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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260403T185938
DTEND;TZID=America/Halifax:20230107T180000
DTSTAMP:20260403T185938
CREATED:20230109T180703Z
LAST-MODIFIED:20230109T180703Z
UID:101329-0-1673114400@artinamericaguide.com
SUMMARY:Joanne Freeman: New York Conversation
DESCRIPTION:Kathryn Markel Fine Arts is thrilled to announce New York Conversation\, an upcoming exhibition of new work by Joanne Freeman. New York Conversation is Freeman’s third solo exhibition with the gallery. The show will be accompanied by a group show curated by Freeman titled Betty and Veronica. They will run concurrently from January 5th – February 11th\, 2023. \n  \n“New York Conversation references my studio process\, and metaphorically describes the random thoughts\, snippets of conversation\, lyrics and memories that ebb and flow over the course of a painting. Visual signs\, nostalgia and the emotional residue of color\, guide my aesthetic choices\,” Freeman says. While intuitive\, Freeman’s stencil-like forms and irregular hard-edge curves harken Modernism and minimalist sensibilities. This is heightened by a palette of saturated primary colors\, or monochromatic works.   “My paintings reference forms found in architecture and design\,” she says.  “I create compositions based on loose geometry and layered saturated colors. The hard edge process of cutting shapes and layering color onto treated raw linen\, recalls qualities of mid-century low-tech graphics\, color field painting and collage\,” she continues.  \n  \nThe forms are hard-edged while still breathy and organic.  The subtle transparencies at the edges of the forms and the contrast of the brushstrokes across the tooth of linen reveal the artist’s hand. “When applying oil paint to linen I try to accentuate the inherent qualities of both mediums\,” she says. “ I consider both the transparency and opacity of the colors\, how they abut and overlap\, and how they respond to the textured tooth of the linen.” She is mindful of each medium’s materiality when painting.  Her saturated colors in either gouache or oil paint are absorbed by the handmade paper or linen\, enhancing the modernist flatness of her forms and use of space. “My reductive abstract paintings are about the beauty of singular color\, the impact of pure abstract forms and the quiet order that cuts through the noise\,” Freeman says.  \n  \nJoanne Freeman has had solo exhibitions in galleries around the United States\, and shown at The Queens Museum\, Zillman Art Museum University of Maine\, The Painting Center\, and the Cape Cod Museum of Art. She’s a 2021 recipient of the Pollock-Krasner Foundation Grant\, and the Vice President of the American Abstract Artists organization. She has her M.A in Studio Art from New York University\, and lives and works in New York City. \n  Save  
URL:https://artinamericaguide.com/event/joanne-freeman-new-york-conversation/
LOCATION:Kathryn Markel Fine Arts\, 529 West 20th\, Suite 6W\, New York\, NY\, 10011\, United States
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ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
GEO:40.9365358;-72.3040792
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Kathryn Markel Fine Arts 529 West 20th Suite 6W New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=529 West 20th\, Suite 6W:geo:-72.3040792,40.9365358
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260403T185938
DTEND;TZID=America/Halifax:20230128T180000
DTSTAMP:20260403T185938
CREATED:20230109T180750Z
LAST-MODIFIED:20230109T180750Z
UID:101313-0-1674928800@artinamericaguide.com
SUMMARY:2023 Winter Juried Exhibitions
DESCRIPTION:BLUE MOUNTAIN GALLERY is pleased to present the work of 47 artists\, 51 pieces of artwork\, selected by Eric Holzman for this year’s winter juried exhibition. The artists\, drawn from over two hundred applicants from across the country\, work in a wide range of media\, including oil\, acrylic\, pastel\, gouache\, photography and mixed media.  \n​Heidi Alamanda \, Marilyn Allen\, Hilary Houston Bachelder\, James Baker\, Nina Kardon Baran\, Bob Barnett\, Raymond Berry\, Leslie Blackmon\, Pam Bowers\, Nancy Breakstone\, Karina Cavat\, Audrey Cohn-Ganz\, Elizabeth Courtney\, Anne Delaney\, Stephanie DeManuelle\, Kiran K Dhaliwal\, Janine Dunn Wade\, Melanie Essex\, Tom Fitzharris\, Meghan Fleming\, Nancy Granda\, Theresa Heidig Rooney\, Teresa Jade Jarzynski\, Moishe Kampin\, Sam Kelly\, Michele King\, Laura Levine\, Pattie Lipman\, Aaron Lubrick\, Manuel Alejandro Macarrulla\, James McKenna\, Elizabeth Meyersohn\, Mark. Milroy\, Blake Morgan\, Arnaldo J Rivera Rivera\, Gail Rodney\, Rebecca Gray Rolke\, Roxy Rubell\, Alyssa Schmidt\, Abbey Stace\, Leslie Ross Stephens\, Yuri Tayshete\, Preston Trombly\, Laura Vahlberg\, Ekaterina Vanovskaya\, Aidan White and Lenore Wolf. \n​Juror ERIC HOLZMAN has been painting and searching for connection in nature and other representational genres all his life. He is a romantic and a classicist who looks into the inner nature of things and tries to walk “The Beauty Way.” He was educated at Tyler School of Art\, Yale\, Skowhegan and the New York Studio School. Eric has taught at Pratt\, the New York Studio School\, and Bard College among others. He is a National Academician and has exhibited twice at the American Academy\, winning awards from both institutions.  Eric has also shown work at Lori Bookstein\, Tibor de Nagy\, Sideshow and Artist Equity\, all in NYC\, and at Gremillion Fine Art and Ellio Fine Art in Houston\, Texas. He has received many honors\, including grants and fellowships from the Guggenheim Foundation\, the NEA\, the Pollock Krasner Foundation\, the Gottlieb Foundation and the Louis Comfort Tiffany Foundation. Website: www.ericholzman.com \n\n  Save  
URL:https://artinamericaguide.com/event/2023-winter-juried-exhibitions/
LOCATION:Blue Mountain Gallery\, 547 W 27th St\, Suite 200\, New York\, NY\, 10001\, United States
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ORGANIZER;CN="Blue Mountan Gallery":MAILTO:info@bluemountaingallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T185938
DTEND;TZID=America/New_York:20250920T170000
DTSTAMP:20260403T185938
CREATED:20250722T184747Z
LAST-MODIFIED:20250722T184747Z
UID:114023-0-1758387600@artinamericaguide.com
SUMMARY:August-September @ Art Works!
