America/New_York:20240804T180000
DTSTAMP:20260405T143024
CREATED:20220622T153511Z
LAST-MODIFIED:20240229T212126Z
UID:94138-1658487600-1722794400@artinamericaguide.com
SUMMARY:Evergreen: Art from the Collection
DESCRIPTION:Evergreen: Art from the Collection celebrates SJMA’s collection as both a gift to and a product of its community. This dedicated gallery space\, which provides long-term access to the Museum’s collection\, honors the community members who rallied together to establish the Museum; the artists who trust us to care for their visions; the generous donors who helped to build the collection; the generations of students who have visited; the volunteers and staff who have contributed; and the breadth of community experiences that give ongoing meaning to the works. \nLocated in the Museum’s historic building—formerly the city’s post office and library—Evergreen highlights the Museum’s growing collection and the numerous San José stories it tells. The gallery features such works as rafa esparza’s Yosi con Abuela (2021)\, a recently acquired portrait on adobe of the East San José poet and activist Yosimar Reyes with his grandmother. Also on view are Resident Alien (1988) by Hung Liu\, the beloved Bay Area artist and longtime friend of SJMA\, and Louise Nevelson’s monumental Sky Cathedral (1957–58)\, a centerpiece of the Museum’s collection. The gallery also includes access points to the free digital collection catalog 50×50: Stories of Visionary Artists from the Collection\, which highlights the stories and impact of artists in the Museum’s collection. \n  Save  
URL:https://artinamericaguide.com/event/evergreen-art-from-the-collection/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/06/4l2a0282_1.jpeg
GEO:37.3327419;-121.8905201
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=San Jose Museum of Art 110 S. Market Street San Jose CA 95113 United States;X-APPLE-RADIUS=500;X-TITLE=110 S. Market Street:geo:-121.8905201,37.3327419
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230318T100000
DTEND;TZID=America/Halifax:20240609T170000
DTSTAMP:20260405T143024
CREATED:20230316T154058Z
LAST-MODIFIED:20230316T154058Z
UID:102487-1679133600-1717952400@artinamericaguide.com
SUMMARY:Bosco Sodi: Origen
DESCRIPTION:Visit our galleries for FREE on Sundays. Check the visit page for all free admission opportunities at the Harvard Art Museums. \nA new installation of sculptures by Mexican-born artist Bosco Sodi (b. 1970) places 14 of the artist’s handmade clay spheres at the Harvard Art Museums and marks the first-ever presentation of art on the museums’ outdoor Broadway terrace. Sodi’s practice explores the earth’s elements\, marrying age-old traditions of sculpting clay with a contemporary vision of creating simple universal forms that prompt reflection. Drawing on centuries-old techniques passed through the Zapotec culture\, Sodi works with Oaxacan artisans\, using local clay to sculpt each sphere\, drying it outside for up to eight months\, and then firing it in a kiln built upon a beach. The resulting terracotta forms reveal the effects of nature’s forces—the sun\, sea air\, and fire—as demonstrated by the cracks\, chips\, and blackened and crusty patches that distinguish each sphere. In a first for a U.S. installation of the artist’s work\, Sodi will also unveil three gold-glazed spheres as part of his site-specific arrangement. Moving from outside to inside the museums\, these gold spheres connect to and engage with the meditative atmosphere evoked by the installation of Buddhist figures in Gallery 1610. \n  Save  
URL:https://artinamericaguide.com/event/bosco-sodi-origen/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/03/Bosco-Sodi.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230318T100000
DTEND;TZID=America/Halifax:20240609T170000
DTSTAMP:20260405T143024
CREATED:20230320T150548Z
LAST-MODIFIED:20230320T150548Z
UID:102492-1679133600-1717952400@artinamericaguide.com
SUMMARY:Bosco Sodi: Origen
DESCRIPTION:Visit our galleries for FREE on Sundays. Check the visit page for all free admission opportunities at the Harvard Art Museums. \nA new installation of sculptures by Mexican-born artist Bosco Sodi (b. 1970) places 14 of the artist’s handmade clay spheres at the Harvard Art Museums and marks the first-ever presentation of art on the museums’ outdoor Broadway terrace. Sodi’s practice explores the earth’s elements\, marrying age-old traditions of sculpting clay with a contemporary vision of creating simple universal forms that prompt reflection. Drawing on centuries-old techniques passed through the Zapotec culture\, Sodi works with Oaxacan artisans\, using local clay to sculpt each sphere\, drying it outside for up to eight months\, and then firing it in a kiln built upon a beach. The resulting terracotta forms reveal the effects of nature’s forces—the sun\, sea air\, and fire—as demonstrated by the cracks\, chips\, and blackened and crusty patches that distinguish each sphere. In a first for a U.S. installation of the artist’s work\, Sodi will also unveil three gold-glazed spheres as part of his site-specific arrangement. Moving from outside to inside the museums\, these gold spheres connect to and engage with the meditative atmosphere evoked by the installation of Buddhist figures in Gallery 1610. \n  Save  
URL:https://artinamericaguide.com/event/bosco-sodi-origen-2/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/03/Bosco-Sodi-1.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230520T100000
DTEND;TZID=America/Halifax:20240421T160000
DTSTAMP:20260405T143024
CREATED:20230502T182207Z
LAST-MODIFIED:20230502T182207Z
UID:103170-1684576800-1713715200@artinamericaguide.com
SUMMARY:Sharing The Same Breath
