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X-WR-CALDESC:Events for Art in America Guide
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260403T154023
DTEND;TZID=America/Halifax:20230107T180000
DTSTAMP:20260403T154023
CREATED:20230109T180703Z
LAST-MODIFIED:20230109T180703Z
UID:101329-0-1673114400@artinamericaguide.com
SUMMARY:Joanne Freeman: New York Conversation
DESCRIPTION:Kathryn Markel Fine Arts is thrilled to announce New York Conversation\, an upcoming exhibition of new work by Joanne Freeman. New York Conversation is Freeman’s third solo exhibition with the gallery. The show will be accompanied by a group show curated by Freeman titled Betty and Veronica. They will run concurrently from January 5th – February 11th\, 2023. \n  \n“New York Conversation references my studio process\, and metaphorically describes the random thoughts\, snippets of conversation\, lyrics and memories that ebb and flow over the course of a painting. Visual signs\, nostalgia and the emotional residue of color\, guide my aesthetic choices\,” Freeman says. While intuitive\, Freeman’s stencil-like forms and irregular hard-edge curves harken Modernism and minimalist sensibilities. This is heightened by a palette of saturated primary colors\, or monochromatic works.   “My paintings reference forms found in architecture and design\,” she says.  “I create compositions based on loose geometry and layered saturated colors. The hard edge process of cutting shapes and layering color onto treated raw linen\, recalls qualities of mid-century low-tech graphics\, color field painting and collage\,” she continues.  \n  \nThe forms are hard-edged while still breathy and organic.  The subtle transparencies at the edges of the forms and the contrast of the brushstrokes across the tooth of linen reveal the artist’s hand. “When applying oil paint to linen I try to accentuate the inherent qualities of both mediums\,” she says. “ I consider both the transparency and opacity of the colors\, how they abut and overlap\, and how they respond to the textured tooth of the linen.” She is mindful of each medium’s materiality when painting.  Her saturated colors in either gouache or oil paint are absorbed by the handmade paper or linen\, enhancing the modernist flatness of her forms and use of space. “My reductive abstract paintings are about the beauty of singular color\, the impact of pure abstract forms and the quiet order that cuts through the noise\,” Freeman says.  \n  \nJoanne Freeman has had solo exhibitions in galleries around the United States\, and shown at The Queens Museum\, Zillman Art Museum University of Maine\, The Painting Center\, and the Cape Cod Museum of Art. She’s a 2021 recipient of the Pollock-Krasner Foundation Grant\, and the Vice President of the American Abstract Artists organization. She has her M.A in Studio Art from New York University\, and lives and works in New York City. \n  Save  
URL:https://artinamericaguide.com/event/joanne-freeman-new-york-conversation/
LOCATION:Kathryn Markel Fine Arts\, 529 West 20th\, Suite 6W\, New York\, NY\, 10011\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/01/install5-scaled.jpg
ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
GEO:40.9365358;-72.3040792
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Kathryn Markel Fine Arts 529 West 20th Suite 6W New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=529 West 20th\, Suite 6W:geo:-72.3040792,40.9365358
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260403T154023
DTEND;TZID=America/Halifax:20230128T180000
DTSTAMP:20260403T154023
CREATED:20230109T180750Z
LAST-MODIFIED:20230109T180750Z
UID:101313-0-1674928800@artinamericaguide.com
SUMMARY:2023 Winter Juried Exhibitions
DESCRIPTION:BLUE MOUNTAIN GALLERY is pleased to present the work of 47 artists\, 51 pieces of artwork\, selected by Eric Holzman for this year’s winter juried exhibition. The artists\, drawn from over two hundred applicants from across the country\, work in a wide range of media\, including oil\, acrylic\, pastel\, gouache\, photography and mixed media.  \n​Heidi Alamanda \, Marilyn Allen\, Hilary Houston Bachelder\, James Baker\, Nina Kardon Baran\, Bob Barnett\, Raymond Berry\, Leslie Blackmon\, Pam Bowers\, Nancy Breakstone\, Karina Cavat\, Audrey Cohn-Ganz\, Elizabeth Courtney\, Anne Delaney\, Stephanie DeManuelle\, Kiran K Dhaliwal\, Janine Dunn Wade\, Melanie Essex\, Tom Fitzharris\, Meghan Fleming\, Nancy Granda\, Theresa Heidig Rooney\, Teresa Jade Jarzynski\, Moishe Kampin\, Sam Kelly\, Michele King\, Laura Levine\, Pattie Lipman\, Aaron Lubrick\, Manuel Alejandro Macarrulla\, James McKenna\, Elizabeth Meyersohn\, Mark. Milroy\, Blake Morgan\, Arnaldo J Rivera Rivera\, Gail Rodney\, Rebecca Gray Rolke\, Roxy Rubell\, Alyssa Schmidt\, Abbey Stace\, Leslie Ross Stephens\, Yuri Tayshete\, Preston Trombly\, Laura Vahlberg\, Ekaterina Vanovskaya\, Aidan White and Lenore Wolf. \n​Juror ERIC HOLZMAN has been painting and searching for connection in nature and other representational genres all his life. He is a romantic and a classicist who looks into the inner nature of things and tries to walk “The Beauty Way.” He was educated at Tyler School of Art\, Yale\, Skowhegan and the New York Studio School. Eric has taught at Pratt\, the New York Studio School\, and Bard College among others. He is a National Academician and has exhibited twice at the American Academy\, winning awards from both institutions.  Eric has also shown work at Lori Bookstein\, Tibor de Nagy\, Sideshow and Artist Equity\, all in NYC\, and at Gremillion Fine Art and Ellio Fine Art in Houston\, Texas. He has received many honors\, including grants and fellowships from the Guggenheim Foundation\, the NEA\, the Pollock Krasner Foundation\, the Gottlieb Foundation and the Louis Comfort Tiffany Foundation. Website: www.ericholzman.com \n\n  Save  
URL:https://artinamericaguide.com/event/2023-winter-juried-exhibitions/
LOCATION:Blue Mountain Gallery\, 547 W 27th St\, Suite 200\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/01/2023-artists-rectangle.jpg
ORGANIZER;CN="Blue Mountan Gallery":MAILTO:info@bluemountaingallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T154023
DTEND;TZID=America/New_York:20250920T170000
DTSTAMP:20260403T154023
CREATED:20250722T184747Z
LAST-MODIFIED:20250722T184747Z
UID:114023-0-1758387600@artinamericaguide.com
SUMMARY:August-September @ Art Works!
DESCRIPTION:Throughout August Art Works is open to the public\, offering a variety of engaging exhibits. Adam and Anita Bradley present life-size figurative sculptures and paintings capturing a chaotic world. Mike Bily’s exhibit investigates ecosystems; Sharon Denmark captures light flowing through glass. Rachel Rowden exhibit is a portal of mysteries and Rebecca Visger provides a view from behind the wheel. Blake Bottoms exhibit is featured in the Community Bridge Project. \n  \nJoin us for a fun-filled scavenger hunt with prizes\, perfect for both the young and the young at heart. The activity culminates with prizes for all who participate. We also offer figure drawing sessions on the 1st and 3rd Sundays and Queer Life Drawing at Gold Lion Community Café on August 20th.  \n  \nBradley + Bradley: The Weight of Vanishing Shadows \nAdam and Anita Bradley explore the human condition through their unique mediums. Adam presents life-sized figurative sculptures in wood\, steel\, ceramics\, and smaller bronze pieces\, reflecting themes of anxiety\, loss\, and grief. Anita complements this with layered paintings and mixed media collages\, capturing the struggle for order in a chaotic world. Their intertwined approaches invite contemplation of deep human experiences. \n  \nThe exhibition will be in the Jane Sandelin Gallery at Art Works and will continue through September 20\, 2025. \n  \n  \nArtifacts by Anne Chamblin \nAnne Chamblin’s work is about merging sight and feeling. For her\, painting is a way to process what she experiences. She brings spaces\, places\, and faces to life on canvas\, turning bodies into landscapes and using layers to hint at the passage of time. Anne constantly reworks her paintings\, always keeping a bit of the past to shape the present. Her journey is grounded in everyday experiences\, resulting in unique\, relatable art. \n  \nThe exhibit will be in the Centre Gallery at Art Works through September 20\, 2025. \n  \n  \n  \n  \n  \nBetween Worlds by Hannah Anderson \n  \nAmerican abstract artist Hannah Anderson (b. 1953)\, raised in the simplicity of a Quaker household\, rediscovered her love for painting in 1990 with a Crayon watercolor set. Self-taught and inspired by contemporary artists\, her work reflects the light and dark periods of her life\, blending elements of nature and archetypal symbols from healing traditions. Her debut exhibit\, Between Worlds\, explores the liminal space between worlds and relationships. Hannah resides in Richmond\, Virginia\, and finds inspiration in Taos\, New Mexico. \n  \nThe exhibit will be in the Corner Gallery at Art Works through September 20\, 2025. \n  \n\nMental Health Matters: Celebrating Resilience Through Art All Media Show\nThis exhibit is a focal point of all Art Works’ openings. It is a juried show with cash prizes for 1st\, 2nd and 3rd place. The show is open to all artists and all mediums. \n  \nIn August the theme is Mental Health Matters: Celebrating Resilience Through Art. The community has donated terrific items that we will be auctioning to benefit NAMI\, and Art Works will donate the sales from the All Media Show to NAMI. \nWonJung Choi an international artist and educator\, will be the juror for the exhibit. Wonjung Choi is a Korean-born\, Virginia-based artist whose multidisciplinary work delves into the complexities of identity formation in a globalized world. See more on WonJung’s website: Click here. \n  \nCall for entries is July 15  – August 10\, 2025\, and may be submitted through the online form. The exhibit will be in the Port Gallery at Art Works through September 18\, 2025. Check our website for details on submitting artwork:  Call for Entries \n  Save  
URL:https://artinamericaguide.com/event/august-september-art-works-2/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/07/PR-2025.08-Anne-Chamblin-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T154023
DTEND;TZID=America/New_York:20250926T200000
DTSTAMP:20260403T154023
CREATED:20250903T144946Z
LAST-MODIFIED:20250903T144946Z
UID:114439-0-1758916800@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Opening Reception @ Art Works!