DESCRIPTION:Throughout August Art Works is open to the public\, offering a variety of engaging exhibits. Adam and Anita Bradley present life-size figurative sculptures and paintings capturing a chaotic world. Mike Bily’s exhibit investigates ecosystems; Sharon Denmark captures light flowing through glass. Rachel Rowden exhibit is a portal of mysteries and Rebecca Visger provides a view from behind the wheel. Blake Bottoms exhibit is featured in the Community Bridge Project. \n  \nJoin us for a fun-filled scavenger hunt with prizes\, perfect for both the young and the young at heart. The activity culminates with prizes for all who participate. We also offer figure drawing sessions on the 1st and 3rd Sundays and Queer Life Drawing at Gold Lion Community Café on August 20th.  \n  \nBradley + Bradley: The Weight of Vanishing Shadows \nAdam and Anita Bradley explore the human condition through their unique mediums. Adam presents life-sized figurative sculptures in wood\, steel\, ceramics\, and smaller bronze pieces\, reflecting themes of anxiety\, loss\, and grief. Anita complements this with layered paintings and mixed media collages\, capturing the struggle for order in a chaotic world. Their intertwined approaches invite contemplation of deep human experiences. \n  \nThe exhibition will be in the Jane Sandelin Gallery at Art Works and will continue through September 20\, 2025. \n  \n  \nArtifacts by Anne Chamblin \nAnne Chamblin’s work is about merging sight and feeling. For her\, painting is a way to process what she experiences. She brings spaces\, places\, and faces to life on canvas\, turning bodies into landscapes and using layers to hint at the passage of time. Anne constantly reworks her paintings\, always keeping a bit of the past to shape the present. Her journey is grounded in everyday experiences\, resulting in unique\, relatable art. \n  \nThe exhibit will be in the Centre Gallery at Art Works through September 20\, 2025. \n  \n  \n  \n  \n  \nBetween Worlds by Hannah Anderson \n  \nAmerican abstract artist Hannah Anderson (b. 1953)\, raised in the simplicity of a Quaker household\, rediscovered her love for painting in 1990 with a Crayon watercolor set. Self-taught and inspired by contemporary artists\, her work reflects the light and dark periods of her life\, blending elements of nature and archetypal symbols from healing traditions. Her debut exhibit\, Between Worlds\, explores the liminal space between worlds and relationships. Hannah resides in Richmond\, Virginia\, and finds inspiration in Taos\, New Mexico. \n  \nThe exhibit will be in the Corner Gallery at Art Works through September 20\, 2025. \n  \n\nMental Health Matters: Celebrating Resilience Through Art All Media Show\nThis exhibit is a focal point of all Art Works’ openings. It is a juried show with cash prizes for 1st\, 2nd and 3rd place. The show is open to all artists and all mediums. \n  \nIn August the theme is Mental Health Matters: Celebrating Resilience Through Art. The community has donated terrific items that we will be auctioning to benefit NAMI\, and Art Works will donate the sales from the All Media Show to NAMI. \nWonJung Choi an international artist and educator\, will be the juror for the exhibit. Wonjung Choi is a Korean-born\, Virginia-based artist whose multidisciplinary work delves into the complexities of identity formation in a globalized world. See more on WonJung’s website: Click here. \n  \nCall for entries is July 15  – August 10\, 2025\, and may be submitted through the online form. The exhibit will be in the Port Gallery at Art Works through September 18\, 2025. Check our website for details on submitting artwork:  Call for Entries \n  Save  
URL:https://artinamericaguide.com/event/august-september-art-works-2/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/07/PR-2025.08-Anne-Chamblin-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T185938
DTEND;TZID=America/New_York:20250926T200000
DTSTAMP:20260403T185938
CREATED:20250903T144946Z
LAST-MODIFIED:20250903T144946Z
UID:114439-0-1758916800@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Opening Reception @ Art Works!
DESCRIPTION:4th Friday September 26th at Art Works \n  \nJoin us on September 26\, 2025 from 6 p.m. to 8 p.m. for an exciting opening reception of our new exhibits at Art Works. Meet the talented artists\, and enjoy live music\, refreshments\, and libations sponsored by RVA Thriving Artists.  The featured artists are Adam Reinhart\, Jen Cook-Asaro\, Sarah Miller\, Tatiana Grace\, Kenneth Lee\, and experiment with interactive art by RVA Game Jams. \n  \nThis event is free and open to the public. Convenient and free parking is available. The exhibits will continue through October 18\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-opening-reception-art-works-56/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/PR-2025.09-Game-Jam-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T185938
DTEND;TZID=America/New_York:20250927T180000
DTSTAMP:20260403T185938
CREATED:20250811T200044Z
LAST-MODIFIED:20250811T200044Z
UID:114212-0-1758996000@artinamericaguide.com
SUMMARY:Heather Stivison\, “Ebb & Flow”\, a Solo Exhibition
DESCRIPTION:In this her third New York City solo exhibition\, Heather Stivison explores the intersection of environmental science and visual art with a series of immersive paintings of the ocean. \nStivison paintings capture the essence of water—something clear and colorless\, with its shape formed entirely by the external forces of objects\, land\, wind\, gravity. Searching for water’s most primary qualities\, she uses light\, color\, form\, shape\, line\, to engender a sense of water. Fluidity\, reflections\, rhythms are evident in her ocean surface paintings. Stivison is fascinated by the reflections and patterns created by the coastal ocean surface. She paints variations on patterns\, exploring how much she can change them and still maintain the sense that the subject is surface water. \nCurator and director of Manhattan Arts International Renee Phillips writes: \n“Stivison ventures beyond nature’s physical boundaries into abstraction with the profusion of free-flowing biomorphic patterns and tonal ranges. In her paintings the innate attributes of water evolve into metaphors\, symbolism and visual poetry.” \nThe exhibition includes a massive 110-inch quadriptych that explores the sense of weightlessness and mystery that she finds in the imagining unknown ocean depths. Other paintings explore surface water patterns as abstract design. \nIndependent curator Kathy Imlay writes: \n“Stivison’s paintings have a luminous glow—accomplished by the artist building up layer upon layer of viscous paint\, which she pours\, smears\, scrapes and otherwise manipulates to create fields of color that conjure the watery depths of the ocean or intergalactic space\, depending on the palette.” \nSome of the paintings on view are the result of her multi-year\, grant funded collaboration with Noah Germolus\, a scientist at Woods Hole Oceanographic Institute who was researching ocean chemistry. Stivison created two paintings about him and his work\, and four five-foot paintings that interpret his research data in paint. \nThe collaboration led to a unique special feature of this exhibition. After Stivison interpreted his data in paint\, he in turn\, interpreted four of her paintings in music. The exhibition includes an on-demand sound installation of original jazz music composed and performed by Germolus. \n  Save  
URL:https://artinamericaguide.com/event/heather-stivison-ebb-flow-a-solo-exhibition/
LOCATION:Pleiades Gallery\, 547 W 27th St. Suite 304\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/stivison-heather_Coastal-Surface-Community_48x60_Oil-over-Acrylic-on-Canvas.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T185938
DTEND;TZID=America/New_York:20251018T170000
DTSTAMP:20260403T185938
CREATED:20250903T144946Z
LAST-MODIFIED:20250903T144946Z
UID:114443-0-1760806800@artinamericaguide.com
SUMMARY:September - October Exhibits @ Art Works!
DESCRIPTION:Now showing six new exhibits. The featured artists are Adam Reinhart\, Jen Cook-Asaro\, Sarah Miller\, Tatiana Grace\, Kenneth Lee\, and experiment with interactive art by RVA Game Jams. Also see 80+ working artist studios. \nVisit us Tuesdays through Sundays 11am- 5pm. Admission is free and open to the public. Convenient and free parking is available. The exhibits will continue through October 18\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/september-october-exhibits-art-works-4/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/PR-2025.09-Game-Jam-1-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T185938
DTEND;TZID=America/New_York:20251122T170000
DTSTAMP:20260403T185938
CREATED:20250908T192551Z
LAST-MODIFIED:20250908T192551Z
UID:114572-0-1763830800@artinamericaguide.com
SUMMARY:October - November Exhibits @ Art Works!