DESCRIPTION:In her 2021 essay “A Family Reunion Near the End of the World\,” botanist Robin Wall Kimmerer contemplates our kinship with nature and proposes a road map for deepening our care and respect for all living things. \n“Being a relative\,” she writes\, “is more than shared blood from a common past. Real kinship arises when we realize that we have a common future\, that our fates are linked.” She goes on to suggest\, “Real kinship comes when you live it. It’s not a noun\, but a verb\, it’s not a thing\, it’s what you do.” \nThe cultivation of kinship with the living world is the foundation for Sharing the Same Breath. The exhibition brings together nine artists who consider the world’s complex web of relations through artworks that emphasize human\, nonhuman\, and interspecies forms of kinship and connectivity. These relationships are explored through a wide range of mediums including sculpture\, photography\, drawing\, video\, film\, and installation. Together the works form a kincentric viewpoint that challenges narratives of human exceptionalism and encourages us to regard our symbiotic relationship and shared fate with our more-than-human family with greater attention and care. \nArtists in the exhibition include Juan William Chávez\, David Freid\, Lindsey French\, Emilie Louise Gossiaux\, Nina Katchadourian\, Cannupa Hanska Luger\, Marie Watt\, William Wegman\, and Dyani White Hawk. \nImage: Emilie L. Gossiaux\, True Love Will Find You in the End\, 2021; polystyrene foam\, aluminum pipes\, papier-mâché\, epoxy resin\, and acrylic matte medium. Courtesy of the artist and Mother Gallery. Photo: Ronald Amstutz. \n  Save  
URL:https://artinamericaguide.com/event/sharing-the-same-breath/
LOCATION:John Michael Kohler Arts Center\, 608 New York Avenue\, Sheboygan\, WI\, 53081\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/05/ex.sha_.2023.5011-1440x1920-1.png
ORGANIZER;CN="John Michael Kohler Arts Center":MAILTO:generalinfo@jmkac.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230915
DTEND;VALUE=DATE:20240805
DTSTAMP:20260405T143024
CREATED:20240522T193730Z
LAST-MODIFIED:20240522T193730Z
UID:108579-1694736000-1722815999@artinamericaguide.com
SUMMARY:Composing Color: Paintings by Alma Thomas
DESCRIPTION:The Smithsonian American Art Museum has the largest public collection of works by Alma Thomas in the world. Thomas’s art first entered SAAM’s collection in 1970. The museum acquired more than a dozen works during the artist’s lifetime\, and thirteen that were bequeathed to the museum by Thomas after her death. Composing Color: Paintings by Alma Thomas draws on these extensive holdings to offer an intimate view of Thomas’s evolving practice during her most prolific period\, 1959 to 1978. \nIn her work\, color can be symbolic and multisensory\, evoking sound\, motion\, temperature\, even scent. Her abiding source of inspiration was nature—whether seen through her kitchen window or from outer space. Organized around the artist’s favored themes of Space\, Earth\, and Music\, this show invites you to see the world through Alma Thomas’s eyes. She often assigned titles to her own paintings that connect natural phenomena\, like flowers or a sunset\, with song. In her art\, nature and music are treated as twin expressions of a fundamental life force or spirit. \nConsciously oriented toward the future\, she embraced the technological and social changes of the twentieth century. Her artistic evolution from academic painting to abstraction reflected this forward-facing attitude—her belief in the need for “a new art representing a new era.” \n\n  Save  
URL:https://artinamericaguide.com/event/composing-color-paintings-by-alma-thomas/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/05/eclipse-scaled.jpg
ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230922T080000
DTEND;TZID=America/New_York:20240704T170000
DTSTAMP:20260405T143024
CREATED:20240522T193731Z
LAST-MODIFIED:20240522T193731Z
UID:108577-1695369600-1720112400@artinamericaguide.com
SUMMARY:Carrie Mae Weems: Looking Forward\, Looking Back
DESCRIPTION:This focused exhibition pairs two projects by Carrie Mae Weems—a major multimedia installation\, Lincoln\, Lonnie\, and Me – A Story in 5 Parts\, and eight photographs from the series Constructing History—that explore the relationship of memory to history and of memory as it is mediated through performance\, photography\, or video. \nWeems invites others to step back in time. Lincoln\, Lonnie\, and Me–A Story in 5 Parts (2012) is a multimedia installation that transforms the gallery into a nineteenth-century illusionistic theater. This complex work brings to life episodes from the American Civil War to the present\, accompanied by a soundtrack that evokes the constitutional promise of equality\, along with projections of recurring racial and gender difference that make achieving it so elusive. It is accompanied by eight photographs from her series Constructing History (2008). Weems worked with college students to restage iconic photographs from World War II to the civil rights era and beyond. Taking on these poses\, a new generation simultaneously enacts and witnesses past moments of strength\, pain\, and progress in the present. \n  Save  
URL:https://artinamericaguide.com/event/carrie-mae-weems-looking-forward-looking-back/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/05/Weems-scaled.jpg
ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231014
DTEND;VALUE=DATE:20240408
DTSTAMP:20260405T143024
CREATED:20230726T223547Z
LAST-MODIFIED:20230726T223547Z
UID:104557-1697241600-1712534399@artinamericaguide.com
SUMMARY:Strange Weather: From the Collections of Jordan D. Schnitzer and His Family Foundation