DESCRIPTION:4th Friday September 26th at Art Works \n  \nJoin us on September 26\, 2025 from 6 p.m. to 8 p.m. for an exciting opening reception of our new exhibits at Art Works. Meet the talented artists\, and enjoy live music\, refreshments\, and libations sponsored by RVA Thriving Artists.  The featured artists are Adam Reinhart\, Jen Cook-Asaro\, Sarah Miller\, Tatiana Grace\, Kenneth Lee\, and experiment with interactive art by RVA Game Jams. \n  \nThis event is free and open to the public. Convenient and free parking is available. The exhibits will continue through October 18\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-opening-reception-art-works-56/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/PR-2025.09-Game-Jam-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T154023
DTEND;TZID=America/New_York:20250927T180000
DTSTAMP:20260403T154023
CREATED:20250811T200044Z
LAST-MODIFIED:20250811T200044Z
UID:114212-0-1758996000@artinamericaguide.com
SUMMARY:Heather Stivison\, “Ebb & Flow”\, a Solo Exhibition
DESCRIPTION:In this her third New York City solo exhibition\, Heather Stivison explores the intersection of environmental science and visual art with a series of immersive paintings of the ocean. \nStivison paintings capture the essence of water—something clear and colorless\, with its shape formed entirely by the external forces of objects\, land\, wind\, gravity. Searching for water’s most primary qualities\, she uses light\, color\, form\, shape\, line\, to engender a sense of water. Fluidity\, reflections\, rhythms are evident in her ocean surface paintings. Stivison is fascinated by the reflections and patterns created by the coastal ocean surface. She paints variations on patterns\, exploring how much she can change them and still maintain the sense that the subject is surface water. \nCurator and director of Manhattan Arts International Renee Phillips writes: \n“Stivison ventures beyond nature’s physical boundaries into abstraction with the profusion of free-flowing biomorphic patterns and tonal ranges. In her paintings the innate attributes of water evolve into metaphors\, symbolism and visual poetry.” \nThe exhibition includes a massive 110-inch quadriptych that explores the sense of weightlessness and mystery that she finds in the imagining unknown ocean depths. Other paintings explore surface water patterns as abstract design. \nIndependent curator Kathy Imlay writes: \n“Stivison’s paintings have a luminous glow—accomplished by the artist building up layer upon layer of viscous paint\, which she pours\, smears\, scrapes and otherwise manipulates to create fields of color that conjure the watery depths of the ocean or intergalactic space\, depending on the palette.” \nSome of the paintings on view are the result of her multi-year\, grant funded collaboration with Noah Germolus\, a scientist at Woods Hole Oceanographic Institute who was researching ocean chemistry. Stivison created two paintings about him and his work\, and four five-foot paintings that interpret his research data in paint. \nThe collaboration led to a unique special feature of this exhibition. After Stivison interpreted his data in paint\, he in turn\, interpreted four of her paintings in music. The exhibition includes an on-demand sound installation of original jazz music composed and performed by Germolus. \n  Save  
URL:https://artinamericaguide.com/event/heather-stivison-ebb-flow-a-solo-exhibition/
LOCATION:Pleiades Gallery\, 547 W 27th St. Suite 304\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/stivison-heather_Coastal-Surface-Community_48x60_Oil-over-Acrylic-on-Canvas.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T154023
DTEND;TZID=America/New_York:20251018T170000
DTSTAMP:20260403T154023
CREATED:20250903T144946Z
LAST-MODIFIED:20250903T144946Z
UID:114443-0-1760806800@artinamericaguide.com
SUMMARY:September - October Exhibits @ Art Works!
DESCRIPTION:Now showing six new exhibits. The featured artists are Adam Reinhart\, Jen Cook-Asaro\, Sarah Miller\, Tatiana Grace\, Kenneth Lee\, and experiment with interactive art by RVA Game Jams. Also see 80+ working artist studios. \nVisit us Tuesdays through Sundays 11am- 5pm. Admission is free and open to the public. Convenient and free parking is available. The exhibits will continue through October 18\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/september-october-exhibits-art-works-4/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/PR-2025.09-Game-Jam-1-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T154023
DTEND;TZID=America/New_York:20251122T170000
DTSTAMP:20260403T154023
CREATED:20250908T192551Z
LAST-MODIFIED:20250908T192551Z
UID:114572-0-1763830800@artinamericaguide.com
SUMMARY:October - November Exhibits @ Art Works!
DESCRIPTION:Now showing six new exhibits. The featured artists are Blake Seals\, Felicia L. Reed\, Adam Reinhard\, Sorvino\, and Tobi Holtslag. Also see 80+ working artist studios. \nVisit us Tuesdays through Sundays 11am- 5pm. Admission is free and open to the public. Convenient and free parking is available. The exhibits will continue through November 22nd 2025. \n  Save  
URL:https://artinamericaguide.com/event/october-november-exhibits-art-works-5/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/09/PR-2025.10-Chris-Semtner-3-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:jessie@artworksrva.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T154023
DTEND;TZID=America/New_York:20260221T180000
DTSTAMP:20260403T154023
CREATED:20260120T172859Z
LAST-MODIFIED:20260120T172859Z
UID:115685-0-1771696800@artinamericaguide.com
SUMMARY:Robert Braczyk: Cardinal Directions
DESCRIPTION:Exhibition Dates: January 27 – February 21\, 2026\nOpening Reception: Thurs.\, January 29\, 2026\, 5PM-8PM\nArtist Talk: Saturday\, February 14\, 2026\, 3PM-4PM\nGallery Hours: Tuesday – Saturday\, 11AM-6PM \nBowery Gallery is pleased to present “Cardinal Directions\,” an exhibition of new sculpture by Robert Braczyk.  \nFor many years a prize-winning figurative sculptor\, in recent years Braczyk has turned to abstraction. In his new work—most about 24 inches high—he assembles various tree elements into vertical compositions that echo figural forms\, but whose abstract vocabulary of open volumes and discontinuous contours suggests the possibility of multiple allusions. Each work evinces a powerful spatial tension between the cardinal point from which it is begun and the complex three-dimensional image that Braczyk builds with primary thrust\, axis\, and meridian.  \nBraczyk’s trajectory from figure to abstract figure may be seen as a temporal through line connecting the events of a life. The artist’s comment that he brings all his life’s experiences into the studio reminds us that in the long arc of his career\, the spatial and temporal are never far apart. \nView the exhibition website. \n  \nBowery Gallery\n547 W. 27th Street\, Suite 508\nNew York\, NY 10001 \n  Save  
URL:https://artinamericaguide.com/event/robert-braczyk-cardinal-directions/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/Braczyk_Reel_for_eVite-and_Web_landing-page-scaled.jpg
ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bowery Gallery 547 W 27TH ST Suite 508 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=547 W 27TH ST Suite 508:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20121022
DTEND;VALUE=DATE:20220101
DTSTAMP:20260403T154023
CREATED:20210527T152347Z
LAST-MODIFIED:20210527T152507Z
UID:81363-1350864000-1640995199@artinamericaguide.com
SUMMARY:LEO VILLAREAL: COSMOS