DESCRIPTION:Now showing six new exhibits. The featured artists are Blake Seals\, Felicia L. Reed\, Adam Reinhard\, Sorvino\, and Tobi Holtslag. Also see 80+ working artist studios. \nVisit us Tuesdays through Sundays 11am- 5pm. Admission is free and open to the public. Convenient and free parking is available. The exhibits will continue through November 22nd 2025. \n  Save  
URL:https://artinamericaguide.com/event/october-november-exhibits-art-works-5/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/09/PR-2025.10-Chris-Semtner-3-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:jessie@artworksrva.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T185938
DTEND;TZID=America/New_York:20260221T180000
DTSTAMP:20260403T185938
CREATED:20260120T172859Z
LAST-MODIFIED:20260120T172859Z
UID:115685-0-1771696800@artinamericaguide.com
SUMMARY:Robert Braczyk: Cardinal Directions
DESCRIPTION:Exhibition Dates: January 27 – February 21\, 2026\nOpening Reception: Thurs.\, January 29\, 2026\, 5PM-8PM\nArtist Talk: Saturday\, February 14\, 2026\, 3PM-4PM\nGallery Hours: Tuesday – Saturday\, 11AM-6PM \nBowery Gallery is pleased to present “Cardinal Directions\,” an exhibition of new sculpture by Robert Braczyk.  \nFor many years a prize-winning figurative sculptor\, in recent years Braczyk has turned to abstraction. In his new work—most about 24 inches high—he assembles various tree elements into vertical compositions that echo figural forms\, but whose abstract vocabulary of open volumes and discontinuous contours suggests the possibility of multiple allusions. Each work evinces a powerful spatial tension between the cardinal point from which it is begun and the complex three-dimensional image that Braczyk builds with primary thrust\, axis\, and meridian.  \nBraczyk’s trajectory from figure to abstract figure may be seen as a temporal through line connecting the events of a life. The artist’s comment that he brings all his life’s experiences into the studio reminds us that in the long arc of his career\, the spatial and temporal are never far apart. \nView the exhibition website. \n  \nBowery Gallery\n547 W. 27th Street\, Suite 508\nNew York\, NY 10001 \n  Save  
URL:https://artinamericaguide.com/event/robert-braczyk-cardinal-directions/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/Braczyk_Reel_for_eVite-and_Web_landing-page-scaled.jpg
ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bowery Gallery 547 W 27TH ST Suite 508 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=547 W 27TH ST Suite 508:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20121022
DTEND;VALUE=DATE:20220101
DTSTAMP:20260403T185938
CREATED:20210527T152347Z
LAST-MODIFIED:20210527T152507Z
UID:81363-1350864000-1640995199@artinamericaguide.com
SUMMARY:LEO VILLAREAL: COSMOS
DESCRIPTION:An homage to the late Cornell astronomy professor Carl Sagan\, Cosmos is a site-specific installation by New York–based artist Leo Villareal (born 1967)\, a pioneer in the use of light-emitting diodes (LEDs) and computer-driven imagery. His signature pieces explore complex movement and dazzling patterns created by points of light using his own computer software. \n \nVillareal – Cosmos – Johnson Museum – Cornell final from Walter Patrick Smith\, AIA LEED A on Vimeo. \nPlanning for Cosmos began in November 2010\, when Villareal—along with the project architect\, Walter Smith\, and donors Lisa and Richard Baker—worked with Johnson Museum staff to determine the optimal location for the installation. The ceiling of the Sherry and Joel Mallin Sculpture Court was chosen for its high visibility not only on campus but also from the city of Ithaca. After studying the Museum’s architectural plans and considering structural and aesthetic aspects of the installation\, the artist’s team returned to Cornell in April 2012 to install a nine-foot-square mock-up. Installation of the final piece took several weeks\, with twelve thousand energy-efficient LEDs on a gridded framework attached to the ceiling of the sculpture court. A zero gravity bench was designed by the artist for viewers to fully immerse themselves in the viewing experience and to foster a more communal involvement with his installation. Villareal gave a public lecture to mark the opening of the installation. \nVillareal’s works reinterpret fundamental components of such twentieth-century art movements as pop\, minimalism\, conceptual\, and post-painterly abstraction while responding to the ingenuity and imagination that defines technology in the twenty-first century. Among his most notable site-specific works are the illumination of the exterior of the Brooklyn Academy of Music (2006)\, Multiverse in the Concourse walkway between the East and West Buildings at the National Gallery of Art (2008)\, and Sky at the Tampa Museum of Art (2009). His largest installation to date is The Bay Lights\, illuminating the West Span of the San Francisco Bay Bridge for its 75th anniversary in 2013. \nAndrea Inselmann\nCurator of Modern and Contemporary Art \n\nImage:\nLeo Villareal\nCosmos\, 2012\nWhite LED Lights\, custom software\, and electrical hardware; site-specific installation.\nAcquired through the generosity of Richard Baker\, Class of 1988\, and Lisa Baker.\n2012.056\nPhoto: James Ewing \n\n  Save  
URL:https://artinamericaguide.com/event/leo-villareal-cosmos/
LOCATION:Herbert F. Johnson Museum of Art\, Cornell University\, 114 Central Avenue\, Cornell University\, Ithaca\, NY\, 14853\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/05/cosmos-ewing-2169.jpeg
GEO:42.4507153;-76.4862114
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Herbert F. Johnson Museum of Art Cornell University 114 Central Avenue Cornell University Ithaca NY 14853 United States;X-APPLE-RADIUS=500;X-TITLE=114 Central Avenue\, Cornell University:geo:-76.4862114,42.4507153
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210604T110000
DTEND;TZID=America/Halifax:20220403T180000
DTSTAMP:20260403T185938
CREATED:20220302T164128Z
LAST-MODIFIED:20220302T164128Z
UID:90880-1622804400-1649008800@artinamericaguide.com
SUMMARY:Break + Bleed
DESCRIPTION:Like the break of a line or page and the bleed of various elements beyond the edge or boundary of a certain area\, the artworks in Break + Bleed oscillate between ideas of linearity and geometry and overlapping planes of color and form. Drawn primarily from SJMA’s permanent collection\, the exhibition features artwork by Josef Albers\, Karl Benjamin\, Linda Besemer\, Tony DeLap\, Sam Francis\, Sonia Gechtoff\, Helen Lundeberg\, Brice Marden\, John McLaughlin\, Ted Stamm\, Frank Stella\, Patrick Wilson\, and Leo Valledor\, among others. \n  Save  
URL:https://artinamericaguide.com/event/break-bleed/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/01/SJMA_BB_6-2021_002.jpg
GEO:37.3327419;-121.8905201
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=San Jose Museum of Art 110 S. Market Street San Jose CA 95113 United States;X-APPLE-RADIUS=500;X-TITLE=110 S. Market Street:geo:-121.8905201,37.3327419
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210703T080000
DTEND;TZID=America/Halifax:20211231T170000
DTSTAMP:20260403T185938
CREATED:20210702T163023Z
LAST-MODIFIED:20210702T163023Z
UID:82493-1625299200-1640970000@artinamericaguide.com