DESCRIPTION:Strange Weather: From the Collections of Jordan D. Schnitzer and His Family Foundation features contemporary art works which illuminate and reframe the boundaries of bodies and the environment. \n\n\n“By and by all trace is gone\, and what is forgotten is not only the footprints but the water too and what is down there. The rest is weather. Not the breath of the disremembered and unaccounted for\, but wind in the eaves\, or spring ice thawing too quickly. Just weather.” -Toni Morrison \nStrange Weather: From the Collections of Jordan D. Schnitzer and His Family Foundation features contemporary art works which illuminate and reframe the boundaries of bodies and the environment. The artworks included in the exhibition span five decades\, from 1970-2020\, and are drawn together for how they creatively call attention to the impact and history of forced migrations\, industrialization\, global capitalism\, and trauma on humans and the contemporary landscape. \nWeather can refer to both subtle and violent atmospheric conditions in a given place and time. The influential artists in the exhibition utilize a range of aesthetic strategies\, including abstraction\, portraiture\, figurative painting\, landscape\, and installation\, to explore the current atmospheric strangeness. Julie Mehretu’s three prints created as a response to the aftermath of Hurricane Katrina in 2005 render abstract an intricate cartography of a rapidly changing climate. Kehinde Wiley’s large-scale painting\, The World Stage: Marechal Floriano Peixoto II\, 2009 monumentalizes issues of identity and nature. Nicola Lopez’s constructed collage monoprints show startlingly dystopian urban landscapes\, with iron structures and vibrant colors. Wendy Red Star’s photographic series\, “Four Seasons\,” links weather patterns to the consumption and commodification of Native American culture. Together\, these and other works make the body and the land legible as paired sites of contestation\, offering profound insights about the connections between aesthetics\, history and our tempestuous climate. \nArtists include Carlos Almarez\, Carlos Amorales\, Leonardo Drew\, Joe Feddersen\, Hock E Aye Vi Edgar Heap of Birds\, James Lavadour\, Nicola Lopez\, Hung Liu\, Julie Mehretu\, Wendy Red Star\, Alison Saar\, Lorna Simpson\, Kiki Smith\, Charles Wilbert White\, Kehinde Wiley\, and Terry Winters. Concurrent with Strange Weather\, a capsule exhibition of the works of Glenn Ligon from the Collections of Jordan D. Schnitzer and His Family Foundation will be on view. \nStrange Weather is curated by Dr. Rachel Nelson\, director\, Institute of the Arts and Sciences\, UC Santa Cruz in collaboration with Professor Jennifer González\, History of Art and Visual Culture\, UC Santa Cruz. \n\n  Save  
URL:https://artinamericaguide.com/event/strange-weather-from-the-collections-of-jordan-d-schnitzer-and-his-family-foundation-2/
LOCATION:Jordan Schnitzer Museum of Art – University of Oregon\, 1430 Johnson Lane\, Eugene\, OR\, 97403\, United States
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231111T110000
DTEND;TZID=America/New_York:20241027T170000
DTSTAMP:20260405T143024
CREATED:20230823T152458Z
LAST-MODIFIED:20230823T152458Z
UID:104954-1699700400-1730048400@artinamericaguide.com
SUMMARY:Frye Salon
DESCRIPTION:Frye Salon features over one-hundred paintings from the Frye Art Museum’s Founding Collection hung floor to ceiling—a display mode referred to as a salon-style hang. The installation approximates the dramatic viewing experience enjoyed by visitors to Charles and Emma Frye’s Seattle home in the first decades of the twentieth century. \nThe Fryes developed their passion for art at the World’s Columbian Exposition\, a world’s fair held in Chicago in 1893. The experience greatly influenced the painterly subjects and artists the young couple collected for years to come. Over the next four decades\, they purchased canvases by an international roster of artists from Europe and the United States. As children of German immigrants\, the Fryes focused particularly on works by German artists. \nThe couple displayed the collection in private living quarters and a purpose-built gallery attached to their home in First Hill. Major philanthropic supporters of music\, the Fryes also hosted concerts and charitable events in their gallery. Concurrent exhibition LINEAJES pays homage to this model of cross-disciplinary engagement\, inviting local percussionist Antonio M. Gómez to activate the space with musical interventions and a mural painted on the walls behind the Salon works. \n  Save  
URL:https://artinamericaguide.com/event/frye-salon/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/08/4994-1.jpg
ORGANIZER;CN="Frye Art Museum":MAILTO:info@fryemuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231118T100000
DTEND;TZID=America/New_York:20240616T170000
DTSTAMP:20260405T143024
CREATED:20231116T171127Z
LAST-MODIFIED:20231116T171127Z
UID:105967-1700301600-1718557200@artinamericaguide.com
SUMMARY:Cloth as Land: HMong Indigeneity
DESCRIPTION:On view November 18–June 16\, 2024 \nIndigeneity—a state of being Indigenous and originating from a specific place; encompassing displaced minorities whose ancestral homelands have been lost due to colonialism\, yet preserved in the continuity of cultures\, identities\, and kinship. \nHMong Indigeneity lives in textiles: vibrant\, breathing pieces of cloth shaped by HMong hands to illustrate ancestral landmarks and homelands. Here\, lines converge to form patterns and an aesthetic of kin that replace teb chaws—land\, country\, and place—as pathways for Indigeneity to reside. \nCentering the voices of three HMong-American artists\, Cloth as Land investigates a place for HMong Indigeneity within contemporary HMong art. Curated by Pachia Lucy Vang\, the exhibition features textiles from JMKAC’s collection and newly commissioned works by artists Ger Xiong/Ntxawg Xyooj\, Pao Houa Her\, and Tshab Her. \n  Save  
URL:https://artinamericaguide.com/event/cloth-as-land-hmong-indigeneity/