DESCRIPTION:An homage to the late Cornell astronomy professor Carl Sagan\, Cosmos is a site-specific installation by New York–based artist Leo Villareal (born 1967)\, a pioneer in the use of light-emitting diodes (LEDs) and computer-driven imagery. His signature pieces explore complex movement and dazzling patterns created by points of light using his own computer software. \n \nVillareal – Cosmos – Johnson Museum – Cornell final from Walter Patrick Smith\, AIA LEED A on Vimeo. \nPlanning for Cosmos began in November 2010\, when Villareal—along with the project architect\, Walter Smith\, and donors Lisa and Richard Baker—worked with Johnson Museum staff to determine the optimal location for the installation. The ceiling of the Sherry and Joel Mallin Sculpture Court was chosen for its high visibility not only on campus but also from the city of Ithaca. After studying the Museum’s architectural plans and considering structural and aesthetic aspects of the installation\, the artist’s team returned to Cornell in April 2012 to install a nine-foot-square mock-up. Installation of the final piece took several weeks\, with twelve thousand energy-efficient LEDs on a gridded framework attached to the ceiling of the sculpture court. A zero gravity bench was designed by the artist for viewers to fully immerse themselves in the viewing experience and to foster a more communal involvement with his installation. Villareal gave a public lecture to mark the opening of the installation. \nVillareal’s works reinterpret fundamental components of such twentieth-century art movements as pop\, minimalism\, conceptual\, and post-painterly abstraction while responding to the ingenuity and imagination that defines technology in the twenty-first century. Among his most notable site-specific works are the illumination of the exterior of the Brooklyn Academy of Music (2006)\, Multiverse in the Concourse walkway between the East and West Buildings at the National Gallery of Art (2008)\, and Sky at the Tampa Museum of Art (2009). His largest installation to date is The Bay Lights\, illuminating the West Span of the San Francisco Bay Bridge for its 75th anniversary in 2013. \nAndrea Inselmann\nCurator of Modern and Contemporary Art \n\nImage:\nLeo Villareal\nCosmos\, 2012\nWhite LED Lights\, custom software\, and electrical hardware; site-specific installation.\nAcquired through the generosity of Richard Baker\, Class of 1988\, and Lisa Baker.\n2012.056\nPhoto: James Ewing \n\n  Save  
URL:https://artinamericaguide.com/event/leo-villareal-cosmos/
LOCATION:Herbert F. Johnson Museum of Art\, Cornell University\, 114 Central Avenue\, Cornell University\, Ithaca\, NY\, 14853\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/05/cosmos-ewing-2169.jpeg
GEO:42.4507153;-76.4862114
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Herbert F. Johnson Museum of Art Cornell University 114 Central Avenue Cornell University Ithaca NY 14853 United States;X-APPLE-RADIUS=500;X-TITLE=114 Central Avenue\, Cornell University:geo:-76.4862114,42.4507153
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190301T100000
DTEND;TZID=America/Halifax:20190616T170000
DTSTAMP:20260403T154023
CREATED:20190418T204932Z
LAST-MODIFIED:20190509T150450Z
UID:51711-1551434400-1560704400@artinamericaguide.com
SUMMARY:Matthew Barney: Redoubt
DESCRIPTION:In his first major exhibition at his alma mater\, the renowned and provocative contemporary artist Matthew Barney\, B.A. 1989\, presents his latest work\, including a new feature-length film titled Redoubt. In addition to the film\, the exhibition features pieces in other media that demonstrate casting and electroplating techniques developed by Barney. Touching on themes of artistic creation\, ecology\, and dance\, Matthew Barney: Redoubt showcases the artist’s trademark interdisciplinary and multimedia approach. \nhttps://artgallery.yale.edu/exhibitions/exhibition/matthew-barney-redoubt \n  Save  
URL:https://artinamericaguide.com/event/matthew-barney-redoubt/
LOCATION:Yale University Art Gallery\, 1111 Chapel St\, New Haven\, CT\, 06510\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2019/04/twovirgins-barney.png
ORGANIZER;CN="Yale University Art Gallery":MAILTO:artgalleryinfo@yale.edu
GEO:41.30839;-72.930958
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Yale University Art Gallery 1111 Chapel St New Haven CT 06510 United States;X-APPLE-RADIUS=500;X-TITLE=1111 Chapel St:geo:-72.930958,41.30839
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190314T120000
DTEND;TZID=America/Halifax:20190608T160000
DTSTAMP:20260403T154023
CREATED:20190403T145641Z
LAST-MODIFIED:20190403T145641Z
UID:50664-1552564800-1560009600@artinamericaguide.com
SUMMARY:The Artist Collects: Highlights from the James Reed Collection
DESCRIPTION:This exhibition celebrates the transformative gift of the James Reed Collection of Old Master\, 19th-century\, and modern prints to the Fairfield University Art Museum. Assembled over several decades by artist\, collector and Master Printer James Reed\, the collection comprises more than 1\,500 prints spanning the 16th through the early 21st centuries. The exhibition presents highlights from the three great strengths of the Reed Collection: 19th-century French etching and lithography; German Expressionist woodcuts and lithographs; and modern and contemporary prints. \nAmong the 19th-century French artists represented in the exhibition are Eugène Delacroix\, Honoré Daumier\, Gustave Doré\, Odilon Redon\, and Henri Fantin-Latour. Works by Emil Nolde\, Ernst Ludwig Kirchner\, Max Beckmann\, and other German Expressionist artists will also be on view\, as will prints\, rare artists’ books\, and artists’ multiples by modern and contemporary artists including Claes Oldenburg\, Jasper Johns\, Damien Hirst\, and Jim Dine. \n  Save  
URL:https://artinamericaguide.com/event/the-artist-collects-highlights-from-the-james-reed-collection/
LOCATION:Quick Center for the Arts\, 200 Barlow Road\, Fairfield\, CT\, 06824
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/JzDi0z38.jpeg
ORGANIZER;CN="Fairfield University Art Museum":MAILTO:museum@fairfield.edu
GEO:41.1534278;-73.2542612
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Quick Center for the Arts 200 Barlow Road Fairfield CT 06824;X-APPLE-RADIUS=500;X-TITLE=200 Barlow Road:geo:-73.2542612,41.1534278
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190321
DTEND;VALUE=DATE:20190519
DTSTAMP:20260403T154023
CREATED:20190409T211726Z
LAST-MODIFIED:20190409T211726Z
UID:50958-1553126400-1558223999@artinamericaguide.com
SUMMARY:Sheer Presence: Monumental Paintings By Robert Motherwell
DESCRIPTION:  Save  
URL:https://artinamericaguide.com/event/sheer-presence-monumental-paintings-by-robert-motherwell/
LOCATION:Kasmin Gallery\, 509\, 509 W 27th St\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2019/04/sheer-presence.png
ORGANIZER;CN="Kasmin Gallery":MAILTO:info@kasmingallery.com
GEO:40.7506629;-74.0030054
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Kasmin Gallery 509 509 W 27th St New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=509 W 27th St:geo:-74.0030054,40.7506629
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190328T180000
DTEND;TZID=America/Halifax:20190523T170000
DTSTAMP:20260403T154023
CREATED:20190404T125254Z
LAST-MODIFIED:20190404T125254Z
UID:50117-1553796000-1558630800@artinamericaguide.com
SUMMARY:Anton Ginzburg: VIEWs
DESCRIPTION:Opening Reception: Thursday\, March 28\, 2019 from 6 to 8pm \nArtist-in-Conversation with Meghan Forbes: Saturday\, April 13\, 2019 from 2 – 4 pm \nHelwaser Gallery is pleased to present VIEWs\, the first solo exhibition of works with artist Anton Ginzburg. The exhibition introduces the newest body of works by the artist\, which includes the VIEW painting series\, a site-specific mural\, and ceramic sculptures. VIEWs presents Ginzburg’s engagement with the development of modernist-formal vocabulary in Eastern Europe\, which addresses theories of viewing. Marking the inaugural exhibition at Helwaser Gallery’s new location (833 Madison Avenue\, Third Floor)\, the show will be on view March 28–May 23\, 2019\, with an opening reception to be held Thursday\, March 28\, 2019. The core of the exhibition is the VIEW painting series. Executed on wooden panels of two distinct sizes\, each work references diagrammatic representations of the binocular field of human vision. Based on the shape and geometry of the panels\, abstract compositions are developed through color\, plane\, and line. \nIn smaller-scale works\, different planes of color overlap and intersect with each other\, demonstrating the figure and ground perception within each work. In larger works\, Ginzburg draws on the effects of the movement of color through space. Collectively\, the VIEW series analyzes the act of viewing and demonstrates the process through the material practice of painting. \nAlso on show are Polychrome Columns (2018)\, a pair of multi-colored porcelain sculptures measuring 10 feet in height. Segmented into different colored modules\, which are stacked on top of each other\, the columns introduce a spatial dimension to the exhibition. Accompanying these columns is a site-specific mural\, comprising bands of colored lines with mirrored\, glass pieces superimposed over it. Placed in dialogue with the space of the gallery\, these works create a dynamic viewing process\, allowing visitors to immerse themselves within the works. Also presented in the exhibition\, the artist’s earlier video work Color and Line (2013) echoes this notion of space. A playful interpretation of Suprematist paintings and cinematic structure\, the work was filmed in a laundry room\, in between “cuts” of darkness (achieved by switching on and off the lights)\, creating a continuous sequence of color compositions that vary in placement. Ginzburg’s practice explores the direct relationship between the viewer and the process of