SUMMARY:Anne Hieronymus: Works on Paper
DESCRIPTION:This exhibition of a selection of collages and drawings\, is described by the artist as debris fields of torn and repurposed paper decorations\, printed wrapping paper\, stickers and broken up press-type. Some have been transmuted into the large colored pencil drawings also on view.  Hieronymus makes her drawings on large sheets of bright white gessoed paper\, and the pencils are shaded from deep black to very light pastels. Layers of stylistically foreign visual material intermingle and overlap in an explosion of activity\, almost chaotic; that surprisingly creates an unexpected and reassuring inner calm. View the exhibition here: https://bit.ly/ccpahieron \n  Save  
URL:https://artinamericaguide.com/event/anne-hieronymus-works-on-paper/
LOCATION:Cross Contemporary Partners
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2021/07/Screen-Shot-2021-07-01-at-4.06.55-PM.png
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210703T120000
DTEND;TZID=America/Halifax:20211231T170000
DTSTAMP:20260403T185938
CREATED:20210702T163023Z
LAST-MODIFIED:20210702T163023Z
UID:82491-1625313600-1640970000@artinamericaguide.com
SUMMARY:Bassmi Ibrahim: Later Works
DESCRIPTION:A virtual exhibition of later paintings by Bassmi Ibrahim can be previewed in the Cross Contemporary Partners Online Gallery. These commanding artworks are installed in a three-dimensional gallery with the illusion of 22 foot high ceilings and over 200 linear feet of wall space. Art critic Dominique Nahas writes about Bassmi’s paintings: “Vaporous\, veil-like yet robust\, his open-ended forms easily elicit the suggestion of after-image contours of a flower or a sea creature\, or of an air-bound and fleeting entity.” Visit the exhibition here \n  Save  
URL:https://artinamericaguide.com/event/bassmi-ibrahim-later-works/
LOCATION:Cross Contemporary Partners
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/07/Screen-Shot-2021-07-01-at-1.27.52-PM-1.jpg
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210728T110000
DTEND;TZID=America/Halifax:20220221T180000
DTSTAMP:20260403T185938
CREATED:20210908T152014Z
LAST-MODIFIED:20211110T205920Z
UID:86954-1627470000-1645466400@artinamericaguide.com
SUMMARY:Walter B. Stephen Pottery: Cameo to Crystalline
DESCRIPTION:Artist Walter B. Stephen contributed to Western North Carolina’s identity as a flourishing site for pottery production and craftsmanship in the early 20th century. This exhibition features art pottery and functional vessels from each stage of Stephen’s career\, from his origins discovering the medium alongside his mother in Tennessee to his multi-decade production just outside of Asheville. \nIn Arden\, NC\, Stephen founded his third and last pottery studio\, Pisgah Forest\, which he operated from 1926 until his death in 1961. It was at this studio that the artist perfected the “cameo” decoration technique for which he became best known. His hand-painted images\, achieved with layers of white translucent clay\, often feature American folk imagery\, from covered wagons and livestock to cabins and spinning wheels. A selection of works from the Museum’s Collection showcases his innovation in form and in decorative surface details\, including experimentation with crystalline glazing. \nSupport for this exhibition is provided by the Judy Appleton Memorial Fund and the Michael Lask Fund. This exhibition is organized by the Asheville Art Museum and curated by Alexis Meldrum\, curatorial assistant. \nImage: Pisgah Forest Pottery\, Walter B. Stephen\, Covered Wagon teapot\, creamer and sugar bowl\, 1943\, glazed stoneware\, 4 ⅜ × 9 × 6 ½ (teapot); 3 ¼ × 5 ¼ × 4 ½ (creamer); 4 × 6 ⅝ × 5 ½ (sugar bowl) inches. Asheville Art Museum\, gift of Andrew Glasgow\, 2010.26.03-05. \n  Save  
URL:https://artinamericaguide.com/event/walter-b-stephen-pottery-cameo-to-crystalline/
LOCATION:Asheville Art Museum\, 2 South Pack Square\, Asheville\, NC\, 28801\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/09/2010.26.04.82_Walter_B._Stephen.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210731
DTEND;VALUE=DATE:20220214
DTSTAMP:20260403T185938
CREATED:20210812T170831Z
LAST-MODIFIED:20210812T170831Z
UID:84966-1627689600-1644796799@artinamericaguide.com
SUMMARY:Many Wests: Artists Shape an American Idea
DESCRIPTION:Ideas about the American West\, both in the popular imagination and in commonly accepted historical narratives\, are often based on a past that never was\, and fail to take into account important events that actually occurred. At once\, “The West” can conjure images of rugged colonial settlers\, gun-toting-cowboys\, or vacant expanses of natural beauty. Many Wests: Artists Shape an American Idea offers multiple views of “The West” through the perspectives of forty-eight modern and contemporary artists. Their artworks question old and racist clichés\, examine tragic and marginalized histories\, and illuminate the many communities and events that continue to form this region of the United States. The exhibition explores the specific ways artists actively shape our understanding of the life\, history and myths of the American West. \nNational Tour\nMany Wests features artwork from the permanent collections of the Smithsonian American Art Museum and four partner museums located in some of the fastest-growing cities and states in the western region of the United States. The collaborating partner museums are the Boise Art Museum in Idaho; the Jordan Schnitzer Museum of Art in Eugene\, Oregon; the Utah Museum of Fine Arts in Salt Lake City; and the Whatcom Museum in Bellingham\, Washington. It is the culmination of a multi-year\, joint curatorial initiative made possible by the Art Bridges Foundation \n\nImage:\nAngel Rodríguez-Díaz\, The Protagonist of an Endless Story\, 1993\, oil on canvas\, Smithsonian American Art Museum\, Museum purchase made possible in part by the Smithsonian Latino Initiatives Pool and the Smithsonian Institution Collections Acquisition Program\, 1996.19. © 1993\, Angel Rodriguez-Diaz \n\n  Save  
URL:https://artinamericaguide.com/event/many-wests-artists-shape-an-american-idea/
LOCATION:Boise Art Museum\, 670 Julia Davis Drive\, Boise\, ID\, 83702\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/Rodriguez-Diaz-Angel_The-Protagonist.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210806T100000
DTEND;TZID=America/Halifax:20211231T170000
DTSTAMP:20260403T185938
CREATED:20211102T162342Z
LAST-MODIFIED:20211102T162428Z
UID:89712-1628244000-1640970000@artinamericaguide.com
SUMMARY:Anne Appleby: A Hymn for the Mother