LOCATION:John Michael Kohler Arts Center\, 608 New York Avenue\, Sheboygan\, WI\, 53081\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/11/Cloth-as-Land-1200x1380-1.png
ORGANIZER;CN="John Michael Kohler Arts Center":MAILTO:generalinfo@jmkac.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231208
DTEND;VALUE=DATE:20261207
DTSTAMP:20260405T143024
CREATED:20240522T193731Z
LAST-MODIFIED:20240522T193731Z
UID:108575-1701993600-1796601599@artinamericaguide.com
SUMMARY:Isaac Julien: Lessons of the Hour — Frederick Douglass
DESCRIPTION:Sir Isaac Julien’s moving image installation Lessons of the Hour (2019) interweaves period reenactments across five screens to create a vivid picture of nineteenth-century activist\, writer\, orator\, and philosopher Frederick Douglass. Through critical research\, fictional reconstruction\, and a marriage of poetic image and sound\, Julien asserts Douglass’ enduring lessons of justice\, abolition\, and freedom that remain just as relevant today. \nLessons of the Hour features passages from Douglass’ key speeches\, including the titular “Lessons of the Hour\,” “What to the Slave Is the Fourth of July?” and “Lecture on Pictures.” \nJulien weaves together reenacted scenes from Douglass’ life and lectures\, filming at his historic home in Washington\, DC\, and a restaged studio of famed Black photographer J.P. Ball (1825–1904) as he makes a portrait of Douglass. Images of contemporary Baltimore—the city where Douglass was enslaved and escaped from bondage in 1838—including footage of fireworks and protests in 2015 following the death of Freddie Gray\, Jr. while in police custody\, are interspersed as the struggle to make good on America’s promise of equality continues. \nLessons of the Hour was jointly acquired by SAAM and the National Portrait Gallery in 2023. The 28-minute work debuted for Washington audiences December 8\, 2023\, and remains on public view through the 250th anniversary of the founding of the United States in 2026. \n  Save  
URL:https://artinamericaguide.com/event/isaac-julien-lessons-of-the-hour-frederick-douglass/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/05/isaac-julien-1-scaled.jpg
ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231209
DTEND;VALUE=DATE:20240410
DTSTAMP:20260405T143024
CREATED:20231009T142251Z
LAST-MODIFIED:20231129T200221Z
UID:105479-1702080000-1712707199@artinamericaguide.com
SUMMARY:Andy Warhol's Endangered Species\, From the Collections of Jordan D. Schnitzer and His Family Foundation
DESCRIPTION:Andy Warhol’s Endangered Species is the first exhibit in the year-long series of three exhibitions hosted by the High Desert Museum. Drawn entirely from the Collections of Jordan D. Schnitzer and His Family Foundation\, the exhibit will include the complete portfolio of Warhol’s Endangered Species (1983) alongside selected highlights from his Marilyn series (1967) and Skull series (1976). A household name and pop icon\, Andy Warhol is best known for examining contemporary culture through images of commodification\, mortality\, and celebrity. \nSeen beside Warhol’s most celebrated images of Marilyn Monroe and the ubiquitous symbol of mortality\, Skulls\, Andy Warhol’s Endangered Species asks visitors to reflect on our need for actionable conservation. The megafauna portrayed in the Endangered Species series finds multiple commonalities with the Marilyn series\, asking visitors to examine ideas of posthumous idolization and our own responsibility to the most threatened species. \n  Save  
URL:https://artinamericaguide.com/event/andy-warhols-endangered-species-from-the-collections-of-jordan-d-schnitzer-and-his-family-foundation/
LOCATION:High Desert Museum\, 59800 US-97\, Bend\, OR\, 97702\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/10/warholwebbanner_inside-1024x576-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240116
DTEND;VALUE=DATE:20240617
DTSTAMP:20260405T143024
CREATED:20231010T164429Z
LAST-MODIFIED:20231012T195754Z
UID:105551-1705363200-1718582399@artinamericaguide.com
SUMMARY:Jacob Lawrence and the Legend of John Brown
DESCRIPTION:Jacob Lawrence and the Legend of John Brown presents a recently acquired portfolio of prints by the acclaimed Black modernist Jacob Lawrence (1917–2000). Lawrence originally produced The Legend of John Brown as paintings in 1941\, but\, due to problems related to the stability of the gouache used in the series\, in 1974 he collaborated with printers to translate this important body of work to screen prints. Lawrence drew inspiration for the 22 prints in the series from research he conducted at the Schomberg Center for Research in Black Culture at the New York Public Library\, notably Franklin B. Sanborn’s The Life and Letters of John Brown\, Liberator of Kansas and Martyr of Virginia\, published in 1885. Lawrence’s account of Brown’s life and death includes consideration of his time in Kansas\, where Brown first employed violence in his quest to rid the country of slavery. \n  Save  
URL:https://artinamericaguide.com/event/jacob-lawrence-and-the-legend-of-john-brown/
LOCATION:Spencer Museum of Art\, University of Kansas\, 1301 Mississippi St.\, Lawrence\, KS\, 66045\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/10/2020.0068.21.jpg
ORGANIZER;CN="Spencer Museum of Art%2C University of Kansas":MAILTO:spencerart@ku.edu
GEO:38.9596803;-95.244588
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Spencer Museum of Art University of Kansas 1301 Mississippi St. Lawrence KS 66045 United States;X-APPLE-RADIUS=500;X-TITLE=1301 Mississippi St.:geo:-95.244588,38.9596803
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240118T110000
DTEND;TZID=America/New_York:20240421T180000
DTSTAMP:20260405T143024
CREATED:20240119T150547Z
LAST-MODIFIED:20240119T150547Z
UID:106736-1705575600-1713722400@artinamericaguide.com
SUMMARY:If toxic air is a monument to slavery\, how do we take it down?