observing. Through referencing theories of viewing proposed by two artists of historical avantgarde\, Mikhail Matyushin and Władysław Strzeminski\, Ginzburg applies his own methodology to painting\, sculpture\, and video. \nThis inquiry began three years ago during Ginzburg’s residency in Canada in 2016\, where the artist engaged in visual exercises used in the curriculum of the VkHUTEMAS (a modern art and technical school established by the Soviet Union in 1920). These exercises included color and spatial studies\, photography\, and graphic explorations\, which strived to re-animate the avant-garde methodology of the 20th into the present-day context. \nAbout the artist \nAnton Ginzburg (b. 1974\, St. Petersburg\, Russia) is a New York-based artist\, known for his films\, paintings\, sculptures\, and text-based printed work investigating historical narratives and poetic studies of place\, representation\, and post-Soviet identity. He earned a B.F.A. from Parsons School of Design\, The New School and M.F.A. degree from Bard College\, Milton Avery Graduate School of Arts\, Annandale-on-Hudson\, New York. His work has been shown at the 54th Venice Biennale; the Blaffer Art Museum at the University of Houston; Southern Alberta Art Gallery\, Canada; Palais de Tokyo\, Paris; the San Francisco Museum of Modern Art; White Columns\, New York; Lille 3000\, Euralille\, France; and the first and second Moscow Biennales. His films have been screened at the Whitechapel Gallery\, London; Rotterdam International Film Festival (IFFR); Dallas Symphony Orchestra; Nasher Sculpture Center\, Dallas; Les Rencontres Internationales\, Paris; Haus der Kulturen der Welt\, Berlin; and New York Film Festival/Projections among others. \nwww.antonginzburg.com \nAbout the speaker \nMeghan Forbes is currently the C-MAP Fellow for Central and Eastern Europe at The Museum of Modern Art\, New York and a Visiting Scholar at the Institute for Public Knowledge at New York University. She holds a Ph.D. from the Department of Slavic Languages and Literatures at the University of Michigan\, Ann Arbor. Meghan recently co-curated the exhibition BAUHAUS↔VKhUTEMAS: Intersecting Parallels (2018) in the MoMA Library. She is the sole editor of International Perspectives on Publishing Platforms: Image\, Object\, Text (Routledge\, 2019). Besides her academic publications\, Meghan publishes regularly in venues of wider readership such as Hyperallergic\, Literary Hub\, The Los Angeles Review of Books\, Words Without Borders\, and the Michigan Quarterly Review. \n  Save  
URL:https://artinamericaguide.com/event/anton-ginzburg-views/
LOCATION:Helwaser Gallery\, 833 Madison Avenue\, 3rd Floor\, New York\, NY\, 10021\, United States
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/03/2018_11_02_AntonGinzburg_010_Det.jpg
ORGANIZER;CN="Helwaser Gallery":MAILTO:info@helwasergallery.com
GEO:40.7700197;-73.9664595
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Helwaser Gallery 833 Madison Avenue 3rd Floor New York NY 10021 United States;X-APPLE-RADIUS=500;X-TITLE=833 Madison Avenue\, 3rd Floor:geo:-73.9664595,40.7700197
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190329T100000
DTEND;TZID=America/Halifax:20190929T170000
DTSTAMP:20260403T154023
CREATED:20190418T204953Z
LAST-MODIFIED:20190509T150353Z
UID:51723-1553853600-1569776400@artinamericaguide.com
SUMMARY:A Nation Reflected: Stories in American Glass
DESCRIPTION:Featuring more than 100 objects drawn from the Yale University Art Gallery’s collection with select loans from the Yale Peabody Museum of Natural History\, A Nation Reflected: Stories in American Glass explores the myriad ways in which glass expresses the cultural\, technological\, and artistic aspirations of those who live and work in the United States. \nhttps://artgallery.yale.edu/exhibitions/exhibition/nation-reflected-stories-american-glass \n  Save  
URL:https://artinamericaguide.com/event/a-nation-reflected-stories-in-american-glass/
LOCATION:Yale University Art Gallery\, 1111 Chapel St\, New Haven\, CT\, 06510\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/turtle-americanglass.jpg
ORGANIZER;CN="Yale University Art Gallery":MAILTO:artgalleryinfo@yale.edu
GEO:41.30839;-72.930958
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Yale University Art Gallery 1111 Chapel St New Haven CT 06510 United States;X-APPLE-RADIUS=500;X-TITLE=1111 Chapel St:geo:-72.930958,41.30839
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190330
DTEND;VALUE=DATE:20190624
DTSTAMP:20260403T154023
CREATED:20190404T124815Z
LAST-MODIFIED:20190415T151205Z
UID:50722-1553904000-1561334399@artinamericaguide.com
SUMMARY:Georgia O’Keeffe: Art\, Image\, Style
DESCRIPTION:Through 27 paintings\, 72 portrait photographs\, and 70 original garments\, Georgia O’Keeffe: Art\, Image\, Style inventively shows how this pioneering modern artist developed a fresh style–an artistic voice–that touched everything around her as well as her art. O’Keeffe’s brand of modernism sought simplicity\, distillation\, and clarity. That highly personal aesthetic comes to life in Wichita Art Museum galleries in spring 2019 through comparisons of the artist’s own clothing with striking portraits and stunning artworks. \nGeorgia O’Keeffe: Art\, Image\, Style is organized by the Brooklyn Museum with guest curator Wanda M. Corn\, Robert and Ruth Halperin Professor Emerita in Art History\, Stanford University\, and made possible by the National Endowment for the Arts. \nGeorgia O’Keeffe (American\, 1887-1986)\, Black Pansy & Forget-Me-Nots (Pansy)\, 1926. Oil on canvas\, 27 1/8 x 12 1/4 in. (68.9 x 31.1 cm). Brooklyn Museum\, Gift of Mrs. Alfred S. Rossin\, 28.521. Copyright Georgia O’Keeffe Museum/Artists Rights Society (ARS)\, New York. (Photo: Brooklyn Museum) \n  Save  
URL:https://artinamericaguide.com/event/georgia-okeeffe-art-image-style/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/Art-in-America-Black-Pansy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190404
DTEND;VALUE=DATE:20190519
DTSTAMP:20260403T154023
CREATED:20190403T175025Z
LAST-MODIFIED:20190404T155504Z
UID:50713-1554336000-1558223999@artinamericaguide.com
SUMMARY:Natural History
DESCRIPTION:Alan Magee\, Natural History\, 1997\, acrylic and oil on panel\, 16 x 22 inches \nNew York\, NY – From April 4 to May 18\, 2019\, Forum Gallery presents Natural History\, an exhibition of paintings by Robert Bauer\, Linden Frederick\, Alan Magee\, Alyssa Monks\, Guillermo Muñoz Vera\, Brian Rutenberg and Stephanie Wilde. United by their interest in the complex and multi-layered content inherent in the objective imagery of their individual pasts\, each artist uses paint and canvas in a very different\, and very compelling way. \nRobert Bauer uses the language of portrait and landscape to convey the essential\, emotional response he has to past and present. The objectivity of observation unites with the sensitivity of expression in his highly developed and palpably personal paintings and drawings. \nLinden Frederick paints the iconic buildings of his upstate New York\, small-town upbringing. Tinged with nostalgia but always based in clear\, concise reality\, the paintings\, while specific\, seem to bring each viewer to his own memory and association. \nAlan Magee creates poetic compositions from natural and man-made objects whose history\, in his hands\, is palpable. Beginning with the premise that everything is what it seems and not what it seems\, Magee spins his subjects into seemingly simple\, marvelously complex\, peaceful\, contemplative paintings. \nAlyssa Monks places her sumptuous figures in the natural world\, often combining the verdant landscapes of her memory with the human body\, hers and others. The result is a harmonious integration of man and environment. \n\n\nGuillermo Muñoz Vera examines the world around him from the standpoint of his own history as a Chilean born\, naturalized Spaniard in terms of a larger study of human cultural and geopolitical history and its impact on our world today. \nBrian Rutenberg blends the colors and forms of the landscape of his native coastal Carolina with the excitement and passion of action-packed abstraction; the resulting image is uniquely his. \nStephanie Wilde\, who remains dedicated to environmental imperatives in her self-taught practice\, illuminates the inexorable role of nature to inspire woman’s pursuit of progress in her meticulous and fascinating mixed media works. \n### \nNatural History opens on Thursday\, April 4\, 2019 and will be on view through Saturday\, May 18\, 2019. \nForum Gallery is located at 475 Park Avenue at 57th Street\, New York\, NY 10022. Please visit forumgallery.com/exhibitions/natural-history to view the entire exhibition online. The exhibition begins on April 4\, 2019 and will be on view through May 18\, 2019. Forum Gallery is open Monday through Saturday\, 10am to 5:30pm. \nFor more information\, please contact Kevin Dao\, 212-355-4545; kevin@forumgallery.com \n\n  Save  