DESCRIPTION:Observing and responding to her the forest surrounding her home and studio outside of Jefferson City\, Montana\, artist Anne Appleby distills her perceptions of natural elements as they perpetually alter throughout their life cycles. In this new series of works\, Appleby addresses the collective angst we are experiencing\, consciously or not\, regarding the rapidly changing climate. Through a subtle approach employing various mediums and imagery\, the exhibition examines the romantic ideas we hold culturally in relation to the reality and effects of a warming planet. Appleby states “I have spent the last twenty-three years painting the landscape of my Montana home\, in a reductive language observing the cyclical nature of trees and plants. I use this language in the exhibition but also explore a traditional style of romantic landscape painting.” \n“As an elegy to Mother Earth in face of unprecedented environmental destruction\, A Hymn for the Mother may be best understood through the lens of forward-thinking conservation practices and legislation and the development of the environmental movement in Montana. Usually\, contemporary art falls on one end of a spectrum while environmental policy and activism lie elsewhere\, unrelated\, but Appleby manages to create a body of work that bridges this traditional division. This is not to say that Appleby’s work is overtly political. Rather\, the environmental movement in Montana works as an armature to support deeper engagement and a better understanding of the artist’s practice and her work.” —Brandon Reintjes\, senior curator at MAM. \nThis exhibit is sponsored by The Wren and Ruth & Kim Reineking. \n  Save  
URL:https://artinamericaguide.com/event/anne-appleby-a-hymn-for-the-mother/
LOCATION:Missoula Art Museum\, 335 North Pattee Street\, Missoula\, MT\, 59802\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/11/TheForest-Slikati-Photography.jpg
GEO:46.8724608;-113.9924585
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Missoula Art Museum 335 North Pattee Street Missoula MT 59802 United States;X-APPLE-RADIUS=500;X-TITLE=335 North Pattee Street:geo:-113.9924585,46.8724608
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210806T110000
DTEND;TZID=America/Halifax:20220925T180000
DTSTAMP:20260403T185938
CREATED:20220511T143406Z
LAST-MODIFIED:20220511T143406Z
UID:93525-1628247600-1664128800@artinamericaguide.com
SUMMARY:Hito Steyerl: Factory of the Sun
DESCRIPTION:SJMA presents the landmark installation Hito Steyerl’s Factory of the Sun (2015)\, a joint acquisition between the Hammer Museum in Los Angeles\, the Museum of Contemporary Art in Chicago\, and SJMA. The critically acclaimed\, immersive video debuted at the 2015 Venice Biennale. It is inspired by a quote from Donna Haraway’s Cyborg Manifesto (1985)\, describing machines as “made of pure sunlight.” In the video\, Steyerl explains: “Our machines are made of pure sunlight. Electromagnetic frequencies. Light pumping through fiberglass cables. The sun is our factory.” The premise of machines made of pure sunlight is not a romantic one for the Berlin-based artist. Steyerl has long attuned herself to the power of image and their reproduction\, particularly documentary images\, to manipulate our worldview. \nFactory of the Sun tells a surreal story of workers whose forced dance moves in a motion capture studio are turned into artificial sunshine. The story is based on an actual YouTube phenomenon (her studio assistant’s brother whose viral homemade dance videos were used as a model for Japanese anime characters) and a news story about an experiment at CERN nuclear research facility that claimed to have measured a particle traveling faster than the speed of light. On screen\, Steyerl interweaves fact and fiction; a montage of YouTube dance videos\, drone surveillance footage\, real documentation of recent international student uprisings combines with video game characters\, fake news\, and dancing\, gold lamé-costumed avatars. In this imaginative reality spun from Haraway’s theory\, the motion capture studio’s glowing grid of blue LED lights extends beyond the screen into the gallery\, like a Star Trekkian “holodeck” able to materialize a different world in three dimensions. Modern warfare\, corporate culture\, and anti-capitalist resistance movements are played out by disembodied characters—avatars\, bots\, or proxies for the human viewers who watch the video from the vantage of reclined beach chairs. \n  Save  
URL:https://artinamericaguide.com/event/hito-steyerl-factory-of-the-sun/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/05/51469682663_8f14ba3a57_o.jpeg
GEO:37.3327419;-121.8905201
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=San Jose Museum of Art 110 S. Market Street San Jose CA 95113 United States;X-APPLE-RADIUS=500;X-TITLE=110 S. Market Street:geo:-121.8905201,37.3327419
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210807
DTEND;VALUE=DATE:20220302
DTSTAMP:20260403T185938
CREATED:20201012T151945Z
LAST-MODIFIED:20220228T173022Z
UID:77177-1628294400-1646179199@artinamericaguide.com
SUMMARY:Nordfeldt Connections in Wichita
DESCRIPTION:Nordfeldt Connections pairs with An American Internationalist: B. J. O. Nordfeldt to highlight this internationally regarded artist’s connections to Wichita in the 1930s. Nordfeldt was tied to our city through local son Ed Davison\, a banker and painter who summered in New Mexico and befriended many notable artists in the art colonies of Taos and Santa Fe. Nordfeldt frequently visited Davison in Wichita\, sometimes on extended stays when he lectured and taught classes. Nordfeldt Connections features work by Nordfeldt himself and his friends Ed Davison\, Birger Sandzen\, and others. \nBror Julius Olsson Nordfeldt was a modernist of international reputation. He was born in Sweden and moved with his family to the United States when 14 years old. He trained at the Art Institute of Chicago as well as the Académie Julien in Paris. Nordfeldt firmly embraced the fiercely independent spirit of modernism\, and he continued to explore different subjects and styles to remain fresh and authentic across his career.\nWith a spirit that sought new locations for new artistic inspiration\, he lived in or near artist colonies in Provincetown in Massachusetts\, Santa Fe in New Mexico\, and New Hope in Pennsylvania. \n\nImage:\nEdmund L. Davison\, Mesa Road\, 1943. Oil on canvas\, 27 x 34 inches. Wichita Art Museum\, Edmund L. and Faye Davison Collection \n\n  Save  
URL:https://artinamericaguide.com/event/nordfeldt-connections-in-wichita/
LOCATION:Wichita Art Museum\, 1400 West Museum Boulevard\, Wichita\, KS\, 67203\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/10/1968.29-900x711-1.jpg
GEO:37.6949375;-97.3561859
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Wichita Art Museum 1400 West Museum Boulevard Wichita KS 67203 United States;X-APPLE-RADIUS=500;X-TITLE=1400 West Museum Boulevard:geo:-97.3561859,37.6949375
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210829T080000
DTEND;TZID=America/Halifax:20220531T170000
DTSTAMP:20260403T185938
CREATED:20210830T125339Z
LAST-MODIFIED:20220211T204937Z
UID:85983-1630224000-1654016400@artinamericaguide.com
SUMMARY:Francie Lyshak: Solo Exhibition
DESCRIPTION:Francie Lyshak’s textured oils are discrete objects in and of themselves. The glowing pigment fields in Lyshak’s canvases\, scraped with sculptural marks\, create a surface relief that interacts with the ambient light. Dominique Nahas observies ” These surfaces are replete with strength\, subtlety and nuance…takes into consideration experiential and psychical experiences that converge in the mind’s eye as a pre-verbal type of consciousness.” \nExplore the exhibitions here: https://bit.ly/flyshaksolo \n  Save  
URL:https://artinamericaguide.com/event/francie-lyshak-solo-exhibition/
LOCATION:KTC Affiliated Artists\, New York\, NY\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/cardFrancie-Lyshak-24-x-40-small.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210829T080000