DESCRIPTION:Forensic Architecture (FA) presents their research on “Death Alley\,” using architectural and environmental analysis; FA examines the impacts of colonialism and slavery\, offering tools to help combat a 300-year continuum of environmental racism. \n  Save  
URL:https://artinamericaguide.com/event/if-toxic-air-is-a-monument-to-slavery-how-do-we-take-it-down/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2024/01/06_Monument-Flare-1.png
GEO:37.3327419;-121.8905201
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=San Jose Museum of Art 110 S. Market Street San Jose CA 95113 United States;X-APPLE-RADIUS=500;X-TITLE=110 S. Market Street:geo:-121.8905201,37.3327419
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240119T180000
DTEND;TZID=America/New_York:20240427T180000
DTSTAMP:20260405T143024
CREATED:20231204T195923Z
LAST-MODIFIED:20231204T195923Z
UID:106119-1705687200-1714240800@artinamericaguide.com
SUMMARY:Streaming: Sculpture by Christy Rupp
DESCRIPTION:Understood as one of the early pioneers in the field of ecological art activism\, the artist\, activist and thought-leader Christy Rupp has an international reputation. Streaming will feature a survey of Rupp’s intricate collages\, wall installations and free-standing sculpture\, which chronicle the ongoing tension between natural systems and the environment in transition\, and call our attention to our interconnectedness with non-humans and habitat – transmuting detritus gathered from the waste stream through collage and sculpture to reveal what is hidden away from common view and understanding. Informed by science and the historical representation of natural history\, the artwork in this exhibition examines the way we frame our opinions of nature\, using irony and wit to represent the human impact on our natural habitat. This exhibition in the Walsh Gallery located at Fairfield University opens Thursday\, January 18th and runs through Saturday\, April 27th\, 2024. \n  Save  
URL:https://artinamericaguide.com/event/streaming-sculpture-by-christy-rupp/
LOCATION:Fairfield University Art Museum\, 200 Barlow Road\, Fairfield\, CT\, 06824\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/12/Christy-Rupp-rough-draft-banner.jpg
ORGANIZER;CN="Cross Contemporary Art Projects":MAILTO:crosscontemporaryprojects@gmail.com
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fairfield University Art Museum 200 Barlow Road Fairfield CT 06824 United States;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240125
DTEND;VALUE=DATE:20240519
DTSTAMP:20260405T143024
CREATED:20231009T142251Z
LAST-MODIFIED:20231009T142251Z
UID:105478-1706140800-1716076799@artinamericaguide.com
SUMMARY:Storywork: The Prints of Marie Watt\, From the Collections of Jordan D. Schnitzer and His Family Foundation
DESCRIPTION:Storywork: The Prints of Marie Watt\, From the Collections of Jordan D. Schnitzer and His Family Foundation is the first major retrospective exhibition tracing the artist’s career in print 1996-present alongside the artist’s monumental sculpture and textile works. The exhibition is accompanied by a fully illustrated exhibition catalogue. \n\n\nWe gave thanks for the story\, for all parts of the story\nbecause it was by the light of those challenges we knew\nourselves—Joy Harjo (Muscogee / Creek)\, National Poet Laureate \nMultimedia artist Marie Watt is a storyteller. As a member of the Seneca Nation (one of six that comprise the Haudenosaunee Confederacy) with German-Scots ancestry\, her stories draw from Native and non-Native traditions: Greco-Roman myth\, pop music and Pop art\, Indigenous oral narratives\, Star Wars and Star Trek. \nWatt reminds us of the stories told by her Seneca ancestors: how the world came to be\, what we have to learn from animals\, our ethical obligations to the planet\, as well as to past and future generations. She tells stories about humble\, everyday materials and objects—blankets\, quilts\, corn husks\, letters\, ladders\, and dreamcatchers—that carry intimate meanings and memories. \nOver the course of her career\, Watt has told these stories through prints. The collaborative printmaking process is consistent with Watt’s desire to build communities through art and storytelling. The stories the prints tell are personal\, cultural\, and universal\, dealing with elemental themes of shelter\, dreams\, the earth and sky\, and the cosmos. \nAs a Klamath elder once told her: “My story changes when I know your story.” \nThis retrospective exhibition traces Marie Watt’s career in print from 1996-present. For the first time\, Watt’s early work from her MFA program at Yale\, and her collaborations with master printers at Crows Shadow Institute\, Sitka Center for Art and Ecology\, Tamarind Institute\, and more recently Mullowney Printing Company are exhibited alongside the artists monumental scale textiles and sculpture. This exhibition also explores Watt’s evolving practice of convening sewing and printing circles with family\, friends and community members. The exhibition was curated in partnership with the University of San Diego by Dr. John Murphy\, Philip and Lynn Straus Curator of Prints and Drawings at The Frances Lehman Loeb Art Center\, Vassar College. \nMarie Watt (b. 1967) holds an MFA in painting and printmaking from Yale University; she also has degrees from Willamette University and the Institute of American Indian Arts; and in 2016 she was awarded an honorary doctorate from Willamette University.She has attended residencies at the Skowhegan School of Painting and Sculpture and the Vermont Studio Center; and has received fellowships from Anonymous Was a Woman\, the Joan Mitchell Foundation\, the Harpo Foundation\, The Ford Family Foundation\, and the Native Arts and Culture Foundation\, among others. \nWatt’s work in important museum collections across the United States. Selected collections include the Metropolitan Museum of Art\, the Seattle Art Museum\, the Whitney Museum of American Art\, the Albright-Knox Art Gallery\, Yale University Art Gallery\, the Crystal Bridges Museum\, the Smithsonian Institution’s National Museum of the American Indian and Renwick Gallery\, the Tacoma Art Museum\, the Denver Art Museum\, and the Portland Art Museum. \nThe exhibition is accompanied by an exhibition catalogue that includes an artist interview with Derrick Cartwright\, Director of University Galleries\, University of San Diego and essays by Dr. Jolene Rickard\, Associate Professor Art History at Cornell University\, and the exhibition curator\, Dr. John Murphy\, Philip and Lynn Straus Curator of Prints and Drawings at The Frances Lehman Loeb Art Center\, Vassar College. \n\n  Save  