URL:https://artinamericaguide.com/event/natural-history/
LOCATION:Forum Gallery\, 475 Park Avenue\, New York\, NY\, 10022\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/Natural-History.jpg
ORGANIZER;CN="Forum Gallery":MAILTO:kevin@forumgallery.com
GEO:40.7619753;-73.9701328
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Forum Gallery 475 Park Avenue New York NY 10022 United States;X-APPLE-RADIUS=500;X-TITLE=475 Park Avenue:geo:-73.9701328,40.7619753
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190405
DTEND;VALUE=DATE:20190609
DTSTAMP:20260403T154023
CREATED:20190325T164030Z
LAST-MODIFIED:20190325T164030Z
UID:50156-1554422400-1560038399@artinamericaguide.com
SUMMARY:Mary Bauermeister: Live in Peace or Leave the Galaxy
DESCRIPTION:A color catalogue will accompany the exhibition. Michael Rosenfeld Gallery is the exclusive representative of Mary Bauermeister (b.1934). \nSpecial Opening Event\nThursday\, April 4\, 2019 / 6–8PM \nPlease join Mary Bauermeister in her galaxy presentation\, where 50 unique artist-made pencils will be magically suspended. All proceeds from the sale of pencils will benefit The Children’s Museum of Manhattan (CMOM)\, a premiere New York City institution\, helping children thrive through programs in early childhood development\, art & creativity\, world cultures and health. \n  Save  
URL:https://artinamericaguide.com/event/mary-bauermeister-live-in-peace-or-leave-the-galaxy/
LOCATION:Michael Rosenfeld Gallery\, 100 11th Ave\, New York\, NY\, New York\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/03/Listing_small.jpg
GEO:40.7460874;-74.0076191
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Michael Rosenfeld Gallery 100 11th Ave New York NY New York United States;X-APPLE-RADIUS=500;X-TITLE=100 11th Ave:geo:-74.0076191,40.7460874
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190405
DTEND;VALUE=DATE:20190519
DTSTAMP:20260403T154023
CREATED:20190402T153621Z
LAST-MODIFIED:20190402T153621Z
UID:50493-1554422400-1558223999@artinamericaguide.com
SUMMARY:Raqib Shaw: Landscapes
DESCRIPTION:Pace Gallery is privileged to present new paintings by Raqib Shaw. The exhibition showcases Shaw’s first work in the long tradition of landscape painting\, signifying a new direction for the London-based Kashmiri artist. Drawing inspiration from his childhood memories of Kashmir and the nature and architecture of the Indian subcontinent\, Shaw has mined and re-envisioned his own personal history through the compulsively-detailed\, meticulously-painted\, and emotionally-potent works. Raqib Shaw: Landscapes will be on view at 537 West 24th Street from April 5 – May 18\, 2019\, with an opening reception on Thursday\, April 4 from 6 – 8 PM. A full-color catalogue featuring a conversation between the artist and Pace Gallery Founder Arne Glimcher will accompany the exhibition. \nImage: Raqib Shaw\, The Four Seasons “Spring”\, 2018-2019. Acrylic liner and enamel on Birch wood\, 44-7/8″ x 47-1/4″ (114 cm x 120 cm). \n  Save  
URL:https://artinamericaguide.com/event/raqib-shaw-landscapes/
LOCATION:Pace Gallery 24th Street\, 537 West 24th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2019/04/landscapes.png
ORGANIZER;CN="Pace Gallery":MAILTO:info@pacegallery.com
GEO:40.749373;-74.0054596
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Pace Gallery 24th Street 537 West 24th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=537 West 24th Street:geo:-74.0054596,40.749373
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190405
DTEND;VALUE=DATE:20191013
DTSTAMP:20260403T154023
CREATED:20190623T154048Z
LAST-MODIFIED:20190927T192809Z
UID:57561-1554422400-1570924799@artinamericaguide.com
SUMMARY:Project Wall: Stanley Whitney
DESCRIPTION:Representing his first commissioned public art project\, internationally recognized artist Stanley Whitney and Kansas City Art Institute alumnus will utilize the H&R Block Artspace Project Wall to deliver an emphatic message. \nKnown for his painterly\, abstract compositions of organic grids with vertical and horizontal bands and blocks in vibrant hues\, Whitney’s characteristic approach to painting is as an architect and builder of pictorial color. Parallel to this deep\, lifelong study\, however\, is a smaller and lesser known series of drawings by the artist with words and phrases that explore relationships between text and image and their attendant meanings. \nIn No to Prison Life\, Whitney worked with Guest Curator Larry Ossei-Mensah\, Museum of Contemporary Art Detroit (MOCAD) Susanne Feld Hilberry Senior Curator\, to create and contextualize a new work of art for his alma mater. Whitney’s Project Wall intentionally combines painting and drawing to register an urgent public protest against a U.S. judicial system that promotes arrest\, incarceration\, and other forms of imprisonment that often further damages lives. \nWhitney recently introduced the public to the phrase “No to Prison Life” as the title for a painting created for the international Documenta 14 exhibition in Athens\, Greece and Kassel\, Germany\, in 2017.  In this new context\, however\, the artist uses his agency to create a work that merges his stylistic painting with a provocative message and in so doing broadcasts an alert regarding the disproportionate number of African Americans in U.S. prisons. \n  Save  
URL:https://artinamericaguide.com/event/project-wall-stanley-whitney/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/06/No_to_Prison_Life_Billboard_lowres.jpg
ORGANIZER;CN="H&amp%3BR Block Artspace":MAILTO:mdcain@kcai.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190411
DTEND;VALUE=DATE:20190527
DTSTAMP:20260403T154023
CREATED:20190402T163044Z
LAST-MODIFIED:20190402T163044Z
UID:50521-1554940800-1558915199@artinamericaguide.com
SUMMARY:Irving Penn
DESCRIPTION:In 1967 armed with a Rolleiflex\, Irving Penn came to San Francisco. He rented a building in Sausalito that allowed him to photograph under plenty of northern light\, with beams strong enough to bear the weight of the Hell’s Angels’ motorcycles. This studio—like countless studios Penn used over the course of his career—became a neutral space where the photographer and subject could focus on the task at hand to capture individual expression. Photographing them in his signature smooth pared-down style\, Irving Penn brought equal consideration and expertise into his work with young hippie couples\, motorcyclists\, and radical nude dancers as he did with celebrated actors\, artists\, and luminaries of his time. Decades later\, Pace Gallery is honored to bring the work of Irving Penn to the San Francisco Bay Area. \nImage: Irving Penn\, Hell’s Angels\, San Francisco\, 1967. Platinum palladium print mounted to aluminum\, image\, 18 5/8 x 22 1/2 inches paper\, 22 x 24 7/8 inches mount\, 22 x 26 inches. \n  Save  
URL:https://artinamericaguide.com/event/irving-penn/
LOCATION:Pace Gallery Palo Alto\, 229 Hamilton Avenue\, Palo Alto\, CA\, 94301\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2019/04/irving-penn.png
ORGANIZER;CN="Pace Gallery Palo Alto":MAILTO:ReceptionPA@pacegallery.com
GEO:37.4443909;-122.1613826
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Pace Gallery Palo Alto 229 Hamilton Avenue Palo Alto CA 94301 United States;X-APPLE-RADIUS=500;X-TITLE=229 Hamilton Avenue:geo:-122.1613826,37.4443909
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190411T110000
DTEND;TZID=America/Halifax:20190521T180000
DTSTAMP:20260403T154023
CREATED:20190422T131155Z
LAST-MODIFIED:20190422T131155Z
UID:51890-1554980400-1558461600@artinamericaguide.com
SUMMARY:Ralph Wickiser: The Reflected Stream\, The Early Years 1975-1985
DESCRIPTION:The Walter Wickiser Gallery is proud to announce an exhibit of Ralph Wickiser’s The Reflected Stream\, The Early Years 1975 – 1978\, from April 11th to May 21st\, 2019.  \n“This show\, “The Reflected Stream: The Early Years 1975-1978” offers a beguiling look at landscape abstractionist Ralph Wickiser (1910-98). Wickiser’s near-obsessive focus on reflected patterns of images in the brook near his Woodstock\, New York\, home and studio resulted in paintings that pulse with concentrated energy. At a distance\, these idyllic scenes push and pull the eye between illusion and abstraction.* \nSince the 1930s\, Wickiser’s works have been shown in galleries\, universities\, and museums throughout the country- the Metropolitan Museum\, the Whitney Museum of American Art\, the Brooklyn Museum\, the San Francisco Museum and the Oakland Museum\, the New Orleans Museum of Art\, the Dayton Museum\, the Cincinnati Museum\, and the Dallas Museum to name a few.  A book of Wickiser’s works published in conjunction with the show is available.  \n*David Cleveland \, New York City \nHistorian and Author of  “The History of American Tonalism” \nAn opening reception for “The Reflected Stream\, The Early Years 1975 – 1978” will be held on Thursday May 2nd\, from 6 – 8 pm. For further information\, please contact the gallery at (212) 941-1817\, Tuesday through Saturday\, 11 a.m. – 6 p.m.  \n  Save  