DTEND;TZID=America/Halifax:20220531T170000
DTSTAMP:20260403T185938
CREATED:20210830T125339Z
LAST-MODIFIED:20220211T205038Z
UID:85985-1630224000-1654016400@artinamericaguide.com
SUMMARY:Victoria Lowe: Solo Exhibition
DESCRIPTION:This virtual exhibition of paintings by Victoria Lowe is a survey of her work from the 70’s through more recently. John Mendelsohn writes about Lowe’s work that “In the vast space of these paintings\, we are ultimately left with our own consciousness and with a feeling of unmoored freedom.” \nVisit the exhibition here: https://bit.ly/vlowesoloshow \n  Save  
URL:https://artinamericaguide.com/event/victoria-lowe-solo-exhibition/
LOCATION:KTC Affiliated Artists\, New York\, NY\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2021/08/Screen-Shot-2021-08-27-at-4.58.00-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210829T080000
DTEND;TZID=America/Halifax:20220531T170000
DTSTAMP:20260403T185938
CREATED:20210830T125339Z
LAST-MODIFIED:20220211T205121Z
UID:85989-1630224000-1654016400@artinamericaguide.com
SUMMARY:Martin Weinstein: Solo Exhibition
DESCRIPTION:In the paintings of Martin Weinstein\, D. Dominick Lombardi notes: “Each edge of a flower petal\, every cluster or windswept leaf and each ray of sunlight can be elements that both blend and stand apart as nature observed travels through the air like a refreshing breeze or a sudden apparition. \nVisit the exhibition here: https://bit.ly/mweinsteinsoloshow \n  Save  
URL:https://artinamericaguide.com/event/martin-weinstein-solo-exhibition/
LOCATION:KTC Affiliated Artists\, New York\, NY\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2021/08/Weinstein-Venice-small-card.png
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210830T080000
DTEND;TZID=America/Halifax:20220531T170000
DTSTAMP:20260403T185938
CREATED:20210830T125339Z
LAST-MODIFIED:20220211T205414Z
UID:85991-1630310400-1654016400@artinamericaguide.com
SUMMARY:Bobbie Moline-Kramer: Solo Exhibition
DESCRIPTION:A convergence of figuration and abstraction\, Moline-Kramer’s renderings of natural elements intermingle with abstract-expressionist brushstrokes – blending reality with illusion. \nVisit the exhibition here: https://bit.ly/bmksoloshow \n  Save  
URL:https://artinamericaguide.com/event/bobbie-moline-kramer-solo-exhibition/
LOCATION:KTC Affiliated Artists\, New York\, NY\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2021/08/Screen-Shot-2021-08-27-at-4.43.33-PM.png
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210830T080000
DTEND;TZID=America/Halifax:20220531T170000
DTSTAMP:20260403T185938
CREATED:20210830T125339Z
LAST-MODIFIED:20220211T205336Z
UID:85993-1630310400-1654016400@artinamericaguide.com
SUMMARY:Robert Mango: Recent Work
DESCRIPTION:Robert Mango is a highly inventive painter whose surreal vision of the human form deconstructs\, then reconstructs. Mango renews and renders the figure in emotion\, light\, color\, and above all\, passion. \nExplore the exhibition here: https://bit.ly/mangosolo \n  Save  
URL:https://artinamericaguide.com/event/robert-mango-recent-work/
LOCATION:KTC Affiliated Artists\, New York\, NY\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/Mango-card.jpg
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210830T080000
DTEND;TZID=America/Halifax:20220531T170000
DTSTAMP:20260403T185938
CREATED:20210830T125339Z
LAST-MODIFIED:20220211T205148Z
UID:85995-1630310400-1654016400@artinamericaguide.com
SUMMARY:Gail Hillow Watkins: Solo Exhibition
DESCRIPTION:“Gail Hillow Watkins’s haunting references to the history of art converge with the pungent pop of comic books. It is just this play of opposites that gives Watkins’s work its particular flavor.” – John Mendelsohn \nVisit the exhibition here: https://bit.ly/ccpghwatkinsolo \n  Save  
URL:https://artinamericaguide.com/event/gail-hillow-watkins-solo-exhibition/
LOCATION:KTC Affiliated Artists\, New York\, NY\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/CARD-Gail-Hillow-Watkins-small-copy.jpeg
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210830T080000
DTEND;TZID=America/Halifax:20220531T170000
DTSTAMP:20260403T185938
CREATED:20210830T125339Z
LAST-MODIFIED:20220211T205216Z
UID:85997-1630310400-1654016400@artinamericaguide.com
SUMMARY:Lou Tavelli: Early Paintings
DESCRIPTION:In spite of the far reaching experiments in style\, this series of Lou Tavelli’s paintings are united by a deep connection to the nature and landscape of the Catskills. Even in the broad brush abstract paintings\, the viewer can sense the solidity of the surrounding mountains and the mists coming off of the lake. \nVisit Lou Tavelli’s solo exhibition here: https://bit.ly/ccpvirtualtavelli \n  Save  
URL:https://artinamericaguide.com/event/lou-tavelli-early-paintings/
LOCATION:KTC Affiliated Artists\, New York\, NY\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/LOU-TAVELLI-CARD-SMALL.jpg
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210830T080000
DTEND;TZID=America/Halifax:20220531T170000
DTSTAMP:20260403T185938
CREATED:20210830T125340Z
LAST-MODIFIED:20220211T205454Z
UID:85977-1630310400-1654016400@artinamericaguide.com
SUMMARY:Kaethe Kauffman: Solo Exhibition
DESCRIPTION:Kauffman’s practice as an artist is performative and photographic\, creating images of women’s bodies in a series of actions\, including yoga poses. In an expansion of the body’s own “speech” through movement\, the images combine into larger fields of replication and mirroring\, until the individual body is subsumed into a larger vision. Ms. Kauffman’s work is on view in a virtual gallery with the illusions of 18 foot high ceilings and over 25 running feet of wall space. Visit the gallery here: https://bit.ly/ccpkaufsolo \n  Save  
URL:https://artinamericaguide.com/event/kaethe-kauffman-solo-exhibition/
LOCATION:KTC Affiliated Artists\, New York\, NY\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/Neck8Brown-Green10x4-180zigzag-1.jpg
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210830T080000
DTEND;TZID=America/Halifax:20220531T170000
DTSTAMP:20260403T185938
CREATED:20210830T125340Z
LAST-MODIFIED:20220211T205519Z
UID:85979-1630310400-1654016400@artinamericaguide.com
SUMMARY:John Lyon Paul: Solo Exhibition
DESCRIPTION:“The distinctiveness of John Lyon Paul’s paintings lies in their transitions from element to element and in the evolution of techniques visible within each work: each piece is unique but still related to the others in this series through the contradiction of a flattened surface that yields surprising depth.”\n– Jonathan Goodman \nVisit this virtual galley with the illusion of 12 foot high ceilings and over 200 running feet of wall space here: https://bit.ly/jlpsolo \n  Save  
URL:https://artinamericaguide.com/event/john-lyon-paul-solo-exhibition/
LOCATION:KTC Affiliated Artists\, New York\, NY\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/08/34.-JLPaul_TurningToLight-.jpg
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210831T100000
DTEND;TZID=America/Halifax:20220226T170000
DTSTAMP:20260403T185938
CREATED:20211102T165041Z
LAST-MODIFIED:20211102T165041Z
UID:89714-1630404000-1645894800@artinamericaguide.com
SUMMARY:Neal Ambrose-Smith: Where Are You Going?