URL:https://artinamericaguide.com/event/storywork-the-prints-of-marie-watt-from-the-collections-of-jordan-d-schnitzer-and-his-family-foundation-2/
LOCATION:International Print Center New York\, 508 West 26th Street\, 5A\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
GEO:40.74975;-74.003741
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=International Print Center New York 508 West 26th Street 5A New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=508 West 26th Street\, 5A:geo:-74.003741,40.74975
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240127T110000
DTEND;TZID=America/New_York:20240505T170000
DTSTAMP:20260405T143024
CREATED:20231218T200354Z
LAST-MODIFIED:20231218T200354Z
UID:106303-1706353200-1714928400@artinamericaguide.com
SUMMARY:Jessica Jackson Hutchins: Wrecked and Righteous
DESCRIPTION:Jessica Jackson Hutchins (born 1971\, Chicago) has been plumbing the relationship between art and everyday life for nearly thirty years\, playfully melding materials with an intuitive\, “by any means necessary” approach to traditional mediums and found objects alike. Based in Portland\, Oregon\, Hutchins gained international recognition for her expressive sculptural assemblages that combine castoff household items with handmade elements to redefine notions of value and beauty. In 2016\, her work expanded into fused glass\, including vibrant\, collage-like windows that bring a form associated with exalted spiritual spaces into the secular realm. \nJessica Jackson Hutchins: Wrecked and Righteous comprises works created—and sometimes reconfigured—since the late 1990s. The nonchronological presentation surveys Hutchins’s pursuit of immediacy and communion through art\, beginning in the museum’s rotunda entryway with a richly textured\, two-story fused-glass window commissioned for the occasion. In the galleries\, the artist’s relief paintings\, intimate tabletop objects\, and needlepoint compositions mingle with selected furniture sculptures—well-worn sofas and chairs cradling lumpy ceramic forms that read as surrogates for the human body. \nThe corporeal aspect of Hutchins’s work comes to the fore in a recent group of wearable food vessels that will be activated during a special performance. The exhibition connects these unwieldy “prostheses” to the artist’s early milagros sculptures: totemic papier-mâché body parts she made for suffering people close to her or in the public eye. Drawing a throughline of vulnerability\, interdependency\, and repair across Hutchins’s practice\, Wrecked and Righteous honors the artist’s special capacity for finding the sublime in ordinary places and neglected things. \n  Save  
URL:https://artinamericaguide.com/event/jessica-jackson-hutchins-wrecked-and-righteous/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/12/JJH-Wishlist-2015-scaled.jpeg
ORGANIZER;CN="Frye Art Museum":MAILTO:info@fryemuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240130T110000
DTEND;TZID=America/New_York:20240726T160000
DTSTAMP:20260405T143024
CREATED:20240215T194541Z
LAST-MODIFIED:20240215T194541Z
UID:107080-1706612400-1722009600@artinamericaguide.com
SUMMARY:Les Visionnaires In the Modernist Spirit
DESCRIPTION:Drawn from the Museum’s permanent collection and the Howard L. and Muriel Weingrow Collection of Avant-Garde Art and Literature from the University’s Special Collections\, this exhibition examines the persisting influence of the French avant-garde. With a forward-thinking ethos\, artists such as Arp\, Cocteau\, Chagall\, Dalí\, Ernst\, Gilot\, and Miró explore the uncharted terrain of surrealism\, dada\, automatism\, and spiritualism\, among others. Unexpected examples of their artwork highlight their interdisciplinary nature through the use of various mediums such as bookmaking\, film\, pottery\, printmaking\, photography\, set design\, and typography. Political and societal events of the early 20th century influenced their creative endeavors\, artistic methodologies\, and camaraderie. Paris is at the center of their transformative vision\, which in turn finds its future and influence in the post-WWII American art world. \nThis exhibition is planned in conjunction with the Society for French Historical Studies Annual Conference hosted by Hofstra University on March 14-16\, 2024. \nThe Hofstra University Museum of Art’s programs are made possible by the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature. \nHOURS: Tuesday – Friday\, 11 a.m. – 4 p.m.; Saturday and Sunday\, noon-4 p.m.\nSUMMER HOURS (mid-May – Labor Day): Tuesday – Friday\, 11 a.m. – 4 p.m.; Closed Weekends \nImage: \nFrançoise Gilot(French\, 1921-2023)#IX\, from On the Stone: Poems and Lithographs(Sur La Pierre: Poemes et Lithographies)\, 1972Lithograph12.75 x 9.75 in.Courtesy of Special Collections\, Joan and Donald E. Axinn Library\, Hofstra University\n© Françoise Gilot Archives\n  Save  
URL:https://artinamericaguide.com/event/les-visionnaires-in-the-modernist-spirit/
LOCATION:Emily Lowe Gallery at Hofstra University\, 112 Hofstra University\, Hempstead\, NY\, 11549\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/02/Gilot.jpg
ORGANIZER;CN="Hofstra University Museum of Art":MAILTO:museum@hofstra.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240203T100000
DTEND;TZID=America/New_York:20240630T170000
DTSTAMP:20260405T143024
CREATED:20240206T152554Z
LAST-MODIFIED:20240206T152554Z
UID:106980-1706954400-1719766800@artinamericaguide.com
SUMMARY:Joyce Kozloff: How We Know What We Know
DESCRIPTION:The Arts/Industry residency is a longstanding innovative collaboration between Kohler Co. and the John Michael Kohler Arts Center whereby each year\, up to twelve artists work in the pottery and foundry of Kohler Co. to explore new ideas\, techniques\, and perspectives during a three-month residency. Joyce Kozloff came to the Arts/Industry program in 1986-87\, with the express purpose of producing ceramic tiles for a commission at Detroit’s Financial Center People Mover Station. Prior to her residency\, she had been executing public commissions in her home studio. As an Arts/Industry resident\, Kozloff had access to the Kohler Co. materials and production facilities to create the components for this installation working in a studio on the factory floor. \n  \nJoyce Kozloff: How We Know What We Know considers a twenty-year span of Kozloff’s career\, beginning with her Arts/Industry residency. Through a presentation of work from five of her series (among them are Voyages\, Knowledge\, and Targets) from 1986–2006\, it traces her transition from the Pattern and Decoration Movement into cartography. \n  Save  