URL:https://artinamericaguide.com/event/ralph-wickiser-the-reflected-stream-the-early-years-1975-1985/2019-04-11/
LOCATION:walter wickiser gallery\, 210 Eleventh Ave\, Suite 303\, New York\, NY\, 10001
ORGANIZER;CN="Walter Wickiser Gallery":MAILTO:wwickiserg@aol.com
GEO:40.749837;-74.0060105
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=walter wickiser gallery 210 Eleventh Ave Suite 303 New York NY 10001;X-APPLE-RADIUS=500;X-TITLE=210 Eleventh Ave\, Suite 303:geo:-74.0060105,40.749837
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190411T110000
DTEND;TZID=America/Halifax:20190521T180000
DTSTAMP:20260403T154023
CREATED:20190422T131228Z
LAST-MODIFIED:20190422T131228Z
UID:51895-1554980400-1558461600@artinamericaguide.com
SUMMARY:Oenone Hammersley: Water Paintings
DESCRIPTION:The Walter Wickiser Gallery is proud to announce an exhibit of Oenone Hammersley’s Water Paintings\, from April 11th to May 21st\, 2019.  \nAward-winning artist Oenone Hammersley is best known for her rainforest and wildlife paintings. She has been exhibiting regularly since 1980\, with shows in the U.S.A\, Europe\, Africa and Australia. Oenone spent three years living in Tanzania painting African wildlife\, In Greece she used Greek mythological figures to illustrate her paintings\, working both in oil on canvas and watercolour and gouache on paper. Oenone spent two years living in Australia and traveled to Papua New guinea to paint the birds of paradise prior to her exhibition on the birds and frogs of Australia and P.N.G. \nOenone’s recent water paintings are prompted by a deep concern for both the lack of water in some parts of the world\, the pollution of our oceans and the poor management of our water resources. Her paintings aim to help people realize how precious water is to our existence. This collection of paintings are dedicated to Save our Seas. \nAn opening reception for “Water Pantings” will be held on Thursday May 2nd\, from 6 – 8 pm. For further information\, please contact the gallery at (212) 941-1817\, Tuesday through Saturday\, 11 a.m. – 6 p.m.  \n  Save  
URL:https://artinamericaguide.com/event/oenone-hammersley-water-paintings/
LOCATION:walter wickiser gallery\, 210 Eleventh Ave\, Suite 303\, New York\, NY\, 10001
ORGANIZER;CN="Walter Wickiser Gallery":MAILTO:wwickiserg@aol.com
GEO:40.749837;-74.0060105
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=walter wickiser gallery 210 Eleventh Ave Suite 303 New York NY 10001;X-APPLE-RADIUS=500;X-TITLE=210 Eleventh Ave\, Suite 303:geo:-74.0060105,40.749837
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190413
DTEND;VALUE=DATE:20190930
DTSTAMP:20260403T154023
CREATED:20190325T163941Z
LAST-MODIFIED:20190531T142938Z
UID:49545-1555113600-1569801599@artinamericaguide.com
SUMMARY:Sheila Hicks: Campo Abierto (Open Field)
DESCRIPTION:Grouping works of art from various periods\, Campo Abierto (Open Field) explores the formal\, social and environmental aspects of landscape that have been present\, yet rarely examined\, throughout Sheila Hicks’ expansive career. Prompting contemplations on collaboration\, dialogue and discussion\, the exhibition is rooted in the reconfiguration of Escalade Beyond Chromatic Lands (2016-2017)\, the artist’s vast installation produced for the Arsenale at the Venice Biennale in 2017. The exhibition brings together several large-format installations\, as well as more intimately-scaled works\, that utilize and transform the architecture of The Bass’ upstairs galleries. The selection of works in Campo Abierto (Open Field) foreground the museum’s context in South Florida\, a multilingual locus traversed by complex immigration waves and patterns\, alongside environmental concerns. \nSheila Hicks (b. 1934\, Hastings\, Nebraska) received her BFA and MFA degrees from Yale University. She received a Fulbright scholarship in 1957-58 to paint in Chile. While in South America\, she developed her interest in working with fibers. After founding workshops in Mexico\, Chile and South Africa\, and working in Morocco and India\, she now divides her time between her Paris studio and New York. Hicks has exhibited internationally in both solo and group exhibitions. Her work was included in the 57th Venice Biennale (2017)\, 77th Whitney Biennial (2014)\, and 30th São Paulo Biennial (2012). Recent solo presentations include: Lignes de Vie\, Centre Pompidou\, Paris (2018); Free Threads 1954-2017\, Museo Amparo\, Mexico (2017). In 2010 a major retrospective of her work\, Sheila Hicks: 50 Years\, debuted at the Addison Gallery of American Art and traveled to the Institute of Contemporary Art\, Philadelphia and the Mint Museum\, Charlotte\, North Carolina. Hicks’ work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art\, New York City; Museum of Fine Arts\, Boston; The Art Institute of Chicago; the Victoria & Albert Museum\, London; Stedelijk Museum\, Amsterdam; Centre Pompidou\, Paris; the Museum of Modern Art\, Tokyo; Museo de Bellas Artes\, Santiago; solo exhibitions at the Seoul Art Center\, Korea; Israel Museum\, Jerusalem. \n  Save  
URL:https://artinamericaguide.com/event/sheila-hicks-campo-abierto-open-field/
LOCATION:The Bass\, 2100 Collins Avenue\, Miami Beach\, FL\, 33139\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/03/Sheila_Hicks_Install_2.jpg
ORGANIZER;CN="The Bass":MAILTO:info@thebass.org
GEO:25.7971165;-80.1291596
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Bass 2100 Collins Avenue Miami Beach FL 33139 United States;X-APPLE-RADIUS=500;X-TITLE=2100 Collins Avenue:geo:-80.1291596,25.7971165
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190413
DTEND;VALUE=DATE:20190623
DTSTAMP:20260403T154023
CREATED:20190402T191748Z
LAST-MODIFIED:20190402T191748Z
UID:50597-1555113600-1561247999@artinamericaguide.com
SUMMARY:Charles Ray: two ghosts
DESCRIPTION:Matthew Marks is pleased to announce Charles Ray: two ghosts\, the next exhibition in his galleries at 1062 North Orange Grove and 7818 Santa Monica Boulevard. The exhibition includes three new sculptures and more than twenty works on paper. \nThe centerpiece of the exhibition is Ray’s first work in stone\, Two Horses Relief (2018)\, carved from a single block of Virginia granite. The sculpture is twelve feet tall and fourteen feet wide and weighs more than six tons. \nClothespile (2018) is a portrait of the artist’s own clothes\, a recurring subject for Ray since the early 1970s. Ray began Clothespile more than fifteen years ago\, ultimately completing it through a process called direct metal laser sintering (DMLS)\, which uses lasers to fuse powdered metal into solid structures with an intricacy that cannot be achieved through casting or carving. \nMountain Lion Attacking a Dog (2018) is a hypothetical scene from the hills around Ray’s home in Los Angeles. Each animal has been machined from a solid block of aluminum\, producing a reflective surface that enhances the finely sculpted details on their bodies. \nOn view in the gallery at 7818 Santa Monica Boulevard is a selection of Ray’s recent drawings\, the first such presentation since the 2010 Whitney Biennial in New York. These pictures of flowers\, drawn in ink on paper\, have an immediacy in direct contrast to the sculptures\, although one drawing\, at seven feet tall\, shares the sculptures’ monumental scale. The paper for some of these works was hand-made by the artist\, including several sheets with embossed imagery. Also on display are four scroll-like notebooks\, each about eight feet long\, that were hand-bound by Ray in his studio. \nCharles Ray (born 1953) lives and works in Los Angeles. His work has been featured in Documenta (1992)\, the Venice Biennale (1993\, 2003\, 2013)\, and the Whitney Biennial (1989\, 1993\, 1995\, 1997\, 2010)\, and his sculptures have been the subject of two retrospectives. The first was organized in 1998 by the Museum of Contemporary Art\, Los Angeles\, and traveled to the Whitney Museum of American Art\, New York\, and the Museum of Contemporary Art\, Chicago. The second was held at the Kunstmuseum Basel and the Art Institute of Chicago in 2014–15. The exhibition “Charles Ray: four patterns” is currently on view at the Reina Sofía in Madrid from March 28 to September 8. \nCharles Ray: two ghosts is on view at 1062 North Orange Grove and 7818 Santa Monica Boulevard from April 13 to June 22\, 2019\, Tuesday through Saturday\, from 10:00 to 6:00 PM. \nFor additional information\, please contact Stephanie Dorsey at 212-243-0200 or stephanie@matthewmarks.com. \n  Save  