DESCRIPTION:With a dual exhibition title in Séliš and English\, artist Neal Ambrose-Smith queries our present\, collective situation and expresses the anxieties and uncertainties of contemporary life. Ambrose-Smith\, a descendent of the Confederated Salish and Kootenai Nations\, created this body of work over the past four years to address the seismic political and cultural shifts that have taken place. His work is typified by fluency in the mediums of printmaking\, painting\, drawing\, sculpture\, and neon\, well as a fluency in the currency of our times—popular culture. Ambrose-Smith wears his humor on his sleeve\, even as his heart is in his throat. He cares deeply about the present state of humanity and manifests this concern through these expressive artworks. Ambrose-Smith says\, “As a nation\, we face a reckoning seen the rise in anger\, racism\, hatred\, destruction of the planet\, and illness. As human beings\, we have to find a way to work together.” \n  \nIn this exhibition\, the artist uses the metaphor of multiple realities (through the use of black light\, references to Alice in Wonderland\, and Star Trek’s map of the known universe) to point out the fundamental problem with fixed solutions. A postmodern artist\, Ambrose-Smith moves between mediums and embodies the postmodern tenants of appropriation\, juxtaposition\, recontextualization\, globalization\, and hybridity. His work mixes concepts of Indigenous identity and pop culture\, with existential questions about contemporary society. He takes on large\, complicated themes such as the arc of human existence\, our interdependence with one another\, and the future direction of the planet in an accessible\, tongue-in-cheek way that connects to audiences. \n  Save  
URL:https://artinamericaguide.com/event/neal-ambrose-smith-where-are-you-going/
LOCATION:Missoula Art Museum\, 335 North Pattee Street\, Missoula\, MT\, 59802\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/11/IMG_0094.jpg
GEO:46.8724608;-113.9924585
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Missoula Art Museum 335 North Pattee Street Missoula MT 59802 United States;X-APPLE-RADIUS=500;X-TITLE=335 North Pattee Street:geo:-113.9924585,46.8724608
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210904T080000
DTEND;TZID=America/Halifax:20211231T170000
DTSTAMP:20260403T185938
CREATED:20201208T194459Z
LAST-MODIFIED:20201208T194459Z
UID:79182-1630742400-1640970000@artinamericaguide.com
SUMMARY:Jim Singelis: Burning from Within
DESCRIPTION:Jim Singelis describes his images as self-portraits without a mirror\, and the complex emotions they represent do embody a singular and personal intensity. The series actually began with one clear and literal self-likeness\, and he starts each new painting or drawing by sketching his own reflection. But from there he improvises\, and while he observes and reacts the image takes on its own personality\, going through many changes\, sometimes alternating between male and female or even becoming another species before reaching its final form. Marks documenting the process remain visible; the multilayered\, extensively worked surface creates both background and context. The portraits represent not only himself\, but also individual characters who have an inner life and relationships of their own in a world whose population continues to expand. He also intends them as self-portraits of a kind for those who look at them\, mirrors of emotional states and conditions they know and relate to through the lens of their own experience. Titles are purposely left vague\, allowing observers to contribute the narrative or interpret the content for themselves. \n  Save  
URL:https://artinamericaguide.com/event/jim-singelis-burning-from-within-2/
LOCATION:Roper Gallery\, Frostburg State Univerisity\, 101 Braddock Road\, Frostburg\, MD\, 21532\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2020/12/Screen-Shot-2020-12-03-at-3.17.59-PM.png
ORGANIZER;CN="Katharine T. Carter &amp%3B Associates":MAILTO:ktc@ktcassoc.com
GEO:39.6498765;-78.9345627
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Roper Gallery Frostburg State Univerisity 101 Braddock Road Frostburg MD 21532 United States;X-APPLE-RADIUS=500;X-TITLE=101 Braddock Road:geo:-78.9345627,39.6498765
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210908
DTEND;VALUE=DATE:20211224
DTSTAMP:20260403T185938
CREATED:20210830T195545Z
LAST-MODIFIED:20211020T181900Z
UID:86146-1631059200-1640303999@artinamericaguide.com
SUMMARY:Be Your Wonderful Self: The Portraits of Beauford Delaney
DESCRIPTION:“[Beauford] Delaney repeatedly turned to art to annihilate the boundaries of fixed identity in ways that were not simply aesthetic…but also spiritual. Such ecstatic annihilations ran between his purely abstract paintings and his portraits\, animating his figurative and non-figurative work alike.”[1] —Mary Campbell \n“[I] have worked terribly hard…and much has sundered and exploded\, but now it coalesces with lava-like smoke and fluid color\, sometimes a veritable flame\, other times subdued essences…yes\, I am again painting in my old feeling—tense\, difficult\, but compulsive\, and I love it.”[2] —Beauford Delaney\, 1964 \nMichael Rosenfeld Gallery is pleased to announce its third solo exhibition of paintings by Beauford Delaney (American\, 1901–1979)\, which will contextualize the artist’s highly personal portraiture practice in relation to his compelling body of non-objective abstractions. \nFeaturing 25 portraits and 7 abstract works\, Be Your Wonderful Self: The Portraits of Beauford Delaney explores the preeminent status portraiture held in the artist’s life and work\, following the trajectory of his career from his “Greene Street” period in New York through his ardent embrace of pure abstraction after his relocation to Paris in 1953. By exhibiting Delaney’s portraiture alongside his abstractions\, the exhibition seeks to reveal the common intention with which the artist approached both genres of painting\, which came to dominate his artistic output for the remainder of his working years. Be Your Wonderful Self will be accompanied by an expansive catalogue\, publishing new scholarship by Mary Campbell\, Associate Professor of Art History at the University of Tennessee\, Knoxville\, and an illustrated chronology featuring an extraordinary selection of previously unpublished archival photos and ephemera. A special section of the publication will be dedicated to statements from such historical and contemporary voices as James Baldwin\, Richard Long\, Julie Mehretu\, Georgia O’Keeffe and Amy Sherald\, who describe the indelible impact Delaney’s work had on their practices and the broader evolution of 20th century modernism. \nThe scope of Be Your Wonderful Self encompasses Delaney’s mature career\, beginning with his masterful early portrait of a young James Baldwin\, Dark Rapture (1941)\, and terminating with his penetrating 1972 depiction of Jean Genet. Though its acclaim is well-earned\, Delaney’s technical mastery often eclipses his singular ability to capture individual temperament in his portraits—a capacity often augmented by the artist’s sincere and unconditional engrossment in his sitters. His distinctive formal approach to portraiture melds abstraction and figuration in such a way that the physical description of the sitter is secondary to their psychological essence; by emphasizing specific characteristics of their form (often including clothing or expression) Delaney renders each subject as an iconographic manifestation of their interior self. His bold fauvist palette and meticulously textured surfaces\, which range from densely encrusted to ethereally sheer\, unifies subject and background in a way that overshadows their corporeal presence\, rendering each painting a new\, holistic embodiment of its subject. Delaney often worked from memory when painting portraits\, an approach that imbues his pictures with a particular subjectivity rooted in the artist’s emotional and psychic relationship with his subjects; far from a narcissistic impulse\, Delaney embraced this approach as a means to making the imperceptible connection between artist and subject visible through a combination of formal exaggeration or simplification expressed through a meticulous chromatic exactitude.   