URL:https://artinamericaguide.com/event/joyce-kozloff-how-we-know-what-we-know/
LOCATION:John Michael Kohler Arts Center\, 608 New York Avenue\, Sheboygan\, WI\, 53081\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/02/ex.koz_.2024.5002-jpeg-only_1200x1504.jpg
ORGANIZER;CN="John Michael Kohler Arts Center":MAILTO:generalinfo@jmkac.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240209
DTEND;VALUE=DATE:20240520
DTSTAMP:20260405T143024
CREATED:20231010T164448Z
LAST-MODIFIED:20231010T164448Z
UID:105549-1707436800-1716163199@artinamericaguide.com
SUMMARY:One History\, Two Versions
DESCRIPTION:This companion installation to Let the World See features work by contemporary African American artists from\nthe collections of Bill and Christy Gautreaux and the Spencer Museum. Selected works relate to themes from\nthe traveling exhibition including Black life and Black love\, media representation\, and activism. \n  Save  
URL:https://artinamericaguide.com/event/one-history-two-versions/
LOCATION:Spencer Museum of Art\, University of Kansas\, 1301 Mississippi St.\, Lawrence\, KS\, 66045\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/10/2020.0048-smaller.jpg
ORGANIZER;CN="Spencer Museum of Art%2C University of Kansas":MAILTO:spencerart@ku.edu
GEO:38.9596803;-95.244588
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Spencer Museum of Art University of Kansas 1301 Mississippi St. Lawrence KS 66045 United States;X-APPLE-RADIUS=500;X-TITLE=1301 Mississippi St.:geo:-95.244588,38.9596803
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240209
DTEND;VALUE=DATE:20240520
DTSTAMP:20260405T143024
CREATED:20231011T133729Z
LAST-MODIFIED:20231012T195708Z
UID:105557-1707436800-1716163199@artinamericaguide.com
SUMMARY:Emmett Till & Mamie Till-Mobley: Let the World See
DESCRIPTION:This touring exhibition tells the story of Emmett Till and his mother\, Mamie Till-Mobley\, and challenges visitors to make a ripple for justice in their own communities. It is a collaboration of the Emmett Till and Mamie Till-Mobley Institute\, the Emmett Till Interpretive Center\, the Till family\, and The Children’s Museum of Indianapolis. \nThis project was made possible in part by The National Endowment for the Humanities: Democracy demands\nwisdom\, the Maddox Foundation in Hernando\, MS\, The Institute for Museum and Library Services [MH-249226-OMS-21]\, and The Historic Preservation Fund administered by the National Park Service\, Department of the Interior [15.904]. \n  Save  
URL:https://artinamericaguide.com/event/emmett-till-mamie-till-mobley-let-the-world-see/
LOCATION:Spencer Museum of Art\, University of Kansas\, 1301 Mississippi St.\, Lawrence\, KS\, 66045\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Spencer Museum of Art%2C University of Kansas":MAILTO:spencerart@ku.edu
GEO:38.9596803;-95.244588
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Spencer Museum of Art University of Kansas 1301 Mississippi St. Lawrence KS 66045 United States;X-APPLE-RADIUS=500;X-TITLE=1301 Mississippi St.:geo:-95.244588,38.9596803
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240216
DTEND;VALUE=DATE:20240624
DTSTAMP:20260405T143024
CREATED:20240124T133900Z
LAST-MODIFIED:20240124T133900Z
UID:106824-1708041600-1719187199@artinamericaguide.com
SUMMARY:Sheila Levrant de Bretteville: Community\, Activism\, and Design
DESCRIPTION:Sheila Levrant de Bretteville: Community\, Activism\, and Design is the first monographic exhibition on this renowned graphic designer\, public artist\, and educator\, whose community-based and politically responsive work champions principles of advocacy and inclusion. De Bretteville (b. 1940\, B.F.A. 1963\, M.F.A. 1964) is well known for her important and early contributions to the field of feminist design and education; in 1973\, with the artist Judy Chicago and the art historian and critic Arlene Raven\, de Bretteville established the Woman’s Building and the Feminist Studio Workshop—the first independent art school for women and women’s culture—in downtown Los Angeles. This exhibition presents a rich array of materials drawn from the artist’s extensive archive to highlight pivotal moments in her multifaceted and trailblazing career. On view are dynamic and rarely seen promotional materials that de Bretteville made for Yale University Press and the Italian manufacturer Olivetti shortly after she graduated from the Yale School of Art; posters and broadsheets produced while she was living in Los Angeles that blend word and image to advance woman-focused initiatives\, many of which have become icons of feminist design; and photographs and models of her public art installations\, which reflect her ongoing commitment to the feminist movement and issues such as immigration and racial equity. Representing a shift in scale and focus from the printed page to the urban environment\, these public projects\, which have not been closely examined as a group until now\, include “Biddy Mason: Time and Place” (Los Angeles\, 1989–90)\, an expansive sculptural mural honoring a formerly enslaved midwife made in collaboration with the artist Betye Saar\, and “Hillhouse” (New Haven\, Connecticut\, 2003)\, the revitalization of the entrance to a local high school. De Bretteville’s accomplishments continue to have lasting effects: In 1990 she was named director of graduate studies in graphic design at Yale and became the first woman at the Yale School of Art to be awarded tenure. Her vision has shaped a new generation of graphic design. \n  Save  
URL:https://artinamericaguide.com/event/sheila-levrant-de-bretteville-community-activism-and-design/
LOCATION:Yale University Art Gallery\, 1111 Chapel St\, New Haven\, CT\, 06510\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/01/Preview-brettevilleopening_feb_newsletter-copy.jpg
ORGANIZER;CN="Yale University Art Gallery":MAILTO:artgalleryinfo@yale.edu
GEO:41.30839;-72.930958