URL:https://artinamericaguide.com/event/charles-ray-two-ghosts/
LOCATION:Matthew Marks Gallery LA\, 1062 North Orange Grove/7818 Santa Monica Boulevard\, Los Angeles\, CA\, 90046\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Matthew Marks Gallery LA":MAILTO:info@matthewmarks.com
GEO:34.0904185;-118.3604255
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Matthew Marks Gallery LA 1062 North Orange Grove/7818 Santa Monica Boulevard Los Angeles CA 90046 United States;X-APPLE-RADIUS=500;X-TITLE=1062 North Orange Grove/7818 Santa Monica Boulevard:geo:-118.3604255,34.0904185
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190413
DTEND;VALUE=DATE:20190525
DTSTAMP:20260403T154023
CREATED:20190424T224625Z
LAST-MODIFIED:20190424T224625Z
UID:52094-1555113600-1558742399@artinamericaguide.com
SUMMARY:Walid Raad
DESCRIPTION:A one-person exhibition of work by Walid Raad will open at Paula Cooper Gallery on April 13th\, 2019. The presentation will include a number of recent photographic\, video and print works from the artist’s ongoing project titled Sweet Talk—a set of self-assigned documentary commissions that study the city of Beirut. The exhibition will be on view through May 24th\, 2019 at 521 West 21st Street. There will be an opening reception on Saturday\, April 13th from 6 to 8pm. \nCapturing a composite truth that stretches beyond historical fact\, the works on view explore Beirut’s constant physical transformation during the protracted wars. In the early 1990s\, Beirut’s ravaged downtown embarked on vast reconstruction\, launching the largest urban redevelopment project of the city’s history with the establishment of the Beirut Central District. Examining the persistent effects of the war\, as well as the use of photography and video as an index for archiving a violent past that lingers\, the works in this exhibition cast a quizzical\, mediated eye onto images of the city from this time. \nIn a large-scale video work consisting of kaleidoscopically mirrored loops\, dilapidated buildings silently crumble into clouds of debris. As the playback reverses\, the buildings reemerge from their ruins\, only to crumble again. The footage is derived from video documentation of hundreds of buildings being demolished to make way for the new\, glittering postwar city center. As the video plays forward and backward in a seamless and infinite loop\, the dust billows dissolve into abstract blooms\, confronting the viewer with the horror and beauty that history exerts onto living spaces. The iterative rise and fall\, doubling and rebroadcasting\, evokes the contingent nature of power relations\, urban communities\, and the body politic. \nIn a series of black and white photographs\, ostensibly derived from a book found in a flea market\, Raad explores the texture of the Mediterranean city through the eyes of an acolyte he identifies as the “unsung Lebanese photographer Ahmed Helou.” The photographs have—seemingly—been annotated by an anonymous third party with personal recollections ascribed to each of the depicted locations. Re-photographing the found book\, Raad collapses authorship to mine the space in which parallel pasts exist simultaneously. In another series\, Raad presents his own photographs of shuttered commercial facades taken in 1984: “I was thrilled to be hired by a cousin active in the local militia\, to photograph various storefronts” he writes in the wall text. The images act as preserved referents of a city that is haunted both materially and psychologically. \nFor over twenty-five years\, Walid Raad (b. 1967\, Lebanon) has created work that explores the ways that events of physical and psychological violence affect bodies\, minds\, culture\, and historical narrative. His work has been the subject of numerous one-person exhibitions\, including a forthcoming presentation at the Stedelijk Museum Amsterdam titled “Let’s be honest\, the weather helped\,” opening May 18\, 2019. Other notable presentations have been held at the Hamburger Bahnhof\, Berlin (2006)\, the Reina Sofia Museum\, Madrid (2009)\, the Whitechapel Art Gallery\, London (2010)\, Museo Tamayo\, Mexico City (2011)\, Carré d’Art\, Nîmes and MADRE Napoli (both 2014). In 2015\, Raad was the subject of a mid-career retrospective at the Museum of Modern Art\, New York\, that traveled to the Institute of Contemporary Art\, Boston\, and Museo Jumex\, Mexico City. His work has been shown in such international exhibitions as Documenta 11 and 13 (2002 and 2012)\, the Istanbul Biennial (2015)\, the first Vienna Biennale (2015)\, the Whitney Biennial (2000 and 2002)\, and the 2003 and 2015 Venice Biennale\, among others. Raad is the recipient of numerous awards and prizes including the 2007 Alpert Award from CalArts\, the 2011 Hasselblad Award\, and the 2016 Infinity Award in Art from the International Center of Photography. The artist currently lives in New York City where he teaches at (the still charging tuition) Cooper Union’s School of Art. \n  Save  
URL:https://artinamericaguide.com/event/walid-raad/
LOCATION:Paula Cooper Gallery\, 521\, 521 W 21st Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Paula Cooper Gallery":MAILTO:info@paulacoopergallery.com
GEO:40.7470772;-74.0061877
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Paula Cooper Gallery 521 521 W 21st Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=521 W 21st Street:geo:-74.0061877,40.7470772
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190418
DTEND;VALUE=DATE:20190616
DTSTAMP:20260403T154023
CREATED:20190424T202324Z
LAST-MODIFIED:20190424T202324Z
UID:52081-1555545600-1560643199@artinamericaguide.com
SUMMARY:Tim Rollins and K.O.S.: Workshop
DESCRIPTION:Lehmann Maupin is pleased to announce Tim Rollins and K.O.S.: Workshop. The exhibition marks the first solo survey show for the art collective since Rollins’ passing in December 2017\, presented with the late artist’s estate. Curated by Ian Berry\, who organized the group’s first major traveling retrospective and monograph\, Tim Rollins and K.O.S.: A History\, in 2009 at Skidmore College’s Tang Teaching Museum\, Tim Rollins and K.O.S.: Workshop will feature many of the collective’s most significant series that deal with issues of race\, identity\, history\, and politics\, spanning from 1987 to 2016. Continuing the legacy of the group\, the exhibition also marks the launch of Studio K.O.S.\, which will host Saturday workshops at the gallery throughout the exhibition (participants will be coordinated with local schools). As the collective’s second iteration\, Studio K.O.S. will continue arts education and youth mentorship spearheaded by several of the foundational members\, including Angel Abreu\, Jorge Abreu\, Robert Branch\, and Rick Savinon. The gallery will host an opening reception with many of the group members in attendance on Thursday\, April 18\, at 536 West 22nd Street\, from 6 to 8 PM\, followed by a public talk on Friday\, May 3\, from 6 to 8 PM\, with Ian Berry and members of K.O.S. \nRollins began his career teaching art for special education students in a South Bronx public middle school. In 1984\, he launched the Art Knowledge Workshop\, which acted as an after-school program for his most dedicated students who named themselves Kids of Survival (K.O.S.). At the forefront of social practice and intersectional dialogue\, together Rollins and K.O.S. developed a unique method of art making that involved painting and drawing on the pages of books or sheet music adhered in a grid to the surface of a canvas. Their influential work builds on diverse source materials\, including literary classics by William Shakespeare and Mark Twain\, foundational writings by Dr. Martin Luther King Jr. and Malcolm X\, as well as musical compositions by Felix Mendelssohn and Richard Strauss\, and X-Men comics. \nTim Rollins and K.O.S.: Workshop will include works from the series Amerika (1984-2012); Red Badge (1985-1995); By Any Means Necessary (1985-2008); The Whiteness of the Whale (1986-2016); The Temptation of St. Anthony (1987-1994); Pinocchio (1991); X-Men (1991-1997)\, I See the Promised Land (1999-2012)\, A Midsummer Night’s Dream(2005-2017); Blossom and The Sick Rose (2009); On the Origin of Species (2009-2016); and Invisible Man (2002-2017). Each of these series can be viewed through the broad themes of violence and repair that mark both personal and collective histories. This exhibition will highlight the breadth and lasting impact of the oeuvre of Tim Rollins and K.O.S.