Delaney’s abstractions were likewise conceived in his studio without a physical referent present—usually with the walls and other works in the space covered by white bedsheets to enhance the effects of the natural light—and testify to the intense drive for aesthetic experimentation he felt unable to adequately express in his figural works. Considered by the artist to be individual expressions of ineffable emotional or cosmic profundities\, the abstract works often acted as a receptacle for the overflow of creative passion that overwhelmed the artist after settling in Paris. By exhibiting these parallel bodies of work in conversation with each other\, Be Your Wonderful Self seeks to reveal the conceptual crux that unifies them\, namely the arresting treatment of tone and atmosphere inherent to the artist’s entire oeuvre. As critic and poet Jean Guichard-Meili wrote in a review of the artist’s 1964 exhibition at Galerie Lambert\, “Only a methodical and extended exercise of vision will permit [the abstract paintings] to be sensed and savored amid and beneath the network of color tones…the movements of internal convection\, the vibrations of underlying design. The portraits do not differ from the other works…Background\, clothing\, hands\, face are the pretext for autonomous harmonies.”[3] \nBiographically\, Delaney was as affable as he was generous\, often living in poverty due to his charitable nature. The artist’s good friend Henry Miller once summarized Delaney’s benevolent disposition: “He has made many\, many friends throughout his career\, and he never ceases to make new ones. He is not just a friend he is the friend\, the one who gives his all. Poor though he has been\, he has never given the impression of being miserable. He has always given to more than he received—that is to say\, himself.”[4] Delaney’s figurative paintings demonstrate his indiscriminate eye for subjects\, which variously depict family\, casually encountered acquaintances from all walks of life\, and friends from his wide circle of artists\, writers and other cultural luminaries. Though many in his social network were individuals of exceptional acclaim\, Delaney’s genuine warmth and interest extended to everyone he befriended regardless of social status\, including Larry Wallrich\, a Greenwich Village bookstore employee that became a lifelong friend\, and to whom the titular phrase of this exhibition was directed in a 1953 letter from the artist. \nAn abiding devotee of abstract expressionism\, Delaney felt compelled to pursue his interest in non-objective imagery in the mid-1950s\, after the artist’s relocation to Paris instilled in him a new sense of artistic freedom. Upon settling among the Parisian avant-garde scene of American expatriate artists that included Baldwin\, Bob Blackburn\, Harold Cousins and Sam Francis—the latter of whom\, along with Monet\, Delaney would credit as influential to his early abstractions—Delaney embraced this new mode of expression\, which became the prevailing approach to his practice in the years that followed. Though they bear no linear or formally descriptive elements\, Delaney’s abstractions contain the same level of meticulous individualism in composition\, palette\, and surface quality as his portraits\, manifesting a highly expressionistic handling of surface to elicit an energetic sense of movement and formal interplay. \nIndeed\, despite constituting such a drastic stylistic leap in comparison to his Greene Street period\, the abstractions’ place alongside Delaney’s portraiture in the timeline of his career reveals an ideological consistency in the artist’s conception of painting\, which he understood as an endeavor to embody light through paint with the same universal illumination with which it makes the world itself visible. “My work intensifies itself and some of the years of groping begin to take root in color and form\,” Delaney wrote to Miller in 1964. “The human situation invades and pours. I am humbly dedicated and try to find orchestration for this deluge…One tries to speak through the brush the tangible and intangible feelings. They permit the vast panorama of things before\, present\, and future.”[5] \nMichael Rosenfeld Gallery LLC is Special Advisor and Representative of the Estate of Beauford Delaney. \nMore information on Beauford Delaney (1901–1979). \nMichael Rosenfeld Gallery will also be presenting a solo exhibition of Beauford Delaney’s abstract works at Frieze Masters (Spotlight\, Booth H1\, October 13–17\, The Regent’s Park\, London). \nAll works © Estate of Beauford Delaney\, by permission of Derek L. Spratley\, Esquire\, Court Appointed Administrator \n[1] Mary Campbell\, “Beauford Delaney in Ecstasy\,” in Be Your Wonderful Self: The Portraits of Beauford Delaney\, exhibition catalogue (New York\, NY: Michael Rosenfeld\, 2021).\n[2] Beauford Delaney\, Letter to Henry Miller\, May 21\, 1964\, quoted in David Leeming\, Amazing Grace: A Life of Beauford Delaney (New York\, NY: Oxford University Press\, 1998)\, p. 162.\n[3] Jean Guichard-Meili\, trans. Richard A. Long\, Arts\, December 16–22\, 1964\, p. 27.\n[4] Henry Miller\, Letter to Darthea Speyer\, September 26\, 1972\, in Galerie Darthea Speyer Records\, Archives of American Art\, Smithsonian Institution\, Washington DC.\n[5] Beauford Delaney\, Letter to Henry Miller\, May 21\, 1964\, quoted in David Leeming\, Amazing Grace: A Life of Beauford Delaney (New York\, NY: Oxford University Press\, 1998)\, p. 163. \n  Save  
URL:https://artinamericaguide.com/event/be-your-wonderful-self-the-portraits-of-beauford-delaney/
LOCATION:Michael Rosenfeld Gallery\, 100 11th Ave\, New York\, NY\, New York\, United States
CATEGORIES:Exhibition
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SUMMARY:Yale Art Gallery: On the Basis of Art: 150 Years of Women at Yale
DESCRIPTION:On the Basis of Art: 150 Years of Women at Yale showcases and celebrates the remarkable achievements of an impressive roster of women artists who have graduated from Yale University. Presented on the occasion of two major milestones—the 50th anniversary of coeducation at Yale College and the 150th anniversary of the first women students at the University\, who came to study at the Yale School of the Fine Arts when it opened in 1869—the exhibition features works drawn entirely from the collection of the Yale University Art Gallery that span a variety of media\, such as paintings\, sculpture\, drawings\, prints\, photography\, and video. Beginning with Josephine Miles Lewis\, the very first student\, male or female\, to be awarded a Bachelor of Fine Arts degree\, in 1891\, the show highlights the work of nearly 80 artist-graduates\, including Emma Bacon\, Certificate of Completion 1885; Audrey Flack\, B.F.A. 1952; Eva Hesse\, B.F.A. 1959; Sylvia Plimack Mangold\, B.F.A. 1961; Jennifer Bartlett\, B.F.A. 1964\, M.F.A. 1965; Howardena Pindell\, M.F.A. 1967; Roni Horn\, M.F.A. 1978; Maya Lin\, B.A. 1981\, M.ARCH. 1986; An-My Lê\, M.F.A. 1993; Rina Banerjee\, M.F.A. 1995; Wangechi Mutu\, M.F.A. 2000; Mickalene Thomas\, M.F.A. 2002; Mary Reid Kelley\, M.F.A. 2009; Njideka Akunyili Crosby\, M.F.A. 2011; and many others. The title of the exhibition references the phrase used in the landmark 1972 U.S. federal law Title IX—which declared that no one could be discriminated against “on the basis of sex” in any education program receiving federal financial assistance\, and which forced the School of Art to hire full-time female faculty beginning that year. Amid the rise of feminist movements—from women’s suffrage at the turn of the 20th century\, to the ERA movement of the mid-20th century\, to the #MeToo movement of today—this exhibition asserts the crucial role that women have played in pushing creative boundaries at Yale\, and in the art world at large. \n  Save  
URL:https://artinamericaguide.com/event/yale-art-gallery-on-the-basis-of-art-150-years-of-women-at-yale/
LOCATION:Yale University Art Gallery\, 1111 Chapel St\, New Haven\, CT\, 06510\, United States
CATEGORIES:Exhibition
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