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Yale University Art Gallery 1111 Chapel St New Haven CT 06510 United States;X-APPLE-RADIUS=500;X-TITLE=1111 Chapel St:geo:-72.930958,41.30839
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240216
DTEND;VALUE=DATE:20240624
DTSTAMP:20260405T143024
CREATED:20240124T133901Z
LAST-MODIFIED:20240124T133901Z
UID:106826-1708041600-1719187199@artinamericaguide.com
SUMMARY:Munch and Kirchner: Anxiety and Expression
DESCRIPTION:Featuring more than 60 works on paper\, this exhibition is the first to examine the prints of Edvard Munch alongside those of Ernst Ludwig Kirchner\, elucidating the fascinating overlaps in their creative output and personal biographies and demonstrating how these artists suffered from—and attempted to cope with—the anxieties of their age. Both Munch and Kirchner were experimental printmakers who exploited the perceptual and emotional power of color and abstraction for creative expression and portrayed what they perceived to be a fragmented\, harrowing reality. Responding to feelings of growing nationalism in Northern Europe\, the onset of World War I\, and the rise of the Nazi regime\, both artists experienced existential crises\, endured bouts of depression\, grappled with substance abuse\, and received psychiatric care. Nevertheless\, they continued to produce works of art that demonstrated their radical visions of the modern world and that often echoed the state of their mental and physical health. Drawing primarily on a large group of prints in the collection of Nelson Blitz\, Jr.\, and Catherine Woodard\, as well as the Gallery’s own substantial holdings of German Expressionist works on paper and other U.S. museum collections\, this exhibition brings into focus the parallels between these two towering figures of Expressionism\, highlighting their engagement with themes of anxiety\, modernity\, psychology and psychiatry\, depression\, and trauma. \n  Save  
URL:https://artinamericaguide.com/event/munch-and-kirchner-anxiety-and-expression/
LOCATION:Yale University Art Gallery\, 1111 Chapel St\, New Haven\, CT\, 06510\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/01/ag-obj-324214-0001-pub-scaled.jpg
ORGANIZER;CN="Yale University Art Gallery":MAILTO:artgalleryinfo@yale.edu
GEO:41.30839;-72.930958
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Yale University Art Gallery 1111 Chapel St New Haven CT 06510 United States;X-APPLE-RADIUS=500;X-TITLE=1111 Chapel St:geo:-72.930958,41.30839
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240217T100000
DTEND;TZID=America/Chicago:20240519T170000
DTSTAMP:20260405T143024
CREATED:20240215T194611Z
LAST-MODIFIED:20240215T194611Z
UID:107078-1708164000-1716138000@artinamericaguide.com
SUMMARY:The Secret of Muddy Water
DESCRIPTION:When artists began making work at Kohler Co. factory in 1974\, they were taught some of the industrial techniques Kohler associates were willing to share. One of these processes allowed artists to create larger works without the issues of cracking and collapsing that commonly hindered them. That technique involves the use of slip\, a mixture of water and clay. \nClayton Hill\, a Kohler Co. associate who worked alongside many artists in the early years of the Arts/Industry residency program\, described this method as the “secret” of “muddy water.” It was an approach to working with clay that could have been acquired only in Wisconsin\, where industry required this mixture to produce large-scale products such as sinks. \nThe Secret of Muddy Water celebrates the essence of Wisconsin\, the industries rooted in the state\, and what makes Arts/Industry’s location a source of delight and wonder for artists who temporarily relocate for the experience. \n  Save  
URL:https://artinamericaguide.com/event/the-secret-of-muddy-water/
LOCATION:John Michael Kohler Arts Center\, 608 New York Avenue\, Sheboygan\, WI\, 53081\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/02/ai.mor_.2018.0184_800x1200.jpg
ORGANIZER;CN="John Michael Kohler Arts Center":MAILTO:generalinfo@jmkac.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240217T110000
DTEND;TZID=America/New_York:20240526T170000
DTSTAMP:20260405T143024
CREATED:20231218T200354Z
LAST-MODIFIED:20231218T200354Z
UID:106305-1708167600-1716742800@artinamericaguide.com
SUMMARY:Sky Hopinka: Subterranean Ceremonies 
DESCRIPTION:Sky Hopinka (Ho-Chunk Nation/Pechanga Band of Luiseño Indians\, born 1984\, Ferndale\, Washington) layers imagery and poetic prose to create art that foregrounds relationships between communities\, landscape\, and language. His work intermingles English and Indigenous dialects such as Chinuk Wawa\, a revived Chinookan creole of the Pacific Northwest\, to consider how language shapes perception of place and acts as a container of culture. This presentation—the artist’s first solo museum exhibition in the Northwest—features four recent films and new photographs that focus on personal and political notions of Indigenous homeland. \nGrowing up in Washington State\, far from his ancestral tribal lands in Wisconsin and Southern California\, Hopinka traveled the western powwow circuit with his parents. These foundational experiences of itinerancy and\, as the artist describes\, making a “home nonetheless\,” continue to influence his artistic practice. The films in Subterranean Ceremonies revolve around transit and life on the road\, a liminal zone the artist embraces as a space of community and knowledge production. Mnemonics of Shape and Reason (2021)\, for example\, interweaves scattered landscapes to ruminate on the spiritual implications of colonial plunder\, while The Island Weights (2021) narrates a journey along the boundaries of Ho-Chunk homelands in search of four water spirits from the tribe’s creation story. \nThe photographs in the exhibition glimpse disparate locations linked through the artist’s travels and include phrases he etches around their borders\, drawn from stories\, songs\, and his own poetry. Together\, the works reflect an ethos of wandering—an approach that allows Hopinka’s work to resist static depictions of Indigenous cultures and move fluidly between past and present. \n  Save  
URL:https://artinamericaguide.com/event/sky-hopinka-subterranean-ceremonies/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/12/Mnemonics_04-2-scaled.jpg
ORGANIZER;CN="Frye Art Museum":MAILTO:info@fryemuseum.org
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END:VCALENDAR