\, which encompasses minimal and conceptual modes of representation through language\, literature\, and history. For Rollins and the K.O.S. members who will now continue his legacy\, their practice is concerned with opening a space for the voices of those who have been overlooked or silenced. In a voice that resonates profoundly today\, Rollins is quoted saying: \nTo dare to make history when you are young\, when you are a minority\, when you are working\, or nonworking class\, when you are voiceless in society\, takes courage. Where we came from\, just surviving is ‘making history.’ So many others\, in the same situations\, have not survived\, physically\, psychologically\, spiritually\, or socially. We were making our own history. We weren’t going to accept history as something given to us. \nThis body of work together with the inauguration of Studio K.O.S. is presented during a time when both the art world and larger society grapple with the unresolved history of slavery and colonialism\, its impact on the political and social structures we live with today\, and the role of art to give a platform to those marginalized by these systems. Ultimately\, the exhibition is not a rebuke or endorsement of any one ideology\, but a mirror of society and human folly\, while fulfilling Tim Rollins and K.O.S.’s mandate for the true restorative potential of art\, achieved by centering diverse points of view on the culture that we inherited\, share\, and create every day. \n  Save  
URL:https://artinamericaguide.com/event/tim-rollins-and-k-o-s-workshop/
LOCATION:Lehmann Maupin\, 22nd St\, 536 West 22nd Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Lehmann Maupin":MAILTO:newyork@lehmannmaupin.com
GEO:40.7474992;-74.0062747
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Lehmann Maupin 22nd St 536 West 22nd Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=536 West 22nd Street:geo:-74.0062747,40.7474992
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190418T080000
DTEND;TZID=America/Halifax:20190615T233000
DTSTAMP:20260403T154023
CREATED:20190418T193545Z
LAST-MODIFIED:20190418T193545Z
UID:51681-1555574400-1560641400@artinamericaguide.com
SUMMARY:OPEN CALL: ART FROM THE BOROS VII
DESCRIPTION:ART FROM THE BOROS VII\nIt’s that time of the year again- Denise Bibro Fine Art announces Art From The Boros VII. \nFrom numerous submissions and studio visits\, diverse artists were selected to participate in this annual group show highlighting talent found within New York City’s five boroughs for the past 6 years. \nArt From the Boros VII exemplifies the eclectic artistic community of New York City\, showing a varied range of genres of art and mediums. The mission of the exhibition is to seek and find the pulse of talent in the city that is often overlooked and underexposed. The primary purpose of the exhibition is to bring untapped and underexposed talent in all of the 5 boroughs of New York to the public’s attention. After visiting all the finalists’ studios\, a selection of the most talented of the group will be featured in a group exhibition at Denise Bibro Fine Art. Two artists will be chosen to have a special exhibition of their work. \nAPPLICATION DEADLINE: Saturday\, June 15\, 2019\nAccepting all mediums  \nENTRY REQUIREMENTS\n1. No primary gallery representation\n2. Live and work in any of the 5 boroughs\n3. $45 entry fee \nENTRY INSTRUCTIONS \n– Please pay via paypal info@denisebibrofineart.com. Include your first and last name\n– Or make a check payable to Denise Bibro Fine Art and send to 529 West 20 Street\, 4W\, New York\, NY 10011\n– Please email information to info@denisebibrofineart.com \nSubject line: ART FROM THE BOROS VII\, FIRST NAME\, LAST NAME\n* Fill out application form (LINK BELOW)\n* A maximum of 10 hi-res images including: title\, date\, size\, medium\, and price\n* State whether you paid via paypal or sending a check\n* CV (if applicable) \n-Entry deadline is Saturday\, June 15\, 2019. \nSELECTION PROCESS:\nJurying will be on going through the submission period. From the applications a selected group will be chosen and studio visits will take place throughout the entry process. From the studio visits\, a second and final group will be chosen to exhibit. \nSUBMISSION CALENDAR:\nJune 15th\, 2019: Final Receipt of Entries. No late entries will be accepted. \n  Save  
URL:https://artinamericaguide.com/event/open-call-art-from-the-boros-vii/
LOCATION:Denise Bibro Fine Art\, 529 West 20th Street\, 4th Floor\, New York\, 10011\, United States
CATEGORIES:Event
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ORGANIZER;CN="Denise Bibro Fine Art":MAILTO:info@denisebibrofineart.com
GEO:40.7465935;-74.0067876
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Denise Bibro Fine Art 529 West 20th Street 4th Floor New York 10011 United States;X-APPLE-RADIUS=500;X-TITLE=529 West 20th Street\, 4th Floor:geo:-74.0067876,40.7465935
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190419
DTEND;VALUE=DATE:20190602
DTSTAMP:20260403T154023
CREATED:20190325T163750Z
LAST-MODIFIED:20190325T163750Z
UID:50242-1555632000-1559433599@artinamericaguide.com
SUMMARY:Wardell Milan\, “Parisian Landscapes\, Blue Zenith”
DESCRIPTION:David Nolan Gallery is pleased to present Wardell Milan\, “Parisian Landscapes\, Blue Zenith.” \n  Save  
URL:https://artinamericaguide.com/event/wardell-milan-parisian-landscapes-blue-zenith/
LOCATION:David Nolan Gallery\, 24 E 81st Street\, New York\, NY\, 10028\, United States
CATEGORIES:Exhibition
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GEO:40.7522757;-74.0026804
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=David Nolan Gallery 24 E 81st Street New York NY 10028 United States;X-APPLE-RADIUS=500;X-TITLE=24 E 81st Street:geo:-74.0026804,40.7522757
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190420T110000
DTEND;TZID=America/Halifax:20190525T190000
DTSTAMP:20260403T154023
CREATED:20190403T161743Z
LAST-MODIFIED:20190403T161743Z
UID:50693-1555758000-1558810800@artinamericaguide.com
SUMMARY:MICHELE MARTIN TAYLOR\,  The Promise of Happiness
DESCRIPTION:The exhibition features original oil and watercolor paintings by noted artist Michele Martin Taylor. The subjects range from abstract ideas\, such as love and friendship\, to whimsical and humorous depictions of the Clam Shell Railroad and a lucky rainbow.  Ms. Taylor will personally attend the reception for the artist to discuss her works.  A catalog with images of all paintings has been published by the gallery\, ISBN # 978-0-9841837-3-9\, and will be available at the gallery\, and from Amazon. \n  Save  
URL:https://artinamericaguide.com/event/michele-martin-taylor-the-promise-of-happiness/
LOCATION:American Painting Fine Art\, 5125 MacArthur Blvd.\, NW\, Suite 17\, Washington\, DC\, DC\, 20016\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/04/Lovers-on-the-beach-frothy-weather-20190213_082500-022219-640x476.jpg
ORGANIZER;CN="American Painting Fine Art":MAILTO:americanpaintingdc@andreikushnir.com
GEO:38.9256488;-77.1017259
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=American Painting Fine Art 5125 MacArthur Blvd. NW Suite 17 Washington DC DC 20016 United States;X-APPLE-RADIUS=500;X-TITLE=5125 MacArthur Blvd.\, NW\, Suite 17:geo:-77.1017259,38.9256488
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190423T110000
DTEND;TZID=America/Halifax:20190518T180000
DTSTAMP:20260403T154023
CREATED:20190425T212806Z
LAST-MODIFIED:20190425T212806Z
UID:52162-1556017200-1558202400@artinamericaguide.com
SUMMARY:Monica Bernier at Bowery Gallery
DESCRIPTION:Monica Bernier’s second exhibition at Bowery Gallery runs from April 23 – May 18\, 2019. Gallery hours are 11am to 6pm Tuesday through Saturday. With her second exhibition at Bowery\, Monica Bernier builds on a familar idiom of abstract cut-outs to re-create two very different personal experiences: a 2017 roadtrip through the national parks of the American Southwest\, and day- and night-time views of a suburban Connecticut swimming pool. \nWhile the artist’s flair for vivid colors and iconic shapes informs all the work\, its effect varies as widely as the motifs\, ranging from a natural\, sunlit vastness to a domestic intimacy. \nThere will be an artist’s reception on Thursday\, April 25\, 5-8pm. \nThe artist will give a gallery talk with painters Naomi Nemtzow and Rita Baragona on Saturday\, May 11\, 4-5pm. \n  Save  
URL:https://artinamericaguide.com/event/monica-bernier-at-bowery-gallery/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bowery Gallery 547 W 27TH ST Suite 508 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=547 W 27TH ST Suite 508:geo:-74.0047021,40.7493621
END:VEVENT
END:VCALENDAR